#Famous Couple

[retropopcult]

Farrah Fawcett and Lee Majors holding a friend's baby, Christmas 1971

[theyroaredvintage]

Serge Gainsbourg and Jane Birkin, 1960s.

[cokiemace]

Blueface and Chrisean Rock.

[rayveneyed]

cw; suggestive / softcore smut, alcohol consumption (possibly dubcon), inappropriate workplace relationships, cisfem!reader

nanami kento is too old for fucking.

he tells you this at 1 am — in not quite as many words — a few too many somaeks in, lethargic and slow from the length of the workday. there’s enough alcohol in his system to have him silk-loose and soft, cursing more freely and allowing vulgarity (or what he considers vulgarity) to grace his ever-so-polite tongue.

you’ve never heard him like this before; you’ve never heard your straight laced coworker utter anything more than a family-friendly expletive (drat being a recurring character — old-fashioned, but endearing). but his shirt is unbuttoned at the collar and his hair is mussed, and the blush of intoxication is rising to his sharp cheekbones — and yes, he curses. it almost sounds elegant when he does it. rolling over his tongue in his poorly-lit living room, where he’d only bothered to turn one lamp on; gathering with his voice like balls of cotton wool deep in his chest.

you yourself have had one too many drinks — that is why you find warmth pooling in your stomach at the sound of his confession, at the sight of his face illuminated in honey-soft light. after all, you’d never let the barrier of strained, charged professionalism drop otherwise. you’d never accept kento’s sudden invite for a nightcap after a night already filled with drinking, surrounded by tipsy coworkers at a local izakaya; you’d never let him help you slip your heels off, deft fingers unbuckling the strap from your ankle and lingering just long enough for you to notice. you’d surely never sit so close to him on his fancy 1.5 million yen couch — and you’d never, ever entertain the comment he’d made, one that he never intended for you to hear in the first place.

“what was that?” you say, coy, as if the comment hadn’t twisted something horrid in your gut. (as if you weren’t imagining him flushed from top to bottom, panting against your neck. it’s the alcohol, you’re sure of it.) “you’re too old for all that crazy stuff? like what?”

his adam’s apple bobs. he’s sitting slumped low next to you, his head hanging backwards against the back of the couch and his gaze somewhere on the high ceilings above your head, like he can’t face you. pretty. handsome. “sorry. i was just thinking out loud.”

“i know.” you take a sip of your own somaek. “but we’re both adults here, right? i mean, i agree. i’m not as flexible as i was at 20.”

his laugh is more of a surprised huff — like he’s just as surprised as you are that your conversation has steered into such uncharted territory. perhaps he’s surprised that he’s even responding to it — but he does, rubbing at his eyes with his thumb and pointer finger. his thigh presses against yours through those infernal khaki slacks. “mm. me neither.”

you shoot him a cheeky grin. “you were getting folded like a pretzel, i presume?”

another laugh, tinged with incredulity this time. “mm. something like that.”

you both sit in silence for a moment. his apartment really is lovely — the kind of apartment you only get when you’re as diligent as nanami, putting aside money for years and steadily working his way up the hierarchal corporate ladder. high ceilings and a wall of floor-to-ceiling windows opposite his couch; a kitchen with a granite island; fancy furniture straight from an interior designer’s wet dream. it’s all neutral greys and browns, cozy and elegant and refined, and suddenly you wonder what his bedroom looks like. you take another sip of your drink.

“getting older’s not all that bad,” you say, almost offhandedly, speaking more to the tokyo skyline than your drinking companion. (you bet he has a double-king with fancy 500-count cotton bedsheets. probably some trinkets. man stuff like shavers and cuff links and aftershave.) “i like it slow anyways.”

a strange, choked sound leaves your drinking partner, and your eyes shoot over to him. you’re suddenly mortified at your careless blabbering — but drunk enough for your embarrassment to be eclipsed by a prideful ignorance. “huh? nanami-san, are you okay?”

he stares up at the ceiling once more. his throat bobs again. a slight blush has dusted the tops of his ears — but before you can linger in it, his eyes suddenly flicker to meet yours. you’re almost taken aback by it — the intensity with which his brown eyes suddenly bore into you, the sullenness and modesty from before pushed aside for something newer. something rawer. “…forgive me for my forwardness—”

“you’re forgiven.”

“—but, i…”

you swallow. he still hasn’t looked away. your breathing has stilted, stagnant and pressing, in your lungs. you fight the urge to press against the point where his thigh meets your own, already on the verge of squirming under his heady stare. “but…?”

straight-laced nanami kento breathes deeply, his chest moving with the force of it, and as his breath shudders out of him, he bites out: “i really want you, right now.”

your heartbeat rushes in your ears.

“but we’re coworkers,” kento continues, like he’s been sitting on it for a while — like he’s trying to convince himself as much as you. his hand — the one not clutching his glass, the one laying on top of his thigh, flexes. “it’s unprofessional — completely inappropriate. i should be written up for simply confessing this to you.”

“but we—” you swallow around a dry throat — all moisture in your body seemingly gathering between your legs, hot and thrumming and nowhere to go— “we’re not working right now.”

a beat of silence.

kento finally looks away from you, and you can breathe again. you grapple with the sudden influx of air in your lungs, the anxiety of misstepping broiling in the pit of your stomach. while you internally struggle with yourself, nanami sets his somaek on the coffee table, before slumping back again.

“i suppose we’re not.”

unsurprisingly, kento does not make the first move. he just sits there, one arm behind his head and the other laying limp at his side, his chin tilted towards the sky and his eyes shut as if to sleep. it’s not in a way that might be construed as arrogance — this isn’t your high school boyfriend sitting back and waiting for you to pull down his pants — it’s pure and utter indulgence. climb over him if you want. kiss him when you want. cross the imaginary line drawn in the sand when it suits you — regardless, he won’t ever touch unless you explicitly make it clear that you want him to. desire curdles in your stomach, almost painful, and it's all you can do to scrabble onto your knees beside him.

before your anxiety takes control of your faculties — before you allow your cowardice to seize your limbs — you swing a knee to the other side of his hips. you're straddling him, close enough that you're sure you're sharing the same air, and — fuck, he's much bigger than you'd anticipated. he doesn't have the wiry, lean stature of the average salaryman — somehow, between sleeping overnight in the office and drinking at izakayas almost nightly, kento's frame is sturdy and large, muscular. like he works out often. you don't know how he does it with the long hours he puts in, but your thighs almost ache with the stretch of his hips between them — and pressed right against you, right where you're sensitive and aching and perhaps a little too needy, is his clothed cock. the slacks do little to camouflage the shape or hardness of it — in fact, you swear you feel it twitch when you seat yourself against it.

kento's eyes flutter open. his cheekbones are slowly reddening, his glasses hooked low on his nose bridge. his arms twitch where they lay, like he was about to move to hold you and thought better of it. you wish he didn't think better of it. "hi."

you give a little smile, hopefully looking less like you're brimming with excitable energy than you actually are. his lips really are quite close to yours. if you just leaned forward... "hi."

they're not chapped, his lips, but not shining with lip balm. they're soft looking and slightly pink, naturally down-turned in a way that makes him seem grumpy most of the time. but they're quirked up in a little smile, now, and all you can think about is how they might feel against yours. your lip gloss has long since rubbed off, between drinking and eating and drinking again, but would the remnants of glitter smear against his lips? would he come away tasting cherries?

kento clears his throat.

"i have to be honest with you," he says. he adjusts his glasses smartly, the way he does at the office, the way that has all the your female coworkers swooning. "i'm… passed the age of doing things no strings attached — that is to say, if—”

heart suddenly swooping in your chest — delighted at being indulged, of having your affections returned — and brain whizzing along like a child who's had too much sugar, you connect your lips with little fanfare. you're perhaps too enthusiastic — prodding his mouth with your tongue as soon as he'll let you, leaning forward until your chests press together and you can almost feel his heart beating through his skin. his lips are soft, after all. soft but weathered, moving so pleasantly against yours — and then his hands squeeze at the plushness of your hips, his teeth take your bottom lip between them, and—

you're panting when you pull away. panting and flushed and hot all over, barely an inch between you for fear of distance. you’re hot where you’re connected, so filled with nervous, excitable energy you think you might wither; nanami’s grasp on you, steel-tight and warm, does little to help. it’s all you can do to give yourself a second to recuperate, chest heaving — and nanami seems just as bad off. the usually well-kept salaryman looks a mess underneath you, with his lips swollen, his eyes half-lidded, and his breathing uneven — even then, though, his eyes are far too intense for you to calm any.

“to be honest,” you say, "i’m — i’m a little too old for that, too, kento."

another small smile. the gap between you is filled once more. you both call in sick that morning.

[nancy-xx]

Nancy and Sid

Nancy and sid posing at their pindock mews flat in london, august 4th 1978.

On this day they had a party and amongst those in attendance were anna sui and anne beverley, Sid's mother.

[felsicveins]

i have a feeling that Julian looks at their old wedding photos and pictures of John Dory while drunk

just thinking

"What did he do wrong?"

King of fumbling

[octibee]

fuck it saw art dump

[sophsun1]

Queer as Folk – 5.12: Mr. Right (Never Broke a Promise)

[realbeefman]

house is all id, impulse and reckless behavior and selfishness, and wilson is all superego, overthinking and moral judgement and selflessness, and together they act as the other's ego. house wants to biopsy a patient to stop his own pain, wilson tells him he's going to cross a line if he does. wilson wants to tell the world how he's justified the taboo of euthanasia, house steps in to tell him he'll ruin his life if he does. ultimately, this is why they fall apart when separated from each other, why wilson is miserable when he tries to cope with amber's death without house.

wilson will always try to be more selfish, to care less, wish that he was more like house, and house will always wish the inverse, that he is capable of caring as deeply as wilson does, that his own empathy ran as deep as wilson's. but in the end, they are both incapable of embodying those traits they admire in the other on their own. they can only truly function together.

this is the point in the show, for me, where it becomes clear that house and wilson have been set up as star-crossed lovers. it's only here, in 8 x 21, that they both accept fully who they are to each other. they have both accepted that they will only be able to be happy together, that only through acknowledging how they complete each other will either of them be able to be fulfilled in life. the tragedy is that they have only been able to find life at death. the price for their happiness together is the looming inevitability of wilson's death

anyways. rest in peace sigmund freud you would’ve loved analyzing house md yaoi

[littlepawz]

James Stewart photographed with his wife three years before she passed away. He decided not to renew the batteries on his pacemaker and let nature take its course; just before he passed away he said “now I can be with Gloria again”. 

[leclercskiesahead]

from Marina Bay Sands

[acheronist]

spending all of my free time blogging about a disarticulated skeleton and a wallet they found in the arctic nearly 200 years ago which got demoted to a sub-subplot in an AMC television show like My friends! pull the veil of lies that television has cast upon you off of your face...! look away from john lynch for a minute and take my hand.... come read some incredibly hard to discern historical documents...... i can lead you to a beautiful place.... called the extremely desolate southern coast of king william island with a great view of the north west passage..... and there, upon the shale, you will find implications of the most heart wrenching & agonizing tragic romance that you've never heard of... and btw it was built upon promises of literacy and memory and devotion and protection in the face of about one hundred different self-inflicted agonies and unavoidable hopelessness....... and it happened in real life between two middle aged divorced men who had spent their twenties suckin n fuckin in the caribbean....... and they probably had a six-toed ship's cat named stuart together.....

[almondcroissantsandink]

slow day at the hotel

[daouoffroads]

That guy is not Wad.

[thalassic-p4rk]

They’re siblings, Your Honor. <3

[respectthepetty]

I loved Knock Knock, Boys!

That's it. That's the post.