#Failure to pay

[thedailycounternews]

Domestic Relations Courts Violating Constitutional 14th Amendment: The New Debtors Courts And Prison

Domestic Relations Courts Violating Constitutional 14th Amendment: The New Debtors Courts And Prison

Federal Law abolished the practice of debtor’s courts and prisons in 1833 and in 1983 The U.S. Supreme Court upheld that incarcerating indigent debtors was unconstitutional under the Fourteenth Amendment’s Equal Protection clause. This in simple terms means that an individual can not be sentenced to jail for owing a debt (money). But then why is this still happening? For thousands of…

[caligvlasaqvarivm]

Okay challenge mode. You are a therapist and Eridan Ampora from Homestuck has just walked right out of his intro page into your office. How do you fix him?

put him and karkat in a room with a pile of stuff and tell them they can't leave until they've jumped into it and talked about their feelings

[ganonfan1995]

Burnt out

[reality-detective]

KARINE JEAN-PIERRE: "I think it is important for Americans to know that [Kamala Harris] has played a very big role" in every single failure of the Harris-Biden administration. 🤔

[diddlydarndoodles]

Was thinking about an Omori AU idea where the accident doesn’t happen and Mari and Sunny sort of switch roles as they age, with Mari burning out and dropping out of college and Sunny having a lot of pressure put on him by their parents as a result and becoming a musical prodigy.

[sadquickchristmassnowman]

ever since annie said “and who the hell are you always texting??? 🤨 Everyone You Know Is Here!!! ✋🏻🙄” I haven’t been able to get this image of jeff texting himself out of my head so I drew a Very Shitty cartoon version of what’s been infesting my brain. do with this what you will (even if that is “🤨 what the fuck. anyway” *scrolls*)

[msmargaretmurry]

i say this as an o.ilers hater but huge props to leon for NOT taking a discount and making them spend on him. get paid bitch!!!! literally no idea how mr incapable of a poker face if his life depends on it convinced them he might walk if they didn't empty their wallets but it is very funny to me that he is now for one sweet season the highest paid nhl player. good for him dot gif

[brrmian]

we are what they grow beyond.

crown of midnight, sarah j. maas / star wars: episode iii – revenge of the sith (2005) dir. george lucas / star wars: the clone wars (2008–2020) deleted scene / star wars: the last jedi (2017) dir. rian johnson / oathbringer, brandon sanderson / star wars: the last jedi (2017) dir. rian johnson / star wars: rebels (2014–2018), dave filoni

[nooripoori]

looks like whatever witchcraft valentino rossi did on his children only lasted till the end of qualy…

[blartboy29]

alcoholism final boss pt 2 I guess

thisguyb..,,,, teeheee.,,,

[genericpuff]

on the closure of MochaJump, and why we're our own worst enemies in this industry.

"MochaJump? What was that?" is probably your first question, and I'm gonna simply respond with, "Exactly."

MochaJump was a small startup platform made by /u/nunojay2 and a second site engineer (whose name I am not informed of) on reddit. It wasn't anything extraordinary, just a startup site that aimed to offer a more viable alternative to Webtoons and Tapas, with a focus on offering equal visibility to creators, focused recommendation algorithms, loosened restrictions on NSFW content, and bigger cuts for creators on their generated revenue.

Of course, such promises are a tall order, but the creator did their best to host regular discussions with creators in art and webtoon communities to get feedback on what creators really wanted out of their platforms, and they researched what they would need to make in order to keep the site afloat (it came out pretty low at $2 per user per month). Hopes were high and the site launched with a small but eager userbase.

It stayed small. The site shut down in November 2022, just 6 months after launching in May 2022.

Now, I'm not gonna sit here on some soapbox and blame anyone for the site closing down. I unfortunately didn't get much chance to use the site myself so there's surely more I could have done on my own part to help it gain traction. But this is a regular occurrence for start-ups like this, especially in an industry that's as notoriously unprofitable as webcomics. We've seen titans such as SmackJeeves and Inkblazers fall, and MochaJump was merely an infant by comparison.

But it makes me think of how we view and treat these startups as a whole. How we as readers and creators alike have become so trained to exclusively use corporate platforms like Webtoons and Tapas on the promise of "bigger gains". Unlike these bigger companies, platforms like MochaJump depend on building a strong userbase as quickly as possible, and need to find ways to generate revenue to keep things running, otherwise it's only a matter of time before they close down. They don't have a massive conglomerate like Naver or Kakao to pad their pockets through their failures. They don't have the money or reach to inject themselves into society through bus terminal ads and convention sponsorships. They don't have the investors to sink money into their platform until it becomes profitable in return.

So we don't use them. Readers don't use them because we don't see the point in using a platform that has no content... and thus creators don't use them because we don't see the point in publishing our content on a platform with no userbase. Creators seek a place that's "tight knit" and "easy to get seen", but will only post to places that come pre-loaded with massive audiences; because it's not enough anymore to have a couple hundred followers, we're in 2023 now, in the year of consumer bloat, where we expect to now pull in thousands if not millions to be considered a "success". And readers seek a place that offers high-quality high-amount content at the tip of their fingertips, but don't want to pay for the access to these works, and in the case of apps like WT, have given up in trying to support these creators through the platforms themselves because they know that those artists they want to support will likely never see a dime.

The fact of this problem is simple, yet many people seem to ignore it - we cannot expect to have a platform that is tight knit, profitable, and sustainable. These places do not exist, not so long as we continue to raise the bar on what makes a "successful" subscriber count, not so long as we continue to patronize platforms that exploit their artists and writers, and not so long as we keep chasing the dragon of "what these websites used to be". These platforms never used to 'be' anything, they merely existed in one point of time that is now long gone, when owning a smartphone was a luxury and not a need, when online video content wasn't being tethered together by ads, and when the Internet wasn't owned and entirely managed by the same three corporations, the likes of which we haven't seen since cable TV.

Platforms like Tapas and Webtoons are - besides unsustainable - unable to exist and profit in the way they do without undercutting someone along the way. Whether it's underpaying their creators, undercutting their communities, or underexposing the works that have been buried, someone will get the shit hand in the deal and that someone is usually ALWAYS someone who will rarely ever stand to gain anything in the long run from using these platforms despite their issues. The 1% got theirs, and the 10% are barely getting by, while the remaining 89% are pushing onwards, because they have faith in the systemic online enshittification that demands conformity to a single formula for "success".

We are our own worst enemies in this industry. Webcomics are one of the few online mediums that still truly belong to the people - anyone can make them, anyone can find joy in them, but we're letting platforms like Webtoons and Tapas and all the other massive corporate apps rob us of that joy and accessibility in the pursuit of "success" and profiting. Webtoons was never the sole way to profit off this medium and yet I still see people every day who underestimate the existence of legitimate publishing houses and self-publishing, who think that publishing on Webtoons and landing an Originals deal is the only way to find success in this industry. This is meant to be the era of creators, of self-starting and self-actualization, and yet we're still handing all of that control over to corporations that only seek to exploit our art, bodies, and labor, while convincing ourselves that this will somehow all be worth it. We stick with Webtoons, despite the numerous controversies it's been involved in and the lack of support it's given even its own hired creators. We stick with Tapas, despite the undercutting of its most core components such as its community and the outlier genres it used to be known for hosting. We find new ways to justify using platforms that are steadily going downhill - Patreon, Twitter/X, Youtube, Instagram, Facebook - because we've been convinced that these are the routes to success, so if we acknowledge their failures, then "success" can no longer exist.

Because we need to pay rent. Because we need to eat. Because we need to survive. Because it's a lot more complicated than just "stepping away". Because the startups just don't have any of the surface level potential for us to immediately identify and get on board with, so we don't give them a chance.

I realize this post got very existential and depressing. I've been creating comics for well over a decade now, largely unnoticed, and I've fallen victim to these same limiting mindsets that we have to stick to one way, one "formula" for success - a formula that changes with the wind and only works for those who get in on the ground floor. It's been slowly killing me from the very beginning, robbing me of my joy to create, of my reason to even do this in the first place - to tell and share stories with others, to express myself creatively, to live my life surrounded by art and stories and creations made by and for others. It's made me tired and miserable, and I can tell it's done the same to those who have shared that boat with me.

But there's one silver lining I can always be sure of, and it's one I was reminded of after realizing I was still in the MochaJump Discord, with one announcement post that I hadn't yet read.

Webcomics are one of the few online mediums that still truly belong to the people. Corporations are trying their hardest to take that power away. Let's not continue to let them.

If you want to help sustain, patronize, and contribute to the growth of sites that are still being operated by small teams (or even one man armies), please, consider checking out the following websites, some of which serve as platforms or publishers, others which operate as link directories for independent sites run by creators.

ComicFury GlobalComix TopWebcomics The Webcomic List The Webcomic Library Hiveworks SpiderForest SmackJeeves Archive Inkblot.art And whoever wants to use the GitHub source code used for MochaJump (RIP)

Let's do our part to decentralize webcomics again. We may not be able to leave the platforms that weakly sustain us, but we can still support those that strengthen and support us.

[problemswithbooks]

So, I recently watched Helluva Boss and as always I've been prusing the tags for it on tumblr to see what other people think about the story and characters.

Something that stuck out to me is when people say Striker is a hypocrite because he hates the Royals, puts down Blitz and Fizz for being with Royals, but he, himself, works for one. Also that his pitch he gave to Blitz about teaming up to take down Royals was all a lie.

Now, I'm not going to say he's not being a bit of a hypocrite, especially given how much he hates Royals. What I will say is that I understand why Striker wouldn't see it that way (besides the fact he has a seemingly desperate need to feel superior to other imps).

Striker wants to kill Royals--that is very clear. A huge hurtle to that goal is that they are immortal. The only thing that can kill them is Angelic Steel--something that is rare and expensive. Yes, Striker is supposedly a well known assassin, but it's doubtful he'd ever make enough money to afford Angelic Weapons without taking on extremely wealthy clients. The wealthiest would be those at the top.

We don't know if Striker has worked with Royals before. If we assume Stella was the first Royal he was hired by, that makes his choice to work with her make far more sense. Particularly when we take into account who her target is--her equally Royal husband.

Unless stated otherwise later, Stella must have provided Striker with his Angelic Weapons so he could kill Stolas. She doesn't just give him a single weapon, either. She gets him a sniper rifle, pistols, a knife and a rope so he can incapacitate Stolas and take his vast magic abilities away, rendering him helpless. On top of that, she is also paying him money.

Given Stella never brings up the fact he lost the sniper rifle, or demands he return the weapons she provides, this deal he's making, although hypocritical, is only a benefit for Striker. He's getting paid to kill someone he wants to anyway, and a new arsenal that gives him the capability to kill Royals afterward.

This is why I don't think his offer to Blitz was a lie. I think what he told Blitz is his long term goal/plan, and was simply offering Blitz to join him since he found Blitz to be somewhat equal to him after Blitz did so well in the harvest games. Once they killed Stolas, got Stella's money, they would turn around and start using those funds and weapons to kill more Royals.

The reason Striker doesn't see himself as on the same level as Blitz and Fizz with their relationships with Royals is because he sees himself as using Stella, where he perceives Blitz and Fizz as being used. It's true that Blitz gets similar benefits from his relationship with Stolas (if Striker even knows about Blitz using Stolas's spell book for his business, I can't recall) but given what Striker saw of their relationship, he would see Stolas using silly pet names despite Blitz disliking it and see that as Blitz debasing himself publicly for Stolas. Yes, Stella doesn't treat him with the upmost respect, but it's over the phone, without witnesses. Nor does he give her anything in return except a dead husband--someone he would have targeted anyway.

He sees Fizz as even worse because, to him, it appears Fizz has given up his own autonomy to live a cushy lifestyle. Yes, Fizz gains many benefits from being with Ozzie, but Striker views it as letting Ozzie take advantage of him, to let Ozzie treat him like a pet (which some people do, do to some imps). He doesn't know Ozzie loves Fizz--franky I don't think he'd believe a Royal could love an imp at all anyway.

Yes, he may work for a Royal, and take her orders, but he does so to pilfer more and more Angelic Weapons from her as well as take her money, all of which I'm sure he tells himself he will later use against her and the rest of the upper class. It's a business transaction that he actually holds all the cards in. Unlike Blitz and Fizz he doesn't have to publicly debase himself to get the benefits he seeks. At least that's how he sees things.

[fox-teeth]

If you don’t follow me on twitter you may have missed that last night, by reaching the 45k stretch goal, Failure to Launch is gonna pay off my private student loans. Thank you everyone for supporting our project <3

[bookinit02]

thinking about this post i saw the other week where this person was saying how badly they wanted to be able to buy a nice mug without thinking twice about it. and all the comments were saying how they could just buy a cheaper mug. and they were like jesus fucking christ ITS NOT ABOUT THE MUG. because yeah

[persianflaw]

"how did i go this long without knowing [x], me not learning this is indicative of some kind of larger bigotry or conspiracy in society" well not to be unkind but perhaps you are simply not very intellectually curious or attentive to the world around you