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#Eric Edwards
pierppasolini · 2 months
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Blonde Ambition (1981) // dir. John Amero, Lem Amero
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her-soliloquies · 2 months
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The art
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The artist
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tearyourpetals · 8 months
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Hole photographed by Edward Colver, 1990
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p1xiemeat · 1 year
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༺ 𝖌𝖔𝖙𝖍 𝖈𝖍𝖆𝖗𝖆𝖈𝖙𝖊𝖗𝖘 ༻
Wednesday Addams - Addams Family Values (1993)
Kim Diamond - Book of Shadows: Blair Witch 2 (2000)
Nancy Downs - The Craft (1996)
Elvira - Elvira: Mistress of the Dark (1988)
Lydia Deetz - Beetlejuice (1988)
Eric Draven - The Crow (1994)
Vampira (Vampire Girl) - Plan 9 From Outer Space (1959)
Morticia Addams - The Addams Family (1991)
Edward - Edward Scissorhands (1990)
Angela Franklin - Night of the Demons (1988)
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weirdlookindog · 5 days
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Dracula (1931) - Swedish poster
art by Eric Rohman (1891-1949)
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xalonelydreamerx · 1 year
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TWILIGHT + letterboxd reviews [1, 2, 3, 4, 5]
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hajihiko · 2 years
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A small collection of small people
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as-warm-as-choco · 1 year
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Reading fma at the library and arakawa's extras and omake are giving me life X_X
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fuckyeahcourtneylove · 8 months
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hole.
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pierppasolini · 20 days
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Afternoon Delights (1980) // dir. Shaun Costello
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astralbondpro · 3 months
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Bride of the Monster (1955) // Dir. Edward D. Wood Jr.
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tearyourpetals · 8 months
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Hole photographed by Edward Colver, 1990
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retropopcult · 1 year
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Fast Times at Ridgemont High (1982)
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misstwisted · 4 months
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I’m so proud of myself for making this. Might be some controversial opinions but we’ll cross that bridge when we come to it. 😅
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artist-issues · 7 months
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A little late, but reading your take on Enchanted made me remember how much I love that movie. What are your thoughts on the rest of it? Like say, what do the Prince and Nancy represent? What about the villains? I’m curious how they fit into the allegory
Prince Edward is just like Giselle in the sense that he does what people accuse Disney Princes of doing, and it's funny--but it's rewarded by the narrative, because it's actually a good thing.
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People think a Disney Prince is just some dumb hunk with no personality, because he's "just there to be the obligatory love interest so the girl can't save herself." But that's a twisted, hollow way to look at it.
Prince Edward is
Active -- he actually does something, not just in his spare time but when faced with a problem or a dilemma. Doesn't matter if it's troll-hunting or braving a strange world to rescue his bride or turning on a dime to fight his own step-mother when she turns out to be evil. He actually acts.
Keeps His Commitments -- When Prince Eric commits to Ariel he commits; jumps in the water to fight a sea-goddess single-handedly. When Prince Charming says he'll give his heart to Snow White but then she disappears, he won't rest till he's found her. When Prince Edward's fiancée disappears, he won't stop searching for her, either.
Genuinely Cares About the Princess -- People act like Princes in Disney movies are just obligatory--they don't actually care about the girl, there's no real tension or getting to know each other or whatever. That's such bull, obviously. In fairy tales, you cram a lot of nuance into a little scene. The Prince meets Snow White singing at a well and promises his heart to her; but it's after he hears her singing about her heart's fondest desires, after he observes that she's surrounded by doves that aren't afraid of her, after he notices she's just a scullery maid; and he still chooses her. Disney appeased everybody by adding in more rom-com moments with later Princes, like Aladdin and the Beast, but truthfully, Princes do what Princesses do; they know what virtues they're looking for in a good soulmate, so they don't need much to recognize it when it crosses their paths. Then they commit. Edward is willing to go on a date with Giselle. When she grows, he's confused, but he'll go with her. She doesn't sing with him anymore but that doesn't mean he ditches her. When she's cursed and be can't wake her he's 100% onboard with Robert doing it--because it doesn't have to be him, he just cares about her.
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Has Just As Much Faith As the Princess -- One of the things Princes and Princesses use as the litmus test of whether or not they're soulmates in Disney movies is if they're both believers in the same Idea. Ariel and Eric are the perfect example. They both believe in something that everyone around them thinks is totally crazy. Eric believes in the fated, Right Girl. Ariel believes the Surface World can be worth loving. Those two things get united when they meet each other. Prince Edward longs to find the woman who's his other half, a companion who fits into his heart and makes his life more than just one quest after the other. (And he's so sweet about it.) He's very romantic. Giselle's been dreaming of her true companion, too. They have that in common, that faith that somebody right for them is out there. It just...so happens that that person isn't each other. But they're not wrong that someone is out there, which is why he is rewarded by winding up with Nancy.
Anyway. If Giselle is the Disney movie, so is Prince Edward.
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And yeah, he's not quick on the uptake, he's super confident that everything he's doing is right, and he's definitely convinced that Nathaniel actually likes him. But that is okay. Because Edward is uncomplicated. He knows that what he's setting out to do is Right, so what bothers him is never "people here are mean" or "I'm not the hero in this world." Did you notice that? He's never bothered when he finds out he's not the hero. He's only bothered when the idea that Good won't win is threatened.
He's the first one to turn and look at Robert and go "unless...!" excitedly when he realizes his own kiss isn't working. No trace of bitterness. No suspicion. Just eager to solve the problem.
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That's why he's great. His confidence came from being the champion of Goodness. Doing the right thing. He doesn't care if he's not the one who wins. He just cares that it's someone Good who's winning.
Then you have Nancy, who is the first of the "normal" people from our world to really give in to the idea of "True Love's Kiss" being a viable solution, right on the spot. Meaning there was space in her brain to believe in it.
I guess if I had to try to distill it, I'd say Nancy is just the reverse-Giselle. In the allegory (it's not all one-to-one) I would say...if Giselle (and to a lesser extent, Edward) is the Disney movie, and Robert is the skeptic, Nancy is us. She's not quite Giselle, not quite Robert...she's someone who wants to believe that the Disney Philosophy is true, but the problem is, nobody in our world believes it or acts like it.
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She's looking for a fairy tale but she's stuck in our world. The moments where she's happy with Robert are moments when he's doing something an open-hearted, genuine, selfless and chivalrous Disney Prince would do. The kind of guy who knows who he is and knows what's Good and values Love, so he isn't ashamed or insecure to come right out and declare it.
Gentleness is power, under control. A man in love should have no fear of vulnerability, which again, takes faith—because love isn't about you. It's selfless. Why worry about how telling a girl you love her will make you look, will make you feel? So what if she rejects you; you thought she was worth loving, you gave her that enormous compliment--so what if she doesn't return it? You know who you are. You didn't need her validation--that was never the point of the love-declaration--it was for her. You kindly gave her the world's best compliment, good job, now on to other worthy things. It would've been great if she wanted the same outcome of that love as you did, but she didn't, and that's great too, because it was never that much about you. So you don't have to be hurt, angry, embarrassed, jealous, or any of the anti-love things we associate with bogus unrequited "love."
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But in our world, men don't act like that anymore. Because it's all about you. Can't tell the girl how you feel because she might hurt you. How would you be hurt? By finding out she doesn't feel the way you would prefer her to feel about you, by mocking what you've deemed precious, etc. It's all about you, you, you, fear fear fear, etc.
Still, you can tell Nancy thinks she got as close as she could to the fairy-tale guy with Robert because in her first scene, when she finds Robert and Giselle together, she goes on that rant about how she thought he was "sensitive" and "protecting Morgan." Those are the traits she's attracted to; the idea that he wasn't protecting himself, he was protecting his daughter--the idea that he was careful with emotions for other people's sake, not his own--that he cared about emotions at all.
But that's not what it was, it was self-protection, over-planning. Still, the second he's willing to send her flowers or make any kind of heart-on-his sleeve, straightforward gesture of affection, she is SO ready to believe in him again.
She's the grown up who wants to find the Disney fairy tale in "real life" and she's doing the best she can with what she can find. Kinda like a lot of us who grew up on Disney and didn't want to accept the derisive cynical mocking of Disney as we got older, but what could we do?
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But good news! It's real! The Good, the Beautiful, the True, exists, and it comes for her.
Then you've got Narissa, the villainess.
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She's interesting because she's totally the opposite of everything the movie says is Good. Giselle and Edward wear their hearts on their sleeves—Narissa manipulates people's fondest desires for her own gain. Robert needs to learn to have faith—Narissa believes everybody is out to take what's hers.
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Edward gives the gift of love freely, first to Giselle, then, unshaken when she doesn't give him the same, to Nancy—Narissa takes the adoration of people like Nathaniel and treats them like garbage in return.
I also think Pip is important, and it's important that Narissa is defeated by him.
She's brought down by the tiny chipmunk who's been treated with true kindness and friendship by the Princess. The chipmunk who can talk and understand what's going on and be useful, even in a world where people like Robert think there's no such thing. Pip is the unlikely "something wonderful will happen" in our world that Robert didn't believe in. He's the little, fairy tale element that nobody could plan for or calculate or control, coming in to save the day.
How very Disney of him. Ya'll get off of Wish. Disney's tribute to 100 years of fairy tale animation? It has nothing on Enchanted.
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akariamai · 5 months
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Romeo & Juliet [Part 2]
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Pairing: Jacob Black x OC!Swan
Word Count: 1616
Part 1 Part 3, Part 4
Author's Note I changed a few things to better fit the story. Jacob will be a year younger than Bella. Bella's friends are semi-different than how they are portrayed in the books/movies. Sam and Leah were never in a relationship. Imprinting on children is not a thing. Hope you enjoy the story and sorry it took so long to write the second part of this.
~~~
Sloan and her sister used to be best friends. They were two peas in a pod, but ever since the move to Forks, her strange fascination with the Cullen boy, and the start of her relationship with Edward, their relationship has dwindled.
Bella became more distant and secretive. Sloan understood that a relationship meant change and less time for the two of them, but she didn’t think the relationship would take priority over everything. Bella was in love, that was certain, but she left no time for friends or family. Edward was her world. There was no place for anyone else. Not their dad, their mother, Sloan, or even herself.
Sloan did miss the relationship they used to have. Tranquil car rides to school, mindless arguments over their favorite classic literature, and the late-night talks they used to have. Sloan never realized how meaningful those things used to be until they were gone. It all went away as soon as Edward came into their lives.
Their eighteenth birthday came and went, and Bella was more frantic than ever. The reason? Sloan had no clue. Sloan didn’t know much about Bella these days. She does know Bella was quiet after her birthday party at the Cullen’s house. Something happened, and whatever it was rocked Bella. The days that followed were marked by an absence of the Cullen family, and it barely went unnoticed by everyone except Bella. Bella felt lost without them, but most importantly Edward. Unfortunately for Sloan and her father, they would both come to realize the extent of Bella’s dependence of the Cullens.
Sloan tried to be empathetic towards her sister. She had never been through a breakup herself, but normal heartache does not leave a person lifeless and empty. She had imagined how their first heartbreak would entail, watching sappy romance movies and eating ridiculous amounts of ice cream, it was nothing like this. She had never imagined a boy would leave her sister like a lifeless doll.
Bella would mindlessly stare out her window, day in and day out, as if waiting for Edward to save her from her isolation. It was a lost cause, however, as he and his family moved away and Bella was left with the memories of what once was.
Every night in the Swan’s residence is plagued with the screams of her sister. A good night’s rest was a luxury now and both Sloan and her father felt the effects of the lack of sleep.
“Bella.” Sloan began as she found her sister in the same place as when she left her. “Do you want to go hang out with our friends? We’re going to La Push again. They miss you.” Bella had completely shut down after the breakup. She resembled a lifeless doll waiting for a child to find it and play with it. She spent her days waiting for Edward to come back.
“I miss him.” Her voice was barely a croak. Her lips bleeding slightly as she had not drank the water Sloan had left on her desk.
Sloan sighed. Edward was not worth this. “This isn’t normal, Bella. You need help.” She’ll need to bring up therapy to her father. Bella couldn’t keep living this this. Maybe a change a scenery would be helpful as well.
“I need him.”
“No you don’t.” Bella liked to believe in soulmates. It was a frequent topic of arguments between the two. She believes there is one person for everyone and finding that person is magical and sacred. Sloan should’ve known that Bella would’ve considered Edward as hers.
Sloan didn’t believe in soulmates. The idea that out of thousands of people there is only one that is just right. That seems implausible. “Are you sure you don’t want to go?” Bella stayed silent. Sloan walked out of Bella’s room silently, closing the door on her way out.
~~~
“How’s Bella?” Mike asked as they unloaded the cooler filled with refreshments. Eric and Jessica went ahead and found a respectable spot, while Angela went to snap a few pictures of the ocean waves.
“Not good.” Sloan mentions. “I don’t think staying in Forks is helping either. Maybe there’s too many memories of him.”
“He really messed her up, didn’t he?” Mike has never seen anyone take a breakup as hard as Bella. He had seen tears split over the loss of a relationship or an occasional screaming match between old lovers, but never something like that.
It made him reevaluate the relationship between Bella and Edward. They were too attached. Too obsessed with each other.
He remembered a conversation he’d had with Bella when her newfound relationship became public. He warned her about the way Edward watched her, as if he were a lion eyeing his prey. It may have come off as disdain. He had liked Bella before Edward dug his claws into her, and maybe the disdain part was true to some extent, but Bella had to know the way Edward stalked her when she wasn’t looking. If only he had voiced his observations more.
Sloan nodded. She really needed to have a conversation with her father. Bella needs help that they are not qualified to give. Mike and Sloan went silent as they carried the cooler to the beach. Jessica and Eric had placed the inflatable pools in a half circle. All three of the inflatable pools were heart-shaped. Angela thought it would be a better idea than bringing a beach blanket.
They watched the waves crash onto the beach as they spoke about their aspirations for the future. High school was coming to an end. Much faster than any of them had anticipated. There was a whole world outside of their small town. Were they ready? Were they prepared? They had no clue, but they’ll take it one step at a time.
The group of friends didn’t see the sulking boy wander closer towards them. The conversation ended abruptly as a familiar name was called out: “Sloan?”
They all turned to the boy. “Jacob?” Sloan hadn’t spoken to Jacob since he and his father came to watch the game with her dad. They were both busy with friends and school. They hadn’t found time for each other. “Are you okay?”
“Not really.” He stuffed his hands in the pockets of his shorts.
“Do you want to join?” Sloan offered, “We were just about to crack open a few soda cans and talk about our deepest, darkest secrets.”
The others laughed, and even Jacob cracked a smile. “I don’t want to impose.”
“Not imposing if you’re invited.” Mike chimed in.
“Come on.” Sloan motioned for Jacob to join her. “We brought extra, and it would be rude if you didn’t help us finish our snacks.”
Jacob joined her awkwardly, snacking on the chocolate-covered strawberry Sloan offered him.
“We were just talking about summer plans. Do you have anything planned yet?” Summer was months away, and their graduation was on the horizon. They wanted to do something memorable and fun.
“Not yet.” He admitted. He would probably do the same things as always. Hang out with Embry and Quil, and take care of his father.
“We were thinking about planning a road trip after graduation.” Angela said, “Would you like to join? We wouldn’t want Sloan to be the fifth wheel.”
Jacob was taken aback by the invitation. They didn’t know him on a personal level, and yet they were so kind to him. It might’ve had something to do with him being friends with Sloan.
“Yeah, you should come, man.” Eric said.
“It’ll be fun.” Jessica replied.
Jacob didn’t know what to say. “I don’t know. Maybe?” He needed time to think.
“When we come up with a game plan, we’ll let you know, and then you can decide.” Sloan placed her hand on his shoulder. “There’s no rush.”
Jacob nodded before the conversation shifted once again. Sloan’s friends were nice. They made him feel welcomed. They included him in their conversations, even when he had little to say.
As the day turned to night, the group of friends plus one started packing their things. “See you at school, Sloan.” Jessica waved goodbye as she entered Mike’s car. “It was nice meeting you, Jacob.”
Jacob nodded. “You too.”
“Let me know when you make it back home, Sloan.” Mike said.
“I will.” She replied as she and Jacob entered her car. They watched as her friends drove off.
“Do you want to talk about it?” She interjected.
Jacob began, “I have this friend—well, I had a friend—Sam, and he disappeared for a while. He didn’t tell anyone where he was going. He didn’t call anyone to tell us if he was okay. He came back today, and it was like he was a complete stranger. I could barely recognize him.”
“We’ve known each other all our lives, and he changed so suddenly. He said it would be best if we weren’t friends anymore. That it was 'safer' for me to stay away. What does that mean? Is he in trouble? I want to be there for him. Why doesn’t he want me to be there for him?”
“Jacob,” Sloan said, reaching for his hand and gently rubbing it. “Sometimes people want to get through their problems alone. It has nothing to do with you, but more with him. Maybe he feels like a burden and doesn’t want to pile his problems on you. Maybe he needs to take some time for himself—find himself. Maybe one day he’ll explain everything once the dust settles.”
“I just want to be there for my friend.” He says, “I never thought we would go on without each other.”
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