#Emily x Amy

[lizzieblopaz24]

Emily and Amy manip, I have a scene like this planned for my fic

[doverstar]

I'd love to defend Gilmore Girls: A Year In The Life for a minute (I don't usually make long posts and may delete this later for that reason) because I feel like writing something inconsequential.

Other people get lots of comfort watching the original show (especially in the fall). I feel cozier watching AYITL. The characters are much older; the dizzy, flighty, still-growing-up feelings for Lorelai and Rory have faded, and it's full of moments that make it clear that certain things in their lives are definitely always going to be there. Constants. Luke, Stars Hollow, family, Kirk, Taylor, the changing of the seasons. Now - for my defense. (I'm rambling.)

Okay, many, many people don't like the revival. I understand. It's different in a lot of ways from the original show, and lots of expectations were not met. When I first saw it, it threw me too. But I didn't dislike it. In fact, the more I rewatched it, the more I thought it was almost better than the first show. The leading ladies are not flashy young stars anymore - Rory is Lorelai's age when the OG show first began, and Lorelai is gracefully and fabulously careening toward grandma times with all her wit and charm, all her most comfy habits, and it makes me want to hang out with her more than Season 1 of the show ever did. And I think the fact that ASP came back to write for these characters again and end it on her terms, at last, was an absolute win, and I love how she did it because it fixed so many things I thought were wrong in the show.

Lorelai is self-centered, terrified of commitment, and has no idea how to put others before herself and not run away during the hard times - unless something involves Rory.

Rory is self-centered, thinks she is special, and has no idea how to deal with not getting what she wants. The consequences of her actions almost never directly affect her, and when they do, said consequences are quickly stamped on and snuffed out by her mother/friends/family.

Emily is self-centered, desperate to be in control, and finds her worth in what other people think, in how things look, and that includes what Richard thinks.

In the show, Lorelai has moments where she learns to stay and learns to put other people who are not Rory before herself. Those moments don't last. She definitely has good intentions, but they're all conditional. She only has good intentions up to a point - and that point is usually when someone or something threatens her happiness and feeling of safety, or Rory's happiness and feelings of safety (understandable; that's her child).

In the show, Rory is told she is the sweetest kid in the whole world. Rory is told she'd never do anything to hurt anybody. Rory is told she's special, she's smarter than her peers, she's not like other girls. Rory 100% believes that. She also probably has a bit of a problem with living up to that image - she wants to be all of those things, and thinks she is, and can't handle it when it seems like people think she's not. (That may or may not have something to do with Christopher, who always had somewhere more important to be, or with Lorelai, who was so cool and strong and sure of Rory.)

And the show has moments, too, where Lorelai has to face the music and see that she's screwed up or is hurting someone with her behavior (Max, Chris, Luke, Jason, Emily, Richard, Sookie), but very very often, Lorelai breezes her way through that music and keeps moving, and flits to the next thing or person that will make her happy, because she does not know how to stay and stand and fix what she's broken. Because it only matters if she is happy and if Rory is happy. (The same thing goes for Rory in the show - consequences come, but Rory rarely has to properly deal with them herself. She is coddled and propped up the whole way.)

Now, to my point!

I watched AYITL and noticed something was different right away. Lorelai is with Luke (she should be), who is the opposite of her - constant, loyal, selfless, determined to stay no matter how hard things get. But they're not married. Lorelai is scared to really commit, and marriage is one of the hardest things you can commit to - ever. And Lorelai is not happy. Rory, for her part, is not perfectly settled as a reporter or a journalist or any of the things she was always told she could be. And she's not happy. And Emily, bless her, has lost her husband and her false sense of control is spinning away, and of course, she is not happy.

And A Year In The Life takes the show's clumsy half-arc of these three Gilmore women and perfectly completes it.

Lorelai's fear of commitment and habit of bolting when things get hard drives her to push every new chef out of the Dragonfly, refuse to expand the inn to better accommodate Michel's needs, shun Rory's tell-all of her past mistakes, shame Richard at his funeral and break Emily's heart, and worst of all, nearly wreck the closest thing to a proper relationship she's ever had: the one she has with Luke. She can't face that she misses her father, loved her father, and that maybe her mother is right about her relationship status. She can't face that people might read Rory's writing and see all her flaws and all her mistakes growing up in printed ink, and she can't run from that. And when Rory insists, Lorelai cuts ties. Lorelai has spent years avoiding marriage with Luke. She has spent years hurting her mother in an effort to defend herself at all costs. And she has spent years ensuring the Dragonfly Inn is exactly what she wants it to be; because changing it would be uncomfortable, and as a result, she won't commit to a new chef, she won't expand, and she's about to lose Michel the way she lost Sookie.

Rory's bubble of self-centeredness and assurance that she's special is popped with the needle of reality at last: she is not special. She's a young woman who has to actually work hard to find a job and make some money, like everyone her age. She is talented and she is smart, but she's not God's gift to journalism, and people keep saying no, and people keep asking her to prove her skills and her merit, and she doesn't know how to deal with that because everyone has always told her she can do anything she wants and she's the best. She wants a distinguished career and can't find anyone who will take her on; she tries to write for a raging batty feminist (hello Alex Kingston I love your work) and that goes sideways; she wants Logan Huntzberger but she turned down his proposal and now he's engaged and it has to be a secret; she wants somewhere to live - just not Stars Hollow because she's better than the thirty-somethings stuck back home. She wants Lorelai to approve of her book and insists her mother give her this, as if Lorelai hasn't always given her whatever she could. And when Lorelai says no, Rory does what she wants anyway and almost fractures their relationship over it.

Emily's control is completely gone - she can't control her emotions, she can't control her tongue, she can't control her maid or her maid's handy family, she can't even control a stupid painting of her late husband. She's on a downward spiral and her anchor is dead. She tries to regain a sense of worth, because surely that will bring happiness back. She tries to gain it from how many possessions she has, that doesn't work. She tries to gain it from Jack, who is not well-suited to her but he makes a matching accessory to the life other people will see. That doesn’t work. She tries to gain it from therapy with Lorelai, control her daughter at last, that doesn't work. She tries to control Richard's headstone, that doesn't work. She even tries to find solace with her beloved D.A.R, and she finds that emptiest of all.

A Year In The Life has these women finally face their flaws head-on and grow. The way characters should.

Rory: Rory is confronted with the fact that she is not special and has to move home like everyone else her age and get a job she does not want, because that's life, and that's what everyone else has to do in the real world. And when she's at her lowest, pouting, she gets advice from someone who has faced his own flaws long ago and has grown and who knows her at her best, and encourages her to get up and work hard (Jess Mariano, ladies and gentlemen). And she does. Rory hits bottom and takes Jess's advice and works at understanding her mother, who is not perfect, and even goes to interview her father, who is also not perfect. She fights with Lorelai over the book and insists on her own way, and when Lorelai refuses, Rory can only blame herself. She has a rabble-rousing night with her LaDB boys and winds up sleeping with Logan in one more bubble of fantasy, one more umbrella-jump of escapism, like the old days, because Logan is her weakness. And when she wakes up the next morning, Rory turns and walks away from Logan and the affair and her insistence on having what she wants regardless of who she hurts (hello, Dean Forrester and her affinity for taking spoken-for men) for the final time. And the consequences of her desires? She’s pregnant. (Come on, we all know the baby is Logan’s; Rory’s life rhymes with Lorelai’s.) She goes to Christopher to interview him for the book and is subtly asking her father why he wasn’t in her life, because she needs to know what to do with her baby and her lover. She didn’t go to Lorelai to figure that out. She went to her dad, because the truth is, Rory didn’t have her father, and part of dealing with the consequences of her actions is to work out how to take care of this baby and whether or not that means involving the father. She’s owning up. She goes to Lorelai and offers to give up this book; she doesn’t make excuses or whine, she wrote the book anyway because she believes in it, but when she’s gotten three chapters in, she respectfully goes to her mother and asks her to read it and then, for the sake of Lorelai, not herself, Rory promises to quit and throw the book out if Lorelai does not approve. Because Lorelai is more important to her than herself. Rory has worked hard and made mistakes and gotten pregnant and she has stared the world in the eyes and seen she’s not special. And she has to deal with that. And she does, finally, deal with it. And she’s happy.

Emily: Emily is confronted with the fact that nothing is inside her control—except what she does. Worth does not come from what she owns or who she’s with or what she’s wearing, and it didn’t come from her marriage, either. That wasn’t why she married Richard anyway. She is miserable and alone, and part of that is her fault. She married Richard because she loved him, and she keeps coming back to Lorelai because she loves her, and she opens up her house to Rory when Rory needs a place to write because she loves her. Emily looks around at what she has and recognizes what has worth and what doesn’t, maybe for the first time, with clear vision. She recognizes that she can’t control everything. At first, that fact keeps her down. She forgets what day it is, the curtains are closed, and she doesn’t get up in the morning. No Richard, no Lorelai, no reason to move. And then Lorelai calls her, and tells her about who Richard was and what Richard did and how it mattered, and that inspires Emily. She can get up. She buys a place on Cape Cod, totally opposite of the sort of life everyone admires and expects to have worth, and she does what she’s really always been best at—she loves. She takes care. She took care of Richard, she took care of Lorelai and Rory when they needed it, and she takes care of Berta and her wonderful family, instead of having a maid take care of her needs. She packs up and moves out, she sends Jack away, she reveals the D.A.R. for what it is and quits them forever, and she takes a job at a whaling museum because she just likes it. It’s nothing fancy, and neither is her oceanic house or the music she plays in it or the clothing she wears, because none of that is worth anything anyway. Her family is. Her friends are. She gets the painting of Richard done right and brings it with her, and she gives up attempting control of everything and only takes control of how she behaves. She gives Lorelai what Lorelai needs for the Dragonfly, and her only stipulation is that she gets to spend more time with her daughter and Luke. She loves, she takes care of others, she helps. And she’s happy. And now, the best for last. The star.

Lorelai: Lorelai sits in that stupid Stars Hollow Musical and hears a song that perfectly describes her problem—it’s never or now. Make a commitment. Do something hard. Make your life about something other than your momentary present happiness and comfort, the way you do with just Rory, sometimes, but make it a permanent change. Make change permanent! Don’t run away! …And then she runs away. She’s been miserable, she’s hit bottom, like her mother before her and her daughter after her. She’s losing friends, she’s losing Luke, she’s losing Emily, she’s losing Rory over the manuscript, and it’s all her fault. Lorelai tries to breeze past it. She does Wild. She does what she’s never done before, she does something hard and uncomfortable, but she does it for herself, and therefore it doesn’t quite work. She tries to hike, Dipper Pines won’t let her hike, she meets other women her age who think this hike is gonna fix things, it doesn’t, and she gives up and goes to get coffee because that’s her go-to. (Coffee is speedy, bad for you, and only a temporary rush—kind of everything Lorelai clings to, actually.) But the coffee shop is closed, and when Lorelai is denied that allegorical Band Aid, she goes around back and sees a great view and finally finds clarity. She didn’t need the hike—she needed to think. She needed a moment of silence and introspection to gain the insane courage to finally stop moving, stick around, and face her fears. To put her eyes on herself and then take her eyes off herself and onto other people—namely the people she loves. Lorelai calls Emily and cries, because it’s hard to do this, it hurts, but with one story, she proves she loved her father, and she knows her father loved her, and the fact that she’s calling shows that she knows Emily loves her too, and she loves Emily, and has loved them both all along. It gives Emily the strength she needs to get out of bed. That was hard, but Lorelai did it. And now she’s going to do more hard things—she’s going to commit. It’s never or now, and Lorelai chooses now. She goes home and the first thing she does is propose to Luke and become Lorelai Danes overnight. Hard. Scary. Just right. She patches things up with her daughter, and chooses Rory over herself—for the hundredth time, yes, but when it’s at its hardest for her to do. “I’ll read it when it’s done.” Lorelai expands the Dragonfly. She goes to Emily for help, which is also super hard, but this time it’s not for Rory – it’s for her, and it’s for Michel, and it’s for the Dragonfly. And she accepts Emily’s affectionate terms. Lorelai chooses Rory, Luke, Emily, and Michel over herself, and commits, and she doesn’t run away. And she’s happy.

And all of it is earned. Finally earned.

I could talk more about the incredible writing, about ASP at her best, about the perfect themes and scenery and the very intentional end to Paris, Lane, Kirk, Taylor, Dean, Jess, Logan, Chris, and the general cast’s stories, but I’ve already rambled for too long.

Suffice it to say: A Year in the Life is my Gilmore Girls. It’s best version of the story. I think it was expertly done. Not perfect, but an ending that was earned.

[poetdept]

EPHRAM BROWN & AMY ABBOTT in every season of EVERWOOD [3/4]

[sweeetnothingss]

these dating apps are stupid. where is my academic rival who 3 years later of meeting me, confesses in a love letter, that I'm the fond object of all their desires and the keeper of the key to their heart? where is the lover who builts a fire just to keep me warm? where is the person who secretly reads my favourite books and gets so invested in them just because they observed my bright enthusiasm about them? where is the person who lays in the grass with me to discuss an impromptu script while also talking about our general interests and knows that in the end we're gonna end up with each other? where is the person who gives up the opportunity to have an iPod in exchange of a teapot that contains lil inside jokes we've had going on since years? where is the person who runs to the station just to take me to the place which captures the most enchanting sunrise before i leave the city forever? where is the person who sings their favourite songs with me in a train with a shared earphone? where is the person who saves their dirtiest jokes for me while i save a seat on every table for them? where is the person who after knowing my flaws and fears, says yes to running away with me? where is the person who would come out of Eden to open the door for me if they knew i were there? where is the person who makes me realise that our joy is so bright I cannot see anything beyond it? where's the person who'd choose to hang out with me in every universe? who's going to take me to the lakes where all the poets went to die? where is the bestfriend who looks at me in the eyes and says "this thing we're doing here, me, you- i just want you to know I'm in. I'm all in." and means it!?

[helluva-extraa]

Hi angelicsmile community how are y’all 🩵♥️

( inspired by a pose I saw on Pinterest !!)

I feel like these twos have so much potential squishes them like stress toys ( please request me stuff about them.. )

[mxlfchaser]

What I write!! / master list ! ★✩⁂

Fluff (any gender)

Smut (fem characters of age only!!)

Angst

What I don’t write!! ⁂

Non female smut

Anything non consensual

Who I write for ! ⁂𖦹

Criminal minds :

Emily Prentiss-

Spencer Reid

Derek Morgan

Penelope Garcia

Tara Lewis

The walking dead :

Daryl Dixon

Princess

Negan

Agatha all along :

Agatha Harkness

Rio Vidal

Lilia Calderu

Alice Wu Gulliver

Brooklyn 99:

Rosa Diaz

Amy Santiago

Arcane:

Sevika

Vi

OITNB:

Nicky Nichols

Alex vause

Abbott Elementary :

Melissa Schemmenti

Requests are open!!

[ssa-neeks-prentiss]

Who I write for :

Criminal Minds

- Emily Prentiss

- Aaron Hotchner

- Spencer Reid

- Jennifer Jareau

- Alex Blake

- Elle Greenaway

- Derek Morgan

- Penelope Garcia

- David Rossi

- Jason Gideon

- Kate Callahan

- Ashley Seaver

Marvel

- Natasha Romanoff

- Yelena Belova(Platonic only)

- Kate Bishop

- Wanda Maximoff

- Carol Danvers

- Tony Stark

Brooklyn 99

- Rosa Diaz

- Amy Santiago

- Gina Linetti

Percy Jackson

- Annabeth Chase

- Hazel Levesque

- Piper McLean (Female reader only)

- Nico Di Angelo (Male reader only)

- Percy Jackson

- Frank Zhang

- Leo Valdez

- Jason Grace

- Reyna Ramirez-Arellano (Platonic Only)

- Will Solace

- Thalia Grace (Platonic only)

- Clarisse La Rue

AGGGTM

- Pippa Fitz-Amobi

- Ravi Singh

- Cara Ward

- Naomi Ward

Wednesday

- Wednesday Addams x reader

- Enid Sinclair x reader

Please request something! Anything really :)

[moonagedaydreamsofrhiannon]

I’m obsessed with Danamy and McWexler for the same reason that I’m obsessed with Cathy and Heathcliff. Here we have two broken, wicked people, too cruel and selfish to ever truly love anyone but themselves, and yet, they love one another to the point of madness. Because the truth is, they are one and the same. They are two halves of one destructive whole, the only person in the entire world who can truly understand the other, fated to leave a path of devastation and ruin in their wake if ever they come together, because that’s who they are. And of course it ends in tragedy, because how could it not? They were too broken and too wicked in all the same ways from the very beginning for this to ever end any other way. There is no version of this story that concludes with a happy ending. Either they are together, and they destroy each other, or they are apart, and they spend the rest of their lives reaching for each other, never able to touch.

[poetdept]

EPHRAM BROWN & AMY ABBOTT in every season of EVERWOOD [1/4]

[stardreamer28]

does a ship ever just strike you by how beautiful they are? not just physical appearance, but the chemistry, how they act or speak together, and if you're lucky how natural the portrayers are together. the little touches or glances that are added makes each scene just so unf that you can't breathe for a few moments and when they're not onscreen the next scene you just wonder what life was....

[thebigbangtheorythoughts]

best to worst relationships in TBBT (with reasons)

1. Amy & Sheldon

they had similar interests

they liked spending time together

they had a relationship agreement that objectively helped them – they had rules, schedules and agreements which made the relationship safe for both of them

they truly like each other

they value each other’s insights

they are actually able to resolve any conflict that grows between them (not just ignore it)

they respected each other’s interests

2. Raj & Emily

they had fun together

they were honest with each other

they had different interests but they didn’t try to force one another into them

Raj broke up with her because he developed a new crush (a crappy reason tbh)

3. Leonard & Priya

they shared some part of interests

they actually liked each other

she tried to change Leonard (especially his looks)

she made him choose between her and Penny

Leonard lied to her about cutting ties with Penny

the end of their relationship was awful

4. Leonard & Penny

adorable at the beginning, but just downhill from there

Leonard liked Penny just because of her looks at the beginning

during later seasons Penny didn’t even like Leonard

she made fun of him a lot

she did not accept him at all

she mooched on him for most of her acting career and then felt superior just because she got a better paying job than him

she wanted to broke up with him but didn’t just because she became jealous of Alex

they had nothing in common

near the end of the show Penny was kind of a bully towards Leonard

5. Howard & Bernadette

they had so many red flags basically from the beginning

Bernadette didn’t like anything that Howard liked

she tried to force him not to go to space and then stated that Howard is an astronaut because of her

he said he would hate to spend as much time with Bernadette as he does with his fiends

she was manipulative, competitive and mean

he treated her like a mother

he thought he wasn’t hot enough for her ex boyfriend or him (he states that at the beginning, short after meeting her)

she felt superior just because she earned more money

[ragnarockz]

"I WANNA DO EVERYTHING TO HELP THAT LITTLE GIRL!"

He's not only talking about Emily.

He's talking about Samantha.

About Melissa.

About Scully.

Amy Jacobs and Lucy Householder.

All the little girls in Paper Hearts.

All these little girls that should have and did grow up only to be violated, harmed, and killed.

[2024-ppsf]

Hello again Spookateers!!!

With the haunting season fast approaching we're excited to once again be launching Pitch Perfect SpookFest for 2024

[livingdreams97]

Emily Junk - "The New Bella." (Part 2)

Emily Junk x fem! reader/oc

Summary: Emily is a newcomer to Barden College and her dream is to be a part of the group acapella the Barden Bellas. She entered the house of the acapella group in order to fulfill her dream, but she ended up falling in love and living an experience that she had never imagined.

Words: 2.392

PREVIOUS /// NEXT

Masterlist

You POV

We've been at the Treblemakers party for a while and Beca still hasn't come home from work. Which means that Chloe is asking me every time she sees me about her and if she has responded to any my messages.

Which I deny, saying I don't know anything and escaping the situation as quickly as possible. I just hope that Beca tells Chloe about the job sometime soon, because it's her first day at the production company and I can't take the stress of keeping the secret anymore.

Stacie: It seems like the new one is flirting already.- she says, shouting close to my ear because of the music, pointing to a place at the party with her finger.

I look amused at where she points, seeing Benji move very strangely and talking to the new Bella.

Amy: They would make a good couple, they are just as weird. - She laughs, joining our conversation.

Cynthia: I don't know.- she denies with a grimace on her lips. -I feel certain vibes from him, you know what I mean.- she comments with an amused smile.

Y/n: I think they would make a slightly awkward couple.- I laugh imagining it. -Besides the fact that we're talking about Benji, I doubt he could even tell her his name, much less ask her out without getting stuck every two words.- I assure them and they all laugh in agreement.

Stacie: You know that from experience, right? - she asks me amused, moving her eyebrows suggestively.

Y/n: Shut up.- I growled, embarrassed, hitting her on the arm. -That was the most uncomfortable moment of my life and I prefer to forget it completely.- I admit sincerely.

Amy: It's true, the weirdo asked little Mitchell out.- she remembers laughing, putting her arm around my shoulders and bringing me closer to her.

Y/n: Amyyyy! - I complain like a little girl when he continues with the topic.

Cynthia: That's why I'm gay.- she assures us proudly.

Stacie: I couldn't be gay.- he shakes his head. -I can't reduce the hunter's prey in half and there are times when a good cock cures everything.- she explains to us without any shame and we all look at her with some disgust.

Y/n: Stacie, too many details.- I say with a disgusted face.

Amy: As far as I know, little Mitchell here doesn't have a dick. - She reminds her with curiosity and amusement at the conversation.

Stacie: She don't need it.- she assures her winking at me. -Besides, the toys are there for a reason.- she comments amusedly and I open my eyes in surprise.

Amy: Wait, what? - she asks with surprise and trying to suppress a laugh, putting on her evil smile. -Does little Mitchell have a harness?- she asks, looking at me completely amused.

Y/n: No, no, no. - I deny quickly, getting out from under the blonde's arm and practically fleeing the place listening to the laughter of my aka-sisters.

I see Jesse sitting alone and decide to go with him. On the way I pick up a glass of pineapple with alcohol inside and take a sip, noticing the strong flavor of gin.

Y/n: I come to keep you company.- I tell him, when I sit next to him and he looks at me funny.

Jesse: To keep me company or to run away from the girls? - he asks me with amusement, pointing with his head where my friends are and where I came from.

Y/n: I can do both at the same time.- I reply amused, taking another sip of the drink.

Jesse: What was it this time? - He asks me, amused.

Y/n: They were embarrassing me.- I respond with a pout and crossing my arms.

Jesse: Were they messing with little Mitchell? - he asks, amused, hugging me by the shoulders. -Do you want me to take care of them?- he asks again, but this time with a fake Italian accent and feigning seriousness.

Y/n: After the competition, right now we need all the bellas.- I answer him and he bursts out laughing at my answer.

Beca: Hello! - she exclaims, appearing out of nowhere and scaring us.

Jesse: Hey, you've come.- he says while they kiss and I pretend to vomit.

Beca: Are you jealous? - she asks me amused. -Don't worry, I have kisses for you too.- she assures me, sitting on my lap and leaving several kisses on my face.

Y/n: Stop, stop, stop! - I exclaim, amused, trying to push her face away, while Jesse laughs at our attitude.

Jesse: Well, how was internship? - he asks when my sister stops still.

Beca: Very productive, yes, they are not up to fooling around.- she tells us, taking my glass from the small bar and taking a sip.

Jesse: Chloe asked where you were.- he tells her.

Y/n: Many times, I have been asked about you MANY times.- I say looking seriously at my sister.

Jesse: Why haven't you told her? - he asks his girlfriend, confused.

Beca: She's very busy with the competition and all that, it wasn't the right time.- she responds, moving her hands nervously.

You see, when I'm nervous or hiding something, I scratch my eyebrow and my sister gesticulates excessively with her hands. So it's very easy to tell when Beca is nervous or hiding something, because her hand movement during a conversation increases by 80%.

Y/n: Beca, you have to tell the girls, I can't hide it anymore and it's only been one day. - I plead to my sister, scratching my eyebrow for the first time all day and feeling some relief.

My sister, seeing my action, sighs with some guilt and grabs my hand so I don't scratch myself anymore.

Beca: I promise I'll tell her soon.- she assures me, placing a kiss on my right eyebrow and hugging me by the shoulders.

Y/n: By the way, we have a new member.- I told my sister, hugging her around the waist.

Beca: But the dean said that we can't do auditions.- she comments with confusion.

Y/n: Apparently she is an heiress and we are obliged to let them audition or something like that. - I explain, shrugging my shoulders since I do not understand the situation myself.

Beca: Okay.- she says, shrugging her shoulders like me and changing the subject.

The three of us talked about everything for a bit, before getting up and joining the rest of the people on the dance floor.

Emily POV

We meet at the car show, where the Bellas are supposed to perform and because of Amy's issue with the president, they gave it to a German group.

Flo: Explain to me again what we do at a car show? - she asks with confusion in front of me on the mechanical stairs.

Chloe: There is a reason and it is very obvious: study the competition. - she answers seriously her.

Emily: Knowing who we are facing will help us win. - I support the co-captain of the group by understanding her point of view.

Chloe: Okay, let's find out where those tour stealers are.- she says confidently, when we reach the end of the stairs. -Stacie!- she calls her when she sees where our aka-sister is.

When we get off the stairs, we all notice Stacie who is perched on the hood of a red car posing and some guys are taking photos of her.

Beca: Don't be a cock-warmer.- she says amusingly to our partner.

Amy: Stacie!- she exclaims, approaching her and causing her to get up from the car. -I bet that made you horny Y/n.- she accuses her evilly.

Y/n: Oh my god! - She exclaims, hitting her forehead in embarrassment and begins to walk faster and  away from the group.

I just watch as she gets ahead of everyone, feeling how breakfast stirs in my stomach at the blonde's comment and knowing that the two have some kind of relationship.

When we get to the performance room, I don't realize that I am between the two Mitchells.

During the performance, I can't help but focus on the warmth radiating from the body to my right and the smell of pear with something floral that I can't make out.

Emily. You smell very good.- I whisper to her without thinking, opening my eyes mortified and she looks at me with confusion.

Y/n: Excuse me?- she asks, approaching me.

Emily: That they seem good.- I say quickly, feeling my heart beating wildly and my hands starting to sweat.

Y/n: Yes, they are.- she nods agreeing with me and returning her attention to the performance.

I let out the breath I didn't know I was holding, trying to calm the fast beating of my heart and wiping the sweat from my hands against my pants.

I take a deep breath, focusing on the performance and trying not to think about the interaction I just had with my bandmate.

When the performance ends, we applaud politely and look at each other without really knowing what to do. None of us imagined that they were going to be so good and that they were so synchronized.

Kommisar: The Bellas of Barden, have you come to see us? - she asks us when they approach us. -Is it because you are a little... as they say to American children? .... in heat - she says and I open my eyes surprised at the comment.

Chloe: We're not in heat. - She denies with her lips together.

Kommisar: We should thank you for giving us this tour, you know, with your clumsy inaptitude.- she tells us seriously. -Should we send them something, something like a fruit basket?.- she asks the boy next to him.

Pieter: Yum yum.- nods agreeing.

Kommisar: Or would you prefer some sweets? - she asks us this time with a smile.

Beca: Hey, we haven't come to fight with you, we just wanted to see you before the championship where we're going to crush you.- she assures the Germans with a smile.

Kommisar: You? - she asks, approaching the brunette co-captain. -Are you going to crush us?- she asks, amused, remaining a few centimeters away from her.

Beca: Well yes.- she answers, moving in her place with some nervousness.

Kommisar: What little thing, like an elf or is it a fairy, a little fairy? - she asks before saying something in her language to one of her companions.

Pieter: Troll.- he responds with a strong accent to whatever she is asking.

Kommisar: That's it, you're like a troll.- she says and I feel how they gently pull me aside.

Beca: And you are physically perfect, and I don't like you at all.- she assures her and we all look at her confused.

Kommisar: Thank you.- she thanks you with a smile.

Y/n: What you really are is a poorly educated bully. - She responds to her sister's insult by placing herself in front of the blonde, who looks at her with a raised eyebrow.

Kommisar: And you are? - she asks with a more defensive posture.

Y/n: I'm the one who will kick your German ass if you insult her again.- she assures her seriously and I can't help but bite my lip at her authoritarian tone of voice.

Chloe: You don't scare us, because when we step on stage we're going to rock it. - she assures them with a smile, changing the subject and trying to lighten the tension in the atmosphere.

Pieter: With what? - he asks sarcastically. -Showing flabby Abby's rabbit.- he says, looking at the blonde with disgust.

Amy: That's not my name. She denies something uncomfortable.

Pieter: I don't know your name, but I can improvise.- he assures her with amusement. -Malena the whale, Lisa the plump one, the bale cow...- he begins and with each name I can see Y/n's body tense up more.

Amy: My name is fat Amy and I have salchichem like you for breakfast. - She says, approaching him in a threatening manner.

Pieter: Your team is like a chicken coop without a rooster, and without a rooster you are poor untied chicks who, as soon as a rooster crows, another rooster crows at them. - he says with that horrible accent.

Kommisar: Girls, follow my advice, don't try to beat us: you can't, we're better. - she assures us with an evil smile, staring at Y/n. -And now I have to go rest my neck, it hurts to look at you from above.- she says, looking this time at Beca with superiority.

I see how Y/n is about to jump on her, so I grab her arm and pull her hard towards me, avoiding any type of altercation.

Beca: Okay, just because you make me feel sexually confused doesn't mean you scare me! We have nothing to lose! Literally nothing! - she exclaims, moving her hands and watching them go. -Aka-fidersen bastards.- she says goodbye, moving her hands above her head.

Chloe: Leave it.- she asks her friend, placing a hand on her arm.

Beca: Oh what's wrong with me? I can't control my hands.- she growls nervously, brushing her hair out of her face.

Once the Germans have disappeared, the atmosphere relaxes a little and I realize that my hand is still gripping Y/n's arm.

I let go immediately, feeling the heat flooding my face and my heart starting to beat fast again.

Chloe: Okay, after this whatever it was.- she says referring to Beca, moving her hand around the brunette. -It's time to get our act together and rehearse until we bleed if necessary.- she says intensely and I look at her surprised.

Amy: Don't get too extreme redhead. - she stops her with a hand in the air. -I already have plans for today.- she tells her, raising an eyebrow.

Ashley/Jessica: Us too.- they say at the same time with one hand in the air.

Stacie: I'm meeting a boy for a class project.- she comments, looking at her nails.

Cynthia: And what is the job? About anatomy.- she asks letting out a laugh.

Stacie: Anyway, I'm leaving.- she says goodbye to everyone. -See you all at home!- she exclaims when he walks away from the group.

I watch her walk away, not understanding how she prefers to go with a boy when she has Y/n. That is, from an objective point of view and not at all personal, I would choose her.

Because I don't know what the boy will be like, but between the eyes full of life, the perfect happy smile, the silky long hair, the abs, the butt, the way she dresses and her personality, I will stay with Y/n a hundred times.

But all this from an objective point of view, I don't like girls and she is also my groupmate. But just because I don't like girls doesn't mean I can't appreciate them.

[jaucher]

[angelthefirst1]

Beth, as mermaid Amy 🧜‍♀️ ✨️ Who swam away for a time and transformed.

The very first mention of a cure in TWD happened as Amy was lying dead, but prior to her waking as a zombie.

Rick mentions the CDC while Andrea waits over Amy's body.

The writers repeat and invert everything, so it's no surprise to me that Amy and Beth are linked to a cure theme.

When Beth first opens her eyes and wakes at Grady, we not only see a visual parallel of the blue eyes opening, we also see a clock pointing to 532

532 means Ami, from which we get the name Amy.

Besides the brulent blue-eyed walkers in DD1, Amy is the only one I can think of that doesn't have yellow walker eyes upon reanimation.

The beginning is the end, and Daryl coming across the blue eyes of the brulent walkers, at the beginning of his spin-off, will be repeated with Beth's blue eyes at the end.

Amy gets given this mermaid 🧜‍♀️ necklace by Andrea for her birthday.

Emily Kinney - Mermaid song 🧜‍♀️ 🎵 🎶

Mermaid's can represent transformation and metamorphosis and can represent the merging of two worlds and the potential for change.

The beginning is the end, and Beth is linked to the first blond character to be bitten and transfrom in the show. Amy, who was present at the first mention of a cure.

I AM- name of God.

A mermaid 🧜‍♀️ swimming away.

OH OH

What changed your mind? GOOD people, aka the good news of the gospel of Jesus Christ, which is the cure.

Good actually means perfect.

Perfect news = cure

OH

Amy wears a t-shirt with stars on it when she dies, hinting to 🌟 The Morning star linked to the star of David/Israel, which her name (Ami) is also connected to.

Amy gets shot in the head in a visually similar manner to Beth.

The theme of water being involved around the time of Beth's disappearance (after Grady) is something that keeps coming up.

Oh, oh, the mermaid swimming away, and Emily's album Swimteam both seem to be lined to this theme and the pool of Bethesda.

We also saw Daryl's map wash away in Find Me when he was searching for Rick's (Beth's) body.

I recently talked about the possibility of a storm coming in when the group tries to bury Beth in my breakdown of Omaha Hotel.

Amy and Andrea are located next to the quarry filled with water when she dies and turns.

There are a few other connections to Beth and Amy that I want to mention.

Amy is Andrea's little sister, and we expect Beth to take on some of Andrea's role when she returns, becoming "little Andrea."

Amy got bitten on the arm, which is something that has been speculated happening to Beth prior to her getting to Grady (the CDC)

She also got bitten on the neck like Andrea did in season 3.

Amy took an unusually long time to turn (all night), and her sister wouldn't allow anyone to touch her or stab her through the head.

If Beth's story is a retake on Amy, then I imagine the same scenario happens with Beth.

She doesn't get stabbed in the head because they already believe the bullet put her down, but her fingers twich, like Amy's did before she awakened. Possibly causing an argument about stabbing her in the head to be safe.

Maggie and Daryl will not allow this...

When her body does go missing, they will indeed think she reaminated as a walker, causing Daryl to start tracking her, but a storm and water causes him to lose the trail like with Rick's map, which made Daryl scream like he was at the absolute end of himself.

One other link between Beth and Amy that's worth a mention is mushrooms, yes fungi.

Lori calls Amy the mushroom queen. 👸Lori calls Amy this because she is off finding mushrooms.

How is this related to Beth?

Well, we saw mushrooms mentioned in TOWL in relation to the girl living in the museum, the same girl who hid in the grasshopper sculpture. Thorn tells Rick that her group grew mushrooms 🍄 we know the museum and grasshopper symbolism is linked to Beth.

Well, in Find Me, we see Daryl sitting next to a log with mushrooms growing on it.

Find Me and Consumed really are templates of how he will find Beth, and finding Beth aka the Morning Star (Jesus) 🌟 will make Daryl a fun guy 🥁 🥁 🤭

Happy guy = Happy ending.

2 Peter 1.19

We also have the word of the prophets as confirmed beyond doubt. And you will do well to pay attention to it, as to a lamp shining in a dark place, until the day dawns and the morning star rises in your hearts.

Coda

🥁🍄🌟♥️♾️♥️🌟🍄🥁