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vidavalor · 3 days ago

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Ok,Since the Good Omens Finale is only going to be 90 minutes,I have a feeling we might not get a flashback sequence.

Hi there, @rougeside4 💕 I made an apple pie, if you want some. 😊Allow me to offer a different take? I wouldn't worry about this. There will be flashbacks. It's not the show without them.

Short thing on why we're definitely getting flashbacks and on which ones we can maybe see as being very likely still in The Finale.

The secret sauce of Good Omens, imho, is that the real juice of the story is actually always in the flashbacks. The flashbacks that we see are not random; they're always written to support the story in the present. There's a point to why it is these flashbacks we are seeing-- and when and in what order we are seeing them--when Crowley and Aziraphale have been on Earth for over 6,000 years and we could see any of their adventures. They're designed to inform our understanding of the story in the present. The real beating heart of the story is in the scenes set in the past and the story in the present would lack... *searches for words* emotional resonance? thematic weight? general, dramatic oomph? all of these?... if they were to cut the past. Put more plainly: it would suck 😂, and they're smart enough not to do that.

I think some of the most exciting parts of The Finale are actually going to be the flashbacks, just like how they were always the biggest treats in S1 and S2. In the way that they roll those out to us, piece by piece, they're changing our understanding of what we're watching in the present. The meaning of the story in the present is driven by the flashbacks in the past to a point that you cannot have one without the other.

Good Omens is actually driving all of its suspense and anticipation through the story in the past and that's what makes its non-linear storytelling clever. After all, right now, most people know this thing has a happy ending and aren't worried about that, right? We know Crowley and Aziraphale will get back together and be fine and no one is stressing over that. (And if you are... really? Guys. Honestly?! It's called Good Omens. It's a romance. It's a sweet, cuddly show. It's going to be fine. 💕)

So, what are we curious about, if not where it's going in the present?

1941, Part 3, right? Whether or not there's an ancient times vavoom coming our way? What the deal is with Jane Austen and/or 1650? Whether or not we might be surprised with a flashback that hasn't already been set up earlier in the story and what that might be?

Our biggest questions in the story aren't about what will happen in the future but about what we might get to see that has already happened in the past.

There is actually no conceivable way to do The Finale without flashbacks because the entire story is built towards having at least a couple of essential ones happen in its end game. I would not be surprised if at least somewhere around a third of The Finale is set in the past. Are there ones that we would have had with a full season that will be cut? Yes, but, are there also ones, though, that are too essential to cut because the entire story for two seasons has been building towards eventually revealing them to the audience in the final part of the story? Oh, yeah. 😉

Guaranteed: 1941, Part 3. There is no chance that they cut this-- none. They have built the ending of this trilogy of flashbacks to support the ending of the story in the present so it has to happen. It doesn't need to be an entire minisode in length. Part 2 really did all the heavy-lifting with plot and themes here, and Part 1 was a single, brilliant, not terribly long scene. If Amazon reduced The Finale to 15 minutes long, I think the show would still find a way to put 1941, Part 3 in there. The first two parts were so pivotal to the themes and parallels of the story in the present and it's the only flashback that we keep getting installments of throughout the story so its Part 3 is going somewhere massive. If there's one flashback that's in The Finale, it's this one.

Extremely, extremely likely: the ancient times vavoom to which they have been building in clues and hints for two seasons that is going to flip the entire show on its head by going back to The Flood. It would parallel and add extra weight to all the conflicts we have in the story in The Finale that were set into motion by the end of S2-- the kiss, one of them leaving/them being separated, the threat of an apocalyptic-like event, etc.. It would, in almost no time at all, complete the narrative magic trick of the show by turning it inside out for the audience.

The show that shows everything backwards has been sitting on the real first kiss the entire time and saving it until the end game of the story and that end game is The Finale so expect that angel and that demon to be sheltering under a canopy from a rainstorm in the very long ago days and break the internet in the process.

If I were them, I'd even open The Finale with this flashback, just because of how much it's going to pull the rug out from under The Final 15. After all, the first two seasons opened with a canopy-and-rain-themed scene, did they not? Just one wing at a time, though... no under a canopy together yet. No gazing into each other's eyes and vavooming. That bit of the beginning of their story has always been going to be shown to us in the end of the story. It could well be the, well, beginning of the end of that story by opening The Finale. We'll have to see. Either way, it's in there.

It's also worth mentioning that both of these above flashbacks would be going back to eras we've already visited in the story so no time would need to be devoted to setting up the scenes. That would seem to make them easier to not cut, in addition to how narratively important they are.

Going To Be In There In Someway, Somehow: A flashback that sets up the South Downs Cottage ending, which is suspected to be the Jane Austen flashback because of her living in real life in the South Downs around the years that it was mentioned in S2 that Crowley and Aziraphale knew her.

When this was set up for S3 back in S2, the Jane Austen story felt juicy enough to potentially be a whole minisode in length. Maybe especially since it's probably how they are going to be build a history of the cottage between Crowley and Aziraphale to help give emotional weight to them going to live there in the present at the end of the story. I've no idea what this looks like with a shortened run time. They might abbreviate or maybe it was never even that long in the first place? They might do something different in its place? It's hard to say, since we don't know, but they've got to do something to set up the cottage, so...

Whatever this winds up being, though, we're now up to three flashbacks that have to happen because of how they connect to the story in the present in The Finale. These are three, non-negotiable ones, basically-- and we are obviously only looking at ones that we can see having been set up already.

There is also the fact that there's usually a surprise flashback that wasn't set up but which is crucial to the story, like the Job minisode was in S2. It fits in perfectly, retrospectively, but we were intentionally not really given enough in S1 to see it coming in S2 so that there was something unpredictable for us to enjoy. I'm not expecting anything as long as Job again but there could still be a scene more 1.03 Cold Open in length that we don't even know is essential at this point because we aren't meant to know at this point but, much like we did with Bildad 😊, we will see as vital to everything once we see it.

Including that as a possibility, we're now up to four flashback scenes that seem unlikely to be chopped from The Finale. What I just described, give or take and depending on the length of 1941, Part 3, is probably collectively getting within shouting distance of the run time of the 1.03 Cold Open-- and that's going really bare bones and only talking about the scenes that seem too story-essential to consider cutting. There's also one more that might meet that criteria...

Could Go Either Way: 1650. If this has nothing to do with Agnes Nutter, it's probably gone. If it's how Agnes has an appearance in the end of the story to pull stuff together, they'll probably find a way to put it in there because... Agnes. 😊

No one knows what this thing is supposed to be about but we do know that it was set up in S2 for S3 and, between Aziraphale mentioning it, the historical ties to eccles cakes to this era, the fact that it could potentially show a Whickber Street in early development and, most importantly, that it's set five years before Agnes Nutter died, whatever this thing is? It's intriguing. We don't know how long it was meant to be but if it's something that was minisode-length but could be reworked to be shorter-- or if just was always short in length-- it's probably still in there.

It's very possible to have many, quality scenes that hop throughout time in a very short period of time. The 1.03 Cold Open is about 23 minutes long and jam-packed with goodness. I have no idea if they're going to sprinkle flashbacks in throughout The Finale or if they're going to do a flashback sequence like 1.03/Ineffable Bureaucracy again but I do think that at least a third of The Finale-- so, roughly 30 minutes of it, give or take-- are likely flashbacks.

We are going into this movie a lot closer to the end of the story in the present than I think it may appear to some at this point. All the set up work to get the characters into place to overthrow The Metatron in The Finale was already done in S2. It's not going to take 90 minutes for Aziraphale to be in trouble, Crowley and Ineffable Bureaucracy to find out and rally the troops, everyone to challenge The Metatron, expose him as a fraud, and kill the threat of Armageddon by overthrowing Heaven and setting it up to be democratized. That's pretty much what everyone knows needs to happen in The Finale and what is likely going to be the main story in the present in S3.

We know what is going to happen because we know it has a happy ending and we know that we need the Armageddon threat gone for the South Downs Cottage happy ending to occur. We know the only answer is that they've got to overthrow The Metatron. Whether you think the plot is Supreme Archangel Aziraphale or whether you're like me and think the plot is that Aziraphale is in mid-fall as of the end of S2 and that's the thing that triggers the other characters to come together against Heaven, the end result is still going to be the same: The Metatron's gotta go and everyone's got to come together to make that happen if we're getting the happy ending we already know we're getting.

We are all sitting here knowing pretty much exactly what the story in the present is going to be in The Finale and that's because the story has set it up so that we do. Yes, there's going to be joy in watching that unfold but a story designed like a magic trick has to have suspense and give the audience a sense of anticipation. We feel that from this story and from where are we getting that?

The past. The flashbacks.

Everyone knows what the end of this story in the present is but no one knows for sure where, say, 1941 is going, or what new things about Crowley and Aziraphale the past will show us in The Finale. Every new thing we see in the past? Changes our view of the present. That's what makes the story clever. It's also what makes it enjoyable. They cannot cut flashbacks because they'd be cutting the most interesting parts of the story and what makes Good Omens the quirky, unique bird it is.

The present and the past are so interwoven in the story that I'm pretty sure that it is impossible to do Good Omens without flashbacks. The only question going into The Finale is which ones they're going to surprise and delight us with. Don't lose faith or sleep over it-- at minimum, we'll see Crowley's 1941 hat again and that, truly, is all any of us really need to survive.

#good omens #good omens meta #good omens finale #good omens the finale

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idolomantises · 2 days ago

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I’ve seen people make excuses for the writing by mentioning it’s all just set up for spin offs and sequels but… I don’t want that? Why on earth would I want to wait 3 years for a show to say “oh by the way these characters will get proper conclusions in the spin offs”.

Just tl:dr I’m over this series and don’t plan on watching any of the sequels or spin offs. Maybe if they introduce a hot robot character I’ll check it out.

There’s not even a promise that every single character that has an inconclusive ending (which is all of them btw) will have spin offs and sequel shows. I’m pretty sure they’re likely going to just use a completely different cast since League has a lot of characters.

I’ve seen arguments that the season is bad because it has very few episodes and wasn’t spaced out, and while I do agree the pacing is terrible I also… don’t even think this show could have been salvaged if they gave it a full 4 seasons. Because either way, it was going to end with a lot of characters being badly written, sideline and having arcs unfinished so it can be explored in sequels and spin offs (if that even happen).

One thing I liked about arcane is that it avoided a lot of really bad tropes that I’ve seen modern queer media weirdly struggle with. Arcane avoided the pitfalls written female characters, female characters used to push male relationships and very clearly abusive couples that are dismissed just because they’re gay.

Then season 2 happens and Mel becomes a disposable black woman trope, Sky only existed for male angst, Maddie is literally there for shock value and adds nothing to the narrative, Vi just… turned into that and Caitvi is toxic yuri in a way that’s very unfun and frustrating. These two are seriously so incompatible for each other, but they make out and have sex a lot so I’m sure this destructive relationship with warring idealogies will be fine. Please queer shows for the love of god stop assuming gay characters kissing and fucking makes up for their lack of communication and horrible behavior to each other.

Honestly I’m really disappointed that all these things happened to Sky, Mel and Maddie because watching fans tear apart female characters for 4 years just for existing and getting in the way of ships only for them to be exactly that and for fans to cheer about their suffering pisses me off so bad like girl… what the hell happened did the writers have amnesia. How do you write this show right after season one and fuck up this bad.

Maybe we should stop making videos about how tv shows write female/queer characters well until they’re actually done because this is getting ridiculous.

And yes I want to come back to the issue with how black characters were treated because I do find it pretty gross for Mel and Ekko to be absent for most of the show but then come back to basically save the day so fans don’t complain about how they were obviously sidelined for the sake of other characters. I dont really care for Ekko/Jinx but I did enjoy their time together in the AU.

And another annoyance is that this show did such an incredible job at introducing moral greyness to the show but then got scared to really commit to giving these characters any consequences. And I don’t mean like death or going to jail, but I mean holding grudges. I think Jinx is a very interesting and tragic character but she’s also… a terrorist? She caused the death of their friends and father? Like she’s a grown woman making these decisions. Having characters run around and risk their lives to save her felt a bit frustrating because yeah circumstances lead to this but half of these circumstances are also her fault. I really wish the entire season was about Vi choosing whether or not she was ready to forgive Jinx instead of basically accepting her back because Vander is back.

And VANDER…. Actually I won’t say anything because the more I mention him the more it pisses me off.

I have more thoughts but I gotta draw some comics so I’ll just leave at that. Disappointing season that I think is a lot worse than fans insist it is. It’s not one or two issues, it’s just compounding problems that won’t improve.

Thoughts on Arcane season 2

I didn’t like this season

It’s not bad, but I found it incredibly rushed, cramped and deeply unsatisfying

While season 1 had several protagonists it was also pretty obvious that Vi and Jinx were the emotional core of the entire show so why on earth was their dynamic barely explored here

Vi went from being my favorite character to a character I found deeply frustrating and annoying. What the hell is her personality of getting her sister back and fucking the hot lesbian. She has no consistency whatsoever and it’s something I don’t think the show realizes how batshit the constant flip flopping in. What do you mean you sister tells you she’s going to kill herself and then you start fucking your messy situationship

I don’t really care for Jayvik but I found Jayce’s confession very sweet.

Mel my beautiful queen they’re gonna call you a Mary Sue

What the fuck was with all that Witch shit and Ambessa’s death was incredibly unsatisfying

Victor fans who kept begging the team to not make him a hot buff robot so he can still be a skinny twink pisses me off so bad because now we have an inferior twink robot design. I know fans probably didn’t influence this but I also need to complain about their lack of taste like what do you mean you didn’t want to see a hot buff robot man.

Ekko feels like an incredibly unimportant character and I’m pretty sure fans only like him because of what he can do for Jinx. A part of me wished he actually did hold a grudge just to see how fans reacted.

Season 1 was all about setting up emotional complexities and how nobody was truly evil and the show made it seem like there was no way for anyone to fully recovery from this but everyone is holding hands and singing kumbaya’s so alright nevermind then

This show was honestly a little too in love with Jinx. I did not enjoy her writing in acts 1 and 2.

The jokes were really bad this season

The songs oh my god the SONGS. I didn’t mind them in season 1 but in season 2 it started to remind me of love is blind and anyone who has watched that show would know what a massive insult that is.

Caitvi lesbian sex scene and I couldn’t even enjoy it because the writing was pissing me off

Caitlyn should’ve continued her little fascist arc.

Mel’s arc this season felt like weird fanfiction.

A bunch of random side characters die off unceremoniously after the show gave them so much unnecessary screen time

I hated Isha sorry. I’ve never seen a character more clearly made to die.

Jinx death means nothing to me because I know she isn’t dead so why even do all that lol

I will never call this show sexist but it has done a massive disservice to its female characters.

#txt #arcane spoilers

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transformers-nerd-13 · 22 hours ago

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As promised, here's my analysis of Transformers G1; More Than Meets the Eye; Part 1. (I'm posting my episode analyses of the three episodes separately for the sake of not making this an insanely long post because look at how long this thing already is).

We open with a narration giving us a brief overview of who the Autobots and Decepticons are.

We're introduced to Bumblebee and Wheeljack who've found some conductors (presumably energy conductors). They head back to Iacon, but are interrupted by a "Decepticon Welcoming Committee" aka the Seekers who all had different voices than the ones they end up with later for reasons that will never be explained.

Bumblebee is wounded in the battle, but we're going to ignore that because it never gets brought up again and he’s perfectly fine later. The Seekers go to report to Megatron while Wheeljack and Bumblebee make it back to Iacon. We're introduced to Soundwave and Laserbeak who are spying on the Autobots--Soundwave almost gets caught but luckily because Jazz is blind as a bat, Soundwave doesn't get caught.

Jazz reports to Optimus about a lack of energy on the planet and Optimus tells Prowl that they'll start the search mission for energy whenever Prowl is ready to launch. Cut to the Decepticons where Starscream is standing with the sassiest pose of all time and Megatron is doing the classic villain rant about how the Decepticons must find an energy source before the Autobots.

Soundwave enters and reports that the Autobots are ready to launch and Megatron says that they are also ready (I guess they had the same plan to go search for energy??). Megatron tells Shockwave that he is to stay behind and keep watch over Cybertron in the absence of literally every other Decepticon, but Shockwave assures Megatron that Cybertron will remain as he leaves it.

Starscream then decides now is a good time to whine about not being the leader of the Decepticons to which Megatron tells him that only a select few ever lead. Starscream tells Megatron that his time will come, but Megatron tells him "NEVER!!" before changing gears remarkably fast and tells...someone to prepare to blast off. (I'm assuming he was talking to Soundwave but he was looking at Starscream).

The Autobots and Decepticons launch their respective ships. But two asteroids collide causing an asteroid shower (yeah that's definitely how that works) causing all sorts of chaos including the Decepticons somehow losing their power and Jazz falling out of his chair. They get through the now suddenly very still asteroid field by using the Ark's laser gun and the Decepticons follow them. Starscream says that they should just blow the Autobots away since they've seen them, but Megatron says that he "wants to know what they're after." Um...sir? They're after energy, just like you?? I thought you knew this???

Jazz--who has gotten back into the pilot's seat off screen--reports that the cons have made a magnetic junction to the Ark and that he can't shake them. They try to use their weapons but their power is somehow already used up. The cons board the Ark where a (simply put) chaotic battle takes place. Somehow they lose control of the Ark within less than ten seconds of the cons boarding and crash into the side of a volcano and die.

Yep, they were dead.

For Four Million years.

Mhm.

Somehow the volcano erupting woke up Teletraan One and it sent out the Sky Spy (a little probe thing) that scanned some earth vehicles while the Ark rebuilt the Decepticons first (for some reason—literally no idea why it did this). Skywarp is revived first, and he revives the other Decepticons. The cons leave the Ark and Megatron declares that much time has passed and they're on a planet far from Cybertron (oh y'think? Also, how do you know? You've been dead for 4 million years!! Not to mention it took less than two minutes for you to get into space and crash on this random planet so it can't be THAT far) but their mission hasn't changed.

Skywarp asks how they know Cybertron still exists (fair question but unprompted) and Megatron says that Cybertron must exist (Lot of faith you've got in Shockwave there bub, I mean, yes, this is Shockwave we're talking about but he's just one bot--you literally left ONE Decepticon on Cybertron dude and he doesn't even know you're still alive! And how do you know that he's still alive??) and that they would gather energy from this planet to conquer Cybertron followed by the universe.

Starscream (for some reason) shoots at the Ark. Megatron tells him to save his energy, but Starscream fires a few more shots anyway, this time hitting some rocks on the side of the cliff they've been standing on that fall onto the Ark. This jostles the ship and causes Optimus to finally be noticed by Teletraan One and Teletraan is like "Oh scrap I forgot to fix the Autobots, WHOOPS" and fixes Optimus who gives Teletraan a thumbs up and a quick "Thanks".

Dunno if I'd be that chipper after being revived from death, I mean, I'd be panicking, and then I'd see my dead friends and see that the cons were gone and consider myself in some seriously deep slag so, Idk props to you for being optimistic?--Pun intended.

The cons set up a base by some tall rocks in the desert that are literally RIGHT NEXT TO A ROAD. Robots in disguise my boron compressor! Soundwave prepares plans for a new space cruiser (I guess in addition to being the communications officer Soundwave is also an aerospace engineer??) while Starscream is told to convert the area for construction and is told to "use his imagination" when it came to materials.

Starscream does NOT however use his imagination, he uses Soundwave's. He asks Soundwave if he has any ideas, and Soundwave points out a conveniently placed...radio tower? Power station? Truly have no idea what this is. We're introduced to Rumble and Soundwave instructs him to activate his pile-drivers, but Rumble doesn't do that because Starscream takes off for the radio-power plant thing.

Cut back over to the Autobots who have all been revived off screen. Optimus tells them that this planet is rich with sources of energy but that the Decepticons must already know this because Teletraan One woke them up first (thanks a lot Teletraan), so they must find the cons and stop them. Prime sends Hound and CliffJumper to go find the cons even though Cliffjumper wants to "boot some Decepticon right in his turbocharger" (whatever that means; probably ‘kick some con’s butt’). Cut back over to the cons where we see Starscream, Rumble and Soundwave landing at the power-radio tower thing and Starscream (unprompted) tells Rumble that some day he'll be the one calling the shots, but Rumble basically says "ha ha yeah right" and Starscream tells him that he will find a way to beat Megatron but Rumble is doubtful of that. Rumble then finally activates his pile-drivers and splits the ground a bit causing some of the machinery at the plant to fall into it halfway and Starscream says that he's impressed by this. You must be very easily impressed sir.

Cut over to CliffJumper and Hound. Hound says that he smells something and that he thinks he's just found the Decepticons (so you weren't following a scent trail before this?? You were just driving around praying you found something?? Also do the Decepticons smell different than Autobots?? How do you know it's the Decepticons and not other Autobots???) and tells CliffJumper to follow him but they stop literally two seconds later (the "follow me" was unnecessary, you could've left it at "I think we've just found the cons" and it would've been completely fine lol) having stumbled upon the Decepticon's half constructed base? Space cruiser? Really not clear what this is meant to be here. CliffJumper wants to fight but Hound reminds him that Prime just told them to find the cons. Right now the cons think the bots are dead; it's better to have them think that they're dead at the moment for the sake of the element of surprise.

Hound uses a little satellite dish in his arm to listen in on the cons who are conveniently monologuing their whole evil plan about plundering earth's resources for energy and turning that energy into energon cubes (which were a Decepticon invention in G1) and the new space cruiser.

Off screen, Cliffjumper has assembled a giant gun (where the hell was he storing that?? I'm just gonna say it was in his subspace) and says that he's "Got Megatron dead center in his viewfinder." And fires. And misses.

Dead center huh?

The cons wonder who could be firing on them and Starscream immediately says that the Autobots could be the only ones firing on them. Starscream. Buddy. As far as you know, the bots are dead. How is this the first logical conclusion you come to??

Soundwave sends Laserbeak to investigate and Cliff and Hound make a run--or, more accurately, roll--for it. Good job Cliff. Apparently neither CliffJumper nor Hound have ever seen Laserbeak before?? Cliff asks Hound “What is that thing up there?” And Hound replies that he doesn’t know. I feel like they would've seen him at some point when the war was still on Cybertron? Idk.

Anyway, CliffJumper and Hound split up because Laserbeak can only follow one of them, right? WRONG. Apparently Laserbeak can detach his guns from his body and still be in control of them??? So he sends one of his blasters after Cliff, who defeats the blaster with some mockery and the fumes from his exhaust which make the blaster explode for some reason.

Laserbeak shoots Hound and causes him to tumble down a cliff in the most dramatic way possible.

During the commercial break, CliffJumper apparently found Hound at the bottom of the ravine/cliff and went back to the Ark to get help in the form of Ratchet and Grapple, who would never again be referred to as "Hauler". Cliff apologizes to Hound for firing on the cons and getting them caught, but Hound tells him "You shouldn't have missed you mean" with a good natured laugh which makes Cliff feel better about the situation.

Yes, this is a nice moment, but Hound is unknowingly supporting CliffJumper’s reckless nature in the future. Cliff directly disobeyed an order from Prime and one of his teammates got hurt because of it. This would've been a learning opportunity for Cliff if Hound hadn't laughed it off.

Cut over to Thundercracker and the Reflector triplets talking about how they couldn't believe the Autobots survived before Thundercracker spots something out in the desert which just looks like a dust cloud. Somehow Thundercracker changes positions to be on the ground almost right in front of the van/truck so that it’s driving directly at him when he's taking a picture of the van/truck using Reflector's camera Alt Mode (how three bots transform and combine to form ONE camera that fits in the palm of a Transformer I will never know; I guess mass shifting?) instead of on the cliff he was on seconds before when taking the picture of it and after he takes the picture he's suddenly back on the cliff?? Thundercracker reports the vehicle to Soundwave saying it might be an Autobot. Soundwave sends Ravage to investigate for some reason even though Thundercracker and the Reflector triplets are right there.

The vehicle belongs to two guys in matching outfits with yellow hard hats so what exactly their jobs are remain ambiguous. The two men go to the radio/power plant thing that Rumble wrecked earlier, and they comment on how it looks like a tornado hit the place and that something feels wrong.

That's when Ravage attacks them for seemingly no reason and sends them running, and we never see those two guys again.

Cut to the Ark where Hound has just finished reporting what he and Cliff found to Prime as Ratchet fixes him up. Jazz and Sideswipe are also in the scene for some reason. Optimus tells Jazz to organize a battle unit and Jazz takes that to mean 'get every Autobot'. This is the cartoon's way of introducing the other Autobots to the viewer as Jazz calls out their names as they Transform and Roll out. This is a good way to introduce the characters, but it would've been more effective if each bot got their own shot so that it’s clear that the name being called belonged to the autobot on screen. But it was the 80’s so I’m not gonna harp on this too much.

Cut over to the Decepticons where Soundwave is reporting to Megatron that Laserbeak found a source of energy (apparently he sent Laserbeak to go find energy sources off screen).

Cut over to an oil rig where we meet Spike, Sparkplug, and a handful of other unnamed humans who are all wearing the same outfit of a white button up, blue jeans and yellow hard hats that we won't see again until Dr. Archevil (no idea how you spell his name; that weird cyborg scientist) shows up. The Decepticons land on the oil rig and all the humans decide to start throwing random stuff at them which proves ineffective (like seriously what did they think throwing tiny pipes and wrenches at giant robots was going to do??) and Megatron calmly picks up a giant metal tube and tosses it at four of the unnamed humans, and all of those humans end up in the ocean below, never to be seen again.

Rumble pins Sparkplug to the wall (I had no other way to say that, get your minds out of the gutter) and Spike punches Rumble in the back which does nothing but annoy Rumble who shoves him away in response (I'm betting that hitting Rumble hurt Spike more than it hurt Rumble). I guess Sparkplug must have some super strength because he kicks Rumble off him and dives after Spike who apparently ended up in the ocean after Rumble hit him.

The Decepticons make some energon cubes that really look like folded towels out of some of the oil stored in the rig.

Starscream gets all excited saying that they can go back to Cybertron, but Megatron bursts his bubble by telling him that this is only a fraction of the energy they need. The Autobots (who could fly I guess) show up. The bots land and everyone is firing at each other with the aim of a Stormtrooper.

The bots and cons duke it out on the oil rig and I guess someone knocked out Ratchet at some point because he's just...on the ground?? The cons get away with their Energon cubes/towels, shooting the oil rig to send the Autobots into the ocean below, and Megatron shoots two of the oil containers on the sinking rig which blow up and now the ocean is on fire?? (If someone knows the science behind this please tell me in the comments because I don't know if this is actually plausible or not) as they make their getaway.

After the cons leave, Prime hears Spike and Sparplug calling for help because they got trapped behind some debris and goes to rescue them.

And that was Episode One of the Transformers. Overall a very silly episode but it's an 80's cartoon so what're you gonna do? It’s definitely the episode of G1 that I’ve watched the most and while it doesn’t always make sense, it’s a very fun watch.

Anyways, I hope this was enjoyable! I’ll probably be posting my analysis on More Than Meets the Eye Part 2 sometime tomorrow. In the meantime, stay tuned!

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opens-up-4-nobody · 9 months ago

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#its seems we really may be at the end of vanity #i missed a call from my dad and thought we might be in a connors birthday situation but no. not yet #he did say that it feels like this is it bc my mom's situation is complicated bc she has so much wrong at this point #its like a h0use md episode. the doctors dont seem to kno what to do and shes not very coherent #so my dad was saying that i should look at flights and by tonight hell let me kno if i should pull the trigger and buy a one way ticket home #it sucks. he sounds rough. i feel so bad for him. his wife of 29 years is dying #its not fair. shes only 53 #i wanna be there but im stuck here across the country. i wanna go home. thats a bit frighting tho bc itll take me at least 10 hrs to travel #and i dont want her to die while im in the air but i also dont want her to suffer #i hope she gets better but if she doenst i hope its fast. there dont seem to do any good options. shes so tried and its so complicated #and if she does get better than this then what would that even mean? my sister says it doesnt feel like there will b a better anymore after #this. and bless her to the ends of the earth she reached out this morning and was giving me updates #comforting to kno im not just being dramatic. its actually just really bleak #its kinda funny tho. my sister was like meh it doesnt seem so bad and then like 10min later she was like yeah no i was wrong its sorta #horrible apprently shes been deterorating #god. if i go back home do i take clothes for a funeral? do i keep up to date with my genomics class? will i become offset from my graduate #cohort? will i get my wish to play with legos at home? all questions worth considering #well. ill deal with whatever comes. so it goes. itll b fine. i mean ill b fine #just sad ya kno?#three weeks ago she was alright and saying she could fly out to take care of me after oral surgery #now shes dying #unrelated

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crescentfool · 1 year ago

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beaming everyone on the dashh with good brain day vibes!!! i hope that you all can remember to extend self-compassion to yourself whenever you're feeling down about something 💙

#lizzy speaks #the human brain works in such profound ways i think #lately i've been thinking about that post that was like 'you will always be your oldest friend take care of yourself'#it's definitely a sentiment i agree with and i appreciate how it emphasizes the importance of extending compassion to yourself #you wouldn't say such hurtful things to your friends right? (or at least i'd hope so)#so why would you say it to yourself?#you are your own friend too. and i think everyone has a beautiful soul within themselves. nurture it! water it! feed it good thoughts.#basically i wish everyone a 'i hope that your brain is not your own enemy but rather a friend that you can find comfort in'#things will work themselves out with time. there's beauty in life and you will find small delights to cherish!! i am manifesting it for u!!#and for those who find it difficult to transition from a self-critical mindset to one that's more compassionate and nonjudgmental #i truly think that with time you will be able to rewire your brain to be kinder to yourself. i'm proud of you for taking any first steps :)#there are times in which it feels counterintuitive to go against habits that feel hard-wired... but brains are very malleable littel guys-#with such a wonderful capacity for changing and learning new things. so i hope everyone can learn to be their own best friend!#not to undermine the importance of a support network ofc. that's good too and im all for that!! but i hope everyone remembers to be kind-#not only to others but also to themselves!! you're going to do great out there!! i love you all!!#ive just been thinking about this a lot... i needed to get it out there. you all shine so brightly!!! we shall be fine!!! have a good week!#sorry if this is out of nowhere but if there's anything about me you should know it's that i'm the 'hey dont cry 8 billion people on earth-#ok?' post. idk i just find great joy in knowing others are out there thriving and finding a daily delight yknow i love humanity!!

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bumblingbabooshka · 2 years ago

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St Voyager - Ex Post Facto “Maybe I kill myself slowly because I don’t have the courage to do it all at once.”

#I love when Tuvok & Janeway stare silently at each other as a response to something #I also love how the dog in this episode is just a regular earth dog that they call a dog #the only thing remotely 'alien' about it is that its hair is a little wild HEHEH they didnt even try #at least give it a silly name~!!!#'This is a yarnool.' (it looks really similar to a dog) 'I know not what a d o g is! how curious!'#very fun episode I love the noir vibes and the design of the apartment #tuvok saying 'it's rare to find someone as dispassionate as we(vulcans) are' absolutely a dig....and her 'I bet she's a FINE dispassionate #woman :)' ....I liked their interaction #it reminded me of that tiktok audio #'we go by tall grande and venti here.../most/ people know that.' (do I look like most people?) 'absolutely not <3'#the quote is actually 'maybe I kill myself slowly because I dont have the courage to do it quickly' but I don't like slowly-quickly #it sounds too samey #Harry isn't in this episode as much as these screenshots might suggest but I like him so he is here #He has a weirdly stoic energy in this one but I assume it comes from uhhhm.....worry or anger or something idk #it's stressful #st voyager #ex post facto #star trek #episode scrapbook #the way harry & tom stare at her with SUCH confusion after she feeds her dog meat is so funny to me #WHAT is the emotion of that scene??? <- guy who's bad with things like that #it's david lynch levels of incomprehensible to me but I like that <3

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lord-squiggletits · 2 years ago

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The main thing about IDW OP that I'm on my hands and knees begging people to understand is to actually treat him like a fucking character and give him the nuanced understanding that this fandom gives to other characters just fine. Like, I s2g the reason no one even talks about IDW OP is because at the first sign of him making mistakes or having a flawed worldview (you know, like a REAL PERSON and not a cartoon caricature) they instantly bail and go "zomg worst Optimus ever".

Like please for fuck's sake IDW1 is a story steeped in realism and moral grayness can you stop for ONE SECOND and realize that IDW OP being a little bit of an asshole or making big mistakes doesn't instantly make him the worst character ever and maybe take the time to actually read his story? B/c half the shit people say about IDW OP makes it obvious that they've only read MTMTE and LL (badly, might I add) and it annoys the shit out of me

#discourse #squiggposting #in the eyes of this boring ass fandom the ideal OP is a literal cardboard cutout #because no one wants him to do anything except stand in the background and smile and be some Good Guy #i mean for fucks sake it only took 10 episodes of ES a literal children's cartoon for people to instantly be like #'goo goo gaga OP works with a shady organization for the sake of maintaining peace with earth's citizens'#'on a planet that cybertronians came to by force bringing war and destruction with them'#'omg this children's cartoon OP is so bad because he wants to protect humans and makes compromises he doesn't like in order to do so'#like sorry i'm just really mad bc the reason ppl reject IDW OP isn't because of who he is as a character strictly #it's just because he's op/timus pri/me (TM) and he's not allowed to be anything else but perfect and good #that's why mfs are out there stanning objectively shitter characters and acting like adults about it #but when it comes to idw OP being more morally gray they flip their shit or pretend he doesn't exist #baby shhhh it's okay let OP be a person it's fine you'll survive #one single OP who doesn't cater to geewunners and the sensibilities of children's cartoons isn't gonna kill you #we can have more adult transformers stories but god forbid OP be more adult too. he has to be his g1 self now and forever #and if he ever makes compromises or questionable decisions or mistakes then throw him right out of the window. lmao

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gender-euphowrya · 7 months ago

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there are things we know that have been said and demonstrated a thousand times and yet every time it feels like you're just learning this

#i. i'm so tired. i'm so so tired. everyone on earth is such a gigantic dumbass. oh my god.#there's no fucking hope for us gkfjjdd dear god i can't be in here. i don't want the society i'm part of to be filled with People Like That #ok now that we've gotten the dramatics out of the way lemme explain what prompted this post #i was scrolling through facebook as you do when you're an out of touch millennial and it recommended me a post #it was from one of those ladbible type pages that only posts stolen content y'know the type #it was of a tiktok where a woman pretends to get her colleague's name tattooed on her face. it's a fake tattoo. it's a prank #the video has text explicitly saying FAKE TATTOO PRANK ! and explaining what's going on #like you know exactly the kind of caption ''this woman is applying a fake tattoo to prank her colleague ! watch his reaction !''#anyway. babe. 90 fucking percent of the comments section were people thinking :#a) it was real b) the colleague was her boyfriend #''ew face tattoos are so tacky'' ''what if they break up ?'' ''she just wants attention''#the remaining 10% being people who thought they were the world's cleverest sherlock holmes by saying ''i think it's a prank guys...''#AM I SUPPOSED TO BE FINE WITH THIS ? NOBODY CAN FUCKING READ???!??!?#GRANTED THIS DEMOGRAPHIC IS ''people who comment on ladbible videos on facebook'' SO IT WASN'T GONNA BE ALBERT EINSTEIN IN THERE #BUT????#HOW AM I SUPPOSED TO HAVE HOPE THAT MAYBE PEOPLE CAN PICK APART WHAT'S MISINFORMATION AND WHAT ISN'T #THEY CAN'T FUCKING DAMN READ THE CAPTIONS ON A PRANK VIDEO BABE WE ARE SO FUCKED DEMOCRACY IS OVER

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astronicht · 8 months ago

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Okay I'm almost done with Fellowship, here's an incomplete list of shit I noticed and thought was buck fucking wild on my first ever read-thru: medieval edition.

In literally the second line of the book, Tolkien implies that Bilbo Baggins wrote a story which was preserved alongside the in-universe version of the Mabinogion (aka the best-known collection of Welsh myths; I promise this is batshit). This is because The Hobbit has been preserved, in Tolkien's AU version of our world, in a "selection of the Red Book of Westmarch" (Prologue, Concerning Hobbits). If you're a medievalist and you see something called "The Red Book of" or "The Black Book of" etc it's a Thing. In this case, a cheeky reference to the Red Book of Hergest (Llyfr Coch Hergest). There are a few Red Books, but only Hergest has stories).

not a medieval thing but i did not expect one common theory among hobbits for the death of Frodo's parents to be A RUMORED MURDER-SUICIDE.

At the beginning of the book a few hobbits report seeing a moving elm tree up on the moors, heading west (thru or past the Shire). I mentioned this in another post, but another rule: if you see an elm tree, that's a Girl Tree. In Norse creation myth, the first people were carved from driftwood by the gods. Their names were Askr (Ash, as in the tree), the first man, and Embla (debated, but likely elm tree), the first woman. A lot of ppl have I think guessed that that was an ent-wife, but like. Literally that was a GIRL. TREE.

Medieval thing: I used to read the runes on the covers of The Hobbit and LOTR for fun when I worked in a bookshop. There's a mix of Old Norse (viking) and Old English runes in use, but all the ones I've noticed so far are real and readable if you know runes.

Tom Bombadil makes perfect sense if you once spent months of your life researching the early medieval art of galdor, which was the use of poems or songs to do a form of word-magic, often incorporating gibberish. If you think maybe Tolkien did not base the entirety of Fellowship so far around learning and using galdor and thus the power of words and stories, that is fine I cannot force you. He did personally translate "galdor" in Beowulf as "spell" (spell, amusingly, used to mean "story"). And also he named an elf Galdor. Like he very much did name an elf Galdor.

Tom Bombadil in fact does galdor from the moment we meet him. He arrives and fights the evil galdor (song) of the willow tree ("old gray willow-man, he's a mighty singer"), which is singing the hobbits to sleep and possibly eating them, with a galdor (song) of his own. Then he wanders off still singing, incorporating gibberish. I think it was at this point that I started clawing my face.

THEN Tom Bombadil makes perfect sense if you've read the description of the scop's songs in Beowulf (Beowulf again, but hey, Tolkien did famously a. translate it b. write a fanfiction about it called Sellic Spell where he gave Beowulf an arguably homoerotic Best Friend). The scop (pronounched shop) is a poet who sings about deeds on earth, but also by profession must know how to sing the song or tell the story of how the cosmos itself came to be. The wise-singer who knows the deep lore of the early universe is a standard trope in Old English literature, not just Beowulf! Anyway Tom Bombadil takes everyone home and tells them THE ENTIRE STORY OF ALL THE AGES OF THE EARTH BACKWARDS UNTIL JUST BEFORE THE MOMENT OF CREATION, THE BIG BANG ITSELF and then Frodo Baggins falls asleep.

Tom Bombadil knows about plate tectonics

This is sort of a lie, Tom Bombadil describes the oceans of old being in a different place, which works as a standard visual of Old English creation, which being Christian followed vaguely Genesis lines, and vaguely Christian Genesis involves a lot of water. TOLKIEN knew about plate tectonics though.

Actually I just checked whether Tolkien knew about plate tectonics because I know the advent of plate tectonics theory took forever bc people HATED it and Alfred Wegener suffered for like 50 years. So! actually while Tolkien was writing LOTR, the scientific community was literally still not sure plate tectonics existed. Tom Bombadil knew tho.

Remember that next time you (a geologist) are forced to look at the Middle Earth map.

I'm not even done with Tom Bombadil but I'm stopping here tonight. Plate tectonics got me. There's a great early (but almost high!) medieval treatise on cosmology and also volcanoes and i wonder if tolkien read it. oh my god. i'm going to bed.

edit: part II

#astro lotr #at what cost

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hurtspideyparker · 3 months ago

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If Civil War didn't end in divorce and everyone lived together Part 2

Read Part 1 and Part 3

Tony: Why is Underoos mopping the ceiling?

Sam: Told him since he's sticky that's his chore

Bucky: It's only fair he helps out around the house

Tony: Hm. Makes sense

Vision cooked dinner:

Peter: *pushing around food to make it look eaten*

Natasha: *surreptitiously spitting into napkin*

Steve: *taking small bites with tons of water*

Bucky: *just stares at full plate*

Tony: Well this is disgusting, I'm ordering pizza

Sam: C'mon man stop moping around, you gotta get yourself a girl

Bucky: Ok.

Sam: Ok? Okayyyyy! I know-

Bucky: Give me your phone

Sam: Oh you got a number in mind already hotshot? *hands phone over*

Bucky: *ring* Hi Sarah ;)

Sam: BOY-

Peter: Ned thought you would seperate your colours from your lights but he also thought you'd be homophobic so I don't pay him much mind cuz clearly I'm more of a superhero expert than him but he does have a 2% better average than me in history so like maybe you do hand wash your clothes and that's why I asked what underwear you wear because-

Steve: *listening intently with apprehension and alarm*

Natasha: I can't believe you found the one person on Earth who talks more nonsense than you

Tony: I know right, it's incredibly unnerving. I'm planning on adopting him

Peter: Mr. Stark I have to tell you something. I think Vision is a... *whispers* pervert

Tony: Um, why?

Peter: He keeps floating through my room without knocking! He saw me changing, he saw my nipples !

Tony: Well if anyone's a predator here it would be you. I mean showing your nipples to a 2 year old? Deplorable.

Peter:

Peter: Oh god, I'm the pervert...

Bucky: Y'know animosity isn't good between teammates. I think we should spend more time together

Sam: Am I being punked right now? Where's the camera

Bucky: I'm serious. I think it would be healthy for us to bond

Sam: Okay fine I'll bite... what did you have in mind

Bucky: Wanna go for a run?

Sam: *slams door in Bucky's face*

*staring at Bucky's sparkly clean metal arm*

Bucky: Dishwasher?

Peter: Dishwasher :)

(later that day)

Bucky: I've decided to let the child live

Peter: YoU wHaT?!

Thwip

Tony: Who took my coffee cup, It was right here

Thwip

Bruce: Um, has someone seen my book? I just had it

Thwip

Steve: I could've sworn I was holding a pen a moment ago

*giggling from the ceiling*

Tony: Young man I will take those webshooters away if you use them for shenanigans and rascality

Peter, muffled: Mr. Hawkeye told me to!

Clint: Oh so you're just gonna rat me out like that?

Peter: Sor- OOF

*falls out of ceiling vent*

Sam: You're in my spot

Bucky: There are no spots, it's a common area

Sam: Well that's my spot

Bucky: Did you buy the chair??

Sam: No, but everyone knows that's where I sit. Right Steve?

Steve: Oops I forgot something in my car, be right back *leaves*

Sam: Still my spot

Bucky: Still not

Sam: *sits on him*

Bucky: WHAT IS WRONG WITH YOU ALL THE COUCHES ARE FREE-

Sam: IT'S MY SPOT YOU CAN'T TAKE A MAN'S FAVOURITE CHAIR-

BUCKY: YOU HAVE ISSUES GET OFF ME-

(one hour later)

Steve: Hey so turns out I don't have a car! Isn't that funn...

Sam & Bucky: *Squeezed awkwardly on the chair together*

Steve: I think I left something in my car

Steve: Leave the bedroom door open when you have Vision in there

Wanda: UGH you're so protective

Tony: Teenagers, am I right? Caught Pete reassembling my particle accelerator at midnight because he needed to neutralize a miniature nuclear bomb he nabbed off some guy he neglected to tell me was trying to kill him

Steve:

Steve: Wanda y'know what do whatever you want

Wanda: Really?

Steve: Yes just keep being normal. At least I can read about our issues in a parenting book

Thor: Ah, new warriors I see! Good to make all your acquaintance. But why are you so grumpy my friend?

Bucky: *glaring*

Peter: He's always like that. It's um, P- P- PMS? Wait -

Natasha: Yes it's PMS

Wanda: He's got it bad

Steve: *genuinely concerned* Bucky you didn't tell me something was wrong. What can I do to help?

Bucky:

Bucky: I like chocolate

Wanda: Welcome to the first annual girls night! This place reeks of men, so I thought we needed some women time

Pepper: Why is Vision here?

Wanda: I get sad when he's gone

Natasha: Why is Pietro here?

Pietro: Slay queens

Wanda: Moral support I think

Maria: Why is Peter here?

Wanda: He looked really upset when I said he wasn't included and I felt bad

Wanda: Anyways... yay girls! Who wants me to paint their nails?

Peter: ME ME ME

Steve: Pancakes or waffles?

Natasha: Pancakes

Steve: Good because I don't have a waffle maker

Natasha: Then why would you ask-

Steve: It's important for your voice to be heard, as team leader I value your opinion

*2 minutes later*

Steve: Good morning Clint, pancakes or waffles?

Clint: Waffles

Steve: Oh no.

Some of these were based on requests (ex. more Sam & Bucky, dad Steve w/ Wanda) so if you have certain dynamics you enjoy let me know !

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headspace-hotel · 10 months ago

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The USAmerican imagination cannot consider land that is multi-purpose.

A corn field is Corn, an endless monoculture, and all other plants must be eliminated. A residential area is Houses, and absolutely MUST NOT!!! have vegetables or fruits or native plant gardens or small livestock. A drainage ditch is only a drainage ditch, and cannot harbor Sedges and native wetland plants, A sports field is for A Sport, and let no one think of doing any other event on that field, shops and storefronts must have their own special part of town that everybody has to drive to, which requires parking lots...and God forbid we put solar panels on roofs or above parking lots or anywhere they can serve an extra purpose of providing shade, instead of using a large tract of perfectly fine land as a "solar farm."

Numerous examples. But it is the most annoying with agriculture. The people who crunch all the numbers about sustainability, have calculated that a certain percentage of Earth's land is "Used up" by agriculture, which is troubling because that leaves less "room" for "Wilderness." It is a big challenge, they say, to feed Earth's humans without destroying more ecosystems.

Fools! Agriculture is an ecosystem—if you respect the ways of the plants, instead of creating monoculture fields by killing everything that moves and almost everything that doesn't. Most humans throughout history, and many humans today, sustain themselves using a mixture of foraging and agriculture, and the two are not entirely different things, because all human lifestyles change the ecosystem, and the inhabitants of the ecosystem always change themselves in response.

Even if you are a hunter-gatherer that steps very lightly in the forest and gathers a few berries and leaves here and there, you are being an animal and affecting all other parts of the ecosystem. By walking, breathing, eating, pooping, drinking, climbing, singing, talking, all of those things affect the ecosystem. If you gather leaves to sleep on, that affects the ecosystem...if you pile up waste, that affects the ecosystem...if you break a tree branch, that affects the ecosystem...if you start a fire, if you create a small shelter, if you cut a path, that DEFINITELY affects the ecosystem.

This idea, that human activity destroys the ecosystem and replaces it with something Else, something Not an ecosystem, is so silly. "But you just said that even the earliest most technologically simple human societies altered their environment!"

Yes, I did. Because we believe that "pre-agricultural" humans could have no effect on their "wilderness" environment, we ALSO believe another false idea: That when humans affect an environment, they destroy "Wilderness" and change it to something else, like Agricultural Land, that can never have biodiversity and never benefit many life forms.

I think it is the European idea of agriculture that it always involves people settling down and relying on a few special plants that are domesticated intentionally and grown in specially dedicated fields. After all, this idea of an agricultural lifestyle, is in contrast with the "hunter-gatherer" lifestyle, which is assumed to be what humans do before they "figure out" agriculture. The European mind imagines "pre-agricultural" folks ignorantly bumbling about, thinking plants and animals conveniently pop out of nothing for their benefit.

Bullshit! I shake my head in disappointment when I see websites describing Native Americans using wild plants as if those plants just-so-happened to grow, when those same wild plants just-so-happen to thrive only in environments disturbed by humans in some way, and just-so-happen to have declined steeply since colonization, and just-so-happen to be nonexistent in unspoiled "Wilderness" locations, and (often) just-so-happen to have an incredibly wide range where they either once were or are incredibly common, making it very...fortunate that they just-so-happen to have a wide range of uses including food, medicines, and materials for clothing and technology.

Accidentally of course, without any human impact from the humans that were impacting everything. /s

"But if it wasn't an accident, how did it happen?" Here is how to understand this idea: Look at the weeds! The weeds will teach you.

Look at the plants you always see growing without being planted around human buildings and roads, and learn their history. Often you will learn that these plants have many marvelous properties, and have actually been used by humans for thousands of years.

In fact, some of the most powerful and difficult to control weeds, were once actually some of the most essential and important plants for human civilizations to depend on. The dreaded Kudzu, in its home in East Asia, was one of the main plants used for clothing for over 6,000 years, and not only that, it has been cultivated for food and medicine for millennia. You can make everything from paper to noodles out of Kudzu! And Amaranth, the most expensive agricultural weed in all the USA, produces edible and healthy grains as well as several harvests of greens per growing season, and several species of the genus have been fully domesticated and formed a staple crop of Mesoamerica.

Meanwhile...some people have come up with this neat "new" idea called Polyculture, which is where you plant a field with two crops at once and somehow get better yields from both of them. WITCHCRAFT! Unrelatedly, there are other ideas like "Cover Crops" and "Agroforestry" that for some reason have the same beneficial effect.

Wow...It turns out, sterilizing the whole environment of every plant except one crop...isn't actually a good way to do agriculture in many places in the world.

Just think about it from an energy point of view...

We have some places used for "Agriculture," where we wring the land as violently as possible to squeeze green vegetation from light energy.

And we have other places for Other uses, where we spend massive amounts of fossil fuels mowing, chopping, poisoning and trimming to STOP the land from producing its incredible bounty of green vegetation.

And in the agricultural fields, we spend even MORE resources killing the unwanted plants that grow spontaneously

This system is hemorrhaging inefficiency at both ends. It simply isn't a one-to-one conversion of land and fossil fuels to food energy. The energy expenditure of agriculture is mostly going into organizing the vegetation's energy into the shape and configuration we want, not the food itself.

In the Americas, indigenous agricultural systems involve using the plants that exist in the environment to construct an ecosystem that both functions as an ecosystem and provides humans with food, clothing, and other important things. This is the most advanced way.

Most of our successful weeds are edible and useful. A weed is simply a plant that is symbiotic with humans. My hypothesis of plant domestication is that it was initiated by the plants, which became adapted to human environments, and humans bred them to be better crops in response. Symbiosis.

Humans did not pick out a few plants special to intensively domesticate out of an array of equally wild plants, instead they just ate, selected, and bred the plants that were best adapted to live near human civilization. That is my guess about how it happened.

Just think about it. Why would you try to domesticate teosinte (Maize ancestor?) It sucks. Domesticated plants in their wild form are usually like "Why would you put hundreds of years of effort into cultivating this?" Personally I think it's because the plant grew around humans and humans ate and used it a lot because it was abundant. So we co-evolved with the plant.

Supporting this hypothesis, there are many crop plants that mutated and evolved back into weeds, like "weedy" rice, "weedy" teosinte, and "weedy" radishes. Also weeds develop similar adaptations to crop plants to survive in the agricultural environment.

Consider Kudzu. Everyone in the USA knows it as an invasive weed, but since ancient times in China, it was a crop that provided people with fabric from its bast fibers, food from its enormous starchy roots, and many medicinal and other uses. Kudzu is not evil, it simply has a symbiotic relationship with humans, and just as any other species might serve as a biological control, the main biological control of kudzu in nature is the human species.

Think of the vast fields and mountain sides of the South swallowed by thick mats of Kudzu covering lumps that used to be trees. Think of the people toiling away to clear the Kudzu, while wearing clothes made of cotton that was grown in a faraway place using insecticides and depleting fresh water, using energy from their bodies that came from crops grown in fields far away.

Now imagine people working to harvest the Kudzu, to cut the new vines and dig up the starchy roots and use the plant the way it is used by the people who know its ways. Imagine the people using the starch from the Kudzu root to make flour and noodles and sweet confections. Imagine workers processing the vines into thread which is woven into fabric. The hillsides and fields flourish with plants that used to be suffocated, and hillsides and fields in faraway places also flourish with their own plants, instead of being made to grow cotton and crops to provide for the needs the Kudzu provides for.

Imagine the future where we accept our symbiotic relationship with the plants!

#from my drafts #the ways of the plants #plants #weeds #plantarchy

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zoe-oneesama · 2 months ago

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What are your thoughts on what happened to Chloe at the end of Season 5? Do you plan on watching Season 6?

Like as IF that's the last we'll see of her.

I was gonna wait to give my review of Season 5 - I wanted a release date for Season 6 and then drop them like a count down leading up to the new season - which is why I haven't delved in much and talked about my opinions.

But Chloe's ending was bullshit, and we all know it. Not because she leaves Paris, not because she loses the few friends and connections she has, and not even because she's a massive brat who finally gets some form of comeuppance.

But because of the form that comeuppance comes in.

Why on God's Green Earth is ANDRE the one? ANDRE is the one to drag her ass out of Paris and condemn her publicly and gets to act like the big hero, doing the right thing and putting Chloe in her place? ANDRE. The one who GAVE her her place and covered it in gold leaf and never once until this whack-job of a season considered that a bad thing?!

Appropriate, appropriate face Caline.

The absolute absurdity of them to write THIS MAN in any sort of correct light, the one who from Day 1, Season 1 has been a solid and complete background for why Chloe is...Chloe. Who spoiled and abused his power to make sure she never felt an ounce of consequences or remorse or backlash. How dare they try and pull this move on us when they could remove Audrey from the story entirely and no one would second guess Chloe's entire personality or upbringing?

These writers have somehow convinced themselves that Andre is not only without any guilt in the outcome of this situation, but that he's redeemable! Redeemable through the act of shipping off his daughter, whom he's been nothing but devoted to, and sending her off to a boarding school with her (AS HE ADMITS) just as awful mother as her chaperone, while he abducts casually replaces her with his new better daughter, Zoé.

I'm sure that won't have an adverse effect on your child who is used to absolute and unconditional love for her whole life, you are definitely a good person who's finally figured out how to do the right thing.

These writers have somehow convinced themselves that Chloe is absolutely hopeless and evil and has reached the point of no return, but ANDRE. Andre's fine.

And Gabriel too, apparently. Hm, seems to be a theme with these worthless male parents and getting off scott free....

#I mean read jacques' whole blog for their rants about the ineptitude of basically every father in this show #because I agree with all of them #season 5 salt #writing salt #andre salt #ml salt

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prael · 3 months ago

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Touch

Kinktember Day 9: Spa

Newjeans Danielle x male reader smut

words: 7,422 Kinktember Masterlist

"My client, did you see her come in?" you ask.

"No, why? Is she famous or something?"

"Well, that would explain the secrecy, and it would also explain a woman barely twenty having cash to burn at a place like this," you whisper to the colleague who is far too jealous of how you just got requested by name because that usually means big tips for a good service.

"Did you get her name?"

"Supposed to be a secret." Your answer dissatisfies her, and she throws you a side-eye. "Okay. Okay. Danielle something... Marsh?"

"Shut up!" She hits you on the shoulder. "No fucking way. Let me take this one and you can have my next ten VIP bookings."

"Sorry, but she asked for me by name," you tell her. She mutters an obscenity under her breath. "Want to tell me what I'm getting into here?"

And then the girl spews out a jumble of ramblings about K-pop this and K-pop that—the kind of reaction that only the truly obsessed can have. Millions of views on this, charting on that, really fucking popular is the gist of it. So basically the whole planet Earth knows who this Danielle is. Well, shit. No pressure or anything. "Get in there already, do your best work and maybe get me an autograph."

A few forceful pushes out of the staff room and you find Danielle where you left her, her cleansing mask still on her face, sitting in that long white robe. You step barefoot over the soft wood, heat rising from underneath it.

As you draw near, you ask, "Miss Marsh, are we ready to begin?"

"Dani, please," her voice says from beneath the mask. It's hard not to be intimated after being hit with the fact that the woman before you is world-renowned. Though from here, she looks like any other delicate young woman. Her feet are small. Bare, tiny and arched, they hang just a few inches from the floor, and they are as perfectly still as the rest of her. "No need to be formal, I'm here to relax."

"Then let me start by offering you a drink." The bottle pops as you twist it. The label is adorned in cursive. "Bottled at source, premium mineral water." Your arm raises the bottle so she can see the brand clearly.

"Is it magical water?" There is a playful lilt in her voice, "Maybe it has some healing powers?"

"Guaranteed to nourish the soul and unclog those emotional pores," you deadpan.

The facemask stretches with Dani's wide smile, and she lightly chuckles. "That's good, laughter is good for the soul."

"Right." You pour from a height and a theatrical stream flows. When the flute is halfway, you stop the flow and pass it to her hands, which take it gently.

"What? You don't even hold the glass for me? Put it to my lips and tilt?" It's another tease, the joke stretching on her grin, but now it is her hands holding the flute, her fingers long and smooth around the stem.

"I serve, not control."

"Those don't have to always be exclusive." She laughs, and the sound makes you feel something. "But I appreciate the intention. I hear you're the best in the business."

"I'll let you be the judge, Miss Marsh. Now, allow me to remove that mask. I have raised the temperature in here to help open the pores, and I would like to begin with a facial."

"I do love a facial." Danielle smiles to herself. "And again, please, just Dani is fine."

You step over behind her, where her head tilts back against the chair, her long hair cascading below, shimmering in the moist air. Lightly, you place the tips of your fingers along her jawline, finding the edge of the mask and gently lifting it upwards. She doesn't flinch at all, and you watch the wet mask give way to her face. Even upside down, Danielle is indeed beautiful.

With her sun-kissed hair, radiant skin, and effortless, elegant beauty. She is, in summation of all her parts: perfect. The image the word calls up has always been fuzzy around the edges, an abstract idea more than a specific concrete thing, because real people aren't like this. That's what you believed until you laid eyes on her.

"You take good care of your skin, Miss—Sorry—Dani."

"Thank you," she says simply, no joke this time. Your fingers ghost over her chin and then trace to her cheekbones, moving lightly to test her texture, all so smooth.

"First, I shall cleanse away any impurities," you say and lean down to examine her face. Even when you are so close, there is nothing for your scrutiny—no visible crevice, no blemishes, despite there being not a trace of make-up. It's all-natural.

There's a light whisper on her lips, one that you barely make out, "Good luck with that."

You tilt your head as you reach over for a fresh sponge, run it under hot water until it is filled, squeeze out the excess, and slowly drag a path of heat across her forehead. As your other hand holds the sheet over her neck to catch stray water, your first-hand works in large strokes from above, rinsing her skin with each successive pass.

As you focus, she leans back into the chair, and a soft hum escapes her lips. "Feels nice already," she murmurs.

You say nothing, working her in silence. Her eyelids are closed, her lips slightly parted, and she remains so still that, if not for the sound of her breaths, she could be easily mistaken as unconscious. This silence has a tranquillity and familiarity to it, one that feels like home, and without thinking, you are smiling.

She stays just the same as you begin to exfoliate her, brushing across her face in ever-widening circles. It's with such tenderness that her cheeks take a pink tint as she grows hotter and she smiles as you rub in gentle swirls, one spot, then the next.

Time passes in silence as you finish the exfoliation and apply all manner of natural, topical lotions, toners, and peels to Dani. When her skin is primed, you press your fingers against her skin and, starting at her forehead, you massage her face to a rhythm of long, soothing strokes. You enjoy touching her, you admit, which isn't exactly right for a professional, but since you have no outward reaction from her, you assume it isn't the end of the world.

Throughout it all, she keeps her eyes shut. Over time you move around her face, applying more pressure in some spots than others. She shifts and sighs, soft exhalations of her warm breath tickling your arm, yet otherwise doesn't move an inch. Her shoulders relax against the leather of the seat. "You really know what you're doing," she says, with a smirk. You pull her skin with your fingertips, moving them in large circles as it comes to an end. Finally, you tap your fingers gently over her skin to soothe.

"Now, your body, Dani."

Her eyes crack open, but slowly. "Are we moving?"

"I'll wash your skin over there, but the massage will be in the next room. Now, I'll need you to—"

Dani doesn't let you finish your sentence before she rocks forward in her seat and pushes herself to a stand. She's facing away from you and puts her hands in front of her, then she throws the robe back off her shoulders and lets it slide off her arms to the floor in one quick motion.

"Good," she says. "I was for too hot in that thing anyway."

Of course, as a professional, you would never gasp in surprise, yet, at the sight of her ass, the muscles tight, small, and round, the curves of her waist so thin, hair over her shoulders threatening to hide her slender back and those long slim legs, you manage to just barely gulp.

Too hot, she certainly is, you want to tell her and not just in the sense that perspiration coats her skin. Tiny beads of sweat that, as your eyes crawl over her, are in the process of running downwards. This glistening on her flesh is hypnotic. The curve of her ass, the slight tilt of her hips forward, the way the base of her spine leads downward, right down to a crack between her—

Focus. You remind yourself you have a job to do.

"In the far corner. The stone pool. Please, stand by the edge." It takes a second before Dani's head bobs, and then she slinks forward, slow and catlike. Her stride, and every motion of her muscles beneath her flesh that accompanies it, are mesmerising. And with every sway of her hips, you love her tight body more.

She pauses, a foot by the edge, and looks down into the water. Steam rises and envelops her form in a pale white that hugs her curves.

"Please, step in," you say as you walk over to her side and take her hand. Now, you catch a glimpse of her profile, and her chest, small, round and perky, and as you avert your eyes to guide her down the step, you tell her, "Watch your step now, go from stone to stone until you stand in the middle just there."

"Got it," Dani says. She steps with confidence and the hot water reaches quickly above her ankles and then halfway up her calves. With each careful move down the next step she gasps, soft and light. The water splashes with her movement and then swallows her up to the upper thigh.

"Please, take a seat there, on the wide stone." You reach to help steady her as she sinks down, her knees bending as she perches down so the water is at her hips as she sits.

"I just sit?"

"Yes, Dani, and I will bathe you." You step into the pool until the hot flowing water covers your knees, and then you stand behind her. You reach for a sponge, submerge it, and watch it fill, then draw it out and over her lower back and drag a large circle across her soft skin. "How's the water? Feel okay?"

"Great. Wow." She goes quiet as you work up and down her back, long, relaxing, soothing strokes until all the tension has left her shoulders. "That's wonderful," she says.

You clean her shoulders and then down her arms, the sponge dipping under the surface, and caressing her in a movement that feels like worship. With a slow rhythm, you run the sponge over her shoulders and around her neck, and finally, reaching over her, down to her chest. She shifts back as you do, resting herself against your legs. You run it over her chest a few times before coming up again to her shoulders.

"So soft..." her voice says, almost a breathy moan, and you catch a hint of it. Maybe she realises how it sounds because she soon goes quiet. Next, you work downwards, to her tight, toned stomach. Slowly you make sure you cleanse every part of her body. All while her back rests on you and her breathing is warm and pleasant.

"Miss, I mean Dani, can you stand now? We need to get you clean." You prompt, a hand on her shoulder.

"Sure." Dani snaps out of it. She stretches and cracks her neck before rising, leaning forward for a moment. When she rises, ripples run out in all directions and your eyes drift over her ass. It looks plump, perky, perfect. Then you sponge it, giving purpose to your stare. You push it down, over her cheeks and Dani shivers.

You repeat your slow, languid movements. Wipe away any trace of imperfection from her hips and thighs and then when you make her slowly step out of the pool, you work down her bit by bit. Finally, she stands on the edge of the pool, looking down at you, towering over you in her naked glory. She presents to you her foot and you hold her ankle to steady it and clean each digit, scrubbing between the toes.

"You can take the towel, on the peg, Dani."

"You do it." Dani doesn't move at all, keeping her eyes on you, staring into your eyes and through you.

You cautiously nod and then climb from the pool. You keep eye contact and wrap the towel around her small, wet frame. In your arms, she feels so fragile. You rub her down, first her legs. Long strokes, left and right. Each, in turn, both legs. Then you bring the towel up. When you wrap it over her hip and move upwards along her torso, Dani presses herself to you.

"You really know how to put someone at ease," she mutters.

You nod silently in return, and finish drying her shoulders, down her arms, back up, and down her back. You remain stoic as the heat between you builds, and she turns around without prompting. You wrap her again and bring the towel all the way down. Then over her rear. Soft, short circular motions with your palm.

"The table in the next room, Dani. Start by lying on your front, you can use the towel on the table to cover yourself. Once I see you settled in, I'll join you."

She laughs quietly and starts her slow walk to the door. You take your own towel, drying your legs, the water has soaked into the front of your shorts from where she leant against you.

She's on the bed. The towel, provided for her decency, is in a pile on the floor.

"Dani, the towel..."

"I'm fine, I want it off. I want everything off. Is that a problem for you?" There's this undeniably confident quality to her like the universe just has to be as it is because she likes it that way.

"Not a problem," you tell her. "It does tend to get in the way."

You're close to the bed now, looking down at her, still so perfectly nude. So vulnerable and relaxed, and not a drop of shame in her eyes. She gives you a look that says she's in charge, and that she's been waiting for this, and now it's finally going to happen. And that smile is impossible to refuse. "You could join me if it helps. Make it feel more like an equal partnership."

"Miss— I—"

"I'm joking," she winks. Danielle bunches her hair by her head and turns her head to the side as she rests.

The first of your oils, imported, rich and infused, drip with a consistency thick as honey over her. You watch it roll from the top of her back and run down her spine. Its warmth makes her twitch gently.

Slowly you reach out, press your hands into her skin and drag them from top to bottom, following the oil, making sure you cover her.

She hums in delight.

With great care, you begin your work. Fingers sink in, and your thumbs feel her muscles. Stroking and rubbing, from the top of her back, your fingers coax and prod at the flesh beneath. Pressing it back and forth, at times as gentle as a summer breeze and then as hard as a hammer.

There are knots in her back, beneath the tender surface. You find them easily and work at them to relax, coax them into submission, untying the muscles until they go soft. She gasps at your touch as you release them. Her body responds to you in the sweetest ways. With the smallest of whispers, the little fluttering breaths, and with her skin taking on a pink glow.

When the last knot goes soft, she writhes in response, and a content, relaxed murmur comes out of her.

"Oh god, that's it, don't stop," she says, the first words to come from her for a while.

"You were very tight." You reach across, add a small amount of more oil and start working back upwards. One stroke at a time. Up her neck. Over her shoulders. She trembles when you go deep into her flesh and reaches out to grasp at something, anything, and finds the edge of the table, holding herself steady. Her arms now, you lift them one by one, prying them from her grip and then holding and rubbing and pulling to coax the stiffness out.

Oil over her legs, next. Slowly you run your hands over the outside and inside and rub them into her skin, kneading it into her. Danielle keeps her mouth firmly shut the whole time. No jokes. Nothing funny. You lean down to her, focusing on her thigh that refuses to let go. Bending down, you push into her. As you feel her tension drain, you are rewarded with another quiet hiss.

You place the oil upon her feet and work it into her soles with a finger, an instant trigger, she cackles as her foot recoils at your touch. "Sorry, that's a bit ticklish," she tells you, apologetically.

Her feet go still and she inhales deeply as you set back to your task, much to the quiet amusement of Danielle. It's the slowest you have ever worked on a client, with long, dragging strokes to make sure she really enjoys it. Each is careful, so careful, to pull and tease. "Keep working it all the way up, all the way up my legs," she orders, quietly. "Nice and slow. Can you do that?"

You agree.

You hear Danielle sigh as you move your hands slowly up her calf. So soft and firm at the same time as she breathes so gently. A trace of laughter, an easy smile. You work her in the same manner, up her thigh, as slow and relaxing as before, massaging deep and heavy. Danielle begins to roll her hips as you grip the flesh at the top of her thighs and dig in.

"Higher, please, just for me." Danielle makes a little hum to accompany the instruction. You obey, knowing where this is leading. You take the oil, and let it pour lightly onto the peak of her cheek, it threatens to roll away so you capture it in your palm, a firm squeeze of her rear, a spread of oily warmth. She shivers and pushes up her hips in silent encouragement.

Your hands trail along, smooth and oily, each touch brings more shivers. Her legs part slightly, a slow squirm of her hips. Your fingers glide on her tight, round cheeks; running across, back and forth as she breathes deep. You press deeper with each sweep and listen as her gasps become a little louder, and her body moves a little more. She bends her arm, reaching back, as you watch it shake. Her nails claw onto the side of the bed.

The more you tease her with your touch, the harder she grips and the more she parts her legs. You've known the perfection of her body, just by seeing it, but this feeling confirms it.

Your hand wanders with long, oily strokes as you glide up her back, tracing the curves of her slim back up, all the way to her neck. There, you hold her as you lean in. "You can turn over now. Let's work out your front," you say, and Dani nods in agreement.

She smiles, though she remains silent, slowly, with such care, turning onto her side, then twisting to face you, her face flush, eyes drowsy, her mouth agape. She rests upon her back, arms by her sides, legs flat against the bed, open, as you gaze into her eyes.

You apply the oil with long slow strokes down her stomach, feeling her as she flinches, watching the dimples at her waist appear then vanish with her body's twists, with every flexing of her muscles. When you trace up, her flat, beautiful chest, and slowly slide a finger beneath her small pert breast, Dani takes a deep, quick, raspy breath, then says, "They didn't lie when the reviews said you have the best hands in the world."

Your oil-covered thumbs graze upon her nipple, soft at first, gentle in pressure, but this becomes firmer, building and rising, faster. Round and round it swirls, and this delight sends Danielle's breath to hitches and sharp, shallow pants. As she squirms in delight, her legs twist, rubbing and clenching. Her teeth bite down on her lips. The flesh of her body glistens.

One hand reaches, down a thigh then back up, across her stomach and down the other. Repeated in pattern as the other thumb never ceases on her pert nipple. Dani's eyes go blank as your touch continues, circling, teasing, stroking and grabbing. Her body responds and you are delighted to witness every tremor and gasp as it arches. And finally, for the first time, a full-blooded moan rings free.

Your hand goes lower. Deeper into the pit of her thigh as she spreads her legs wide. You seek out the inevitable and when you reach her crotch, you watch her tense up. And when the touch slides between her pussy's folds, and against her clit, there's an immediate reaction, her body jumping as you make the slightest flick of motion with your middle finger. You lift and let a trail of oil roll down her slit and back down to her rear.

"I wasn't really joking before," she gasps. "You should be naked. It would make this whole experience better." Dani tilts her head, fixes her drowsy gaze onto you, and holds the stare for what feels like a hundred heartbeats. "Don't you think that's fair? The way things are going?"

You hold the eye contact and consider this, a sudden lump in your throat making any immediate reply a struggle. Her eyes don't move from yours. Even her chest barely heaves with her short, fast panting.

"Go on, I want you naked. I'm going to feel so, so empty otherwise..."

That's all it takes.

How could you deny her?

Your hands, still covered in the hot oil, reach for the buttons at your collar. You slip them in order from the top and release one after another. Danielle's lips twitch, and her teeth rake them to a shine. Your clothing drops to the floor. Bared. It feels so wrong, and unprofessional, yet Dani looks on and gapes with a hungry, dark delight.

"Nervous now?" Her eyebrow twitches up.

"Never," you bluff.

Danielle's mouth stays open wide, and her breaths get caught and flicker as your touch returns to the same spot as before. Gentle, light touches flutter with your fingertips, drawing the tips of your fingers back and forth, back and forth, over her clit. You watch as her eyes widen, how her legs straighten out and she starts to kick her feet with the faintest hint of frustration as you tease.

"I paid for a deep massage." She emphasises the adjective, dragging the syllable out like a whine. "This teasing is bad for my heart," she whispers.

Her arm rises, then reaches for your chest and trails its way downward. The pressure of her finger, nails lightly scratching at your skin, trailing down to the waistline and then she wraps her slender fingers around you. It's hard. Incredibly so.

"And I'll show you how generous I can be with a tip."

She licks her lips slowly and sensually as her eyes meet yours with a mischievous gleam.

You grunt, pressing down with your fingertip, and then without a second thought, push it inside of her. Danielle throws her head back in silent bliss.

"Holy shit," she mumbles in a muffled, muted moan. "Don't hold back." You circle inside her slowly with one finger, letting the oil's moisture guide you. Then, adding a second digit, you delve back into her, pushing in deep and making sure she can feel it all the way inside as the palm of your hand pushes against her crotch.

Dani rolls her head to one side as you work, staring you right in the eyes and biting down on her lip as she throbs and you press down inside of her, moving in all sorts of subtle directions that are impossible for her to guess. With that, she moans again and there's a little grunt from deep within her. Her fist twists around you and she gets bolder with her touch.

You build it into some sort of rhythm and she moves, each time, reacting so well with your own thrusts. When she's relaxed enough for it, you introduce another finger.

"I— You can— Go a little bit faster," she pleas. Stretched wider, Dani starts to grow even more restless. This time, instead of small, languid strokes, your whole hand works, fingers rubbing and swirling, thumb finding her clit to massage it with purpose, building, always building, until she is shuddering under you, every single time, tensing and twitching with every change in direction.

"Come on—more," she pleads, bucking up against your hand, so slick with arousal.

She's barely jerking your cock, not even intentionally, just the jolts through her body causing the occasional twist of her grip or slide of her palm. You let it just rest in the loose curl of her grip and focus on doing what she commands, twisting your hand, gripping and stroking, tugging in circles and holding inside. The quivering gets worse and worse. And her breath grows heavier.

You keep working her relentlessly, as she squeals a drawn-out curse. Dani nearly loses control. She grips you hard, tightens her fist around you in spasm, a pained wince on her face, as she curls her toes so hard.

"Don't stop. Don't stop. Don't stop." It's the only thing she says, no jokes, no banter, as her eyes roll back, mouth agape as if the wind's been knocked from her, and a final, body-length spasm overtakes her. Her whole body. Back arched off the table, eyes pinched shut. It lasts for the longest time, almost impossible to sustain, you watch with an odd mix of terror and wonder. Her hair is a mess. Her naked, stretched-out limbs, glisten in the warm light.

It takes her a good half minute to fall back down, her lungs now sucking in the air as if there were none at all. One leg quivers. Her breaths slow, her eyes open again and you're holding her stare, her cheeks a faint scarlet, strands of hair plastered across her forehead.

More oil. More rubbing. From tension to relaxation again. Slowly she softens and you turn her whole body limp beneath your hands. All while you barely manage to hold yourself back from ravishing her. She keeps her eyes fixed upon you, so you force a smile, ignoring the ache clenched in her fist. You could kiss those lips, right now. Taste them. How soft and smooth would she feel pressed against you? What noises would come out of her?

You'd be forgiven for letting your imagination run wild with desire, but not forgiven for taking this service in any direction that Danielle didn't command.

She watches your thoughts as they float by, and seems to be considering the same. Then she smirks, and just with a look, reassures you that it's going to happen, and it's going to happen just exactly the way she wants it.

You're working your slick hands over her midriff, and have been for a minute or two, waiting for instruction. You work slightly up her body, perilously close to taking some initiative, but then she speaks, "That was... unexpected."

"Was it? Seemed to be your plan all along."

"Planned to tease. Planned to be touched. But did not expect it to be that good." She shakes her head softly, her cheek touching her shoulder as she stares with a fuzzy, dreamy look that is impossible to decipher. She has a cute, beautiful way of pouting her lips that's fascinating, you're struck still, hypnotised by the sight and the motion. "A few more would be perfect."

"You have me booked for another hour, and the client gets what the client wants."

Dani laughs. A light, melodious chime. "I know what I want," she tells you, gently rocking her palm over your cock. "I'm incredibly hard to fully satisfy, you better get to work."

Dani releases you from her grasp, and turns back over to her front, stretching out once more and looking back at you over her shoulder, holding a stare as she parts her legs. This stare could kill a man if his heart were too weak, and though your heartbeat quickens, your mind focuses on your purpose.

Your hands glide over her oil-coated thighs, wet and glistening. Dani rests her head back down and you are unable to stop your gaze from wandering along her spine, the gentle dimple above her ass, the two tight round cheeks below and the line bisecting between them. Up over her ass, you caress, then you slip and stroke in the valley, this, she clearly enjoys, judging from how her butt rises to greet your touch, her hips rolling once more.

Lower now. Lower and lower, until once again, your finger meets her lower lips and she hisses an inwards breath and tenses. Her body is so reactive to every touch. It makes this so easy, so rewarding, so deeply arousing. You are confident you can build her up, high, and crash her down in waves, for hours, until the sun breaks.

Two fingers again, to begin, that same twist and swirl to coax her towards delirium. Her quiet huffs and suppressed moans fill the air. With a heavy push, you dive in deeper, to watch as her whole body, muscle by muscle, starts to become lost in the sensation. And when you curl your fingers down and grind the heel of your hand over her clit, Dani absolutely loses it. She bites the sheets, body tight, hands trying to grab the far edge of the bed to give something to hold onto.

Her feet kick uselessly and a series of incomprehensible phrases fill her breath and break apart on the way out of her. Though you don't quite understand them, you grasp the meaning. This is what she wants you to do right now, to see how high you can bring her.

Her whole body starts trembling again. Tingling, quivering, shivering. It's one constant shake and her moans are louder, and longer. She struggles to breathe out a scream. Sweat begins to mix in the oil, and she lets out another unintelligible mess of words as you pull away. Dani collapses back into a quivering heap, gasping for air and stretching her hands out as if reaching out to the void, reaching out, grasping for something in the dark.

She lies there, spent, breathing deep. Her entire body is hot and burning as her muscles relax. Each breath is a moan, and her thighs clamp tightly together as if the feeling of nothing after being so worked up is torturous to endure.

Your fingers are soaked in her creamy fluids, it drips down onto the bed below. Yet somehow, this isn't over. No. There's a single goal, right in the back of your mind, that's never stopped clawing. If only you could taste her. Sink your face between her firm ass cheeks and tease her with your tongue and suck and devour her, the entirety of her.

Maybe you could ask. Or maybe you could just start kissing her lower back, your nose rubbing against her tailbone, working to the left, towards her hip and tease, trailing your lips ever lower to a spot just over the peak of her butt, until she wants your tongue to dive right in.

The thought is interrupted by her blessing, "Again. Another. However you want," her words stumble upon each other, a raspy, spent quality to her. "Whatever you want."

You kneel at the very end of the bed, lean over and take her hips and you lift them up with an abrupt strength that earns her immediate interest, judging by her sudden gasp. You put her on her knees, ass in the air. Beneath it, her lips shine and spread. You're going to drown in her. You lean over, planting kisses along her body until they land right where your fingers had been, right along her soaked pussy.

The taste is so sweet. Dani whimpers as her body twitches. Your lips part her, and your tongue stretches and laps her up with an unshakeable excitement. Dani tastes amazing, like every inch of her, hot and rich and so unbelievably delicate. She is desire—concentrated and distilled into the female form. Your mouth descends, kissing every tiny spot you can reach, your lips closing, sucking the sticky warmth into your mouth. You might spend the rest of eternity here, savouring her juices.

Each rough lick gives Dani a small burst of pleasure. This is perhaps not the most elegant approach, but you wouldn't dream of stopping and so you continue, over and over, eager to return Dani to her previous, tranced bliss. So wet and sweet and smooth as velvet, your tongue flattens over her clit.

Dani cums twice like this. Ass in the air, your face in her cunt, two more delicious releases and you lap up both. They come accompanied by Dani's musical screams and moans and swearing and mumbles and complete incoherence. Every part of her body tenses. Every movement becomes forced, with less control, until every part of her, quivering and shaking, is taken by a rapture. Her throat chokes off her moans and breathy whimpers, and then she becomes lost for a time, struggling to remember to breathe, caught up in the overwhelming, and unstoppable waves.

"Enough, enough," Dani chokes out, and so you stand back, watching as she twists back into a flat position on her back again, her hips shaking with the effort. She trembles for a while longer before lying perfectly still on the table. As you gaze at her, she still appears ethereal, unattainable. She gazes up at you with lidded eyes and the drowsy content smile that rests upon her lips—she is a goddess. Even after all those body-racking orgasms, she settles into that same elegant grace that makes you question what makes her mortal.

Dani raises a hand and curls a beckoning finger, "Come here."

And you come to her, to her smile that draws you in, a moth to a flame and the moth will burn, not the flame, it will never tire, it will consume anything. She takes you in her hand, hard and throbbing under her delicate touch, and yet so helpless against it. With a pull, Dani draws you in—to consume.

She parts those pretty, pink, curled lips and then looks up into your eyes and sighs as her warm breath runs across your length. Danielle curls her tongue to the underside of your head and engulfs it. She doesn't raise her head from where it rests, instead making you clamber up to her, so you put a knee on the wooden frame and a hand next to her shoulder. The heat grows, and Dani is swirling her tongue over your tip, making you twitch and throb in her grasp, a slave to her touch.

You're pushing forward, leaning over her, as her mouth opens wide and lets you in, then, all at once, tightens. Her tongue and lips stretch around your thickness and then enclose you, sealing tight. She makes a point of looking you in the eye, holding your stare, a curl at the corner of her mouth that only further sets a tremble to your loins. She pulls, slow, agonising and without hurry, her mouth holds tight and sucks back.

You pull out of her, an inch, and she stays clamped tight and as she draws away, she uses the time to slowly slide her tongue along and around your crown and against the sensitive underside. Once Danielle has pulled right off with a wet smack, the warmth of her breath covers your cock once more. She flicks her tongue against your tip, first as a long, sweeping, lingering brush, then a rapid flick that teases.

"Dani, fuck," you groan.

"That's the idea," she whispers, right against you, her warm, panting breath driving you crazy, her own burning desire barely contained. "Get down there and do me. Right now."

Then, in one fluid movement, her hands find her legs. She grips behind her knees and pulls her thighs up and back. She spreads her legs wide, with her feet in the air.

"Fuck me. I mean it," she states firmly, fixing you with that stern gaze. Her words send a flaming arrow directly to light the most basic of your instincts.

She has presented everything to you and wants to give even more. You can think of nothing else but ploughing her into the table until your vision fades to white. It takes only seconds and you find yourself over her, between those slim legs. You put a hand on each thigh and spread her.

Cock bearing down on her leaking cunt, you lower your body until she has all of your weight on top of her. Her hips squirm under your pressure, and she drags your arm tighter around herself until she finds exactly what she's been looking for. A rub between her folds as your length slips against her, up and down.

"Mmm, yes," she giggles, "put it in, all of it."

In an almost unconscious action, you place the head of your cock against her opening. Her wetness provides no friction, and Dani uses her nails to scratch your back impatiently. Slowly you flex forward. Every inch. So warm, so fucking hot. Tighter than anything.

"Oh, yes," is all Dani has to say as her breath cuts short. You feel the intense squeeze, you have no doubt this is a step beyond the pleasure your fingers gave her, and her entire body tightens, and she pulls you in, deep and full. Her eyes grow wide and her fingers dig into you as you draw back and drive in once more.

Another moan, her pitch gets deeper, this one drawn out from her very core. You hear it right in her chest, from the depth of her lungs, before it squeals free, right into your ear. "Worth every penny." Her words are thick and drawled, hard to make out, she can't seem to decide whether she wants to open her mouth or close it and keep it shut.

She wraps her arms tight around your neck and pulls you in deeper, you push her legs higher, folding her body up and it only makes things tighter, a thrill she clearly relishes.

You roll forward, holding her close to you, giving you a better purchase with her feet held up so high. Dani groans as you bite and suck at the soft skin along her neck. Your thrusts are still slow, so damnably slow. You push, and fill, and wait. Over and over, it's a cruel torment to both of you.

"Ah, come on. Give it to me, hard," Dani says, raking nails on your neck. She turns her head. Finds your mouth. Seals her lips against yours. Teeth nibble and then her tongue penetrates your mouth. Her hips start to rise and drop. Her sex grabs at you, pleading to pound her.

So you let go of your iron self-restraint and fuck her. Fuck her good.

Your tempo grows more powerful. Her walls squeeze and pull and writhe with a desperate need. It's tight, so, so tight, the way she envelops you, the slick warmth around you. Each stroke sends a shudder through her. Another ripple follows and with it, her high, pitchy wails. Dani's never been so loud, so demanding that her pleasure be delivered.

Number five is close, you can feel her body going rigid, the quivering, twitching, curling of her toes, the growing tension, you go faster, a force building within, trying to rush her to the inevitable. Dani screams, moaning incoherently, her eyes screw tight as you throw yourself into her with such ferocity, like an animal, with no regard for pace, or rhythm. Pure, unrelenting pleasure.

She grips so hard on your shoulder, and then her other hand goes back, over her head, gripping the edge of the table in white-knuckled desperation. "I'm... cumming," Dani spits through a clenched jaw, unable to even form her tongue around the word.

Her orgasm feels more powerful this time, so much more; it flows through her and you can't help but stare. Watching the way the pink blossom blooms on her face and how the rest of her pales. One orgasm into another, you think, it's difficult to discern. You're in no rush. No race. Instead, you delight in the absolute loss of control you see in Danielle's face and you feed off it.

Her mouth forms a soundless scream and she reaches up and sinks her nails into your chest and drags them across, not breaking the skin, but hard enough to leave marks. It feels amazing. All the more so watching Danielle break herself, willingly.

"Holy shit..." Danielle pants then sucks air into her empty lungs.

Her little, flexible body, pinned beneath yours, seems incapable of even the tiniest motion, save the trembles.

Through gritted teeth, she says, "I want— I want a facial. My face. Cum."

This is the single sexiest thing she could have possibly said at that moment. For all the time you've spent watching that pretty doll-like face contort in a hundred different ways, you want nothing more than to see it coated with your lust. To paint every last bit of that sweetness on her lips, on her cheeks—everywhere. To witness that brief moment, after climax where she is confused and awash with bliss and trying to remember how to breathe, and it's interrupted by a load of your cum. You want it.

You round the table, standing over her head, lowering down and watching her eyes spark with anticipation. Danielle knows how bad you want it, how close it is, and you watch, enraptured by the way she tilts her head up and licks her lips. Her little, eager tongue.

Dani wraps her fingers around you and strokes and pumps fast, pulling, urging you to completion, teasing you to spill over her, onto those pretty, dainty features. Your skin feels alive, like static and pinpricks and pure lightning, like your nerves have come to the surface. Pent-up energy coils low, threatening to snap. You cannot resist her anymore.

It all unfurls in a glorious, explosive instant. Blinding. A shiver climbs up your spine, spreading to every limb in one long spasm. A long, raw growl in your throat as you shoot thick and hard, some on her face, and some overshooting onto her chest. Dani gasps a cute little "Oh" and then starts to giggle as the second rope lands right over her perfect little features. And then another, this time across the bridge of her nose and her cheek and down her lips. Her tongue collects whatever it can.

Dani's small hand keeps a hard grip and keeps coaxing, even as you feel like you have nothing to give, with it all painting her face, still, she jerks up and down, until you are empty, trembling and drained. Still, she goes, forcing you through painful shivers, laughing the whole time until the pain becomes too much, and your hands take hers and pull.

You prop yourself against the table, looking down at the mess you made. Dani's happily laughing to herself, licking up what she can. "You'll need to clean me again now, won't you? Sponge away all your dirty filth," she giggles.

Her giggle is intoxicating. Loving. It warms you right through. You wish you could bottle up her laughter.

"Need a minute," you grunt, and there's so much pride on her cum-strewn face.

"Aw, need time for recovery?" Dani quips. "I'll just lay here, all messy and defiled. Waiting to be tended to. Enjoy the sight of me, of your filthy cum all over my sweet, innocent face, until you get the strength to lift me. Really, don't rush, I love this feeling."

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