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this is. a masterpiece. holy fuck.
Agatha Harkness x Fem!Reader x Rio Vidal: The Prize
Summary: Agatha has been fighting to reclaim her prize from Rio for a long time.
AO3
Included: dark themes, lesbian drama & yearning, near-death experiences, smut; biting, orgasm denial, praise kink, degradation, s&m, blood, fingering, cunnilingus, use of pet names, begging
Words: 9.7k
Tag List: @multifandomfix @ghostsunderstoodmysoul @escapetodreamworld @white--lillies @imtrashinflames
1750
Glowing hands press over the seeping wound, magic swirling around them, diving inside. There’s no satisfaction of watching the flesh knit itself back together. Instead, your magic drifts right back out like smoke.
Oh Goddess.
“Do take your time.” Agatha snaps, voice strained, “I have absolutely no plans.”
Five types of poison are immune to tangible magic. You know antidotes for three. Staring hard at the wound, you look for the blackened edges consistent with Nightrot, finding the flesh as red and irritated as to be expected. Is it swelling or screaming that goes with Alewife’s Revenge? A glance up at her face finds it normal. Her lips are pursed.
Your hands shake, one hovering over the open wound in her middle, the other clutching your head. Remembering has never mattered more so why is your mind empty? Pieces of information slip through your fingers like sand. Dozens of cadavers, hundreds of hours of study; useless.
Unable to rely on your memory, you scramble across the floor for the dagger that’d flown from the wall. The little light coming from the boarded windows prompts the metal to glint. The edge of the blade is sticky with blood, beneath it a metallic sheen that can only be a witches poison. You hold it up to the slant of light to see the color.
“Are you out of your mind? Heal me!”
You drop the dagger the second the poison glints purple. You slap your hand over your mouth, panic beginning to course through your veins; the body’s own special brand of poison.
How are you going to tell her?
“I’m trying!” You snap, voice breaking.
It’s a cruel joke that the poison should be so well matched to the witch bearing its effects. You stare at the edge as it rocks from being dropped, your stomach turning when the color doesn’t change. If only you could be wrong this once.
Were you a lesser witch, you’d curl in a little ball and quail under the weight of your failures. The idea is seductive. Yet, you turn to Agatha where she lies, pale and sweating on the floorboards. The pallor of her skin makes you whimper.
“Agatha,” You start, your voice holding just enough, “it’s Saura’s Dread.”
Things click into place behind her eyes despite the glazed-over look to them. She fights to find a way out of this, but you know well that the reality cannot be avoided.
“Give it to me. You’re wrong.”
“I know poisons better than most.” You hand the dagger over anyway.
“That’s not saying much.”
The comment stings, but you let it slide off you. You cannot give into petty squabbles now. With so little time to find a solution, you have to focus.
She stares hard at the blade as if willing it to change.
“Brew the antidote.”
“I can’t.” You whisper.
There’s a flicker of something in her gaze that looks suspiciously like rage. Your own internal fire leaps to meet it; of all the emotions to look upon you with—rage? As if this is your fault? You’re not the one that dragged her into this old cabin, intent on sifting through the contents.
It’s not your fault. You know that as the truth. Yet, shame floods you.
“You’re a healer.” Agatha spits, “What good are you if you don’t know the antidote?”
“Someone didn’t let me stay with my coven long enough to learn it!”
“The next time someone tries to keep you from me, I’ll let them.”
The fire in your chest ebbs. An old argument at an inconvenient time. There will be no rough makeup sex following this argument, no unspoken apologies in Agatha’s kisses. All the time, all the bodies; they cannot be for nothing. They mean too much.
Fleetingly, you feel pity for your old coven. In their minds they had attempted to do the right thing. Keeping you from Agatha must have seemed reasonable. But you remember how many bodies they made, how pleased it made Her.
Saura’s Dread takes its victim within six hours. This, you know confidently. The demise is slow and painful, a poison intended for torture. You can’t stand to see Agatha in this kind of pain. You’re not ready for her to be just another body.
“I’m calling Her.” You say.
“No.” Agatha counters, “She’ll never let me live it down.”
“You won’t live down anything if you’re dead, Agatha.”
“I won’t die.”
She’s an idiot.
Magic flowing into your fingertips, you trace familiar symbols on the floor. They glow bright and then dim as they wait. Around your neck sits an old, jagged bone, tied by a thread; you use the end of said bone to split your palm and drip blood over the symbols.
Agatha’s mouth is moving, but you don’t listen. You mutter the incantation in latin under your breath. The words—old and comforting—curl your tongue in ways that you’ve only known between two pairs of legs. You end the incantation with the key that gets you around the waiting list; Her name, Her true name.
There’s a blinding flash of light and a puff of fog, but the symbols contain it. You catch the glint of white teeth.
“You rang?”
Rio smiles, clad in darkness and bone and that same beauty that always stops you in your tracks. Upon seeing her, you breathe easier.
“We need your help.”
“You wouldn’t have called so formally if it was quality time you wanted.” Amusement dances in her eyes.
She eyes the symbols on the floor. They no longer glow, but still they contain her. She scuffs a foot along them.
You smudge the symbols and the containment drops. Stepping over the magic as it sinks down into the earth, she catches you by the waist and devours you; lips and teeth and tongue dominating your own, leaving you helpless to do anything but give in. And you’re all too willing to do so.
When she pulls back, you’re breathless. Somewhere in the fray your lip has begun to bleed. Rio soothes her tongue over the wound and you feel it close.
“Hand.”
You offer the demanded appendage, palm up. She places a kiss in the center and licks the blood from her lips.
Rio turns her head to where Agatha has dragged herself to sit against the wall. The rise and fall of her chest is slow, but there. She glares at the two of you. You flush while Rio grins.
“Hi, sweetheart. You look like shit.” Rio says, delighted.
“A side effect.” Agatha grits out, “The same can’t be said for you.”
Rio tilts her head back and laughs. It’s deep and rich and fills you with thoughts that are not appropriate for this situation. The hand on your waist squeezes as if she knows. Then, she releases you.
She crosses to crouch before Agatha, devious smile shifting to something softer. One of her hands works through a lock of Agatha’s hair, brushing it out of her face.
“What did you get yourself into?”
Agatha’s eyes drop to Rio’s lips, but she stays silent.
“Saura’s Dread.” You choke out, shame winding itself tight inside you, “I don’t—I can’t brew the antidote.”
You should have done more to push off Agatha’s agenda; just so you would have finished your research. A few extra days wouldn’t have hurt. They would’ve infuriated Agatha—and Rio by extension—but then you would know the solution instead of watching her slowly wither away.
Rio doesn’t look away from Agatha, but you know the soothing tone is for you, “It’s okay.”
Something passes between the two that you miss. One moment, Rio holds Agatha’s face in her hand, while Agatha—hesitantly—leans into the contact. The next Rio is standing between the two of you, toying with her knife, all business.
You feel a chill pass through you at the unfamiliar territory; staring into Rio’s eyes and finding the affection buried away. It stings more than knowing how you’ve failed.
“You’re asking me for life in a bottle.” Rio says, grinning, “What do I get in return?”
Short of knowing that Rio would fix it should you ask, you find yourself shamefully bereft of anything with value. You search the space for anything to bargain with. Agatha’s eyes should be looking at you with knowing, but her gaze doesn’t leave Rio.
When Agatha tilts her head and grins, turning on the bedroom eyes, you pause.
“What you’ve wanted for years.” Agatha says, “Brew me a little potion and you can have her all to yourself.”
Rio’s brows shoot sky high. You tilt your head, then freeze. It’s you. Agatha’s bargaining you.
There should be a sweetness in knowing you’re the only thing of value she has to offer, yet the taste is sour on your tongue. The words feel like a punishment, a reprimand—and not the kind you’ve begged at her feet for. That awful part of you would rather Agatha die than ever willingly give you up and Rio eyes you as if she knows it. Does it please her to know how they’ve twisted you?
One mistake, you think bitterly, and Agatha throws in the towel. Despite all the near-death experiences you’ve endured at her side. Despite the years you’ve spent together. You never expected a punishment of this proportion.
You bite your tongue. At your sides, your fists clench and unclench. They glow with the anger you can’t keep hidden.
Pride rears its unhelpful head and you speak before you can stop to think, “My life for Agatha’s.”
Rio’s full attention is on you, then. Her eyes are bright.
You speak directly to her, “I’m bound to you and The Road until such time as Agatha traverses it to collect me.”
Had you not been so focused on Rio, you would have noticed Agatha flinch at your suggestion. Her wide, glassy eyes stare at you. You do not give her the satisfaction of your attention. If she is going to be cruel, so can you.
Your terms are a challenge; and Agatha doesn’t turn down a challenge.
Her devious, wicked mask clicks back into place. Rio’s expression is pensive. Despite the poison working through her system, Agatha almost looks as powerful as her best day.
“You’d let me steal her away, O Death?” Agatha teases.
The comment is salt in your open wound. You glare, wishing more than anything that you could wrap your hands around her pretty neck and squeeze. You want her not only to beg—but to apologize.
But Rio’s eyes haven’t left you for a second.
“Alright, sweetheart.” Rio says, “Your life, bound to mine, until Agatha comes to get you.”
In it you understand the desire you both share; to have Agatha, one way or another. You wonder if the desire for possession is your own or something you’ve learned from her.
From her pocket comes a small glass vial. She tosses it to Agatha, who only barely catches it. She cradles it like something precious.
“Drink up.” Rio orders.
Then Rio is there, arm around your waist, holding all your pieces together. You lean into her comfort as color returns to Agatha’s cheeks.
“Te veo.”
--
1754
“She waits for you.”
Agatha whips around, purple crackling at her fingertips. At the edge of the clearing, Rio leans her weight against a gnarled tree, eyeing the withered husks of once-witches in the grass with interest. She looks almost predatory.
“Does she?”
Rio nods, eyes shifting to Agatha, “Like a puppy. It’s almost pathetic.”
It is pathetic, is what she should say. Time and affection have curbed her tongue on this small thing at least. On you. Agatha’s smile is knowing.
Rio has pulled her punches toward you since the beginning. Agatha’s never minded. It’s almost sweet watching the oldest force in the multiverse tiptoe around a witch barely into her second century. Is it that craving for ancient knowledge in your veins that renders Rio down, or is it simply your pretty face?
Does it matter?
“I don’t have what I need yet.” Agatha rolls her eyes, “Witches these days don’t have the power they used to.”
“Or maybe you’re leveling the population before they have time to strengthen.” Rio raises a brow.
Agatha thinks, deliberately dramatic, then shrugs, “No, that’s not it.”
With a shake of her head, Rio steps out from the treeline, and closes the distance across the clearing. Agatha watches every step with dark eyes. The stench of death and magic sends a chill down Rio’s spine; there’s nothing more delicious than a life snuffed out.
The wind slows in the trees as if sensing her. Birds silence their sweet tunes. There is frantic rustling in the trees somewhere as creatures do all they can to get away.
Yet Agatha stands, waiting, and allows Death to pull her into her embrace.
One of Rio’s great loves is watching skin split so she can lap up the blood at her own pace. Yet, when her hands settle on Agatha’s hips, they’re gentle. She doesn’t open wounds with her teeth. Rather, she moves her lips over Agatha’s until she can’t breathe. Agatha is wary when she pulls back.
Rio shrugs, “A message from her.”
“I see. Forgiven me, has she?” A slow, taunting grin, “Anything from you?”
“Have you earned it?”
“These bodies didn’t make themselves.”
A tilt of her head, as if considering, “Maybe you’ve earned something small, then.”
And they meet in a clash of lips and teeth. Rio’s hands are everywhere, leaving behind deep claw marks that make Agatha moan into her mouth. Agatha’s own nails pierce through cloth and skin at her hips but draw no blood. She tries to push Rio backward toward one of the trees, she just needs a little leverage and Rio’s thigh to—
Rio pulls back. She grins something wicked at the flash of Agatha’s purple.
“Something small.”
Agatha makes a face, batting her lashes. Rio doesn’t give in.
“You’re awful.”
“You love it.” Rio says, then her face takes on something more serious, “Don’t keep her waiting, Agatha.”
Then she’s gone as if she was never there; the only evidence being the bleeding marks on her skin. Agatha stares at where she stood for a long time before moving on.
--
1801
The Road changes, you’ve seen, as the covens come along. Small cottages, ancient ruins—the most interesting was an old system of catacombs, though it lacked the remains you’d been intent on studying.
Your favorite, though, is the bower, absent of any illusions or spells.
Beneath a canopy of purple leaves upon a seat of grass, you watch the events unfold from afar. An old curved trunk sits at your back keeping you upright. The animals—lost familiars, mostly—wander up to you here, nibbling at fallen leaves and taking up residence in your lap.
From outside it could be mistaken for a simple tree. Yet, beneath it, the world is at your fingertips. The position of your place presents the underside of millions of glowing leaves to your view; lives, Rio said, witch and non-witch alike.
You find the one you love best among the foliage. You trace your finger down the purple veins, hoping she feels you, thinks of you, misses you. The veins seem to glow a little brighter at your touch.
Rio doesn’t enjoy you toying with them; worried a wrong move on your part will take a life too soon, upsetting the greater balance she’s beholden to. But she taught you how to handle Agatha’s. Trace, never prod. Caress, but never pluck.
A black cat settles in your lap and you sit straighter.
Soothing a hand down her back, she purrs. Her little body presses against your stomach and basks in your warmth.
“You really are too predictable.” Rio says.
She stands a few feet away, clad in dirt and muck, yet still beautiful. Always beautiful.
“I like it here. It’s comforting.”
“You like being close to Agatha.” She corrects.
The leaf in question glows brighter as if sensing the mention. You trace a finger along the edge, willing all your love into it.
“This is all I have of her.” You admit.
Something like softness creeps into Rio’s face. As soon as it appears, it recedes. She joins you under the canopy. The cat in your lap startles and leaps from your lap, darting back into the underbrush.
You had never thought to secure some token of Agatha’s, then. Now, with nothing of her’s to hold close, you settle for her life-line, begging it to tell you her whereabouts and if she’s safe; it is always silent. Rio is, too. She doesn’t mention much when you ask, though you know she knows the actions of every life tied to her.
The Road is a wonderful home. Rio is an attentive partner. But you ache, still, for the other set of hands you knew; those who were predictable in their firmness, balancing the sudden changes of Rio’s own.
“You’re crying.” Rio says.
Her face is dark, but fury lingers around the edges. Something like worry flutters in and out of her eyes. You have nothing to say, so you only nod.
Then you’re in her lap. Rio’s bunching up your dress to your waist, canines embedded in your neck. Her nails dig into your hips and the blood warms you. You whimper.
Lips kiss down your neck while a hand hovers between your legs. You bear down, desperate for any friction to dull the ache. And she gives it to you. Her hand is exactly where you want it, fingers rubbing and pressing, and you grind your hips hard, harder until you’re right there.
And then her hand is gone.
You whine. Your hips move of their own volition, searching for that pressure to send you right over the edge. Rio’s lips catch your own in a bruising kiss and you whimper into her mouth.
Needy, desperate, you can almost hear her say.
But when she pulls away and digs her nails in harder, she whispers, “Cry for me, sweetheart.”
She alternates between giving you what you crave and rescinding it for hours. You whimper, moan, and beg. She laughs and repeats herself—cry for me. You lose count of how many almost-orgasms tighten your body just to go unfulfilled. You do cry. You sob and she’s there, tongue licking up your tears and knuckle deep inside you, thumbing over your clit until you have what you want.
You’re not sure how long you lay there, after, crying against her.
--
1833
Rio’s arm is warm where you’re wrapped around it. She leads you through the winding stone streets, around grand buildings with stained-glass windows. Some of the scenes depicted in the glass are beautiful, simple; but the majority are Catholic in nature, dripping with sadness and guilt. You shake your head.
Passersby nod or tilt their hats, but don’t seem to see you. Their eyes go especially glassy when they look at Rio.
Whereas you’re clad in a dress of rich layered fabric, Rio has opted for more masculine attire. The low heels of her dress shoes click upon the stone. The unwrinkled fabric of her suit smells of smoke.
Your heels don’t quite agree with the stone. After the fifth time of a near-twisted ankle, you huff, “Could I not have worn flat shoes?”
“The heels compliment your legs.”
“You can’t even see them.”
“Yet.” She winks.
You roll your eyes, ignoring the heat suffusing your cheeks. Another nod to a passing couple and Rio makes a sharp turn. You’re led into a damp, dim alleyway.
The ground is made from rough slabs of uneven stone. You curse when your heel slips and only Rio’s strength keeps you standing. Water slides down the walls on either side, thick moss growing in the cracks. You reach out to feel it only for your hand to come away red.
If not for Rio pulling you along, you’d have screamed. Blood cascades down the walls. From it grow dark, twisted plants you’ve studied beside The Road. Beneath the plants and out of them come bones; most have yellowed with age, but there is the occasional bright-white specimen.
Surprise aside, you lean toward the bones with interest. Still, Rio presses on.
The alleyway is growing slimmer by the second. Should it continue to do so, you’ll be forced to walk behind Rio, and the thought makes you tense.
Rio squeezes your hand, “Relax, sweetheart.”
“I’d relax more if I knew what we were doing here.”
“Where’s the fun in that?”
Before you’re forced to walk single-file, you come to the end. Rio traces a counter-sigil upon the stone. With a shudder, a door is revealed. Above the silver knocker, embedded in the door, sits an unblinking eyeball. The blue pierces you.
Rio pulls and slams the knocker. The eyeball falls from the door and hits the ground with a sickening pop. You nearly shriek while Rio makes noises of delight.
“Ooh,” She chuckles, “we’re not the first to arrive.”
You try not to think about what the eye must look like now, “Can I go home?”
“Why so squeamish all of a sudden? You handle the cadavers I bring you just fine.”
“That’s different. That’s research.”
“Who says this isn’t, sweetheart?”
The door opens soundlessly. Inside, the scene is much the same; another dark, slim space, though notably absent of plants and body parts. The owner of this place must be allergic to candles, the lighting situation is just pathetic.
Rio waits. When you make no move to walk inside, she sighs, nudging you with a hand on your lower back, “Ladies first.”
You’re not sure if being first or last is the worst. If anything is to jump from the walls now, you’ll take the brunt of it; you’re reminded of that day with Agatha all those years ago. Rio’s warmth at your back offers the strength you need to continue. Though, you do cling to her hand the whole way.
The hallway empties into a full room. Dark shelves match the height of the walls, on them jars full of ingredients. There are tables boasting dozens of drawers, though none sit open. Glasses and tools and cauldrons line the tabletops. In the center of it all are two figures; well, one figure and one corpse.
You can’t catch your breath. She’s as beautiful as the day you lost her.
“Agatha.” You whisper.
Agatha turns and smirks. She doesn’t look nearly as surprised to see you as you do her. Upon seeing you, her expression softens, eyes full of affection and longing. It hardens a bit when she glances behind you.
“You ruined the surprise.” Rio says, arms crossed, though one motions to the corpse, “We needed her.”
“What could you possibly need with a poison witch?”
“Our darling healer wanted to study with her.”
Something like regret turns Agatha’s face when she regards you. With a wave, she produces a thick book full of yellowing pages. You tilt your head when she offers it to you.
“Her life’s work. I’m sure there’s more here somewhere.” Agatha shrugs.
You take it and hold it to your chest reverently. All this time you thought Rio was putting you off about finding a competent poison witch and yet here you are, standing in her apothecary. She lies dead on the floor but you couldn’t care less when the real gift stands before you.
You long for her. You ache to feel the gentle caress of her hands on your face, the threat of her nails on your scalp.
A look at Rio tells you she isn’t entirely pleased with the turn of events. Yet when she sees your excitement some of her ire dissipates. The yearning in your eyes must be plain, since she gives you a single nod.
Book of poisons tossed onto the tabletop, you throw yourself into Agatha’s arms. She’s as steady as you remember. Her hand grips your chin and forces your lips to hers. Her hands are predictably firm wherever they land. She grips you as if afraid you’ll slip away. But her kiss, oh gods her kiss; soft lips and taunting, sharp tongue. The length of her body pressed against your own and so warm.
There are hands in your hair and this is all you’ve wanted—all you’ve craved for years. Why, then, do you feel the urge to cry? To rip the heart from your chest and banish it to where it won’t hurt?
Agatha is warm and steady. You bury your face in her neck and her in yours. Your hands shake with the force of clinging to her.
The feeling is bliss. Yet, it isn’t complete.
You glance over Agatha’s shoulder to Rio. She stands in the doorway, watching the scene with dark-eyed interest; but there’s a weariness in the set of her shoulders.
“Beloved.” You call, holding one of your hands out to her.
Rio raises a brow. Her eyes don’t stray from your outstretched hand.
“This is your gift, sweetheart.”
“And it’s incomplete without you.”
Her eyes stray to Agatha, who has taken to watching her, too. This time, Agatha’s eyes don’t harden. They maintain that soft look you melt for.
Agatha extends her own hand alongside yours.
“Come on.” Agatha urges, soft.
You watch the resolve break moments before she wedges her way into your embrace. Her fingers lace through yours, but her face is pressed into Agatha’s neck. She pushes and nuzzles like she wants to become part of her. It reminds you of the cat that visits the bower—Ebony—but you don’t dare say so.
Agatha’s hands leave you to caress Rio’s face. A thumb rubs along her cheekbone. You press yourself against Rio’s back, unable to glimpse her face but sure of the longing in her expression.
In a perfect world, there would be no separation between the three of you. No clothes, no emotional barriers, not even flesh to keep your hearts from mingling into one. You settle for Rio’s hand in your own and Agatha’s blue eyes locked on you.
You lean over Rio’s shoulder and kiss Agatha, your free hand fumbling with getting into the former’s pants. She chuckles darkly in your ear. It ignites a spark in your chest; a dangerous longing for this to remain, to be always. You try to push it away and focus on how Rio moans in your ear instead.
--
1869
“Will you walk with me?”
Rio nods, smiles grandly, “Of course.”
You laugh. She holds out her arm, ever the picture of a gentleman, but you lace your fingers through hers instead.
As a rare treat, you lead. You pull her along the road. The leaves change beneath your feet, from silver and black to the hues of autumn and then to pure green. The Road opens its arms into a clearing bathed in the color. Only the stone building in the center stands apart.
Upon your approach, flowers grow in the flattened grass where you step; honeysuckle and heliotrope, baby’s breath and red chrysanthemum. Rio glances over her shoulder as the blooms spring forth.
Ivy grows up the walls of the building. You brush a gentle hand over the leaves.
Crumbling, worn headstones en masse wait behind the building.
Rio tilts her head, “What is this?”
The door is unlocked. You knew it would be. The Road cannot keep you from this place.
Inside is warm and hazy. Papers with elegant scrawl cover every surface, books half-open litter any free spaces. Shelves line the walls, jars bearing various specimens. Plush couches overflow with deep, red cushions, begging you to sit and stay. A fire cracks in the fireplace.
Rio turns this way and that. She wanders around the room, flipping through books. A fingernail taps against a jar full of eyes. An errant paper is plucked from where it sits haphazardly atop the mantle. She stops.
You know the paper the second she comes into contact with it; can remember the way you wax poetic about how beautiful she is, how safe you feel in her arms. She picks another, then another, so on, and you know every word the second she touches them; the way she unwinds in Agatha’s arms, her face twisted in perfect fury, the lightless turn of her eyes when she teeters on the edge of wickedness.
She looks at you, vulnerable and unsure, “What is this?”
“My heart.”
“That… then why is all of this here?”
Her hand shakes the papers for emphasis. You resist the urge to laugh, lest she think you’re making light of her. Death can be cruel, but you try not to be.
You step close. Gently, the papers are extracted and returned to their places. Rio stares and hardly breathes as you take your face in her hands.
“You pulled away after that night.” You whisper, finger tracing her cupids-bow, “Do you think I touch you only because it is convenient?”
Rio’s lip curls. Fists bunch at her side, crackling with green light. You feel the rumble of her anger working through her chest. She tries to pull from your hold, but you don’t let her.
“Do you think I kiss you and pretend it’s her?”
Rio snarls, “I will kill you if you don’t stop talking.”
You smile. The threat is a real one, but you don’t fear it; the outcome is remaining by her side. With one hand you reach and pull one of her fists between you. You unravel it, trying not to flinch against the bursts of power over her skin. You press the palm of her hand over where your heart resides inside your chest.
The snarl fades just so. Fury still lingers in her eyes. You press your hand over hers and will her to see, to know.
“Look at the walls.” You order.
Upon the walls, plain and dark, shimmering scrawl appears. Agatha Harkness, it reads in shaky lettering; like a name carved into a tree. One signature turns into ten and ten into countless. Purple and shimmering is Agatha’s brand upon you. Rio yanks and reaches for the dagger she keeps handy.
Rio’s true name appears in shimmering green letters, then. Same as Agatha’s, there are countless signatures. They conjoin and overlap until the walls of your heart look like nothing more than a child’s colorful scribbles.
She stares at the walls in disbelief. The knife in her hand clatters to the ground.
“I’ve carved your names upon my heart so I’ll never forget who it belongs to.” You whisper.
“Sweetheart…”
You bend and collect her blade, pressing it into her hand, “Now do it yourself.”
Her hand wraps around the handle reflexively. Rio’s hand doesn’t leave the spot over your heart, feeling the steady, truthful beat.
“It’ll hurt you.” Rio says. She doesn’t bother hiding the desire in her voice.
You urge, “Make me hurt.”
Each artful stroke of her blade is slow. You whimper, but grip her wrist and push the blade deeper into your flesh. She scoffs when tears flood your eyes. The tears run down your cheeks while you smile, filled with bliss and ache in equal measure.
It’s a gift to love so deeply it wounds you. You never want her to stop; who, aside from your shared scar, holds such power? Who else in the world could touch your heart truly enough to carve into it?
There’s delight in her every movement. She consumes the pain of millions and yet, none of it is of her own making. She can only relish in what others have done; torture for a being who remains eternally intimate with the greatest methods of drawing out agony. Death has no free will but that you offer her—and she takes what none else would give, ravenously.
Is it enough?
Not forever, something tells you, you think it might be her, but for now.
--
1925
“You called?” Rio asks.
“If I didn’t know any better I’d say you’re avoiding me.”
Agatha leans against the wall beside a small window. The pane has been slid upward, letting in the sounds of the city below, releasing the smoke of Agatha’s cigarette into the air outside.
The cigarette is clutched in gloved hands. Her expression is amused as she draws in and releases the smoke, watching it form the shapes she wills. Though it has no effect on such a witch, Rio admires the object’s capability of bringing Agatha infinitesimally closer to her.
“We’ve been busy.”
“Busy or not, I’d say twelve bodies earns me a visit. And with the bulk of good booze I just removed from the market, I’d say I’ve earned a little more.”
An obvious lure with paltry bait, still Rio bites, “What do you have in mind?”
“Let me see her.”
She should. You’ve come to accept Agatha’s absence in your life, but she sees how much time you spend in the bower, and how you flinch when her name comes up. Rio hadn’t expected the frequency of Agatha’s name on the lips of covens walking the road to be so overwhelming, but it always drives you right into her arms; that she will relish.
But Death is not giving. She takes. Taking is, in fact, her favorite hobby. Twelve bodies is not enough to make up for the haunted look in your eyes. She wants more—will have it. Agatha has to earn you.
“I’ll need a little more from you.” Rio drawls.
“Do you have any idea how hard it is to kill that many witches here with the nightlife?” Agatha throws her hands up. Ash flies from the forgotten cigarette.
The sounds of Chicago seem to grow louder, as if to aid her point. Rio grins. She crosses the small space and takes the cigarette, snuffing it out on the back of Agatha’s hand. The action prompts a quiet moan.
“It shouldn’t be a problem. What I want, you have an abundance of.” Rio’s smile widens as she manipulates Agatha’s hand, removing the glove, pushing and prodding until purple flashes along the flesh.
A cooling breeze sneaks in the window and rustles the fringe along Agatha’s dress. It’s a beautiful thing, short and decadent. Rio knows you’ve enjoyed the few sightings of the period fashion you’ve glimpsed, but like her, you’d enjoy this specific dress in a pile on the floor.
Agatha’s eyes stare at where Rio’s flesh meets her own. Her eyes are contemplative, calculating. She hesitates. And that is her fatal mistake.
Rio throws her across the room with a shove. Agatha’s side hits one of the walls and she falls, face-first, onto the mattress she’s been sleeping on. The springs shriek at the sudden weight. Agatha snarls, throwing out a blast of purple that slams into Rio’s chest. Rio moans something filthy.
There’s a brief struggle where Rio does her best to keep Agatha pinned; to the bed, to the wall, wherever there’s a surface. Yet Agatha is slippery. Her magic whisks her right out of the hold Rio puts her in and wherever Agatha wills it; which currently, is behind the other witch so Agatha can kick the back of her knees. Rio kneels not of her own volition.
She braces to stand, only to find the blade of her own dagger at her throat.
Rio’s gaze has lost any warmth. Her affection is buried deep, beneath layers and layers of earth she craves to bury Agatha in right this second, “You’re breaking her heart.”
“That shouldn’t be a problem, you like seeing her cry.”
“When I’m the one responsible.”
Agatha rolls her eyes. She maintains a carefully ambivalent expression. Rio knows better; knows, under all that forced emotion, that Agatha’s heart is waging against her head, warring over her selfish desire to keep every bit of power.
Then, something shifts. Rio feels it. Agatha has made her choice and it isn’t you. And it ignites a rage in her chest unlike anything she’s felt in centuries.
She snatches the dagger back from Agatha’s grasp and only just barely resists the urge to bury it in her chest. If she has to drag Agatha back to you kicking and screaming, she will. You would like that, wouldn’t you?
“I’ll kill you.” Rio vows, and means it. Agatha can’t run away from the two of you if her soul is Rio’s to keep.
Agatha’s eyes flash with fear. Then, she grins around it, “If you can catch me.”
Latin words roll off Agatha’s tongue faster than Rio can comprehend. She recognizes the words and what they mean, where they’ve come from. Rio reaches out with her magic for the Darkhold too late; it, and Agatha, have completely vanished from her awareness.
When she returns to The Road and finds you pacing before the bower, she stops short.
“Did you—is she dead?” You ask, worrying your lip. Though your eyes dart every which way, looking for whatever manifestation of Agatha you believe she’s brought you.
“Sweetheart…”
--
1937
“Do you think if I cut you open you would heal too fast for me to do any research?”
Rio tilts her head, considering. She’s sprawled out on the plush couch inside the physical manifestation of your heart, toying with her knife, having a staring contest with the unblinking jar of eyes while you jot down thoughts into notebook number… well, she’s lost count.
“Probably.” She answers, “I’m also not sure I have organs.”
You pause, “How is that even possible?”
“Magic, sweetheart.”
Leaning back, your mind begins to race; given how old she is, it would only make sense that the organs the body came with are gone, rotted away—but would the flesh not go with it? You massage your temples. Life magic is no easier to understand than Death magic.
There’s only one way to test your hypothesis. You stand from your place at the table and cross to her, straddling her hips where she lay on the couch.
“I want to see.” You say, holding out a hand.
Rio hands over her dagger and sinks further into the couch, as if that is possible. She grins up at you with no shortage of delight. You do your best to tamp down on your own grin.
The flesh beneath your hands is warm and smells of damp earth where you peel away her shirt. Her eyes darken with every inch of flesh revealed to you. Firm and unafraid, you press the tip of the dagger down against her sternum. The action earns you an exaggerated moan.
You rip the dagger away, glaring, “Behave.”
“Or what?” Rio taunts, tongue pressing against the inside of her cheek.
“Or I stop letting you watch my dissections.”
She tenses, “You wouldn’t.”
“Wouldn’t I, beloved?”
“Get on with it.”
You lean down and steal a quick kiss. It melts away the darling little pout on her lips.
When you press the dagger back down, the flesh bends, but doesn’t open. You tilt your head and press harder. Rio watches, unphased. There is absolutely no give to her flesh. It gets to a point where you’re pressing your entire body weight behind the dagger, but Rio only laughs, squirming as if the action tickles.
You whine and sigh. The dagger is dropped unceremoniously onto her chest while you lean an elbow against the back of the couch, sinking somewhat into the cushion.
“If you want live specimens, we can collect some.” She soothes.
The idea isn’t intolerable, but you shake your head.
“They scream too much.”
“Anesthetic exists, sweetheart.”
“I suppose that’s true.”
You look away, tracing the walls and their offerings with your eyes. Upon them hang paintings of your own making; scenes of life, death, love, fear—mostly fear.
The human condition fascinates you, always has. Of the emotions to study, fear is the hardest; it is always fleeting in your wake; your face is too kind, too trustworthy, wiping away any sense of the unease you seek to study. You stare at your paintings and feel only distaste, knowing they’re not quite right.
You can’t claim to have always had such taste. No, a cultivation for the finer flavors of life and death takes time. You can pinpoint where the itch started, however; that day in your childhood village when a dying soul reached out to you—scarcely were you a day older than four—and found no assistance.
How beautiful it was; grisly, messy, but beautiful. You did not flinch away. Rather, you found yourself drawn in, eager to see more. And being of a coven of healers, your desire was fulfilled. Death was yours before you knew her name.
Looking down at her, she stares back, unashamed to be caught. The heart in your chest—which has felt so stagnant in recent years—warms toward something almost pure.
Rio will one day claim your soul. This, you know, and accept; your soul belonged to her the second you watched that woman die. You fear the when. What becomes of you when she claims your soul? What if you have yet to conduct all the research you desire? There is so much still to learn and you know she’ll abandon it for the chance to keep you.
You love her, but you’ll never forgive her the knowledge you’ll one day lose. The warmth in your chest doesn’t ebb.
Her top is still splayed open from your attempt at dissection. A healthy amount of flesh is bared to your eyes. You trace one finger from her neck to the center of her chest and tap, just above where a heart should be.
“When you come for me,” You say, “I want to hold your heart in my hand.”
“You already do.” She utters.
“Will you let me study it, then, when I’m but a soul?”
“You can study whatever you wish as long as it leads to me.”
--
1989
Agatha dwells on mistakes, often. She just doesn’t allow them to distract from her purpose. She is ruthless, to her very core.
She spends an embarrassing amount of time trying to open the damned door to The Road. One coven after another, all failures. There is an obscene beauty in claiming a reward for what would otherwise be failure on her part.
Time passes, enemies made, promises broken. She shrugs them all off. Yet she can’t shake the feeling of your hands in her hair, on her face. The lingering whisper of your kisses haunts her. The Darkhold whispers to her, oftentimes in language she shouldn’t comprehend, and it offers her the solution, should she just be patient;
The Scarlet Witch
--
2026
The power that floats before you is biting and all too familiar.
It fights against your hold, twisting and writhing like a wild animal, desperate to return to its mistress. But you’re stronger for now. The Scarlet Witch threw this power into the ether in her attempt at playing Death, and now it is yours to hold until Agatha comes for it.
Anger rubs against the heart in your chest like a cat. You lean into it, feeling your own power respond to subdue that which isn’t yours.
Rio watches beside you. She runs her fingers through the purple electricity contained in your palms, laughing when it fights her. Lips press against your temple.
“Not long now.” She assures you.
You feel longing and fury in equal measure.
“I want her soul, Rio.” You whisper.
A small chuckle, low beside your ear. It sends shivers down your spine. Her hand grasps your chin and turns you to face her, her lips meeting your own. The kiss is soft. You melt into it.
She pulls back, tone careful, “You didn’t walk The Road, sweetheart.”
You have not earned what The Road promises to grant.
--
2026
Agatha doesn’t expect the end of The Road to look like Agnes’ Westview home, nor does she expect to see Rio perched on the roof, leaning back, as if waiting. But every step closer to the front yard makes her more furious.
She is owed her prize.
Upon her first step in Agnes’ yard, the front door opens, and she is blasted with something so strong that it knocks her back to The Road, on her back. She groans. Yet, she feels more alive than she has in centuries. Her body shudders with its missing piece; her power curling up in her veins, pleased to be home.
She sits up, wincing at the ache in her bones that continues despite the gift she’s received. Leaves stick to the back of her arms, little pieces having crunched beneath her weight and adhered to her skin. She does her best to brush them away while getting to her feet.
Rio remains on the roof, grinning.
There, on the porch of Agnes’ house, is you. All the glory of you.
Agatha’s heart leaps in her chest despite the scowl on your face. To her, you haven’t aged a day; still the young, fresh-faced witch following at her heels, dizzy on knowledge and the thrumming power inside. Time has not erased the love she has—so great it threatens to bring her to her knees.
“Dearest…” Agatha murmurs, taking a half-step forward.
“You have your prize.” You sneer.
Your heart aches, begging you to go to her; hasn’t it been centuries? But your pride holds you back. She left you here while she gallivanted around the world getting what she wanted.
There’s a brief flash of hurt on Agatha’s face, before it morphs into a wicked grin. Her posture changes, too, to something more proud, as she slinks across the yard toward the porch. You resist the urge to take a step back.
“No, I don’t.” She drawls, “Are you going to be a good pet and come home willingly, or do I have to put you on a leash?”
Something inside you burns for her. You ache for her touch, for her to force you to do what she wants. It creeps through the cracks of your pride and turns it into something else. You stick out your chin. Agatha snickers.
Magic pulses in your palms, pulling various items from around you to throw—not fast enough. Agatha has you kneeling with your hands bound in a blink.
“That’s not very nice, dear. And after all I’ve done to get here.”
You regain some of your fight, snarling, “You left me here.”
Agatha hums.
“Into the deal you stumbled your way into. I’m not the one who tied herself to The Road in a fit of pride.”
“You were leaving me regardless. If I was going to be handed off, I was going to do it on my own terms.”
“Did I specify a length of time in my proposal? Was there any explicit mention of how long She could have you before I came back?” Agatha asks, mean-spirited joy in her eyes upon watching the realization dawn in your own. All that time you spent agonizing… when you had shackled yourself, “Years lost because you wanted to be a self-righteous brat.”
There’s a lilt to her voice that clues you in to everything you’d once seen instinctually; Agatha has been in just as much anguish as you have, left to walk the world alone. You see the pain in her eyes. Just like then, you try to get to her now, eager to fix it, to wipe it away.
The binding around your arms keeps you stationary. You whine and pull against it.
“Agatha,” You whine, “I’m sorry.”
“You will be.” She says. Then she turns to your left, finger poised and accusing, “And you—you kept her away from me.”
Rio shrugs, smiling, “I couldn’t just make it easy on you.”
Agatha waves a hand and Rio is kneeling on the porch at your side, similarly bound. Yet where you look pained, she is delighted.
“I’m sorry.” You repeat, “I didn’t mean to be bad.”
“That doesn’t change that you were.”
A cloud of purple smoke announces your arrival to the inner bedroom of Agnes’ house. It doesn’t look like what you’ve seen from Rio, though. Where Agnes had been bland and cookie-cutter, this is rich fabrics and deep wood. It is Agatha through and through.
You and Rio kneel side-by-side at the foot of the bed, where Agatha perches. Her beautiful blue eyes don’t miss the slightest movement you make. She’s clad in a dark robe with snakes and flowers that has Rio leaning forward in interest.
Agatha’s eyes lock on you, “You’re going to apologize. Properly.”
“I’m sorry—”
“With your tongue.”
Leaning back on her forearms, Agatha spreads her legs, and you feel the desire in your body rush through you. It’s so strong you feel your head begin to pound. She’s pink and dripping and all you want is to do a good job for her.
Yet, ever the brat, you lean forward and start with kissing her inner thighs. With every press of your lips to the delicate flesh you murmur an apology. She sighs.
A hand weaves into your hair and yanks you back. Her eyes are dark. Her face is set in a punishing expression but you see the yearning in her that matches your own. She yanks again, lighter, and you moan.
“What did I say?” She asks, before directing you where she wants you.
Witches don’t subscribe to the idea of what a human would call heaven, but upon tasting her, you think you could get behind it. She’s warm and sweet. You flatten your tongue and drag it along her slit just to collect a better taste of her. Agatha’s hand presses you in harder as she moans.
Without the use of your fingers, you have to use your tongue well. You stiffen it as much as you’re able when you delve inside her and hope it is even slightly close enough to satisfy. The pathetic sounds reaching your ears—breathy moans, sweet whimpers—tell you that you’re doing fine.
“Good girl.” Agatha breathes out.
You clench around nothing. You’re sure that you’ve ruined your undergarments thoroughly from how wet you are.
Eager for more praise, you direct your attention to that small, fleshy bundle of nerves begging for your attention. You swirl your tongue around her clit and her hips stutter, before they grind against your face with a renewed sense of purpose. You smile.
“Yes—there, more—” Agatha stutters.
You were born to do as she commands. All you want is to make her happy. Following her directions is as easy as breathing.
The tip of your tongue alternates between circling her clit and flicking it. Every flick earns you a high-pitched oh! and a firm grinding of her hips. Her thighs are tightening around your head, but she’s putting up a good fight. Her legs quiver.
“There—there—I’m going to—” Is all the warning you’re given before Agatha shrieks and comes while rutting against your mouth. You lap up every drop of her wetness you can get with glee. You did this, you brought her this pleasure; the knowledge sends a happy jolt through you.
Agatha’s grip on your hair releases and you lean back, taking in big lungfuls of air. She stares down at you with a thoroughly fucked-out expression that makes you preen.
Then she leans over and pulls your lips to hers. She moans against the taste of herself on your lips, tongue collecting the flavor from your lips. You throw every ounce of love you possess into the kiss—willing her to understand the longing you felt, the thousands of hours you spent watching her lifeline just to make sure she was safe.
“Good girl.” Agatha murmurs, pressing little kisses all over your face, “My good girl.”
“All yours.” You agree.
She laughs, low and smooth, “That’s not quite the truth, is it?”
The two of you turn to regard Rio in unison. She remains in the position Agatha left her in, kneeling and bound. You admire her restraint at not breaking the bindings. Though you guess Agatha wouldn’t take kindly to that.
Rio’s eyes are black with desire. They dart between the two of you. She takes in the wetness on your face, licking her lips. You can feel her eagerness for a taste.
She’s writhing a bit in her restraints, pressing her thighs together and wiggling, looking for any source of friction she can find. Agatha tuts and she stops. If it were up to you, your face would be between her thighs, ears enjoying every sound she makes. But it isn’t up to you.
Agatha scoots back up the bed until she’s sitting against the headboard. That’s when you feel the restraints on you fall away. She beckons the two of you with a finger and you both follow the command, eager.
“Come here.” Agatha urges you specifically, patting her bare thigh.
You obey and straddle the appendage, shuddering against the feeling against your throbbing clit. There’s a split second where you think of just grinding down and taking what you want. But you don’t—you have to be good.
Words pass between Agatha and Rio during your silent struggle. When you look, she’s lying along the length of the bed, legs bunched up and spread wide next to you.
“What am I going to do with you both?” Agatha muses.
“Fuck us?” Rio drawls.
“You, my good girl,” Agatha says, ignoring Rio as she soothes a hand through your hair, “are going to use me until you come. And my bad girl isn’t going to come until I tell her she can.”
You shudder, whimpering, while Rio whines next to you. Agatha kisses your forehead while dealing a slap to Rio that makes her groan.
A hand settles onto your hip and begins to guide you through the motions of grinding against her. The friction is difficult to attain with how wet you are, but you do what you can, crying out everytime the pressure is just enough to make your toes curl. It won’t take long for you to finish.
Your face is buried in Agatha’s neck, where you press loving little kisses to the flesh. As a result you cannot see Rio. But you hear her; every movement of Agatha’s deft fingers through her wetness, every growl and keen of desire, every slap of Agatha’s hand when she gets a bit too eager. She won’t last long either, from what you can tell.
The image of Rio and Agatha in your mind is enough to push you toward that delightful little taste of death. Your hands tighten over Agatha’s shoulders.
“Agatha, can I—please?” You plead.
“So obedient, asking for permission even when you don’t need to.” Agatha praises, “Go on, darling.”
With her hand guiding you and her voice in your ear, you come so hard you see stars behind your eyes. You’re not sure what sound leaves your lips, only that your throat aches afterward.
You tune back in to hear a brutal slap of flesh on flesh. Rio snarls.
“Beg.” Agatha’s voice commands in your ear, though you know it isn’t for you.
Rio stays stubbornly silent.
The sounds of Agatha toying with her come to an abrupt halt. You don’t have the strength to lift your face from your refuge, but you can imagine that stubborn, yet pleading look in Rio’s face; wanting so deeply but not willing to give up what is required.
“If you don’t want to behave, she can have your pleasure instead.”
“No! I’ll—” You hear Rio grit her teeth, “Please, Agatha. Please let me come.”
Agatha laughs.
“That wasn’t so hard, was it?” She coos.
Seconds—or maybe minutes—before Rio wails. There’s something primordial and animalistic wrapped inside it, almost like a growl. It makes you shudder. Then all that's left in the room is the sound of breathing.
You spent so long aching for something just like this. It’s beautiful, though you know it can’t stay; all three of you are far too ambitious to live a domestic existence, but it’s nice for now. You missed them. The heart in your chest feels complete again, filling to the brim with affection.
Tears seep from your eyes and you pull back before Agatha can question it, though you do feel her stiffen. You press kisses to her neck, her sternum, the inside of her wrist; then you grab Rio’s hand and press kisses to every pad of her fingers.
With every kiss, you murmur I love you.
--
2027
“If you don’t sedate him at least a little bit, his heart is going to give out.”
Rio’s sudden voice next to you isn’t surprising. You’ve grown used to her coming and going—Death waits for no one, after all. Her lips press to your cheek and you accept the affection.
“She did sedate him. Three times.” Agatha’s voice calls from the next room.
“Oh, I see.”
Rio leans over to examine the man on your table with no shortage of interest. He stares back, eyes impossibly wide. His heart rate picks up.
“What is he?” She asks.
“Not sure. Rapid regeneration, odd capabilities. Mutant, maybe?”
“He’s certainly not a witch.” Agatha’s leaning against the doorway now, arms folded over her chest, “Though it is taking a fair amount of magic to keep him subdued.”
“He’s no match for you, naturally.” You compliment.
Both Agatha and Rio grin at that. The former comes up behind you, hands settling on your hips. Her lips press against your neck. Then, she leans over and steals a kiss from Rio, who is all too eager to meet her halfway.
You smile. The heart in your chest threatens to burst—not unlike the specimen in front of you.
“Well, aren’t you sweet today.” Agatha comments.
“Aiming for a reward?” Rio asks.
Rio kisses her way up the flash of skin available to her eyes, making you sigh, leaning back into Agatha’s hands. Then Agatha’s lips fasten to the other side of your neck. Your head falls back and you laugh. Then you moan.
The experiment on your table is forgotten as you’re dragged into the next room and bent into all sorts of shapes you couldn’t even imagine on your own. Oh, well; if he dies before the six hour mark, you can always just find another one. The same cannot be said of the witches bracketing you. And oh, how beautiful that is.
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buckle up lads we're going BACK INTO THE BOOK
#art#twisted wonderland#twisted wonderland spoilers#lost in the book with nightmare before christmas#hajimari no halloween#(the origin of halloween huh) (oooh)#why yes i did wake up way too early to watch the stream and will have no memory of drawing this later#anyway THE MAGIC BOOK IS BACK TO EAT US ONCE AGAIN!!!!#this does make things make a lot more sense if it doesn't have to. y'know. actually take place in the established world#like how jack and sally are apparently just gonna be THERE as themselves WHY NOT#i'm certainly not complaining mind you#scully looks like he's gonna be super adorable and i love him already#spooky scary skeleman who just goes :O a lot and is excited for halloween#he seems like he might actually be more of a fusion of jack and sally? or maybe i'm just reading too much into it#still getting jazzy vibes off of him though. is not scully j graves an incredible jazz musician name.#does this open up the possibility that the last time we went into the book there was a sexy anime boy stitch just offscreen the whole time#...maybe some things are best left uncontemplated#god everyone in this event looks fantastic i'm so glad i saved up some keys after all#a little sad that there's no lilia but you know what the fact that a halloweentown malleus exists is still pretty dang good#and sebek's hat is SO tall#the biggest hat for the loudest boy#i hope oogie is here too i need him and jamil to meet#i need jamil to be faced with a guy who's just a bunch of bugs standing on each other's shoulders in a trenchcoat#i am not coherent right now i just needed to get this out before i go pass out again
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well - webtoons is over, gang
#sci speaks#if everyone would please just read the blog at it's intended home on tumblr#and please stop getting me to waste my energy on all these other sites that i hate then that would be primo wonderful#tapas and webtoons are actual shitholes. convenient to read sure whatever. but i hate the format anyway#and how they treat their creators.#not to mention the way tapas gamifies their interface so you're like on a fucking gambling site?? like if temu were a webcomic service?#what happened to the internet being a free and fun place for anyone to post anything.#noo. copyright laws because we want to make money we can't just host anything out of the spirit of fun and freedom#what about the money??? what if we risk money??#internet used to be a better place. i hate the earth as it is right now. the internet is like a mine that corporations dug into.#and destroyed. right in front of my eyes.#it used to be a beautiful green pasture with wildlife roaming and now it has been flattened and turned into an ugly shopping mall.#the things i do for you guys who really. really wanted me to archive it somewhere else.#i''m not doing it anymore. it is here until tumblr dies or we all enentually die and all our efforts are lost to the sands of time.#nothing matters in a cosmic sense anyway. enjoy it while it's here.
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Friendly reminder that Frodo named his pony Strider when he got back to the Shire. Friendly reminder that all the hobbits continued to call Aragorn “Strider” (at least on occasion) even after his coronation. Friendly reminder that Aragorn said that the name meant so much to him that he was going to make it his family name. Friendly reminder that the hobbits and Aragorn considered themselves close friends, even with everything going on. Friendly reminder that Merry and Pippin are buried with Aragorn.
#Pg. 336 for Frodo naming the pony strider#That’s all the pages I have right now#Trust my guys trust#The hobbits and Aragorn are best friends and it is my mission that everyone knows it#just yelling into the void#the lord of the rings#kiki re-re-re-reads the lord of the rings#SHHEEP#aragorn#the hobbits#merry and pippin#frodo baggins#sam gamgee#meriadoc brandybuck#peregrin took
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This wine tastes like pigs blood!
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#lan wangji#jin zixun#wei wuxian#su she#(Su She needs to have his carrie moment before he can have his Carrie Moment.#Which means he needs to exist as a punching bag before he can hit 'em with the rebound).#My first draft of this comic had WWX slurping LWJ's wine per actual scene canon#As it really is a great scene of how WWX is willing to absorb the scandal and harm that befalls others.#It had a lot less to do with it being LWJ and more so that WWX just happens to be the kind of person who refuses to turn a blind eye.#It could have been any Lan who was being pressured (inappropriately) to drink (do not pressure anyone to drink irl PLEASE).#Because this is a romance plot it of course *is* LWJ. But don't forget that in this moment they aren't on great terms.#It's not a knight in shining armor moment - it's a 'you were being treated unjustly and I have the power to absolve you from that.'#And as we are very soon about to see - WWX certainly cannot turn away from those who need aid he can provide.#And like Jin Guangyao; that kindness is also his downfall.#By the way - that you all for the amazing community commentary on the last comic. I really loved reading everyone's thoughts!#Suyao shippers...I get it now. You had me at 'wen ning and WWX parallels'. I'll be back with a treat for you soon.#And yes 'everyone' does include the ironically named tumblr user jin zixun.#Who blocked me right before the character makes his pd-mdzs debut.#I hope you are well. You seem like you were having a real bad time yesterday.
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a little wip for u guys cuz i’m gonna be busy this week <3 (also @bisexuallsokka , you know what this is for)
ft. bonus sketchy panic
#atla#zukka#zuko x sokka#zukka fanart#atla fanart#zuko fanart#now that i see you#now that i see you fanart#wip#art wip#sdhncnjsidcijdscd so everyone neeeds to read this fic btw#that’s not even a rec that’s like#a right of passage#(joke. but seriously THIS FIC IS SOOOO GOOODODSJDSJJDSW)#it’s called ‘now that I see you’ by lesmisrablol on ao3#and it’s perfect#shamelessly promoting your fic till the day I die Jo <3
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That's two jailbreaks in one day!
FIRST - PREVIOUS - NEXT
MASTERPOST (for the full series / FAQ / reference sheets)
#deltarune#undertale#utdr#crossover#crossover comic#comic#undertale fanart#deltarune fanart#twin runes#twin runes au#twin runes comic#my art#toriel#asgore#ralsei#chara#susie deltarune#if there's one good thing about lesslo then it's that he gave them a direct hint how to get out#dead child climbs through the broken pieces of crumbling code in oder to HOPEFULLY end up out on the right end#quite a gamble if you ask me but it's Chara we're talking about#they already have self-sacrificial tendencies at least if it's for the people they care about#also lucky that the only character that is small enough to fit through the hole#would be smart enough to deal with the very conveniently placed puzzle that is probably the key to breaking everyone else out#that is RPG dungeon design 101#and now we actually get a better look at Toriel's dark world design#for any time travellers... this comic came out before the release of chapter 3+4#i can't read toby's mind nor look into the future... please forgive me for not being acurrate
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Kakashi of the Cloud for Quiet Revolutions!
Masked Version
#everyone reading that fic right now hates him and it fills me with glee#so of course i had to draw him#naruto fanart#naruto fanfiction#kakashi#kakashi fanart#hatake kakashi#kakashi hatake#anj draws#my art
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RIP Will Campos the only person who was murdered this episode.
#I fucking loved this episode but also FUCK- OH UH DON'T READ MY TAGS IF YOU HAVEN'T FINISHED YET CAUSE UH SPOILERS LOL#dndads#dungeons and daddies#the peachyville horror#dndads spoilers#dndads s3 ep 5#tony collette#ebenezer white#[breathes]#TONYYYYYYYYYYYYYYYYY#FUUUUUUUUUUUUUUUUUUUUUCK#choosing to believe there's a chance they save him#I REALLY hope they save him#please these tags were gonna be me rambling about how I'm so ready for him to accidentally become an actual spy#and how Ebenezer is just one more person I need him to have homoerotic tension with#BUT NOW WHAT#Anyways poor Will but also not poor Will cause it was REALLY funny how much everyone was screwing with him this episode zkbfeskgzl#stupidly it was the moth bit that got me the most and particularly Matt describing its journey lmao#Somehow- like I knew the Trudy stuff was gonna be dark but somehow it was even darker than I imagined like fuuuuuck#Also sounds like the people who theorized there'd been an og human Trudy were *probably* right?#Heh. But was it a normal death or was she *murdered* dun dun dun#*Very* excited for Kelsey's boxing match#Francis UH OH GOD??#the two scoops line was perfect though#what else what else... No I'm just caught on that ending now god DAMN it I don't care if they pull some cheap shit to save him#oh actually I know exactly what I want out of this but I'll make a separate post about that one sec lol#undescribed
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Me: hm, I want something to put on the TV as background noise... Huh. Looks like YouTube is recommending something called The Last Unicorn. That's perfect, it's probably some old shitty animation that has aged poorly! I can watch it ironically!
Me, 2 hours later as the credits roll: *crying, cheering, buying the book, composing the songs*
Me, 2 weeks later: So I have compiled all of the quotes from the book that I think could make good tattoos, and also, HOW HAVE I NEVER LEARNED ABOUT HOW THE LAST UNICORN FUCKING SLAPS??? This gay-ass little fairytale fed my soul! Watered my crops! Transed my gender! Can't believe I heard of this story from youtube recommendations, of all places!!
#original#the last unicorn#tlu#peter s beagle#molly gru#schmendrick#schmendrick the magician#two of my favorite characters in anything right there in the center of the story! and I'm glad I saw the film first!#my reading ability has diminished due to trauma disability etc. but it seems like having a visual reference actually really helped!#no wonder i only ever want to read fan fic! turns out reading is not actually Superior to other types of Storytelling. it's just different.#to say otherwise is snobbishness I have been eminently guilty of in my life!#but like it is easier for me to consume tv and movies and that is fine actually. also that's why I'm doing a graphic novel lol#because i wanted to make something i would actually be able to read if i found it at a library. altho the audio book IS gonna be bomb#the audiobook is for visually impaired readers and anyone who wants or needs it! accessible stories for everyone! yeah!!#my gender was already transed but now I've gained an ADDITIONAL gender! which one? I'll never tell 😘#i am so powerful i have so much fuckin gender. my wife has no gender. and she is equally as powerful.#and also she has STUDIED THE BLADE#mostly zoro's blades from One Piece#normally YouTube recommends me shit movies like idiocracy or smth this is like if every day ur cat brought you a piece of rotten food and#then one day it brings you a BEAUTIFULLY ANIMATED TALE FEATURING MY BELOVED TWINK FUCK-UP WIZARD FRIEND AND MY ALL-TIME HOMEGIRL MOLLY GRU#and also it's soft and beautiful and funny and fucking weird!! i wrote melodies to the songs in the books on my ukulele
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My Top 10 Batgirl (2000) Moments
This is my list of top 10 Batgirl (2000) moments!! There were so many to choose from, but these are my personal favs :)). Counting down from 10 to my absolute favourite.
10. Volving
An absolute classic. Perfectly encapsulates what Cass does throughout the entire run, and more writers should play with Cass' use of language like this!
9. Beat Up Every Mob In Gotham
Perfect encapsulation of the early Barbara-Cass dynamic, and one of the funniest moments in the series. Just love the expressions and the way this shows so much of Cass' character.
8. Choosing to Write
The entirety of issue #2 builds up to this heart-wrenching moment. After delivering a dead man's final message to his wife, Cass sees the wife's reaction to the written message and decides to learn to write. A foundational moment for her character, and a nice motherly Babs scene too.
7. Alpha Redemption
Capping off issues 35 + 36, Batgirl unmasks herself to convince Alpha (an amnesiac villain) that he doesn't have to be defined by his past. Brilliantly displays her core belief that people can change, and the fact that her belief pays off makes this moment extremely moving.
6. For God's Sake
Possibly a controversial pick, but I really like this moment because it underscores some of the fundamental conflict between Babs and Cass. They love each other, but they don't always understand each other, particularly in regards to each other's disabilities. A painful moment that should have been explored more.
5. Fight For Your Life
My favourite Stephanie and Cass moment in this run. You can feel Cass' grief throughout this hallucination, but there's also so much hope and love (for Stephanie and for herself). It's an amazing conclusion to Cass' initial suicidal tendencies: instead of desiring death, she now actively fights to live.
4. Darknight Detectives
This interaction sums up a lot of Bruce and Cass' best moments. Cass' unwavering moral beliefs, Bruce's pride, their instinctive understanding of each other; they just get each other in a way few others do. I picked this one instead of the 'instinct/good answer' moment because it also marks Cass' development in her detective ability. From Moment 8 above to here, the confidence in her mental capacities has grown so much. She really volved!
3. Perfect For A Year
I mean of course this had to be here. These lines literally take up 90% of my brain space, it's an incredibly tense moment that illustrates Cass' desire to be perfect, her need to be useful and good. This issue is also just awesome.
2. You're... Not
Another absolute classic. Illustrates Cass' compassion and her belief that people aren't defined by their lineage, which is particularly personal to her, given her own dad. This struggle between good/bad, parent/child defines many of Cass' best stories.
1. Who Do You Think You Are? + Father's Day
What else would number 1 be?? Issue 33 is my favourite in the entire run, and the entire thing is stacked with moments that could fill up this list. I just love 'who do you think you are' because it's all of Cass' rage spilling out, and yet she still loves David Cain in her own complicated way (and he reciprocates, too). Then we have the ending, which is the BEST Bruce and Cass moment ever. The sparse, meaningful dialogue, the expressions, the reveal of the TITLE: comic book writing at its finest.
Honorary mention to the Shiva/Cass fight, which just narrowly missed out.
#cassandra cain#batman#batgirl#everyone should read batgirl (2000) right now#barbara gordon#stephanie brown#bruce wayne
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SERBISYO
something from the vault! freeing this comic from my drafts; this was an older idea, just messing around with a scene earlier on in crassus' career. love a guy who. uhhh. exploits tragedy to his benefit. christ. something something the politics of opportunity.
there was originally a follow up to this about the benefits of knowing when cold hard cash is the way to go, but I realized about five minutes ago it would be a better fit to place it during the catilinarian conspiracy arc. which means I should figure out a design for catiline for real.
#roman republic tag#drawing tag#komiks tag#me??? draw catiline consistently????? absolutely not#i might have to just bite the bullet and commit to james purefoy's performance as antony as my basis for catiline#cause i got nothing. that guy is an eel in the sense that i cannot maintain a grip on him#i have decided to spare everyone the ordeal of ten million citations discussing the roman economy#partially because im very tired right now and my pdf app is freezing up#(blows a kiss) for crassus. that motherfucker. i read books on economics in my spare time now because of him
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Absolutely obsessed with the DDVAU by @xmaruu11 and @kitsuneisi [Hope you guys are ok with the ping] I had to make the designs into skins
Links - [CuteGuy] [HotGuy]
#These were so so fun to make#a challenge for sure but so very fun#everyone go read the DDVAU right now if you havent it is absolutely amazing and Im so normal about it#grian#grian fanart#goodtimeswithscar#goodtimeswithscar fanart#DDVAU#DDVAU fanart#minecraft skins#coy art
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sin eater
#sorry its been a minute!!! the horrors. you understand.#anyways yall ready for another gloom tag essay because here we go!!!#im constantly thinking about the ramifications of uzi literally eating cyn and her now being apart of her.#specifically how it impacts uzi mentally. like dgmw i LOVE the silly cyntail shenanigans in fanart (ive also contributed to this) however#when i really think about it in relation to uzi's arc i go crazy insane#uzi is a character who is grasping for control after a lifetime of not having it.#she has no control over how her peers treat her. she has no control over khan neglecting her for reasons that arent her fault.#she quite literally has no control over the solver taking her over and making her do monstrous things against her will#which solidifies her feelings of being a freak monster who everyone was right to outcast and mistreat.#because im Unwell i interpret her calling herself god as a way to convince herself of having control- and to lock away feelings of impurity#if anyone is in control- if anyone is loved and cherished despite any and all wrong doings- its a god.#and that all comes to a head when she eats the heart of cyn thereby destroying the AS- a literal manifestation of a corrupted god- for good#finally taking back control from the entity that had been terrorizing and traumatizing both her and her loved ones. but did she really?#cyn is apart of her now. powerless sure- but that doesnt take away the horrors she wrought previously#and even so- has uzi ever stopped being just a host? do you think shes terrified of cyn regaining power out of the blue?#do you think uzi ever stops feeling like a monster?#“sin eating” was a thing that happened where someone would consume ritual foods to take on the sins of a recently deceased person#thus absolving said deceased person of any sins and putting them onto the sin eater. being a sin eater ensured eternal damnation.#and i just think about that a lot. when applying that (symbolically ofc(somewhat literally. she very much is a cyn eater)) to what uzi did.#“gloom you're reading way too much into this” THE LITTLE GOTH ROBOT. MAKES ME INSANE IN THE HEAD. OK!!!!!#gloom.art#murder drones#murder drones fanart#murder drones uzi#uzi murder drones#uzi doorman#uzi md#md uzi#uzi fanart
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‘you fought well, Atreides’
#more of them….#slightly inspired by the fic flesh hours by stereobone#everyone go read right now#brainrot brainrot brainrot#dune art#dune#dune part two#feyd rautha#paul atreides#feydpaul#paulfeyd#paul x feyd#quibs does art#cw blood
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Going absolutely INSANE over @whattheskyknows 's fic Galaxy Masquerade everyone go read it RIGHT NOW
I cannot put into words how good this fic is, it has completely taken over every braincell I ever had and I physically couldn't Not draw Koki- I mean uhhhh phantom thief... whose identity is unknown... obviously
Anyway
+ also some close-ups
#lord almighty i am SO not normal about this fic its actually crazy#words cannot express how well written and just Good this fic is i am begging everyone to read it Right Now#my art#digital art#danganronpa#drv3 killing harmony#drv3#kokichi ouma#kokichi oma#danganronpa v3 killing harmony#ndrv3#ndrv3 killing harmony#oumota#<- because this fic is some of the best oumota content out there
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