#Dunno what i'm going to do with these

[myrkkymato]

I made some patches today

[risibledeer]

hugs, all of joel's soulmates, lizzie, grian and eefo lol

Psst reqs are open, ik I draw a lot of Joel but i like drawing most hermipires so feel free ti ask, if uf like to

[front-facing-pokemon]

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.

[crow-caller]

Angel radio is 9 years old at this point since publication. I wrote it in 2013, over a decade ago, when I was 16. I think it'd be a really interesting essay/video to reread AR. "I was a teenage author: here's what happened next" but the answer is. It would probably hit a level of depressing real life rumination that would feel both indulgent and too personal. It's kind of hard to talk about being a teenager without it

But also. It's a fascinating subject I wish I was the kind of person to do a large project on— authors and 'failure' and what it is like years later. It's hard to publish a book/be published, and most of the time, it won't become a hot classic everyone recommends. A book is everything to you, but it will likely be forgotten. I know a lot of indie authors who published and then stopped, who published with high hopes and lost those. You just move on, life continues. But the hope you feel when a book comes out is a weighty feeling.

I also wonder a lot about mainstream authors, where this still fully applies. So many authors get one series, one book, and it just doesn't do well enough. And then what? I trawl about the 2010s YA section a lot, and there's so many series that were never finished by authors I've nor heard of, books from the Big 5 that simply didn't become Anything. And then what?

As a writer you need to accept what you have, and be proud, anyway. But the feeling of "this book will change everything, I'm an author! This is it!" Versus the years later "I'm an author. I've published some books. They exist." is.... well, it's something.

[crabsnpersimmons]

question on tumblr etiquette:

if you fall under a user's DNI list, but that user reaches out to you via ask or DM, without knowing you fall under their DNI list, do you still respond?

hypothetical example: user A specifies on their blog "DNI if you're over the age of 18", but then user A reaches out to user B. User B is over the age of 18, but user A does not know this because user B doesn't mention it on their blog. User B does know that user A does not wish to interact with people over the age of 18. does user B respond to user A?

[pestilentbrood]

VERY long Ramble incoming

honestly now that I'm looking at the auraboa lore situation, I'm just disappointed. There was such POTENTIAL in the idea of the Loop and the horror of a new generation inexplicably being disconnected from it, forcing the newly hatched children into a world totally separate from that perceived by their parents (I mean, hell, they perceive TIME differently!).... but then the writer(s?) just fell ass backwards into Icky Tropes.

I feel like I can see what the idea was, especially with the recent alterations to the Encyclopedia entry... It seems like staff fundamentally understands the true Horror potential here, but... Instead, through the short story, they proposed it through the lens of a condescending outsider character, turning the fears of the older generation into something trivial. And also weirdly demeaning the Auroboa's situation by portraying them as overreacting.

Why... why would you do that? Like, from a storytelling perspective? What's gained from that? Why not embrace the true horror and even Emotional significance of that disruption? Why instead go for "ohh we NEED outsider help we NEED to be saved because we are so helpless and it is so Silly that we, creatures who have never experienced such things, do not know what sleep is"????

And if they WANTED to have a condescending outsider, I feel like they COULD have done that, but it would have to have that character realize the horror at some point. And make it obvious that their attitude towards distressed parents and children facing Eldritch Shit and the Sudden Deconstruction of it was not cool!

(or at the very least be a bit more...idk. Consistent with said outsider character? Juniper just goes from "omg I am so honored that the fascinating creatures of the behemoth have chosen me to speak to" to "oh their wasting my time because they don't know what sleep is. I'd rather be sleeping!! 🙄" like girl... c'mon now. Why are we trivializing it like this. Do you want me as the reader to be invested in their plight or not.)

I mean come on. They're beings connected through one networked hivemind-like system, yet each still maintains a silver of individuality that allows them to move freely throughout the Behemoth that they care for. And they've got an eldritch understanding of time that no other dragon could understand. They're seeing the future, past, and present unfold simultaneously. They're witnessing the birth and death of the world at the same time, and have no way to communicate it to other dragons. The best they can do is maintain their home, and even then, they see its roots spread and decay all at once.

And then the newest generation is suddenly disconnected. An inherent link between parent and child and all dragons in-between, that has existed since the creation of their species, is just suddenly GONE for the newest births. With NO explanation for it. The children have no easy way of communicating with their parents. The children are experiencing time in a way that was not meant for their species. They've forcefully been shoved into a circadian rhythm that they are Not! Built for!

The only way a parent could communicate properly with their child would be when the latter is sleeping, something that is also completely foreign to this species. It would be terrifying for all involved!!!

They are literally experiencing eldritch horror from the perspective of the eldritch being forced into the mortal.

Like why WOULDN'T there be panic!!! And why would that panic be trivialized! Why are we only shown the perspective of an outsider who looks at this situation and goes "Oh the silly tree beasts are being so silly over nothing, it's no big deal!"

That and the way the auraboas talk to outsiders. Like. There was such potential there. Real opportunity to explore how ancient, time-bending beings would communicate to someone who couldn't even BEGIN to understand the intricacies of it.

Instead we got what feels more like baby talk (even described as though they were hatchlings enunciating their first words, which... I dunno man, maybe we don't want to compare them to children like That) and less like... Beings that experience all of time at once. I mean, the hatchlings and the adults speak the exact same way, and that doesn't make any sense given the literal time barrier going on.

I totally get why people thought there was just a language barrier and that auraboas had their own language, thus causing the disjointed speak, and not that it was because They Do Not Experience Time Like We Do. And I feel it would've been far easier to get it across by just... I dunno. Do anything else?? I saw someone on here suggest they speak in the "wrong" tenses, or using multiple tenses in the same sentence, which I think would've been far more clear.

Like, as opposed to "saplings wilt! saplings silent!" just "the saplings will wilt in silence, they've wilted in silence, they are wilting silently." Said all at once like all things are true simultaneously. And if we're going for hivemind, have each auraboa speak in a different tense, all at the same time, and have them switch it up every time. Have our outsider get confused and be like "which is it? are they wilting now, or have they already wilted?" and the cluster of auraboas respond in a cacophony of yes's, no's, and maybe's all at once.

Would've probably gotten across the "alien" vibe they were supposedly going for far better than wide-eyed desperation for an outsider's guidance conveyed through disjointed, in-world described as baby speech.

And also maybe would've had less accidental connotations. Because as it stands, I completely see why people have made the connections to the real world where they have. This doesn't read like eldritch timey-wimey intrigue, or even a respectful look at how younger generations can become detached from their families' cultures over time and the struggles that come with it. It reads like a culture being perceived by an ignorant outsider who (despite supposedly respecting these dragons) scoffs and rolls their eyes because the tree beasts with their funny words are being silly again, and that Hey, isn't it actually a great thing that the children are fundamentally different in all manners now? Because now they can join the rest of us in the "real world."

Yknow. Ick.

(I Personally think it would've been better to have the perspective be one of the Auraboas themselves, especially one of the children, to really understand what was going on here. Give us the full brunt of the mind of a creature experiencing all of time interwoven as one shape. The waters fall and the oceans crash with waves. They've now fallen to drought. The ocean has yet to be born. Caves have been carved out through the waters' currents. And when I break from this timeline, I open my eyes to see a child, the child not yet born, the child born now, the child born yesterday. Why can't I hear it? Why couldn't I hear it? Why won't I ever hear it?)

I dunno. People more qualified than me to speak on this matter have already torn the lore apart, I'm just... dropping my own two cents. Potential got weirdly squandered and we ended up instead with unfortunate implications and tropes that could be connected a liiiittle too awkwardly to irl situations.

*Also, before anyone points out: Yes, I know the hatchlings aren't COMPLETELY detached from the Loop and can join it when they sleep. But the fact is, these thangs never had to sleep before. That wasn't in their species' nature. So that's still weird and foreign for them on both sides. And since the hatchlings now have a circadian rhythm, they can't stay connected to the loop permanently. And also Also, seeing as the previous generations aren't experiencing time linearly, who's to say they even recognize when their child joins the loop? They'll speak with an echo of their child when that child was last asleep ages ago, not knowing that it's not them presently, because there is no 'present' for the older generations.

[uncanny-tranny]

I know other adults like to joke about how much pain they're in, but genuinely, please try to get your pain checked out if you're an adult experiencing it, or at least adapt your life in whatever way lessens your pain.

Your pain deserves to be addressed. Please don't "let" it get worse because you've been told that to grow older is to suffer. No, you aren't being needy or selfish or annoying. Ultimately, you are the one who suffers the most from the state of your health, and it's entirely reasonable to want your health to be up to your standards.

[lonely-moon-artist-blog]

And Typegingi.

Again. Misspelling here is like- it's intentional.

Don't know even what to ramble here about. Well I think I might draw typewriters better.

Also I'm a bit worried about next theme like.. Yeah I get what headcanons are but I don't think I have anything that's original really.

Hm... I'll draw something basic probably. I just hope it won't be anything like.. Way too lazy.

[sillyfudgemonkeys]

What my brain INSTANTLY went to when I first heard/read/saw that part in Rise of Kyoshi.

[raycatz]

midnight thoughts: like, I know there's a decent number of people in the LU fandom who haven't played the games or have only played botw/tears onwards. So, how familiar are people with zelda music? Like, would anyone be interested in like a fandom discussion post talking about music that stands out from each title?

[tunastime]

A Minute in the Morning

so I started playing pokemon legends arceus. crumples to the ground. (2762 words)

In a hazy, rusty morning light, Ingo wakes up.

It’s a slow start—like his office computer, taking a whole ten minutes to finish booting, enough to stir sugar into his morning coffee and dissect his breakfast sandwich into parts. It feels like it takes just about that much time for Ingo to become aware of where he’s lying, which is in bed. Which is not where he fell asleep to begin with, which means that someone lifted him to bed and tucked him in. Which was rather sweet. Because he’s burrowed into the covers like a happy drilbur, keeping the cold from his fingers and toes and nose. He finally blinks his eyes open, and it’s sunrise that fills his room. Not his room. Scratch that. Emmet’s room. No wonder the blankets are so much lighter than he remembers them being. Nevertheless. Happy drilbur. He weasels a little more into the pillow. From either side of him, something moves. It’s slight, if there, but as he cranes his neck, slow and careful, he can see a dark head of hair on one side, and silver-white on the other. 

Ingo’s heart swells a fraction too big and too warm for his chest as he sighs out.

Elesa and Emmet haven’t woken up yet, which is a plus. If he were to move too much and move them he might lose the warmth from either side. Elesa’s shoulder rests against the crest of his back, and Emmet’s holding onto his elbow with one hand. The grip is loose at best, but the warmth, both from shoulder to spine and hand to elbow, seeps through him.

It’s blurry. Just everything. It kind of mushes together in his brain, like jam. Or maybe jelly. It doesn’t really matter. If he thinks too hard, his stomach starts to twist in knots, and he’d rather not feel sick while he’s trying to enjoy his morning. He remembers falling asleep while the television played the night prior—nighttime skits and commercials he filtered out until Emmet’s shoulder became the comfiest thing. He supposes that sometime between that point, and the point which he’s just woken up, Elesa came in, and at some other point, he was carted off to bed. It’s nice, though. The blankets make just enough weight over him to soothe ache and anxiety, and it’s warm, and he’s mostly thinking about how nice a cup of coffee sounds right now. Maybe a latte. Something warm. He shuts his eyes again.

The light is surprisingly yellower when he wakes up again. There’s still a warm weight on both sides of him, but it feels different than before. It stretches over him, too, more than just the weighted blanket that’s been added on top of him. He peeks an eye open to find Eelektross slumped over him, his large head curled near Ingo’s shoulder and his similarly large eyes shut as he snores. Ingo snorts, trying to shift to his back with the weight over him, without waking Eelektross. He does after a moment, settling once again, only for Eelektross to huff and fix one, tired eye on his face. Ingo smiles, just a little.

Wriggling a hand free, he pats Eelektross’ forehead, a path well pet and well loved.

“Good morning, you gigantic eel.”

Eelektross trills, nuzzling into Ingo’s hand.

“Mm, yes,” Ingo says. “I’m sure that definitely did not alert Emmet that I am awake, meaning I can’t fake any more sleep. Thank you Eelektross.”

The eel gives a happy sniff.

Ingo snorts.

Typical.

The door cracks open a moment later, the wide eyes of his brother peeking through. He raises his eyebrows, looking over Ingo and Eelektross still in bed. It comes with a little head tilt, something Ingo knows is indicative of an Emmet with a question.

“Sleep well?” he asks. Ingo nods.

“I think so,” he says. “I didn’t realize I’d be carried to bed when I fell asleep.”

“Ah!” Emmet says, eyebrows raising. “I made sure you stayed asleep when we carried you in. You’re a very deep sleeper when you want to be.”

It’s getting better, the gaps in his memory. It’s not enough to trust himself to start his duties as a Subway Boss again, but it's enough to have a few doctor’s appointments and to speak with police and his boss and their coworkers. He’s remembered their pokemon, which is why Eelektross didn’t startle him. And he’s remembered enough for him to fall asleep on Emmet’s shoulder with no care in the world. Enough for life to begin to settle from the chaos. Today is Tuesday, which means Emmet has the day off, and Ingo can tell, even as he reaches to wipe sleep from his eyes, that Emmet is still in his pajamas. He opens the door a little wider, leaning against the doorframe. 

“Ah,” Ingo echoes. “Was it Elesa’s idea to sleep in your room rather than my own?”

“It was,” Emmet concedes, smiling. “But I am Emmet, and I make a very good pillow.”

“You are Emmet and you are a very clingy sleeper,” Ingo says, letting his eyes shut again. Emmet makes a startled noise.

“Go-Go, don’t fall asleep again,” he yaps. “Your breakfast will get cold.”

Slowly, Ingo opens one eye, looking at his brother in the doorway. Eelektross snuffs into his shoulder, wriggling off of him. He grunts as the eel’s weight shifts off, leaving him free, but cooler.

“What’s for breakfast?” he says, watching Eelektross wriggle off the bed and toward Emmet. Emmet opens the door a bit further, takes a step back, and hefts the eel into his arms, knees bending with the weight. Ingo watches Emmet giggle to himself, shifting Eelektross in his arms to better wrap around his neck and arms, weight heavy against him. Clearly.

“Pancakes,” Emmet huffs. He’s still smiling, something almost infectious.

“Alright,” Ingo sighs.

“I also cut some fruit.”

“I’m getting up,” Ingo grumbles, rolling onto his side before he peels himself up and into a sit.

“I think Elesa left her nice coffee creamer, also.”

“I’m already up, Em,” Ingo snorts, trying not to laugh. “You don’t have to convince me.”

Emmet laughs again.

“Just adding!” he says cheerily, wobbling off toward the living room. In the open doorway, Ingo can see the sprawl of their living room and kitchen, lit by yellow daylight. Ingo sighs, stretching his arms above his head, twisting around. When the room settles, he stands, and he realizes that the room is warm around him. Emmet must’ve turned the heat on, and it must actually be working. He hums as he combs his hair back, wandering into the bathroom to wash his face.

When he finally makes it to the kitchen table, Emmet is sitting at the table, scrolling on his x-transceiver. He’s changed into a cream-colored, high collared sweater, his hair held back with a small headband. Eelektross is lying across the couch, head resting on the arm. There’s a plate of pancakes sitting in front of Ingo’s seat at the table, and a half-eaten plate in front of Emmet. He looks up as Ingo sits, raising his eyebrows.

“Good morning,” Emmet says. He nudges a cup of coffee toward Ingo. It’s a light brown color—likely the way that Ingo likes it. It helps they like their plain coffee the same way. If it were any other type of coffee, Ingo’s certain there would be some big disagreement—type of milk and way of prep and iced versus hot. But Ingo takes a long sip of hot coffee and nearly sighs in relief. Whatever fancy creamer Elesa buys really does make a plain cup of coffee so much better. He sits, nudging Emmet with his foot under the table.

“What are you reading?” he asks, gesturing with his fork to Emmet’s phone. Emmet holds it up.

“Article on a new electric rail system in Galar.” 

Ingo tilts his head, nodding along.

“Interesting. Any good?”

“Very efficient,” Emmet says, nodding along. He eventually pulls back, setting his phone face down on the table and returning to his pancakes. He takes a large bite, and through it, says:

“Maybe Gear Station should get some upgrades.”

Ingo snorts.

“We’re already quite efficient,” he says. “Do you think our trains could be quicker? Easier to board?”

Emmet shrugs.

“Wishful thinking. They’re already automatically driven, so there isn’t much more, but maybe longer cars to hold more passengers. Our trains are quite small.”

“Sounds expensive,” Ingo says, drinking his coffee. He pulls apart his stack of pancakes, poking at them with his fork.

“Maybe they’ve already got an upgrade in the works,” Emmet says. “It’s been a while since we’ve had an all-staff meeting. Perhaps we should inform the director.”

“Especially since I’ve returned and have about three years to catch up on, mm?”

Emmet smiles. It’s a bit tight, though. Ingo glances away, biting into his tongue. Should’ve kept that thought to himself.

“Maybe you’re right,” he says. “Though I promise you that not much has changed in the last three years.”

Ingo hums. He believes it, that nothing much has shifted. It’s hard to say, obviously, considering he wasn’t there to see it for himself, but his brother was never the type to lie without a reason, and this certainly didn’t have a good one. He takes a large bite of pancake and finds them still warm. It’s a quiet breakfast, between pancakes and coffee and Galvantula sleeping underneath the table. Emmet eventually finishes his food, shoveling large bites of pancake into his mouth as quickly as he can. Ingo watches him swallow with surprising difficulty, reaching for his cup of coffee. It takes a moment for Ingo to stomach the rest of his pancakes. Having this much food is a luxury he had not often afforded a month prior. His stomach still wasn’t used to it.

“Where is Elesa?” Ingo asks after a beat. Emmet talks through a mouthful of pancake and strawberry and maple syrup. 

“Mm, she had four battle appointments today, but she’ll be back around. Probably before two.”

Emmet is the first to finish, setting all his dishes together as he stands. He moves around Ingo as Ingo finishes, collecting dishes and setting everything in the sink. As Ingo stands to pass him his plate, he asks:

“Did you have a plan today?

“Mm?” Emmet hums. “No, not particularly. Why? Is there something you wanted to do?”

Ingo frowns, face pulling.

“Well,” he starts. “I was thinking—”

“Ah,” Emmet interjects. “Your first mistake—”

“I was thinking,” Ingo continues, narrowing his eyes. “That it might be a good idea for us to visit Elesa. I need to ask her for a new coat.”

“Mm!” Emmet startles, turning toward him. His face brightens. “That’s right! You do need a new coat. Good thing she’ll be over later, mm?”

Ingo nods. He fetches his coffee mug, pouring another cup of black coffee to balance the sweetened dregs. He leans back against the counter right as Emmet goes to hand him a dish to put away. They work in tandem for a moment, pausing as Ingo works to finish his coffee.

It’s a slow morning, 8:45am, and Ingo gazes back at his bed with longing.

It’s just. When’s the last time he had such a good sleep, right? On a bed that soft? He’d gotten so used to tatami mats and the grass and canvas laid out on the ground and here was a bed, with thick fluffy blankets and several large pillows and another person taking up space. It was very—stop it, Ingo—it’s comfortable. He hands Emmet his coffee mug.

“Ingo,” Emmet says.

Ingo hums. His eyes have drifted to the couch. Maybe standing is a little hard today. He should sit, shouldn’t he?

“Is my brother still up there?” Emmet asks, tapping Ingo’s head. Ingo startles as he does, turning to him.

“I would hope so,” he says. “Otherwise I don’t know where I’d be.”

“Not here, obviously” Emmet says. He finishes rinsing Ingo’s mug, setting it top down on the drying mat. “Though I’m not entirely sure you’re all there right now, are you?”

“Trying,” Ingo hums. “Too much going on.”

Emmet hums, a bit of a laugh showing through.

“You look like you’re about to fall over.”

“I won’t,” Ingo promises.

“I don’t believe you,” Emmet says, shutting off the sink. The clean dishes sit on the rack, dripping water. Emmet wipes his hands with a dish towel. “You know, you should be resting if your engine isn’t working at full capacity. Rest is very important”

“Can’t be a well oiled machine with nowhere to go,” Ingo says, folding his arms. “I don’t understand why I don’t have the energy to move anymore.”

“Does the why matter?” Emmet asks. He’s leaning against the counter now, a mirror to Ingo, like he often was to Emmet. It was a natural progression—one following after the other, a mirror, a shadow, a doppleganger.

“It matters a little,” Ingo shrugs. “It matters to me. It gives me a reason.”

“Your reason is that you’ve gone through a lot,” Emmet says, pushing away from the counter. He scoops up his x-transceiver from the table, moving around it and through the apartment as he talks. “Your reason is that your body is playing catch-up with the world around you.”

“Maybe,” Ingo huffs.

“I am Emmet,” says his brother. “I am tired. I don’t sleep well. Do you think it’s my fault that I’m tired and don’t sleep well?”

Ingo grits his teeth. He hates this part—ever since they were little, Emmet would flip this hypocritical card, showing Ingo exactly how stupid he was sounding. It was good, for the most part, because Emmet was right and next time Emmet did the same thing, Ingo could follow suit with that card. But it was so annoying watching it now, watching Emmet throw open the blinds and shimmy open the window for the fire escape. A tinged-cool spring breeze filters in through the open window, tossing the curtains aside. Emmet keeps moving as Ingo thinks, the gears in his head turning slowly, still dulled with sleep. 

“No,” Ingo says shortly, watching Emmet rearrange coasters on the coffee table, setting game controllers back into their docks. “I don’t think anything is your fault.”

“Well now you are just flattering me, Go-Go.”

“Don’t say that flattery never got anyone anywhere,” Ingo says, pointing at him, waving his finger. Emmet laughs.

“My point is,” he says, gesturing to the couch. “You’re allowed to rest. We can figure out the steps from there, right? Even if we’re sitting on the couch to do it.”

Ingo sighs, chewing on the inside of his cheek.

“Even if I fall asleep?”

Emmet nods, still smiling a little.

“I will wake you if you do.”

Ingo huffs out a laugh, feeling the edges of his mouth quirk up. As Emmet sits on the soft, corduroy couch, Ingo feels himself pulled forward, as if recalled, to sit beside him. He brings his knees up as he settles into his familiar spot between the back and arm of the couch. 

“Do you promise you’ll shake me awake?” Ingo says, leaning his head against the back of the couch. Emmet scrunches his nose.

“Yes,” he says, knocking his knuckles into Ingo’s knee. “I do. But I’m going to watch Alakazam! so you can think without my talking.”

Ingo nods. The television hums to life quietly in the background.

Emmet always watches Alakazam! at 9am. At least, when he can catch it. Ingo watches the last few minutes of the previous game show, something quiet and low despite the flash of colors and excited spread of energy. As the show starts, he watches Emmet’s face shift, that serious pull to his mouth and the furrow of his eyebrows that Ingo only sees when they’re battling. To see that spark again, not knowing how long it’s been gone, turns a question in Ingo’s mind.

“Emmet,” he says.

“Yes, I am Emmet,” Emmet says. “You are Ingo. What do you need?”

“I think I've got an idea of what I want to do today.”

Emmet turns his head a bit, looking at Ingo mostly out of the corner of his eye. His eyes flick back and forth between Ingo’s face and the television, waiting for his program to start.

“Mm?” Emmet asks. Ingo smiles a bit, a laugh stuck behind his teeth.

He sees the glint in Emmet’s eye before he even asks his question.

“What about a pokemon battle?”

[front-facing-pokemon]

[spacecatdet]

Already seen victim blaming on xitter 👍 Lets not do that and lets leave the hermits alone. Make up your own minds on if you should support Iskall. But I feel like if one of his VH team members leaving for differing morals, the hermits going back 6 plus years to remove him from thumbnails and titles, and removing him from the site and merch should be enough Doc even said they can't talk about it which could mean anything, including something legal. Mumbo said there were no minors invovled but doesn't mean others weren't since there ARE victims Just leave the hermits be, and let the victims decide if they want to come out. And stop victim blaming lmao

[samijey]

why are they always like this.......

bonus Jey responding with some serious "i love you // i know" energy:

[paris-geller-was-straightwashed]

disney is a coward so I know they'll never do this, but given what we learned was SUPPOSE to happen between alex and stevie, I would still love a post-eloping for the reboot.

like just imagine alex and stevie as the Cool Gay Aunts(tm) for justin's kids (+ billie). they show up for the holidays and totally shower the kids with magical gifts, including a baby dragon for the boys (which does end up setting fire to their parents bed sheets). milo shows off a magic trick to his friends, using alex (since billie's not allowed to) sneakily casting spells from the bushes so the card really does dissapear from his hand, leaving his friends cheering (stevie smiling but refusing to admit to alex how cute is it). stevie has a motorcycle (which alex thinks is super hot but also refuses to admit) and while the kids aren't old enough for a ride, she does let them sit on it and rev the handles nice and loud while justin panics from the porch. they team up with all three kids to pull pranks on justin and even sometimes get giana in on a few harmless ones. maybe alex even uses her role on the tribunal to get stevie's records cleared, and they both start to advocate for a more fair way of distributing magic between families.

and billie could have an extra adult at her side! I know justin is suppose to fill the pseudo-dad role, but while billie spends her time with the russo's, also gets to spend her summers or whatever with her two cool wizard aunts. they encourage her to keep up with her studies but for the most part they just chill, letting billie indulge in a few sweets (knowing how health-conscious justin has forced his family to be) and sometimes in a pg-13 movie together. when she's there however, the house does turn into a prank war; guests are to be extremely careful when entering and encouraged to bring a separate pair of clothes.

I dunno it would just be super cool; alex and stevie reunited and I think the kids would love her too - plus watching their aunt who's always acted so aloof get all smiley and whatnot and I'm just imagining a scenario with alex and the kids like:

billie: why does stevie call you babygirl

alex: hey who wants to play the quiet game!!