#Dr Strange 2

[lunamaximoffes]

ICONIC SCENE

[fancyschmancyopinions]

LASHANA LYNCH at the premiere of “Matilda The Musical” at the 66th BFI London Film Awards on October 6th 2022 wearing ASHISH

This has been one outfit that Lashana has worn recently that looks good. She just has not been looking amazing. I thought this was a beautiful dress. I loved all the colors, especially since she’s promoting “Mathilda The Musical”. It such a fun dress, and it looks amazing on her. I need more looks in this direction from Lashana!

[kitzatara]

Zatanna and the Guitar riff in Multiverse of Madness fits so well tbh

[sinematically]

MCU’s Phase 4 is just the ‘accidental child acquisition’ tag playing out (but poorly)

[hypnoticcastiel]

Doctor Strange 2 but 23% Smarter aka: i want what any mcu fan wants... the magic of the first films.

[ytube/Disney/not mine]

[joycrispy]

One thing I love about Crowley --never stated, but consistently shown-- is that he is, at heart, an engineer.

I have a few different things to say about that. Let's unpack them.

As the Unnamed Angel, we see his designs for the Pillars of Creation are millions of pages long, comprised of cramped text, footnotes, diagrams, schematics, etc. It's very...Renaissance polymath, in the way it implies a particular intersection of artist and inventor.

Also: in the naked romanticism with which he views his stars.

We already knew he made stars, but in s2 we learn that he did NOT sculpt each of them by hand. He designed a nebula ("a star factory," he says) that will form several thousand young stars and proto-planets, and all --aside from getting the 'factory' running-- without him lifting a finger. We also learn that these young stars and proto-planets stand in contrast to those made by other angels, which are going to come 'pre-aged.'

...I'm reminded of Hastur and Ligur's approach to temptations. Damning one human soul at a time, devoting singular attention to it over the course of years or decades, and how that stands in contrast to Crowley's reliance on, quote, 'knock-on effects.'

Ligur: It's not exactly...craftsmanship. Crowley: Head office don't seem to mind. They love me down there.

Hm.

I'm also reminded of the M25.

The M25 may not be as grand as a nebula (sentences you only say in GOmens fandom...), but LIKE his nebula it's an intricate, self-sustaining engine that does Crowley's work for him, many times over. Again.

That's some pretty neat characterization --and so is the indication towards Crowley's disinterest in victimizing anyone tempting individual people. It takes a considerable amount of planning and effort (and creeping about in wellies), but in accordance with his design the M25 generates a constant stream of low-grade evil on a gigantic scale.

Cumulatively gigantic, that is. Individually? Negligible.

But no other demon understands human nature well enough to parse that one million ticked-off motorists are not, in any meaningful way, actually equivalent to one dictator, or one mass-murderer, or even one little influential regressive. That's the trick of it. Crowley gets Hell's approval (which he NEEDS to survive, and to maintain the degree of freedom he's eked out for himself), and at the same time ensures that any actual ~Evil Influence~ is spread nice and thin.

It's some clever machinery. And he knows it, too:

The Unnamed Angel and Crowley are both proud of their ideas.

(musings on professional pride, Leonardo da Vinci, the crank handle, and 'the point to which Crowley loves Aziraphale' under the cut)

In the 1970's Crowley gives a presentation on the M25, projector and all, to a room full of increasingly impatient demons. Maybe the presentation was work-ordered; the 'can I hear a WAHOO?' definitely wasn't.

Before the Beginning, the Unnamed Angel can barely contain his excitement about his nebula. Aziraphale manages a baffled-but-polite, "....That's nice... :)"

11 years ago, Hastur and Ligur want to 'tell the deeds of the day,' and Crowley smiles to himself because (according to the script-book) he knows he has 'the best one.'

(Naturally, his 'deed' has nothing to do with tempting anybody, and everything to do with setting up a human-powered Rube-Goldberg machine of petty annoyance. Oodles of 'Evil' generated; very little harm done.)

Hastur and Ligur don't get it, of course. That's also consistent.

Nobody ever knows what the hell he's talking about.

It didn't make it on-screen, but, in both the novel AND the script-book, Crowley was friends with Leonardo da Vinci. The quintessential Renaissance polymath. That's where he got his drawing of the Mona Lisa --they're getting very drunk together, and Crowley picks up the 'most beautiful' of the preliminary sketches. He wants to buy it. Leonardo agrees almost off-the-cuff, very casual, because they're friends, and because he has bigger fish to fry than haggling over a doodle:

He goes, "Now, explain this helicopter thingie again, will you?" Because he's an engineer, too.

(It is 1519 at the latest, in this scene. Why the FUCK would Crowley know about helicopters, and be able to explain them, comprehensively, to Leonardo da Vinci?

...Well. I choose to believe he got bored one day and worked it out. Look, if you know how to build a nebula, you can probably handle aerodynamics. And anyway, I think it's telling that this is his idea of shooting the shit. 'A drunken mind speaks a sober heart,' and all. He probably babbled about Aziraphale long enough to make poor Leo sick)

Apart from Aziraphale, Leonardo da Vinci is the only person Crowley has any keepsakes or mementos of.

Think about that, though. Aziraphale's bookshop is bursting with letters, paintings, busts, and personalized signatures memorializing all the humans he's known and befriended over 6000 years (indeed: Aziraphale has living human friends up and down Whickber Street. He's part of a community).

Crowley doesn't have any of that. It's just the stone albatross from the Church (for pining), the infamous gay sex statue (for spicy pining), the houseplants (for roleplaying his deepest trauma over and over, as one does), and this one piece of artwork, inscribed, "To my friend Anthony from your friend Leo da V."

To me, at least, that suggests a level of attachment that seems to be rare for Crowley.

...Maybe he liked having someone to talk shop with? Someone who was interested? Someone engaged enough to ask questions when they didn't immediately understand?

...Anyway.

There's also the matter of the crank handle.

This thing:

This is one of the subtler changes from the book. In the book, Crowley knows Satan is coming and, desperate, arms himself with a tire iron. It's the best he can do. He's not Aziraphale; he wasn't made to wield a flaming sword.

The show, IMO, improves on this considerably. Now he, like Aziraphale, gets to face annihilation with what he was made for in his hand. And it's not a weapon, not even an improvised one like the tire iron.

He made stars with it.

[both gifs by @fuckyeahgoodomens]

If you Google 'crank handle,' you'll get variations on this:

Crank handles have been around for centuries. Consisting of a mechanical arm that's connected to a perpendicular rotating shaft, they are designed to convert circular motion into rotary or reciprocating motion.

Which is to say they're one of the 'simple machines,' like a lever or a pulley; the bread and butter of engineering. You'll also get a list of uses for a crank handle, archaic and modern. Among them: cranking up the engine of an old-fashioned car... say, a 1933 Bentley. That's what Crowley has been using his for, lately. But he's had it since he was an angel and he's still, it seems, very capable of it's angelic applications.

Stopping time. For instance.

(This is conjecture on my part, but, I like to imagine that Crowley has the ability to stop time for the same reason I can --and should-- unplug my computer before I perform maintenance on it. Time and Space are a matched set, after all, and in his designs in particular, one feeds into the other.)

I know everyone has already said this, but: I REALLY LIKE that when he needs to channel the heights of his power, he does so not with a weapon but with a tool. Practically with a little handheld metaphor for ingenuity. One from long-lost days when he made beautiful things.

(And he loved it. Still loves it --he incorporated that metaphor into the Bentley, didn't he?)

Let Aziraphale rock up to the apocalypse with a weapon: he has his own compelling thematic reasons to do exactly that. Crowley's story is different, and fighting isn't the only way to express defiance. And if you've been condemned as a demon and assumed to be destructive by your very nature, what better way than this?

He made stars. They didn't manage to take that from him.

Neither Crowley nor Aziraphale are fighters, really --they have no intention of fighting in any war. They'll annoy everyone until there's no war to fight in, for a start. But between the two, if one must be, then that one is Aziraphale. Principality of the Earth, Guardian of the Eastern Gate, Wielder of the Flaming Sword... all that stuff. Even if he'd prefer not to, it's very clear that Aziraphale can rise to the occasion, if he must.

Crowley was never that kind of angel. He wasn't a Principality. He doesn't have a sword.

...And yet.

It's Crowley who protects. He's the one who paces, who stands guard, who circles Aziraphale and glares out at the world, just daring anyone else to come near.

In light of everything else I've said here, I think that's interesting.

Obviously part of it is that Aziraphale enjoys it and, you know, good for him. He's living his best life, no doubt no doubt no doubt. But what about Crowley? What's driving that behavior, really?

Have you heard the phrase, 'loved to the point of invention'? Well, what if 'the point of invention' was where you started? What if where you end up involves glaring out at the world, just daring anyone else to come near? What is that, in relation to the bright-eyed thing you used to be?

What do we name the point to which Crowley loves Aziraphale?

...Thinking about how an excitable angel with three million pages of star design he wants to tell you all about...becomes a guard dog. Is all.

[gahellhimself-blog]

You wanted to see him dance?

Oooooooh Oh oh oh! I got a love that keeps me waiting..

I'm a lonely boooy!!!

[lolottes]

UA or the ghosts are the fusion of all versions of either of the multiverse.

That is to say that all the Dannys are caught in the portal. Only one Danny is spat out.

So there are multitudes of Sam and Tucker who hear Danny screaming then nothing, no trace of Danny.

But that's not all, in another universe, it's Jazz who is with Danny, in another he is friends with the A listers, in another his parents persisted and did not leave the laboratory

In most cases people assume that Danny was disintegrated… but in a world where magic exists? Or is there a spell to verify that Danny wasn't spit out elsewhere? or this spell declares Danny still alive (at the time of the spell he was in Fenton mode, fortunately) but in another world.

What would the Fentons do? an expedition obviously!!!

Danny wasn't doing well, that was the least we could say, his parents had caught him Phantom with a tranquilizer fenton dart, he woke up in Fenton tied to a dissection table still too drugged too confused to understand the situation and react

Then all of a sudden a golden portal opens and his color-changing parents (his father in cyan and his mother in orange) come out of the portal and attack his other parents ( as they prepared the dissection tools and debated what to do today and in what order )

Fenton VS Fenton

Constantine or DrStrange exhausted turns to Danny… damn the child watching the battle between the two pairs of parents with confusion had the aura of a member of the infinite… and even better, he apparently had rights to claim the crown of the infinite realm…

OK They were apparently going to repatriate the poor kid

[cyberr-v0id]

I hate my life I need to (remembers suicide and self harm jokes are bad for my mental health) write up an analysis on all of the themes and motifs present in Frankenstein, Jekyll and Hyde, and 20000 leagues under the sea and how they all contributed to modern sci-fi and literature

[xia0ming56]

Doodle!! Dump!!! (Dr strange vers. >:D)

[fancyschmancyopinions]

XOCHITL GOMEZ at the world premiere of “Black Panther: Wakanda Forever” in Los Angeles on October 25th 2022 wearing HASSIDRISS

Even as a relative newcomer, Xochitl knows how to rock a red carpet. I love that she stuck with an all black look for the “Black Panther” premiere. She has a very intricate outfit, and very glamorous hair and makeup, so staying in a more muted color worked great since this isn’t her own movie. I really loved the details of the dress, especially the neckline. It felt very similar to Black Panther’s suit. I thought it was a great look for Xochitl.

[eksentrismi]

GUYS, I'M SOBBING-

I FOUND SOME OF MY VERY FIRST JEKYLL & HYDE-DOODLES EVER, THROWBACK TIME!!!!!!!

[i-a-q]

Tony: So, what’s the worst thing that could happen if I touch this?

Strange: *deadpan* Reality could unravel.

Tony: *smirking* Cool. So… should I touch it or not?

Strange: DON'T.

[pigv4t]

MORE DOODLEZ!!!!

[sticks-stones-sonic-insanity]

I JUST FINISHED SONK ADVENTURE 2 IM NOT OKAY OMG

The scene with Shadow falling to earth was funny at first and it all happened so fast i was still trying to wrap my head around it. Ppl talk about that scene a lot which theyre so right for, but i need to talk about the scenes after because oh my god they broke me!?!??!

Sonic, coming back onto the ark, completely silent. Everyone asking if Shadow made it back and he just slowly shakes his head without a word.

The scene where Sonic gives Rouge Shadow's inhibitior ring hold so much more weight to me after actually playing the game: In the short time they knew each other, Shadow saved Rouge's life. Twice. This is the only possession she has to remember him by. Knuckles asks her what shes going to do now and she actually stops to reflect and remarks how shes thinking of changing jobs, something else on her mind now(What exactly shes referring to in this moment isnt stated but theres a fair few connections to draw there). After almost getting killed during a heist and never getting a chance to thank the guy who saved her from it, that's a pretty good and strangely mature call to make from a writing standpoint. This whole scene has a similar feeling like that, like the jokes and the extravagance thats typical of the cutscenes have really been toned down with intention.

This one genuinely shocked me, and im really surprised i havent come across anything about it yet because the scene between Eggman and Tails was actually super deep?? There are a lot of different Sonic medias as far as I im aware that have touched on the paralells between Eggman and Tails: their small similarities and how well they work together when they have to, but the scene here really stuck out to me. Eggman is talking about how much he admired his grandfather as a child, how much his work inspired him to learn and create and strive to be great like him, drifting off to question whether or not he really wanted to see them all fall. Tail's response is very chipper and optimistic, but i really like the idea of Eggman having almost this turning point here, having to face something so saddening as watching someone you love curse the world and everyone on it(including you). After arguably some of the most dangerous and threatening feats have been accomplished by Eggman in this game as the story's primary antagonist, is this moment a nod to him maybe stopping to think about what he's done? Im amazed by how much meaning can be taken from these few seconds of dialogue!!

Finally, the last two moments. Amy, despite having had her own short heart to heart with Shadow before the final battle and ultimately being the one to spurr Shadow on to fight alongside Sonic and the others, doesn't seem as upset by Shadows death as Sonic is. This is genuinely, in my limited knowledge of Sonic media, one of the only instances i have seen Sonic be thoroughly shaken up by something and brushed it off when someone asks him whats wrong. In most cases, he's just relatively unfazed from an emotional standpoint like that, so theres nothing to brush off in the first place. But here, the ever-yapping blue blur remains silent for a while, just staring at Earth in a similar paralell to how Shadow used to. It isn't until Amy comes by that he looks away. Its the really subtle details here that get me: Sonic doesn't look or respond to her right away. There's a prominent pause of silence before he turns to her and says its nothing, switching the topic immediately to rush her along. Sonic, typically impatient and eager to move to the next adventure, slows down and is the last to leave the deck, delivers the farewell line to end the game. Again, the contrast in how slowly and soft he speaks here in comparison to literally anything else he says in the game is insane. The pause between "Shadow" and "the Hedgehog" is still very funny to me and im not lost on how the delivery does end up being chopped up quite goofy like that, but if that isnt an absolutely insane way to end off the game with such a somber, emotional moment...

Sonadow or no sonadow, take it as you will, its undeniable how impactful this adventure in particular is to Sonic. How much Shadow meant to him by the end of the game. How much his sacrifice meant. I really see his discussion with Rouge as both a way to comfort her, and to comfort himself. To say out loud how heroic and brave he'd seen Shadow to be, regardless of the intention that came from his creation. Sonic is big on freedom and giving people the opportunity to live how they want to, and Shadow's sacrifice in that regard means even more to him. He had just come to understand what he had truly promised Maria he'd do, joined Sonic whole-heartedly to help save the planet, and never got to experience anything beyond that. Given Eggmans continuous antangonistic streak at that point (I'm not fully aware of the other villain's Sonic had faced up until that point), it's rare that Sonic actually gets to see someone who opposed him change for the better!! And not only was Shadow one of the first to do so, but he was a speedy teen hedgehog!!! Just like Sonic himself!!! Its like Shadow said, there was so much more to them that they never got to find out about each other!! The fact that Shadow gave up all of that possibility, all of his own personal freedom to help Sonic save the planet and the freedom of all the people on it? That hits. HARD.

Im not familiar with the full canon of how Sonic actually managed to get one of Shadow's inhibitior rings to give to Rouge, as he's actually not shown in any scene taking them off during the final battle(i actually dont even think their mechanics are properly explained which is more confusing but yk), but getting into more headcanony, sonadow adjacent space for a second? I like to think Shadow actually took two of his rings off/had two break off before he fell. Sonic gave one to Rouge, and secretly kept the other for himself. He obviously didn't want his friends to ask him more questions about how he was feeling, so he hid it in his quills before he greeted them back on the ark. Shadow ended up meaning a lot to Sonic, and it's really interesting to think about what was running through Sonic's mind when all was said and done.

Uhhh anyways good game very very infuriating at times but very good game i have a true taste for the appeal of Sonic games now and i want to play them all. If you actually made it this far, thank you for reading my silly sonk rant! If you have any information you know of to patch the spaces where I'm lacking or just want to discuss your own thoughts on the ending feel free!! Have a good day or night wherever you are :]

[lilstephenlover]

stephen: *just existing* y/n: stephen: y/n: who needs drugs when i can look at your eyes