#Don't ever lie to me

[usefulquotes7]

Don't ever lie to me, i understand a lot of shit, ain't no need to lie. be real with me, i respect honesty no matter how bad it is.

[hinamie]

10 years later

[bluewolfangel01]

Mc: *approaches Beel, looking dejected*

Mc: "Beel... Can I ask you for a favor?"

Beel: "Of course."

Lucifer: "Why is Beel holding Mc like that?"

Beel: *holding Mc super tight, with slight crazed eyes*

Belphie: "Mc asked Beel to hold them tight as if he just found them almost dead."

Lucifer: "I see.... Are they're alright?"

Belphie: "Yeah, especially now because of Beel."

Lucifer: "Very well then, as long as they're fine."

Mc: "thanks Beel."

Mc: *hugs Beel tighter and buries their head more into his chest*

Beel: *buries his face into Mc's hair*

Beel: "anytime Mc"

[pissfartboy]

Amazingphil Video colon-three

[kaeyapilled]

when kaeya was a kid his most exacerbated reaction to getting hurt was a very pointed "ow" and one tear at most. meanwhile when diluc got hurt he would wail and sob and sniffle around all day afterwards. and yknow what i think that their essence hasn't changed now that they're adults. kaeya who says "this doesn't.. look good.." when he dies in game and diluc who says "my flame.....has been..extinguished....." like okay. we still know who's the most dramatic out of the two

[itsdefinitely]

Hey!!! I love your art sm!!!!!

I was wondering: can you draw Ted being possessed by Tinky or Bill being possessed by Blinky (or both)?

Have a great day!!!!!!!

normal guys in normal scenarios

also

[team-118]

that's the thing. he's the one you forget to count on. he's perfect but it's a front. he's happy but it's a lie. he cut the damn line and he's still alive down here. he's 9, he's 19, 21, 27, with the weight of the world on his seemingly bulletproof shoulders. he's braver than anyone should have to be. he takes responsibility to a fault. he's cursed but the universe doesn't scream. he's a wonderful partner as long as he doesn't look it in the eye. he's falling backwards into a pool of his own blood and he's dancing in his underwear in his living room. he's gonna be better. for christopher? no, for himself. he's golden and glowing at sunset on the court, he's singing karaoke and djing with drag queens, he's falling to fucking pieces and then he's putting himself back together. who the hell is that? eddie diaz, new recruit. we don't bet against him.

[mamawasatesttube]

the more i think about it the more im convinced the way to fix the luthor retcon is just "using the female characters". that's it. we bring in the contessa (say she duped westfield by putting lex luthor's dna in there, somehow, and this is the actual retcon part. it's smaller, and doesn't contradict rots), say that it was some secret plan of hers that never came to fruition. then we get lex being as blindsided by it as kon, and we get the contrast in how he treats baby lena vs how he treats kon (his child vs a failed tool that's nothing to him now). and we can keep the superfam as a found family, with clark, the steels, and the eradicator all reaffirming their love for kon, regardless of whose 0.01% of human dna was used to stabilize him. AND we can keep his eventual bond with lori luthor. best of both worlds!

bam!!! fixed!!! luthor retcon, now with 100% less eugenics, and 100% more of keeping kon's original scifi themes and strong feelings on personhood and conflicted feelings on how he yearns for a family!! that's it babey!!! it could've been that easy!!! the key is just... its the female characters. it's the female characters!!!!

[jontaro-kun]

God I love women I wish they were real

[poorly-drawn-mdzs]

Counterspell

[First] Prev <--> Next

[leslieseveride]

they really weren't kidding about the rom-com vibes in this season.

[kinaesthetiqueer]

"Spread across the comforter are their film strips from the photo corner at the dance... A full size picture of the four of them signing their team letter to the camera with huge smiles on their faces."

On the Run from Tomorrow, ch. 17

Last chap's up. I am getting so horribly emotional trying to write a note here, so just...

JNPR 💛🧡❤️💚 Forever

[carmsgarms]

Dave Jones said my full goddamn christian name on livestream in Halsin's voice with the correct Spanish accent/inflection

I'm never going to recover from this

[thedreadvampy]

sometimes I forget that my experience has been. um. not 'your experiences are not universal' vibes but more like 'your experiences are EXTREMELY atypical'

[phantomyre]

"By her loving grace and providence, may we take our place in paradise."

The Cetra Story (Ever Crisis FF7) (SPOILER)

[yellowocaballero]

dude psyched ur reading orv, insanely curious about ur takes

My friend @charterandbarter put it best.

ORV is pretty fascinating to me. It's really just a self-insert isekai OP webnovel, and it is nothing else. Its medium is trashy and lowbrow, and its genre is almost devoid of high art. OP isekais are 'id' stories, meant to be satisfying and fun and contain very little of substance. ORV is a very well executed OP isekai - it contains the elements of the genre that make it satisfying, it understands why people read the genre and enjoy it, it reproduces those elements very well, and it is very concerned with telling an enjoyable story. ORV really, really loves webnovels and isekais and shitty wishfuillment stories. There's a lot more to ORV than the 'fist pump' moments of kdj doing something cool or pulling a fast one on a shmuck, but those moments are the undoubtedly the point of ORV, as they are the point of all SIOC isekai OP webnovels. And that's the point of ORV.

Metanarrative stories are cheap. Neil Gaiman's written 30 and millenials love waxing philosophical about the power of narratives. These metanarratives tend to describe stories as a theoretical framework through which we understand the world and our lives. Therefore, stories are tremendously important and valuable because they contain the totality of religion, history, culture, relationships, and lives. ORV says this too. But this theory tends to land at mystifying and exalting stories on virtue of them being stories, which I think misses the point. Stories aren't special because they're stories. They're not more sacred for containing our lives. What ORV says is that stories are important, because our lives are important. I like that a lot more.

ORV says that stories are our way of ordering a disordered world. A history, culture, nation, and religion are stories. None of those stories are true or real, because histories/cultures/nations/religions are constructs - they're how we interface with reality. They're created with a purpose, told for a point, pulled together into a narrative, and are satisfying or dissatisfying based on certain factors. ORV's perspective on fiction is deeply seeped in its own nature as 'low art'. There's something very cynical and commercialized about narratives in ORV, and every narrative in ORV is being told for a quick buck or to try and spread an idea for an individual's gains. It's a very unromantic, unimpressed view of narratives and fiction. It's pretty much the only way a SIOC OP isekai webnovel like ORV can talk about it without being disingenuous. And it's remarkably raw and visceral as a result, because ORV loves SIOC OP isekai webnovels like kdj loves yjh. Fiercely, insanely, like breathing, exactly for what it is. No pretensions.

It's bizarre, because ORV is about love. It's not about love for anything that deserves it. Not for a story with a lot of literary merit, a main character who is a remotely kind or lovable person, or art itself outside of its commercial or philosophical value. kdj really, really, really fucked loved TWS - because it was there, and because it lasted 15 years, and because it was fake, and because it was what he had. He loves yjh because yjh was his only companion in a dark world. That's fiction. Fiction helped him survive, because love is a way of ordering a disordered world.

I'm still reading myself, but ORV seems to be about how we manage to live in a hard world, and how to find it within ourselves to love each other and find meaning in that hard world. I see why kdj's the protagonist: he can find merit in something for existing, and loving it for being there, and he holds onto something because he has it. He sees the value in that. He read it in a book.

TL;DR: ORV is well-executed trashy commercialized art that is so obsessed with trashy commercialized art that it's looped straight back around into being somehow the most raw and visceral depiction of love I've seen in a long time.