#Dog Waste

[newyorkthegoldenage]

"Dog Comfort Station," 1765 York Avenue, June 19, 1958.

Kim, a poodle with his own ideas about modern conveniences, looks wistfully at a prop fire hydrant in front of a new, luxurious $500 canine comfort station that had been opened the day before by the city as an experiment. City officials hoped the double-lane enclosure, equipped with plumbing, might help solve the problem of "nuisance" on streets and curbs. But it was generally ignored by the canine visitors, who showed a strong preference for their old stomping grounds.

Photo: Associated Press via jding.bgcdml.net/

[igaeastwick]

Request for compliance with the pet waste policy on Inglis Garden Apartments at Eastwick property

Dog feces were near a sign reading, "Clean up after your dog." Disappointingly, the dog's owner disregarded the sign.

[callisteios]

i made a character uquiz. i 100% promise you that you will get a character you know AND like

[palsdoody]

Discover the ultimate guide to responsible pet waste disposal. Learn the most eco-friendly and hygienic methods for managing your furry friend's waste. From composting to biodegradable bags, explore sustainable solutions to minimize environmental impact.

[dead-body-in-the-basement]

Write a card to the birthday bastard

[lotus-pear]

double black

[dudethatsmyundeaduncle]

Had this Headcannon that when Multi-Lingual Dick and Jason get drunk they start singing Ballads in Spanish. Yeah some classical shit like Vicente Fernandez but also the most wild Selena you've ever heard.

[iztea]

it just went to waste

[attyrocious]

shit i do instead of drawing

[fjordfolk]

2010 Dog food companies: Grain will KILL your dog. Any grain-based carbohydrate will cause IMMEDIATE cancer. Wheat will show up at your door with a GUN.

1910 Dog food companies:

[xvxblahhhxvx]

I think Dazai's backstory is really cool in how, despite having more information about it than most other characters, majority of his life is just one giant noodle incident.

Yep, that's the line I'm going with as an introduction to this analysis. Just bear with me.

To start off, for those who don't know, the term "noodle incident" originates from the (amazing) comic Calvin and Hobbes. In it, the whole idea is that Calvin did this unspecified thing in school that involved noodles, but it's never confirmed what exactly happened. It's only referenced in passing, and it is clear that it was not good. Applied to general fiction, the term Noodle Incident refers to an event that is often referenced, but never clearly explained, and what is important is the characters' reactions and feelings towards it. The principle idea behind it is that imagining what said incident could be is way more significant and impactful than anything it would actually be if it was said. It's not the event that's important, but the effects and responses to it are. *for more info, I recommend Overly Sarcastic Productions trope talk video about it*

Now, how this plays into Dazai's life is that, while it is extremely evident that he likely has a horrible, tragic backstory, we never really get to see much of it. The earliest we are introduced to him, he is already suicidal, and he has lost most in hope in existence. These feelings are tempered a bit when he first joins the Port Mafia, but they come back all too quickly. And while you could argue that him being in the Mafia is a large contributor to his depression,the main reasons why he seeks escape clearly transpired before he ever met Mori.

Dazai was already trying to commit suicide at fourteen, which is how he met Mori. Something happened earlier in his life, but we don't know what. Asagiri himself says that he left Dazai's core, the reason he wants to die, vague on purpose. We aren't given many details, and honestly, we aren't given much backstory to it either. The two biggest hints that we get is when he is speaking to Odasaku. First in The Day I Picked Up Dazai, and the second from Dazai and the Dark Era.

We have no idea who or what Dazai is referring to. From all that we have seen, all the backstories and light novels we are given, the only people that we know of whom Dazai actually lost were Ango and Odasaku-for Ango, it was that special friendship, and Odasaku, it was his life. And even so, it isn't much of an explanation, because he was obviously suicidal before he met them, as evident from how he speaks to Odasaku, and losing them wasn't a catalyst for Dazai's depression. (As a matter of fact, it was actually the first step towards improvement, but that's a different analysis).

Yet for how much we don't know about Dazai's life, I think it's done in such a way that it doesn't really matter. It's a noodle incident, in that sense. Because it's not about the events that actually transpired, it's about how that affects Dazai and the way we see him. Don't get me wrong, I would love a full, confirmed backstory, but Asagiri doesn't seem to intend to write it, and that makes Dazai's character so beautiful. It's also one of the reasons why the dark era, especially the light novel, is so tragic. Because yes, you can argue that as far as tragic backstories go, losing two friends isn't near the most awful, especially not in this universe (I'm not trying to play the "which character has more trauma" game, but compared to, for example, growing up in an abusive orphanage, it's relatively not as inherently tragic. That doesn't make it any less horrible though). But the point of the backstory isn't just to explain the reasoning why things ended up the way they did, why Dazai left the Mafia, boo hoo his friend died, but Odasaku and Ango represent everything in Dazai's life, everyone from his past we never got to meet and I'm not sure if we're ever going to. They symbolize all the things in his life that mattered to him, everything he never wanted to lose but did. The last scene in the bar, where the three of them meet up for the last time, Ango leaves, the picture with the three of them laughing and smiling, the whole thing is meant to serve as a microcosm for Dazai's life as a whole. That he feels he's always going to lose everything, and that's why he wants to die. We don't get details, we don't know the specific events, but we're left with the emotions that gives us an important glimpse into this character's mind, more than his life, and that's what makes him such an interesting character that's left open to interpretation and analysis. We aren't privy to the tragedy, but the aftereffects of it. And, almost as if to prove the point, Odasaku dies the next day. Right after Dazai says he always loses everyone, further cementing the idea that there's almost a curse surrounding him, a void of loneliness that may never be fulfilled, which is as much as Odasaku tells him when he dies.

Whatever happened in Dazai's life before fourteen was probably something horrible and tragic. Maybe he had a family. Maybe he had other good friends. Perhaps he even believed in the goodness of life and humanity. But what's really cool about the way he's written is that the exact events are not important nor necessary to understanding his character. His life is one big noodle incident, yet because of that, we're able to glean an almost deeper understanding about him, by leaving the details in the dark and exposing only the raw, humane emotions left behind. The most important part about any backstory in fiction isn't about what actually happened, it's about how does this affect the character now? What lasting impact did it leave on them, and how is it evident in the way they interact with the story in the present? This is something that Asagiri nails on the head when it comes to his backstories. And I think the lack of clear information about Dazai's backstory, yet all the information we do end up getting about him, is one of the reasons why Dazai is such an interesting and intriguing character in the series.

Thank you all for you time. You may now return to your procrastination.

[kr-uwu-ssy]

So yesterday i had to take a shit while watching dunmeshi and it made me realize that they probably have to shit a lot with how much they eat

We know there are toilets on some of the floors but I don't think they're frequent enough on every floor for them to be able to shit regularly (answers 3-5 are my mom's idea)

[ransiquack]

having real fun with my art

go me!

(i will always love you chemical burns herbert and dan…)

[hayatheauthor]

y'all ever watch/read something with a plot that had sooo much potential but the execution is just...meh

[kaurwreck]

I like it when the fandom engages with Chuuya drinking problematically or Akutagawa smoking despite his lung disease or Fyodor indulging his gambling addiction.

Asagiri can't explore the same, there's a censorship regime in Japan for manga aimed at certain ages. But even if he doesn't care to, fan works should be transformative and exploratory; and fan works that do so while engaging with the source material and its themes like humanity and contradiction and culpability are even more golden for doing so.

The urge to lacquer fiction in performative didactism and aversion to moral turpitude is self cannibalizing.

[dragonspiral-tower]

bro shes weak to water help her!!!