#Document 54

[the-dark-dr-tobi]

We need your science purposes now.

FINE.

[unproduciblesmackdown]

xmas rehearsal today, video from jenashtep, pic from brookeshapiro3

[stonesandswords]

i forgot to charge my portable charger which means i ain’t recording a single second of tonight and i’m going to be so in the moment

[mylightimpressions]

Enhance your storage solutions with Archival Box Accessories from Light Impressions. Discover our range at https://mylightimpressions.com/.

[sttm99]

You've always noticed Bakugo.

Easily.

You almost took it as a thing of pride, having been able to see the potential so easily. When you were all fifteen-year old first years, you could so easily tell he was handsome. Your teenage eyes always seemed to search for him in every class, every room.

He was brash and unpolished, loud, obnoxious, and an all-round piece of shit. But that stupid, wattpad-infested, schoolgirl mind of yours couldn't help but eat it up.

You could never muster up the courage to talk to him, though. He was mean, and you weren't like Mina or Kirishima that could hang out with him and not be bothered by it.

So you settled with admiring him from afar, keeping your attraction to yourself and never really coming into the space that is Katsuki Bakugo throughout your first year.

Second year was the year you had your first encounter with him. It was in the final months of the year, when you two had been paired together for a project.

He came over to your table at the end of the school day with his bag lazily slung over his shoulder as he stood above you by your desk.

"My room this evening. 6:30. We'll start then and see how far we can go." He tells you swiftly, in that voice that had begun to crack already, eliciting slightly more mature thoughts from you.

"Sure." You murmur as you looked up at him.

He turned around and left immediately, not once turning back to look at you, his other friends following him out the door.

You knocked on his door at 6:33, foregoing your uniform for a simple, little t-shirt and plaid trousers. He opened the door almost instantly, ushering you in and shutting it quick behind you.

"This is how it's gonna go-" He begins as he takes a seat on his desk, powering up his computer. You take the small moment where he's facing away to admire his back, his shoulders bare from the sleeveless tee he has on.

When he turns back, your face is back to a blank stare, eyes directed towards the poster he has above his bed. It's an all might one, and you think you remember it being limited edition, an expensive one that was hard to get a hold of.

"Oi, over here." He scolds you, and you turn back to him.

"Sorry," you mumble, as you step over to him, standing between his desk and his bed.

He glances at you, taking in what you're wearing. "You can sit on my bed. Those aren't outside clothes, right? So it's fine."

You slowly sit on his bed as he begins to open up a Word document. The project was for history class, and you two had gotten a time period you were disgustingly educated in.

Bakugo had already started the work, surprising you a bit. He began pointing out what he'd already done, and what you'd be doing to complete it.

"And-"

"This is wrong, by the way." You cut him off.

Bakugo looks at you slowly, a scowl taking over his pictures. "Wrong?"

You nod, your shyness melting off in the presence of your intelligence. "Yeah. This -" You point to a paragraph header. "- didn't start happening until about 50 years later - 54 specifically, actually. So, if you talk about the monarch right before this, it would look weird cause he couldn't have come into power without this practice."

Your eyes are on the laptop, pointing out mistakes and making corrections. And for the first time since you started at UA, Bakugo noticed you.

It was a subtle switch, where he went from seeing you to actually noticing you; from hearing to listening.

Were you always this smart?

Was your voice naturally that way?

Have you always smelled so good?

The evening ended with you making suggestions and adding about three paragraphs to the work.

And as he closed his eyes to sleep, all Bakugo saw was you.

This is five years past. Mina had invited a small group of them to her apartment for a mini reunion, and just like in his room years before, Bakugo noticed you.

He noticed you standing in Mina's kitchen by the sink, washing off the sauce Denki had accidentally spilt over your palms, whilst the others were in Mina's living room playing a game of charades.

"Hey." You turn to look at Bakugo by the door.

It wasn't like you'd suddenly become friends after the project you two had done together, but you could tell he'd warmed up to you a bit. He looked at you sometimes, more often than before, and didn't look away immediately after making eye contact.

Sometimes, he'd ask your opinion on something(you liked when he did. He valued what you had to say), or he'd make some side comment about you when you'd pass him in the hall sometimes. But they weren't regular Bakugo mean. He was warming up to you, in his own Bakugo away, but warming up nonetheless.

"Hi." You say back to him, turning off the tap before going to wipe your hand with some paper towels.

"Haven't seen you in a bit," Bakugo mumbles as he steps closer, leaning his hip against the counter, some few feet away from you.

Whilst he came into the spotlight, bright and loud like his quirk, you'd decided to follow Aizawa's footsteps and become an underground hero instead- foregoing the limelight for a career in busting crime rings and fucking up drug lords.

You shrug, not really looking at him, your eyes instead focusing on your hands as you dried them.

You'd grown out of your little crush quickly after graduation. Even though you could appreciate just how blindingly handsome he was, just as you'd expected, he didn't have your heart racing anymore, didn't get your palms sweaty.

Sure, maybe the sight of his veiny forearms and large shoulders did something to your stomach, but you knew the difference between pure lust and actual romantic feelings.

"Kind of the point of my work, don't you think?" You ask rhetorically.

He shrugs back. "How's it going, anyways?"

It's not something he can do, the whole underground thing. His quirk isn't quite right for it, and neither is his personality. And with how his time in UA went, he was far too recognizable to go undercover anywhere.

But he could appreciate that you were good at what you did. He wouldn't admit it, but he did keep up with some of the people he didn't bother talking to after graduation. Just a few - Deku and Todoroki - sometimes he'd look at what Uraraka and Jiro are doing.

Admittedly, he checked up on you far more often than he was willing to expose. He knew a lot of your missions and was eerily familiar with your high success rate, too.

"It's fine." You say as you throw the towel into the bin and lean back against the counter behind you, your palms holding the edge as you looked at Bakugo. "Not so glamorous, a bit scary sometimes, I guess, but- that's hero work, isn't it?"

He hums, and at the back of his mind, he hopes the others don't bother coming to look for either of you soon.

"I guess so. But hey, you've been doing good." He admits.

You raise a brow and are unable to keep the smirk off your face. "You've been following up on me?" There's a teasing lilt to your voice which Bakugo had never encountered before. The tilt of your lips changes the entire dynamic of your face.

You're less melancholic now, more sultry and seductive, and it's pulling him in without him understanding why. It's something he'd never seen from you in UA, and he wonders... what else has he not seen from you?

He scoffs at your words, folding his arms over his chest as he stares you down. "I keep up with hero news."

You chuckle a bit. "You're doing well, too, though."

He shrugs. "Thanks, I guess. 'M just waiting for all those old geezers to fucking retire."

You laugh aloud at that.

Bakugo sees Kirishima step into the doorframe behind you. He glares quickly, purposefully as you're not focused on him, still laughing. He's signalling for Kirishima to leave - he doesn't want this moment with you to end just yet.

The redhead complies, not without shooting Bakugo a sly look.

As you turn back to him, his disposition is different. He's less put off, and he's gotten closer. "So -" He starts, drumming his fingers over the countertop"- what are you doing after this?"

And you smile at him, in that sly, sultry way you did before. "It's up to you now, isn't it?"

This most probably won't have a part 2. I just wanted to get it out of my drafts.

[prokopetz]

Your long and arduous journey has led you to this, the final confrontation. You thought you knew what to expect, but just as you struck the final blow, your ultimate foe's eyes gleamed with unnatural light as they proclaimed…

THIS ISN'T EVEN MY FINAL FORM

A game for 4–6 players

Introduction

This Isn't Even My Final Form is a GMless tactical minigame for 4–6 players. You'll take on the roles of a party of heroic adventurers nearing the end of a world-spanning quest to defeat a great evil, the Final Boss. Unfortunately for them, each time they think they've won, the Final Boss assumes a new, even more horrifying form, and the struggle begins anew. Is there any end to this conflict? There's only one way to find out!

What You'll Need

This Isn't Even My Final Form requires a dozen six-sided dice, as well as a way of keeping track of a few important numbers – a shared text document or some scrap paper will suffice.

Update 2023-10-30: Print-and-play card decks are available here:

http://penguinking.com/this-isnt-even-my-final-form/

Character Creation

Choose two of the following actions to be your Party Member's Class Actions: Strike, Heal, Buff, Debuff. If you'd rather determine this randomly, roll on the following table.

1. Strike, Heal 2. Strike, Buff 3. Strike, Debuff 4. Heal, Buff 5. Heal, Debuff 6. Buff, Debuff

Give your Party Member's Class a name which suits your Class Actions. Also give your Party Member a name; it is traditional but not obligatory for your Party Member's name to have exactly five letters.

Playing the Game

Play is divided into a series of Phases. During each Phase, one player takes on the role of the Final Boss. That player's Party Member does not participate in this Phase; they're trapped, lost, incapacitated, or otherwise separated from the party or unable to act for the duration of the Phase. All other players take on the roles of their Party Members.

The Final Boss player's first order of business is to describe what the current Phase looks like. The Final Boss player can roll 1–3 times on the following table (re-rolling duplicates) to decide on a theme, or use it as inspiration for their own theme. To use this table, roll a six-sided die twice, treating the first roll as the "tens" place and the second roll as the "ones" place, yielding a number in the range from 11 to 66.

11. Beasts 12. Bells 13. Blood 14. Bones 15. Chains 16. Chaos 21. Cubes 22. Eyes 23. Fire 24. Flowers 25. Food 26. Games 31. Gears 32. Glass 33. Gold 34. Hands 35. Holes 36. Ice 41. Iron 42. Light 43. Mazes 44. Meat 45. Mirrors 46. Music 51. Orbs 52. Order 53. Plague 54. Shadow 55. Slime 56. Space 61. Spikes 62. Teeth 63. Time 64. Trees 65. Weapons 66. Wings

Once the Phase has been defined, set the party's Momentum to zero. Momentum is a value which will increase or decrease over the course of the Phase; it has a minimum value of zero, and no particular upper limit.

Play proceeds in a series of rounds, as follows.

The Final Boss Attacks

The Final Boss always goes first in each round. Roll one die:

1–3: The Final Boss chooses one of the following actions. 4–5: The Final Boss chooses two of the following actions. You may not target the same Party Member twice; however, you may use the same action on two different Party Members if you wish. 6: The Final Boss does nothing this round. On its turn next round, it does not roll and instead uses its Ultimate Attack.

Wound: Inflict the Critical Condition on a single Party Member. If the chosen Party Member already has the Critical Condition, it's replaced with the Down Condition and the party loses one Momentum.

Imprecate: Inflict the Cursed Condition on a single Party Member.

Envenom: Inflict the Poisoned Condition on a single Party Member.

Bewilder: Inflict the Confused Condition on a single Party Member.

Counter: If you're targeted by the Strike or Debuff actions this round, after resolving that action, perform the Wound action on the Party Member who targeted you. You may counter any number of actions in this way.

Dispel: Remove the Buffed and Protected Conditions from any number of Party Members.

Enrage: The Final Boss rolls two dice and takes the better result on its next action. The party may cancel this benefit with a successful Debuff action; doing so removes the extra die instead of forcing the Final Boss to roll twice and take the lower result.

Ultimate Attack: This action can only be chosen by rolling a 6 during the previous round. When the Final Boss uses this action, choose Cursed, Poisoned, or Confused: you may perform the Wound action AND inflict the chosen Condition upon any number of Party Members, in that order. (i.e., Wound each targeted Party Member, THEN Curse/Confuse/Poison any who remain standing.)

The Final Boss player describes the outcome of the chosen action(s) in as much or as little detail as they like; control then passes to the other players.

The Party Acts

After the Final Boss has attacked, each Party Member who doesn't have the Down condition chooses one of the following actions, in any order the players wish. After choosing any action other than Defend, the player rolls their dice pool, which is a handful of six-sided dice constructed as follows:

Start with a number of dice equal to the party's current Momentum (initially zero, though it will grow over the course of the Phase)

Add one die if you're performing one of your Party Member's Class Actions

Add one die if your Party Member currently has the Buffed Condition

Add one die if your Party Member currently has the Critical Condition

Roll all of the dice together, and find the highest result. Ties for the highest result have no special significance; for example, if you rolled four dice and got 1, 3, 5 and 5, your result is 5. If you'd ever end up with zero or fewer dice for any reason – either because your dice pool was empty to begin with, or because some effect obliged you to discard every die you rolled – you receive an automatic result of 1.

If an action requires you to target a specific Party Member or make other choices, you can wait and see the result of your roll before making those decisions.

Strike: You attack the Final Boss. Roll your dice pool:

1–3: Nothing happens – either the attack misses, or the Final Boss turns out to be immune to whatever you just did. 4–5: The attack strikes true. The party gains one Momentum. 6: Critical hit! The party gains two Momentum.

Special: If you roll triples or better (i.e., at least three of the same number) on a Strike action, the Final Boss' current Phase is defeated, and you move on to the next Phase. It doesn't matter what number comes up triples.

Heal: You attempt to restore the party's strength. Roll your dice pool:

1–3: You may remove the Critical Condition from a single Party Member. If no Party Member has the Critical Condition, nothing happens. 4–5: You may remove the Critical Condition from any number of party members OR you may remove the Down Condition from a single Party Member. 6: You may remove the Critical and Down Conditions from any number of party members.

Buff: You attempt to bolster a party member. Roll your dice pool:

1–3: You may grant the Buffed Condition to a single Party Member OR remove a Condition of your choice other than Critical or Down from a single Party Member. 4–5: You may grant the Buffed Condition to a single Party Member AND remove a Condition of your choice other than Critical or Down from that Party Member, if they have one. 6: You may grant the Buffed Condition OR remove a Condition of your choice other than Critical or Down to any number of Party Members. You may choose a different option for each targeted Party Member.

Debuff: You attempt to weaken the Final Boss. Roll your dice pool:

1-3: Nothing happens – it turns out the Final Boss was immune to that effect. 4–5: The Final Boss rolls two dice and takes the lower result on its next action. 6: The Final Boss rolls two dice and takes the lower result on its next action AND the party gains one Momentum.

Defend: You may grant the Protected condition to a Party Member of your choice. Do not roll.

Based on the outcome of your roll (if applicable), describe the outcome of your action in as much or as little detail as you wish.

Once each Party Member has acted, return to "The Final Boss Attacks" to begin the next round.

Ending the Phase

As noted above, rolling triples or better on a Strike action results in the immediate defeat of the current Phase. Alternatively, if all Party Members simultaneously have the Down Condition, the Final Boss player's Party Member suddenly breaks free or arrives on the scene and rescues everyone in a stunning deus ex machina; this also ends the Phase, but does not count as defeating it.

In either case, reset the party's momentum to zero, remove all Conditions, and move on to the next Phase. The role of the Final Boss passes to a different player, with preference given to those who haven't yet had a chance to be the Final Boss; the previous Final Boss player resumes playing their Party Member.

Continue until the party has defeated a number of Phases at least equal to the number of players, or until mutual agreement has been reached that all this has gone on quite long enough.

Conditions

Some actions can impose Conditions upon the individual Party Members. Conditions can be positive or negative, and last until specific conditions for their removal are met.

Buffed: Your strength has been boosted. When rolling your dice pool, you roll one extra die.

Confused: You've lost your wits. When the party acts, your action is determined by rolling a d6 – 1: Strike; 2: Heal; 3: Buff; 4: Debuff; 5: Defend; 6: do nothing this round AND remove this Condition. This Condition is also removed if you gain the Critical Condition while under its effects. You may choose targets normally if the rolled action requires them. Confused Party Members always act before their un-Confused peers; if there are multiple Confused Party Members, the Final Boss decides the order in which they act.

Critical: You are badly wounded. Desperation lends strength, and so this Condition adds one extra die to your dice pools; however, if you suffer the Critical Condition a second time, it becomes the Down Condition instead.

Cursed: You've been afflicted with misfortune. Discard your highest result after rolling your dice pool, but before applying your chosen action's effects. If there's a tie for the highest result, discard all of them; for example, if you roll four dice while Cursed and get 1, 3, 5 and 5, your result is 3. If the Condition causes you to discard your only set of triples of better on a Strike action, the Phase does not end.

Down: You are incapacitated by injury or foul enchantment. When the party acts, you may not choose an action; your action remains lost even if this Condition is removed before the end of the round. When you gain this Condition, remove all other Conditions, and the party loses one Momentum. (This is not in addition to the Momentum loss noted by effects which inflict this Condition – those are just reminders.) You may not gain other Conditions while this one persists.

Poisoned: You're afflicted by a poison, plague, or death-curse. If you have the Poisoned Condition after resolving your action for the round, you gain the Critical Condition. If you already have the Critical Condition, you instead gain the Down Condition, and the party loses one Momentum.

Protected: The next time you would gain any Condition other than Buffed, remove this Condition instead. You also remove this Condition if you take any action other than Defend on your turn.

[jikooklove9795]

JIKOOK & NOV 8th 2015

In South Korea couples have a unique and delightful way of celebrating anniversaries marking special milestones. They commemorate these milestones by exchanging personalized gifts, going on romantic dates, by wearing matching clothes or by sharing photos documenting their relationship. This is done in recognition of their continuous love and appreciation.

Now let's dive into see how Jikook celebrates a special a date in their relationship.

On Nov 8th 2015 Jikook posts their first video together on twitter

Exactly 100 days after Nov 8th 2015 Jungkook made a tweet about the importance of lyrics in a song and uploaded his cover of Nothing Like Us by Justin Bieber

One year later on Nov 8th 2016 Jimin posts a video of Jungkook and him sitting together on a plane

On Nov 8th 2017 Jungkook releases his first ever GCF. It was video documenting Jimin and Jungkook's private trip to Japan in 2017. A trip Jungkook planned and arranged as a birthday gift to Jimin

On Jan 26th 2018, which is 811 days from Nov 8th 2015 Jimin posted this pic. Do you see the black & white reference at the foot of the champagne glass? Interesting right??!!

On August 2018 BTS were in Malta filming BV Season 3.

1000 days after Nov 8th 2015 Jungkook posted a selca while in Malta at 10:13 local time which is Jimin time

And on the 1500the day from Nov 8th 2015 Jimin posts a selca at 1:50

Now before we move on let's take a moment to remember that Jimin won the Search King Challenge question where BTS had to find the 2000th day from the first episode of Run BTS. He used the NAVER Anniversary Calculator. Jungkook was not far behind. He was about to answer but lost by a few seconds to Jimin. Hoseok had no idea about the calendar while Namjoon went for Google. So, this shows Jimin often uses the calculator for finding important dates and anniversaries

Okay, now back to our main topic.

BTS PTD Seoul Concert in March 2022. And during the concert...

He said "This is Jimin from grade 2 class 3 number 15". Cause March 10th 2022 was exactly 2315 days from Nov 8th 2015.

Remember the rectangular Maison Margeila pendant which Jimin wears? He wears the one where the number 11 is encircled.

Let's take out 11 and add all the other numbers on this pendant.

10+12+13+14+15+16

And we get 80

So, what do we have

11/8

On Feb 21 2022 Jungkook posted a video on his IG highlighting 23:08 which is basically 11:08 however the story was originally posted at 1 am

On October 26th 2022 (which is 13 days after Jimin's birthday and 13 days to Nov 8th) while in Qatar Jungkook posted a pic on his IG at 11:08 pm KST

There are a myriad of references to 11/8 from song covers, song recommendations ending at the 1:18 mark to pics posted by both Jimin and Jungkook.

Both Jungkook and Jimin has shown how they are serious about these numbers relating to their relationship or those about each other. Reminds me of how Jimin started a live on Sept 1st 2023 wearing a 1997 model watch adjusted to Jungkook's birth time

Nov 8th 2024 marks their 9 years of togetherness.

So, let me conclude this post by wishing the couple a

"Happy Anniversary"

💛💜

Credits to the owner of the video

[authorhjk1]

Aloha! Since I hardly find any of her fics here, here's hoping Krystal can make the cut so here are some choices if you may:

For the first outfit was hoping it could make the cut the most since if you look at it closely it is a one piece dress but buttoned up, for the second outfit I mean, look at that body sheesh and for the third a simple one.

https://kpopping.com/documents/54/2/2000/220405-H-Naver-Post-Krystal-ELLE-D-Edition-Photoshoot-Behind-documents-13.jpeg?v=1fb1e

https://kpopping.com/documents/a0/1/2992/240507-Krystal-Jung-Baeksang-Arts-Awards-2024-documents-1(1).jpeg?v=8dcd4

https://kpopping.com/documents/58/0/4500/Krystal-Jung-for-Vogue-Korea-March-2024-Issue-Vogue-Leader-2024-Woman-Now-documents-8.jpeg?v=2799c

Midnight

(Krystal Jung X Male Reader)

You're smiling from ear to ear as you walk through the building. You can't believe this is happening.

"It seems like you really want one of these."

Krystal's teasing tone makes you turn around to her. But before you can, her hands sneak around your waist and she presses her body up against yours from behind. Her chin landing on your shoulder.

"Y-Yes. This one."

You point at the car at the far end of the dealership. You've always wanted this car. Ever since you saw it online for the first time. You can't believe you're about to own it. You're barely nineteen years old and you just got your driver's license. But now you're walking to a midnight black Lamborghini Aventador.

You never checked out the price, because you expected to never be able to have enough money to buy one of these. But now it almost feels like you won the lottery.

"Are you sure you want this one?"

Krystal isn't as much into cars as you are, so she usually goes for classy and expansive over horse power and speed. The silver Rolls Royce parked outside is proof enough of that.

"This is my dream car."

"Then get in and try it out."

Krystal gives you a kiss on the cheek, before you hear heels klick on the floor as she walks away.

You carefully reach out to touch the hood. Six months ago, you would've been too afraid to even touch this car. But you don't have to worry about breaking anything. Krystal could buy every single car in this building, if she wanted to. You don't know how much money she really does have, but the first thing you did after coming home that fateful day, was researching the name Krystal Jung. The richest person in Korea. The fifth wealthiest person in Asia and maybe even one of the richest women on this planet.

Sitting down in the driver's seat, you let your hands wander over the steering wheel. It feels comfortable. It feels perfect. It feels better than you thought it would.

You tear your eyes off the car's dashboard as you hear Krystal approaching again. Her black dress matches the car and shows off her slim waist. It hugs her body like it was only designed for her and nobody else. Which is what probably happened. You doubt anyone else owns this exact dress. Maybe a cheap copy of it.

You hold your breath as Krystal stops in front of you, a car key in her hand.

"Do you want to take your new car for a drive?"

"Oh my god. Thank you so much."

You don't even dare to reach for the key. How much did Krystal just spent on you?

"Like I already said, you don't have to thank me for the stuff I buy you. It's just money."

She puts the key into your hand, before walking around to the passenger side.

Once she is seated, her arm sneaks around your shoulders, her lips right next to your ear.

"Let's take your new car for a drive along the coast."

Her free hand glides over your thigh as she reaches for your crotch.

"You can repay me by making use of that hood."

She nods towards the front of the car.

The cold midnight air hits your face as you test out the car's limits. Krystal's hair flies after her in the wind. The roaring of the engine almost makes it impossible to talk. You glance at the dashboard. 300 kph. The road doesn't have any corners in it right now, so you can drive as fast as you want. No one else is around.

You let the Lamborghini come to a hold as you reach the top of the cliff. It's not yet time for the sunrise, but the stars make the night sky bright enough. You have to peel your shaking hands off the wheel. You've never gone that fast in your life.

"That big smile on your face says a lot."

Krystal's hair is messy, but that might make her even more attractive.

"Show me how much you really enjoyed it."

You lean over and capture her lips with yours. The two of you make out in the car as your and her hands explore each other's bodies. You feel her naked waist under your fingertips, while Krystal lets her fingers graze your abs underneath your shirt.

You don't have to work and earn money or anything. Krystal has only two basic requirements for you to make this relationship work. Stay as healthy and fit as possible and make her cum more often then she can count. You work out every single day, eat healthy and go for a lot of runs. You already did it before you met her, but the amount of time you are know putting into your body makes it impossible for Krystal to keep her hands off you.

After your make out session in the car, you now kneel in front of it, after having Krystal bend over the hood. Just like she wanted.

Her dress is still occupying the passenger seat, while her naked body is pressed against the black surface.

"That's a good boy."

Krystal moans into the hood as your tongue invades her slick pussy again and again. You knead her cheeks as you hold onto them. She loves it when you worship her body just as much as when she worships yours.

"Oh, fuck! Almost!"

After six months of almost three times a day, you have Krystal completely figured out. It doesn't take much effort anymore to make her cum.

And you can tell how close she is, if you read the signs well enough. Her thighs begin to shake. Her moans become just a little higher. More swear words leave her lips. And more of her juices would run down her thighs, if it wasn't for you, eagerly licking every inch of her skin.

Your name leaves her lips in a deep moan, right before a high pitched cry echoes through the night. Krystal orgasms on top of the car. Her naked body pressed against the hood. Most of her squirt lands inside your mouth, but some finds it's way onto the car, staining the black materials.

While she recovers, you stand up and align your cock with her pussy. You're still hard and wet from her blowjob in the car mere minutes ago. You can't even keep track anymore on how often Krystal sucked you off, sitting in the passenger seat or at the back.

"That's right. Fill me with that cock of yours."

Krystal sighs as you push into her. Slow love making is a rare sight in your relationship. Mainly because it isn't a relationship based on love. Krystal is pleasant to be around, but she sometimes feels like she is from another world. Her money, her influence, her age. None of it matches your own personality. And yet, here you are, taking Krystal's pussy from behind.

"You're such a good boy. A good little toy."

Her endless praises fuel your desire to fuck her harder and harder. As much as you like Krystal dominating you, it doesn't compare to the feeling of being in control yourself. To have this beautiful woman bend over in front of you. How she takes your cock so well. How she moans your name and praises your cock.

You eventually start to grow tired. The small sex marathon on board of her plane two hours ago still lingering inside your muscles. Krystal usually isn't the type to have a lot of sex at once, due to her busy schedule. But a four hour flight in her private jet makes you work overtime.

You finally sink down on top of her, your face buried in her naked back as your cock rests deep inside her pussy. Krystal's tits and the rest of her body are being pressed against the hood of the car due to your weight.

"Yes, baby."

She sighs, enjoying the unusually slow fucking you now give her. Her snug pussy is enough to make you cum. It doesn't matter how fast you fuck her. Even if you only move at a slow pace, it manages to make you fill her up.

"Krystal..."

You kiss and lick her sweaty neck as you close your eyes. The cold midnight air roams your naked body on top of hers as you release your cum into her pussy.

-----------

Hi, everyone!

I hope you a had a good time reading. After deciding on this concept, I cose the black dress, because I think it fits the most. If you want me to write her in the blue one, feel free to request again, I will put it on my list.

[ki-kink]

So, I'm curious about how the wereteen curse spreads. Do you have any information about it? (Just so I can prepare myself in case of trouble)

Were-Teenager Syndrome

The Were-Teenager Syndrome is a rare, sexually transmitted condition characterized by a periodic transformation of affected individuals into a state resembling a stereotypical young adult male, often exhibiting the physical traits and behaviors of an 18-year-old. The syndrome's name is derived from the "werewolf" mythology, as it involves a transformation that shares some temporal and physical characteristics with lycanthropy.

Pic 1: 54-year-old infected (lung specialist) on a Saturday morning during an acute attack

Discovery and History

The first recorded case of Were-Teenager Syndrome was documented in 1983 by Timothy Jones, a biochemist at the University of Lund, Sweden. Jones had been conducting an experiment involving the semen of exceptionally early-maturing adolescent males. After an unexpected incident, he found himself in a youth hostel on a Monday morning with no memory of how he arrived. Eyewitnesses reported that a person named Timmy Jones had checked into the hostel on the previous Friday afternoon, during which time a dramatic and mysterious change took place. This incident marked the beginning of research into what would later be identified as the Were-Teenager Syndrome.

Symptoms and Characteristics

The condition is marked by a sudden physical transformation that begins every Friday afternoon, one hour before sunset, and lasts until Sunday evening, one hour after sunset. During this time, affected individuals—typically middle-aged or older men—experience a complete physical reversion to the appearance of a young, athletic male around the age of 18. This transformation includes increased body hair, particularly on the chest and face, and a substantial increase in both semen production and testosterone levels.

The behavioral changes that accompany the physical transformation are similarly notable. Were-Teenagers exhibit a heightened sexual drive, often displaying an attraction to older men. Their personality during the transformation mirrors that of a typical male adolescent: rude language, crude behavior, poor personal hygiene, and a keen interest in sex, soccer, and partying. Their diet primarily consists of fast food, accompanied by excessive alcohol and spirits consumption.

Social and Psychological Aspects

The syndrome leads to distinctive social behaviors typically associated with pubescent or young adult males. Were-Teenagers engage in what is often described as "loutish" conduct, characterized by boisterous partying and flirtations with older men. Psychologically, they demonstrate a disinterest in responsibility, preferring immediate gratification and indulging in stereotypically masculine interests.

The exact mechanism behind the syndrome remains unclear, but it is believed to be a result of a complex interaction between hormonal imbalances triggered by the initial exposure to early male adolescent sexual fluids. Further studies are ongoing to understand the genetic, environmental, and biochemical factors that might contribute to the onset of the condition.

Pic 2: 49-year-old management consultant after infection in a sleeping car compartment

Transmission and Treatment

As a sexually transmitted disease, Were-Teenager Syndrome is contracted through exposure to the bodily fluids of affected individuals, particularly semen. While there is no known cure for the condition, research into potential treatments is ongoing. Some experts hypothesize that the syndrome could be mitigated through hormonal therapy or lifestyle adjustments, though these remain speculative.

The Were-Teenager Syndrome remains an area of active research, with continued efforts to understand its pathophysiology and long-term effects on affected individuals.

[thesirenisles]

Sirens, The 12th House, and Biblical Texts

“And the women of the angels who went astray will become sirens.”

-1 Enoch 19:1

Academic disclaimer: Quotes used are translations and may differ per translated version.

Siren History

Most know the tales of dangerously seductive mermaids luring sailors to the depths for a watery demise or winged beasts with talons perched on the beach shore singing haunting tunes. But, there is quite a bit more to this story.

Siren lore and mythology has been most commonly associated with the Greco-Roman origins. Within the literature and mythology, the first mention of sirens is attributed to Book 12 of Homer's "Odyssey", composed around 8th century BCE. They are a central antagonist along the journey of the protagonist.

Homer's description of Sirens (Odyssey 12.50-54): "There are two rocks, and the sirens sit on them, and their voices are lovely to hear, but they are evil in their hearts. Their faces are like those of women, but their bodies are like those of birds."

Siren's depicted with a fish or mermaid's tail come up later:

(Conrad Gessner, Historiae Animalium, 1551): "The Sirens are said to be a kind of fish-like creature with the upper part of a woman and the lower part a fish's tail…"

It is worth mentioning that Siren-like myths did exist within Egypt as well.

Tales of creatures like "The Red Sea Siren", also called "The Siren of the Nile" or "El Naddaha" are not as well documented, of course. (History is written and kept by those in power). But, they do exist.

Below is an account stating Pharaoh Djoser famously kept one of these sirens as a novelty or for guest entertainment in his royal court in 2654 BC. They were ferocious and widely feared creatures, more fierce than even the Nile crocodiles.

The Metamorphoses

But, how were these creatures made?

We get a more descriptive take on the actual transformation of the Sirens in Italian author, Ovid's, Metamorphoses (8 C.E.)

Transformation into Birds (Metamorphoses 14. 776–779): "But when Persephone was married to Pluto, and the gods, in jealousy, turned them into birds, they were given wings and claws, and from that time on, they began to sing their luring song."

In this text, we are shown that this is a divine punishment of some sort dished out by a divine being. There is another tale quite similar.

The Abyss: Biblical Texts

Sirens come up again in Dante's "Divine Comedy", although this time, we see mention of the word "Abyss".

The Divine Comedy by Dante Alighieri (early 14th century):“In that abyss, we are twofold creatures; we have the shape of women but the behavior of sirens…” (Dante, Inferno, Canto XIX)

The use of the word "abyss" is very interesting here.

Here's why:

The texts of our current Holy Bible are said to have quite a few missing books, including some found among the Dead Sea Scrolls.

A very important one being:

"The Book of Enoch"

This book tells of creatures and beings beyond our Earthly conception, but it is not considered fiction. Among the mentioned, are a group of fallen angels: Watchers.

The Watchers, a sort of guardian, were drawn to the beauty of the human women. Against the word of God, it is said the angels mated with these beautiful women.

They created a half human, half angel race called Nephilim. This "Unholy Union" was disrespect in the eyes of the divine.

The Watchers, the Nephilim, and the women were all punished for their parts in the disgrace.

🪽The Nephilim were destroyed in a great flood.

This is where the mention of deep waters come in. Similar to the great flood and Noah's Arc etc. We have God unleashing powerful waters as punishment.

🪽The Watchers are said to have been imprisoned in Tartarus or "The Abyss".

Tartarus can symbolically connote to hell, the depths, or even the abyss. In Greek mythology, this is said to be even lower than Hades' Underworld and the prison of the Titans.

Tartarus itself is very similar to the description of "The Abyss". It is described as a dark, desolate watery grave for fallen Angels. A bottomless wasteland of mystery and even judgement.

It is often considered a most heinous section of the underworld, reserved for powerful beings. Not many mortals make it here, unless they did something really out of the norm to infuriate the Gods.

You have probably seen another depiction of "The Watchers" in "Noah" (2014). In the film, they were also fallen angels, punished for descending to help humanity. Their bodies were imprisoned in rocks (Earth element) to diminish their divinity.

🪽The women who mated with the angels were cursed to become mermaids or "sirens".

Similar to the Greek texts, we see another mention of divine punishment dished out and causing the metamorphosis of the women known as sirens:

1 And Uriel said to me: 'Here shall stand the angels who have united with women, and their spirits, taking many different forms, are corrupting mankind and leading them astray to worship demons as gods. Here they shall remain until the day of the great judgment when they will be judged and brought to an end. 2 And the women of the angels who went astray will become sirens.' 3 And I, Enoch, alone saw the vision, the ends of all things: and no man shall see as I have seen.

12th House Symbolism

The themes mentioned within these texts add and highlight so much symbolism to the 12th house, often depicted as the Primordial Waters.

It is the final house of completion, maybe even the symbolism for the Great Flood that was to come... ending what was and simultaneously creating something new in the 1st house.

Traditional vs Modern Astrology

🧜🏾‍♀️Traditional tends to have a more negative take on the 12th house with it representing isolation, hidden enemies, self-undoing and hidden weaknesses, spiritual growth, and even karma.

🧜🏿‍♂️Modern astrology 12th house themes focuses on the unconscious mind, spirituality, past trauma healing, psychic abilities, and endings or transitions.

However, we can notice all of these themes within the texts mentioned:

The primordial waters are symbolic of endings and transitions within the book of Enoch.

Within these primordial waters or "Hell", the angels and sirens are in a state of isolation, forever doomed to relive their past trauma, enduring eternal punishment as their karma for their own choices or self-undoing.

We see the sirens who are hidden enemies and lure men to their own self-undoing, utilizing their hidden weaknesses. Their unconscious mind is the weakness, playing into the theme of illusions.

Odysseus' Response (Odyssey 12.44-46): "But they were deceiving me, for they sang to me with a voice so sweet…"

The psychic abilities, intuition, and spiritual side of this can be seen as well:

The Sirens' Song (Odyssey 12.39-42): "Come here, Odysseus! … All you who are alive, come and listen to us. We know everything that happens on the face of the earth. … We know all things that will be, and all things that have been."

In the odyssey, the protagonist's spiritual strength is tested and he must endure the sirens call while guiding his crew to safety.

Conclusion

The story of Pisces in the context of Aquarius and Capricorn is quite interesting. You have the death of Osiris in Capricorn, his bottom half symbolically replaced with a fish upon resurrection by Isis. The fish of the Nile are said to have eaten his genitals and thus, become apart of him.

Aquarius is pouring the waters of knowledge and perhaps, the great flood. Pisces or Neptune is the king of the depths, maybe the elevated form of Osiris / Saturn? His death and rebirth? He even carries a trident, which can be compared to the pitchfork of the Devil... and is said to be trapped in Tartarus himself.

You have Isis who is depicted in many forms among different cultures, including with wings and as a mermaid.

The theories here are endless. I genuinely enjoyed diving into this mythology and literature when I began to notice the similarities here. The story continues.

Thank you for reading!

Check out my blog for more mythology and astrology posts!

@thesirenisles | masterlist

© 2024 The Siren Isles All rights reserved.

[dawnfelagund]

Back in 2019, I wrote a blog post called The Inequality Prototype. As part of it, I counted a bunch of stuff related to the Valar and looked at how those metrics differed based on gender. At the time, I thought it would be interesting to extend this work over the entire Silmarillion, namely looking at who speaks in the text and who doesn't. For Tolkien Meta Week, I began this work and am collecting my analyses related to it here. It is very much still a work in progress and will likely take me years to complete, but I'm going to post interesting data as I discover it.

This project, like all of my data projects, is available to use under a CC license for others who want to play with the data: View the data | Copy the data | Methodology, progress, etc.

---

Dialogue does not occur evenly across The Silmarillion. While a little over 5% of the words in The Silmarillion as a whole are used in dialogue, this is very unevenly distributed across the chapters, with some chapters about half dialogue and six chapters containing no dialogue at all.

There is a lot more work to be done to tease out trends and patterns that might have some meaning, but just glancing at the graph above, some of those patterns do begin to emerge. First, dialogue increases as The Silmarillion progresses. In the second half of the book (calculated by chapter, not page or word count), only two chapters have no dialogue and only four chapters (inclusive of those two without dialogue) fall below the median of 5.3% dialogue. Put another way:

In the first half of chapters, 71% of chapters are below the median.

In the second half of chapters, 29% of chapters are below the median.

Why is this? My tentative theory is that we see the book moving from the realm of the mythic—from events that are passed down through the oral tradition and ancient written traditions—and into the historical, where the narrator has a greater array of sources, including eyewitness testimony, and begins to write with greater immediacy rather than the arm's-length style of myth and ancient history.

What I am curious about: As I dig deeper into these data, will I see this theory bear out in which episodes or characters/groups are granted actual dialogue? In other words, will characters and peoples lost to the mists of time speak less, as I would expect? Or will the type of dialogue (e.g., a formal speech that may have been preserved vs. an extempore conversation that would not) vary based on narrative distance? I have documented in the past that the narrator of The Silmarillion uses the "it is said/told/sung" construction more with characters who are less accessible, so there is evidence that Tolkien manipulated writing style based on what his narrators' access to various sources. Does he use dialogue similarly to communicate that "mythic distance"?

There are also chapters that are more expository in purpose (Valaquenta, "Of Beleriand and Its Realms") that do not contain dialogue. Without digging deeper into the chapters themselves, most of those without dialogue that aren't similarly expository are chapters where the material would be less accessible to Pengolodh as a narrator. Whether this bears added scrutiny remains to be seen!

Finally, in discussing these data on the SWG's Discord, polutropos noticed something interesting, which is that the chapter with the most dialogue—"Of Aulë and Yavanna," where almost 57% of the words of the chapter are given over to dialogue—was not in fact written by Tolkien. As document by Douglas Charles Kane in his book Arda Reconstructed, "This chapter is completely manufactured by Christopher, though using his father's own writings" (page 54). Where Kane usually includes a chart pointing to the source for each bit of The Silmarillion, his chapter on "Of Aulë and Yavanna" contains no such chart because, while he is able to document where ideas came from, Christopher actually wrote the chapter.

Interestingly, "Of the Noldor in Beleriand" is the chapter with the second most dialogue and, according to Kane, "The changes made in this chapter are among the smallest anywhere in the published text" (page 154). So Tolkien does sometimes write dialogue-heavy chapters—though without data to back me up (yet! it's coming!), most of that dialogue appears to come in the form of lengthier speeches, not necessarily the debate/conversation format of Of Aulë and Yavanna."

The biggest impact of the dialogue-heavy "Of Aulë and Yavanna," I suspect, will emerge as I dig more into the data on gender and who speak in The Silmarillion. Yavanna is one of the women who speaks the most in The Silmarillion, but almost all of her dialogue occurs in this chapter. If this chapter is constructed by Christopher, how does that impact the amount of speech women are permitted by Tolkien? Polutropos' observation spurred me to plan to document the source of the various dialogue sections: Are they original to Tolkien's writings or added? Kane, interestingly, is critical of Christopher Tolkien in Arda Reconstructed for what he perceives as Christopher removing women characters from the text. In this instance, we see a significant example of the opposite: a woman's role is not only expanded, but she is given an opportunity to speak.

[covid-safer-hotties]

Also preserved on our archive

Swab, swirl, squirt, sit tight. By now, you’re likely familiar with the ritual of performing a COVID test at home or on the go. Disease detection has evolved swiftly since 2020, when you may have had to seek out a pop-up testing clinic or wait hours in line at your local health department, with clinicians on standby to stick a cotton swab up your nose.

Rapid COVID tests have since become a staple of cough-and-cold aisles across America, and just weeks ago the federal government resumed its periodic distribution of four free tests per household. But the convenience of self-testing comes with a caveat: The onus is on you to report your results.

First, know that test reporting isn’t mandatory in the U.S., so you’re hardly in hot water if you haven’t documented your COVID infection or lack thereof with the Centers for Disease Control and Prevention (CDC) or state or local public health authorities. Though perhaps more people would self-report if it were a requirement, says Dr. Sujata Ambardar, an infectious disease specialist at Inova Fairfax Hospital in Falls Church, Va.

“People probably are not self-reporting because they don’t want to have to not go to work—or they may want to go to work—it’s different reasons, and they may not want other people to know,” Ambardar tells Fortune. “Human nature is that they’ll probably only do it if they have to do it. Once you make it non-mandatory, then they tend not to do it.”

Today, if you get an antigen or PCR COVID test in a clinical setting, it’s still your health care provider’s job to report your results. While you’re well within your rights not to report your home test results, not doing so can come as a detriment to public health.

Between Feb. 1, 2022, and Jan. 1, 2023, an estimated 54 million adult COVID cases were unaccounted for in official records, according to a national study published Sept. 30 in the journal JAMA Network Open. That’s more than twice as many as those documented. At the state level, unaccounted infections ranged from 59,000 in Wyoming to 6.3 million in California. Researchers cited the government-led mass distribution of at-home tests as a possible driver of the discrepancies.

Report COVID results at MakeMyTestCount.org In theory, Ambardar says, reporting your COVID test results is “just one extra step.” But when that second line appears on the test card, confirming the disease has hit your household, formally documenting the outcome may not be your first priority. Even if you’re negative, you were likely feeling poorly enough to take the test in the first place and may not feel up to self-reporting.

But if and when you choose to do so, visit MakeMyTestCount.org to securely and anonymously report both positive and negative COVID test results. The site is a collaboration between medical data firm Care Evolution and the National Institute of Biomedical Imaging and Bioengineering, part of the National Institutes of Health.

MakeMyTestCount.org is free to use and doesn’t require you to immediately self-report. In fact, your results don’t even have to be recent. As of early October, the site allowed for the input of home test results going back to November 2021. If you need proof of illness for work or school, the site provides documentation. And while over-the-counter tests that screen for both COVID and flu aren’t as common as those that screen for COVID alone, you can report those results on the site, too.

Keep in mind that it’s just as important to report negative results as positive ones. The week ended Sept. 21, national COVID test positivity was 11.6%, CDC records show, down from 13.4% the previous week. If not for the inclusion of negative results, test positivity would always be 100%.

Depending on the brand of COVID test you’re using, you may not have to visit MakeMyTestCount.org at all. Some brands, such as iHealth, offer a free corresponding smartphone app. With the tap of your finger, you can forward your results to the CDC and/or your health care provider. If you have the time, notifying your doctor can help guide the course of COVID treatment in your community, says Dr. Donald Dumford, an infectious disease specialist at Cleveland Clinic Akron General.

“The more we know about the true number of cases of COVID, the better we’re able to understand the transmission of COVID at this point in time, as we go from it being pandemic to endemic, which means it’s just something we live with now,” Dumford tells Fortune. “It also helps us to identify the potential rise of new strains of infection, especially if you’re seeing a strong uptick in cases.”

Study Link: jamanetwork.com/journals/jamanetworkopen/fullarticle/2824211

[posi-pan]

comparing pan rep from 2019 to 2024

i did a breakdown of pan rep in 2019, listing the canon pan characters and people i knew of, and i thought it’d be interesting to do an update and see the growth. while this is based entirely on my knowledge, i provide as full a picture as we’re gonna get, as i’ve spent the most time doing deep dives for and documenting pan characters since 2017 (and my list is now almost at 2k!).

famous/known pan people → 2019: 54 → 2024: 327

pan book characters → 2019: 190+ (mostly pansexual, around 23 panromantic) → 2024: 1,356 (1,309 pansexual, 50 panromantic)

pansexual television characters → 2019: 40 → 2024: 95

pansexual comic characters → 2019: 7 → 2024: 18

pan game characters → 2019: 9 → 2024: 70 (68 pansexual, 2 panromantic)

pansexual movie characters → 2019: 3 → 2024: 13

pansexual musical characters → 2019: 1 → 2024: 4

pan podcast characters → 2019: 0 → 2024: 31 (29 pansexual, 2 panromantic)

pan web-comic characters → 2019: 10 (7 pansexual, 3 panromantic) → 2024: 143 (125 pansexual, 20 panromantic)

pan web-series characters → 2019: 27 (26 pansexual, 1 panromantic) → 2024: 43 (42 pansexual, 1 panromantic)

so pan rep (that i know of) overall has increased by a lot and some forms of media are clearly more favorable to pan rep than others. shoutout to podcasts making it onto the board! i wish there were more pan characters in tv and movies, because they tend to be the most accessible and consumed forms of media and that could really increase pan visibility.

but visibility hasn’t increased. i don’t think any of this rep really comes to my attention through seeing fans discussing it or queer folks celebrating it, it’s always a case of me digging and finding an interview or something that escaped everyone’s radar. it’s also sad to know there's all that pan book rep and i never see anyone in bookish spaces talking about it.

anyways, idk if y’all found this interesting or not. but if you’re looking for pan rep, be sure to check out my masterlist (carrd or googledoc)!!! 💖💛💙

[mylightimpressions]

To explore Light Impressions' full range of archival products and learn more about their commitment to preserving memories, visit their website at https://mylightimpressions.com/.

[ancientcharm]

Early in the morning of October 25, 79 (year 832 in ancient Rome), Gaius Plinius Secundus, better known as Pliny the Elder, died on the coast of Stabia during the expulsion of the last pyroclastic surge that came out of Vesuvius. The interesting thing is that he is the only writer and military of the ancient world who died due to a natural disaster . Ironically, his passion was the study of nature. Born in 23, spent his childhood and teens during the reign of Tiberius ( 14-37) whom he referred to as "the saddest of men". He praised the emperor Claudius (41-54) saying that "Claudius was one of the best writers of Rome". During the reign of Nero (54-68) Pliny attended the construction of the Domus Aurea, emperor's palace.

Pliny began his military career in Germania. During the reign of Vespasian (December 69-June 79) he was procurator in Gaul and Hispania. Pliny was a close friend of Vespasian who in 77 appointed him Roman Navy Commander, that is why Pliny settled with his family in Misenum on the coast of the Gulf of Naples. He tried to help in the disaster but ended up among the victims of one of the most known and deadly volcanic eruptions in history.

His last book, from his encyclopedia Naturalis Historia (Natural History), Pliny dedicated it to Titus Flavius, who became emperor four months before the tragedy.

Today we know what happened thanks to Pliny the Younger, also a writer, who documented in detail what he saw from Misenum as well as the testimonies he heard from the survivors in Stabia who were with his uncle.

According to Pliny the Younger, his uncle's body was recovered from the beach of Stabia at dawn the following day : "My uncle's body was found intact and just as he was dressed; he seemed asleep rather than dead."

Pliny the Elder is among the most prominent writers of the 1st century, and the only celebrity among the victims of Vesuvius.

[isatinformation]

added tons of sidequest variables (as well as some others) with the help of wren @onenightbreak who did a lot of the variables i was very much not looking forward to lol

if you've ever tried looking through the code for the loop convos, you'll know that there's a Lot going on, which can be pretty overwhelming at the start. wren thankfully has handled variables 54-56 though, and has documented them on the site, which is very helpful for getting to know the loop convo logic :>