#Disney Studios Australia

[courseyoulovemeyoudontknowme]

Star Wars: Episode II - Attack of the Clones (2002, George Lucas)

07/07/2024

[acmeoop]

Standard Pose “Mickey, Donald, Goofy: The Three Musketeers” (2004)

[sebastianthecollectorandcreator]

When Disney Kills Physical Media In Australia

Bootleg DVD Makers In Autrailia:

[dandelionfairywish]

Episode 48 joins me as we talk  with Queen Freya my little little sister  about  bluey the episodes the sign  and surprise .

[giantmetalrobotto]

La señal, el primer especial de Bluey, estrenará el 14 de abril en Disney+

Disney Branded Television, BBC Studios Kids & Family y la Australian Broadcasting Corporation (ABC) anunciaron que las nuevas entregas de Bluey, que incluyen por primera vez un especial de duración extendida, estrenarán en abril, marcando el primer lanzamiento de la serie a nivel mundial. El nuevo episodio, Fantasma, estrenará el domingo 7 de abril, a modo de preludio del estreno de La señal, el…

[shesnake]

Disney is going to stop selling DVDs and Blu-rays in Australia and to think of what this means for accessibility, residuals, quality, public libraries here etc and the precedent this will set for other studios and distributors around the world oh it's never been more over

[smbhax]

Castle of Illusion Starring Mickey Mouse (Trial) (PS3)

The full version is still on the PS3 store but I think its demo has been delisted. Steam version also doesn’t have a demo.

[punster-2319]

Rewatching An Extremely Goofy Movie and I think it’s definitely gotten better over time. I still like the original Goofy Movie more, but the sequel exceeds in the comedy, especially in the animation for the villain:

Doing some research, it looks like most of these shots were animated by Adam Murphy, an animator that worked at DisneyToon Studios, a former satellite studio in Australia that provided animation for various episodes of Disney Afternoon shows and direct-to-video sequels.

[punster-2319]

HQ version:

Stand By Me With Timon and Pumbaa

This is one of my favorite videos: Timon and Pumbaa singing “Stand By Me,” accompanied by random violence, mayhem, and frogs. Enjoy.

[courseyoulovemeyoudontknowme]

Saving Mr. Banks (2013, John Lee Hancock)

18/09/2024

[castorochiaro]

please support bluey legitimately as well by streaming on official sources/watching on tv or buying merch if you're able to. not a lotta folks realize this, but bluey is created by an independent, australia-based animation company called ludo studio, which accounts for how creative and unique it's been able to be. disney has distribution rights, not creative control or ownership.

PLEASE support indie animation!

[acmeoop]

Weaponized “Mickey, Donald, Goofy: The Three Musketeers” (2004)

[disneytva]

"Mufasa: The Lion King" Extended Synopsis Confirms "Kiara" Becoming First Disney Television Animation Character To Be Part Of Disney's ""Live Action Remakes"

In a surprising and weird present from Walt Disney Studios & Pastel Productions for Disney Television Animation's 40th anniversary, Mufasa: The Lion King a upcoming photorealistic computer-generated imagery prequel to The Lion King (2019) will incorporate aspects of The Lion King franchise created by Disney Television Animation.

The prequel film unveiled it's extended synopsis a few days ago on Walt Disney Studios website where it reads

The prequel about the rise of one of the greatest kings of the Pride Lands, goes back to the African savanna where Rafiki tells Kiara—daughter of Simba and Nala—the story of her grandfather while Timon and Pumbaa add color commentary.

This will mark the first time a Disney Television Animation character will be make it's way to the infamous Walt Disney Studios Live Action adaptations. coincidentally the movie opens on theaters on Disney TVA's anniversary month (December 20, 2024), additionaly Seth Rogen EP of the upcoming Disney TVA "Darkwing Duck" and "TaleSpin" reboots for Disney+ voices Pumbaa in The Lion King adaptations.

If you have missed The Lion King II: Simba's Pride was done at Disney Television Animation within its now defunct Sydney, Australia units. The Ghost And Molly McGee creators Bill Motz and Bob Roth did additional writting for the VHS sequel.

[womanexile]

Harry & Taylor’s Sweet Disposition story

Taylor and Harry met at the Kids Choice Awards on March 31st 2012.

They instantly hit it off. Going to Justin Beibers pool party & on museum dates. Harry leaves for Australia with 1D on April 10th. Taylor is in the studio the next day writing Treacherous. In the Red album secret messages for Treacherous she puts lyrics to Temper Trap’s Sweet Disposition.

To me this says this song became very important to them early on in their relationship. Taylor and Harry start having a very Cruel Summer that summer. On June 16th Harry gets lyrics to the song tattooed underneath his arm. Unfortunately Harry got the lyrics wrong. Poor Harry

A couple of days later 1D is performing on Radio Disney and this is the first time Harry kisses his arm in a performance.

Time stamp 3:02

Harry now kisses the black heart tattoo that he put there the day after Taylor writes This Love. But the kiss started with the Sweet Disposition lyric tattoo.

In November 2012 Taylor runs into Temper Trap and asked them to write down the lyrics for Sweet Disposition and sign it so she can give it to Harry on his birthday.

Unfortunately Taylor and Harry broke up before his birthday so she never gave it to him. But the next year on Harry’s birthday she posted a pic on IG with the lyrics framed in the background.

In 2016 Harry’s writes Someday with lyrics about their Sweet Disposition story.

“I remember that love song, I sang every word wrong, but you didn’t mind”

[justforbooks]

In the childhood memories of more than one generation, Glynis Johns, who has died aged 100, will be best remembered as the Edwardian materfamilias of the hugely popular Walt Disney musical Mary Poppins (1964). Winifred Banks, married to David Tomlinson’s George W Banks, is the mother of Jane and Michael, the children in the care of the magical nanny played by Julie Andrews. A protester for the right to vote, Winifred delivers a spirited rendition of the song Sister Suffragette – “Our daughters’ daughters will adore us. And they’ll sing in grateful chorus: ‘Well done, Sister Suffragette!’” – as the children’s previous nanny tries to quit.

But the husky-voiced actor had other claims to fame from her more than 60 films and 30 stage productions. In 1973, Stephen Sondheim composed the song Send in the Clowns for Johns when she was cast in the leading role of the premiere production of his musical A Little Night Music, on Broadway. And she had won initial stardom in the British cinema as a mermaid.

In the title role of the film comedy Miranda (1948), she travels from Cornwall to London and causes romantic complications among the Chelsea set. Although the film’s whimsy may now seem strained, it was a great commercial success in its day, making Johns a top-liner in British movies. Miranda returned in a rather belated sequel, Mad About Men (1954).

By that time, Johns had moved almost completely from stage to films, where she was associated chiefly with lightweight roles, alternately fluffy and feisty. One of her most appealing opportunities came in the thriller State Secret (1950, released as The Great Manhunt in the US), playing a cabaret artiste in a fictitious Balkan country, and gamely singing Paper Doll in a wholly invented language.

It says something for her properties of youthfulness that at the age of 30 she could play a teenage schoolgirl in the melodrama Personal Affair (1953). The same year she played in two fanciful Walt Disney British productions, as Mary Tudor in The Sword and the Rose, and as the heroine wife of Rob Roy, and she went on to make her first Hollywood picture, the Danny Kaye comedy The Court Jester, in 1955. The following year she played a cameo role in the star-studded Around the World in 80 Days.

At the time Johns alternated between American and British films, generally in subordinate roles, but a rewarding one came in The Sundowners (1960), set in Australia, as a jolly barmaid who takes a shine to a visiting Englishman played by Peter Ustinov. It brought her an Oscar nomination as best supporting actress. Top billing came in a stylish horror movie, The Cabinet of Caligari (1962). She was well enough known to American audiences by this time to star in 1963 in Glynis, a TV sitcom series that ran for just one season.

In 1966 Johns returned to the London stage in The King’s Mare, as Anne of Cleves to Keith Michell’s Henry VIII. Her Welsh heritage came into play when she took the role of Myfanwy Price in a screen version of Dylan Thomas’s Under Milk Wood (1971) starring Richard Burton, Elizabeth Taylor and Peter O’Toole, and two years later came her great Broadway success as Desiree Armfeldt in A Little Night Music, which brought her a Tony award.

Glynis came from a show business background: her mother, Alice Steele (nee Wareham), was a concert pianist who performed under the name Alys Steele-Payne, and her father was the prolific character actor Mervyn Johns. He was a stalwart in particular of Ealing Studios films: father and daughter appeared together in an Ealing drama, The Halfway House (1944).

Though her vocal intonations pointed to her Welshness, Glynis was born in Pretoria, South Africa, where her parents were on tour. She was reportedly carried on to the stage at the age of three weeks, and it was not too much longer before she was appearing there in a professional capacity, making her performing debut at the Garrick theatre, London, as a dancer in a revue called Buckie’s Bears (1935).

Educated at Clifton high school, Bristol, and South Hampstead high school and the Cone School of Dancing in London, she rapidly graduated to juvenile acting roles in both theatre and cinema. Her first screen appearance came at the age of 14, as politician Ralph Richardson’s troublesome daughter in South Riding (1938), and on stage she was the young sister, another Miranda, in Esther McCracken’s comedies Quiet Wedding (1938) and Quiet Weekend (1941).

That year brought the opportunity to appear in the film 49th Parallel, starring Leslie Howard and Laurence Olivier in a spy thriller intended to bolster second world war support in the US. When the prospect of playing a mermaid came after the war, she was able to draw on her theatrical versatility: “I was quite an athlete, my muscles were strong from dancing, so the tail was just fine. I swam like a porpoise.”

Johns returned to the London stage in 1977, as Terence Rattigan’s choice to play the murderer Alma Rattenbury in his well-received dramatisation of the Rattenbury case, Cause Célèbre. Her acting appearances became sporadic, though in 1989 she starred with Rex Harrison and Stewart Granger on Broadway in Somerset Maugham’s The Circle.

She was occasionally a guest star in US television series such as Murder She Wrote and The Love Boat, and played Diane’s rich mother, Helen Chambers, in the first series of Cheers (1983) and Trudie Pepper in the sitcom Coming of Age (1988-89). By the time of her final films, While You Were Sleeping (1995) and Superstar (1999), she was a characterful grandmother.

Johns was married and divorced four times. Her first husband, from 1942 to 1948, was the actor Anthony Forwood. Their son, Gareth, also an actor, died in 2007. Marriages to two businessmen followed: David Foster, from 1952 to 1956, and Cecil Henderson, from 1960 to 1962. She was married to Elliott Arnold, a novelist, from 1964 to 1973, and is survived by a grandson and three great-grandchildren.

🔔 Glynis Margaret Payne Johns, actor, born 5 October 1923; died 4 January 2024

Daily inspiration. Discover more photos at Just for Books…?

[a-man-for-hire-and-his-archives]

Disney+ Not Going Forward With ‘Nautilus’ UK Series As Part Of Cost-Cutting Content Removal

EXCLUSIVE: Nautilus, the UK live-action Captain Nemo series commissioned by Disney+ two years ago, is no longer headed to the streamer, Deadline has learned.

The decision is part of Disney’s streaming content removal plan unveiled in May, for which the company is taking an impairment charge of approximately $1.5 billion-$1.8 billion. It followed the February announcement by Disney that it intends to cut $3 billion in non-sports content spend across the company.

As part of the cost-reduction strategy, Disney’s streaming platforms, particularly flagship Disney+, have been taking a closer look on their programming with a new emphasis on content curation.

As Deadline reported exclusively Saturday, Disney+ also is not going forward with another upcoming original series, the The Spiderwick Chronicles, a U.S. live-action series adaptation of the popular children’s fantasy books.

Over the past couple of months, dozens of original series and specials were taken off Disney+ as well as Hulu, and Disney CEO Bob Iger also announced a pullback in new Marvel and Star Wars shows and movies for Disney+.

Like The Spiderwick Chronicles, which is currently being shopped by lead studios Paramount Television Studios, Nautilus has been shot; it started filming in February 2022 in Australia. Disney+ is working with the production team to find a new home for Nautilus, with meetings and screenings underway.

Nautilus was announced during the 2021 Edinburgh TV Festival along with two other new original UK series for Disney+. No other UK local originals are understood to be impacted by the content cuts.

Disney+’s UK scripted and unscripted programming pipeline includes Culprits, from J Blakeson; Jilly Cooper’s Rivals; A Thousand Blows, from Stephen Graham; Coleen Rooney’s upcoming documentary, In Vogue, from Vogue Studios and Raw; and Shardlake, based on the novels by C. J. Sansom.

The streamer also recently greenlit two new U.K. drama series, Jeff Pope’s Suspect: The Shooting of Jean Charles de Menezes, and thriller Playdate.

Based on the Jules Verne’s classic novel 20,000 Leagues Under the Sea, Nautilus is a 10-part live-action adventure series about the origin story of Verne’s iconic character, Captain Nemo, and his famous submarine, The Nautilus.

In this retelling, Nemo (Shazad Latif) is an Indian Prince robbed of his birth right and family, a prisoner of the East India Company and a man bent on revenge against the forces which have taken everything from him. But once he sets sail with his ragtag crew on board the awe-inspiring Nautilus, he not only battles with his enemy, he also discovers a magical underwater world.

Also starring are Georgia Flood and Thierry Frémont, with Pacharo Mzembe, Arlo Green, Tyrone Ngatai, Ling Cooper Tang, Andrew Shaw, Ashan Kumar, Céline Menville and Kayden Price rounding out the cast. Nautilus is produced by Xavier Marchand’s Moonriver Studios and Anand Tucker’s Seven Stories.

Source: Deadline

Big thank you to @longlukearnolds for head up!