#Dil Tod Ke

[aadarsh-kannyaa]

Got the official title of "irresponsible" by the head of our house....feeling accomplished 🙂

[myauditionfordrphil]

Can't even imagine Virat and his Miyaan not in the same team 😭😭😭

[atozsongs]

Dil Mera Tod Ke Lyrics in Hindi – Ashish Kulkarni

Dil Mera Tod Ke lyrics in Hindi sung by Ashish Kulkarni from the album Woh Ek Mulaqaat. The song is written by Sameer Anjaan and music is composed by Shameer Tandon.

Read Full song on Dil Mera Tod Ke lyrics in Hindi

[fishii-writes]

kamariya - kenyu yukimiya

paring: yukimiya x fem!reader

au: indian/bollywood + actors

cw: not proofread, intended lowercase, reader is a dancer like in that one scene in stree, yukimiya is the male lead for the "movie", yukimiya is mentioned by his first name, lyrics from the song are in Orange and italics, just yukimiya being a simp tbh

a/n: yukimiya brainrot. my indian girlies unite frfr!!! character choice based off of this moodboard a person made and. i. i had a vision. on holiday so i skipped out studying to write this (i'm cooked). Not really my best work but I wanted to post this bc I am happy to write it! hope you enjoy!! Woah fishii double posts writing 🙀

word count: 1576

best paired with: kamariya from stree <3

“practice run,” the director calls out, gesturing for all main actors and supporting cast to join him beside the camera station. the main leads, the main couple, are no where to be found. well, it’s not a big deal, since it’s just a scene with a song and dancing.

you’re a side character, a dancer, but the main dancer of the group. of course, the female lead gets introduced at this point in the film, but all eyes are on you for a good part of this scene. on you, your body, your movements and face. so naturally, you’re nervous, to say the very least.

“hmm, seems that Kenyu isn’t here yet. well, then, [name]. you can practice once more, if you’d like. might be a good idea to practice in front of a small audience, since you seemed shy when i last checked.” the director points towards a campfire setup, where the following scenes were meant to be recorded. you nod, following the others to the area where they each took their seats.

lucky for you, the other actors, both side and supporting roles, are kind. they hype you up, telling you to take your time as you both emotionally and physically prepare to dance. its not like you can just start moving your hips to the beat of the music. besides, it hasn’t even started playing yet.

you turn so that your back is to the small audience, as they sit in a semi-circle formation. you flex your hands a couple of times, hopping up and down to get yourself ready. one breath in. one breath out.

it really is as easy as just moving your hips. what’s the worst that can happen? losing confidence isn’t an issue, you’ve got a little hype squad.

one last breath in, the tip of your toes just barely touch the floor. you’re barefoot, to maintain your balance. you push yourself up from the floor, one foot a bit higher than the other to get into the “flow”.

you want to dance, you really do. but its too quiet. too awkward. eyes are to focused on you. you’re the main attraction, yeah, but… something has to lure the audience’s eyes in. in a seductive way? not too sure about that. maybe, that wouldn’t be so bad, would it?

lost in thought, the start of the song being sung by one of your back up dancers snaps you out of your trance.

“o seeli peeli pa ke o balam, tod de bharam. chhod de ghabrana.”

there you go. slowly but surely, you feel your shoulders loosen and your stress melt away. or maybe you’re just too focused to notice the others started clapping along and singing the parts they know.

unconsciously, you hum the tune to the song as your arms comfortably stretch above your head, slowly slithering down your torso as your hips take turns gently jerking up on either side. while it started off a little bit still, your movements became elegant just as fast as they became comfortable and natural for you to perform. the blouse you were wearing was somewhat revealing, but it makes sense for a scene like this.

“hmmm~”

your skirt, the longer piece of your lightweight lehenga, flows freely at your ankles. its red colour contrasts the soft blue lights that bounce off of the sequences on your outfit, off of the others’ faces and gracing your gorgeous face with a blue tint.

“dil ke saare button khol de, khul ke bol de,”

you expect your voice to come out a little bit squeaky, but to your surprise, it comes out just as intended. you spin around, slightly lifting the skirt of your lehenga as you move forward. you let the light fabric drop back to your ankles, turning the audience’s attention back to you. your wrists flick in various positions, with your shoulders flexing at different angles.

“bata de tera aaj hai plan kya?”

just as you’re about to invite your back up dancers to practice with you, the actual song plays. it’s a bit annoying, but what better opportunity to practice timing? you move your hips to the beat of the song, the words almost wrapping around your wrists and guiding them to smoothen your movements, from your back to the very tips of your fingers.

“aaj bijli bhi girwani hai, fire bhi lagwaani hai-”

your breath is comfortably held in your throat for a moment, trying to correctly perform a certain move when you hear an exhale behind you.

“jo tu aa ke baby hamre saath ma…”

you brush it off, exhaling as your arms slither down your torso once more. wait. exhale? behind you?

“aa, aa, aa, aa ke…”

you can’t turn around. it’s obviously someone from the audience, but you can’t help feeling a bit nervous as someone is quite literally over your shoulder. well, whatever, you can do this.

“kamariya…”

you finally turn around, expecting to be met with one of your back up dancers. but…

but?

“hila de hilla de, hila de hilla de-”

you pause, half on your tippy-toes and leaning backwards a bit.

“hila de hilla de,”

the person now in front of you leans in, just barely whispering.

“najariya…”

and god you can’t deny that there’s a good reason he’s been casted for the male lead. you can feel his breath lightly fanning over your neck, the tip of his nose just a slip up away from touching you.

your eyes flicker to the director, and he quietly points to the camera. its on. you either have to start dancing as naturally as possible again, or retake the whole scene. with the main lead watching. you take your chance, pulling yourself to stand up straight by tugging the man’s tie. your loop it around your hand once, a somewhat playful yet hesitant smirk on your lips.

“mila de milla de, mila de milla de-”

and he seems to have gotten the gist of how you want things to go. the other actors keep singing, some whistling and others clapping to the beat of the song to set the scene that you’re tonight’s main attraction.

“mila de milla de,”

he pulls you in by the waist, one hand intertwined with yours above your head, spinning you around. in an almost comical manner, one hand rests on your lower back as he leans you down.

“kamariya…”

so this is Kenyu Yukimiya. the Kenyu Yukimiya.

this is the closest you’ve been to the male lead. and oh boy, do you wish you were the female lead for such a movie. well, this is your moment. the “audience” whistles again, while Kenyu’s supporting actor, someone who is meant to be his best friend in the cast, drags him to sit back down.

your back up dancers spread out a bit more, and the camera stops. for a moment, anyways. the director calls out for everyone to stay in their positions, as the camera crew quickly moves the camera to be directed on you. well, here goes nothing. the scene right before the female lead will be introduced, you’ve got to make your mark and show the world you talent. the camera turns back on, and the “audience” starts singing again. they start of quiet, slowly growing louder as you regain your confidence.

“hila de hilla de,”

one flick of your wrist above your head,

“hila de hilla de,”

and a slither of your arm down your waist from your other arm.

“hila de hilla de-”

and you know his eyes are on you. they follow each of your movements, almost sparkling as bright as the blue lights reflecting off of the sequences on your lehenga. but why?

“najariya…”

you hear him just barely say under his breath, over the loud music and even louder singing.

“mila de milla de,”

what’s so fascinating about your dancing that he forgets his very queue for the next scene where the female lead is introduced? hah, loser.

“mila de milla de,”

you can’t deny that you slightly slow down your movements, just to watch the way his eyes follow your hips. the way they slowly meet your eyes, a crooked smile on his gorgeous face as he fights the urge to join you to dance once more. one chance, one chance he wants with you!

“mila de milla de,”

well, fuck it. off script? barely even following the plot of this movie, at this point. he stands back up, taking your hand and spinning you around. you’re a bit surprised, you didn’t actually expect him to give into his urges and dance with you. but hey, you’re not complaining.

“ho.. haye re mera dil le le!”

he sings between his laughs, leaning in close enough for you to be able to push his glasses up the bridge of his nose with your free hand. you’re tempted to do that, just to get him flustered. you would’ve done something to get him embarrassed if the director didn’t yell out “cut!” right when the sparks were erupting between you two.

“take five minutes, then from the top!” the director calls out, letting you leave to freshen up. but Kenyu stays in place, he’s still smitten by the way you move.

“najariya…” you hear him mutter under his breath, not in a musical manner. out of genuine desire for you to stay.

maybe another time, since you’re sure his eyes are on you.

taglist: @tofumixp , @shrii-kk , @motchilyn , @starrissm , @4ngelfries , @thegolden-tigeress , @alkaisen + open (send an ask if you'd like to be added! :D)

likes, reblogs and comments are appreciated!! <3

© fishii-writes 2024

[qalbofnight]

Main tumhe chand zaroor deti, magar woh mera nahin hai dene ke liye.

Main tumhare takiye par phool lagati, magar phool wahan rehna nahi chahte.

Main parindon ki zubaan seekhti, aur unse tumhari pasandida nazm sunane ko kehti,

Magar parindon ki zubaan Duolingo par nahi milti, aur meri zubaan us se zyada badi hai.

Main ek sitare ka tukda tod kar tumhe deti, taake tumhare paas hamesha roshni rahe,

Magar mere haath sirf gosht ke hain, aur woh itne lambay nahi ke us tak pohonch sakein.

Isliye, main tumhe apna dil deti hoon, kyun ke yeh mere andar rehta hai.

Yeh sabse badi cheez hai jo main tumhe de sakti hoon,

Aur tumhe kabhi iske liye chaabi ki zarurat nahi padegi.

"I would absolutely give you the moon, but it's not mine to give. I would plant flowers on your pillow, but that's not where flowers want to live. I would learn to speak to birds, and ask them to sing your favorite song, but bird language is not on Duolingo, and I have a much bigger tongue. I would break off a piece of the star, to make sure you always have light, but my hands are only flesh, and can't extend to that height. Therefore, I give you my heart, for it lives inside of me. It's the greatest thing I can offer, and you will never need a key"

[white-poppie]

Hi cutie! I have a question only an Hindi person can answer... I'd like to know some idiomatic expressions for someone you deeply love, or idiomatic phrases to express that to someone you love romantically. Its for a school project (it isn't, I just found an old draft and I thought it could use some flavor)

OOOO That is so cool!! Hindi and Urdu romantic phrases hit diff I swear, here you go. Do tell me how your project went:

Meri Jaan (मेरी जान) - my life

Aankhon ka Tara (आँखों का तारा) - The star of my eyes [can be used platonically or romantically, my mum used to call me that when I was small.]

Dil ka tukda (दिल का टुकड़े) - a piece of one's heart

Ardhang/ Ardhangini (अर्धांग/अर्धांगिनी) - Used for spouse Ardhang is male, Ardhangini is female; both of which mean the half oneself-- the better half [ Ardh mean half and aag means part of a whole in sanskrit]

Chaand Sitaare tod laana (चाँद सितारे तोड़ लाना) - to bring the moon and stars down for someone [ahah this is a little funny these days, but a lot of lovers in olden times used to proclaim that "I'll bring down the moon and stars for you."]

Saaton janmon ka saath (सातों जन्मों का साथ) - to be together for seven lifetimes, to be soulmates [Only when the bride and the groom take the 7 vows keeping the holy pyre as the witness, they are married. The bride and the groom hold their hands and take seven rounds around Agni (fire) and promise to be with each other for eternity]

dilbar (दिलबर) - beloved

Jaan hatheli par rakhna (जान हथेली पर रखना) - to put one's life on the palm of one's hand, to risk everything for love

Dil ka sukoon (दिल का सुकून) - peace of heart

Tum meri sari duaaon ke jawaab ho (तुम मेरी सारी दुआओं के जवाब हो) - You are the answer to all my prayers.

[sajniiii]

humney jo ki thi mohabbat aaj bhi hai,

teri zulfon ki saaye ki chaahat aaj bhi hai

raat katt ti hai aaj bhi khaayalon mei terey,

deewano si woh meri haalat aaj bhi hai

kisi aur ke tasavvur ko uth ti nahi,

beimaan aankhon mei thodi si sharafat aaj bhi hai

chaah ke ek baar chaahey phir chodh dena tum,

dil tod tujhey jaaney ki ijaazat aaj bhi hai

akaash vani (2013) // pehli si mohabbat (2021)

[sleepdeprivedsunflowerr]

Ibadat

Kya karunga taaron ka jab mere aasman me tera chand nahi

Kya karunga main satrangi siyahi ka jab mere lafzo me kahin tere izhaar nahi

Kya karu me iss aish o aaram ka jab tere saath ka sukoon nahi

Kya karunga fir inn mahalo ka jab mera heera mere khazane me nahi

Tujhe khona mujhe khud ko khone se zyada darata hai

Tere ailava kisi ko apne ghav dikhaane me dil itna jo itna itrata hai

tere baad ab kisko hi pasand kar paunga

Hawa me udti teri zulfo ke jaal se kya me kabhi ubhar paunga

Tere baad ek darbadar bhatakta sa musafir ban reh jau main

teri bas ek aur deedar ki dua rabb ko har shaam kar aaun main

tu agar na mili toh tujhe apni yaado me sambhal kar rakhunga

Teri maujoodgi na sahi, teri har nishaani seene se laga rakhunga

nahi sunn paunga baatein taare tod laane ki

Bas mujhe mera chaand lauta dena, usse bada mera koi ehsaan nahi rahega

~ 🌙

[vellhighbandi]

Guys humari bacchi @mera-mann-kehne-laga ka Dil chori ho gya hai... Chori karne wala gumnaam ashiq ka pta lagao.

Shaadi se pehle background check karne ka hai merko. Aur vo dhamki bhi deni hai. Humari bacchi ke aankh se ansu nikla to Tod denge phod denge wala.

[mera-mann-kehne-laga]

Tujhe kabhi na bata paun mai, Haal-e-dil sada chupaun Mai. Kaise tujhko ye batadun ki Tere deedar ke liye ye aankhein taras gayi Hain, Har jagah, har lamha tujhe hi dhundhti rehti hain. Baavro jaise idhar udhar bhatakti rehti hain. Vo lamhe, vo choti mulakatein jab bhi Yaad aate hai, Tujhe phir ek dafa dekhne ko jee karta hai, Mera kann kann tera hi naam japta hai. Tujhse kai zyada dilkash to vo hai; Phir bhi main tujhe hi itna kyu chahti Hun? Phir bhi kyu mai teri ek jhalak dekhne ko Har hadd paar Karne par utar aati Hun? Phir bhi kyu tujhe bus taakte rehne ka mann karta hai, Teri unn mast nigaahon mein doob jaane ka mann karta hai? Phir bhi kyu, kyu mai hamesha tere pass rehne ki chaahat Karti Hun, Kyu tere door Jane par mera dil rota hai, Kyu Tere na dikhne par ye chain aur karaar se naata tod deta hai? Kyu tujhe uske saath hi Sahi, par khush dekhna pasand Karti Hun? Kyu tujhse koi bhool ho jane par mai hamesha teri tarafdaari Karti Hun Kyu sada ke liye tujhse door ho jaane se darti hun?

Kyun dinn Raat Mera Mann tere hi sapne bunta hai?

Kyun har baar ye use nhi, sirf tujhe hi chunta hai?

[alinisarzaidi]

Khalil Ur Rehman Qamar. yaad hai pehle roz kaha tha

yaad hai pehle roz kaha tha

phir na kehna ghalti dil ki

pyaar samajh ke karna ladki

pyaar nibhaana hota hai

phir paar lagana hota hai

yaad hai pehle roz kaha tha

saath chalo to poore safar tak

mar jaane ki agli khabar tak

samjho yaar khuda tak hoga

saara pyaar wafa tak hoga

phir ye bandhan tod na jaana

chhod gaye to phir na aana

chhod diya jo tera nahin hai

chala gaya jo mera nahin hai

yaad hai pehle roz kaha tha

ya to toot ke pyaar na karna

ya phir peeth pe vaar na karna

jab nadaani ho jaati hai

nayi kahaani ho jaati hai

nayi kahaani likh laaunga

agle roz main bik jaaunga

tere gul jab khil jaayenge

mujhko paise mil jaayenge

yaad hai pehle roz kaha tha

bichhad gaye to mauj udhaana

waapas mere paas na aana

jab koi jaakar waapas aaye

roye tadpe ya pachhtaaye

main phir usko milta nahin hoon

saath dobara chalta nahin hoon

gum jaata hoon kho jaata hoon

main patthar ka ho jaata hoon

[aloneinthedarkpath]

Hawa Chali To uski Shawl meri chat pe aa Giri.. Ye Uss Badan se mera Pehla Raabta Hua.. Zindagi bhar ka safar bekar kar baitha tha main... Doobna tha jisme usko paar kar baitha tha main... Saamne baithi hui thi, aur mera dil na tha... Phone pe hi uss se itna pyar kar baitha tha me... Khuda ka shukr ki mera thekedaar acha hai... Vagarna kon Zaifo se kaam leta hai... Main uss hatheli pe roshan hua aur uske baad vahi hua jo chirago ke saath hota hai... Tute Gamle dekhle, murjhaye paudhe dekhle... Kisko fursat hai hume parwaan chadte dekhle, boriyat se tang aakar , khukhushi karne ke kaabil, zindagi ki film thodi aage kar ke dekhle... kisne kitna faasla rakha gale milte hue, mere kapde dekhle aur apne kapde dekhle.... ab bas usske dil ke andar daakhil hona baaki hai, 6 darwaaze tod chuka hu ek darwaaza baaki hai... daulat, shohrat, biwi , bache, acha ghar aur ache dost, kuch to hai jo inke baad bhi haansil karna baaki hai... kabhi kabhi to dil karta hai ki, chalti rail se kud padu.. fir kehta hu paagal ab to thoda rasta baaki hai... kara to lunga main elakaa khali main ladd jhagad kar...

magar jo ussne dilon pe kabze kiye hue hai... Ye usski mohabbat hai ki rukta hai tere paas... Varna teri daulat ke siwa kya hai tere paas....

[tasavvur-e-jaana]

apne dil ke hisse yaar dost mein baant diye, kisi ni majboori mein rakha, kisi ne raah mein chhod diya, kisi ne ghabra kar humse, raabta wahin tod diya.

hum raah mein chhute tukde bator laaye, jyo tyo unhe phir saabut banaaye, puraane yaar chhute aur naye aaye, humne wahi afsaane dohraaye…

dil ke tukde hatheli par liye, phir se pesh e khidmat kiye, phir kisi ne dillagi mein rakha, kisi ne nukkad par chhod diya, phir kisi ne hasee uda kar, apnaa muh phir mod liya.

[stoneclown]

Ji men aata hai ki ab ahd-e-vafa bhi tod duun

un ko pa sakta huun mai ye aasra bhi tod duun

haaa munasib hai ye zanjir-e-hava bhi tod duun

ai gham-e-dil kya karun ai vahshat-e-dil kya karun

ji men aata hai ye murda chaand taare noch luun

is kinare noch luun aur us kinare noch luun

ek do ka zikr kya saare ke saare noch luun

ai gham-e-dil kya karun ai vahshat-e-dil kya karun

le ke ik changez ke hathon se khanjar tod duun

taaj par us ke damakta hai jo patthar tod duun

koi tode ya na tode main hi badh kar tod duun

ai gham-e-dil kya karun ai vahshat-e-dil kya karun

badh ke us indar sabha ka saaz o saman phunk duun

us ka gulshan phunk duun us ka shabistan phunk duun

takht-e-sultan kya main saara qasr-e-sultan phunk duun

ai gham-e-dil kya karun ai vahshat-e-dil kya karun

- excerpts from "Awara" by Asrarul Haq Majaz

[bandarrrrr]

Oh ho ho Dil toote aashiq!! Khaali 17 ka hai tu, ek ladki ne dil tod diya iska matlb ye nahi ki zindagi khatam hogyi hai. Puri zindagi baaki hai teri. Bahar nikal, duniya dekh. Naye log milenge, naye experiences honge tab pta chalega ki abhi tak duniya kitni choti thi Teri. Bhale kelie bol raha hu bhai. Apna bhai samajh ke bol rha hu, baaki teri blog hai tujhe idhar jo express karna hai kar, par hamesha yaad rakhna ki teri zindagi aur Teri duniya, dono boht badi hai.

Ek taraf bada bhai bol rhe ho aur ek taraf anon par baithe ho, ye kaisi baat hai, also I am trying to see the bigger picture but tbh abhi nhi dikh rha, I have mostly lost people when I was attached to them the most isliye na ab Darr lagta hai naye logo se milne me, connect krne me, attach hone me and the problem when me is I get attached, people say ki attach mat ho but mai ho jaata hu and then they leave and it fucks me badly, meri society me kaafi log hai meri age k like 20-25 log aaram se but mere sirf 2 doost hai puri society me, without them I am all alone kyuki I am no capacity to interact with new people, attachment issues mere ko kaafi Kam age me ho gya tha shayad isliye if someone leaves, I grieve for them nearly my whole life, they always stay in back of my mind all the time!

Bada bhai bol rhe ho to off anon aao, dm me yaa ask me as you wish

[the-prophecy]

Angrezi chidiya ke khaatir desi dil mera tod diya mene chor dia use chor dia