#DO YOU KNOW WHAT THIS DID TO ME??????????????????????/
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can't believe im saying this but long time no megumi
#my art#jujutsu kaisen#jk#jjk fanart#jujutsu kaisen fanart#fushiguro megumi#megumi fushiguro#jjk megumi#jjk art#am i getting my speed back or am i just procrastinating what im Actually supposed to me doing the answer may surprise u#regardless i realized i havent drawn megu properly since waaaaay pre-halloween and i was feeling the withdrawals#i wanted to get a handle on this newish render style with yuuji first bc i think the lighter hair forces me to know what im doing#vs with black u can hide things a lot better so its easy to play it safe and revert 2 usual habits#so im rly happy i did yuuji first bc these bruise-y colours on megumi's hair look SO good i cld cry#im rly enjoying this thing where i put whatever colour down wherever without worrying abt being too precious with it#the bright neon salmons the dusty purples the olive greens these r all colours i would not normally turn to#esp fr skin#but its so FUN it makes the lighting so fun and saturated and interesting to look at#overall this ws nowhere near as meticulous or 'clean' as the yuuji draws but i didnt needit to b so its ok#this ws just an afternoon#n i just needed to draw megumi :'> i abandoned my boy..........#yall im having fun drawing again pro tip if u feel stuck Do New Things#yet another lesson you think i wld have Retained after 21 years of drawing
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My friend Nader is a 17 years old Palestinian boy who has been campaigning tirelessly for months now in order to evacuate his whole family from Gaza.
When I first started chatting with him, his campaign, which has a total goal of âŹ50,000, was at a bit above âŹ5,000 at the time, about a month ago.
Thanks primarily to this sweet boy's daily efforts and the help he's received from some Tumblr users, we've managed to get his fundraiser to 62% of its total goal!!!!
With that in mind, if everyone who's donated a relatively small amount would donate a similar amount again as I did, we could SO easily take him very near his goal!!
His campaign is verified. It's the 4th campaign in this spreadsheet.
If we reach this âŹ50,000 goal, we'd be saving not just Nad, but several young children, his father Ahmed who's a cancer patient, and many others. Reminder too that an uncle of his was martyred very recently. Anything can happen at any moment, and he gets very disheartened whenever donations decrease. We need to get them all out of Gaza as soon as possible.
His little niece is suffering from malnutrition, and every day when Nad and I resume chatting again he tells me how exhausted he is. I'm very worried for him and his family, as there's people dying of starvation all around him and him and his family aren't doing well. His family has already been displaced NINE times!!
Let's give Nad a chance to follow his dreams of going to university. Let's give his very small siblings a chance to know of a life free of bombings and shootings. Let's give his father the opportunity to deal with his cancer with dignity and an actual fighting chance.
âŹ30,784/âŹ50,000
Tagging for reach:
@annevbonny @angelsaxis @anneemay @arabianbutch @babyfairy @bigprettygothgf @closet-keys @curseworm
@enbnonsense @fuckyeahmarxismleninism @filmnoirsbian @fireandfennel @fufudeplatano @frankeneglected
@guavabat @handweavers @jvzebel-x @journeysendinlovers @knifefightscene @kamalaskadoosh @lesbeet @lesbiantaurus
@lesbianslasherfilm @lesbianalism @medusadyke @narashite @nerdvi @nonbinarymerbabe @nurlet
@ororomunroedontpullout @prisonhannibal @palistani @palipunk @rosyish @robotpussy @sawasawako @serpari
@sirmonster @sibelin @socalgal @sunsstorms @thatdiabolicalfeminist @undeadbutch @uptownthots
@vamprisms @vympr @vicholas @womenintheirwebs @nabulsi @el-shab-hussein
#gaza#free gaza#free palestine#save palestine#i stand with palestine#gaza fundraiser#gaza evacuation fund
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Kit to Ty
Election day: misery, stress, hair-pulling, at least for Americans (and a lot of other people around the world affected by our politics!) So I thought I'd post a distraction; I hope it helps and doesn't annoy!
A while ago I posted the beginning of a letter from Kit to Ty, created for a Kickstarter backer. Here's the full text:
A letter from Kit to Ty, never sent.
Ty, Ty, Ty.
Your name looks strange written out like that. Like an abbreviation. But Tiberius would be so formal. I never think of you that way. Or, I suppose I should say, I never thought of you that way. Tenses matter in these situations, I guess.
Itâs late, past midnight, and Iâm sitting on the windowsill in my bedroom at Cirenworth. Jem and Tessa gave me one of the best rooms. Of course they did. It has a view out over the gardens. Sometimes I see the ghost of a dog there, a golden retriever Iâm pretty sure, running in and out of the flowerbeds. He seems like a pretty happy ghost. I think about how much you like animals and how much they love you, because of course they do. But itâs too late; this dog passed away a long time ago. You probably couldnât even see him. Itâs too late for a lot of things, now. Â
Iâm still mad at you, and I donât feel good about that. Maybe if I could forget, I could forgive. But I canât forget that night you brought Livvy back. Iâll suddenly remember even when Iâm thinking about something else. Iâll be in the middle of helping Tessa in the garden and suddenly Iâll turn around and Iâm back in Idris.Â
I remember I told you I loved you. I remember I told you I would help you, but not if you raised Livvy from the dead. Not if you did necromancy. But you wanted that more than you wanted me.
And I understand that. Iâm not angry about that. Hereâs what Iâm angry about: when you brought Livvy back, you changed yourself. You made yourself a different person than the one I loved. I donât know the person you are now. You took yourself away from me. I canât forgive that. And you made me someone who has to keep a secret I never wanted to keep. I was raised by someone who had so many awful secrets, and when I started my life as a Shadowhunter I wanted to do it openly, and honestly. But now Iâm just someone else with secrets I can never tell. Just like my dad.
It makes me angry, so angry. I want to yell at you. I wish you were here so I could yell at you.
Kit
#be nice to Kit he's emotional!#it had to be unsent or there's be no wicked powers#poor kit#poor ty#kitty
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iâm a mabel defender forever dipper is Just As selfish as she is and also if you legitimately think mabel is at fault for not breaking it off with gideon herself i will actually just start throwing rocks at you like i donât know what i can say to convince you how insane you sound. it is a cartoon but that part was upsettingly real. it is horrifying as a girl when youâre having your boundaries pushed in little ways that still make you uncomfortable bc then Youâre being unreasonable somehow, just saying No is unreasonable somehow. and then here shes Also being societally pressured into dating him. i think it was very sweet that dipper tried to break up w gideon for her bc the episode legitimately sets up that She Couldnât. but no sheâs Wrong for that somehow. girls are taught to be nice to boys pushing their boundaries too much we need to give them hat pins again
#âshe is just as possessive of other boys she Does have a crush onâ no she literally isnât#mabel never forced or pressured anyone into a relationship#she DID keep that boyband captive but they were treated more like pets HDHDH?#and i didnât even realize she Had crushes on them until they Said so in weirdmageddon#but even then she never forced them into a romantic relationship w her. she just had them braid her hair and shit#what. she rigged that âdo you like meâ test. but that boy just walked away. Iâm pretty sure he didnât even know who made it#anyway yknow those silly little videos where someone edits themselves into a cartoon to tell a character What they Need To Learn#me making a self insert just to sit gideon down hand in his shoulder like âshe doesnât like you bro.â#âyou canât be treating prospective partners like that.â HDHSHS#gravity falls
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New blorbo :)
Also a silly interaction with this piece
#cardcaptor sakura#eriol hiiragizawa#I wish I had the big hat big robe flowy cape drip. I wish#spoilers so donât read further if you havenât reached the end of sakura (looking at you whery)#but I enjoy him immensely and it makes me so sad to see how much heâs shipped with tomoyo#in old fanfics and stuff I mean.#like I donât agree sometimes with the showâs direction of romantic relationships (rika and terada sensei come to mind)#but to me tomoyo is a diehard lesbian and you cannot convince me sheâd be happy with Eriol#that aside I do think eriol is the most fascinating character and also a dead ringer for most of the traits I like in characters lmao.#if I had a nickel for every time I enjoyed a character who is mature for his age and has more power than he knows what to do with#I think a character study on him would be cool#like when did he realize he wasnât aging. was his aging restricted because of his magic or an intentional choice from the memories of clow.#where does clow end and eriol begin and how much does memory contribute to identity#Iâd really like to see a fic just about his interactions with fujitaka and the kinomoto family as well
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Second Heart
Happy Nation: A Series of Standalone Fics
Lewis Hamilton x Senna!Reader
Summary: all youâve ever wanted was to be able to race just like your Papai ⊠no matter the cost (or in which always going for a gap that exists runs in the Senna family)
You sit cross-legged in front of the TV, shoulders hunched, the remote clutched tight in your little hand. The screen crackles, and there he is â Ayrton. Papai. His yellow helmet blazes under the bright afternoon sun, the car flying down the straight, smooth as a bird on water.
Your eyes donât blink. The sound of engines growls through the speakers, vibrating all the way to your heart. Itâs like heâs right there. Alive.
And so fast. So, so fast. You almost feel like youâre in the car with him, that if you close your eyes, you could taste the gasoline and the rubber, the wind whipping across your face.
âPapai âŠâ you whisper, pressing the volume button louder.
Adriane steps into the room, the clink of her bracelets soft but steady. She pauses when she sees you, arms crossed, one hip jutted out.
âI thought you were doing homework.â
You donât answer, too lost in the footage. The video cuts to a slow-motion shot of Ayrton weaving through the rain, tires spinning in the spray like magic. They call it genius â what he did at Monaco, at Suzuka, at Donington Park. To you, itâs just your Papai being Papai.
âTurn it off.â Your motherâs voice sharpens now. She hates it when you watch these tapes. Youâve heard her say it before, more times than you can count â Itâs not healthy. You shouldnât keep living in the past. But you donât feel like youâre living in the past. You feel like youâre meeting him for the first time, every time.
âJust five more minutes,â you plead without looking away.
âNo.â
âBut I-â
âI said no, agora!â
Her tone makes you flinch. The remote slips from your hand onto the floor with a dull thud. But you still canât tear your eyes from the screen, where Ayrtonâs car crosses the finish line, the Brazilian flag draped over his shoulders as the crowd roars. Your heart beats faster. Thereâs a strange energy in you, like the buzz before a storm. You push yourself up to your knees, your voice small but determined.
âI want to race.â
Adrianeâs laugh is immediate and sharp, like glass shattering. âDonât be silly.â
âIâm not being silly!â You twist around to look at her now, the words spilling out. âI wanna race, MĂŁe! Like Papai!â
Her face changes. The air shifts, heavy and strange. You see it happen â the tightness in her jaw, the way her smile falls away like it was never there.
âNo.â
âBut-â
âNo!â She snaps, louder this time, and it makes you shrink back. âAbsolutely not. Never.â
You bite your lip, feeling the burn at the back of your throat. But you donât stop. Not yet.
âWhy not?â You whisper.
Your mother exhales sharply through her nose, as if the question alone is an insult. She crosses the room in two quick strides, crouching down until her face is level with yours. Her hands, delicate but strong, grip your shoulders tighter than usual.
âBecause racing is dangerous,â she says, enunciating every word like sheâs trying to hammer them into your skull. âDo you understand me? Itâs not a game. It took your father from us.â
Her voice wavers on the last sentence, but you donât care. Thereâs something stubborn growing in you, something you donât quite recognize yet.
âPapai loved it.â
âAnd look where it got him,â she shoots back, her voice sharp as a knife.
You blink, stunned by the words. Sheâs never said it like that before. She sees your expression â hurt, confused â and her face softens, just for a second.
âSweetheart âŠâ She sighs, brushing a strand of hair from your forehead. âI know you miss him. I miss him too. Every single day. But I wonât let racing take you away from me.â
âBut it wonât-â
âEnough.â Her voice is final, the way grown-upsâ voices get when thereâs no more room for argument. âThis conversation is over.â
You open your mouth, then close it again. Sheâs already standing up, brushing invisible dust from her jeans. The TV hums in the background, the commentators babbling about pole positions and podiums.
Adriane snatches the remote from the floor and jabs the power button. The screen goes black, as if Papai never existed at all.
You feel hollow.
Your mother stands there for a moment, the silence thick between you. Then she crouches again, her hands cupping your face this time, thumbs brushing over your cheeks.
âListen to me.â Her voice is quieter now, almost pleading. âI lost your father. I canât-â She stops, swallows hard. âI canât lose you too. Okay?â
You donât nod. You donât speak. You just stare at her, your little heart breaking in ways you donât fully understand yet.
âIâm serious,â she whispers, her forehead resting against yours. âNo racing. Not ever.â
And then she kisses the top of your head, soft and lingering, as if that alone could erase the conversation, the dream, everything. She walks out of the room, her footsteps fading down the hall.
You sit there for a long time, staring at the blank TV screen, fists clenched in your lap. Your chest feels tight, like something inside you is being squeezed too hard.
You think about Papai. About how he smiled in the cockpit, how the car seemed to dance under his hands, how the crowd chanted his name like a song. He wasnât afraid.
And neither are you.
You pick up the remote again. Your thumb hovers over the play button, hesitant for just a moment. Then you press it.
The screen flickers back to life, and Ayrton is there, flying through the rain like a miracle.
You smile.
One day, you think.
One day, youâll race too.
***
The front door clicks shut behind you as you step into the house, dropping your school bag with a heavy thud. You bend down to untie your sneakers, already rehearsing what youâll tell your mom â how your science project earned a gold star, how you managed to trade a snack with JoĂŁo without getting caught. You have it all planned, down to the way youâll grin when she offers you that after-school snack.
But as soon as you straighten up, the voices hit you.
Loud. Sharp. Angry.
You freeze, one hand still on your shoelace.
âYou have no right â none â to tell me how to raise my daughter!â Your motherâs voice is sharp, like glass breaking. Sheâs in the living room. You canât see her from the hallway, but you donât need to. You can imagine her perfectly â the tight set of her mouth, the way her arms probably cross over her chest.
And then, another voice, familiar in a strange way. Low and hard. âIâm not telling you how to raise her, Adriane. Iâm telling you what she told me â how she called me crying because you refuse to let her chase the only thing sheâs ever wanted.â
Alain.
Your heart skips. You know him. Everyone knows him. Papaiâs fiercest rival â and, in the end, his friend. The man from the stories, from old photographs your mother keeps locked away. Alain, who came to the funeral and cried even when the cameras werenât on him.
Why is he here?
You step closer, drawn by their words like a thread pulling you tight. You press yourself against the wall and peek around the corner, just enough to see them.
Adriane stands in the middle of the room, arms crossed exactly like you pictured. Her blonde hair falls in soft waves over her shoulders, but her face is tight, her jaw locked in anger. Alain stands across from her, looking just as frustrated. His hands move as he talks, fast and insistent, like heâs trying to grab hold of the air between them and shape it into something that makes sense.
âSheâs seven!â Your mother snaps, her voice cracking at the edges. âShe doesnât understand what sheâs asking for.â
âShe understands better than you think,â Alain fires back. âShe understands perfectly. She called me in tears â tears, Adriane â because you shut her down without even listening.â
âI listened.â Her voice drops, low and furious. âAnd I said no.â
Alain scoffs, running a hand through his hair. âYou said no because youâre scared.â
Your motherâs eyes flash. âOf course Iâm scared! Sheâs my daughter! You, of all people, should understand-â
âI do understand.â Alainâs voice softens, but only just. âI carried his casket. I watched you cry over him. But thatâs exactly why you canât do this to her.â
Adrianeâs face crumples for a split second, so brief you might have missed it if you hadnât been watching so closely. âHeâs not here, Alain,â she whispers, and it sounds like a confession and an accusation all at once. âHeâs not here to see this, to say if itâs right or wrong. And heâs not here to save her if something goes wrong.â
Alainâs voice drops, steady and determined. âAnd you think Ayrton would want you to stop her? You think he would want her to live her whole life wrapped in fear because of what happened to him?â
âSheâs my child.â Adrianeâs voice cracks like a whip, but thereâs something desperate underneath it now, like sheâs fighting to keep her footing in a conversation she knows sheâs already losing. âAnd I will not lose her.â
Alainâs eyes narrow. âYouâre not protecting her. Youâre imprisoning her.â
Your mother stares at him, her breath coming fast and uneven. For a moment, everything goes still â so quiet you can hear the ticking of the old clock on the mantel.
Then Alain steps forward, his hands on his hips. âIf you wonât help her, I will. Iâll teach her to kart myself if I have to.â
Adriane barks out a bitter laugh, but itâs laced with pain. âYou can try,â she says, her voice brittle. âBut donât expect me to come watch. I refuse to set foot at a race, and I wonât look at her as long as I know thereâs a chance she wonât come back.â
Her words hang in the air, thick and suffocating. You feel like you canât breathe. You press yourself harder against the wall, your chest tight with emotions you canât name.
And thatâs when the floor creaks.
Both of them turn at the sound.
âMeu Deus âŠâ your mother whispers, her hands flying to her mouth. âYouâre home.â
Alainâs face softens instantly. He kneels down, arms open. âCome here, sweetheart.â
You hesitate, just for a moment. Then, without thinking, you bolt from your hiding spot and run straight into Alainâs arms. He catches you easily, wrapping you in a hug that feels like safety. Like warmth.
Adriane stands frozen, her hands still over her mouth. Her eyes are wide, filled with a mix of heartbreak and anger and something you donât fully understand.
Alain pulls back just enough to look at you, his hands resting gently on your shoulders. âHey,â he says softly. âIâve got a question for you.â
You blink up at him, your heart pounding.
âHow would you like to come to Switzerland with me?â His voice is calm, but thereâs a flicker of something in his eyes. âYou could learn to kart there. Iâll teach you myself. What do you think?â
Your heart races. Switzerland. Karting. Learning to drive. It feels like a dream, one you didnât even know you could have.
But then you look at your mother.
Adrianeâs face is pale, her hands still clutched tight over her mouth like they might stop her from saying something sheâll regret. Her eyes are glassy with unshed tears, and thereâs a kind of pain in them that makes your chest ache.
You know what this means to her. You know how much it hurts.
But you also know what it means to you.
Youâve wanted this for as long as you can remember â for as long as youâve been able to understand what racing is. And here it is, right in front of you. A chance.
You swallow hard and look back at Alain. His expression is kind but serious, like he knows exactly what youâre thinking.
âItâs your choice,â he says quietly. âNo one can make it for you.â
You take a deep breath. Your hands shake a little, but you ball them into fists to steady yourself.
âI want to go,â you whisper.
Your mother makes a soft, choked sound â like someone punched all the air out of her.
âMinha filha âŠâ Her voice breaks.
You look at her, and it feels like your heart is splitting in two. âI have to, MĂŁe.â
She closes her eyes, pressing her hands tighter to her face. For a moment, she just stands there, trembling. Then she drops her hands and wipes her eyes with quick, angry swipes.
âOkay,â she whispers, her voice raw and broken. âOkay. Go, then.â
The words sting, sharper than anything youâve ever felt. But you nod. You have to.
Alain gives your shoulders a gentle squeeze. âWeâll call every day,â he promises, glancing at Adriane, though she wonât look at him. âWhenever you want.â
Your mother doesnât answer. She just turns away, her shoulders hunched like the weight of the world is pressing down on her.
Your heart feels heavy, but thereâs something else now too â something lighter. Hope.
You glance up at Alain, and he smiles, soft and warm.
âSwitzerland, huh?â You say, trying to sound brave.
Alain chuckles. âSwitzerland.â
And for the first time in a long while, you feel like you can finally breathe.
***
Life in Switzerland feels like a dream. Every morning, the mountains rise outside your window, peaks dusted in snow even as the spring sun warms the air. The international school Alain enrolled you in is small, the kids friendly. They speak a mix of languages â French, German, Italian â and though itâs strange at first, you like how every word feels like a little puzzle to solve.
But school is just the beginning of your day. The real magic happens afterward.
Every afternoon, Alain picks you up in his car â a sleek, silver Audi with leather seats that always smell faintly like coffee â and takes you straight to the karting track just outside town. Thereâs a rhythm to your days now: school, then the track, where the scent of gasoline and hot rubber fills the air.
âCome on, petite championne,â Alain says every day as you hop into the kart, the nickname slipping off his tongue with an easy smile. âLetâs see if you can make me proud today.â
The kart rumbles beneath you, a buzz that shoots from your hands to your heart. The moment your foot touches the pedal, the world falls away. The wind rushes against your face, the engine purring with every twist of the wheel.
Here, in the kart, you feel free â like nothing can catch you, not even the pieces of your life that feel too big or too broken to understand.
Alain watches from the sidelines, hands tucked into the pockets of his jacket, his face calm but focused. He takes notes every time you race, shouting tips when you pull up to the pit lane.
âDonât wait so long to hit the brakes before that hairpin, you lose too much time,â heâll say. Or, âYouâre getting faster through the straights. Donât get greedy on the corners, though â youâve got to feel the grip.â
You listen to every word, hungry to learn. And when he grins after you complete a lap, clapping his hands like you just won a Grand Prix, your heart swells.
By the time you drive home, your body hums with exhaustion, but itâs the good kind â the kind that comes from chasing a dream.
And every night, after dinner, thereâs dessert.
âGlace au chocolat tonight?â Alain asks one evening, pulling two tubs of chocolate ice cream from the freezer.
You grin. âWith whipped cream?â
âObviously,â Alain replies with mock seriousness. âWhat kind of barbarian do you take me for?â
He adds a mountain of whipped cream to both bowls, handing one to you before plopping down on the couch with his own.
As always, an old race plays on the TV. Tonight, itâs Monaco â 1988, the race your father dominated, right up until the moment he crashed into the barrier. The screen flickers as the cars glide through the tight streets, their engines howling between the stone walls.
Alain leans back against the couch cushions, spoon in hand. âSee that?â He says, pointing at the screen with a mouthful of ice cream. âYour papaâs line through the Swimming Pool section â perfection. Like poetry in motion.â
You tilt your head, studying the way the yellow helmet zips through the narrow chicane. âHow did he do it?â
Alain smiles, scooping another spoonful of ice cream. âHe just knew. Ayrton could feel the track better than anyone else. It was like ⊠like he was connected to the car in a way no one else could be.â
You lick your spoon thoughtfully. âDid you hate him?â
The question catches Alain off guard. He freezes, then chuckles, shaking his head. âHate him? No.â He pauses. âNot really, anyway.â
âBut you fought a lot.â
âOh, we fought.â Alain smirks, a mischievous glint in his eye. âHe drove me absolutely mad sometimes.â
You giggle. âWhy?â
âBecause he never gave up. Not even for a second.â Alain gestures toward the TV, where your fatherâs car rockets through the tunnel. âAyrton wasnât just racing other drivers â he was racing himself. Always trying to be faster, better. It was exhausting.â
He says it like a joke, but thereâs warmth in his voice, too. You can hear it.
âAnd that drove you crazy?â You ask, already knowing the answer but wanting to hear him say it.
Alain laughs, a soft, fond sound. âCompletely crazy.â
You curl deeper into the couch, your ice cream bowl balanced on your lap. âBut you were friends, right? In the end?â
Alainâs smile fades a little, but it stays, softer now. âYeah,â he says quietly. âIn the end.â
Thereâs a silence between you, filled only by the hum of the TV and the occasional scrape of your spoons against the bowls.
You glance at Alain, his expression lost somewhere between memory and regret. âDo you miss him?â
Alain looks at you, and for a moment, youâre not sure if heâll answer. Then he gives a small nod. âEvery day.â
You nod, too, even though you didnât really know your father â at least, not in the way Alain did. But somehow, you miss him all the same.
The race continues on the screen, the cars weaving through the streets of Monaco, chasing the perfect lap.
âYouâll be just like him one day,â Alain says suddenly, breaking the quiet.
You blink, surprised. âYou think so?â
âI know so,â Alain replies, nudging your shoulder with his. âYouâve got the same fire in you. The same stubbornness, too, I think.â
You laugh, and Alain grins, pleased with himself.
âYou just need to tweak your braking,â he adds with a playful smirk. âYou brake like me, not like him.â
âHey!â You protest, shoving his arm lightly.
He chuckles, holding up his hands in surrender. âWhat? Iâm just saying! Ayrton would fly into corners like a madman. Me? I was always a bit more ⊠sensible.â
âSensible is boring,â you tease, scooping up the last bit of ice cream.
Alain pretends to be offended, clutching his chest like youâve wounded him. âBoring? Sensible is what win me four world championships, thank you very much.â
You roll your eyes, but youâre grinning.
The credits for the race coverage roll, but neither of you makes a move to turn off the TV. These moments â curled up on the couch with Alain, the scent of whipped cream still in the air â feel like they could stretch forever.
And maybe, just maybe, they do.
***
Four years blur by like the laps on a familiar circuit. Days turn into months, and months into seasons. You grow taller, sharper, and faster. The kart becomes a second skin, every turn and apex something you know instinctively, like breathing. The track is your playground now â your sanctuary.
Alain teaches you everything: not just how to drive but how to think, how to be patient when you need to be and ruthless when the moment calls for it. He tells you about strategy and racecraft, how to listen for the slightest change in the engineâs pitch, how to make yourself invisible in the slipstream until the perfect moment to strike.
Some lessons come easy. Others, not so much. Like when he makes you practice for hours in the rain, your hands frozen, your kart slipping through puddles. Or when you spin out during a practice race and Alain doesnât even flinch. He just waves his hand in the air.
âAgain!â He shouts from the pit lane. âYou have to get comfortable with making mistakes, petite. No champion gets there without a few bruises.â
And so you go again. And again. Because this â this dream â is the one thing you want more than anything.
Now, after all those years, the day has finally arrived. Youâre old enough to compete in the FIA Karting Championship. This is what youâve been working toward.
But Alain surprises you one quiet evening at home. No ice cream, no old races on TV â just you and him, sitting across the kitchen table with two mugs of hot tea. His face is serious, but kind.
âThereâs something we need to talk about,â he says, tapping his fingers lightly against the mug. âYou have a choice to make.â
You lean forward. âWhat kind of choice?â
Alain tilts his head, his sharp hazel eyes studying you carefully. âYour name.â
You frown. âMy name?â
âYes. Youâve been racing locally for a while, but things are different now.â Alain takes a sip of tea, gathering his thoughts. âThe FIA Karting Championship is international. There will be journalists, scouts, team representatives. If you race under your real name, everyone will know exactly who you are.â
You sit back, the weight of what heâs saying slowly sinking in.
âYou can use a pseudonym if you want,â Alain continues. âPlenty of drivers do it, especially when they want to build their career on their own terms.â
You blink, caught off guard. Youâve thought a lot about racing â how fast you want to be, how badly you want to win. But this? The idea of hiding your name? Itâs a curveball you didnât see coming.
Alain gives you time to think, his hands wrapped loosely around his mug. âThereâs no shame in it, petite,â he says gently. âItâs not about denying who you are. Itâs about deciding how you want the world to see you.â
The words hang between you. Heâs not pressuring you â Alain never does that â but you can feel the weight of the decision anyway.
You toy with the edge of the mug in front of you, tracing the rim with your fingertip. âDo you think ⊠if I use my real name, people will only see Papai?â
Alain shrugs, but his expression is thoughtful. âSome will. There are people who wonât be able to separate you from Ayrton. Theyâll compare you to him before youâve even taken a proper lap.â
You nod slowly. Youâve known this would happen â how could you not? But hearing it out loud makes it more real.
âAt the same time,â Alain adds, âitâs not something to be ashamed of. Ayrton was ⊠well, he was Ayrton. If anyone has the right to be proud of their name, itâs you.â
You bite your lip, the edges of uncertainty fraying inside you. âWhat would you do?â
Alain smiles softly. âItâs not my decision to make, ma chĂ©rie. This is about you. Your future.â
You stare into your tea, watching the steam curl toward the ceiling like tiny ghosts. A part of you aches at the thought of hiding your fatherâs name â like youâd be denying him, pretending he didnât matter. But thereâs another part, quieter but insistent, that wants to know what itâs like to stand on your own. To earn your place without the shadow of a legend following you everywhere you go.
You tap your fingers against the table, the rhythm matching the beat of an engine in your mind. And then, suddenly, the answer clicks into place.
âI think âŠâ You take a deep breath. âI think I want to use a different name. Just for now.â
Alain raises his eyebrows, curious but approving. âYeah?â
âYeah.â You nod, more certain now. âItâs not because Iâm ashamed. Iâm not. I want people to know one day. Just ⊠not yet.â
Alain leans back, crossing his arms over his chest. âSo whatâs the plan?â
You grin, the excitement building in your chest. âIâll race under my motherâs last name. And when the timeâs right â maybe after I win a few championships â Iâll tell them.â
Alain chuckles, shaking his head. âYou think theyâll like the surprise?â
You laugh, a full, bright sound that feels like relief. âCan you imagine their faces?â
Alain grins, clearly amused. âI can already hear the headlines.â He adopts an exaggerated announcer voice: âThe karting prodigy who stunned the world by revealing sheâs Ayrton Sennaâs daughter!â
You burst out laughing, the tension from the conversation melting away. âTheyâll lose their minds!â
âAnd youâll love every second of it,â Alain adds with a knowing smirk.
You grin, unable to hide the spark of mischief in your eyes. âMaybe a little.â
He shakes his head fondly, ruffling your hair as he stands up from the table. âYouâre trouble, you know that?â
âComes with the territory,â you say, beaming.
Alain gathers the empty mugs and places them in the sink, still chuckling to himself. âWell, I think itâs a smart choice. Gives you time to find your own rhythm.â
You nod, feeling lighter than you have in days. âYeah. It feels right.â
Alain leans against the counter, crossing his arms as he looks at you. Thereâs pride in his eyes â quiet, steady, and unmistakable. âYour papa wouldâve been proud of you, too,â he says softly.
Your throat tightens, but you smile through it. âThanks, Alain.â
He nods once, like itâs the most obvious thing in the world. âCome on,â he says, nudging his head toward the living room. âLetâs celebrate with some dessert. I think weâve got tarte au citron in the fridge.â
You follow him, your heart light and your steps easy. The road ahead is still long â there will be races, wins, and losses. But for the first time, it feels like itâs yours to drive.
And that? Thatâs the best feeling in the world.
***
The drive from Switzerland to Imola is quiet. You sit with your thoughts, the hum of the engine beneath you and the road stretching endlessly ahead. Alain offered to come with you, but you declined. This is something you need to do alone.
Itâs not that you didnât want his company, itâs just ⊠how do you explain to someone â even someone who knew your father so well â that you need to meet this place on your own terms?
For eighteen years, you told yourself you werenât ready. Maybe you never would be. But here you are, taking deep breaths as you steer your way closer to the circuit where it all ended. Where everything about your life changed before it even really began.
When you finally arrive, the gates to the Imola track feel strangely peaceful, nestled under a canopy of autumn leaves. The air is crisp, and the sky is that soft, pale blue you only get in early fall. You park the car and head toward the Ayrton Senna memorial, your footsteps crunching through the leaves littering the path.
Each step feels heavier than the last, your pulse loud in your ears. You try to steel yourself â this is just a monument, just a place. Youâve been to a thousand race tracks in your life. But this one is different. This one holds pieces of someone you never got the chance to know.
As you approach the monument, you expect silence. You expect to be alone. But then you notice someone sitting there â another figure crouched near the bronze statue of your father.
The man shifts, startled by the sound of your footsteps on the gravel. His head turns, and you recognize him almost immediately.
Itâs Lewis Hamilton.
He blinks up at you, clearly not expecting company either. Thereâs a moment of awkwardness, both of you standing there, caught off guard in a place meant for solitude.
You clear your throat. âIâm sorry,â you say softly. âI didnât mean to bother you.â
Lewis waves off the apology, his face softening. âNo, no. Youâre not bothering me.â He pulls himself up a little straighter, brushing leaves from his jacket. âI always stop by here before Monza. Helps me ⊠I donât know. Reset.â
You nod, unsure what else to say. Thereâs something strange about seeing him here â Lewis Hamilton, one of the biggest names in motorsport, sitting quietly in front of your fatherâs monument like heâs just another fan.
âI came for the same reason,â you admit. âIâm Brazilian. Wanted to pay my respects.â
At that, something shifts in Lewisâ expression â understanding, maybe. âYouâre Brazilian?â He repeats, a little smile tugging at the corner of his mouth. âThat explains it. Every Brazilian racer I know carries Senna with them like ⊠well, like a second heart.â
You laugh softly, kicking a stray leaf with your shoe. âYeah. That sounds about right.â
Lewis shifts, resting his forearms on his knees as he looks back at the monument. The wind stirs the leaves around your feet, scattering them across the ground.
âHeâs always been my hero,â Lewis murmurs, almost as if heâs talking to himself. âEven before I really understood what racing was, I just ⊠knew he was special.â
You donât respond right away, your gaze fixed on the familiar features of the bronze effigy â your fatherâs intense, focused expression captured in metal. Itâs strange, standing here with someone who feels the same reverence youâve always felt but never quite known how to express.
Lewis glances at you again. âWhat do you race?â He asks, genuine curiosity in his voice.
You tuck your hands into your jacket pockets. âFormula Renault 3.5.â
His eyebrows lift, clearly impressed. âThatâs a serious series.â
You shrug, trying to play it cool, though thereâs a flicker of pride in your chest. âYeah, itâs been good so far.â
âGood enough to think about Formula 1 one day?â Lewis asks, a knowing smile on his face.
You grin. âThatâs the plan.â
He chuckles, the sound warm in the cool air. âWell, Iâll keep an eye out for you. Whatâs your name?â
For a split second, you hesitate. But you remind yourself â he doesnât need to know everything. Not yet. âJust ⊠Y/N,â you say casually. âFor now.â
Lewis tilts his head, a flicker of curiosity in his eyes, but he doesnât press. âY/N. Got it.â
You shift your weight from one foot to the other, unsure how to fill the silence. But itâs not uncomfortable â just ⊠quiet.
âYou said you come here every year?â You ask after a moment.
âBefore Monza, yeah,â Lewis confirms. âItâs become sort of a ritual. Helps me feel grounded, I guess. Reminds me why I do this.â
You nod, understanding more than you expected to. Thereâs something about this place â this simple, quiet memorial â that strips everything else away. The politics, the pressure, the noise. It leaves only the pure love of racing behind.
Lewis stands then, brushing dirt from his pants. âWell,â he says, âI should probably get going. Got a long weekend ahead.â
You nod, though part of you wishes you had a little more time to talk to him. Thereâs something easy about the way he carries himself â no arrogance, no pretense. Just a racer who loves what he does.
Lewis glances at the monument one last time, his gaze lingering on your fatherâs face. âHe wouldâve loved to see how many of us still race because of him,â he says quietly.
Your throat tightens, but you manage a small smile. âYeah. I think so, too.â
He gives you a nod, something warm and reassuring in his expression. âTake care, Y/N. Iâll be watching.â
With that, he turns and walks down the path, his footsteps crunching through the leaves. You watch him go, the wind stirring around you again, carrying the faint scent of damp earth and autumn.
For a long moment, you stay there, standing in front of the monument, just you and the bronze figure of your father. You donât say anything â thereâs nothing that needs to be said. But in the quiet, you feel a strange sense of peace.
Maybe itâs the years of racing, the laps youâve turned, the lessons youâve learned. Or maybe itâs just knowing that people like Lewis exist â people who carry your fatherâs spirit with them, even though they never knew him.
You brush a hand over the cool surface of the monument, tracing the edge of the plaque with your fingers. âIâm gonna make you proud,â you whisper.
And this time, you believe it.
The wind picks up again as you turn away from the monument, heading back toward the car. Monza is waiting. And so is the rest of your story.
***
The paddock feels like a world unto itself â buzzing with life, engines roaring in the distance, team personnel hurrying from garages to pit walls.
Youâre barely a day into your first GP2 weekend with DAMS, and itâs already overwhelming. The DAMS crew is friendly but businesslike, and the constant stream of engineers, mechanics, and journalists passing by your garage is a reminder that youâve officially stepped onto the big stage.
Your heart pounds as you adjust the collar of your race suit, nerves crawling under your skin. You spent the morning doing seat fittings, debriefs, and media duties, but now youâre finally free for a few minutes before the next round of meetings.
Alain walks beside you, calm and collected as ever, hands tucked into the pockets of his jacket. Heâs been like a steady lighthouse in the chaos of this new chapter, guiding you through the storm with quiet assurance.
âRemember,â Alain says as you both weave through the paddock, âitâs just another race. Keep your focus. Donât let the noise get to you.â
âEasier said than done,â you mutter, scanning the sea of faces for anyone familiar â or anyone dangerous, like a journalist with too many questions.
Alain smirks knowingly. âThatâs why you have me.â
You canât help but grin, a flicker of relief easing the tension in your chest. Alainâs been by your side for so long now that the idea of navigating a race weekend without him feels unthinkable.
Then, out of the corner of your eye, you spot someone you werenât expecting: Lewis.
Heâs walking toward the McLaren motorhome, surrounded by team personnel and a PR officer trailing closely behind, clipboard in hand. You see the moment recognition flickers in his eyes â he stops mid-step, gaze locking on you like heâs just solved a puzzle.
âY/N?â He calls, eyebrows raised in surprise.
Alain glances sideways at you, bemused, but you canât help the small, slightly guilty smile tugging at your lips. You wave at Lewis, feeling a little awkward but genuinely happy to see him.
Lewis strides over, his PR officer groaning softly but trailing after him anyway. âI thought Iâd see you around here eventually,â Lewis says with a grin. âDidnât think it would be so soon.â
You shrug, playing it casual. âSurprise.â
His eyes flick to Alain, standing quietly beside you. âAnd you ⊠know Alain Prost?â
Alain raises a polite eyebrow, but thereâs an amused glint in his eye, as if waiting to see how youâll answer this one.
You shift on your feet, aware of Lewisâ confusion. âYeah, heâs ⊠been my mentor for years.â You keep your explanation vague, not ready to drop the full truth just yet.
Lewis frowns slightly, processing the unexpected connection. âYouâve been working with Alain Prost?â
You nod. âSince I was a kid.â
Lewis lets out a low whistle, looking between the two of you with new appreciation. âWow. That explains a lot.â
Before you can respond, his PR officer steps in, clipboard clutched tightly in one hand. âLewis, we really need to-â
Lewis waves her off without breaking eye contact with you. âFive more minutes. Itâs fine.â
The woman hesitates, then sighs in frustration and backs away to give him space. Lewis turns his full attention back to you, his easy grin returning.
âSo, GP2, huh?â He asks, hands on his hips. âHowâs it feel to finally be here?â
âTerrifying,â you admit with a laugh. âBut also kind of amazing.â
âThatâs how you know youâre in the right place,â Lewis says, his tone encouraging. âThe nerves mean you care.â
Alain watches the exchange quietly, and you can tell heâs measuring Lewis, sizing him up â not in a competitive way, but in that protective way heâs always had with you. Itâs subtle, but you know Alain well enough to see it.
âIâll make sure to catch the feature race,â Lewis promises, his grin widening. âIâll be cheering you on.â
You raise an eyebrow, trying not to show how much that means to you. âOh yeah? You sure you have time to slum it with us junior drivers?â
Lewis laughs, genuinely amused. âCome on, now. I started in GP2, remember? I know exactly how tough it is.â
âGuess Iâll have to put on a good show, then.â
âYou better,â Lewis says, mock-serious. âOtherwise Iâll never let you hear the end of it.â
The two of you share a quick, easy laugh, and for a moment the chaos of the paddock fades into the background. Itâs just two drivers, standing in the middle of it all, sharing a moment of understanding.
âYouâre going to crush it,â Lewis adds, his voice low and certain.
Something in his tone makes you believe it â makes the nerves that have been simmering all day settle, if only for a moment.
Alain clears his throat softly, a reminder that time is ticking. âWe need to get back to the team,â he says, his voice gentle but firm.
Lewis nods, taking the hint but not before offering you one last smile. âGood luck, Y/N. Iâll see you out there.â
You return the smile, feeling lighter than you have all day. âThanks, Lewis.â
He gives Alain a respectful nod before turning to leave, his McLaren team falling into step around him as he disappears into the paddock.
As you watch him go, Alain leans in slightly, his voice quiet but laced with amusement. âFriend of yours?â
You smirk, still watching Lewis disappear into the crowd. âSomething like that.â
Alain chuckles, and the sound is warm, familiar â like the engine note of a car youâve driven a thousand times.
âCome on,â he says, nudging your shoulder gently. âWe have work to do.â
You follow Alain back toward the DAMS garage, the nerves still there but tempered now with something else â excitement, anticipation, maybe even a little confidence.
Because this is your moment. Your chance to show the world what you can do. And with people like Alain and Lewis in your corner, you know youâre not facing it alone.
***
The Bahrain sun beats down relentlessly, the heat pressing against your skin even through your race suit. Sweat clings to your brow, mixing with the overwhelming, heady cocktail of fuel, rubber, and victory. Youâre breathless, exhausted â but none of that matters.
You did it. You won.
The feature race trophy feels almost weightless in your hands as you stand on the podium, the sound of the Brazilian anthem thundering in your ears. The cameras flash, the crowd cheers, and for the first time since you entered GP2, you allow yourself to savor the moment. You close your eyes for a second, letting the anthem sink deep into your bones, and think of your father.
When the rose water sprays, it feels like youâve broken through a barrier â proof to yourself and to the world that you belong here. That youâre not just someone chasing the shadow of a name, but a racer in your own right.
The post-race chaos is a blur â interviews, debriefs, more interviews. Itâs not until youâre finally allowed to step away from the DAMS garage, damp with sweat and floral liquid, that the realization hits you again: you won your first GP2 race. The adrenaline still courses through your veins, but beneath it, thereâs a quiet hum of contentment.
You round the corner of the paddock, searching for a quiet moment to collect yourself â when a familiar voice calls your name.
âY/N!â
You turn, and there he is: Lewis, dressed casually in his McLaren team kit, that signature grin stretched across his face. His eyes are bright under the paddock lights, and his presence feels like a cool breeze against the heat of Bahrain.
Before you can say anything, heâs already jogging up to you, wrapping you in a quick, spontaneous hug. The smell of his cologne lingers in the air between you â spicy and warm, like cedar and citrus.
âThat was incredible!â Lewis says, pulling back to look at you. âSeriously, you drove like a pro out there.â
You grin, still catching your breath. âYou saw the whole race?â
âOf course I did.â He says it like itâs obvious, as if there was no way he could have missed it. âI told you Iâd be cheering you on, didnât I?â
âGuess I didnât disappoint, then,â you say, teasing.
âNot even a little.â His grin softens into something warmer, more personal.
The way he looks at you â like heâs genuinely proud â makes your chest tighten, but not in a bad way. Itâs strange, but comforting, the way heâs here, grounding you in the whirlwind of it all.
âCome on,â Lewis says, gesturing toward the paddock hospitality area. âYou deserve a proper celebration. Weâll grab something to drink, at least â water, preferably, because you look like youâre about to melt.â
You laugh. âThanks for the concern, but Iâm not passing out just yet.â
âStill,â he insists, walking beside you. âGotta take care of the winner, right?â
You follow him, your steps lighter than theyâve felt all weekend. Itâs easy with Lewis â talking, walking, just existing in the same space. You canât tell if itâs the lingering buzz of the win or something else entirely, but thereâs a sense of ease between you that you havenât felt with anyone in a long time.
He leads you to one of the quieter corners of the paddock, where a small group of McLaren personnel are relaxing. Lewis grabs two water bottles from a nearby cooler and tosses one your way.
âCatch.â
You catch it easily, the cool plastic a relief against your palm. âThanks.â
Lewis leans against the back of a chair, his posture relaxed, but thereâs a glimmer of curiosity in his eyes. âSo ⊠how does it feel?â
âTo win?â You twist the cap off your bottle and take a sip. âLike ⊠I donât know. Like I can finally breathe again.â
He nods, like he knows exactly what you mean. âFirst winâs always special. But thereâll be more. I can feel it.â
You tilt your head, amused. âYou think youâre a psychic now?â
Lewis chuckles. âNope. Just good at spotting talent.â
You roll your eyes playfully, but thereâs no denying the warmth his words spark inside you. You glance away for a moment, trying to shake the strange flutter in your chest.
âSo,â he says after a beat, âwhatâs next? A second win in Spain?â
âI mean, thatâd be nice,â you say, grinning. âBut Iâll settle for finishing with all my wheels intact.â
âGood plan,â Lewis agrees, laughing. âThat trackâs a nightmare.â
The conversation drifts easily from there, flowing from racing to random paddock gossip to stories from his early days in GP2. Youâre both standing close â closer than two people probably need to stand. But it doesnât feel uncomfortable. In fact, it feels ⊠nice.
He pauses for a second, watching you with that thoughtful expression he gets sometimes, like heâs trying to figure out whatâs going on beneath the surface.
âYouâre really something, you know that?â He says softly, almost like itâs just for you to hear.
The words catch you off guard, and you feel your cheeks warm under the intensity of his gaze.
âJust doing my best,â you say, trying to play it off, but your voice sounds quieter than you intended.
Lewisâ eyes linger on yours for a moment longer, and thereâs a flicker of something between you â something unspoken, but not unwelcome.
Before either of you can say anything more, a loud cheer erupts from a nearby group of mechanics, jolting you both back to the present. You laugh, the moment slipping away like sand through your fingers.
âGuess the celebrationâs already started,â you say, motioning toward the rowdy crowd.
Lewis grins. âLooks like it. You coming?â
You hesitate, not because you donât want to celebrate, but because part of you likes this quiet bubble you and Lewis have found.
âI think I might stay here for a bit,â you say, leaning against the wall and taking another sip of water.
Lewis doesnât move to leave. Instead, he stays where he is, like maybe he feels the same pull to stay in this moment, too.
âYou know,â he says after a beat, his voice low and a little more serious, âI meant what I said earlier. About you being something special.â
You meet his gaze, and thereâs no teasing in his expression now â just quiet sincerity.
âThanks,â you say softly, the word not nearly enough to convey what youâre feeling.
He holds your gaze for a second longer, then gives you a small, crooked smile. âGuess Iâll just have to keep watching and see what you do next.â
âGuess so.â
And just like that, the air shifts between you â charged with possibility, like the moment before a green flag drops.
You donât know whatâs coming next, but for the first time in a long time, youâre not afraid of it. Not when Lewis is standing here, smiling at you like youâre the most interesting thing in the world.
And somehow, you think, this might just be the start of something worth chasing.
***
Itâs late in the evening, and the Monaco paddock has fallen into a rare lull. The energy of race day â mechanics scrambling, journalists hounding drivers, engines screaming â has settled into a quiet hum. Most people have retreated to their yachts or hotel rooms by now, leaving only the occasional team member wandering through the maze of garages and hospitality areas.
You sit with Lewis on the edge of the harbor, the two of you tucked away from prying eyes. The water laps gently against the docks, and the principalityâs golden lights reflect across the surface like scattered coins. Neither of you say anything for a while, content to let the quiet fill the spaces between you.
Itâs been like this more often lately â stolen moments between races, conversations that drift into the small hours of the morning, and the unspoken pull that keeps you near each other, even when thereâs no real reason to be.
Lewis shifts beside you, resting his forearms on his knees. âYou ever just sit somewhere and wonder how the hell you got here?â He asks, breaking the silence.
You glance at him, the glow of the streetlights catching the sharp angles of his face. âAll the time.â
He gives a small laugh, running a hand over his braids. âMonacoâs something else, isnât it?â
You nod, hugging your knees to your chest. âFeels like the kind of place people dream about ⊠like itâs not even real.â
He looks over at you then, his gaze lingering a moment too long. âYeah,â he murmurs, almost to himself. âNot sure whatâs real sometimes.â
Thereâs something heavy in his voice, something unspoken. And for the first time tonight, the quiet between you doesnât feel as comfortable. It feels loaded, like youâre both waiting for the other to say something neither of you know how to say.
You tilt your head slightly, studying him. âYou okay?â
Lewis exhales slowly, glancing out over the water. âCan I tell you something?â
âOf course.â
He hesitates, like heâs not sure how to begin. âIâve been thinking a lot lately ⊠about the future. About what I want, and where I want to be.â
You shift closer to him, sensing that this isnât just idle talk. âWhat do you mean?â
He leans back on his hands, staring at the water like it might hold the answer. âIâve been with McLaren my whole career. Since I was a kid. But ⊠I donât know. Lately, it feels like Iâm stuck. Like Iâve hit a wall.â
You frown. âWhat are you saying?â
He looks at you then, and thereâs something raw in his expression â something vulnerable. âIâve decided to leave McLaren at the end of the season. Iâm signing with Mercedes.â
The words hang in the air between you, heavy and unexpected. You blink, trying to process what he just said. âMercedes?â
He nods slowly. âYeah.â
âBut ⊠McLarenâs your home.â
Lewis shrugs, but thereâs a sadness in his eyes. âIt was. But things change. And if I donât take this chance now ⊠I think Iâll always wonder what couldâve been.â
You stare at him, your mind spinning. âDo people know yet?â
He shakes his head. âNot many. Just a few people on the team. I wanted to tell you before it got out, though.â
You chew on your bottom lip, absorbing the weight of his words. âThatâs a big decision, Lewis.â
âI know.â He looks at you, his gaze steady. âBut it feels like the right one. Even if itâs scary as hell.â
You let out a breath, feeling a strange mix of emotions â pride, worry, something you canât quite name. âWell ⊠if itâs what you want, I guess itâs the right move.â
He smiles, but itâs a small, almost hesitant thing. âThanks.â
The silence stretches between you again, but this time it feels different. Like something has shifted â not just because of what he said, but because of the way heâs looking at you now.
âYouâve been there for me a lot lately,â he says softly. âI donât think Iâve said how much that means to me.â
Your heart beats a little faster. âItâs no big deal.â
âIt is to me.â His voice is low, and thereâs something in his gaze that makes your breath catch.
He shifts slightly closer, and suddenly the space between you feels impossibly small. You can feel the warmth radiating from him, the subtle brush of his shoulder against yours.
âY/N,â he murmurs, his voice barely above a whisper.
You look up at him, and the world seems to narrow down to just this â just the two of you, sitting on the edge of the harbor, the night air thick with something electric.
And then, slowly â almost hesitantly â he leans in.
For a split second, you think about pulling away, about the million reasons why this might not be a good idea. But before you can overthink it, his lips brush against yours.
The kiss is soft at first, tentative, like heâs waiting to see if youâll pull away. But when you donât, he deepens it, his hand coming up to cup the side of your face.
Itâs not the kind of kiss that demands anything â itâs the kind that promises everything.
When you finally pull back, your heart is racing, and your mind feels like itâs spinning in a thousand different directions.
Lewis looks at you, his forehead resting gently against yours. âIâve been wanting to do that for a while,â he admits, his breath warm against your skin.
You smile, feeling a strange mix of exhilaration and disbelief. âYeah?â
He nods, his thumb brushing lightly against your cheek. âYeah.â
For a moment, neither of you move, caught in the quiet aftermath of the kiss. The world around you feels distant, like itâs just the two of you, floating in your own little bubble.
Finally, Lewis pulls back slightly, though his hand lingers on your face. âSo ⊠what now?â
You let out a soft laugh, the sound light and easy. âI have no idea.â
He grins, and itâs the kind of smile that makes your chest feel warm. âGuess weâll figure it out, then.â
You nod, your heart still racing. âYeah. I guess we will.â
And somehow, even though nothing feels certain â his future, your career, whatever this thing is between you â thereâs a strange sense of peace in the not knowing.
Because whatever happens next, you know youâll face it together.
***
The air in the McLaren garage is thick with anticipation. Cameras are set up, media personnel are adjusting their equipment, and thereâs a palpable buzz in the air as the press conference prepares to start. You stand just behind the curtain, your heart racing. You can hear the hum of voices in the room beyond, reporters murmuring to one another, waiting for the big reveal.
The past few months have felt like a whirlwind â a blur of contract negotiations, meetings with McLarenâs team principal, and the quiet, creeping excitement of finally getting the chance to do what youâve always dreamed of. But now that the moment is here, the weight of it is settling in. Youâre not just about to become the first woman in F1 in decades, youâre about to step into the spotlight as Ayrton Sennaâs daughter.
You take a deep breath, glancing down at the McLaren-branded polo shirt youâre wearing, the crisp fabric somehow making everything feel more real. This is happening. After all the years of hard work, all the sacrifices, youâre about to make history.
Alain stands beside you, his face calm, but his hand on your shoulder is firm and reassuring. âYou ready?â He asks, his voice low, but steady.
You nod, swallowing down the nerves. âI think so.â
âJust remember why youâre doing this,â he says softly, his eyes meeting yours. âThis is about you. Not your father. Not anyone else. You.â
You offer him a small smile. Alainâs always been good at grounding you, at reminding you that youâve earned this, regardless of who your father was. Heâs been there through it all â your highs and lows, your victories and failures. And now, here he is, standing beside you as you take this monumental step.
The curtains part, and the team principal, Martin Whitmarsh, steps onto the stage. The room quiets as he approaches the podium. âLadies and gentlemen, thank you for joining us today,â he begins, his voice carrying through the room. âItâs not often we get to announce something of this magnitude. Today, McLaren is proud to welcome a new driver to our team for the 2013 season. Not only will she be the first woman to compete in Formula 1 in over 20 years, but sheâs also someone with a legacy that speaks for itself.â
Thereâs a murmur of curiosity from the crowd, and you know the moment is coming. The reveal. The truth that youâve kept hidden, even from the people closest to you.
âPlease join me in welcoming, Y/N Senna.â
The sound of your name, followed by your fatherâs, echoes through the room like a ripple of shock. For a brief moment, thereâs stunned silence. Then, the cameras start flashing, the murmurs turn into a roar, and all eyes are on you.
You step onto the stage, trying to steady your breath. The weight of the announcement, of who you are, feels heavier than you expected. But you push through, meeting the gaze of the journalists, the photographers, the team members standing off to the side. You canât see him from here, but you know Alain is watching from the wings, his quiet support steadying you.
Whitmarsh continues speaking, but the words blur together as your mind races. Itâs not until you hear the murmured whispers in the back of the room that your attention snaps back.
âSenna?â
âAyrtonâs daughter?â
âWhy didnât anyone know?â
As the press conference wraps up, and youâre led off stage, the questions start flooding in. Journalists swarm, desperate for a quote, for more insight into the mystery that youâve kept hidden for so long.
But before you can respond to any of them, a familiar voice cuts through the noise.
âY/N.â
You freeze, your heart dropping. You know that voice. You turn slowly, and there he is â Lewis, standing just a few feet away, his face unreadable.
The PR team tries to shuffle you away, but you shake them off, making your way over to him. âLewis âŠâ
He cuts you off, his expression dark. âYouâve been racing for all these years, and you never thought to tell me? Not once?â
The sting of his words catches you off guard, and you open your mouth to respond, but he continues, his voice low but sharp. âI thought we were close. I thought we were-â He stops, running a hand over his face. âYou let me fall for you, and you didnât even tell me who you really are.â
You feel the blood drain from your face. âLewis, it wasnât like that-â
âWasnât it?â He takes a step closer, his eyes searching yours, hurt and confusion written all over his face. âI get it, okay? You didnât want people to treat you differently because of your name. But me? I thought we were past that.â
âI didnât want to use my fatherâs name to get ahead,â you say, your voice trembling slightly. âI wanted to make a name for myself, first. And I didnât tell you because ⊠because I didnât want it to change how you saw me.â
âWell, itâs changed everything now,â he snaps, his voice tight with anger. âI thought I knew you, but clearly, I didnât.â
You take a step back, the weight of his words hitting you harder than you expected. âLewis, please. I didnât mean to hurt you.â
He lets out a bitter laugh. âDidnât mean to hurt me? Youâre Ayrton Sennaâs daughter, and you never even mentioned it once. How could you keep something like that from me?â
You bite your lip, trying to hold back the tears that are threatening to spill over. âI didnât want it to come between us.â
âWell, it has,â he says, his voice quieter now, but still laced with pain. âI donât know what to think anymore.â
You stare at him, your chest tightening. The distance between you feels insurmountable now, like a chasm that you donât know how to cross.
âIâm sorry,â you whisper, your voice barely audible.
Lewis looks at you for a long moment, his expression softening slightly, but the hurt still lingers in his eyes. âI need some time,â he says finally, his voice rough. âI just ⊠I need to figure this out.â
You nod, the tears finally spilling over. âOkay.â
He turns and walks away, leaving you standing there, your heart heavy and your world spinning.
As you watch him go, you canât help but wonder if things will ever be the same between you.
***
The air at Imola is still. The late-summer heat clings to your skin, and the only sounds around you are the distant hum of cicadas and the soft crunch of leaves underfoot as you shift your weight from one foot to the other. You stare at the stone memorial, the bronze relief of your fatherâs face, the flowers people have left here over the years. Some are wilted, some fresh. Thereâs even a small Brazilian flag tucked against the base.
You exhale slowly, your hands stuffed deep into the pockets of your jacket. Itâs been exactly a year since you first stood here, heart in your throat, hoping to find some kind of connection, some kind of clarity. The weight of the past year presses down on you now â signing with McLaren, the media frenzy, the fallout with Lewis.
And Papai. Always Papai.
You kneel, brushing a hand over the smooth stone, fingers tracing the engraved letters. âI made it,â you whisper. âIâm almost there.â Your voice catches on the words, a lump forming in your throat. âI wish you were here to see it.â
You close your eyes, trying to imagine what heâd say if he were standing beside you. Maybe heâd be proud. Maybe heâd tell you to push harder, go faster, never settle. Or maybe heâd tell you to slow down, to find a way to reconnect with your mother before itâs too late. But heâs not here. Thatâs the problem, isnât it?
A soft rustling sound pulls you from your thoughts. Footsteps, deliberate but hesitant, approach from behind, crunching through the dry leaves scattered on the ground. You turn, and your breath catches in your throat.
Itâs Lewis.
Heâs wearing a hoodie, hands tucked into the front pocket, his brows peeking out from beneath a baseball cap. He stops a few feet away, his dark brown eyes meeting yours. Thereâs something guarded in his expression, but thereâs warmth there, too.
You straighten slowly, your heart hammering in your chest. âWhat are you doing here?â
Lewis shrugs, his gaze flickering to the memorial and back to you. âMonzaâs coming up. Thought Iâd stop by first ⊠like I always do.â
The tension between you feels like a wire pulled taut, ready to snap at any second. For a moment, neither of you says anything, the silence stretching out like a canyon.
âI didnât think Iâd see you here,â you finally say, your voice quieter than you intended.
He takes a step closer, his eyes searching yours. âI didnât think Iâd see you here, either.â
You bite your lip, looking away toward the memorial. âI needed to. Before the race. I ⊠I havenât been here since last year.â
Lewis shifts, the soft scrape of his shoes against the ground. âI remember.â
The air feels heavy between you, thick with all the things you havenât said to each other. The words are right there on the tip of your tongue, but they feel tangled, impossible to untangle without breaking.
Lewis is the first to speak again, his voice soft but steady. âIâve been thinking a lot. About what happened. About everything.â
You swallow hard, your hands clenching into fists in your pockets. âMe too.â
âI was angry,â Lewis admits. âHurt, too. But ⊠I get it now. Why you didnât tell me.â
His words catch you off guard, and you glance at him, surprised. âYou do?â
He nods slowly, his gaze never leaving yours. âI know what itâs like to feel like you have to prove yourself, like the worldâs already decided who you are before you even get a chance to show them. I just ⊠I wish youâd trusted me with it.â
âI wanted to,â you say, your voice cracking slightly. âI did. But ⊠itâs complicated.â You look down, kicking at a stray leaf with your shoe. âIâve spent my whole life trying to figure out how to be his daughter without being defined by it. And now ⊠now itâs all out there.â
Lewis steps closer, closing the gap between you. âYouâre not just his daughter, Y/N. Youâre you. And thatâs who I fell for.â
The warmth in his voice makes your chest tighten. You blink quickly, trying to keep the tears at bay, but itâs no use. They spill over anyway, and you wipe at them angrily with the sleeve of your jacket.
âItâs not just about the name,â you whisper. âRacing ⊠itâs all Iâve ever wanted. But itâs also what took me away from my mom.â You take a shaky breath, the words tumbling out before you can stop them. âShe canât even look at me without seeing him. I havenât had a real conversation with her in years. The last time we talked was my birthday. And it was just a two-minute call.â
Lewisâ face softens, and he reaches out, gently brushing a tear from your cheek with his thumb. âIâm sorry.â
You shake your head, sniffing quietly. âItâs not your fault. Itâs just ⊠hard, you know? I love racing, but it feels like itâs cost me everything else.â
He takes another step closer, his hand lingering on your cheek. âYouâve got me,â he murmurs.
You look up at him, your breath catching in your throat. âDo I?â
He smiles softly, his thumb brushing along your jaw. âYeah. You do.â
The world feels like it tilts for a moment, everything narrowing down to just the two of you standing here, beneath the shadow of your fatherâs memory. And before you can think too hard about it, before the doubts can creep in, you lean in, closing the distance between you.
The kiss is soft at first â tentative, like neither of you wants to break the fragile peace thatâs settled between you. But then his hand slips to the back of your neck, pulling you closer, and the kiss deepens, the weight of everything unsaid dissolving in the warmth of his touch.
When you finally pull away, both of you are breathing hard, foreheads resting against each other.
âI missed you,â Lewis whispers, his breath warm against your skin.
âI missed you, too,â you admit, your voice barely audible.
For a moment, the two of you just stand there, wrapped up in each other, the rest of the world fading away.
Eventually, Lewis pulls back slightly, his hand still cradling the back of your neck. âSo ⊠what now?â
You smile, a small, genuine smile that feels like the first one in a long time. âNow ⊠we go win at Monza.â
He grins, his eyes crinkling at the corners. âDamn right we will.â
You laugh softly, the sound light and free, and for the first time in what feels like forever, the weight on your chest lifts.
As you stand there, hand in hand with Lewis, you glance back at the memorial one last time. âI think heâd be happy,â you say quietly.
Lewis squeezes your hand gently. âI know he would.â
And just like that, the knot in your chest loosens. Youâre still Ayrton Sennaâs daughter. But youâre also yourself. And that? That feels like enough.
***
The crowd roars so loudly that it feels like the earth itself is shaking. SĂŁo Paulo is electric, the grandstands packed with people draped in green and yellow, waving flags, and chanting. Youâve been in big races before, stood on podiums, and tasted victory. But this ⊠this is different.
This is Interlagos. This is home. And for the first time in your career, youâre leading an F1 race in front of your people.
âAlright, Y/N,â your engineerâs voice crackles over the radio. âFive laps to go. Everything looks good on the telemetry. Just bring her home.â
Your heart pounds against your chest as you navigate the tight curves of the circuit. Every bump, every rise, every dip feels familiar. Youâve studied this track since you were a child. This is where your father was a legend â and now, itâs where you can make your own history.
The tires hum beneath you, vibrations pulsing through your hands and feet. The sky is dark with heavy clouds threatening rain, but the track is still dry, for now. Behind you, Sebastian Vettel is chasing hard in second place, his Red Bull a glimmer in your mirrors, but you donât think about him. Not now. This is about you. About crossing that finish line first.
Four laps. Then three. Every second feels like an eternity. You can hear the crowd over the sound of the engine, their voices rising every time you fly past the grandstands. âSENNA! SENNA!â they chant, over and over, as if your name â your real name â was always meant to be called alongside your fatherâs.
âTwo laps, Y/N. Gap to Vettel is two seconds. Stay focused.â
Your grip tightens on the wheel. You shift gears, your mind and body moving in perfect sync with the machine around you. The wind whistles past your helmet as you race up the hill toward the final turn.
On the final lap, it starts to drizzle â just enough to slick the track and make things dangerous. Your car twitches as the tires search for grip.
âBe careful, Y/N,â your engineer warns. âYouâve got this. Just stay calm.â
You breathe in. Breathe out. And then the chequered flag waves ahead of you, and the world explodes into color and sound.
âP1, Y/N! P1! Youâve won the Brazilian Grand Prix!â Your engineerâs voice is hoarse with excitement. âThat was incredible â you just won at home!â
Your heart leaps as tears spring to your eyes. You punch the air, screaming into the radio, not caring who hears. âYES! YES! WE DID IT!â
The car coasts into parc fermĂ©, the engine humming its final notes as you switch it off. You rip off your gloves and helmet, letting the cool air hit your damp face. The grandstands are still shaking with the cheers of thousands. Your name â Senna â is on every banner, every poster, and every fanâs lips.
You climb out of the car, adrenaline still surging through your veins, and jump onto the chassis. The crowd roars even louder as you throw your fists into the air, pointing toward the sky. The thought flashes through your mind: This oneâs for you, Papai.
You jump down and make your way to the barriers where your team waits, already celebrating with hugs, fist bumps, and slaps on the back. You push through the throng of mechanics, your heart so full it feels like it might burst. And thatâs when you see her.
Among the sea of McLaren team uniforms, standing stiffly with her arms wrapped around herself, is your mother.
Your steps falter for a moment, shock flooding through you. Sheâs here. Sheâs really here. You blink, wondering if the tears in your eyes are playing tricks on you, but no â there she is. Adriane.
Sheâs thinner than you remember, her hair streaked with more silver now. She looks out of place among the mechanics, but sheâs here. Her eyes, so much like your own, are filled with something you havenât seen in years â pride. And something more. Regret.
For a moment, you just stand there, frozen. You donât know whether to laugh or cry or run the other way. Then her face crumples, and she takes a tentative step forward, her arms reaching for you like she used to when you were small.
Thatâs all it takes. You close the distance in an instant, throwing yourself into her arms.
âMĂŁe!â The word leaves your mouth in a sob, and before you know it, youâre both crying, clutching each other like youâre afraid to let go.
âIâm sorry,â she whispers into your hair, her voice trembling. âIâm so sorry, minha filha. I was wrong. I shouldâve-â
You shake your head against her shoulder, holding her tighter. âYouâre here now. Thatâs all that matters.â
She pulls back slightly, cupping your face in her hands like she used to when you were little. âI didnât think I could do it,â she admits, tears streaming down her cheeks. âI was so afraid Iâd lose you too. But then ⊠then I watched you out there today.â Her voice cracks, and she brushes a strand of hair from your face. âAnd I saw him. I saw Ayrton. But more than that, I saw you. My daughter.â
You canât speak â your throat feels too tight, and the tears wonât stop. So you just nod, leaning into her touch as the noise of the paddock fades into the background.
Adriane pulls you back into a hug, and for the first time in years, you let yourself feel it â the warmth, the love, the mother you thought youâd lost. And somehow, standing here with her in your arms, it feels like youâve come full circle.
After a long moment, she pulls back and wipes her tears, a shaky laugh escaping her. âLook at us. Crying like fools.â
You laugh too, sniffling as you wipe your own face. âItâs okay. Itâs a good day to cry.â
A voice cuts through the noise â your team calling you for the podium ceremony. You glance over your shoulder, feeling the weight of the moment settle on you. You turn back to your mother, hesitant. âWill you stay?â
She smiles, her eyes still glassy with unshed tears. âI wouldnât miss it for the world.â
You nod, squeezing her hand one last time before you let go and jog toward the podium. The crowdâs roar is deafening as you step up to the top step, your name flashing on the giant screens around the circuit. The Brazilian flag rises slowly, and as the national anthem plays, you close your eyes and let the moment wash over you.
It feels like home. It feels like peace. It feels like youâre exactly where youâre meant to be.
Later, after the champagne has been sprayed and the trophies have been handed out, you find Lewis waiting for you in the paddock, a grin stretching across his face.
âNot bad, Senna,â he teases, pulling you into a warm embrace.
You laugh, pressing your forehead against his. âNot bad yourself, Hamilton.â
The two of you stay like that for a moment, the chaos of the paddock swirling around you, but all you can feel is the steady beat of his heart against yours.
âYour dad would be proud,â Lewis murmurs, his voice soft in your ear.
You smile, closing your eyes. âYeah,â you whisper. âI think he would be.â
***
The sun is setting over Monaco, casting the apartment in soft golds and pinks. You let yourself in quietly, the cool metal of the front door clicking shut behind you. Training was brutal today â your arms ache, and every muscle feels like itâs been wrung out. All you want is to find Lewis, maybe curl up on the couch together and recover with some takeaway.
You kick off your sneakers, already untying the knot in your ponytail, when you hear voices from the living room. You pause mid-step.
Lewis is talking to someone â no, two people. You creep forward on silent feet, heart quickening as the voices grow clearer.
â-I love her more than anything,â Lewis says, his voice low but certain. âAnd I want to spend the rest of my life with her.â
Your breath catches. You flatten yourself against the wall, just out of sight. It feels like youâve stepped into some kind of dream, one where the pieces of your life are rearranging themselves into something both surreal and perfect.
Then you hear your motherâs voice â gentler than it used to be, softened by time and the walls youâve slowly chipped away.
âYou want my blessing?â Adriane says, her words slow, as if sheâs tasting them, feeling their weight.
âI do,â Lewis replies. âI wanted to ask both of you. It felt right.â
Both of them? You inch closer, daring to peek around the corner. And there they are â Lewis, sitting on the couch, his elbows on his knees, looking more serious than youâve ever seen him. Across from him sit your mother and Alain, side by side like a pair of mismatched bookends.
Alain leans back, arms folded, the corner of his mouth twitching as if heâs trying not to smile. âYou realize what youâre getting into?â He asks dryly. âSheâs more stubborn than Ayrton ever was.â
Lewis chuckles, but itâs a little nervous. âYeah, I know.â
Adriane tilts her head, studying him like sheâs trying to see through to his soul. âAnd if she says no?â
Lewisâ face softens, a quiet kind of love settling into his expression. âThen Iâll still be with her. Because I donât need her to marry me to know sheâs it for me.â
Something cracks open inside you. It feels like standing on the podium in Brazil all over again â overwhelming and humbling and impossibly full. You press a hand to your mouth, as if that will steady the emotion threatening to spill over.
Your mother leans forward, resting her elbows on her knees. Thereâs a moment of silence so thick it hums.
âWhen Y/N was seven,â she begins slowly, âshe told me she wanted to race. I told her no. I thought if I kept her away from the track, I could protect her from the same thing that took Ayrton from me.â She sighs, her gaze dropping to her hands. âBut all I did was push her away.â
Alain clears his throat, glancing sideways at her. âItâs not easy,â he murmurs, more to Adriane than to Lewis. âLoving someone who belongs to the track.â
Your mother nods, her eyes glassy. âBut youâve made her happy. Youâve given her the space to be who sheâs always wanted to be.â She pauses, blinking quickly. âAnd I see Ayrton in that. In you.â
Lewis rubs the back of his neck, clearly moved but trying not to show it. âThat means more than you know.â
âAnd you promise me something,â Adriane says, her voice gaining strength, as if sheâs gathering all her fears into this one request. âThat youâll never try to stop her. Not when things get hard. Not when it scares you.â
Lewis leans forward, looking her dead in the eye. âI swear. Iâd never take that from her.â
Your mother exhales, like a weight sheâs carried for years is finally lifting off her shoulders. âThen you have my blessing,â she says quietly.
Alain smirks, slapping Lewis on the back. âLooks like youâre in for the ride of your life.â
They laugh softly, the kind of laugh that comes with hard-won understanding.
And thatâs when the floorboard under your foot creaks.
All three heads whip toward the sound, and youâre caught, frozen halfway between hiding and stepping forward.
Lewisâ eyes widen, and then a slow, guilty smile spreads across his face. âHow long have you been standing there?â
You step fully into the room, arms crossed but fighting back a grin. âLong enough to hear that youâre plotting something.â
Alain chuckles, standing up and brushing off his jeans. âI think thatâs my cue to leave.â He winks at you, patting Lewis on the shoulder as he makes his way toward the door. âGood luck.â
âThanks, Alain,â Lewis mutters, rubbing his palms against his thighs, clearly nervous now.
Your mother rises as well, hesitating for a moment. She looks at you, her eyes soft. âIâll call you later,â she murmurs, reaching out to squeeze your hand briefly before following Alain out the door. Â
And then itâs just you and Lewis, standing in the golden light of your apartment, the door clicking shut behind your mother and Alain. Â
You raise an eyebrow, trying to keep your voice light. âSo ⊠what was all that about?â Â
Lewis steps closer, and suddenly the nervous energy from earlier melts away. He takes your hand, his thumb tracing lazy circles against your palm. Â
âY/N âŠâ he begins, and thereâs something so tender in the way he says your name that it makes your heart skip a beat. âI wanted to do this the right way. To ask the people who mean the mos to you.â Â
Your breath catches as he drops to one knee, right there in the middle of your living room. Â
He pulls a small box from his pocket, opening it to reveal a ring that catches the light like starlight on water. Itâs simple, elegant, and perfect. Â
Lewis looks up at you, his dark eyes filled with love, nerves, and hope. âI love you, Y/N. Iâve loved you from the moment I saw you at Imola. And I want to spend every day from now on making you as happy as youâve made me.â Â
You cover your mouth with your hand, tears already welling up in your eyes. Â
âSo,â he says with a smile thatâs both warm and a little crooked. âWhat do you say? Will you marry me?â Â
For a moment, all you can do is nod, words caught somewhere between your heart and your throat. Then you finally find your voice. Â
âYes,â you whisper, your smile breaking wide and free. âYes, Iâll marry you.âÂ
Lewisâ grin lights up the room, and he stands, slipping the ring onto your finger before pulling you into his arms. You kiss him, slow and deep, and in that moment, it feels like everything â the years of struggle, of loss, of love â has brought you to exactly where youâre supposed to be.
When you finally pull away, breathless and giddy, Lewis leans his forehead against yours, his hands cradling your face.
âGuess Alain was right,â he murmurs, grinning. âThis really is the ride of my life.â
You laugh, pure and full, wrapping your arms around him tighter. âBuckle up, Hamilton,â you tease. âItâs only just getting started.â
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For years now, I have been railing against the Republican Party as a literal â literal â Party of Plague. In these closing days of the campaign, they have quadrupled back down on this in ways that will kill millions of Americans.
Not âmight.â Will.
Appointing RFK, Jr. as czar of public health and letting him âgo wildâ will kill millions. Again, not might: will. Not immediately, no, but over time. Trump himself is utterly refusing to promise he and his party wonât ban vaccines and said on Sunday that RFK Jr.âs pledge to eliminate fluoridation of water on day one âsounds OK to me.â
If they do this and make it stick, millions will die. And an outsized number of them will be children.
Courtesy McNadoMD on Mastodon, here are a few of the diseases mass vaccination eliminated from American life, and which banning vaccination will bring back, along with some of their symptoms and progression paths.Howdy folks! Friendly neighborhood ER doc here. Did you know that Trumpâs folks want to take vaccines off of the market? That means you canât get a shot even if you want one. Did you know that the tetanus shot is a vaccine? If you want your kids to be safe from lockjaw (caused by tetanus), you want vaccines to be available. You know what else is a vaccine? Rabies shots. If a rabid dog or bat bites your kid, do you want your kid to be able to be treated before they die of rabies?
Lockjaw and rabies:
Diphtheria:
Whooping cough:
Polio:
You get the idea, right?
These arenât the only ones. These are just a few of those less often mentioned in these modern times, because people have forgot they exist.
When I say the Republican Party is a Party of Plague, when I say it is a goddamn death cult, I mean every single one of those words in every way you might think.
They are promising economic ruin and they are promising ethnic purges and now they are promising mass death of children.
All while killing pregnant people for their vile sense of domination, of course. Let us never forget that, since their families certainly wonât.
One of the things their apologists keep saying is that âTrump doesnât mean itâ and âTrump wonât do it,â and âThatâs just Trump being Trump,â and they talk about âTrump derangement syndrome,â and say that weâre stupid for believing what their candidate fucking says heâll do, and meanwhile, they get enraged about shit they completely make up about us and the candidates who are with us.
We react to things their candidates promise. They react to shit they make up wholesale about us. We are not the fucking same.
If only the political press would catch on to that fact.
The very last day of a campaign is a pretty lousy time to bring up another topic, even if itâs not really new. But this is, again, so murderously psychotic that I canât not bring it back up.
Maybe you can bring it up, too, on this final day of this hellish and evil campaign, this Monday, November 4th, 2024.
Zero days remain.
It is Lastday.
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toji having a smug smirk on his face whenever the both of you are around other people, knowing heâs going to be tearing your insides out when he gets the chance.
you wouldnât call yourself toxic, but one thing in particular that you did every once in a while when toji was pissing you off was to invite your mutual friends over because he hated having people over.
chugging down whiskey while he eyed you down from across the room every five secondsâa nasty stare, but beneath it was horniess.
he wanted to turn you every way but loose and knew that he couldnât do it with people there; thatâs what got him frustrated.
adjusting his sweats every few seconds while his dick pushed against the fabric, cursing under his breath.
throwing jabs at him from the earlier arguments while he stood there smirking, just letting you say whatever you wanted knowing you wouldnât be able to when the two of you were alone.
âwhat was that? mm forgot you had these in there.â pushing his fingers deeper down your throat while his dick was stuffed deep inside of you, fighting the urge to let whatever was sitting in the pit of your stomach out.
sliding another finger in your mouth as the pace he was holding onto quickened, his other hand sliding to your clit.
toji was a brat; he wanted his way all the time. especially when it came to disagreements, and when the both of you were going to speak about it, of course it was your decision at the end of the day, leading to his sexual tantrum.
âtake it, just keep these in there.â gagging around his fingers with no fail every single time, eyes watery, and your pussy overflowing with wetness, hitting his lower stomach.
that same smug smirk on his face the entire time, not letting up; he liked to see you like this, all squirmy while he fucked you.
âoh, now you wanna talk? talk for me, baby.â saliva spilling out the sides of your mouth while you gag around his fingers and your pussy continues to spill over.
one of the examples of the petty fuckings youâve gotten because of toji; he didnât like when you tested him, but you didnât like when the both of you disagreed.
fucking was the only compromise.
#jujutsu kaisen#jjk#jjk x reader#jjk x you#jujustsu kaisen x reader#x reader#toji headcanons#zenin toji#jujutsu toji#jjk toji#fushiguro toji x reader#jujutsu kaisen toji#toji zenin#toji fushiguro#fushiguro toji#toji x reader#toji smut#toji x you#toji x y/n#toji fushiguro x you#fushigurotoji#toji fushiguro smut#fushiguro#jjk fushiguro#fushiguro x reader#fushiguro toji x you#toji zenin x reader#toji zenin x you#zenin toji x reader
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âౚà§ËâĄËàŁȘ adore me, mark your territory !!
á°.á after having to endure locker room conversation since his blue lock days all the way up to his pro days, yukimiya realizes that if he wants to show you just how serious he is about his thoughts on his relationship with you, he needs to make his mark on you. ( fem!reader )
pairing kenyu yukimiya x reader word count 3.6k content contains corruption kink/innocence kink, loss of virginity (both you and yukki), first time, creampie, breeding kink, slightly manipulative!yukki, you two attended the same private catholic high school, mentions of purity culture, coercion, very naive reader, talks of marriage, dark(ish) content kinktober masterlist
To love someone is to know them.Â
You love Kenyu Yukimiya with all your heart; you know his hopes and his dreams, his fears and the tiny voice in his head that serves to either goad or encourage him. The two of you grew up together, attending all the same Catholic private schools up âtil he went pro fresh out of high school graduation, and you decided to attend a tiny, private all girls university.Â
You know that heâs kind and funny, much more outgoing and adventurous than you. You know that he can be gentle, and that he chooses to always be gentle with you. You know that he loves you just as much as you love him.Â
But while distance makes the heart grow fonder, perhaps itâs the distance that has caused this newfound unfamiliarity between the two of you.
âKenny, I donât⊠I donât understand.â Youâre lying down on your painfully small twin-sized mattress in your dorm room. Kenyuâs on top of you, his body hovering over your own. He gives you that familiar, comforting smile of his as he asks you gently (your Kenyuâs always so gentle with you),Â
âWe love each other, donât we?âÂ
âOf course we do.â You say softly. Your arms are by your side, and youâre playing with the frills on the oversized comforter of your bed. Your whole entire room still screams girl. Yukimiya finds it endearing; he finds everything about you so damn endearing. Your floral quilts, and the stuffed animals heâs won for you from claw machines and unfairly rigged carnival games. Your fluffy comforter, and the way you always love to wear dresses, even when itâs just to attend a lecture.Â
And your unwavering innocence.Â
Everyone knows that Catholic private schools arenât as pristine as the parents of the students like to claim it is, but youâre the only one who remained devout. The only one who genuinely stayed true to the lessons taught. You didnât drink, you didnât smoke, you didnât sneak out. The only parties you attended were birthday parties chaperoned by a trusted adult and held in the early afternoon. You always followed the dress code and never tried to get away with folding the waistband of your school-issued skirt to make it shorter, like some of the other girls did. Hell, Kenyu had to literally ask your father for permission to date you before he asked you out.Â
And while Kenyuâs always been on his best behavior, itâs not like heâs unaware of the world. Heâs not naive like you. And thatâs okay. One of you has to know enough to lead the other; Yukimiyaâs more than happy that heâs the one taking on that role.Â
The thing is, Kenyu truly does love you. Itâs why he doesnât rush you, doesnât try to force you to go further than what you think youâre capable of, than what you think youâre allowed to go. He ignores the hard on he gets every time you two make out, the way your hips sometimes move on their own, grinding against him with no thought to strip out of your clothes and let him finish. Youâve been together since the first year of high school, and now youâre in college, and heâs playing professional soccer, and he loves you, and he still hasnât even seen your pussy. Honestly, his closest friends tell him he must be a saint.Â
But the talks in the locker room, the snide comments from his least favorite teammates, the jokes and the teasing and the mocking, condescending tones â gotta protect Yukkiâs ears, canât let him Mr. Private School hear this, as if heâd even know what weâre talking about; damn virgin â all of it is chipping away at his pacifist, mild-mannered demeanor, revealing the feral, greedy egoist that lies underneath.Â
You had been so excited to hear your beloved boyfriend was flying down to your college town this weekend, just to see you! Your roommateâs out on a holiday with her parents, leaving the dorm room all to yourselves. In your cute mind, this just means more room for the two of you to hang out.
For Yukimiya, it means he has no more obstacles to get in the way of him fucking you for the first time.Â
âAnd you know what two people who love each other do, right?â Heâs still using the same pacifying, soothing tone he always uses when heâs trying to calm you down. When you skinned your knees and cried from the sting of the alcohol wipes used to clean the cuts, he had used this voice on you. When you cried at the airport because he was leaving the country to meet the team who paid an exorbitant amount to have him on their starting lineup, he had used this voice on you. Right now, you canât understand why heâs using this voice on you. Youâre not hurt; just confused.Â
âKenyu, wh-what are you talking about?âÂ
âIâm talking about making love, [Name].â One large palm is rubbing up and down the smooth skin of your thigh. The movement causes the thin fabric of your sundress to rise up. Yukimiyaâs never touched you down there before. You donât know why his touch feels so good, but you do understand what heâs talking about now.Â
âBut Kennyââ Your voice is reduced to nothing more than a nervous whisper, almost as if youâre scared someone is listening in. ââwe canât. Thatâs for married couples.âÂ
Well, if itâs any consolation, Yukimiyaâs always planned on marrying you.Â
He kisses your forehead, his hand never relenting from its position on your thigh. Your dress remains lifted up at an angle on one side. He can see part of your cotton panties; plain and white. If he moves his fingers up a few more centimeters, he could tug at the waistband of them.Â
âI know, sweetheart. But Iâve been thinkingâŠâ His hand travels from up your thigh to rest on your hip. The one side of your dress is now all the way up, and his thumb rests on the thin waistband of your panties, rubbing reassuring circles to get you to remain calm underneath him. âWeâll get married soon, anyway, right? I love you so much that I need an outlet to show you just how much I love you.âÂ
âMarried? Soon?â Your eyes widen. You find yourself daydreaming about marrying Yukimiya, starting a family. Yukimiyaâs smile stretches wide across his handsome face. His sweet girl, he knew youâd be putty in his hands after he mentioned that.Â
âOf course.â He kisses you on your lips sweetly, his hand never leaving your hip. âAnd I want to give you all the love a husband has for his wife. Wonât you let me, [Name]?âÂ
Kenyuâs always been handsome. You have a collection of all his professional photoshoots, and you know that he has a bunch of fangirls from just his looks alone. Itâs so unfair of him, really, to give you that imploring look of his. You canât say no to Yukimiya, and you think you never want to.
And so you do let him.Â
Kenyuâs quick. With the speed he normally reserves for on the field, Kenyuâs mouth meets your at the same time his other hand grips your neglected hip. Now both of his hands are bunching up the fabric of your dress, pulling the skirt up to reveal your simple, plain panties.Â
âMmph.â You moan into the kiss. This is a bit different than what you two normally engage in; somehow, everything feels a lot heavier, headier. You canât seem to think straight. All you can focus on is chasing after his lips, matching his hungry pace.Â
The heat radiating off the two of you is enough for Kenyu to separate from you momentarily. The lens of his glasses are fogged up, and he grins at you, satisfied at the progress youâre making, before taking his glasses off and setting them neatly on your nightstand.Â
And then heâs back to kissing you passionately again. Youâre lost in the pleasure of his kisses, unknowingly bucking your hips up, not knowing why your body is craving friction, for some attention, down there. Your hands reach up to grip the front of Kenyuâs shirt, tugging at him, trying to bring him closer. Youâre getting desperate, and he finds it so cute.Â
âLift your arms up for me, sweetheart.â He mumbles against your lips, and your headâs too hazy for you to properly register his request. He repeats it, still as gentle as ever with you, and this time, you manage to comply.Â
âFuck.â You donât hear Kenyu curse often; he says itâs impolite to do so in front of his girl. He breathes out the word, and you feel shy all of a sudden as his eyes roam over your body. He tossed your dress to the side unceremoniously, and because the dress itself had padding, you decided not to wear a bra. Youâre laying on your bed, nothing to protect your modesty besides your cotton panties.Â
âYouâre the most beautiful girl in the world. The only girl I see.â He praises you, and you donât feel too shy anymore.Â
âK-Kenyuââ You look up at him, all doe-eyed and sweet. Youâre pressing your thighs together, drawing his attention to the plush of your thighs, the way hiding in between your legs is your special place that only Kenyu will be allowed to see, to touch, to taste, to love. âWhat do we do now?âÂ
He leans down, whispering in your ear in his familiar, kind voice, âNow, you lay down, and let me show you how much I love you.âÂ
You love Kenyu so much, you think it should be impossible for your heart to have so much room for him. You know Kenyu must feel the same way, but never before has his love for you ever felt so overwhelming. Kenyu pries your thighs apart, forcing you to open your legs for him, but you didnât know showering you in his love meant that he was going to take his fingers and rub against the mound in your underwear.Â
âW-wait, Kenny!â You yelp, trying to shut your legs, but heâs too big, too strong. He blocks the movement, keeps you nice and spread for him. âIââ You donât know what to tell him, and you donât know how to explain why thereâs a tiny puddle gathering in the thin fabric of your panties. Sometimes, you feel funny and this starts to happen, usually after a long makeout session with your boyfriend.Â
âYouâre so wet for me, [Name].â He almost sounds in awe, staring down at your covered pussy almost as if in a trance. The pace heâs using is rather slow; heâs content, for now, with just stroking his fingers up and down your covered slit, fascinated with the way he can watch you slowly drench through the cotton. The wet spot only continues to grow; he bets he can get his fingers damp with your arousal soon, and he wouldnât even have to take your panties off to do so. âDo you always get this wet for me?âÂ
You want to cry, and you can even feel the tears welling up in your eyes. He looks up, instantly stopping his ministrations, his concern written all over his expression. âHey, hey.â He shushes you, peppering kisses all over your face. Heâs not stroking you anymore, but his large hand is cupping your pussy, the heat of his hand encasing your special place. Youâre practically throbbing against him, your cunt aching and hungry for his touch. He just has to get you to open up for him, to understand. âThereâs nothing wrong with that. Youâre supposed to get wet right here for me, you know that?âÂ
You sniffle, unsure if heâs just placating you. âReally?â
âReally.â His smile is so gentle, his tone so soothing and reassuring. Heâs back to grazing his knuckles across your cunt, enjoying the way the fabric keeps on getting damper. âIt means your body is happy, and it lets me know that you love me as much as I love you.âÂ
His other starts to tug at your waistband, dragging down your panties until heâs pulling them right off. His breath catches in his throat as he looks down and stares at your pussy for the first time. Your folds are glistening, your little clit peeking out at him, begging for him to suck on, to rub against.Â
âCute.â He tells you, tracing a finger curiously against your slit, the tip of his index finger so close to entering your clenching, unbreached hole. âIâm going to make you feel really good now, okay, [Name]? Tell me, have you ever played with yourself down here?âÂ
âWha-?â Youâre confused, appropriately so. The boys and girls were separated during sex education, but you remember your teacher drilling it into your heads that under no circumstances should a young girl ever touch herself. You had been confused at the time, confused as to why anyone would ever. Youâve been taught that only your husband should ever touch you right there. But Yukimiya loves you, and heâs going to be your husband, and now youâre starting to think you know why girls may want to touch themselves. Youâve felt this heat in between your thighs before, this mysterious hunger for something, but now youâre feeling it tenfold. You shake your head, too choked up to speak.Â
âNo? Not even like this?â You donât expect Kenyu to insert his finger. The intrusion is foreign, but not entirely unwelcome. Your walls instinctively clench around his digit, and he has to remind himself to breathe, to remain collected, to take things slow so you can enjoy yourself properly. âYouâre clamping down on just one finger.â He breathes out, curling his finger, moving it against your walls. He brushes against a spongy spot inside of you, one that has you jerking up, a shocked, pleasured moan escaping from your parted lips. âThat feel good?â He asks, before adding a second finger, both of them bumping against that same sweet spot.Â
Your legs feel like jelly, and you nod weakly. It does feel good. Too good. So overwhelmingly good that a foreign, euphoric sensation is taking over you. You canât seem to control your body, and you canât stop the flow of cute, pleasured mewls flowing from your mouth, and you manage to scream out a warning to Yuki. âS-something isââÂ
A clear stream of liquid spurts out of you, splashes onto him, soaks your cute comforter.Â
âFuck, youâre amazing.â Your walls are too sensitive now, but throughout the whole process, Yukimiya never stops thrusting his fingers in and out of your inexperienced cunt. His eyes are wide, but the gleam in them is sharp, hungry, calculating. âI didnât even get a chance to mess with your cute little clit. You came just from penetration?â He finally removes his fingers, examining the way your juices are dripping off his digits. âYou didnât just cum, you squirted.â
You turn your head, trying to bury your face in a pillow so he canât see the embarrassed and debauched expression on your face, but he takes his dry hand and forces you to continue looking up at him.
âThatâs a good thing, sweetheart.â He coos, sucking at his fingers obscenely before releasing them from his mouth with a pop!. âIt means youâre perfect and all ready for me.âÂ
Kenyu knows that his cock is the first cock youâve ever seen, and heâll make damn certain that itâs the only one youâll be seeing for the rest of your life. Thereâs no frame of reference for you to use, but you donât think that men should be so big. When he frees his dick, making a show of squeezing tightly at the base and pumping it, showing off to you, you swallow hard.Â
He taps the head of his cock against your swollen, needy clit, teasing the both of you. Heâs losing all sense of restraint, and even rubbing the underside of his cock against your glistening folds, trying to slick up his cock so itâll be easier to glide into your soaked cunt, is enough to make him want to cum.Â
âIâm going to fuck you now, sweetheart.â His voice sounds strained, the gentle tone hanging on by a thread. âWeâll be making love for the first time. Arenât you excited?âÂ
You nod. Excited and nervous. His cock much larger than his fingers, and maybe he should have prepped you more, but you came so easily. He always knew you were perfect for him. Pleasure is so unknown to you, the tiniest taste of it is enough to take you out. Perfect, perfect, perfect.
He holds your hand and kisses you to distract you from the sting of his cock breaching your virgin cunt. You gasp into the kiss, pain registering in your mind first, but Yukimiya is quick to take your breath away, to swallow up any potential protests that might have come. He keeps on kissing you, his fingers intertwined with your own, and heâs pushing himself as deep as he can go. He only lets up from the kiss the second heâs buried to the hilt, and you greedily swallow up the oxygen youâve been deprived of.Â
The feeling of a hard cock inside of you is foreign, but your body clings to his length. Unlike his fingers, with its dexterous ministrations that had you keening and squirting when he brushed them against a special spot, his cock fills you up, stuffs you full. Your cunt is greedily sucking him in, and when he whispers that heâs going to really start moving now, itâs not just one spot that heâs hitting.
Youâre not sure whatâs happening to your body, but it feels like Yukimiya is wringing out pleasure from you from every angle inside of you.Â
âAh, fuck, you feel so good for me, sweetheart. Such a tight pussy, so wet, so warm.â The heat encasing his cock is nothing like heâs ever experienced before. The wet warmth of your pussy is so inviting, so intensely pleasurable, that Kenyu doesnât think heâll be able to last. Cumming so soon might be embarrassing, but itâs not. Not when itâs his sweet girlâs pussy thatâs begging for his cum.Â
You wail out his name, your legs reflexively encircling around his waist, locking him in, keeping him close to you as you cum again. This orgasm is practically ripped out from you, your cunt way too sensitive, the repeated battering of his cock drilling into your hole too much for your inexperienced mind and body to handle.Â
âKenyu, Kenyu, Kenyu!â When you say his name like that, it makes it hard for him to not immediately bust a load inside of you. Gone is the gentle expression from your boyfriendâs face; in its place is something feral, dark.Â
When he pulls out, he sees your white cream coating his cock. When he thrusts back in, he hears the lewd squelch of your wet, overstuffed pussy. Itâs enough to drive a man insane with lust.
âHey, sweetheart.â He grunts out, and your head struggles to remain straight, to not loll to the side and let yourself be used. You look up at him, but your eyes are glassy and your mind seems to be in a far away place, so far gone, so fucked out. âWeâre going to get married soon. So itâs okay if I get you pregnant right now, right?â His bare cock fucking your virgin pussy raw. Heâs going crazy. âIâm gonna fill you up, get you all nice and bred for me. Make you my wife, make you a mommy.âÂ
The domestic daydream makes you tighten up around him, even though your body is too weak to cum again. Thatâs alright. Heâll just have to cum enough for the both of you.Â
âHang onto me, sweetheart.â And you do. Your legs are still wrapped around him, but you weakly raise your arms, holding him close to you. He starts pounding at your pussy, his unrivaled speed and strength turning you into mush. You have to dig your nails into the muscled skin of his back, feeling like youâre on the edge of a cliff, about to crash.Â
âFuck, Iâm about to put a baby in you, love. My sweet girl, my sweet wife.â He kisses you, messy and sloppy, and he stills. The aggressive thrusts stop, and you realize why.Â
Thereâs a new heat entering inside of you; hot spurts of his cum are pouring into you, and he only moves his hips a bit to plug you up further, to make sure none of his seed can trickle out of you.Â
Youâre about to lose consciousness, your brain fried from pleasure and exhaustion. All you do is weakly mumble out his name before the world goes black.
You think if this is what making love is, you love love.
âHoly shit, Yukki.â Isagi gapes at his shirtless teammate.Â
Yukimiya glances up, about to pull his jersey over his head. âWhat?âÂ
âWhat the hell happened to you?âÂ
âHm?â He asks, before turning to try to examine his back. Across the pale muscles are thin, red scratches, fading slightly from the time itâs been etched onto his skin by your nails. He smiles serenely, his mild-mannered attitude ever present. âOh, this? My fiancee likes me close to her at all times.âÂ
#kenyu yukimiya x reader#yukimiya x reader#blue lock x reader#bllk x reader#kanyu yukimiya x you#yukimiya smut#blue lock smut#bllk smut#bllk scenarios#drabble#one shot#imagine#smut#lemon#kinktober 2024
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âdid you knowâŠâ, you begin, tracing vernonâs neck as he hums in delight.
âknow what?â, the vibration of his throat reaches your lips.
âthey say that your moles mark the places your soulmate liked kissing you in your past lifeâ, your words come out calmly, even though your heart is beating loudly inside your chest.
vernon chuckles, firmly wrapping an arm around your waist in a silent plea of âplease, donât stopâ.
âthatâs kinda cute.â
âit isâ, you nod, breathing in his scent. âand i think itâs true, that would explain why you have so many moles on your neck.â
âdo i?â
vernon pulls back a little, just enough to look you in the eyes. he tries not to focus on how red and plump your lips are right now.
âyou do. one on the left side, one on the right side, and one on the backâ, you say with a little smile, like you had his body memorized by now - which you did.
he smiles softly. âand youâre the one who did it?â
âi meanâŠâ, you bite back a smug smile. âwho else could have loved your neck in the past life as much as i do today?â
âno oneâ, he says in a heartbeat. âplus, you only have one soulmate.â
you lean forward to peck his lips, humming when he deepens the kiss.
âand thatâs me?â, you whisper against his lips.
vernon laughs. his eyes are closed, and you melt in the way his thumb is caressing the skin of your waist underneath your shirt.
âyou said it yourselfâ, he whispers back. âwho else could it be?â
a/n: i am just a girl with a heavy crush on her bias, pls forgive me.
#vernon x reader#vernon x you#vernon imagines#vernon headcanons#chwe vernon x reader#chwe vernon imagines#chwe vernon x you#chwe hansol x reader#chwe hansol x you#chwe hansol imagines#hansol x you#hansol x reader#hansol imagines#chwe hansol headcanons#chwe vernon headcanons#seventeen imagines#seventeen drabbles#seventeen reactions#seventeen x reader#seventeen x you#seventeen headcanons#svt imagines#svt x reader#svt x you#svt reactions#svt drabbles#svt headcanons#seventeen#svt#chwe hansol
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â f1 boys and the moment they go âfuck itâ
Ë â LANDO NORRIS
youâre both a little drunk, but sober enough to know what youâre doing. he loves testing your limits, so he makes a bet with you over something trivial, promising a âprizeâ if you win. when you win and smile victoriously, he laughs and says, âi guess i owe you something special, right?â you nod, ready to receive whatever it is. he leans in, eyes shining, and whispers, âi hope this counts,â before giving you a kiss that feels playful and intense at the same time.
Ë â GEORSE RUSSELL
youâve always had a fun friendship, where you could joke around and have fun with each other all the time, and tonight was no different. youâve been teasing him all night, playfully testing his limits. heâs been patient, smiling, until you say something that pushes him over the edge, âoh you want to kiss me so bad right now,â you say playfully as he wouldnât stop looking at your lips. he looks serious for a moment and you think he doesnât like what you said, but he just gets even closer, his voice low and intense, âyou have no idea how much,â before leaning in and kissing you, finally giving in to what heâs wanted for so long.
Ë â SEBASTIAN VETTEL
you're alone in your room while music plays. you thought you were alone and he was in the living room, but he was silently watching you sway, mesmerized. he always admired you from afar and never hid it, but at that moment, something changes inside him like never before. he thought a lot before doing it, but it was only when he stopped thinking that he finally did it: he approaches, puts a hand on your waist and, without saying a word, pulls you close, holding you as if you were the only two people in the world. you were startled by his sudden attitude, but you quickly melted in his arms as he hugged you and pulled you even closer to him while your lips were danced together.
Ë â CARLOS SAINZ
youâd never argued before, but at that moment, your nerves were on edge; you were both frustrated with each other. the room fell silent as the tension shifted, and he was staring at you, breathless. you tried to look away from him, but something about him held you back; he was a mess. suddenly, he closed the distance, pressing his lips to yours in a kiss that spoke of all the unspoken emotions between you, finally letting everything that had been bottled up come out.
Ë â CHARLES LECLERC
he watches you from afar as you talk and laugh with another guy, and even though he knows he has no claim, it still stirs something primal in him; he just couldn't stop staring at you, and you noticed it. later, when you're alone, you tease him about it and ask him why he couldn't stop looking at you like that. he knows you were having fun with the situation, but he wasn't. you thought it was no big deal, but for him it changed everything. "i hated seeing you with someone else," he finally admits, serious as he stares at you. you look at him for a few seconds and smile, he smiles back and takes your face, finally kissing you - and claiming you his.
Ë â LEWIS HAMILTON
itâs late and youâre saying goodbye after spending the whole day together; he loves being with you, but he hates the time to say goodbye. it feels like time passes so quickly with you but so painfully slowly when youâre apart. he also knows that you hate goodbyes, so youâre lingering at the door, neither wanting to part. he takes your hand, holding it a little tighter, his thumb gently stroking your skin. âmaybe⊠i donât want to say goodbye yet,â he says and his eyes shine at you. he leans in, finally pressing his lips to yours as he places his hand on the back of your neck and the other on your waist.
Ë â OSCAR PIASTRI
itâs late and youâre both tired from the party you just attended. people have started to leave, but youâre too busy with each other to care. youâre in the garden of the huge house, sitting on the grass and admiring the stars. he looks at you laughing at something he told you, your voice soft and open, and something inside him snaps. his heart starts to beat faster as heâs mesmerized by you. he blurts out, âsorry, i canât pretend anymore,â and pulls you closer to him, his hands shaking with anticipation and desire as he finally takes your face carefully and kisses you, completely melting into the taste of you.
Ë â LIAM LAWSON
he loves listening to you and always listens attentively. but lately he hasn't been able to hold himself back: whenever you start talking, he has to look away or think about something else, because he's on the verge of finally giving in to you. you have a surprising effect on him that he's never felt before, and today was no different: while you're talking, he suddenly goes quiet, his eyes fixed on yours with an intense gaze. "sorry," he murmurs, "i know you're saying something important, but i just⊠i can't concentrate when you're so close." he's also surprised by what he just said, but he doesn't wait for an answer, pulling you into that kiss he's been holding back for so, so long.
Ë â MAX VERSTAPPEN
youâre both running to take cover from an unexpected downpour, and youâre both soaking wet, laughing and out of breath. he looks at you, hair drenched and eyes shining as you laugh, and realizes he canât contain himself anymore. youâre the most beautiful and charming person heâs ever met in his life, and he canât hide it anymore. heâs afraid of losing you; of losing the opportunity to finally be with you. so, without saying a word, he gently caresses your cheek and smiles with you before pulling you into a passionate kiss, with the rain running down both of you. in that moment, he felt like he was floating. in that moment, nothing else mattered, it was just you and him in the world.
#lando norris x reader#lando norris imagine#george russell fluff#george russell x reader#george russell imagine#sebastian vettel x reader#sebastian vettel imagine#carlos sainz x reader#carlos sainz imagine#max verstappen x reader#max verstappen imagine#liam lawson x reader#liam lawson imagine#oscar piastri imagine#lewis hamilton x reader#charles leclerc x reader#lewis hamilton imagine#charles leclerc imagine
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Grey Reaper ( Lanius excubitor ) " My sweet summer child, what do you know about horror, about fear? Let me tell you a story about the Grey Reaper. The story of how I lost my only brother. It happened on the last day of October, long before you were born and I was still a young girl. My grandfather told me a story about an old beast, he called it the Grey Reaper. The beast appeared only during the autumn preceding the most harsh and long winters. Reaper hunted during the day, while everyone was working in the fields, members of our tribe disappeared without a trace. I always thought these stories were just fairy tales, until one day I saw him with my own eyes! Together with my brother and father we were gathering nuts for the winter in an old orchard. Suddenly everywhere fell eerily silent, in the forest and the field. Then, I heard a terrifying croak, the air whistled, the grass around me bent. I turned around and looked into the cold, black eyes of the beast. Those black empty eyes haunt me to this day. One moment later the beast flew away with my brother in its claws. Everything happened so fast, and at the same time as if time was frozen. My father grabbed his backpack and a spear and ran after the beast, straight to its lair, trying to save my brother! It was a place from the worst nightmares. The smell of blood and death was everywhere. To reach the place where the beast rested, one had to fight their way through a maze of thorny branches on which the Reaper impaled his victims. I tell you my child, many beasts roam these forests, many predators threaten us and hunt us for food... but the Reaper did it for fun! Father returned to us badly wounded, unfortunately it was too late for my brother. Father never spoke of what happened there and we never asked. No one has seen the Grey Reaper since. But I'm still afraid to go out into the fields and orchard in the fall, the beats still haunt me in nightmares, I'm still afraid he'll come back..."
I remember when many years ago, I first heard about the Great Grey Shrike and its habits, I couldn't believe it! Since then, this bird has always fascinated me and stimulated my imagination. Especially in the context of how terrifying its habits must have been for the creatures like gnomes. I always wanted to place this bird in the "Furry Demon" stories / universe, and I finally did! Nature is truly extraordinary. If you haven't heard of the Great Grey Shrike ( Dzierzba Srokosz ) before, I recommend checking it out, but it's not for the faint of heart :)) Cheers! work process: https://jrozalski.com/projects/AZQqZN
#illustration#art#painting#storyteling#wild nature#nature#birds#grey shrike#digital painting#gnomes#folk stories#horror
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So about the Battle Subway Trains
Hi, I love trains! And the Trains in Unova have a surprising amount of detail? And nobody talks about it? And if I don't talk about it I will explode!?!!!
So despite Unova being inspired by New York you'd think the Battle Subway Trains would be based on The New York Subway Trains? However they look like they are more based on Japanese Railway Trains!
I'd like to preface before going into this that despite talking a lot about the Japanese Railway, I am not Japanese, while I did my best to research as best I can, some stuff may fly over my head, I also used an online translator for some information so it might not be 100% accurate.
Alrighty lets get into this! This is mainly for fun and its going to be under the Read More because it is verrrrrrrrry long, I hope that you enjoy!
If you aren't aware, each train in the Battle Subway has lore! All the lore comes from this Worker NPC on the bridge in Anville Town. Depending on the day, a different train will show up on the turntable, and he'll give you a little dialogue for that train! This dialogue is what I'll be mainly analyzing :]
Single and Anville Town Trains:
"This is a Single Train! It's the oldest train in the Battle Subway. It's for a loop line to go around the Unova region! Do you know Tubeline Bridge? The train that runs on it is this Single Train."
"As you know, this is a local train to Anville Town! Isn't it just so cute? This one is a little slow and heavy. When it runs, the whole train sways. The train car is the same model as a Single Train. Because it is an old train car, I hear the maintenance is hard, but it's the one I always ride, because I loved it as a kid!"
So! The Single and Anville Town Trains are the same model of train, you can actually see this in their designs where they both share the same face but they differ in the livery. (Livery is a term referring to the train's decor/color, the color is often associated with a particular company or in this case a particular train line.) I'm going to use this fact to assume that if one train has one feature, then it's likely that the other train also has that same feature. Such as how the description of the Anville Town Train says it sways as it runs, if that is the case then the Single Train also probably sways. (which sounds kind of awful to battle on, unless you have good train legs I suppose X_X)
It is stated that the Single Train is the oldest in the Battle Subway. I believe though, that it means the oldest train that is currently running in the Battle Subway. As there is another train that seems much older and no longer running, but I'll get to that train much much later.
Older trains are indeed harder to maintain, and expensive too. This is because the older the equipment, the harder it is to get its parts as they become more obsolete. Though I will say this, trains can last a long time! The average service life of a train is about 30-50 years, it really varies from train to train. These trains would most likely be on the older side.
There is a slight possibility that it has been continued to be maintained past it service life. Given how fond the Worker NPC talks about the train, it might have high sentimental value. Therefore if it is past its service life, it has not been scrapped or recycled yet because of it. I doubt this is the case though, usually it is never worth the maintenance cost (especially for regular operation.)
Like the description says, you can see the Single Train running on the Tubeline Bridge, here's a video of it! Apologies for the way I am recording this, I don't exactly have a capture card, but I wanted to show you guys regardless
You can see how fast the train is going as it passes below you! At least the just Singles Train anyways, seems to me like it's going about 20-30mph? I tried doing math to find the exact speed but that's difficult for several reasons (no idea how large a "tile" in Pokemon really is and objects in the overworld are not very accurate in size so I can't exactly do any comparisons. The perspective of the camera also makes it tricky.) Given how the Anville Train is described as "slow and heavy", I would hazard a guess to say that the other trains of the Battle Subway may run faster than this.
You can also see that each train is made up of 7 cars as it passes below you if you slow down the footage. Which is not surprising, you have to win 7 battles in a row to complete a "set" where you are then dropped off at a rest stop. I believe the Battle Subway trains to be electrical multiple units (EMUs) so it would probably make them 7-car sets.
It also looks like the Singles Line is very busy with the trains only being seconds apart! Now I know this is more a visual thing so the environment would be interesting to look at, but I'd like to think it indicates that the Battle Subway/Singles Line is very popular! (and very well organized!)
As for Real life train inspirations I think perhaps the Tobu 10030 series?
The Tobu 10030 is a version of the Tobu 10000 series with some minor changes, such as the design of the face and using a bolsterless bogie. (Bogie is a part of the train that refers to a frame that holds sets of wheels as well as the suspension, breaks, etc. in which the body of the train car rests upon.)(A bolster is a part that connects the side frames of the bogie and the underside of the car's central pivot point.)(A bolsterless bogie is a bogie type that doesn't have a bolster). The front of the train is covered in fiber reinforced plastic and the outer panels are "bead molded" (which... I have no clue what that means...) This series has been going under renovations since 2010.
Double Train:
"This car is a Double Train! This is a mass-produced car from a decade ago! Compared to a Single Train, the number of parts was reduced so it could be built for a lower cost. The number of parts influences the budget and construction time. The streamlined and beautiful design of the Double Train is still valued today."
So the Double Train is at least 10 years old! (That's what decade means!) Honestly though, I think the Double Train might be older than 10, in Japanese the description just says that it is a "mass-produced train from a long time ago" and doesn't mention a number... Another reason is that in the Multi Train description, it mentions that it is a test model for future trains that will replace the Double Trains. Which means perhaps that the Double Trains may be reaching near the end of its service life, which again average 30-50 years. It could be a possibility that this train may have a shorter service life than usual, who knows. This all speculation really.
As for lowering the amount of parts, from what I found it makes the train lighter. It would also probably lower the cost as well like the description says (trains are really really expensive to build! EMUs can cost $2mil-$10mil per car!)
It also mentions that it is a mass-produced car! It's a train made with mass production for commercial purposes! I believe it's usually for train lines that are really busy, where they would need a lot of trains? It typically means that there are a lot of them. (All this makes me wonder about train production in the Pokemon World...)
As for Real life inspirations, I think that the Double Train is inspired by the Tokyu 1000 series train.
The Tokyu 1000's design and equipment is similar to another train, the Tokyu 9000 series, with improvements such as improved handling and making it easier to do inspection and repair work. As well as reducing the amount of spare parts from the Tokyu 9000.
Multi Train:
"This car is a Multi Train! Few cars of this model were produced. This is a test car to develop future mass-produced cars that will replace the old Double Trains. The technology born during the creation of this train car made the Super Single Train and Super Double Train possible!"
The multi train is a test/prototype train! A little surprised that an entire line is running off a few prototypes. Like the description says, not many are produced as the purpose of a prototype is to test features and improve upon them if needed before they are put into mass production. Given that it says the technology from this train was the reason the Super Single and Super Double Train was made possible. I'm thinking it was most likely testing some eco friendly features? As it is the Super Single and Super Double Train's main feature.
Perhaps them using a model with so few trains means that the Multi line isn't that busy/popular? (Surprising then the train platform is not swarming with more train photographers haha!)
As for real life inspirations, while the livery may not be the same I think it could be the Keisei 3000 (2nd Generation.)
The Keisei 3000's body is made of lightweight stainless steel and the passenger doors have a paper honeycomb structure. When they were designing this train, they wanted it to be both environmentally (energy saving) and customer friendly (being accessible to elderly and those with disabilities.)
Super Single and Super Double Trains:
"This Super Single Train is a new mass-produced car! It's an environmentally friendly train, because they revised all the parts to drastically reduce power consumption! Newer trains have to be built in a way that's both functional and environmentally friendly. Compared to the past, they've improved significantly."
"This Super Double Train is a new mass-produced car! Such a streamlined and refined design! Beauty and utility working together! That kind of beautility is unique to mass-produced train cars! It uses the same train car as a Super Single Train. The only difference is the appearance. It is a superb train car that will go down in the history of the Battle Subway!"
The Super Single and Super Double Trains are the same model. Honestly the description of these trains doesn't give me a lot of information besides the fact that these trains are eco friendly. So I'll talk about what trains do to make themselves (even more) eco friendly!
They are stated to be eco friendly by reducing power consumption. I think it could be referring to a "VVVF inverter control" (it stands for variable voltage variable frequency. In English its mainly called the VFD or variable frequency drive.) A VVVF is a type of system for an AC motor that can reduce energy consumption! (There are two types of electrical current, DC or Direct Current and AC or Alternate Current. An AC motor is a motor that is driven by AC electricity.) It is important on energy saving trains! I won't get too much into how it works, but essentially it controls the AC motor's rotational speed by controlling the frequency. By controlling these, it can control the speed and acceleration of a train. You'll find that a VVVF is often paired with a three phase motor (I will not go into that...) Let's just say that these systems are very efficient at using power and help save energy.
Really, reducing power consumption usually means being more efficient at using power. Like using LEDs, using better insulation to retain cooling or heating, and generally using parts that use less electricity. It could be that the train is lighter in weight too (lighter vehicles use less power.)
Both of these Super Trains are mass produced! Which tells me that there are a lot of Super Single and Super Double trains! Its lines are probably busy.
As for real life inspirations, it is very much inspired by the E233-2000 series train
The E233-2000 is a little bit of an oddball in the E233 family exterior design wise. Its design was inspired by the Tokyu 5000 series. Its basic running equipment is the same as the E233 trains before it though.
I think it is a bit of a stretch, but I'll mention it anyways. The E233 (which the E233-2000 is a subsection of) is a train that has won the Laurel Award in 2007. The Laurel Award is an award given to trains by the Japan Railway Friends Association for trains with an excellence in technology and design (specifically geared towards commuter trains.) It could be what all the "beautility" comments could be referencing to? They do look verrry different though, and the E233-2000 came after the award was given...
Super Multi Train:
"This train car is a Super Multi Train! This is the latest train car! Improved acceleration and deceleration! Automated train-car controls! It's full of cutting-edge technologies. Also, a regeneration brake system, a car-body tilting system, a whatchamacallit system, a thingamabob system... I don't remember all the details, but it's just a big festival of all the latest technology!"
Ohhoho! The Super Multi Train description is a goldmine of details! This train is the whole reason I wanted to make this post! Let's run through its features!
Improved acceleration and deceleration means that it can run between stops faster, allowing for quicker operation time.
Automated train-car controls or ATC is a safety system on trains that prevents trains from going over a certain speed! If the train goes over the maximum speed permitted then the ATC will pull the brakes automatically to reduce the speed and release the brakes when it is below maximum speed. It also displays the maximum speed to the driver. It is an incredibly important safety system!! From what I understand, the term ATC is very common in Japan, in other countries the ATC would simply be a part of cab signaling (it is a safety system mainly for the driver and train crew, it tells them track status and condition information) and train protection technologies. ATC is installed on all Shinkansen trains, it is also installed in some subways and heavily used railways.
Here's an example of what it looks like! The green triangle there is the (current) maximum speed. There are a lot of different types of ATC systems and this ones a D-ATC (stands for Digital Automatic Train Control) from within an E233! There are a whole lot of different types of ATC, and they can come in many looks! I would show more examples, however, I have hit the image limit on this post... :[
A regenerative brake system is a special type of breaking that allows a train to generate electricity via breaking! The electricity can either be used immediately, stored, or returned back into the line. You might've heard this feature on electric or hybrid cars. It is a common eco friendly feature!
A car-body tilting system is a feature in trains that allows the body of the train car to tilt into a curve! It allows the train to go faster on a track (not needing to slow down on a curve) but the feature is mainly for passenger comfort! When you ride, you don't feel the centrifugal force at all when going around a curve! And it makes the ride so smooth! Here's a short video demonstrating what it looks like:
youtube
There are essentially two major ways to do a car body tilting system. There is active tilting (forced body tilting) or passive tilting (pendulum system). A forced body tilting system uses computers to tilt the train using track data or sensors, telling the train when and how much to tilt. If the calculation is not done correctly, it can leave passengers with motion sickness (An infamous example is the Advanced Passenger Train in the UK). The tilting itself I believe is done via hydraulics. Forced Body Tilting is more popular in European and American trains.
As for passive tilting, the train in the video uses it! (A controlled pendulum train!) It means it uses natural forces to tilt the train car. I'll dive deeper into this type of tilting in the Wi-Fi train section because it actually mentions it's a pendulum train! As to which tilting type the Super Multi train has... it could honestly be either.
(Ah! I forgot to mention this, but tilting trains are especially useful in mountainous regions, where there are a lot of curves.)
In the Japanese version of the Super Multi description, it also mentions that it has a "earthquake warning system" and a "tornado monitoring system".
An earthquake warning system is not something fully installed into the train, rather it's mainly a set of sensors installed along the track, coast, and major inland areas. For passenger rail, if any signs of an earthquake are detected, it will alert any trains in the affected area and drivers are required to apply their emergency brakes. For shinkansen trains it will cut off power to the affected area which will automatically activate the emergency brakes.
Well, I found something close to a tornado warning system. There is a "gust warning system" where sensors measure wind speed and to predict where strong gusts of wind would go. Again, it's not a system that is installed within the train. From what I could tell, they would restrict travel speed during strong winds. If wind speeds are too high, then they would shut down the lines. (I suppose would be very useful, especially when there's some legendaries that cause powerful storms roaming around.)
In the Japanese version of the text, it also states that the Super Multi Train is also a test train. Which again means there's also not a lot of this train. It also states that some of it's features are unnecessary due to it being a test train lol
In the description all these features are stated as "cutting edge" and "a festival of all the latest technology" when these features are not all that new? And Regenerative breaking seems to be pretty common? (Every irl train I have shown thus far all have it.) Eh, I don't think it's that big of a deal. They are just fictional trains after all.
I originally thought the train looked like an Eizan Railway Deo 800 series, but thanks to the leaks, it looks like that the JR East 205-500 was used as a base to design the Super Multi Train? With probably heavy modification to the final design. (While I don't condone the method that these leaks were obtained, curiosity did get the better of me. This is the only train that I ID-ed this way.)
This Train was exclusive to the Sagami Line, though it ended operation in 2022 and every one of these trains have been scrapped. The blue color I believe is an homage to the Sagami River that runs along the line. The Train used a semi automatic door system for its passenger doors. Which means that rather than the conductor opening and closing the doors, the passengers would press a button to open the door when the train has stopped.
Wi-Fi Train:
"This train car is a Wi-Fi Train! It is the fastest long-distance high-speed train in the Battle Subway! This is called a pendulum car. Its body tilts while going around curves, so it can run without slowing down! Faster! Farther! Our engineers' spirits are infused in it!"
A pendulum car is a very specific term!!! Like I mentioned in the Super Mutli Train section it is a type of car body tilting. There are multiple types of Pendulum systems, There is Natural Pendulum, Controlled Pendulum, Air Spring (also called Simple Pendulum), and Hybrid.
Natural Pendulum is just using the centrifugal force of when it goes around a curve to tilt the train. This type was known to cause motion sickness in riders because when it straightened out, the car would "lag" or wobble. Sometimes the force was not enough to tilt the train and this would also cause passenger discomfort. These issues were fixed later with a controlled pendulum, where there would be a degree of control to the tilting. Using mechanisms similar to forced body tilting, it would prevent wobble and ease the tilt. The air spring method, as suggests in the name, uses air springs to help with tilting. It is similar to the controlled pendulum, though it tilts less than it (controlled pendulum can tilt 6 degrees and air springs can only tilt 2 degrees). Air springs are cheaper to build though and still are able to make the train go faster. Hybrid is the combination of controlled pendulum and air springs, allowing for an 8 degree tilt.
I hope the Wi-Fi train is not a natural pendulum? You're telling me you have to battle on that and you might get motion sickness?? Though it sounds like it might be more high tech so it is most likely the other types... Hopefully...
It also states that this train is the "fastest long-distance high-speed train in the Battle Subway!" Looking at Japan's tilting trains (that are not shinkansen), they go about 120kmh-130kmh (about 75 mph-81 mph.) So it could be a possibility that the Wi-Fi goes something along those speeds.
I've looked through Japan's tilting trains, and the closest one might be the JR Hokkaido Kiha 201 series? It's not at all close though... I can't really find a good match tbh. I think the 113 series seems to be a bit more closer visually.
The one on the left is a Kansai livery and the right is a JR Shikoku livery. They are both the same train, JR Shikoku bought the 113 series from JR East to replace some aging trains and then modified it. Which is why they look a bit different. The modifications include strengthening the front of the train and adding shock absorbing material inside.
So Those are all the trains that run in the Battle Subway! However there are 2 trains that don't, instead they only show up in Anville Town on certain days. I'll be calling them "Old Train Car" and "Futuristic Train Car"
"Old Train Car"
"This train car is the kind that ran a long time ago. Compared to contemporary train cars, it has more parts, so I heard it was difficult to build. The old train cars built with lots of small parts have their own unique beauty and attract a lot of fans. Those cars no longer run in the Battle Subway, but I hear they're still used in a faraway region. Ah... I'd love to be on that train!"
So this sort of car used to run on the Battle Subway. It's said to be still running in another region, though with how old the train looks I can only think that maybe it would be running by railway preservationists.
The design of this train reminds me a lot of old Japanese electric trains and trams. Especially trams with that double roof. I don't think it's really based on any particular vehicle? Here's a couple that I found;
The only one I feel like is worth mentioning is the Jomo Electric Railway Deha 101 (this specific car is the Deha 101, others of its kind are called Deha 100 type) and the Nagasaki Electric Railway 160 type. Both of these vehicles I believe are still running to some capacity.
The Jomo Deha 101 has been running for over 90 years. While car 101 still resides at Jomo Railway, other Deha 100s have been transferred to other private companies where they have been scrapped. I believe the only existing Deha 100s today are Car 101 and Car 104 (which has been painted bright yellow.)
The Nagasaki Electric Railway 160 type used to belong to the Kyushu Electric Tramway where it was called the Type 1 Electric Tram. When it was transferred to the Nagasaki Electric Railway it was renamed into the 160 type. Today, there is a single car in operation. I believe it is the oldest wooden car in Japan that is still in service.
I suppose I will also mention the Keifuku Electric Railway Mobo 21 Type Train, it does look the most similar. Though, it's purposefully designed to look like an old style tram.
"Futuristic Train Car"
"This train car is a new train to run in the future! Wooo! Cool! Super cool! The latest motor breathes fire! Uh-oh, if it really breathed fire, that would be bad! But it is full of the latest technologies! It's undergoing a lot of testing. It's called a gauge-convertible train. It's a sweet car that can adjust its wheels to run on any rail!"
So first off, I'd like to say that this train visually kind of looks like a "Sonic" 883 series (nothing to do with the blue hedgehog, it was just a coincidence lol)
However the description!!!! A "gauge convertible train" that is undergoing a lot of testing... That description matches exactly with the GCT! (literally standing for Gauge Change/Convertible Train, though in Japanese it's called FGT or Free Gauge Train!)
The GTC is the project name for this experimental shinkansen. The one in the picture is the GTC-01, the second generation of its kind (as this is the version they would be testing before and during the development of the game, there is now a 3rd generation.) So, the term gauge refers to the distance between the two rails. Different trains run on different gauges, they can come in either narrow gauge, standard gauge, or wide gauge. Japan's rail network is mostly narrow gauge (specifically Cape Gauge.) The main exception are the shinkansen trains, which run on standard gauge. This shinkansen like the description says would be able to run on any gauge. It used to be under a lot of testing by the Free Gauge Train Technology Research Association. Today though, the GTC-01 second generation sits on display in the Shikoku Railway Heritage Museum.
There are a lot of challenges that the GTC faces. It takes a bit of time for the wheels to adjust to the gauge and you need to go slower when it's doing so. It has increased maintenance costs. The heavier specialized bogie creates more wear on the rails as well as making the train harder to detect. (Ok! Basic explanation for Railway Signaling! Tracks are split up into sections called "blocks", and a small electrical current is run between the two tracks that makes up the block. When a train runs through, the wheel and axle of the train disrupts the current, which then the system detects that block as being occupied by a train. If it is occupied, the signal lights at the end of the block will be turned red, preventing other trains from entering the same block, thus preventing collisions. The problem arises in the GTC in that the wheel and the axle are separate, thus something about this is making it hard to detect on the rail.)
With this train being a "gauge change train" it really made me wonder what gauge the Battle Subway trains runs at? I thought maybe standard gauge or maybe even wide gauge because you can only make the train so wide depending on the gauge. And you'd probably want it wider so that there is more room, especially if you are fitting a battle arena in it! However in Japanese the description mentions that "The rails are a little wider on the tracks that run at higher speeds." Which is... exactly how Japanese rail works? So the Battle Subway lines are probably narrow gauge?
Another thing that's interesting about the "Futuristic Train" is the date that it actually shows up. In Anville Town the way that each train shows up is dependent on the last digit of the day of the month, like so:
0- (10th, 20th, and 30th) "Old Train Car"
1- (1st, 11th, 21st, and 31st) Single Train Car
2- (2nd, 12th, and 22nd) Double Train Car
3- (3rd, 13th, and 23rd) Multi Train Car
yada yada you get the point (4- Super Double Train, 5- Super Single Train, 6- Super Multi Train, 7- Anville Town Train, 8- Nothing, 9- Wi-Fi Train)
The only exception is the "Futuristic Train" who will show up ONLY on February 1st, June 12th, October 1st, October 14th, and December 30th, pretty random huh? haha of course not! These dates are dates significant to the History of Japanese Railway/Transportation!
February 1st: The opening of Japan's first electric street car in 1895!
June 12th: The temporary operation of Japan's first passenger railway in 1872!
October 1st: The release of Japan's first Shinkansen, the series 0 in 1964!
October 14th: The official opening of Japan's first passenger railway in 1872, with the first two stations between Shimbashi and Yokohama! This day is also Railway Day in Japan, celebrating this event, Tokyo holds a Railway Festival and train companies like to do events on this day as well!Â
December 30th: The opening of Japan's first subway line in 1927, The Ginza Line!
Rails, Station Platform, and More Train:
So the Station, there are a few details I can pick up on here!
The type of track that the trains run on (at least in the station) are ballastless tracks! It means the rail is tied directly onto a slab of concrete rather than having ballast hold it up (ballast is that rocky gravel that you often see beneath the tracks.) This type of track is quite expensive to build and makes the place a lot nosier, but it has a lot of advantages! For one, because there is no ballast to maintain, it has lower maintenance cost (ballast must be packed every now and again using a ballast tamping machine. Which lifts the track and jostles the ballast beneath it. Ballast also needs to be replaced after a while because the rocks have to be irregularly shaped for it to work, and natural weathering can make them smooth out.) It is also easier to clean and has a longer lifespan. Because the rail is tied to slabs of concrete the rails are less prone to deformation, which is good! Though it is also that same inflexibility means that it is difficult to change anything about it and takes longer to repair.
Their buffer! (that little black thing at the end of the line, I think it is a buffer?) It doesn't look like that effective of a buffer... The purpose of a buffer is to stop a train if brakes fail. Though this thing seems to be more for the driver telling them where the end is, hence all the, what I presume are, lights. Let's hope they have some sort of other safety system in place (like some sort of Automatic Train Stop system.)
There doesn't seem to be a third rail. I have a feeling that might be because most Japanese railway trains are powered via overhead wire (literally every irl train I have shown is powered this way.) Maybe the Battle Subway trains might be powered via overhead wire? I might be over analyzing here, they might not have thought of modeling such a small detail haha
The train itself has some sort of device on top (that box thing.) I believe it to be some sort of air conditioning unit. Given how each train car has one large unit on top of it, I believe that it uses a centralized cooling system, which means there is one large air conditioning unit. (There are 2 other types, they are distributed cooling which consists of 6-8 small units and centralized distributed which consists of a couple of medium sized units.) Central cooling systems are easier to install and maintain because there is only one unit to worry about.
Signboards:
The Buildings in between routes have a electronic news bulletin board, and depending on which city is connected to it, the news bulletin will give a little flavor text about the city. There's some flavor text about the Battle Subway when it's about Nimbasa City, and it different depending on whether you are playing the first one or the second one, here they are:
BW
"Run and battle! Trains never stop!â Battle Subway in Nimbasa City"
"They say someone who loved battles also happened to be a railway maniac, and thats why we now have the battle subway"
So, this might be a coincidence, but there is an old name that Japanese Train Fans used to call themselves. The name was "Railway Mania" (ééăăăą direct translation). It was used up until the 1950s. Today it's seen as a derogatory term but it was used very commonly back in its heyday (even more popular than "railfan" apparently.) I think it is kind of interesting that the term "Railway Maniac" was chosen for this flavor text and I wonder if it has anything to do with this old name. However, I say it might just be a coincidence because the term "Maniac" is not unheard of word in Pokemon (Item Maniac, Poke Maniac, Hex Maniac, etc.) But regardless, there's that little fun fact for you!
B2W2
âGet on a train and fight!â Battle Subway in Nimbasa City"
"The energy generated by heated Pokémon battles is the fuel that keeps the Battle Subway running"
I'm going to get a little headcanon-y here. We can interpret this figuratively, as in if there are no battles then its not really a Battle Subway is it? But I think it would be fun to interpret it literally! What if Pokemon Moves could get absorbed somehow to power the Train? And if the Train doesn't need it it could go into the line to power something else in the Subway! I think that would be cool :]
Extra Stuff:
âI think the Battle Subway Map could also be inspired by JR East's rail map, the main reason is the single lines (dark green) which goes in a loop around the Unova Region...
Reminds me of the Yamanote Line (light green) which also goes in a loop connecting a variety of major stations together in Tokyo and is a very very important line!
âWhile I do believe Gear Station is inspired by New York's Grand Central Station, I do think there's a lot of design elements taken from Tokyo Station as well
âThe gray bodies of the Anville, Single, Doubles, and Multi cars are probably meant to represent an exposed steel/aluminum body rather than the ones painted white like the Super Trains.
âIn the Anime, the trains are said to have an ATO system, this is also a real system, it stands for Automatic Train Operation. It's a system that allows a computer to control when the train stops and goes with no driver involved! I don't think that the trains in the games run on an ATO system though, as there are Depot Agents who talk about train driving (Depot Agent Cameron who says "Iâm good at driving, but Iâm not good at dealing with Pokemon." at the start of battle, and a way more obscure Depot Agent whom you can talk to on the platform after 14 wins on a Super Train who says "Iâd rather have an exciting battle than slowly drive the train.")
âIn the Anime, there's a stamp rally, which is a real thing! There are station stamps in Japan which tourists can collect. Though, occasionally Pokemon will collaborate with JR East to create a Pokemon Stamp Rally! The most recent is this Pokemon Horizons Stamp Rally promoting the show! Here's a map of what stamps you can collect at each station and the prizes you can get!
âIn the Nacrane city library there is a book that mentions that Nacrane used to have steam locomotives running through it!
"This book is about the things you can ride in the Unova region, such as Castelia Cityâs cruise ship and Mistralton Cityâs planes. Before there were planes, locomotives carried people all over Unova. The railway in Nacrene City is a legacy of those lines." (B2W2)
What kinds of Steam Locomotives? I suppose we will never know, as we never see one in game.
âThere's an Roughneck NPC you can talk to at Tubeline Bridge in B2W2 where he says
"Watch it! People use ârailway fanâ as a catchall term, but there are many types of railway fans! There are riding fans, detraining fans, station fans, train-car fans, schedule-table fans, picture-taking fans, recording fans, and more! Donât go thinking theyâre all the same!" (B2W2)
So in Japanese, Railway is Tesudo (éé, testu é- Iron and do é-Road) and a Railway Fan is Tesudofan, however fans will abbreviate to just Testu and stick what aspect of trains they enjoy with it, so like äčăé (Nori äčă-Ride, é-tetsu) as a Train Riding Fan, or æźăé (Tori æźă-Taking a Picture, é-tetsu) as a Railway Photography fan. There are a lot of these and the NPC does go over some! There's also Railway Modeling Fans (Fans who collect model trains and/or construct model railways), Collecting Fans (Fans who collect railway related items such as tickets or stamps), Operation Fans (Fans who like researching railway operation and equipment), Regulation Fans (Fans who like researching railway handbooks and laws and regulations that go into a railway), Simulation Fans (Fans who like playing train driving/railway management games), Artists/Writers, Urban Explorers, and Railway Preservationist (I gave up on the last ones lol). There are lots of ways to enjoy trains!
There's also the super specific terms of "Mama Tetsu" where a mother becomes a railway fan because of their children's interest or "Oyako Tetsu" where a child becomes interested in trains because of their parents.
âThe badge on Ingo and Emmet's hats probably represents the logo for the railway company that they work for, while researching about Japanese Railway Companies, I noticed that they have a lot of circular logos, here's a handful:
From what I could gather, these types of black and white circular logos are called a mon, kind of like a crest? If you wish to scroll about the logos, here is the link for the Wikimedia commons list.
The company's logo is also what's usually depicted on irl conductor's hats anyways, in the exact same place too.
(I was looking for a screenshot to showcase the hat to put here, but instead I found this promotional video! It's actually pretty good at going over the basics of what a driver and conductor actually do! Please feel free to check it out)
youtube
âThe name "Depot Agent" is a little bit of a strange name, in Japanese the name is simply "Railway Worker", a depot is often referred to a train yard, however depot can also refer to a station, given where we see this trainer class working (at Gear Station), it is most likely that the depot in this case is referring to station, so they are station workers!
Final:
After all this I have come to the conclusion that somebody at Gamefreak really liked trains! And I really think all the little details are so awesome! and it really cements the Battle Subway as my favorite battle facility!
Anyways I hope you learned a thing or two and I hope you gained a new appreciation for trains and the Battle Subway! Thanks for Reading! â
(If I got anything wrong, please feel free to correct me, there was a lot of information I had to sift through and I am NOT an engineer * _ * and if you have something to add please do! I would love to learn more! ^ ^
#post#long post#VERY LONG POST#THIS TOOK SO LONG TO WRITE I STARTED THIS IN AUGUST#I love trains too much. Its a sickness really...#submas#battle subway#pokemon#pokemon black and white#pokemon black 2 white 2
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Reader: How do you know how to kiss? Like who teaches you?
Jason: Well itâs actually a class, but unfortunately itâs full right now.
Jason: Would you like me to tutor you?
Dick: That was smooth.
â
Tim: How did none of you hear what I just said?!
Steph: I've been zoned out for the past two and a half hours.
Reader: I got distracted halfway through.
Damian: Ignoring you was a conscious decision.
â
Jason: BE A BETTER PERSON!
Reader: WHY?!
Jason: BECAUSE SOMEONE NEEDS TO HAVE MORALS IN THIS RELATIONSHIP, AND IT SURE AS FUCK AIN'T GONNA BE ME, SWEETHEART!
â
Dick: I feel like the world would be better if I'd never been born.
Jason: Aw... that's not true.
Jason: It'd be exactly the same.
Jason: You're not important.
â
Reader: Youâre drunk.
Tim: Correction: drinking. Present tense. Grammar, Reader.
#batfamily#dc comics#batfam#batman#damian wayne#jason todd#robin#red hood#dc#dick grayson#jason todd x y/n#jason todd x you#jason todd x reader#jason todd x male reader#Tim drake#batfam x reader#batfam x you#steph brown#stephanie brown#tim drake x batsis#batfam x batsis!reader#batfam x batsis#incorrect quotes generator#dc incorrect quotes#batfamily incorrect quotes#batfam incorrect quotes#incorrect quotes#inccorect quotes#im back
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pretty in pink - CARLOS SAINZ
pairing :Â carlos sainz x girlfriend!reader kinktober day 16 - lingerie
summary : spending 23 grand on a shopping spree? that's something only y/n can do, but of course the money spent will always be worth it, especially when she gets something that can benefit her and carlos
warnings/notes : swearing, a bit of plot, smut, spit, nipple play, oral (f!receiving), unprotected sex (always use a condom guys!), hair pulling, overstimulation, multiple orgasms, fingering, anal sex, mention and use of sex toys, gagging, praise kink, explicit photography (with consent of course)
word count :Â 5.7k
a/n :Â sorry if this took so long, i was so busy these past few days
main masterlist | kinktober masterlist | taglist form
Y/n walked through the front door, arms laden with shopping bags. "I'm home!" she called out cheerfully, expecting Carlos to greet her. When there was no response, she assumed he must still be asleep after his training session this morning.
Humming to herself, Y/n made her way to the kitchen, setting her purchases down on the counter. She opened the refrigerator door, bending over to grab a bottle of water.
Suddenly, strong arms encircled her waist from behind, pulling her back against a firm chest. Y/n let out a startled yelp, heart leaping into her throat as she spun around.
Carlos grinned down at her, dark eyes gleaming with mischief. "Well hello there, beautiful," he purred, voice low and husky. "Welcome home."
Y/n rolled her eyes, but couldn't help smiling back. "You scared me half to death, you jerk," she laughed, playfully swatting his chest. "I thought you were asleep."
Carlos chuckled, his hands sliding down to rest on Y/n's hips. "Oh, I was sleeping like a baby...until the bank called to ask if my credit card had been stolen. Apparently, someone went on quite the shopping spree today."
Y/n bit her lip, trying to look innocent. "I may have gone a little overboard," she admitted sheepishly. "But you know how it is when the girls drag you out shopping. One minute you're just browsing, and the next you've maxed out three credit cards."
Carlos raised an eyebrow, amused. "Eight thousand dollars at Sephora? What exactly did you buy, love? The entire store?"
Y/n giggled, leaning into him. "Maybe. But you should see the new eyeshadow palettes I got! They're to die for."
"And don't even get me started on Victoria's Secret," Carlos teased, his hands dipping lower. "Fifteen grand? I think that's more than the GDP of some small countries."
Y/n giggled, playfully swatting Carlos' chest. "C'mon, don't be such a killjoy! I got it for you!"
Realizing how that sounded, her eyes widened and she backpedaled quickly. "Wait, no, that came out wrong! I didn't buy you lingerie to wear, I swear!"
Carlos raised an eyebrow, a smirk tugging at his lips. "Really? Because I have to say, I'm a bit interested in this... development."
"No, no, nothing like that!" Y/n laughed, shaking her head. "I just figured you'd like seeing me in some of the new sets I got. You know, for your viewing pleasure and all that."
She bit her lip, a coy smile playing on her lips. "I'll model them for you after dinner, if you'd like. Give you a little private fashion show."
Carlos' eyes darkened, his gaze raking over her appreciatively. "Mmm, I think I'd like that very much, amor."
After dinner, Y/n led Carlos to their bedroom, a mischievous glint in her eye. "I have three sets to show you tonight," she purred, her hands sliding up his chest. "And I think you're going to like them very much."
She disappeared into the walk-in closet for a moment before emerging in a stunning white lingerie set. The bra was all lace and delicate straps, barely containing her ample breasts. The matching thong was equally skimpy, hugging her hips and leaving little to the imagination.
"What do you think?" Y/n asked, doing a slow spin. The white lace contrasted beautifully against her golden skin, making her look like a naughty angel.
Carlos' eyes darkened with lust, his hands flexing at his sides. "Fuck, Y/n," he growled, his voice low and rough. "You look gorgeous."
Y/n smiled, pleased by Carlos' reaction. "Thank you, baby," she purred, giving him a quick smile before sauntering back into the closet to change into the next set.
A moment later, she emerged in a stunning blue satin ensemble. The bra was a plunging push-up style, making her breasts look even more voluptuous than usual. The high-waisted panties hugged her curves, the satin smooth and cool against her skin.
"What do you think of this one?" Y/n asked, striking a pose. She ran her hands down her sides, tracing the curves of her waist and hips. "I thought the color would bring out my eyes."
Carlos' mouth went dry at the sight of her, his cock already starting to harden in his shorts. "It does," he managed, his voice strained. "It brings out how fucking sexy you are."
Y/n chuckled, her eyes flickering down to the growing bulge in Carlos' shorts. "Whoa there, big boy," she teased, sauntering closer to him. "We've got one more set to go. You need to calm down before you explode."
She reached out, trailing a finger along the waistband of his shorts, feeling the heat of his skin. "Although," she purred, her voice dropping to a sultry whisper, "I can't blame you. I'd be pretty excited too if I had a sexy girlfriend parading around in lingerie."
Carlos groaned, his hips bucking into her touch. "Fuck, Y/n," he growled, his hands settling on her hips. "You're killing me here."
Y/n grinned, giving his bulge a little squeeze before stepping back. "Patience, Carlos," she said, placing a peck on the corner of his lips. "The best is yet to come."
With that, she turned and headed back to the closet to change into the final set, leaving Carlos aching and wanting.
Y/n emerged from the closet for the final time, and Carlos' breath caught in his throat. She was wearing a soft baby pink set, the color he loved most on her. The bra was a delicate lace bralette, barely containing her full breasts. The matching thong was equally sweet, a tiny bow adorning the front.
"This one's my favorite," Carlos said hoarsely, his eyes devouring her. "You look absolutely stunning, Y/n."
Y/n smiled, pleased by his reaction. She did a little twirl, the fabric riding up to reveal the curve of her ass. "I'm glad you like it," she purred, walking towards him. "I picked it just for you."
She stopped in front of him, looping her arms around his neck. "So, what do you think of the whole collection?" she asked, pressing her body against his. "Did I do a good job?"
Carlos nodded, his lips brushing against Y/n's skin as he spoke. "Mhm," he murmured between kisses, his hands sliding down to grip her hips.
He pressed his mouth to her abdomen, trailing kisses across her soft skin. "Turn around for me, hermosa?" he asked, his voice low and rough with desire. "I want to see the back again."
Y/n shivered at the command in his tone, and the way he took charge. She obeyed without hesitation, slowly turning in a circle so he could admire the view.
The thong rode up as she moved, revealing the curve of her ass and the tiny pink thong nestled between her cheeks. Carlos groaned, his hands flexing with the urge to grab and squeeze.
Carlos' eyes darkened with lust as Y/n turned, revealing the tantalizing view of her ass barely covered by the thin pink thong. "Dios mio," he breathed, his hands flexing with the urge to grab and squeeze. "Can I rip it off?"
"Carlos, no," Y/n protested weakly, even as a thrill raced through her at his intensity. "I just bought this a few hours ago."
But he was already moving, his large hands gripping her hips and spinning her back around. In one swift motion, he hooked his fingers in the delicate fabric of the thong and ripped, the sound of tearing lace filling the room.
Y/n gasped as the flimsy garment gave way, Carlos tossing it aside carelessly. He pushed her back onto the bed, crawling over her with a predatory gleam in his eye.
"You're so fucking beautiful," he growled, his hands roaming over her bare skin. "I can't wait to ruin you."
Y/n whined as Carlos manhandled her, his rough treatment sending a thrill through her body despite her protests. "Carlos, c'mon," she pleaded, even as her hips bucked up against him. "I really liked that set."
Carlos just grinned, a wicked glint in his eye. "Sorry, baby," he purred, nipping at her earlobe. "But you look even better out of it."
He kissed down her neck, his hands sliding under her to unhook the delicate bra. With a flick of his fingers, the clasp came undone, and he tossed the lacy garment aside.
Y/n's breasts spilled free, and Carlos groaned at the sight. "Fuck, you're perfect," he growled, cupping the soft mounds in his hands. He lowered his head, his tongue flicking out to tease a pebbled nipple.
She arched into the touch, a moan escaping her lips. "Carlos," she gasped, her fingers tangling in his hair. "Please..."
Carlos paused, looking up at Y/n with a raised eyebrow. "Please what?" he asked, his voice low and teasing. "Are you asking me to stop ruining your pretty lingerie?"
Y/n bit her lip, shaking her head. "No," she breathed, her voice barely above a whisper. "I'm not asking you to stop."
A slow, wicked grin spread across Carlos' face. "That's what I thought," he purred, his lips curving into a smirk.
He continued his journey down her body, his kisses growing more heated as he went. He nuzzled the soft skin of her belly, his stubble rasping against her sensitive flesh.
Lower and lower he went, until his face was level with her pelvis. He inhaled deeply, the scent of her arousal filling his nostrils. "I'll buy you another pair of this set tomorrow," he promised, his voice muffled against her skin. "But for now..."
Carlos dipped his head between Y/n's thighs, his tongue delving into her folds with sensual, deliberate strokes. He took his time, savoring the taste of her, the way she writhed and moaned beneath him.
"Carlos, baby," Y/n gasped, her fingers tangling in his hair. "So good, god you're so good."
She ground against his face, her hips bucking as she chased her pleasure. But Carlos wasn't having it. He pushed her hips back down, holding her in place.
"Calm down, mi amor," he murmured against her skin, his voice vibrating through her. "I've got you. Just relax and let me take care of you."
Y/n whimpered, her body trembling with need. But she forced herself to still, trusting Carlos to bring her to the heights of ecstasy.
Carlos rewarded her obedience with a long, slow lick, his tongue swirling around her clit. He alternated between broad strokes and targeted flicks, building her pleasure steadily.
Carlos continued his assault on Y/n's pussy, his tongue delving deep, savoring every inch of her. He wasn't rushing, wasn't devouring her like a starved man. No, he was taking his time, committing every taste, every texture to memory.
The way she dripped onto his tongue, coating his taste buds with her essence. The little gasps and moans she made, music to his ears. The way her thighs trembled on either side of his head, her body surrendering to his touch.
He was messy, spit dripping down his chin, smearing across his cheeks. But he didn't care. All that mattered was Y/n, her pleasure, her satisfaction.
Carlos kept his mouth firmly planted between Y/n's thighs, his tongue delving deep into her soaked folds. God, she was so wet, her arousal coating his chin and dripping down onto the sheets below.
He moaned against her, the vibrations sending shockwaves of pleasure through her body. His nose bumped against her clit with each thrust of his tongue, the sensitive bundle of nerves throbbing with need.
Y/n's legs slowly wrapped around his head, her heels digging into his back as she pulled him closer. "Fuck, baby," she panted, her fingers tightening in his hair. "Keep going, it feels so good. Like that, just like that."
Y/n's moans grew louder, her hips rocking against Carlos' face as he devoured her. She gasped as she felt his fingers teasing her entrance, circling the sensitive flesh but not quite penetrating.
"I want more, Carlos," she whimpered, her voice high and needy. "I want your fingers inside."
Carlos obliged, slowly pushing one finger into her tight heat. He groaned at the feel of her, hot and wet and perfect around him. He pumped his finger in and out, curling it to hit that special spot inside her.
Y/n keened, her back arching off the bed as he fingered her. "Yes, yes, just like that," she chanted, her walls clenching around his digits. "Don't stop, please don't stop."
Carlos thrust his middle finger deep into Y/n's pussy, the longest digit providing the perfect stretch. She moaned loudly, her legs shaking as he pumped in and out, curling his finger to hit her G-spot with each stroke.
Her body seemed to be at war with itself, her legs trembling and threatening to close, but her pussy clenching greedily around his finger, silently begging for more.
Carlos could feel her getting closer, her walls fluttering around him, her moans growing higher and more desperate. He doubled his efforts, adding a second finger and rubbing her clit with his thumb.
"That's it, baby," he growled against her skin. "Cum for me. Let me feel you."
Y/n's body tensed, her orgasm building slowly but surely. It took a few moments, but when it finally hit, it crashed over her like a pile of falling bricks.
Her back arched off the bed, her mouth falling open in a silent scream as wave after wave of pleasure coursed through her. It was as if they were in a soundproof room, her moans echoing off the walls, filling the space with the symphony of her ecstasy.
Carlos worked her through it, his fingers never ceasing their relentless assault on her sensitive flesh. He lapped at her clit, drawing out her climax until she was a writhing, trembling mess beneath him.
Finally, she collapsed back onto the bed, her chest heaving as she struggled to catch her breath. Carlos gently withdrew his fingers, pressing a tender kiss to her inner thigh.
Carlos continued his worship of Y/n's body, his lips trailing kisses up and down her trembling thighs. He took his time, savoring the taste of her on his tongue, the feel of her soft skin beneath his lips.
Then, unable to resist any longer, he dipped his head back between her legs, his tongue delving into her soaked folds once more. Y/n gasped, her hips bucking up to meet his mouth.
He ate her out with fervor, his tongue swirling around her clit, dipping into her entrance, lapping up her essence. Y/n shook beneath him, her hands fisting in the sheets as she tried to anchor herself against the onslaught of sensation.
Carlos could feel her getting close again, her walls fluttering around his tongue, her moans growing higher and more desperate. He doubled his efforts, determined to bring her to the edge once more.
Y/n's hands fisted in Carlos' hair, tugging him closer as he devoured her. "Baby, you feel so good," she panted, her hips rocking against his face. "Keep going, don't stop."
Carlos growled in response, the vibrations sending shockwaves of pleasure through her body. He redoubled his efforts, his tongue delving deep, lapping at her walls, flicking rapidly over her clit.
Y/n's thighs began to tremble, her body tensing as her second orgasm approached. "Carlos, I'm gonna... I'm gonna..." she gasped, her words dissolving into a high, keening moan as she came undone.
Carlos worked her through it, his mouth never leaving her pussy, prolonging her pleasure until she was a boneless, satisfied mess beneath him.
Y/n came again and again, her body shaking with the force of her orgasms. Carlos gentled his touch, his tongue lapping softly at her sensitive flesh as she rode out the waves of pleasure.
He pulled back, pressing tender kisses to her trembling thighs. "You're so pretty when you cum," he murmured, his voice rough with desire. "The way you shake, the sounds you make... it's the hottest thing I've ever seen."
Y/n whimpered, her body still twitching with aftershocks. Carlos' words, combined with the feeling of his lips on her skin, sent a fresh surge of arousal through her.
"More," she pleaded, her voice barely above a whisper. "I need more, Carlos. Please..."
Carlos trailed kisses up Y/n's body, leaving a trail of hickies in his wake. He nipped at her neck, his teeth grazing her pulse point. "Can you take more, mi amor?" he growled, his voice low and husky. "You're already shaking so much..."
Y/n whimpered, her body trembling with need. "Yes," she gasped, her nails raking down his back. "I need more, Carlos. Please, I can take it. I want it all."
Carlos grinned, a wicked gleam in his eye. "As you wish," he purred, his hand sliding down to palm her ass. "But first..."
He captured her mouth in a searing kiss, his tongue delving deep, claiming her, tasting himself on her lips. Y/n moaned into the kiss, her tongue tangling with his, her body arching into his touch.
Carlos' hand slid from Y/n's ass to her lower back, his fingers tracing teasing patterns on her skin. "The panties would look pretty with that buttplug I got you," he murmured, his voice low and seductive. "You know, the one with the pink heart gem?"
Y/n nodded, a shiver running through her at the mention of the toy. "I was planning to use it soon," she admitted, her voice breathy with anticipation.
Carlos smiled, a wicked glint in his eye. "It's such a shame though," he purred, his fingers dipping lower, teasing the cleft of her ass. "I already ripped the panties."
Y/n gasped, her hips bucking involuntarily at the touch. "Carlos," she whimpered, her voice a mix of need and frustration. "You're such a tease."
"All part of the fun, mi amor," he chuckled, his fingers continuing their maddening dance. "Now, where did I put that thing?"
Y/n pointed to the nightstand beside the bed. "I think it's in there," she said, her voice trembling slightly. "Your side."
Carlos released her, rolling over to rummage through the drawer. He pulled out the pink heart-shaped buttplug, holding it up triumphantly. "Found it," he grinned, crawling back over to Y/n.
He ran the smooth metal over her lips, letting her taste the cold surface. "Open up, baby," he instructed, pressing the tip to her mouth. "Get it nice and wet for me."
Y/n parted her lips, taking the buttplug into her mouth. She sucked on it, her tongue swirling around the base, coating it liberally with saliva.
Y/n looked up at Carlos through her lashes, her eyes wide and innocent, the buttplug still nestled between her lips. She sucked on it slowly, sensually, her cheeks hollowing as she applied suction.
"Fuck, you're so cute," Carlos groaned, his cock twitching in his pants at the sight. "Such a good girl, getting your toy all wet for me."
He reached out, cupping her cheek, his thumb brushing over her plump bottom lip. "That's enough, mi amor," he murmured, gently withdrawing the buttplug from her mouth. "Time to put it to better use."
Y/n whimpered softly, her eyes following the movement of the toy as Carlos positioned it at her entrance. He pressed the tip against her, applying gentle pressure, watching her face intently for any sign of discomfort.
Y/n moaned as she felt the cool metal of the buttplug pressing against her sensitive skin. Carlos watched her face intently, gauging her reaction as he slowly pushed the toy inside her.
"That's it, baby," he crooned, his voice low and encouraging. "Just relax and let it in. You're doing so well."
She continued to whimper, her hands fisting in the sheets as the buttplug stretched her, filling her in a way she hadn't experienced before. It was a strange sensation, but not an unpleasant one, and as Carlos twisted the base, the pink heart-shaped jewel nestled snugly between her cheeks.
"There," he said, satisfaction evident in his tone. "Don't you look pretty with your new toy."
Carlos helped Y/n onto her hands and knees, admiring the way her ass jutted out, the buttplug nestled snugly between her cheeks. He ran his hands over her curves, spreading her open, exposing her most intimate parts.
"Can I take a picture, mi amor?" he asked, his voice husky with desire. "I want to remember this moment forever."
Y/n hesitated, a blush spreading across her cheeks. "Mhm," she murmured, nodding shyly. "But... but don't show anyone, okay?"
Carlos chuckled, pressing a tender kiss to the small of her back. "Of course not, baby," he assured her. "These pictures are for me and me only to enjoy."
He grabbed his phone, snapping a few shots from various angles, capturing Y/n in all her vulnerable, exposed glory. Each click of the shutter sent a thrill through him, the knowledge that he was the only one who would ever see these images, that he had her complete trust.
Carlos groaned, his eyes roaming over Y/n's exposed body. "Fuck, you're so pretty baby," he growled, his voice thick with desire.
He quickly shed his shorts and boxers, his hard cock springing free, bobbing between his legs. He moved behind Y/n, gripping her hips, holding her in place as he teased the tip of his cock against her entrance.
He rubbed it back and forth, catching on her clit with each pass, making her gasp and shudder. "Look at you," he purred, his fingers digging into her hips. "So wet and ready for me. I can't wait to be inside you."
Y/n whimpered, pushing back against him, desperate for more. Carlos chuckled darkly, continuing his maddening tease, keeping her on edge, making her ache for his touch.
She panted, her hips wiggling back against Carlos. "Carlos, I want more," she pleaded, her voice high and needy.
Carlos smiled, pushing just the tip of his cock inside her. Y/n moaned, her walls fluttering around him, trying to draw him deeper.
"That's it, baby," Carlos purred, reaching around to wiggle the buttplug. Y/n cried out, her body shaking as the toy shifted inside her, sending sparks of pleasure racing up her spine.
Even with just the tip inside her, Y/n was moaning like she was in a porno, her body responding to every touch, every tease. Carlos grinned, loving the effect he had on her, the way he could reduce her to a writhing, desperate mess with just a few well-placed touches.
Carlos grabbed a fistful of Y/n's hair, pulling it back into a makeshift ponytail. "This pretty mouth of yours needs to shut up this time around, okay?" he growled, his voice low and commanding. "You were so loud earlier, we already had noise complaints last week because of you."
He reached for her ripped panties, balling them up and pressing them into her mouth. Y/n's eyes widened, a muffled whimper escaping her as he tied the fabric around her head, effectively gagging her.
"There," Carlos purred, admiring his handiwork. "Now you can scream all you want, and no one will hear you."
He lined himself up, the head of his cock nudging against her entrance. With one hard thrust, he buried himself to the hilt, stretching her, filling her completely.
Y/n's muffled moan was music to his ears, her body clenching around him, welcoming him home.
Y/n's back arched as Carlos filled her, her fingers digging into the pillow in front of her. Despite the gag, her moans were still loud, her pleasure evident in the way her body moved, the way she rocked back against him.
"Shh, baby," Carlos chided, his hand coming down on her ass in a gentle spank. "Be quiet now."
He repeated the action, alternating cheeks, the sting of his palm mixing with the pleasure of his cock inside her. Y/n whimpered, her hips jerking with each impact, her moans muffled but no less intense.
Carlos grinned, loving the way she responded to him, the way she surrendered to his touch, his control. He continued his steady rhythm, pounding into her, his balls slapping against her clit with each thrust.
Carlos looked down, groaning at the sight of Y/n's pussy, so wet and stretched around him. "Fuck, you're taking me so well, baby," he grunted, his hips snapping forward, driving into her harder.
His hand found the buttplug, wiggling it, teasing her. He pushed it halfway out, then twisted it, pushing it back in, making Y/n's body jerk and shudder.
"That's it, take it all," he growled, his voice rough with pleasure. "Take my cock, take the plug, let me fill you up."
Y/n whimpered, her body trembling, torn between the pleasure and the slight discomfort of being so full. But Carlos didn't let up, his thrusts becoming more erratic, more desperate, as he chased his own release.
Carlos cooed softly, his voice a stark contrast to the intensity of his thrusts. "So cute, baby," he murmured, reaching around to pinch Y/n's nipples, rolling them between his fingers. "You always look so pretty in pink."
He punctuated his words with a particularly hard thrust, burying himself deep inside her. Y/n's body jerked, a muffled moan escaping her as the buttplug shifted, pressing against her walls.
Carlos grinned, loving the way she looked, the way she felt, the way she responded to him. He could feel his own release approaching, his balls tightening, his cock throbbing inside her.
"Gonna cum," he grunted, his hips slapping against her ass as he chased his pleasure. "Gonna fill you up, baby. Fuck, you feel so good."
Y/n's body was weak, her muscles trembling with the effort of holding herself up, of taking Carlos' relentless thrusts. But fuck, it felt so good, the pleasure consuming her, overwhelming her senses.
She moaned around the panties in her mouth, the sound muffled but no less desperate, no less needy. Her pussy clenched around Carlos' cock, her walls fluttering, trying to draw him deeper, hold him closer.
Carlos could feel her tightening around him, could hear the desperation in her moans. He knew she was close, could feel her body tensing, preparing for release.
"That's it, baby," he growled, his hand snaking around to rub her clit. "Cum for me. Let go, let me feel you."
Y/n's body seized, her orgasm crashing over her like a tidal wave. She shook and trembled, her moans rising in pitch, her pussy clamping down on Carlos' cock like a vice.
Carlos groaned, his hips stuttering as he found his own release. "Fuck, baby," he grunted, his cock pulsing inside her as he filled her with his cum. "You're taking it so well."
He collapsed over her, his chest pressing against her back, his arms wrapping around her waist. They stayed like that for a moment, both panting, both trying to catch their breath.
Slowly, carefully, Carlos pulled out, watching as his cum dripped from Y/n's pussy. He reached for the buttplug, gently removing it, tossing it aside.
"You did so good, mi amor," he murmured, pressing a tender kiss to her shoulder. "I'm so proud of you."
Y/n turned in Carlos' arms, pressing a soft kiss to his lips. "I want more," she whispered, her eyes dark with desire.
Carlos grinned, his hand sliding down to cup her ass. "Anal?" he asked, his voice hopeful.
Y/n bit her lip, nodding shyly. "Yes," she breathed, her body already trembling with anticipation. "I want to try it, with you."
Carlos' grin widened, his eyes gleaming with excitement. "Are you sure, baby?" he asked, his tone gentle despite his eagerness. "We can take it slow, go at your pace."
Y/n nodded, her resolve strengthening. "I'm sure," she said, her voice steady. "I trust you, Carlos. I know you'll take care of me."
Carlos guided Y/n to sit on his lap, her back pressed against his chest, her legs spread wide. "I'll take the plug out," he murmured, his fingers trailing over her skin. "And I'll help you, every step of the way."
Y/n nodded, leaning back into him, trusting him completely. Carlos reached between her legs, his fingers finding the base of the buttplug. Slowly, gently, he pulled it out, the metal sliding free with a soft pop.
She moaned, her body clenching at the sudden emptiness. Carlos soothed her with soft kisses to her neck, his hands rubbing her thighs. "Shh, I've got you," he whispered, his voice low and reassuring. "We'll go slow, just relax."
He reached for the lube, slicking his fingers generously. "Tell me if anything hurts, okay?" he said, his tone serious. "Your comfort is the most important thing."
Carlos circled Y/n's entrance with a slick finger, gently pressing in, breaching her slowly. Y/n whimpered, her body tensing at the unfamiliar intrusion.
"Breathe, baby," Carlos coached, his other hand rubbing soothing circles on her stomach. "Relax for me."
He worked his finger deeper, curling it slightly, searching for that special spot. When he found it, Y/n cried out, her hips bucking involuntarily.
"There," Carlos purred, rubbing the spot firmly. "Does that feel good?"
Y/n nodded frantically, tears pricking at the corners of her eyes. "Yes," she gasped, her voice strained. "It's so intense, but so good- Fuck..."
Carlos added a second finger, stretching her slowly, preparing her for his cock. He scissored them, gently, carefully, watching her face for any signs of pain or discomfort.
Carlos continued his gentle ministrations, his fingers moving in and out of Y/n's tight heat, curling and stroking, finding all the sensitive spots that made her gasp and moan. He kissed her neck, her jaw, her lips, murmuring words of praise and encouragement.
"You're doing so well, baby," he whispered, his thumb brushing over her clit. "Taking me so perfectly. I'm so proud of you."
Y/n whimpered, her body trembling under his touch, under his words. She felt so full, so stretched, but it was a good ache, a pleasure she'd never known before.
Carlos could tell she was getting close, her walls fluttering around his fingers, her breath coming in short, sharp gasps. He doubled his efforts, his fingers pumping faster, harder, his thumb rubbing tight circles on her clit.
"Cum for me, mi amor," he commanded, his voice low and rough with desire. "Let go, let me see you cum"
Y/n's body seized, her orgasm crashing over her like a tidal wave. She whimpered and moaned, her hips bucking wildly, her inner walls clamping down on Carlos' fingers.
"Fuck, fuck, fuck," she chanted, her voice high and breathy. "Oh god, Carlos, it's so much, it's too much-"
Her words dissolved into incoherent babble as the pleasure consumed her, her body shaking and trembling in Carlos' arms. He held her tight, his fingers still moving inside her, drawing out her climax, making it last as long as possible.
"That's it, baby," he crooned, his lips brushing her ear. "Ride it out, let it take you. You're doing so fucking well."
Carlos gently turned Y/n's face towards him, his eyes locked on hers. "Look down, baby," he instructed softly. "See? It's all the way in."
Y/n's gaze followed his, her eyes widening as she saw the slight bulge of Carlos' cock inside her, stretching her, filling her completely. "I feel so full," she whispered, her voice awestruck. "I can feel you everywhere."
Carlos grinned, his hands sliding up her sides, cupping her breasts. "That's because you're taking me so perfectly," he praised, his thumbs brushing over her nipples. "Every inch of you is wrapped around me, squeezing me, hugging me tight."
Y/n moaned, her hips shifting slightly, the movement sending sparks of pleasure racing through her. "It's so big," she breathed, her eyes fluttering closed. "But it feels so good, Carlos. So right."
Carlos couldn't tear his eyes away from the sight of Y/n riding him, her body moving with a wild abandon, her eyes filled with nothing but pure, unadulterated lust. Her hair was a mess, falling gracefully over one shoulder, her tits bouncing with each thrust, her mouth open, drool leaking from the corner.
She was a vision, a goddess, and she was all his.
Carlos gripped her hips tighter, his fingers digging into her flesh, guiding her movements, helping her chase her pleasure. He watched as her body tensed, her walls clamping down around him, her moans rising in pitch.
"That's it, baby," he growled, his voice rough with desire. "Ride me, take what you need. Fuck, you look so beautiful like this, so perfect, so mine."
Y/n's body shook, her movements becoming more erratic, more desperate. She was close, so close, teetering on the edge of oblivion.
Her body tensed, her movements becoming more frantic, more desperate. "Fuck, I'm gonna cum," she gasped, her voice strained, her eyes wild with pleasure.
Carlos could feel her tightening around him, her walls fluttering, clenching, trying to draw him deeper. "Keep going, baby," he urged, his hips snapping up to meet her downward thrusts. "Let go, cum for me. I've got you, I'm right here."
Y/n threw her head back, a silent scream tearing from her throat as her orgasm crashed over her. Her body shook, her pussy clamping down on Carlos' cock like a vice, milking him, trying to pull him over the edge with her.
Carlos groaned, his own release building, his balls tightening, his cock throbbing inside her. "Fuck, baby," he grunted, his hips stuttering, his rhythm faltering. "I'm gonna cum, I'm gonna fill you up, fuck-"
As their orgasms crashed over them, Y/n's body spasmed, her movements becoming jerky, uncoordinated. She fell forward, her chest pressing against Carlos', her face nestling into the crook of his neck.
Carlos' arms wrapped around her, holding her close, his cock still buried deep inside her, throbbing with the aftershocks of his release. "I've got you, baby," he murmured, his hand rubbing soothing circles on her back. "I'm here, I'm right here."
They stayed like that for a long moment, their bodies joined, their hearts beating in sync. Carlos pressed soft kisses to Y/n's hair, her forehead, her cheek, murmuring words of love and praise.
"You did so well, mi amor," he whispered, his voice low and tender. "You took me so perfectly, gave me everything. I love you so much, Y/n. So fucking much."
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Last two shifts I worked, I had the same patients but was precepting (training) different nurses. So two nights in a row, I have a patient with a post-op complication (guts not moving) that the surgeons are taking a conservative approach to (wait and see if the gut starts moving). This treatment plan makes sense for the specifics of this patient, but that means weâre doing a lot of symptom management without directly treating the thing thatâs causing the symptoms. In this case, symptoms are pain and nausea so bad that the patient said if theyâd known this is how theyâd feel after, theyâd have skipped the surgery and just rolled the dice with what that colon polyp would do if left alone.
So weâre throwing meds at this patient, weâre walking them so their bowels can get moving, weâre giving ice chips and gum and cold wash clothes, weâre giving IV fluids (which is SUPER rare in the hospital right now because due to one of the recent hurricanes, we are critically low on IV fluids), weâre doing basically all my tricks short of putting another tube in this guy. And itâs working okay. Like weâre keeping pain and nausea just below âintolerableâ but not by much.
That first night I have that patient, while Iâm talking to the surgeon on the phone, my preceptee is in the room talking to the patient. I donât get any new orders because most usual meds that would help are contraindicated in this particular circumstance. Iâm feeling frustrated about thatâI HATE when I canât get symptoms significantly under controlâwhen my preceptee comes up excitedly and says that the patient says theyâre feeling much better after the therapeutic intervention my preceptor did. The intervention was hanging out in the room for 15 mins and talking with the patient about their hometown in Canada.
(Which, hell yeah. Very proud of that new nurse because she said one of the biggest things she wanted to work on was being less nervous talking to patients.)
Next night, I got the same patient, still miserable, and a new preceptee. Weâve got more meds this time, but still only marginal success with managing symptoms. I tell my preceptee, ânext time youâre in the room, plan on staying and chatting with the patient for like ten minutes.â Next time weâre in the room, we do just thatâwe talk sports, hobbies, plans, past surgeries, how much this surgery sucks, just the three of us shooting the shit for a while before we have to go give pain meds to another patient. (It was a surgical floor. That night was mostly handing out ice packs and oxy.)
Anyway, the patient tells us that this chat has been the best theyâve felt all night. My preceptee comes out of the room, and my preceptee is like âwow that really was our best intervention.â And I get to be like âyes witness the power of chit chat as nursing intervention.â
Reflecting back, Iâm grateful that the patient was so expressive about what we did that was working. I told the patient at one point, in the midst of their most acute misery, that we were going to give them everything we had available, and if that didnât work, I had backup plans in mind. Like you might spend the night miserable, but itâs not because we didnât keep trying stuff. And after I say that, the patient goes, âthat was good, I like that you said that, that comforted me.â Which was very nice and convenient because before weâd gone into the room, Iâd talked to my preceptee about how to make patients feel supported and cared for, even when none of the care we do is working. When we left after that, my preceptee was like âwow, youâre right, that really worked,â and I was like, âI KNOW, thatâs cool right? I mean you always hope it works, but sometimes you just canât tell if it actually does.â
I love really open patients, they are such fantastic teaching opportunities. For example, I had another patient both night who was also very open, specifically about what a bad job the hospital was doing and how everyone should just stay the hell out of their room. Considerably less pleasant feedback, equally valuable, about essentially the exact same situation that the first patient was in. Talking through that patient with my preceptees was also very useful and very easy, because the patient had been so explicit in their feedback.
Itâs always odd training nurses because you donât want bad things to happen to your patients, but you also need to new nurses to see bad things. And sometimes you get a patient assignment that is so good for teaching, itâs like it came from a textbook. Very convenient for me personally as a preceptor. Feels weird to say that about patients who are having absolutely miserable times, that their misery is useful to me, but (as preceptors normally say about stuff like this) if itâs happening, at least itâs happening where we can learn about it. Anyway, great couple of shifts to practice therapeutic communication.
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