#Community Participation Religious Events

[townpostin]

Shri Lakshminarayan Temple Consecration Ceremony Concludes In Jamshedpur

Five-Day Maha Yagna Draws Thousands Of Devotees For Idol Installation MLA Saryu Roy leads event as main host and restoration committee coordinator. JAMSHEDPUR – The Shri Lakshminarayan Pran Pratishtha Maha Yagna came to an end on Sunday as multiple deities were consecrated while Vedic chants filled the air. During the ceremony, idols of Shri Lakshminarayan, Shiv Parivar, Hanuman Ji, and Ma Kali…

[withbroombefore]

I saw a poll earlier about participation in regular in-person activities, with numbers that make me wonder if a lot of people don't know what the options are or how to find them. Here are some that I have always found welcoming to new people; for me, these are ways to leave my apartment and get some human interaction without having to make much conversation (there is a reasonable amount of that if you want it, but since it's understood that you are there to do an activity, the thing you are doing is the point rather than pure socializing). A search for "[activity] [location]" should tell you what's available in your area.

Contra dancing: This goes at the top and gets explanation because it's my favorite. I grew up doing this and love it very very much; I always look for local dances when I move somewhere new. Most dances are very beginner-friendly (though there are some exceptions), and zero dance experience is required to participate. Many will include a lesson for beginners in the half-hour before the main event starts, and there are always instructions throughout the evening. You truly do not need to know anything going in. The convention is to switch partners throughout the night, and it's completely okay to attend alone and ask people you don't know to dance. Try Contra Dancing has a search tool by zip code. Typically $8-15.

Community theatre tech: Acting is an option if that's your thing, but in my experience, tech is easier if you're looking for an activity because there's not usually competition--you often can just volunteer without needing to worry about auditions or casting. Roles like run crew (where you move set between scenes and such) don't require any prior knowledge, and plenty of the other tasks can be learned with a little training. If you turn up reliably, the word will spread--good techies are invaluable. Free to participate.

Community band or chorus: Prior experience in playing an instrument is necessary for the band; for singing, it depends on the type of chorus. Some are auditioned, others are just thrilled by any participation. May require dues.

Shapenote singing: A more niche one and another of my personal favorites (I ignore the religious lyrics and treat them as poetry). This can take some time to pick up, but many places have a small monthly sing that is very welcoming to new people. fasola.org has lots of information about the tradition and where to sing. Free, optional donations accepted.

Library events: Find your local public library's website and look for a calendar or events page to see if anything appeals. Typically free.

Crafting groups: Yarn stores and other craft supply places often have regular open gatherings (typically free) and/or classes (may cost money for teaching and supplies).

Games: If you have a local game store, check their website for events. Or search "[location] [chess club]" or whatever is your thing. Usually free.

Dance: Depends on what is available in your area. A studio where I am has a monthly swing dance, with beginner lessons before, for $10.

Sports: I don't really do these but they presumably exist and can be found like the other things.

The important thing is to just go do the thing. It will probably feel awkward the first time--that's normal! These are all spaces where the point is for people to show up and participate. They want you to be there, and they want you to come back! Otherwise they can't keep existing. Several of these (contra dancing, shapenote, a lot of crafting groups) are especially excited about new people and younger participants and will be thrilled to teach you how to do the thing. And the only way to make it feel comfortable is to plow through the first awkwardness and go back until you decide if you actually enjoy it or not. When you find a thing you like, keep going, and after a little while you end up with a community of people to see regularly who share your interests. This is what humans are supposed to do.

[eretzyisrael]

by POTKIN AZARMEHR

‘Pro-Palestine’ protests have become a near-weekly occurrence across Britain. Since Hamas’s 7 October massacre, regular marches have been drawing in a growing number of young people, marked by passionate advocacy and fervent slogans. Yet despite their zeal, many of these protesters lack a fundamental understanding of the conflict they are so vociferously decrying.

In the past six months, I have attended many of these marches. Having engaged with numerous protesters, I have noticed a startling disconnect between their strong opinions on the Gaza conflict and their shaky grasp of basic facts about it. Among the most perplexing are the LGBT and feminist groups (the ‘Queers for Palestine’ types) who flirt with justifying Hamas’s atrocities. This is a bewildering alliance, given that Hamas’s Islamist ideology is clearly antithetical to the rights and values these groups claim to champion. Its reactionary agenda is profoundly hostile to women’s rights and LGBT individuals.

Protesters seem eager to make excuses for Hamas, but are conspicuously uninformed about exactly what or who this terrorist group represents. On 18 May, during a protest at Piccadilly Circus in London, I spoke to demonstrators who firmly believed that Hamas represents all Palestinians. When I questioned a well-educated participant about the last Palestinian election, she was unaware that none had occurred since 2006, when Hamas gained power in Gaza.

It wasn’t just young people who were uninformed. An older woman with an American accent, seemingly a veteran protester, admitted she knew that Hamas was linked to the Muslim Brotherhood, but had no deeper knowledge of its ideology or history. Others, such as members of revolutionary socialist groups, displayed similar gaps in understanding, unaware of critical events like the 1979 Iranian Revolution.

That revolution gave birth to the Islamic Republic of Iran, a theocratic regime that brutally oppresses its own citizens. It also sponsors Islamist groups like Hamas. I left Iran for the UK not long after that regime began and have spent years resisting its religious extremism and ruthless political intolerance. Protesters were not only unaware of these facts about the Iranian regime, but also ill-informed about the struggle against it, such as the ‘Woman, Life, Freedom’ protests against the government that began in 2022.

One particularly telling conversation involved a man advocating for a ‘Global Intifada’ to replace capitalism with socialism. When asked about successful socialist models, he was unfamiliar with the Israeli kibbutzim, one of history’s few successful egalitarian experiments. His ignorance of these communal settlements in Israel, built by socialist Jewish immigrants, was all too typical.

Perhaps the most telling moment was captured by commentator Konstantin Kisin earlier this year, when he encountered a young man holding a ‘Socialist Intifada’ placard. The protester admitted he had no idea what this meant and that he had taken the sign simply because it was handed to him.

Reflecting on past movements, such as the American anti-Vietnam War protests of the 1960s and the British Anti-Apartheid Movement of the 1980s, one can’t help but note a stark contrast. Protesters then were generally well-informed about their causes. Today’s pro-Palestine protests, however, seem to be driven more by unthinking fervour than by an understanding of the issues at hand.

Throughout all these protests, I am yet to encounter a single participant who condemns Hamas or carries a placard denouncing its terrorism. This not only undermines the protesters’ cause, but also risks aligning them with groups whose values fundamentally oppose the very rights and freedoms they claim to support. It appears that today’s young protesters are high on ideology, but woefully thin on facts.

Potkin Azarmehr is an Iranian activist and journalist who left Iran for the UK after the revolution of 1979.

[blackownersseekingsuccess]

Remembering Bayard Rustin: The Unsung Hero of the Civil Rights Movement

written by Levi Wise Kenneth Catoe Jr.

August 1, 2024 - Growing up as a Black boy in Paterson, NJ, and attending Roman and Irish Catholic Parochial schools, Black history was not very familiar to me. I grew up in a religious Southern Baptist family and participated in the church choir. In this context, Martin Luther King, Jr., was all that I knew about Black history until I became a teenage Madonna fanatic. Ironically, Madonna made me aware of Black activists and radicals such as Nina Simone, Jean-Michel Basquiat, James Baldwin, and Bayard Rustin. Bayard Rustin was an African American activist who believed in civil disobedience. Rustin felt that Black people should deliberately break unjust laws but do it non-violently to bring about change and this would play a key role in the Civil Rights movement. He also advocated for LGBTQ rights. Rustin moved to Harlem in 1937 and began studying at City College of New York. It’s interesting to note that at the time CCNY was an all-male college once regarded as ‘Jewish Harvard’ which did not accept Black men—Rustin was an unusual exception. While Rustin was at CCNY he became involved in efforts to defend and free the Scottsboro Boys, nine young black men in Alabama who were accused of raping two white women. Activism for Rustin was something that came naturally. He later became a mentor to Martin Luther King.

Rustin is one of my all-time idols. I have been enamored of him since I learned about him, so I was excited to attend an event dedicated to his life and legacy at the Schomburg Center for Research in Black Culture, “Between the Lines: Bayard Rustin, A Legacy of Protest and Politics.” The event was a conversation between Michael G. Long and Jafari Allen, who edited the book of the same name. Their exchange sparked many revelations and I left the event more aware than when I entered. I felt so much pity for the life that Rustin had to live, including the attack on his character that was rallied against him by other Black people and the distance that Martin Luther King placed between himself and Rustin out of fear of people assuming that he was also gay. I also learned that it was Coretta Scott King who introduced King to Rustin. Scott-King met Rustin during her college years as a fellow activist who practiced civil disobedience. She would ultimately introduce her husband King to civil disobedience tactics. Rustin recalled that his first time meeting King he was strapped with a handgun and that he never traveled without his gun. It was Rustin who told King that if he represented civil disobedience he would have to be willing to put away his firearm, which eventually he did. Nevertheless, this raises the question, who was King really? The “I Have A Dream” pacifist or the “Beyond Vietnam” radical? We will never truly know.

All in all what I did learn was that according to Rustin, King had no idea how to organize an event. Instead, it was Rustin who developed the blueprint for King’s early Civil Rights movement, at least until the day that King removed Rustin from his inner circle.

Nevertheless, Rustin returned to organize the March on Washington, despite everything leveled against him by Adam Clayton Powel and Roy Wilkins. Someone noted during the discussion that “it’s funny how karma works given the fact that nobody remembers Wilkins's legacy in comparison to the sudden interest in Rustin.'' If I remember correctly, the comment was made by the moderator, NYU professor Dr. Jarafi Allen, based on the fact that the venue was standing room only, or that the Hollywood lens is now fixated on Rustin’s story, with an Academy Award-nominated movie based upon his life currently in theaters. Wilkins has not received the same interest from Hollywood, perhaps indicating that he is less marketable in the mainstream. Meanwhile, Rustin’s role as an activist for the LGTBQ community is also important for newer generations. Until recently, this legacy and all that he accomplished was invisible, but he has since become a symbol of the “others” and most notably the “forgotten others”. While in his lifetime he was shunned, rallied against, and betrayed by those that he benefitted, history has allowed his legacy the final word.

[dionysia-ta-astika]

The City Dionysia begins now!

About the Festival

The City Dionysia is a yearly festival in honour of Dionysos, Lord of Wine and Theatre. In ancient Athens, it was celebrated with a theatrical competition featuring tragedies, comedies, and satyr plays.

This blog serves to bring this competition into a modern scope by allowing Hellenic polytheists to submit their own creative pieces in honour of Dionysos.

Currently there are no prizes for winning, the competition only aims to be a fun way to bring the City Dionysia to life as a communal event for modern worshippers.

Categories

The categories for this edition are the same as last year, that is:

Retelling of Classic myths

Original myths

Poetry

Art (digital or traditional)

2024 Timeline

Submission openings: February 10th

Submission closing: March 10th

Vote opening: March 11th

Vote closing: March 18th

Winner announcement: March 19th

Rules for submissions

Roleplay and fanfic are not allowed in submissions. This is a religious festival, please respect our faith and do not submit an entry if you are roleplaying or writing fanfiction.

Submissions do not need to revolve specifically around Dionysos, but they must be created in honour of the Hellenic pantheon.

All stories, myths, poems, and art pieces must be entered using the submissions button.

All entries must be tagged for the category they are being submitted to.

Entries must also be tagged for potentially triggering content, squicks, and anything NSFW.

An entry may only be submitted to a single category.

Each person may only submit one entry per category each year.

Participants are the owners of their work and have full rights over their submission. Should a third party be interested in publishing/distributing/using a submission for whatever purpose, permission is to be asked to the original creator of the piece. The admins of this blog have no say in this matter.

Winners for each category will be decided by popular vote.

Happy creating and Io Dionysos!

[jade-gemstone]

Danganronpa Ultimate Categorization

Welcome back to another episode of: Jade is a nerd about something absolutely useless! Today's topic: Talent classification in Danganronpa/Fangans.

In the process of making my own fangan/s, I've created a classification system for the types of talents you can give characters. These classifications are...

Arts: Talents that are involved in the visual arts, performing arts, or fashion. Encompasses performers of all types, any type of visual artist, or anyone involved in fashion. (Ex. Actor, Abstract Artist, Model)

Practical: Talents that focus on a specialized skill or work with your hands. Also includes any talents that are religious or spiritual in nature. (Ex. Mechanical Engineer, Detective, Shrine Maiden)

Academic: Talents that are recognized by how much knowledge or experience a character has in an academic field. Covers most science, literature, math, and research based talents. (Ex. Chemist, Theologian, Archaeologist)

Sports: Talents relating to athletic skill. (Ex. Footballer, Kickboxer, Bowler)

Novelty: Talents given to a person who is special simply by existing. Can also be given to characters who win a contest for their talent. Includes Lucky/Unlucky Students, royalty, and non-human characters. (Ex. Lucky Student, Student, Princess)

This system of classification was based on my experience in the community over about three or four years, seeing many other people's original characters as well as creating my own. I found many fell into these categories. My "perfect" ratio, which my friends and I used as a guideline for making our fangan casts, is 4 arts : 4 practical : 4 academic : 2 sports: 2 novelty. I felt this ratio kept things even and grounded.

A few months ago, I began to wonder if my "perfect" ratio was more of my own creation than an actual pattern I saw. I thought, in the event it was, that I would come up with a mathematically accurate ratio that better represented the talent distribution of Danganronpa and its fan projects. This was my attempt at doing just that.

Data Collection

For this, I tried to collect as varied of a sample as possible. I included the three mainline Danganronpa games and sixteen fangans, ranging from very popular ones to very obscure ones. The fangans sampled for this analysis were...

Danganronpa Another

Super Danganronpa Another 2

Danganronpa Despair Time

Brave Danganronpa Coward's Paradise

Project Eden's Garden

Danganronpa He(art)less Deceit

Danganronpa Hushed Whispers

Danganronpa Muave

Danganronpa Despair's Revival

Danganronpa Re:Birth

Danganronpa Twisted Truths

Danganronpa Survivor's Guilt

Danganronpa Despair's Flame (my fangan! also the one where the talent ratio originated)

Danganronpa Cyberspace

Danganronpa Akeda Amusements

Danganronpa Lost Paradise (my other fangan that isn't released anywhere but I'm counting anyway)

I figured out the talent ratio for each individual game by looking through their casts and sorting them with my classification system. Ultimate ???'s were thrown out if possible (such as in the case of Akeda Amusements, where Hanari was thrown out due to the fangan having seventeen participants) and if not, they were counted as novelty.

Also, shout out to Yuki Maeda and Teruya Ōtori for managing to count for two different data sets despite my best efforts at finagling a way to keep them confined to one.

Observations

The first thing I noticed in looking at the ratios for canon Danganronpa was that Academic ultimates are underrepresented compared to what I initially remembered. It had been a while since I revisited the mainline games, and it was a shock to be reminded of that. I was also reminded, but not quite as shocked by the greater emphasis on practical ultimates.

In fangans, the focus on practical ultimates continues to be heavy, with none having less than two. There was also less focus on sports ultimates, with the majority having only one or two compared to the three that the mainline games had a majority of the time. They also tend to have more academic ultimates.

I think that this could be explained by looking at the types of people who make fangans. The majority of people I know who make fangans have very particular knowledge about certain fields due to experience or heavy research, and more often than not these fields do not include sports. They are more likely to make characters based on their experiences and knowledge that they can then insert into the story to make it seem more authentic.

I also, unsurprisingly, found that my "perfect" ratio was not reflected in many of the fangans I looked at. There was only one besides my own that followed that ratio.

Now, if my "perfect" ratio is not the mathematically perfect ratio, then what is?

According to the data collected for the canon games, this is.

This just so happens to also be the ratio for Trigger Happy Havoc.

According to the data collected from the fangans, this is the perfect ratio.

The only fangan that followed this ratio exactly was Akeda Amusements. V3 also had this distribution.

When considering both mainline and fan made games, the perfect ratio was this.

Ironically, not a single mainline game or fan game followed this ratio.

Out of curiosity, I also calculated the standard deviation for each data set.

Canon Danganronpa has little to no variation, conveying that talent ratios are quite consistent between games. The biggest variation would be in the novelty category, making sense as V3 scaled down the amount of novelty ultimates compared to the other two games.

The fangans are shown to have a much larger variation. Though I can't be surprised by this, as perhaps it is an unfair comparison. The mainline Danganronpa games were written by mostly the same team and had less to sample from, while the fangans have not only a larger sample size in which to deviate, but many different writers that think differently about talent distribution.

Final Thoughts

In putting this all together, I found that my classification system, while not perfect in any sense of the word, has some validity to it. If I wanted to, I could definitely make some improvements to it (especially in distinguishing between certain academic and practical fields from novelty), but as of now it works perfectly fine as an aide in cast creation for me.

My ratio is also not perfect, which was an expected outcome. Really none of the ratios I found are perfect, with none of them representing more than one or two of any mainline or fan made game. While ratios like the ones I found can be good for making sure you have a balanced distribution of talents, they aren't required to make a good cast. Personally, I'll continue using my personal "perfect" ratio as a baseline for any cast I make in the future.

I also had a lot of fun making this, and hope I can find a way to make more posts like this in the future. Thank you for reading this.

[girlactionfigure]

NOVEMBER 4, 2024

WHAT HAPPENED?

A Palestinian-owned café in Oakland, California kicked out a Jewish customer for wearing a blue hat with a Star of David on it, claiming that the symbol was “violent.”

This is a clear violation of Title II of the Civil Rights Act of 1964 and California’s Unruh Civil Rights Act. Note that this applies even if the Jewish customer went to the café expecting that something like this would happen (in other words, “he tricked us into discriminating against him!” is not a legitimate defense).

 It’s also worth noting this café has menu items titled “Sweet Sinwar” and “iced in tea fada” and its menu is decorated with the Hamas inverted red triangle. The café also openly expresses support for the October 7 massacre.

JVP TO THE RESCUE

What do you do when under fire for antisemitism? You tokenize (Not So) “Jewish” Voice for “Peace,” which openly supports terrorism against Jews and has even glorified Nazis in the past. For more, see my posts “Stop Sharing JVP” and “Time To Talk About JVP…Again.”

For those of us familiar with Jewish history and the history of antisemitism, this is par for the course. In the 1920s, the Soviet Jewish “Yevsektsiya” made it its mission to destroy “traditional Jewish life, the Zionist movement, and Hebrew culture.” The fact that the Yevsektsiya was “Jewish” was central to its purpose. After all, the Soviet regime couldn’t be accused of antisemitism when those shutting down all Jewish cultural and spiritual life were Jews themselves.

WE HAVE SEEN THIS BEFORE

Historically there have been, arguably, two kinds of antisemitism: (1) Nazi antisemitism, in which Jews are physically exterminated, and (2) Hanukkah antisemitism, in which the antisemite does not necessarily intend to take our lives, but rather, seeks to strip Jews of all the elements which make us...well, Jews.

Under the Soviet regime, for example, Jews suffered from “Hanukkah antisemitism.” The Soviets heavily suppressed Jewish cultural and spiritual life, stripping many Jewish families of thousands of years’ worth of history. Speaking or studying Hebrew was punishable by law. So was participating in Jewish religious traditions. At the same time, Jews were unable to assimilate into Soviet society due to their ethnic background. Jews were often imprisoned under false pretenses, accused of vague “Zionist crimes.” People with Jewish last names were subject to highly restrictive university quotas or banned from performing certain jobs.

Maybe you’ve noticed a pattern over the past year. First, it was only “Zionism,” not Judaism, that was a problem, despite the fact that the Jewish connection to -- and desire for sovereignty in -- the Land of Israel is inextricable from 3000 years of Jewish tradition. Then, they started denying our extensively recorded history and origins in Israel. At anti-Zionist Jewish events, now praying in Hebrew is considered “too triggering,” so it’s best to pray in colonial languages, like Arabic or English. Now, the Magen David is a “racist, genocidal symbol,” to quote Palestinian activist Mohammed El-Kurd.

Do you not see what’s happening? This is no longer about the State of Israel, the Israeli government, the Israeli-Palestinian conflict, or this current war. This is a thinly-veiled effort to methodically legitimize the discrimination of Jews -- and anything Jewish.

THE STAR OF DAVID

The Star of David, also known as the Magen David or the Seal of Solomon, is mentioned in Jewish texts as early as the first century. In fact, it’s found in coins from the period of the Bar Kokhba Revolt against the Romans (132-135 CE). It was also used as a decorative motif in the Khirbet Shura synagogue in the Galilee in the third century. Though initially merely used as an ornament, the Magen David was ascribed deeper spiritual meanings since the 11th century. It has since been associated with Kabbalah, or Jewish mysticism.  

In the 17th century, the Jewish community of Prague was ascribed the Magen David as its official symbol. Shortly thereafter, the Jewish community in Vienna also adopted it as a marker. By the 19th century, the Star of David was the distinctive Jewish emblem.

More than anything, perhaps, the Star of David is a symbol of Jewish resilience and survival. For centuries, Jews in Europe and the Islamic world had been forced to wear distinguishing clothes marking them as Jews. After the Nazis invaded Poland in 1939, Jews in Poland and in other Axis-occupied territories were forced to wear a Star of David, most often seen in the form of a yellow badge with the word “Jude” (Jew) or a similar variation. Therefore, for many Jews, the act of wearing Star of David jewelry or clothing is a reclamation of our ancient symbol that was once weaponized to oppress us.

A DOUBLE STANDARD

Hundreds of millions of people have been slaughtered under the banner of Christianity and Islam each. The Crusades alone took about 1.7 million lives. The Spanish Inquisition? Up to 300,000 lives. In the “New World,” some 56 million Indigenous people were killed in the name of Christianity. These are just a few examples. It’s estimated Islam’s conquests alone left some 270 million people dead. 

During the First Jewish Revolt, the Romans crucified some 500 Jews a day. Yet I would never dream of denying someone service at a coffee shop because they’re wearing a crucifix. 

When Jihadists carry out terrorist attacks, they shout “Allahu Akbar” — the same phrase used by the 1.8 billion Muslims around the world in their daily prayers. Muslims recite the Shahada prayer daily, the same prayer that is inscribed in the ISIS, Hamas, and Al Qaeda flags. And yet, I would never dream of denying someone service at a coffee shop because they’re a Muslim who says “Allahu Akbar” or recites the Shahada prayer.

Under Islamist regimes, such as the Islamic Republic in Iran, women are beat to death for not wearing hijab or wearing hijab “improperly.” But I think you would agree that denying a woman in hijab service at a coffee shop on account of the Islamic Republic’s crimes is plain bigotry.

You may be triggered by crosses, hijabs, or the Star of David, and your triggers may be rooted in valid trauma. But your triggers are no one’s responsibility to deal with but your own, and they are no excuse to lash out in bigotry.

Even if Israel’s actions were equivalent to those of Nazi Germany, equating the Star of David with the Nazi hakenkreuz (commonly misidentified as the “swastika”) is an inherently problematic analogy.

Unlike the Star of David and the Jewish people, the swastika has zero spiritual or cultural significance in German culture beyond Nazism.Within the German context, the Nazi hakenkreuz means one thing and one thing only.

On the other hand, the Sanskrit swastika and other similar symbols, such as the whirling log, have long, rich traditions in their respective cultures. While some Native American tribes have decided to retire the whirling log, others continue to use it. The Sanskrit swastika is commonplace in countries such as India and Nepal. 

Sure, if someone with zero cultural connection to the swastika or the whirling log decides to “reclaim” the symbol, I’d probably do a double take and consider it an antisemitic dogwhistle. But when I went to India, I saw the swastika everywhere, and because I am capable of critical thinking, I was easily able to recognize that the symbol has an entirely different connotation in this particular cultural context, despite my personal and family trauma.

A NOTE ON HOLOCAUST INVERSION

Holocaust inversion is a rhetorical tool used to portray Jews as morally equivalent — or worse — than Nazis. It’s often employed in discussions about Israel-Palestine and is frequently used by anti-Zionists.

 To understand why Holocaust inversion is unquestionably antisemitic, we must first understand what Holocaust denial actually is. Holocaust denial is not just an outright denial that the events of the Holocaust happened, but more often than not, it’s a denial of well-established facts about the Holocaust. For example, someone who says the Holocaust didn’t happen at all is as much a Holocaust denier as someone who claims the Holocaust did happen, but only one million Jews were killed.  

Therefore, Holocaust inversion is always Holocaust denial, because: 

(1) it relies on the minimization of established facts about the Holocaust. However harrowing the humanitarian crisis in Gaza — and it is — it’s just in no way equivalent in scale, scope, and methods to the atrocities committed during the Holocaust. This is a historical fact, and denying it is denying the Holocaust.

(2) characterizing Jews — Zionist or not — as Nazis is a denial of the well-established fact about the Holocaust that the predominant force in Nazi ideology was genocidal Jew-hatred. Jews cannot be the inheritors of Nazism simply because the Nazis wanted all Jews exterminated. A denial of this basic fact is Holocaust denial.

For a full bibliography of my sources, please head over to my Instagram and  Patreon. 

rootsmetals

I sincerely don’t understand how there’s still Jews out there who still make excuses for these people, who don’t see what’s happening. Learn your history. Have some self-respect.

[ghomanimation]

ok I've recently stumbled upon a christian and his audience playing ultrakill and brushing off its explicit themes as "lore junk food" and now I feel like I'm taking crazy pills so

ULTRAKILL, Violence, and Christianity

first addressing that this post is not about christian theology or individual belief in the christian faith as ULTRAKILL does not make an effort to accurately imitate it, this post also does not care about Hakita's authorial intent, it is about symbolism and what Christianity physically is in the world we live in

So, first thing we need to establish: though Jesus does not exist, the tree of life is 100% meant to evoke the cross, in this reading as a symbol of Christianity rather than a Christian symbol.

I read "the world looks white" as an expression of moral purity in religion: 'if you follow the path laid before you there shall be naught but goodness, in the world you will have tribulation but your soul is pure, our souls are pure because we follow god'. But the paths lead in circles and those who tread beyond it are deserving of eternal punishment, "the world looks red", the violence is built into the purity, it is what lies beyond the veil: 'your body is one of god's creations, it does not belong to you, we must save you from yourself by any means necessary'. If blood, the fruit of the tree, is your soul, and your impure vessel of flesh is its prison, it must be liberated through the art of violence. In gameplay it is an act perpetuated by machines and husk alike for survival and it is glorified desecration of the pure white halls, in visuals it is the flesh of entrapped undesirable souls splayed out on the altar.

The death of God's will

God is gone for good after an impossibly long series of failures in making humanity follow its words, I have seen the argument that because it makes mistakes, this entity is nothing like the Christian God, however as in the previous section this reading requires that we understand symbols on a metaphorical rather than theological level: "God is dead", this quote was not said in praise of atheism, in fact quite the opposite: everyone can see that we do not live in a world that follows religious teachings anymore, although we inherit most of our morality and philosophy from an era where almost everyone was religious. I would argue mistakes made by god, and its subsequent departure, are just the very basic atheist point that no god of pure good would let the world become so horrible, it is no coincidence that the events of ULTRAKILL are kick started by the great war: The world is bleak, Hell as a punishment is monstrous, and no force of good will come to right these wrongs because god only exists to enforce strict rules that cannot be followed for it has designed humanity with free will. In ULTRAKILL, heaven is ruled over by an unjust republic that insists failure is not a result of circumstances but indeed the faltering of your faith, for the god that has abandoned you is omniscient and omnipotent, if you simply believed hard enough you would overcome the world. And they might be right about the archangel in particular: Gabriel's faith was indeed impure before he even lost to man's creation, even in carrying out the tyrannic rule of heaven over hell, he believed in the redemption of some husks, he was primed to question the culture of his community after being proven wrong, he is an angel that was able to exercise free will, and free will is a flaw. But justice and morality do not require oppressive control, in this version of hell there are good people and in its heaven there are extremists, your status is not dictated by goodness it is dictated by the arbitrary rules of the church, and disobedience will lead to literal outcasting. The ending of act 2 is a glorious cry of Humanism.

This is the part where I say the lust layer visual novel about nihilism also participates in this reading as nihilism comes from the assumption that the absence of god is the absence of meaning, and its rebuttal comes from the assumption that there is in fact life to be found outside of religion through community and self determination.

And I'm kind of running out of points after this rant so yes I'm including the fact this game is gay as hell as a critique of queerphobic christian fundamentalism ok bye

[townpostin]

Women Lead Grand Kalash Yatra in Jamshedpur

Bhalubasa Jambu Akhara’s female-led procession set for August 12 Annual Shravan event showcases women’s empowerment through religious tradition and community participation. JAMSHEDPUR – Bhalubasa Jambu Akhara is organizing a lively Kalash Yatra in the city, with women at the vanguard of the planning and execution. The procession this year represents a substantial change, as the Akhara’s women’s…

[beemovieerotica]

trying to find like 1 buddhist temple near me to go to and braved reddit to find commentary on different sects and it's such a cesspool of both completely unaware hypocrisy and "all religion bad" shit.

the way americans talk about modern buddhism is like "it's such a cult...they require membership dues...and they get political sometimes...and the leaders are really charismatic speakers" as if. as if every community center doesn't have rent to pay. and makes commentary on society at large. and the people they choose to speak are probably good speakers. every christian church in america also does all these things. like if these are the requirements for a cult then every religion also does this and so of course the other half of the reddit comments go "and THIS is why all religions are cults!!"

I feel like I have a pretty good radar for cult behavior after matrix bullet dodging at least 2 in college and these people online are specifically talking about the sect my grandparents & extended family are in. and it's weird because the complaints are primarily philosophical in nature, like "they communicate with the spirit realm!!" and idk how to emphasize to people that it doesn't strictly matter how weird you think a belief system is, that's not what makes something a cult. it's whether or not the cult subsumes the person's life, isolates them from non-participants, forces an emotional dependency, deifies and makes unimpeachable a still-living leader, and/or requires an ever-escalating financial stake. the average evangelical church ticks off most boxes in this list, the temples they're talking about don't do any of these things, they have esoteric takes that at best will get an eyebrow raise in conversation.

like it's not terribly surprising that american ex-christians are put off by the idea of people connecting with their ancestors and deceased loved ones because of its contradiction with both atheism and the christian afterlife - and I wouldn't lump it in with spirit medium grifters since people are literally not being paid for this service. it's just really odd sifting through all of the commentary because I absolutely agree that any religious group can turn into a cult, I don't think buddhism is immune to that at all, I don't think any belief system is at its core immune to becoming an isolating force in someone's life - but it's just wild seeing these sects being but through a Good Religion purity test that no christian church would pass just based on the surface level strangeness of their beliefs versus the actual identifiers of what a cult looks like.

but anyway that's a long tangent. the temple that I'm looking at is not part of that sect but a different one, it's the only one within reasonable driving distance with an up-to-date calendar of events and responsive staff, and I'm feeling very cunty right now and I'm seeing that is has had concerns raised about it in the past of being "too political" "too fast-growing" "too aggressive in recruiting" and I simply love placing myself in circumstances and then telling everyone about the drama I find. that is worth jotting down. I'm going to record all my experiences and report back, and if I do end up in a cult, y'all will be the first to know - and if it's an unremarkable place with a normal staff, you will also know. I would preemptively rate my cult susceptibility a 3 out of 10 - but looking at this temple I'm going to say it's a 2 out of 10 because everyone there is white and I'm put off by overly-enthusiastic white people.

[himikochan]

Conclave Round 2 Masterpost

2-1: Coccopalmerio v Maeda: Coccopalmerio wins for me due to his interest in reforming The Curia

2-2: Scherer v Tobin: Honestly Either One Is Good. Scherer wins for me for his defense of the Second Vatican Council, which is personally important, and is "theologically moderate." While Tobin, who thinks women can become Cardinals, is pro-immigrant and sympathetic to gays though he may have mishandled a sexual abuse reporting.

2-3: Dziwisz v Carvajal: Carvajal wins because Dziwisz is known to helped cover up sexual abuse of adults and children.

2-4: Re v Krajewski: KRAJEWSKI SWEEEEP. "As cardinal and Papal Almoner, Krajewski was active in undertaking charitable and voluntary work [...]Krajewski climbed down a manhole cover in a Rome street to break a seal and switch back on the electricity supply to a building where 450 people were squatting[...] thereby restoring power and hot water which they had been without for five days."

2-5: Schönborn v Souraphiel: Schönborn is described as a "conciliatory pragmatist" and respects Francis's teachings on the Tridentine Mass.

2-6: Zuppi v Assis: Zuppi has spoken vociferously against European nationalism and for the benefits of pan-Europeanism, additionally he is amenable to priests being married!

2-7: Antonelli v Koch: Antonelli is described as "moderate with strong interest in social justice.

2-8: Hon v Esquivel: Either are fine but Esquivel announced that he would be organizing efforts to translate the Catholic Mass and the Bible into the indigenous language Nahuatl.

2-9: Gómez v Ferrão: Ferrão gets my vote because I think it's cool he's from Goa.

2-10: Mureșan v Ossa: Mureșan learned the priesthood in secret because the Communists suppressed Catholicism and that's kind of cool while Ossa refuses to meet with victims of church sex abuse.

2-11: Mẫn v Tamkevičius: Either are fine!

2-12: Sau-yan v Artime: Sau-yan bc he studied in Chicago and I'm from Chicago!

2-13: Collins v Filoni: Collins is Canadian which would be funny but, more importantly, Filoni knowingly hid rampant sexual abuse and accepted money from the perpetrator.

2-14: Heung-sik v Kovitvanit: Heung-sik wins for his participation on committes regarding migrants, youth ministry, and the promotion of the cause of Korean martyrs

2-15: Coutts v Mendonça: Coutts wins for his work "establish[ing] multiple connections for inter-religious dialog between Muslims and Catholics." Mendonça is technically more papabile though.

2-16: Karlic v Cupich: CUPICH SWEEEP, he's my local bishop and cardinal! He's anti-libertarian, anti-racist, and... not the worst on abortion/gays!

2-17: Tagle v David: Tagle is hands down a great candidate! He's described as “Asian Francis, lives modestly and has a softer approach to issues like LGBTQ members of the church and allowing divorced members to receive the Eucharist"

2-18: Marx v Becciu: Marx is the top pick: pro immigrant, a strong voice against religious extremism, and with LGBT sympathies. He was slow to act in a sexual abuse allegation and tried to resign over it, but was stopped by Francis. While Becciu's trial was the first criminal trial of a cardinal in a Vatican court.

2-19: Rodríguez v Ze-kiun: Ze-kiun is my pick here: he's got a solid career advocating for human rights, political freedom, and religious liberty. Rodríguez is very proudly homophobic.

2-20: Leo v Soo-Jung: Soo-jung comes from the long tradition of Korean Catholics and has participated in events to encourage North/South Reunification which intrigues me!

2-21: Romeo v Donatis: Not crazy about either BUT Donatis ordered the churches of Rome closed in March of 2020 (which wasn't followed but he tried).

2-22: Parolin v Nhơn: Parolin is currently most senior Cardinal under 80 with long diplomatic posting

2-23: Gregory v Baggio: Gregory, according to cryptobotanical- "holds pretty progressive views towards the LGBTQ+ community"

2-24: Sako v Onaiyekan: Onaiyekan is my vote because he might've helped prevent a dictatorship in Nigeria?????

2-25: Cardozo v Ryś: Either, no strong feelings.

2-26: Pengo v Bychok: Either, no strong feelings. Pengo is Tanzanian and Byocko is Ukrainian.

2-27: Darmaatmadja v Tempesta: Tempesta is interesting to me because he was originally a monk.

2-28: Casado v Mangkhanekhoun: Casado is a "foremost expert on canon law". He's probably too old to be pope but it would be funny since he wasn't picked the last two times!

2-29: O'Malley v Imeri: both are good social justice candidates but O'Malley has done some explicitly shitty stuff too, so Imeri it is!

2-30: Sistach v Silva: Not crazy about either but Sistach has a strong Curial career.

2-31: Castro v Reina: Neither stands out to me besides Castro is a little sympathetic to same sex cohabitation.

2-32: Sánchez v Gugerotti: Either, no strong feelings.

2-33: Maestrojuán v Cantalamessa: Maestrojuán is a Panamanian Augustinian Friar and "he achieved national prominence through his mediation of a violent dispute which broke out between the government and the indigenous Ngöbe–Buglé people over the mining of their ancestral lands."

BONUS: Pizzaballa v Trump: PIZZABALLA

Okay, I'm going to reblog every poll post now with my propaganda attached and link each poll to this Masterpost

[ksadvent]

Not to disturb your summer vibes, but September is here (*screams, part in delight, part in shock*) and this means: K/S Sign-Up is happening!

Schedule for 2024:

Sign-ups and prompt posts: September 1 - 30 Prompt claims and creation period: September 1 - November 20 Works due: November 20 Works revealed (gradually): Dec 1 - 31 The time for all these steps is: 11:59 AM UTC. A quick refresher of our FAQs and rules: FAQs:

Advent Calendar? Is this a Christian event? Do I have to create an X-mas-themed work?

No, K/S Advent Calendar is not a Christian (or, generally, religious) event. There's no denying that the concept of such an annual fannish event in December has its roots in the wide-spread, originally German Lutheran custom of advent calendars (which first appeared in the 19th century), and we do keep the term "advent" in the name, but it is important to us that this fest itself is not tied to any specific religion or culture. December comes with a multitude of holidays, traditions, and days of significance around the world (see this list on Wikipedia, for example), be they secular or religious or even fictional (e.g. Festivus or Hogswatch); all of them can be explored for this fest, as can the topics of end-of-year, New Year, winter, and family gatherings. This is a very wide and varied theme, and we hope there's something for everyone in it, creators and readers alike.

Why does this event take place throughout the whole month of December? Advent calendars have 24 doors.

Because it's fun and we think there can be no better way to end the year (and start the new one) than with the delight that is Kirk/Spock. (Also, not all advent calendars have 24 doors.)

Do I have to be on Dreamwidth or Tumblr in order to take part in this fest?

No, a DW account is not required. We have a community on Dreamwidth and a blog on Tumblr for announcements and discussion, but schedules and important admin posts will always be publicly visible. The only account you really need for this fest is an AO3 account. You are, of course, encouraged to post/link to your work anywhere you like to after its reveal; so if you prefer to share your art, for example, on Twitter or Tumblr for greater exposure, then you can crosspost it there as soon as your work is revealed.

Is this a fic exchange?

No. K/S Advent Calendar is a prompt meme, that means participants will not get matched one-on-one and assigned to a gift recipient as is the case in exchanges. So no one is guaranteed a "gift", but there's also much less pressure on participants. Members sign up and post prompts until the defined deadline (see the schedule). Prompts can be claimed by anyone who has an account on the AO3, and the resulting fanworks need to be posted to the collection until the deadline according to schedule. If you need more detailed information on how a prompt meme works (e.g. how to edit your prompts, where to find your claimed prompts etc), please see this section in the AO3 FAQ.

Do I need to be signed up to claim & fill a prompt? What if I missed the sign-up phase?

Admittedly, the term "sign-up" is a tiny bit misleading. The "sign-up" form is for submitting your prompts; if you would like to claim & fill prompts without submitting a prompt yourself, then you do not need to go through the "sign-up" form. Just browse the list of prompts other fans submitted and use the "claim" button to pick whatever tickles your muse. When you claim a prompt it shows up under "My claims" on the collection profile and under "Claims" on your own dashboard. Use the "fulfil" button to post your work, please. Rules:

1. K/S Advent Calendar is an event for adults as some prompts or fanworks might be mature or explicit. By taking part you confirm that you are 18 or older.

2. The theme of this fest is very wide: December comes with a multitude of holidays, traditions, and days of significance around the world, be they secular or religious or even fictional (e.g. Festivus or Hogswatch); all of them can be explored for this fest, as can the topics of end-of-year, New Year, winter, and family gatherings. The focus of your work should be on the pairing Kirk/Spock or Kirk & Spock. Slash (romantic and/or sexual relationship) and gen (friendship) are equally welcome. K/S has many layers and aspects, and this fest is a celebration of them all. No other pairings will be accepted (mentioning side pairings of other characters is fine, but the focus must be on K/S). If a prompt does not touch the theme of the fest at all, it is up to the person who fills the prompt to include the theme. So if you want to have more say in how this should happen, give a few pointers in your prompt. Otherwise the creator has free rein, barring any DNWs. (So if someone prompts, for example, "spanking in the mirrorverse", without any further details, then someone who claims this prompt will have to include the theme somehow. Maybe it's spanking al fresco, on a snowy planet? Or maybe it's 12 Days of X-mas spanking? Or maybe it's a family gathering on Vulcan that entails ancient customs – and whips and paddles (so, basically canon props)? And there are so many other ways the theme could be included.

3. When we say K/S, we mean: both TOS (series and movies) and reboot; Discovery and Strange New Worlds content is also welcome (let's hope we'll get some K/S-worthy material from these series one day). No RPF, please. AUs and mirror universe are welcome.

4. Crossovers between different Trek franchises or between Trek and other media are permitted if the individual prompt states this or actively invites them.

5. All ratings are welcome in this fest. However, when you fill a prompt please stick to the preferred rating of the prompter (if stated in the prompt).

6. All genres welcome, including darker subjects if the prompter asks for them (as long as DNWs are respected). Use the AO3 warnings if applicable.

7. Prompts can be filled by more than one person. You can even fill the same prompt multiple times – the "fulfil" button will show up on the prompt you claimed even if you have already used it for posting a work before.

8. Participants can fill as many prompts as they want to. You can even fill your own prompt.

9. Please list your DNWs (Do-Not-Wants) in the prompt if you want to avoid certain types of content, e.g. rape or character death or specific tropes. When you submit several prompts, please state your DNWs for each. We kindly ask you to not abuse the DNW system: keep it short and simple, and don't box in your creator. When you fill a prompt, please respect the DNWs listed in the request.

10. All types of fanworks are welcome in this fest: fic, poetry, filks, art, vids, podfic etc. Made a giant cake with life-size Kirk and Spock marzipan figures? Post the photos.

11. Minimum word count for written fanworks is 100 words (exception: poems have no minimum word count). There is no maximum word count. Minimum for art: a doodle or clean sketch (on unlined paper, if you use traditional media); manips are permitted. No banner or icon art, please, unless it accompanies a work of fiction or a podfic. No AI-generated works, be it fic or art, will be accepted!

12. Fanworks in languages other than English are allowed: As this is not a one-on-one gift exchange, but a prompt fest, fanworks in languages other than English are absolutely permitted and welcome! Each prompt can inspire a wide variety of fanworks, and as long as you respect the DNWs and the maximum rating of the chosen prompt, it’s all fine!

13. For K/S Advent Calendar, the works will be gradually revealed, at least one per day, hopefully even more than one if there are enough submissions. There is no anon period, but we ask you to not blabber about your work on social media before it appears in the collection. As soon as your work is revealed, you can link or re-post it anywhere you want to. While your work is in the queue and waiting for its scheduled day to go live, it will be marked as "awaiting approval by the mod". Fear not, this is just part of how the gradual reveal that is key for an advent calendar works. Please note that the AO3 keeps the date on which you submitted your work as publication date. When your K/S advent work gets revealed, you can/should update its publication date to its reveal date. Otherwise a work revealed on Dec 20, for example, might carry the publication date Oct 5. Which is not the end of the world and happens in AO3 prompt memes and fic exchanges often, but updating the date will also make your work appear among the recent ones when people search for a pairing or fandom tag. We mods can't do that for you, by the way; updating the publication date of a work is something only its creator can do.

14. Works posted to the collection must be new (created for this fest and unpublished) and complete. No WIPs or placeholder uploads! If you post a work with more than one chapter, it must be complete before the due date.

15. We allow extra works to be posted to the collection: If nothing among the submitted prompts tickles your muse, and if you missed the chance of submitting a prompt that you could have filled yourself, then you can still take part in K/S Advent Calendar by posting the work directly to the collection, without using any "claim" or "fulfil" button. Make sure to put the correct collection name into the appropriate field during the posting process (e.g. for 2024 the collection name is "KS_AdventCalendar2024", without the quote marks), so that the work stays unrevealed until it goes live. We think of these extra works as treats for the whole community. However, please do have a good look at the list of prompts before you choose to take this road. There are such lovely prompts waiting for creators to pick them, and this should take priority over treats.

16. Last but not least: Be courteous to the other participants, act in good faith and assume good faith. For all questions, please contact the mod (DW, Tumblr-Ask, or email: kirkspockmod+ksadvent@gmail.com). We are happy to help!

[amateurvoltaire]

I went to Puy du Fou (1) and watched  'Le Dernier Panache' (2), and needless to say, I've got a few things on my mind. But before I gather my thoughts into something coherent, there’s one pressing issue I need to address: there was NO “extermination” policy in the Vendée.

Is it clear enough for everyone? I sincerely hope so because yesterday, I was among an audience of about 5000 who were shown a scene depicting Robespierre (in yellow), Saint-Just (in turquoise), and Barère (in purple) arguing for the complete destruction of the Vendée… for reasons…

In plain terms, were they advocating for genocide (3)  in the Vendée.

This didn’t happen. In 1793, the idea of a distinct Vendéen identity wasn’t a real thing. The Vendéens were not recognized as a specific regional or ethnic group, not by themselves or anyone else.

Do you know what was real? Brigands rebelling against the first French Republic. What were the policies of extermination targeted towards? Those Brigands. What do you call that? Civil War.

On 1st August 1793, Barère delivered an inflamatory speech (4) that many use to argue the Committee of Public Safety's alleged genocidal intent. His words were indeed unhinged, typical of the era’s rhetoric.

Barère did say, "No more Vendée, no more royalty; no more Vendée, no more aristocracy; no more Vendée, and the enemies of the republic have disappeared," but this infamous line follows a crucial preamble: "We will have peace the day the interior is peaceful, that the rebels are subdued, that the brigands are exterminated. (5)" It’s disingenuous to interpret this as a call to wipe out an entire region (6).

Moreover, this speech was followed by the "Décret relatif aux mesures à prendre contre les rebelles de Vendée", which includes an article (the 8th) stating: "Women, children, and the elderly will be taken inland. Provisions will be made for their subsistence and safety, with all the consideration due to humanity" This directive was actually enforced as evidenced by the 20,000 to 40,000 refugees who the government supported in cities like Poitiers, Orléans, and La Rochelle.

The conservative right in France has been peddling this genocide narrative since the mid-1980s, but no amount of dramatic cursive text with melancholic violin strains will convert fiction into fact.

What happened in the Vendée was horrific. Were there war crimes? Numerous. Was the region scarred by the violence? Undoubtedly. Should we acknowledge that? Of course!  But pushing a theory that is not true detracts from recognising the violence, learning from it and ensuring it will never happen again.

It also cheapens the heroic acts and sacrifices of those who fought not for the narrow political agendas of the 21st century but for causes they truly believed in. The counter-revolutionaries in the Vendée and throughout France were driven by a deep commitment to protect their communities, faith, and way of life. They were not merely victims of a systematic extermination effort but active participants in a struggle to defend their political and religious beliefs (7). Admittedly, I'm not an expert on Charette, but I suspect he would be disturbed to see his legacy so grossly misrepresented…

Notes

(1) Puy du Fou is a historical theme park in the Vendée known for its elaborate live shows that recreate historical events. It has faced criticism for potentially exploiting history and is managed by the Puy du Fou Foundation, linked to its founder, Philippe de Villiers, a French politician noted for his conservative and nationalist views.

(2) This particular show focuses on François Athanase Charette de La Contrie, a Vendean general.

(3) Genocide is defined by the United Nations in the "Convention on the Prevention and Punishment of the Crime of Genocide", adopted on December 9, 1948, as acts committed with the intent to destroy, in whole or in part, a national, ethnical, racial, or religious group.

(4) The conflict in the Vendée began in March 1793, prior to Robespierre's association with the Committee of Public Safety. Danton was the one who was instrumental in shaping the initial response to the uprising and was the president of the Convention during Barère’s speech. Weirdly enough, Danton is nowhere on that stage…

(5) The full qoute is "Nous aurons la paix le jour que l'intérieur sera paisible, que les rebelles seront soumis, que les brigands seront exterminés. Les conquêtes et les perfidies des puissances étrangères seront nulles le jour que le département de la Vendée aura perdu son infâme dénomination et sa population parricide et coupable. Plus de Vendée, plus de royauté ; plus de Vendée, plus d'aristocratie ; plus de Vendée, et les ennemis de la république ont disparu. "

(6) This type of rhetoric was not unique to the Vendée but was also directed at other counter-revolutionary hotspots across France like Brittany, Lyon, Marseille, Avignon, etc.

(7) I'm not a particular fan of those beliefs but I can respect the courage to stand up in defence of a lost cause.

[cer-rata]

Cerata's 2024 End of Year Artist shoutouts! (part 1)

Okay so this year was the first time I'd really participated in fandom in over a decade, but I'm truly glad I did because I met a ton of great people, and even got to work on projects with some of them. So I wanted to put all of the cool visual art that I've received last year, whether it be art trade, commission, part of an event, or...fanart? Because that happened somehow?

Anyway, there are a number of other people that I worked with last year, but a bunch of that art started near the end of the year, and as such is not finished yet, hence why this post will be two parts, one now, and the second when everyone else finishes up.

No particular order, all of these artists are great, and lovely people, so do go check out the rest of their work and tell them how cool they are, yeah? Also, some are currently open for commissions, so keep an eye out for that.

(Also, this is my first time trying to do ID text, so bear with me if they're a little rough, despite being a writer, I hate words?)

So first we have @fiyaharts with a lovely illustration of a number of the my favorite Krypton and Krypton-adjacent children. Shadi is lovely to work with and fast to the point where it spooked me a little bit, go off girl.

Next we have two pieces from my favorite Evil Woman Apologist, @vivictory-draws, one of a divorced Barbara and Kara being totally normal about it, and the other of my child and blorbo that haunts my waking hours, Conrad. Love N to death, which is why I haunt her with threats of commissioning Joker/Desaad Yaoi.

...Maybe for the next list, who knows...

So next we have the art created for the last @womenincomicsminibang (which is going to be returning with a reverse bang in a few months, keep an eye out on that.)

The lovely and evocative cover was done by the talented @breakingthespacetimewall, and the scenes of Cassie trying and failing to get her life together were done by the wonderful @soop-jpg

Working with them was a pleasure and honor, and their dedication and kindness really helped me through finishing that fic, and I remain incredibly grateful for that.

The first person I worked with this last year, and the one who really helped solidify the core of a lot of my projects, @nicodrawings drew a glorious cover for my mania-induced first longfic, and also a character reference for the aformentioned disordered young man who haunts my waking hours. She's a professional through-and-through, with wonderful instincts and great communication. She's also working on a fan-comic project of her own that I think is wonderful and am excited to see continue.

I lucked out and was paired with the super chill, super talented @byeara on my first fan project ever, and they hooked me up with this super fun and detailed cover for the fic I wrote for that one kon-centric minibang. I loved working with them, and would love to do so again, logistics willing.

This jerk @vnekey made me cry by drawing really sweet, totally unexpected fanart for that mania-fic I wrote. I'm still a little speechless really, I'd never gotten fanart of any sort for any reason before, and to receive something so lovely as the first thing really touched me deeply, and honestly kept me writing through some rough patches.

...Fight me!

My first ever art trade! Kind of! @spider-jaysart is super sweet and supportive and made my...second biblically (is there a Source bible? Are there religious Coluans?) cursed son and his hapless, frankly narratively cursed best buddy look so precious that they ALSO made me cry, can we stop that actually--

Speaking of my cursed son and his narratively cursed Kryptonian, @spicy-apple-pie created this really pretty piece that's...a number of weird deep cuts smushed together into something really specific, but neat if you have the context, which nobody does :3

She was so wonderful and patient and I really enjoyed seeing her run with her inspiration, the Kryptonian mural is super neat and not something I would have ever come up with on my own.

@mediaraiz Is really stylistically flexible, and their "Blob" style really scratched that itch I had for something cute and playful, and they were so game in taking on a larger project, and then went above and beyond in making my lanterns looks truly special.

Finally (for now), @riverdeansart drew a sweet little scene of two horrifyingly stressed totally fine spacebros chilling and chatting about how everything is completely okay!

I was super vague about this one and Dean did a great job getting the vibes right anyway, and with haste.

...So yeah, that's if for now! I'll circle back in a bit when I'm forced to let more artists out of my basement everything else is done!

[doctordeathawaits]

Transnun tips that don't include just straight up joining a nunnery?

Trans Nun

Adopt a minimalist lifestyle focused on simplicity and purpose ! This could mean decluttering your space, focusing on what truly matters to you, and eliminating distractions !! Live intentionally with a focus on spiritual growth, peace, and contentment !

Developing a practice of mindfulness can help you tap into the peaceful energy associated with nuns ! Start with daily meditation, prayer or a simple gratitude practice to connect with yourself on a deeper level !

Set up a routine that reflects tranquility, such as lighting a candle in the morning to signal the start of your day, having a specific time for reflection, or dedicating time to silence - This helps build the spiritual atmosphere you’re after !

Carve out moments of silence in your daily life, allowing you to reflect inwardly and meditate on your values, purpose, and connection to the world around you ! This might involve silence in the mornings, evenings, or even during breaks in your day !

Embrace Service & Charity ! A core element of a nun’s life is serving others. You can embody this by volunteering or dedicating your time to charitable causes. Whether it’s helping at a local shelter, organizing a community event, or participating in environmental cleanup efforts, find ways to give back and serve in your community ! Incorporate acts of kindness into your everyday life, such as offering a helping hand to someone in need, listening with compassion, or doing something kind for someone without expecting anything in return !

Nuns often engage in spiritual study and learning ! You don’t have to follow a specific religious path, but you can immerse yourself in spiritual texts, philosophy, or literature that aligns with your values. ! Read books that foster personal growth, peace, and compassion !

Attend workshops or retreats that focus on mindfulness, spirituality, or personal development ! These retreats might be focused on meditation, yoga, or silent reflection, all of which can help you deepen your connection !

Nuns often practice self-discipline, but also kindness and compassion toward themselves. Practice self-compassion by treating yourself gently, embracing imperfections, and allowing space for growth.

Nuns often reflect on the blessings they’ve received ! You can incorporate a daily gratitude practice by acknowledging the things you’re grateful for, big or small, and keeping an attitude of thankfulness !

Simple, Modest Clothing !! Nuns typically wear simple and modest clothes that allow them to move freely while remaining discreet ! You can create a similar aesthetic by opting for loose, comfortable clothing in neutral tones, such as soft blues, grays, and earthy colors. Think long skirts, dresses, tunics, or simple pants paired with modest tops ! While not mandatory, a simple head covering or scarf can help evoke the feel of the nun aesthetic. Try wearing a soft headscarf or bandana to add a serene and peaceful vibe to your look ! Natural Makeup or None ! Nuns typically wear minimal to no makeup, and you can reflect that by opting for a more natural or fresh-faced look. If you do wear makeup, keep it simple and subtle—think neutral tones and light touches that focus on enhancing your natural beauty.

[zombiecicada]

OC Evolution Event

Event hosted by: ZombieCicada

Premise:

The premise of this event is to create a simple design for an oc with no lore. A blank canvas, if you will.

Participants (including me) will be put in a circle, and everyone’s ocs will be handed to the person next in the circle.

Each person gets a week to add two lore elements to the character and add one thing to the design. You then redraw the oc, and all of the ocs gets passed to the next person. This keeps going until everyone receives their original oc with all its new lore and the design influenced by all the artists it’s come across!

Entry requirement:

Create a new oc design. Design must be simplistic and the reference needs to be clear.

Can be any species from the kirby universe, game or anime, or even a kirby fan species if desired (though note for lore purposes things may not stay canon to the lore of the species as it gets passed around the circe if people are unfamiliar with the species) we ask that this stick to the Kirby fandom.

Drawings, both applications and going forward with the event, can be digital or traditional! If you’re able to colour/shade/fully render it that’s great, but not required if you are unable to. Use what supplies you have and or like working with the most and do your best! This is not a contest of art skills, but an event for fun to see what the community can create together and appreciate all the different styles people have when creating ocs.

Rules:

When you receive a character, your goal is to add two pieces of lore, and some aspect to the design, and then draw the updated oc in your style!

Lore pieces can be almost anything! For example:

•oc’s name or alias they gain along the way

•personal information about the oc like their gender identity

•oc likes or dislikes

•oc’s occupation(s)

•fears

•likes or dislikes

•relationships with other characters like family or friends

•places of origin

•story events (ie: this oc once participated in a *insert event here*)

•anything else that falls under this category, be as creative as you want!

Design wise, you could do any of the following:

•add features like markings, freckles, scars

•clothing or accessories (maybe a silly hat)

•if it’s an oc like a puffball maybe add wings or a tail or something of that nature

•give the oc a tool or a weapon

Some dos and don’ts!

Do:

•Keep things PG, heavy depictions of gore, anything sexual, political, or religious, or anything that promotes hate or violence towards real people will immediately result in you being kicked from the event. Remember there are minors in this fandom and that hate, disrespect, harassment and discrimination will never be tolerated. While this also the kirby fandom and The Horrors™️ are a given, we ask you do keep things family friendly.

We will have an option to do a blacklist if there’s certain things you aren’t okay with having added to your oc for personal reasons that people adding stuff to your oc can reference.

•Have fun, and ask for help if you’re unsure or are dry on ideas. This is designed to be a community effort!

Don’t:

•Change the original design to no longer be recognizable as that original design. For example if the oc submitted is a waddle dee, you should be able to still tell its a waddle dee.

•If the previous person has established specific lore, don’t contradict that lore, nobody wants their lore thrown out the window.

Any other questions or concerns, please ask me for clarification!

Everyone who is participating is on this doc as is the turn order!

Applications are Now Closed!

The starting date for this event will be November 1st!