#Collaboration with authors

[wistfulpoltergeist]

Nothing unusual. Decided to play Divinity 2 with my sis. Created my characters there, found a home for them, decorated it, imagined a story and then went back to Sims 4 to recreate my Sims-Divinity Characters back in Sims :D

CC credit: Me :D, @simstrouble, Nelfeah, @giuliettasims, @chocobunsims, @golyhawhaw, @joliebean, @uxji, @thisisthem, @goppolsme, @johnnysimmer, @introsims, @pralinesims

[yudkowsky]

I understand why alchemists invented, and modern fiction writers use, systems with a few understandable Elements like Earth / Fire / Air / Water / Light / Dark.

I understand why even most nerds don't bother to study the Elements in real life. There's too many of them, and they don't neatly correspond to meaningful aspects of macro-level existence.

But just once I'd like to read a worked magical system where the author has looked up the properties of the real Elements, has put in all the work to build up a system of plausible-sounding correspondences, and the protagonist is a rare dual-element Tellurium-Iodine wizard.

[palms-upturned]

For US unions like the UAW — which has thousands of members in weapons factories making the bombs, missiles, and aircraft used by Israel, as well in university departments doing research linked to the Israeli military — the Palestinian trade union call to action is particularly relevant. When the UAW’s national leadership came out in support of a cease-fire on December 1, they also voted to establish a “Divestment and Just Transition Working Group.” The stated purpose of the working group is to study the UAW’s own economic ties to Israel and explore ways to convert war-related industries to production for peaceful purposes while ensuring a just transition for weapons workers.

Members of UAW Labor for Palestine say they have started making visits to a Colt factory in Connecticut, which holds a contract to supply rifles to the Israeli military, to talk with their fellow union members about Palestine, a cease-fire, and a just transition. They want to see the union’s leadership support such organizing activity.

“If UAW leaders decided to, they could, tomorrow, form a national organizing campaign to educate and mobilize rank-and-file towards the UAW’s own ceasefire and just transition call,” UAW Labor for Palestine members said in a statement. “They could hold weapons shop town halls in every region; they could connect their small cadre of volunteer organizers — like us — to the people we are so keen to organize with; they could even send some of their staff to help with this work.”

On January 21, the membership of UAW Local 551, which represents 4,600 autoworkers at Ford’s Chicago Assembly Plant (who were part of last year’s historic stand-up strike) endorsed the Palestinian trade unions’ call to not cooperate in the production and transportation of arms for Israel. Ten days later, UAW Locals 2865 and 5810, representing around forty-seven thousand academic workers at the University of California, passed a measure urging the union’s national leaders to ensure that the envisioned Divestment and Just Transition Working Group “has the needed resources to execute its mission, and that Palestinian, Arab and Muslim workers whose communities are disproportionately affected by U.S.-backed wars are well-represented on the committee.”

Members of UAW Locals 2865 and 5810 at UC Santa Cruz’s Astronomy Department have pledged to withhold any labor that supports militarism and to refuse research collaboration with military institutions and arms companies. In December, unionized academic workers from multiple universities formed Researchers Against War (RAW) to expose and cut ties between their research and warfare, and to organize in their labs and departments for more transparency about where the funding for their work comes from and more control over what their labor is used for. RAW, which was formed after a series of discussions by union members first convened by US Labor Against Racism and War last fall, hosted a national teach-in and planning meeting on February 12.

Meanwhile, public sector workers in New York City have begun their own campaign to divest their pension money from Israel. On January 25, rank-and-file members of AFSCME District Council (DC) 37 launched a petition calling on the New York City Employees’ Retirement System to divest the $115 million it holds in Israeli securities. The investments include $30 million in bonds that directly fund the Israeli military and its activities. “As rank-and-file members of DC 37 who contribute to and benefit from the New York City Employees’ Retirement System and care about the lives of working people everywhere, we refuse to support the Israeli government and the corporations that extract profit from the killing of innocent civilians,” the petition states.

In an election year when President Joe Biden and other Democratic candidates will depend heavily on organized labor for donations and especially get-out-the-vote efforts, rank and filers are also trying to push their unions to exert leverage on the president by getting him to firmly stand against the ongoing massacre in Gaza. NEA members with Educators for Palestine are calling on their union’s leaders to withdraw their support for Biden’s reelection campaign until he stops “sending military funding, equipment, and intelligence to Israel,” marching from AFT headquarters to NEA headquarters in Washington, DC on February 10 to assert their demand. Similarly, after the UAW International Executive Board endorsed Biden last month — a decision that sparked intense division within the union — UAW Labor for Palestine is demanding the endorsement be revoked “until [Biden] calls for a permanent ceasefire and stops sending weapons to Israel.”

[otaku-108]

Hungry like a wolf

Here's my piece for @inu-spiration!

I worked with the awesome @mynightshining on a little KogKag reunion that is just lovely 😍 Read it here! https://archiveofourown.org/works/57445606

Thank you all for the event ❤️❤️❤️

[lipglossanon]

12 Days of Smutmas

hello there! @ao3-rex1223 and I are collabing this month for Smutmas! 💜

starting 14 December, there will be a new fic from one of us! each fic will be clearly labeled, but just to reiterate it’s 18+ so MDNI if you don’t like the material, don’t read it! Hope you all enjoy! Merry Christmas/Happy Holidays! 😘 <List will be updated as we go along!>

🎄14 December

ao3 rex - Turn Me On To Turn Me On || Android!Leon x fem!reader

🎄15 December

Breeding Kink || Subby Stepbro!Leon x fem!reader

🎄 16 December

ao3 rex - 3 Of A Kind || Leon x fem!reader x Chris

🎄17 December

Cock Worship || Shape Shifter/Wendigo!Leon x fem!reader

🎄 18 December

ao3 rex - Tell Me How You Feel || Psychiatrist!Leon x fem!reader

🎄19 December

Thigh Riding || Priest!Leon x fem!reader

🎄 20 December

ao3 rex - True Friends || Best Friend!Leon x fem!reader

🎄21 December

Period Sex || Puppy!Leon x fem!reader

🎄 22 December

ao3 rex - Twist My Words || Professor!Leon x fem!reader

🎄23 December

Have To Be Quiet/Not Get Caught || Stepdad!Leon x fem!reader

🎄 24 December

ao3 rex - ‘Twas The Night Before Christmas || Ex Husband!Leon x fem!reader

🎄25 December

Biting/Marking || Vampire!Leon x fem!reader

dividers: firefly-graphics

[thepoisonroom]

'I flirted with the idea that instead of being trans that I was just a cross-dresser (a quirk, I thought, that could be quietly folded into an otherwise average life) and that my dysphoria was sexual in nature, and sexual only. And if my feelings were only sexual, then, I wondered, perhaps I wasn’t actually trans.

I had read about a book called The Man Who Would Be Queen, by a Northwestern University professor who believed that transwomen who were attracted to women were really confused fetishists, they wanted to be women to satisfy an autogynephilia. And though I first read about this book in the context of its debunkment and disparagement, I thought about the electricity of slipping on those tights, zipping up those boots, and a stream of guilt followed. Maybe this professor was right, and maybe I was only a fetishist. Not trans, just a misguided boy.

About a year later, on the Internet, I come across a transwoman who added a unique message to the crowd refuting this professor. Oh, I wish I remember who this woman was, and I wish even more that I could do better than paraphrase her, but I remember her saying something like this: “Well, of course I feel sexy putting on women’s clothing and having a woman’s body. If you feel comfortable in your body for the first time, won’t that probably mean it’ll be the first time you feel comfortable, too, with delighting in your body as a sexual thing?”'

-Casey Plett, Consciousness

[eliza-faust-diary]

Hello! For this Tanabata Bang by @inu-spiration I worked with amazing @mayarab and made a KagSan illustration! :D What kind of conversation are they having? Be sure to read the story "Vino Veritas" here on AO3!

[ruddcatha]

Acquainted with the Night is now live on Ao3!

This is a year long collaboration with @elkonigin, @clearwillow, @mamabearcat, @dawnrider, @inuyashamybeloved and myself about Inuyasha's human nights, all spent in Kagome's era, and how things evolve over time. Summary: This is a series that spans across Inuyasha's Human nights spent in the modern era.

Chapter 1 - @elkonigin Chapter 2 - @inuyashamybeloved Chapter 3 - @clearwillow Chapter 4 - @dawnrider Chapter 5 - @mamabearcat Chapter 6 - @dawnrider Chapter 7 - @ruddcatha

[demadraws]

Another collaboration in the books! It was so fun to make this piece for @ahufflepuffhobbit's beautiful fic, Bruises on the Heart (Link to AO3). It's so tender and sweet and FUNNY – great comedic timing in this one, pals. I hope you read it :)

[funhouse-mirror-barbie]

What it should mean to support ALL survivors—Fandom discourse and the depiction of sexual assault in media.

So. Okay.

Below is a video that, in my opinion, is a very well thought out and respectful critique of the writing decisions surrounding Angel Dust’s character and purpose in Hazbin’s narrative.

The author of the video does a great job clearly stating their thoughts and opinions, and put a lot of effort into explaining their reasoning in a concise and easy to understand way.

I really recommend giving it a watch—(TW for discussions of rape, sexual assault and abuse. )

However, one of the most important things about this video though, is that the author, Limus, takes the time to specify that the video is only her opinion, and that she does not want to invalidate the feelings of other people or survivors who like or feel represented by Angel Dust. (More below)

In their conclusion, Limus states, “…If you enjoyed “Hazbin Hotel” and Angel Dust as a character, that’s fine. I don’t want you to walk away from this thinking your opinion is less than mine. People have their own reasons for liking media, and the discourse surrounding this show and the harassment that people receive just for liking it is unacceptable. You can have your reasons for disliking a show, but people can also have their reasons for liking it as well. Everything I have said in this video is in relation to my own personal life…”

I was REALLY glad and really relieved that Limus took the time to specify this, because one of my biggest grievances with the discourse regarding Hazbin’s depictions of sexual abuse, assault and rape, is that I see a LOT of people, both critics and fans, disregarding the experiences and feelings of survivors with opinions opposite to theirs.

Specifically, I saw a LOT of people talking about the portrayal of sexual abuse in Hazbin, and media in general, as if it was something that could be judged as being OBJECTIVELY “good” or “bad”.

And then proceeding to argue with people over their opinions and feelings as if they were in some sort of debate and the other person’s beliefs could be disproven.

This was really frustrating to me, because I’m hyper-aware of how media is extremely subjective especially when it comes to serious topics like sexual assault, violence, substance addiction, abuse, etc. etc.

So, I’m going to talk, in detail, about what I see as a lot of hypocrisy within fandom and critical spaces.

This really started in January of this year (2024) when a trailer (or maybe a leak? Sorry I can’t remember) for Hazbin came out, and a scene from Poison was shown.

There were a lot of people who were really concerned with the way Angel Dust’s abuse was shown in the preview, a good amount of them survivors of sexual abuse themselves, and from there the discourse got pretty out of hand.

Worst of all though, people, both fans and critics, allegedly started demanding “proof” of survivor’s assault from those they disagreed with.

This was very gross behavior, and I don’t care what your opinion on Hazbin Hotel is, NO ONE should have done that. It’s not only incredibly invalidating, but also potentially re-traumatizing.

Seriously. I hope ANYONE who engaged in this behavior, REGARDLESS of if they love Hazbin and think it’s the best thing in the world or if they hate it and think it’s the worst piece of media ever, were able to take a step back and realize how hurtful and inappropriate their actions were. And hopefully grow from that.

What disappointed me the most though was seeing Hazbin’s creator’s reaction to all of this. It was, in my opinion, very hypocritical and set the stage for the sort of harassment that is continuing in the fandom today.

A Disclaimer—this is going to be one of the ONLY TIMES I talk directly about the creator of Hazbin Hotel, Vivienne “Vivziepop” Medrano. I’m doing so because she was engaging directly and openly with this discourse when it was happening, and I think it’s important to talk about her actions and reactions because it provides some context for the background in regards to the ongoing conversations surrounding Hazbin’s SA depictions.

I generally do not like publicly talking about or making judgements on creators as people based on the art they create, because while a creator’s art is almost always influenced by their personality and experiences, it’s not a good way to judge someone’s ENTIRE character. All people are multi-faceted, and the art or media we create usually reflects only part of someone. Additionally, people use art, fiction, and media to explore all kinds of things, including things they would never do or want in real life, and that’s valid and normal. Obviously.

But when a creator publicly expresses an opinion in regards to ongoing discourse, of course people are allowed to discuss it and have their own opinions. Especially when that creator has a lot of fans who look to them as a role-model. Not saying that Vivziepop is responsible for actions of her fans, but when you are a public figure like she is, I do think it’s important to be as mindful as you can about your influence.

With all of that said. Yeah. I was. Incredibly disappointed by Vivziepop’s reaction to this. Because, I actually do agree with a lot of the things she was saying about supporting survivors—

I 100% agree with this. Everyone processes trauma differently, and that should be respected. We should not judge survivors for how they cope or process their trauma.

If this statement was made in response to the all judgement and struggles that survivors generally have to deal with, I would not have any issue with it whatsoever.

But. It wasn’t. Vivziepop said this because people were criticizing Hazbin Hotel—specifically there were survivors who were upset and triggered by scenes from the musical sequence “Poison” that leaked prior to Hazbin’s official release.

Now, obviously, I can’t know her true intent or beliefs. But her bringing all of this up after she had received criticism from survivors about her show leads me to believe that she doesn’t really care about supporting all survivors. Especially since after she said this, she proceeded to dismiss the concerns that several survivors brought to her because “the show hadn’t come out yet”.

To me, this is just hypocrisy.

Now, to be fair. Im also an artist. I understand feeling like your art or story is your baby, and feeling really protective of it. In some ways I was conflicted when all of this was happening back in January, because I get the frustration and hurt that comes with people not liking your art or not giving it a chance.

That can be very disheartening, and definitely feels unfair. I can empathize with Vivziepop in regard to that, because I don’t know how I would handle the amount of criticism her art gets. I’ve had my art criticized pretty harshly online, and it does really hurt. I really can’t imagine how emotionally taxing that is on such a large scale.

But with all of that said, at the end of the day, as creator, especially a creator making something for widespread international audiences, you have to learn how to be okay with the fact that your art, whether it’s music, visual arts, storytelling, or whatever, will not be universally loved. That’s pretty much impossible, and it’s also okay.

And while you obviously don’t have to listen to EVERY bit of criticism you receive, I do think it is vitally important to listen to criticism and concerns when they come from a whole group of people you are trying to represent.

This was Vivziepop’s response to survivors of sexual assault who asked to have their concerns about Angel Dust and the portrayal of his assault also taken seriously:

In my opinion, these replies are all really dismissive. I agree with everything Vivziepop said about survivors who felt represented being spoken over was also wrong. But these are survivors being open about how Vivziepop’s show has already affected them negatively, and the fear that their reactions to and opinions on the show will be, or in some cases—have already been, invalidated and called into question by the Hazbin fandom.

Vivzie’s response to them is that the show hasn’t come out yet, so they are getting upset “preemptively”. It really comes across like their concerns did not matter to Vivziepop, and like it didn’t matter to her that they had already been triggered or felt as if the handling of the scene was fetishistic based on what came out.

She states that her fans are “speaking out on their own experiences and reminding that the scene isn’t out yet”. I’m not denying that some fans do feel represented, but to me, it doesn’t, and didn’t matter if the show hadn’t come out yet.

The full episode can’t magically “take back” the fact that a lot of survivors saw this small clip on its own and it was enough to affect them. And that is just as valid of an experience as people who felt represented.

And listen. No group of people is a monolith and that includes survivors. People WILL have many differing opinions about the way sensitive topics are portrayed, especially when it’s as traumatic as sexual assault and abuse.

I am not saying Vivziepop should have somehow magically concocted a show that handles sexual assault objectively perfectly and pleases every survivor ever. That’s impossible, and I would NEVER ask or expect ANYONE to be able to do that.

But, it’s very clear to me in the interactions above that the people who were upset only wanted their opinions and experiences to be heard and respected as well, and they were essentially told that their feelings didn’t matter.

And to me, Vivziepop’s reaction to all of this was really giving Sia circa 2020:

I really think that, a lot of this could have been mitigated if someone from the Hazbin team, not even necessarily Vivziepop, had just acknowledged, “hey, you’re absolutely in your right to not like the scene and those feelings are valid”.

But there is a very strange sort of hypocrisy that is almost like. Tinted with virtue signaling*??? About listening to all survivors voices, while simultaneously dismissing the voices of survivors that are saying they have already been hurt.

THAT is what bothers me the most. It really seems like the only survivors that a lot of people involved in this discourse, including Vivziepop, were willing to listen to or validate were the ones that already agreed with them.

If you are going to support survivors you DO have to ACTUALLY SUPPORT ALL survivors. Even if they disagree with you.

If you’re still with me, I really really appreciate it. I felt I had to go over all of this to add context, because the concerns those survivors talked about over 10 months ago, foreshadowed the EXACT situation that some people in the Hazbin fandom have now put Limus in.

All because, after the episode came out, they expressed their honest opinions on the subject matter and the way Angel Dust was written in a way fans disagreed with.

I find it really disturbing that, the whole point of Vivziepop’s dismissal was that the show hadn’t come out, and that she said she would “respect” if people had concerns AFTER it came out. But I haven’t really seen any acknowledgment from her that survivors, who after seeing the whole scene, were still negatively affected.

The below is a tweet Vivziepop liked shortly after the episode came out in full.

I agree that any survivors who felt seen by Angel Dust and the show and were invalidated and had their experiences dismissed and questioned by others deserve apologies. But I can’t help but think about the fans who didn’t feel the same, who were hurt, and triggered by the depiction of SA before AND after the show released. I don’t want to read to much into likes, because people like shit for all sorts of reasons, but Vivziepop liking this tweet saying she deserves an apology too does rub me the wrong way, especially after she was told that survivors have ALREADY been hurt.

Don’t those people deserve apologies too? Or at the very least just an acknowledgment that their hurt and concern was valid?? It just comes off to me as a confirmation that Vivziepop doesn’t really want to listen to ALL survivors, just the ones that haven’t criticized her and praised her show.

To clarify—just as Limus did at the end of her video—I AM NOT SAYING THAT SA SURVIVORS WHO DIDNT LIKE THE SHOW’S HANDLING OF SA ARE THE “CORRECT” SURVIVORS AND THAT PEOPLE WHO FELT SEEN AND REPRESENTED BY ANGEL DUST AND THE SHOWS WRITING ARE “WRONG”.

The WHOLE POINT of me going over ALL of this is to take a look at the hypocrisy of many people both in the fandom and outside of it who SAY they care about ALL survivors feelings and experiences, but then call those experiences into question the MOMENT a survivor has an opinion different than their own.

And sadly, I personally believe the creator of Hazbin also contributed hugely to this hypocrisy.

When we look at what happened in January, it now feels weirdly prescient. People are treating Limus’ opinion as if she is personally attacking them, or saying that their experiences are invalid. She did not do that.

It also seems like a lot of people who like Angel Dust and feel he represents them are taking Limus’ critique of the character writing decisions made for Angel Dust, who is not a real person and does not exist, as personal attacks on their real lived experiences. She did not do that either. She was extremely clear that her opinions were in regards to the way Angel Dust was written as a character.

But because Limus critiqued Angel Dust, her experience with abuse has been called into question, just like the above survivors that were concerned about all of this way back in January. This is absolutely fucking unacceptable.

I am saying this to CRITICS AND FANS of Hazbin Hotel and Helluva Boss, and fuck it, honestly ALL fandoms—If you have engaged in this sort of behavior, you have got to stop. I think the love and passion you have for the art that is important to you is beautiful and wonderful. But NOTHING justifies treating other people this way. It does not matter how much you love a certain character or how much they comfort you or what solace you find in them. There is NO EXCUSE for bullying and harassing someone over this shit.

I am saying this fully aware that it may cause people to get mad at me and want to send me hate. And honestly that’s fine. I will deal with it if it comes. But I couldn’t sit here and watch so many people shit on someone for talking about their experiences and opinions again.

Please, if you find the tweets/threads I referenced in this post, DO NOT ENGAGE WITH THEM OR HARASS THE POSTERS. This whole long massive post was all about why we should NOT do that.

When these conversations happen, I often see people just. Putting words into other’s mouths like it’s an Olympic sport. If someone says they don’t like the way Angel is written, they are not saying your experiences are invalid. If someone says they love the way Angel is written, they are not saying you have to love him and feel represented by him too.

Please. Please try to empathize with each other. Or at the very least, maybe just take some time to sit with your feelings instead of harassing others. I’m using Hazbin as an example because it’s a fandom I’ve had experience with recently, but this really does apply to all fandoms.

As I final note—if you love Angel Dust and think he’s the best written character and feel really represented and seen by him, that’s wonderful and I’m really happy to hear that the show was cathartic or comforting for you. Genuinely.

And if you hated the way Angel Dust was written and the show triggered you, I am so sorry that happened. It is so painful to re-live trauma like that, and I hope any that pain you felt from being reminded of what happened eased quickly and gently.

Both of your experiences and opinions are completely valid, and you have every right to express your opinions to others. Your trauma is real, and however you process it and cope with it should not be judged by anyone.

I just ask that we all be more respectful, and try to be curious about other’s perspectives regarding this stuff.

Thank you again for bearing with me through all of this. I hope you have a great day or night.

*I really really HATE the term “virtue signaling” because in MOST cases, I only ever see it being used to dismiss minorities and allies concerns about injustices. But, given the circumstances of this situation, I do think it’s actually appropriate here, given that survivors where expressing their concerns to Vivziepop and she was justifying her dismissal of them by saying the show hadn’t come out yet, and then went on to say that all survivors mattered. I don’t know whatever word I should have used, other than it just being hypocritical. Again I hate that term, and wouldn’t be using it here if I didn’t really believe it was appropriate and accurate.

[inu-spiration]

Written in the Stars: A Tanabata Inu-spiration Bang: July 7, 2024

Mark Your Calendars: Sign-Ups Begin March 15th

Hi everyone! We are very pleased to announce that our first inu-spiration event of 2024 will be a Tanabata bang!

Tanabata, or, "evening of the seventh," is a star festival held yearly in Japan. It celebrates the meeting of the dieties Orihime and Hikoboshi, whose stars are kept separate in the skies, and can only meet once per year. While the festivities can take place in July and August (often overlapping with Obon), the start of the festival is July 7. In honor of the festival, we hope you will join us for our sixth (!) Inu-spiration bang!

Sign-ups for the bang will begin March 15th and run through April 1st. It will be a traditional bang, meaning that artists will either draw to the story that a writer conceives, or the two will collaborate on the concept.

For more information, and to learn more about the schedule, check out our FAQ page!

[timeshift-playground]

Oc art dump (YAOI IN THERE YOU HAVE BEEN WARNED 🕺🕺🕺🕺🕺)

[ribreadloaf]

My first piece for @hxhbigbang23 !

(Please click for quality, tumblr formatting is my enemy)

This one is for the wonderful, talented, awe-inspiring @apricartjam who wrote Sails & Sirens, I absolutely LOVE the dynamics and ways the characters are portrayed in this fic, I don’t want to spoil it so please read it for yourself below!

I have another piece for another incredible fic which will be posted very soon, keep on the lookout for it!

[thesweetnessofspring]

Whether or not tumblr goes down now, this has been a good reminder that you can publish analysis, meta, and theories on ao3.

[fawn-eyed-girl]

An Auspicious Fortune:

an @inu-spiration collaboration with @stardust414

Hi everyone! I'm very pleased to share my contribution to @inu-spiration: "An Auspicious Fortune" (Rated T), features a pining Inuyasha, a Sango who gets a troublesome fortune, and a Miroku who's trying to keep it all together.

I was very inspired by @stardust414's gorgeous art; please be sure to give them all of the love!! And please enjoy our little art and story 💖

Sneak peek under the cut!

Inuyasha’s scowl deepened. “Don’t fuckin’ joke with me, Miroku,” he grumbled, and turned his head away.

“Come, come now,” Miroku cajoled him, patting his friend on the shoulder. “You can tell me, Inuyasha. We’ve been friends a long time; we’re business partners now, right?” He dropped from a squat to his knees. “What’s troubling you, old friend?”

Inuyasha grouched, and pulled a piece of paper from his pocket. Miroku recognized it immediately; it was a small red omikuji, just like the one Sango and the children were waiting in line for. Miroku held out his hand. “May I?” he asked, kindly.

“Keh.” Inuyasha shoved it at him. “Don’t fuckin’ matter, anyway.”

“I’m sure that it does.” Miroku took the omikuji and opened it. His eyes grew wide at the fortune. “Why, Inuyasha, it’s…”

“A dai-kichi,” Inuyasha muttered. “Yeah, I know.”

Miroku tried to keep his composure. Why would a great blessing irritate his friend so?

“But, Inuyasha,” Miroku began, trying to see the reason, “isn’t this what you’ve wanted? What you’ve been waiting for?”

Inuyasha whipped around to face Miroku, who was stunned to see Inuyasha’s eyes wet with tears. “What I’ve been waiting for, you damn monk,” he hissed, “is for Kagome to fuckin’ come back through that well, not for some stupid, shitty fortune promising that some vague great thing’s gonna happen! Who knows what that’ll be!”

“Maybe it will be her,” Miroku reasoned.

“Yeah,” Inuyasha scoffed, “or maybe my brother will finally eat shit and die.”

Miroku choked back a laugh. 

[sereia1313]

Afterglow

@inu-spiration always comes up with such great themes! I had the privilge of working with @stardust414 and she created a stunning piece of art to go with our idea!

Read it on Ao3 and FFnet.

See (and swoon) over Stardust's art here!

Summary: Usually, Sesshoumaru paid the mortals no mind. They’d built him a splendid temple, and offerings littered the steps daily, but the gifts had begun to wane, and the murmurs of a goddess taking human form had begun to get louder.

Sneak Peek

A creak of the cottage door had him bounding back into the trees, unwilling to give up his cover even with his glamour firmly intact. He watched with wide eyes as a woman clad in pale robes and a determined glare stepped outside of the safety of her enclosure.

"Who's there?" she demanded. Sesshoumaru kept still, not wanting to relinquish his position even as her eyes flickered in his direction.

Breath stilled in his lungs as he was engulfed in an oceanic tempest, waves crashing upon his psyche as she held him captivated. The flush of her cheeks was nothing compared to the ferocity in her eyes, and it was a wonder he hadn't been burned on the spot.

She was stunning.

Raven curls fell around her shoulders, slightly tangled, as if she'd been pulled from a deep sleep. Chin raised defiantly, she scanned the area, hands gripping the door. She looked nothing like any goddess he had seen before, but he wished her to be one all the same. If he were a lesser being, he'd have grovelled at her feet—if only to get a better view.

"I do not fear you," she called out. "And you will find no solace here. Be gone before you meet the same end as your brothers." She was steadfast, like a warrior ready for battle, and Sesshoumaru remained still until well after she'd disappeared back inside.

Perhaps he'd been too hasty. Any female would've felt threatened if they'd heard noises outside their home so late at night. To his credit, he hadn't expected anything, let alone her, but he'd covered his tracks, his aura and presence hidden, so the fact she'd sensed anything piqued his curiosity.

Leaning back against the tree, intent on keeping an eye on her until she was willing to answer his questions, he rested one arm upon a bent knee, casting his gaze upward to the darkened sky. There must have been candles lit from within, as she'd glowed when she'd opened the door. But even as that thought crossed his mind, his brow pinched into a frown.

She'd felt human.