#Classical Shakuhachi
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zenkaze-japan · 5 months ago
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Police Raid…
The time had come for another session at Cassie’s. I enjoy these small sessions, for several reasons. They are small enough that people get to play more than once, second I get to practice piano. Third I can also play a couple of songs on the shakuhachi and even Bass if I want. Also of course harmonica. So I can cover almost my full spectrum of instruments. The freedom on the keyboard is a big…
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noirandchocolate · 5 months ago
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Me: *listening to my big shamisen playlist while I work at home reading cases* Hehe strings go twang nicely for my braincells
Spotify: *hits me in the face with “Blue” by Aun J-Classic Orchestra again*
Me: I am going to die. ToT
#kidk says stuff#context is: song is beautiful and also firmly associated in my mind with a certain banana ship I’m feral over forever#((my iteration of it anyway. my miscreants.))#I mean…shamisen is one’s associated instrument and bamboo flute is the other’s (blue has both shinobue and shakuhachi in it)#the song starts with just the shamisen and the flute slowly joins more and more until they're weaving around each other#there’s a big climactic section that sounds like heroic adventure that then gets interrupted#((by a tragic sight? a realization? a confirmation of suspicions come true in the worst possible way??))#before coming back and building to a chaotic frenzy that ends abruptly with a lingering high flute note#and then the shamisen is mostly alone again...trailed by only soft hints of the flute like...#((memories? regrets at actions not taken? words not said??))#and there's a *little* bit of a hopeful tone in the koto buoying the notes...#((sounding almost like a harp?? an approach toward someone imbued with light??))#until that one final tragic-sounding note from the shamisen backed by low flute#((maybe…as someone bows his head thinking only of what must be done to save the rest where he couldn’t save…well…))#I WILL DIE!!!!!!!!#ohhhh them#this post is classic me putting everything i REALLY want to say in tags instead of the post oh well#kidk headcanons#<--i'm throwing it in this tag that's personal to me because it IS my boys but this is not...for the fandom tags lol#i'll come back and add banana bread to it later for my own purposes#banana bread
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nevermorgue · 4 months ago
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Nevermore the Musical Concepts PART 3
I'm picturing how some of the character's solos/more personalized songs would sound. Firstly, I imagine the majority of the musical to be in minor keys. Major keys sound a bit too happy/not as catchy. Everything being in a minor key gives it a more eerie vibe, reminding us that everyone is dead. Maybe at one point one song is in a major key to throw off the overall sound. Maybe Merry and Mourn prefer major chords, or Montresor switches between the two to emphasize how he is "not like the rest of them". Imagine Eulalie's using the sounds of traditional Japanese instruments such as the shamisen, the koto, and the shakuhachi to name a few. The notes blend together, nice and soft like lullabies with eerie vocal scoops and enka sounds. Her melody occasionally is a nod to the Itsuki lullaby, the one she sang to the children before dying. Some of the notes repeat themselves throughout her vocals depending on the song/lyric choice. Berenice has a jazzy, faster paced influence. Her voice is rough, scooping and using vibrato as much as she can. I'm sure her vocal growls are fantastic too. I think her and Eulalie singing as a pair during the Ring the Bell song could be a really nice blend between a fast paced, jazzy percussion and softer tones of Japanese instruments. And do not even get me started on Will. He matches vocal style with whoever he is singing with. Most of his parts have a country sort of twang to them as a nod to Montresor, but he doesn't get anything unique on his own. The other characters' instrumental styles blend together and he just sings on top of it, contributing nothing special to the song. If he did get a song on his own (A lament of some sort, questioning his friendship with Montresor) I would assume it would start more country rock sort of vibe in reference to Monty, but slowly goes into something a bit more unique; classic rock. Classic rock with light guitars and a beat that feels much more upbeat, rather than the creepy/catchy vibe that Nevermore songs give. Not only is he "breaking away" from his previous manipulation, but in a way he's also stepping up as he too is now performing in a major key, which the other proper antagonists do. Annabel Lee and Prospero match each other a lot. Classical strings and a LOT of harpsichord usage. For Annabel Lee I specifically think of "ANTI THE HOLIC" by cosMo@Bousou-p in terms of vibes. Just imagine something fast paced and classical, matching her energy. Prospero I picture in a similar light, slower but still with the same elements of classical instruments pushing his voice forward and making them come across as ethereal; in charge. "Gothic and Loneliness" by Narushima Takashi has a fantastic instrumental that I envision a lot of the songs to have a similar vibe to. Fast paced but still classical and orchestral. The hints of electric sounds being nods to more modern characters. It all depends on who is singing and what the song is. Ada has a similar thing to Will where her instrumentals try to copy Annabel's but always seem to be missing something whether it be another instrument or a note goes up instead of down. Almost there, but not quite right. Morella having a Celtic influence and plenty of harp and violin. Imagine the other voices drowning her out, leaving her trapped in between a mess of voices and unable to choose what melody to sing along to, so she shakily creates her own. And lastly to end off for now, Duke is the only baritone in the misfits and tends to be the support, the foundation when they are all together. Lenore balances out in Alto, keeping the higher voices grounded with mainly harmonies and the occasional melody line. Normally, the main character sings melody always, but I think when all of the misfits sing together her going to harmonize makes more sense. She is the backbone; the one keeping them all together. Pluto is a tenor, Berenice is a mezzo, and Eulalie is a soprano. Morella is also a soprano, and she and Eula tend to harmonize a bit in group songs.
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your-lovely-rose · 11 months ago
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“They’re cute” (Daki, Mukago & Nakime || Request by @cosmichorrorsarestillnicerthanme)
𝐑𝐚𝐭𝐢𝐧𝐠: Mature
𝐆𝐞𝐧𝐞𝐫𝐚𝐥 𝐠𝐞𝐧𝐫𝐞: Romance
➥ 𝐆𝐞𝐧𝐫𝐞𝐬 𝐟𝐨𝐫 𝐞𝐚𝐜𝐡 𝐩𝐚𝐫𝐭: Fluff || Hurt/Comfort || Dark fic
𝐖𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: ±9.5k || +12.1k || ±15.8k
𝐀𝐯𝐞𝐫𝐚𝐠𝐞 𝐫𝐞𝐚𝐝𝐢𝐧𝐠 𝐭𝐢𝐦𝐞 𝐟𝐨𝐫 𝐞𝐚𝐜𝐡 𝐩𝐚𝐫𝐭:  38 min. || 49 min. || 1h
𝐏𝐚𝐢𝐫𝐢𝐧𝐠: (Ume) Daki // (Lower Rank 4) Mukago // (Biwa Demon) Nakime x Human!Reader
𝐅𝐚𝐧𝐝𝐨𝐦: Kimetsu no Yaiba
⚠ 𝐆𝐞𝐧𝐞𝐫𝐚𝐥 𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬: Minor death (suggested & mentioned), Eating people (mentioned)/dead bodies, Threats, Blood, Severe injuries on the body (not Reader), Misogyny, Desecration of a human corpse, Larvae and flies, Blood, Falling into madness, Mental problems, Muzan's goal (Spoiler for: Episode 34/Chapter 67), Presented the character's past (from "Kimetsu no Yaiba Official Fanbook: Kisatsutai Kenbunroku 2"), Forbidden Love/Mutual Pining || NOT EDITED
𝐀𝐮𝐭𝐡𝐨𝐫’𝐬 𝐍𝐨𝐭𝐞: Before each story, I have included words that may cause readers difficulty. I tried to explain them in text, but if after reading something is still unclear then look there. I hope I've done good research and haven't misunderstood anything - if you have more knowledge on the subject, please correct me.
➵ “They’re cute” Part 2/2 (Nakime)
> (Ume) Daki Masterlist
> Mukago Masterlist
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➻ Little dictionary:
Yūjo (遊女, lit.���"Woman of pleasure") - common prostitutes, they could be found in brothels (hamirase).
Harimise (張見) - a kind of brothel, where sex workers lined up behind bars around 6 p.m. to attract potential customers.
Oiran (花魁, lit. "Leading flower" or "First flower", comes from the Japanese phrase: Oira no tokoro no nēsan (おいらの所の姉さん) which translates into "My elder sister") - is a collective term for the highest-ranking courtesans/prostitutes in Japanese. Unlike yūjo, in addition to their sexual services, they were artists and were expected to provide entertainment. They were highly skilled in the playing koto, shakuhachi, tsuzumi and shamisen (traditional Japanese instruments), igo (traditional Japanese board game), dance and poetry. They also had to learn from an early age classic Japanese, calligraphy, flower arranging (ikebana or kadō) and the tea ceremony (chadō). In addition, clients expected them to be knowledgeable in scholarly matters, and so it was essential that courtesans had the abilities to carry witty and intelligent conversation and write eloquently. Their art and fashions often set trends among the wealthy and, because of this, cultural aspects of oiran traditions continue to be preserved to this day.
Oiran dōchū (花魁道中, おいらん道中) - the impressive procession with which the oiran moved, surrounded by all the entourage and servants from their seirō. Example of oiran dōchū.
Maiko (舞妓) - is a young apprentice geisha in Kyoto. The equivalent of maiko in Tokyo is hangyoku.
Okāsan (お母さん, lit. "Mother") - that's how the courtesans called the owners of the brothels.
Seirō (青楼, "Green Houses") - refers to the yūkaku licensed pleasure quarters - specifically Yoshiwara. The place where they lived. The term seirō originated in Chinese to denote a pavilion in which a nobleman kept a mistress.
Chaya (茶屋, "Tea house") - oiran place to meet clients and work. To call an oiran, the customer must use a tea house as a mediator, but not just only ask the tea house, they had to spend a lot of money there beforehand. They had to prove that they had enough money and power to play with the oiran. Then, they had the right to call for an oiran.
Kanzashi (簪) - are hair ornaments used in traditional Japanese hairstyles. The term kanzashi refers to a wide variety of accessories, including long, rigid hairpins, barrettes, fabric flowers and fabric hair ties. // Hana-kanzashi - are ornaments usually in the shape of flowers worn by maiko. Each month is assigned a different theme.
Kusudama (薬玉) - spherical ornament made of, among others, artificial flowers or paper (e.g. origami method). Sometimes long colored ribbons or threads are attached to it from the bottom. In ancient Japan, a kusudama was a bag filled with scented substances designed to scare away evil spirits and demons, mainly during the annual "Children's Festival" (Tango no Sekku or Ayame no Hi (Iris Festival)) on May 5. Today, this decoration is used during various ceremonies, such as the opening of a new store or restaurant. Sometimes it serves as a gift. Kusudamas is considered a precursor of modular origami.
Futon (布団) - traditional japanese bedding. It consists of a mattress (shiki-buton) and a duvet (kake-buton). Futons after taking out for the night from the wall cabinet (oshiire) are laid on tatami. After they are rolled up and put in the wardrobe in the morning, you gain free space in the room for the day, which can be used for other purposes.
Tatami (畳) - is a type of mat used as a flooring material in traditional Japanese-style rooms. Because of the fact that they aren't cleaned, you cannot step on them with shoes/dirty feet.
Shōji (障子, しょうじ) - is a door, window or room divider used in traditional Japanese architecture, consisting of translucent (or transparent) sheets on a lattice frame. Shōji usually slide, but may occasionally be hung or hinged, especially in more rustic styles.
Kimono (着物, きもの, lit. "thing to wear") - is a traditional Japanese garment. The kimono is a wrapped-front garment with square sleeves and a rectangular body, and is worn left side wrapped over right, unless the wearer is deceased. Oiran wore multiple layers of silk kimono and her outfit sometimes weighed 20-30 kg (44-66 lb).
Genre: Romance || Fluff
Word count and reading time: ±9.5k (38 min.)
⚠ Warnings for this part of the request: Minor death (suggested), Eating people (mentioned), Threats, Misogyny, Forbidden Love/Mutual Pining,
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Numerous lantern lights illuminated the streets of Yoshiwara revealing to many people a new face of Tokyo - which, because of their bright red color, was often called the Red Light District.
For some, it might have been associated with big, ripe fruit on the trees or the sunset after a beautiful day, but for you, it was associated with a woman’s red lipstick.
In the air there was a strong smell of various dishes and spices that could make you dizzy, as well as brewed green tea from chaya. The night was filled with the sounds of shamisen played by geisha for their audience in okiya, where all sorts of people gathered to rest with their charms, watching them dance, but you didn’t count among them.
Walking down a street full of harimise - brothels with a view inside through the bars, where a lots of prostitutes yūjo were sitting and urging you to visit them by their beautiful looks - and some shops, your eye hung on the colorful paper windmills and various richly decorated hair ornaments exhibited at the stalls.
Since it was still February you could mostly see the hana-kanzashi depicting plum blossoms for maiko. They were meant to remind us of the imminent arrival of spring and were replaced in March into bright yellow flowers of rapeseed and daffodil, pink peonies and peach flowers, as well as multicolored, delightful butterflies, when their true counterparts bloomed on the trees.
All the ornaments were shimmered from the metals they were made of. From gold and silver for the nobles, and brass for the common people. There were kanzashi with one spool, two; in the shape of combs, and many of them had red-pink petals attached to them. From a distance, they looked so real and fragile.
There were also those with white kusudama balls in different origami patterns giving off a strong, floral scent of perfume. To them below were attached long ribbons and threads blowing freely in the wind.
For a moment, you were wondering if you should buy something for her, but you immediately remembered that you have little more just to meet her.
Besides, she had much nicer ornaments and none of them matched her beauty. She was like a rare flower.
And she’s not a child anymore, she would probably laugh at a cheap toy.
“Are you buying something or..?” asked the fat salesman, looking at you in surprise. He’d never seen anyone who look at a piece of colored paper and a stick with such a dreamful and wide smile on face.
“Um, n-no.”
Getting caught watching toys for too long with embarrassment and a slight blush, you put it back. The man just shook his head with a slight laugh.
“Ah, love!” he said aloud with understanding. “Love… it does strange things to people,” he added after a moment of reflection, turning his back to you and waving his hand, but you didn’t see it because you walked away from his booth in embarrassment.
Love?
Do you love her?
Yes, you enjoyed spending time with her and talking to her, but would you call it love?
At the very thought, your cheeks became warmer and butterflies appeared in your stomach, causing a pleasant tickling in your gut…
After a moment’s reflection, you would admit that you might like her a little more than normal.
But you know you didn’t call it love - or rather, you both wouldn’t admit it. Besides, this relationship would never stand a chance, and it’s not just because of her profession…
When you finally stood in front of the tea house affiliated with Kyogoku House, you checked your clothes to see if they looked good and you smoothed your hair, which was messy by the cool, night wind.
Thinking you looked decent, you walked into the lobby and caught the eye of all the people there. As always, you politely greeted the owner of this place sitting at a low table and two hosts from the aforementioned house, sipping tea together.
You were a little surprised to see them - normally they should be in their house and a lobbygow from the chaya would bring them your request to meet after a short time. Then they would deliver your letter to Warabihime, and she would reply by other messenger boy.
Oiran can’t contact any of their clients directly, nor can they contact her - custom didn’t allow it, so you all had to use lobbygow. It was a long process, but you didn’t regret any moment or a coin spent on it.
Also, you couldn’t meet her whenever you wanted - you had to first ask her permission (in a letter) and wait for her answer. She could always disagree. It was the oiran, who decided if they wanted to take the client, not you or anybody else.
But she’s never said no to you. And the attitude of the hosts to you after a short time from satisfaction turned into concern.
Regardless of that, with a polite smile and a bow, holding a letter asking for a meeting in both hands, you handed it to them.
So far, you’ve been her longest-lived client… and her only one - after a few meetings with you, she started automatically refusing other people who wanted to see her.
The host’s wife, a woman named Omitsu, more than once felt anxious going to the demon’s room to deliver a handful of letters, all of which would soon end up shattered on tatami.
She looked at her with irritation written on her face as if she were a disgusting insect and tilted her head slightly to the right in her characteristic manner.
It never bode well…
- - -
When Daki’s patience ran out, she threatened Omitsu, that the next thing she’d tear apart would be her guts, if she brought more letters not from you.
What happened between the two of you during those meetings? Did you put a spell on her? Or is she the one who has some evil plans for you? The owner of Kyogoku House didn’t know and was becoming more and more disturbed about it.
Not feeling right under constant stress, she ordered one of the newly arrived girls to carry the long-awaited letter from you, and the other to massage her shoulders. Warabihime only made her still worry and added her gray hair.
“I will do it, Okāsan,” offered Hinatsuru, because she was nearby and the other workers were too scared.
With a kind smile on her painted lips, she took the letter and went upstairs to the woman’s room, feeling the grateful gaze of the rest of the girls on her back. She could hear their whispers full of concern and questions like: “Will she be okay?”
She saw that something was up - she had been here for a while and had been keeping a close eye on all the Kyogoku House employees. So far, there’s nothing she could do except to not accidentally alert demon about her.
As she walked slowly through the corridors, she read the sender’s name and memorized it so she could tell Tengen if anything happened - the main Oiran was her most likely target, and it is necessary to gather as much information as possible to fight the enemy.
Who were you? One of the demons? A man helping her keep up appearances? Or did you know nothing about her true nature? Can a demon love? Was she really a demon? Or maybe a hunch confounded her?
But even she felt the terror beating from this room and the creature hiding in it. As she approached, she felt like a prey going to a predator for slaughter.
Even the most beautiful purebred cat won’t deny its nature and stop hunting mice.
She knocked and waited for a moment for an answer. Inside, she saw the beautiful Warabihime sitting by the mirror, whom she had already seen several times strolling down the hallway or looking at her from the balcony - she watched as she went with the whole long retinue of dōchū to the tea house to meet her client.
[Frist Name] [Last Name].
She always walked with her head held high and proud, as if everything around her belonged to her. Probably her position allowed her to do a lot, but in the same way, being an oiran meant limitations. Pretending to be human, too.
For Hinatsuru, one small evidence was enough. Any proof. Just enough not to report to Lord Tengen only her unconfirmed hunches.
She wished, she knew how the work for Suma and Makio was going. Maybe if she had better contact with them, she could figure something out. But if the demon noticed or suspected something, they could easily die.
Without even looking at her, Warabihime asked what she wanted while was correcting a red lipstick applied to her lower lip with her little finger. She looked perfect, just like a porcelain doll or a moon goddess. Pale skin untainted by any scar reflected the light of candles giving her a phenomenal appearance - even in incomplete makeup and without ornaments in the hair no one could deny her beauty.
“Okāsan told me to bring you this.”
Hinatsuru pulled a letter from the purple-white kimono hidden in her sleeve and waved it lightly in the air.
She saw the woman suddenly stop in her activity and focus her gaze in reflection on the rolled paper.
“Put it on the table and leave.”
She tried to pretend not to be very interested, but as soon as the paper door shōji closed behind the new oiran, Daki was next to the letter in a second. The rush of air dropped several layers of kimono, ruining the outfit she had just worn, but she didn’t care. Up close, your scent was even more intense, filling her lungs. It was like an aphrodisiac to her.
“Why are you so excited?” Gyutaro asked, scratching his cheek and standing over his younger sister.
He stared on her with letter in hand with a deep frown on his face, not understanding her. He recognized your handwriting, and while it was clear that you were trying to write nicely, it didn’t hide your unskilled hand and your lack of talent for calligraphy.
He had felt a change in the girl for some time and could see how she reacted to the very mention about [Last Name].
When other women even mentioned your name, she’d instinctively keep an ear out to catch as much of the conversation as possible or she’d stand nearby to listen for a while, although when he asked, she’d always deny it.
He wasn’t sure whether he should be happy she found a new toy or worry more. Ever since she started meeting you, she’s become… softer.
Messy.
Defenceless.
He would even dare to say dreamy. Her thoughts wandered unconsciously all the time and were always focused only on you. You were the culmination of her every thought. What did you do? How did you feel? Have you had a rough day? Are you going to meet her today? Is… is there anyone else?
She was no longer thinking about her previous priorities or gaining strength. It began to irritate him and frustrate him. So much, so that to get away from her thoughts of you, he began to leave her body more often. He couldn’t bear to see your smiling face engraved on her mind like a burn scar.
Daki, unaware of how great his dislike for you was, only turned her head to her brother, looking at him with joy hidden in green irises and a broad, but sincere and kind smile - he asked nothing more.
• • •
Did you know her brother? Yes, although at first he was a passive observer through Daki’s eyes for most of your meetings.
Personally, he thought his sister deserved someone better, 'cause you were really average-looking. He wouldn’t say you were ugly like him or above average beautiful like one person with colorful, rainbow eyes…
But he’d still judge you as a mediocre, who doesn’t stand out in the crowd. You were just average. Ordinary. If he walked past you, it’s very likely he wouldn’t normally noticed or pay attention to you.
That’s why he wasn’t annoyed by your looks, but he was jealous of your talk. You talked freely to his sister and often made her laugh. You’ve probably misled more than one girl with that kind of talk.
The thought provoked an anger that even Daki felt. She silenced him in her thoughts and tried to pretend that everything was all right, but she felt under her skin how her brother’s emotions filled her and how they crawled under her skin like little worms spreading all over her body. His anger was like an unquenchable fire, and he made her feel hot. Soon after, she felt the sweat run down her exposed neck and asked you to open the window.
The cool air from the streets of Yoshiwara was like a deliverance to her, though it didn’t put out the fire inside. She didn’t understand him. Where did this anger suddenly come from in him?
To calm him, she grabbed her hand and squeezed the garment more tightly with the other. That didn’t help. She could barely contain her own trembling and keep a cheerful smile on her face, although she was also beginning to get angry.
But her anger wasn’t directed at you. It was directed at him.
Oh, how much she’d want him to sleep through that meeting with you, like he used to.
Fearing that something would happen to you, she ended the meeting sooner than she wanted and slowly returned to Kyogoku House. People watched her colourful procession of many, both male and female employees from her seirō, but she was the only one who stole everyone’s attention - she was like a diamond. Beautiful flower among weeds and grasses. Although she usually liked the attention she received, today it was unbearably annoying to her.
Her perfectly smooth forehead was flawed by the folds created by her tightly furrowed thin eyebrows.
She tried not to step out of her role and moved with a slow dance step towards her present place of residence, although she could easily get there within seconds even on her black high-soled geta.
After she returned to her seirō and locked in her room, they even quarreled over it all. Very seriously and rough. Although it took place without much damage to the furniture, several other girls said they heard an unknown male voice from her room. Some thought it was just her throat torn from Warabihime’s (no one knew her name except her brother and later you too) screams and it was still her voice, other say that she was insane or possessed by evil spirits.
To avoid do something he might regret later, Gyutaro went outside while the night was still young.
He wandered through side and dark streets killing drunks and couples, looking for some privacy to pick on them and release the accumulated negative emotions, but nothing could improve his mood.
Anger flowed through his veins under his skin, triggering an increasingly strong desire to scratch himself, and he gave in to it (not that he resisted much). He do it so hard that blood started dripping down his forehead and clavicle - he didn’t care about it because he’d regenerate in no time.
Then among the sounds of people walking in the streets, the roar of machines, and the sound of his rough skin torn by his black fingernails, he heard your voice. He looked out of the alley with curiosity and saw you walking in the company of a black-haired man.
You talked to him about something gesticulating vigorously, although the conversation itself didn’t interest him. Seeing your movements and hearing the annoying voice, an idea popped into his head - if you give him reason by which you could make his sister sad, he’ll kill you.
The thought brought a wide, menacing smile to his face, revealing sharp teeth and capable of shivering the body of more than one experienced Demon Slayer.
He knew Daki would be angry, but you were the reason for their argument and his sour mood right now. He felt like with your disappearance, so would his current problems.
The rest of the night he followed you jumping on the rooftops of buildings and listening to what you were talking about - despite his dislike for you, he even laughed a few times at your remarks and comments. He also found out that the man in the brown kimono and tied hair is your close friend Kaito.
• • •
It’s been a few days since he started following you and got to know you better - he already knew how you make a living and what your routine looks like. During the day he hid from the sun in a nearby house (whose owners suddenly disappeared under unexplained circumstances) and waited for dark to fall, when he could again follow you like a watchdog.
He didn’t even notice when all the hatred for you burned out inside him like an old bonfire, leaving nothing but smoking residue.
He was no longer actively looking for faults in you, and followed you more out of habit and curiosity. But he still had mixed feelings for you - maybe not as negative as at first.
Although he wouldn’t admit it to anyone (even to himself).
Your friend would show up at your place sometimes with a carriage full of stuff, and sometimes you’d go out with him for drinks at a cheap bar nearby. It was a good opportunity to see what you thought of his sister.
Was she just one of many women for you to play with? Have you been seeing anyone besides her? Did you really respect her? What are you saying about her behind her back?
Thoughts like this popped into his head, but he wasn’t worried about hearing something bad from you about her.
But the words of a drunk are the thoughts of a sober, and with that thought he put his ears to hear you better, when your friend dragged you home. He hasn’t drink to much, because of the experience he’s had with you.
“Ahh, I want to go to Warabihime!” You were whining and trying to get away from your friend. It was a poor attempt, but it was difficult for the demon to judge whether it was alcohol or you were always so weak.
“You’ve been here last time and you don’t have money to meet now. Besides, you have to get permission first,” the black-haired man admonished you, tired of your drunken self.
“No, I wanna now! Let me goooo.”
“If you want to go to prostitutes go to some cheaper yūjo. There are a lot of them in harimise. No one will even know.”
Kaito casually offered knowing the rules of the pleasure district - after all, he used their services not so long time ago.
If oiran chose you as her client after three (very expensive) meetings, during which you tried to convince her that you were worthy of her, you couldn’t use the services of other women. Especially some cheap prostitute or some other oiran - it would be an insult to her, and although you know perfectly well that she would probably never know about it, you couldn’t look her in the face afterwards.
“No, you don’t understand, I can’t. I want to go to Warabihime!”
You still whined like a baby, but no one paid attention. You’ve already moved far away from the Entertainment District. You were surrounded only by low family houses and dark streets lit only by the light of a full moon watching you silently from above. He wasn’t the only one, although the other observer showed more interest, hiding yourself in the shadow.
“Is she really that good?” asked older man without even looking at you and suddenly got hit on the head by you.
The hit wasn’t strong, but it was painful enough that he suddenly let you go and you fell flat to the ground. The scene surprised Gyutaro so much that he stopped breathing, and he might even laugh, if he wasn’t shock of your reaction.
“What was that?!” Kaito asked, screaming in anger.
If it wasn’t for the sake circulating in your veins and spinning in your head, you could see the veins coming out of his forehead and his tightly clenched fists tremble. Your friend hated being insulted. Even as a joke, and now you’re overreacting.
“What was that supposed to be? What’s gotten into you? Are you… A-ah,” he said after a moment understanding and laughed unexpectedly. He didn’t expect that from you. Especially from you.
Yes, he was still angry, but he knew what oiran and other women of her type were like - they said many beautiful words and promised even more just to keep a well-paid client. Their living piggy banks. And you’ve obviously fallen for it more than he thought.
Not long ago he had been dating one, but when the first enchantment had passed he saw how much he had been deceived and trifled. No one has ever humiliated and ridiculed him like that woman had.
To this day, he can still smell her perfume reminiscent of peaches and kept the letters he couldn’t burn. He tried not to get drunk because of you, to walk you home safely, although he would love to do it.
He’d like to keep his mind off the time he was seeing her. To those brightly colored and sunny times with sweet feelings like her lips, and yet… fake.
He would like to forget her unique hair color, looking like the sun and and the deep black of the night at the same time. Throw out a strand of golden curls from her bangs. Forget her loud laugh and her sometimes out of control temperament, which he loved so much. Forget about these light brown eyes, which never looked at him with affection.
Every gesture she made was taught by years of practice, and every sweet word devoid of feeling - she was like an empty porcelain doll, and he found out too late. He always thought she was thinking about someone else, when she was with him.
He learned that she was playing with him by chance, when he heard another drunk man telling about his oiran’s great love for him and showing her letters for proof. Kaito would always recognize the scent of her perfume and her writing style.
However, he hoped it was a mistake and went to Ogimoto House to listen to other women’s gossip. All he had to do was stand by the window and he could have found out everything. The sound of their laughter and mockery directed at him hurt him. Those kind night ladies voices said such bad things about him that he just wanted to curl up and die in shame.
From that day on, he never returned to tea house.
But sometimes he stood near her balcony, when unconsciously his legs led him again towards Ogimoto House, and he would looking with longing and chest pain.
Against his will, he waited for her to see her feisty face with sharp features and small cute nose or silky hair again.
He saw a black crow come to her every now and then, and she’d pick up a letter attached to its leg. She then unfolded the red kimono and hid a piece of paper under it - he could only guess how close it was to her heart and who her lover was…
Sometimes, however, it was she who secretly sent the letter, plunging Kaito even more into dark despair.
Was he angry? Of course, he was. Even mad, but he couldn’t stop loving Makio either.
“All right, it’s fine,” he helped you get up and cleared your clothes. He understood what a wonderful feeling it was to love and be loved, but some of the flowers that grew from the seeds of that love were… poisonous. “Come home and get some sleep.”
Kaito helped you get undressed and put you in a futon. Your grey kimono (not so official, worn only because you didn’t mind destroying or staining it) he cleaned out the sand and dust of the street. The man decided open the window for you, so you could sleep better and the air in the room wouldn’t get stale from your stinking breath.
He was your good friend, but he treated you like you were his younger sibling (although you two were almost the same age). He was also your business partner - he would bring in goods from the far reaches of Japan, and you would sell it on the busy streets.
When Kaito left you had a strange dream - you dreamed that a skinny, grotesque figure stood over you like one of worst nightmares.
His morbidly yellow eyes stared straight at you through a veil of fat, dark green hair, piercing you through like daggers.
Even though you were tucked under a duvet and covered with a blanket to keep you warm, you felt like you were instantly getting cold - probably through an open window (through which the stranger must have entered) illuminating his monstrous face.
He looked like Death or a being closely related to it - did he come for your soul? Maybe he was just a seriously ill homeless man looking for shelter on a cold night?
The stranger was looking at you with a mysterious grin on his face like he wasn’t satisfied with something and was wondering about something at the same time. You felt like a disgusting insect under his judgmental gaze. The man scratched himself on the gray skin on his cheek, causing a rough chill on your back.
Scratch, scratch, scratch echoed across the room when you looked at each other in silence.
For a moment, the thought crossed your drunken mind, that you might be able to fall asleep when your eyelids became too heavy to keep them open, but then the he spoke in a hoarse voice.
“You annoy and irritate me,” his voice was loud in the quiet room like the sound of a bell. “But for some reason I can’t hate you.”
The gray creature leaned over you so that your noses almost touched.
The strands of his bangs tickled your forehead and a piece of loose material hanging around his neck fell on your covered chest. You could smell his bad breath stinking like rotten flesh and blood.
“But if you hurt my sister, I’ll kill you.”
The threatening words sounded like a promise he was determined to keep. Although you had no idea how you’d know his sister.
Still, you picked up something in his voice that made you think he didn’t want to do it. As a trader, you had to be able to read your customers, and that’s why you knew who wanted what, when they were hiding something and when they were honest with you.
That’s why you knew Warabihime was completely honest with you about her behavior, although sometimes she seems to want to show you more than she can. Something keeps her from telling you about her worry, that makes her seem depressed sometimes and she masks it with a gentle smile.
You never asked about that because you didn’t want to spoil the atmosphere and lead to unpleasant situations between you two.
After the man’s words, you were able to sleep. You weren’t sure if it was the alcohol circulating in your body or the fear helped you, but when you woke up next day, you almost forgot the night guest. A slight throbbing of your head in the morning and a dry mouth only helped you remember what you were doing early in the evening with Kaito. You remembered the rest when you sat on the futon and saw a huddled figure in the corner of the room.
He squatted with his elbows on his thighs and his fingers touching the floor between his legs. He was so crooked that just looking at him made your back hurt. You didn’t believe he was comfortable like that. You regretted that only piece of his wardrobe was baggy navy trousers and red pieces of fabric loosely tied around his shoulders - seeing his extremely skinny body and morbidly gray-green skin, you had another headache again and you were getting nauseous, which you somehow stopped with a stone face.
The creature looked at you with boredom as if you were an unexpected and even more unwanted guest than the other way around - he didn’t budge or even blink like a grotesque sculpture.
He reminded you of Kaito’s stories of horrible, ugly, stone figures placed on the rooftops of many temples and cathedrals in faraway lands that he’d heard from other people - whether it’s tourists or foreign traders. They called them chimeras or gargoyles, depending on their function.
Was he a product of your mind as a sign to stop drinking?
“Are you finally get up?”
He asked, interrupting the silence and tilting his head slightly in a way familiar to you, but all you could do was nod your head and issue from a clenched throat quietly “Uh”.
You noticed that the window was closed now by wooden shutters and he was sitting under the wall adjacent to it as far away from it as possible.
“Don’t you have work today?”
You swallowed your saliva and nodded your head again. Feeling like an unwanted pest in your own home, you got up and folded the sheets. You put it on the other side of the room (under the window) and moved into the kitchen feeling behind you the watchful gaze of the bulging eyes and the menacing aura of your guest.
You entered the kitchen (the largest room in the house), where you had a low table and a stone stove, but you didn’t use it. An iron kettle for boiling water you set over a small fire. You remember when you dug a hole by yourself and then you covered it with bricks for safety. You liked to use it.
When you looked back, you saw a caricature of a man standing at the entrance to the room, still hidden in the shadows. He watched you from semi closed eyelids with boredom.
Does he have a skin condition? Can the sun hurt him? Is he afraid? Or maybe, like a vampire, you have to invite him?
A distant memory flashed through your head - how, as a little kid, you overheard a conversation among adults about bloodthirsty creatures turning to dust while they were standing in the sunlight. At that time they told you to leave then so as not to scare you, but curiosity was stronger.
Why do you suddenly remember that after all these years?
You shook your head and closed the shutters. To make sure the wind wouldn’t open them, you pulled the metal lock too for safety.
The room was semi-darkness.
Why did you do that?
Just to avoid a worse headache, and he decided to take advantage of it by walking into the kitchen.
Close up, when his position didn’t hide too much from you so you could see how bad he was - appearing rough and sickly skin was marked by numerous black marks, and the abdomen was practically concave. There were also bony hips protruding from behind the his material trousers, and you could describe him as a living skeleton, although he had heavily scratched muscle tissue gathered around his shoulders.
You placed two small clay tea cups on the table (remembering that you still had some medicinal herbs left for a hangover) and caused a mischievous smile on your comrade’s face as if you had done something stupid.
Yet he sat beside you at the table with his legs crossed and watched in silence as you ate a piece of dry meat with buttered bread. You weren’t sure how you were able to swallow when his constant gaze on you made your throat clenched itself. He didn’t even blink.
You paid him back with the same, but you couldn’t stand it for a long time and you started looking into the space above him. When you looked at him, you felt some kind of regret that made you offer him a piece of meat in your hand.
With this you caused him a loud burst of laughter, from which you jumped up in your seat. You amused him so much that he closed his eyelids and covered his mouth full of sharp yellow teeth with one hand, and he started hitting his knee with the other.
You didn’t know what was funny about it, so you just sat in front of him with a disconcerting face and with your hand still out holding a piece of meat pointing at him, but now you felt like an animal who had done a trick.
Gyutaro amused the absurdity of the situation and this irony, as you, a human - practically defenseless against him and unaware of his initial intentions (he still judging you) offer him, the demon, who has killed hundreds of people, a piece of food. If he was hungry, you’d be the first course on his menu.
When he calmed down a little, the broad smile still didn’t come off his face revealing his big teeth and made small wrinkles near his eyes showing how cheerful he was now.
You had a shiver for a moment, but you decided not to show it. If he isn’t a vision of your sleepy mind induced by alcohol, then it was better not to provoke him and didn’t let him know you’re afraid of him.
The stranger, feeling comfortable enough with you, lay down on the floor on his left side and resting his head on his fists, watched your morning routine without moving.
When you went to the other room to pick up some clothes (your house had only three rooms, one of which was a storage room) he just turned his head towards you and again returning to his previous, bored posture.
Even though he wasn’t physically moving, his eyes followed you, tracking your every move.
Then you also had to set up your wooden stall and load the goods on it. Unfortunately, your mare died a few months ago and you had to pull the carriage on wheels to the nearest town. If it weren’t for your expensive encounters with Warabihime, you could probably buy another horse sooner…
Actually, you were planning on taking the day off, but your unexpected visitor made you not want to stay home.
When you came back late in the evening, the only sign of him was the untouched clay cup of cold tea that you put in front of him.
For a moment, you really believed it was just a hallucination, but he came back after a few days.
• • •
You came home again at night after another day’s work in a remote city and he was already waiting for you inside. When you closed the door behind you, cutting yourself off from the sound of crickets in the nearby fields, you heard a quiet, characteristic for him scratch, scratch, scratch carring over a small building. You didn’t have time to escape to the street because he showed up right next to you.
There were several deep wounds on the right side of his face caused by his nervous scratching. Seeing you seemed to upset him even more because his movements got even more intense.
“Ne, ne, where have you been? Why don’t you come to her?”
Completely surprised by his sudden appearance, you took your breath away and all you could do was just stupidly open and close your mouth like a fish pulled out of the water. It was probably the first time, when you didn’t know what to say.
“Daki is impatient. She’s been waiting long enough for you.”
The man said that with a grudge against you. He was mad at you for not trying harder and making his pretty sister angry.
“Who… Who is Daki?”
You only managed to mouthed through a clenched throat as the monster in your kitchen continued to scratch nervously. He paused for a moment, reminding himself that you didn’t know everything yet, so he just said:
“Warabihime.”
Her name made your heart beat a little faster and you started to wonder how much you really know about her? Why did he call her Daki? How much does she have to do with him and who is he?
But before you could ask him anything, he threw you on his shoulder. Afraid he would drop you (or roll over with you), you propped on his bony back, but he had a surprisingly strong grip for someone looking so hungry.
Holding you with one hand, he went out in front of your house, jumped high and landed on the roof of a nearby building. It happened so fast that you only felt a sudden rush of cold air and could see your wooden geta fall down where you were just now.
Surprised and even more frightened, you clung tighter to a man, who seemed to mock your fear. You could have sworn that for a brief moment before he ran on the rooftops toward the bright Yoshiwara District you could see a smile on his face.
The fact that he only held you with one hand didn’t help you calm down at all.
A few minutes later, you were facing your black-haired oiran at Kyogoku House. It was the first time you had been in her seirō - you had always only met in tea house, but you didn’t have a nerve now to look around the room.
She sat in front of you proudly like a princess on a tatami dressed in a beautiful, silk, white kimono with a broad smile on her painted lips and a joy dancing in her bright eyes. She seemed even more radiant with affection, when she saw you.
Unusually, she was dressed more skimpily than usual - when her clothes opened you saw that instead of many other colorful layers of attire she was wearing only pink and black, lace panties and a wide obi of a similar color in a floral pattern tied around her slim belly. Her breasts were covered only by two straps of black material held by the belt, and her long, slender legs were dressed in stockings to match her underwear.
The man who brought you here unceremoniously dropped you off his shoulder on the floor and looked at you as if you were his new problem.
You jumped with your gaze from a figure standing above you to a woman sitting nearby without knowing what to do or why they brought you here.
Finally, the green-skinned man turned on his heel and walked toward the window you just came through, saying:
“I think you two have a little talk to do.”
And he jumped outside. He expected you to be too embarrassed to talk to Daki when he was around (although he was there all the time during your previous meetings, not that you knew about it) and he wanted her to explain this all to you.
You certainly had a ton of questions, and whether you survive afterwards will depend only on you.
Gyutaro crouched over the open window listening attentively to every word. His hand instinctively found its way to his skinny clavicle and began to unconsciously scratch it to relieve the stress.
After a long and, it would seem, difficult conversation for both of you, there was finally a deaf silence. He wondered for a moment if she killed you and if he could come back now. Then you spoke again. You were insecure and nervous - he could tell from your voice, but you surprised him again.
You wanted to try and keep seeing her. Despite knowing they’re both bloodthirsty demons eating your kind.
Gyutaro couldn’t take much time to think about your decision because he saw the black ink sky slowly change to a bright blue and red-orange flashes of the sun appear on the horizon, reminiscent of lanterns hanging in the Entertainment District.
Suddenly interrupting for you two, he went inside and kidnapped you again (despite his sister’s protests) jumping out with you to the street - he didn’t have much time and because you lost your shoes earlier, he couldn’t just leave you there. He knew Daki would be even more upset with him.
- - -
You were at the entrance of your house in just a few minutes. He stopped on the roof and grabbed you tight under the armpits. Your [Hair Color] hair was blowing in every possible direction by the wind and your head was spinning slightly like you were drunk again.
He bowed his head slightly and the orange sky looked like hellish flames behind him. He looked at you from behind his black-green hair, narrowing his menacingly yellow eyes.
“Do you have any idea what will happen if you ever cheat on her?”
Already less intimidated by his appearance, you nodded and said loudly, “You’re going to kill me!” and he slightly tilted his head as if you were irritating his ears.
“At least you’re smart.”
After these words, he let you fall on the gravel road outside your door. You moaned from the pain of a beaten ass, but you didn’t break anything - fortunately the height was too low for that.
Gyutaro watched for a moment as you lay before he disappeared behind the edge of the roof and rushed back to Kyogoku House. You didn’t know why he didn’t stay with you if he’d been there before… unless he was bothered by being with you all day.
Before any of your neighbors could see you, you got up with difficulty and took the geta that had been left on the street. Maybe someday you’ll find another…
You looked over the buildings thinking you’d see a big dark figure running over them, but he was gone, and you still had in your head nervous voice Warabi– … No, it’s Daki.
She told you her real name and what she was. She told you about her older brother and their history. She didn’t plan to hide anything from you from now on and exposed herself to you more than to anyone else.
Many had seen her attractive, firm body hidden under many layers of silk, but no one had yet known her heart.
Could you ignore something like that?
• • •
And you tried to come more often anyway. You couldn’t break your routine, but sometimes she was so impatient that she would even give you money, so you could get there early. Of course, it would have been easier if she intimidated the homeowners, Omitsu and her husband into letting you meet whenever you wanted, but you forbade her.
You could understand eating people, you would be a hypocrite to condemn her for eating the only food she could when you ate beef, veal, chicken and fish, when you were hungry. So that you could live on your own, you ate the flesh of other beings like many other species, and the fact that demons could only eat human was not her fault.
But you couldn’t tolerate, much less accept, terrorizing others so that only for you could meet. You could never accept senseless bloodshed or hurting and scaring others.
Your first face-to-face meeting was two weeks later, and it was the first time you were with all two of them. Gyutaro was ready to go out and hide somewhere not to disturb you, but you stopped him. You didn’t feel embarrassed or disgusted by him, although when you first saw him, he terrified you.
“Huh?” he murmured and his hand raised to scratch his neck. He looked at you with a mixture of surprise and amazement, and Daki felt a pleasant warmth pouring into her interior. So far, only two people have been kind to her brother.
If it wasn’t for her full makeup, you might see her cheeks blushing with delight. She slightly opened her lips in surprise, and her eyes glazed in the light of candles - she looked like a child at the sight of an unexpected, dream gift.
The man looked at his sister to see if she was okay with it and, not seeing any objection, sat down, but still keeping his distance. As time went on, he began to sit closer and closer to you.
You didn’t always just talk - sometimes Daki played koto or shamisen, that already were in the tea house or you played a board game Go.
• • •
Gyutaro finally fully understood why she was so angry when he came back from his long absence smelling like blood and you.
At first she was just angry with him for leaving her alone and even tried to look for him (without success), but when she smelled your strong smell from him she feared the worst. This led to another fight, and this time she didn’t pay attention to the furniture or the appearance of pretending to be a human being.
Frightened Omitsu told all the girls to stay away from her room hearing the sound of broken wood and her screams.
Hinatsuru then became more suspicious of the demon’s identity, but she was unable to send Kasugai crow to Tengen with her suspicions. She had to wait for her, and due to the increased demon activity in the city, she might have been caught. It wouldn’t be hard for a strong demon to kill a bird and then her.
She couldn’t have made a mistake. And she needed a real proof so she wouldn’t accidentally bewray herself by pointing out the wrong person.
• • •
Honestly, you were doing pretty good right now. Your insistence on stil making appearances all the time irritated Daki, who, if she could, would see you every day. Her brother supported you, although on the other hand, he hated saying no to his sister.
However, they both noticed that someone was watching their every move, and not only at Kyogoku House, so they had to continue the farce, at least until they got rid of all the pests.
But back to the present…
After giving the letter of request, the man (the owner of the seirō and Omitsu’s husband, whose name you couldn’t remember) told you that Warabihime was already waiting for you on the floor of the tea house.
Kyogoku House was the residence of oiran, kamuro, shinzou, other workers and owners couples - the women never brought their clients there and specifically went only to the chaya associated with their houses.
Surprised by her impatience, you let him lead you to the room. The little girls (probably kamuro, supporter housekeepers who cleaned and learned the artistic part of oiran work) looked at you with curiosity as always, not knowing how you could want to meet someone as cruel as Warabihime.
Out of politeness, you smiled warmly at them and waved, recognizing a few faces. Behind them, you saw a woman with bright purple eyes, coming out of one of the rooms. Her kimono fit her violet eyes like metal clips grafted into her fantastically arranged long hair. Under her left eye, you saw a tiny beauty mark through the white make-up that adds charm to her.
You thought maybe Daki mentioned about her once or two - she didn’t like her and complained about her a lot. What did she do to her? She never said it, although it was very likely nothing. The demon sometimes acts like a spoiled child around you when she’s completely done pretending.
“So, [Last Name]” the old man began as he stood with you in front of the thin shōji door. “Why are you with Warabihime? What do you like so much about her?”
You answered without hesitation.
“She’s cute.”
And you heard a loud man’s laugh coming out from behind the door. Gyutaro laughed uncontrollably, making the man next to you pale and almost fall over. At the last minute, you grabbed him by the arm and didn’t let him.
He nervously wiped his forehead with a cloth handkerchief and, saying he could handle it now and ran to the frist floor to be as far away from the monster and this cursed room as possible.
When you went inside, you saw the green-skinned demon shaking all over, holding his belly and laughing, covering his mouth with his other hand, trying to be quiet (which he didn’t do very well). His yellow eyes narrowed and took the shape of crescent moon. You thought you saw a tear drops out of one of them.
Daki tried to silence him by standing over him with wrinkled eyebrows, repeating over and over “Shhhh, shhhh,” loudly with her finger pressed against her narrow lips, but it didn’t help. Despite the white foundation all over her face and neck (part of her oiran makeup), you could see her ears turning deep red.
Gyutaro’s amusement also came to you, and after a while you also began to laugh, enjoying the next meeting with the demonic siblings.
As always, you spent a few hours together. Daki was playing shamisen, and you and her brother were playing Go while you were talking. You could have sworn that the whole meeting, the black-haired girl was strangely thoughtful. When you caught her looking at you, she looked away fast and her ears turned red again.
• • •
After all, just as you were leaving, you were suddenly dragged by the shoulder into a dark room. It was one of the new oiran. What did Daki say her name was? Hinatsuru? Maybe a little different.
“Um, yes?”
You asked without knowing what she might want from you. Her eyebrows wrinkled with concern and her lips slightly extended as if she was still hesitating about what she was doing. She kept holding you under your arm, squeezing your clothes tighter.
She had thin and slender fingers, but her grip wasn’t delicate. If you didn’t know, you’d think you were caught by a hard-working young man.
“I–, I need help,” she whispered finally looking into your eyes. She looked desperate. “It’s important and only you can help me.”
“Excuse me?”
There was still a deep horror on her face, worrying you a little bit and making you wonder how you could help her? You had never spoken until now. But despite this, Hinatsuru knew you well - the girls at Kyogoku House talking about you, because you were probably the longest customer of cold Warabihime and now the only one.
She didn’t want to imply anything, but everything suggested that others might be dead, and she didn’t want anything to happen to you. Also, you must have gotten to know the cruel oiran very well by that time and you could help her in her mission.
She now had limited movements and lost contact with the other two women. She tried to send a message to Tengen some time ago by mices, but he still didn’t respond. Maybe the demon found out.
“Please come here tomorrow and meet me. You have to talk to me,” she said as quietly as before.
You were about to ask why, but when you saw the feelings in her eyes... You just nodded. It must have been something important if she insisted, and there was a reason why she couldn’t talk about it now.
Was she afraid of someone?
The first thing that came to your mind was Daki, but she promised you no more terrorizing the inhabitants of her seirō. Maybe you’re thinking too much about her secret and that’s why she’s the one that comes to mind. Maybe it’s not about her at all…
“And take it.”
She handed you a object wrapped in a purple fabric. You couldn’t tell from only the touch what it was, so you hid it smoothly behind your kimono and nodded again.
Now she let you go. And yet you walked out of there with a bad feeling and a heavy burden on your shoulders.
- - -
Hinatsuru breathed a sigh of relief when you said yes. She was hoping to save you. She waited a moment before leaving the room herself and the first thing she saw, was Warabihime’s face contorted in a grimace of anger.
Her head was slightly tilted to the right and she frown to form a wrinkle on her smooth forehead.
“What are you doing?” she asked through clenched teeth.
Suddenly, cold sweat sweated all over the woman and she was covered with goose bumps. Her whole body was screaming, “RUN, FIGHT!” but she couldn’t move a single limb. It was hard even for her to breathe.
“N-nothing.”
The oiran leaned dangerously close, so Hinatsuru could easily smell her delicate sakura perfume and she whispered into her ear.
“So don’t touch what’s not yours, or you’ll lose your hands.”
Daki stepped away from her, threateningly staring her in the eyes for a moment, and left to return to Kyogoku House. She still could her talking as she walked away:
“I heard some girls disappeared from Tokito House recently. Take care of yourself.”
Hinatsuru felt she had to get out of here. She instinctively squeezed a small dose of poison hidden in the sleeve of the kimono she took with her just in case to simulate illness.
Yes, it’s time to bring in Uzui.
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➻ Little dictionary:
Kimono (着物, きもの, lit. "thing to wear") - is a traditional Japanese garment. The kimono is a wrapped-front garment with square sleeves and a rectangular body, and is worn left side wrapped over right, unless the wearer is deceased.
Futon (布団) - traditional japanese bedding. It consists of a mattress (shiki-buton) and a duvet (kake-buton). Futons after taking out for the night from the wall cabinet (oshiire) are laid on tatami. After they are rolled up and put in the wardrobe in the morning, you gain free space in the room for the day, which can be used for other purposes.
Zataku (座卓) - is the generic term for this kind of low table.
Onigiri (御握り) - is made of rice formed into a triangular or oval shape, sometimes wrapped in a nori (Japanese name for different species of edible seaweed). This dish is stuffed with, among others, marinated Japanese apricot, roe, shrimp, fish, etc. The stuffing is usually salty to protect the rice from spoilage.
Gyūdon (牛丼, Japanese Beef Rice Bowl) - is one of the most popular and inexpensive fast food dishes in Japan. Its name can be literally translated to beef bowl.
Ikejime (活け締め) - It is a technique of killing fish neutralizing the nervous system of a live animal from bleeding. This ancient practice, of Japanese origin, has the effect of reducing stress and pain in fish. His muscles are not as tight, his flesh holds better, and his taste qualities are better compared to the usual way of strangulation.
Genre: Romance || Hurt/Comfort
Word count and reading time: +12.1k (49 min.)
⚠ Warnings for this part of the request: Minor death, Eating dead body, Severe injuries (not Reader), Forbidden Love/Mutual Pining,
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Mukago’s life as a member of Twelve Kizuki was… stressful. She thought if she could join a group of the most powerful demons in the world, it would be easier for her, but it’s just getting harder.
She felt the constant pressure exerted by Muzan, the Upper Ranks looked down on her with superiority and contempt, and she was constantly afraid to maintain her position as the Lower Four.
Rui, Lower Five, was strong and probably if he wasn’t interested in climbing the ranks of Twelve Kizuki he could easily beat her - she could feel it just by standing near him during meetings.
He gave off a dense and suffocating aura showing how many people he had eaten and illustrating how ruthless and insensitive he was.
Apparently, he didn’t spare even the members of his “family”, which Kibutsuji kindly allowed him to create. Its size changed very quickly and often - someone joined, someone left (usually from his white hand in monstrous torments) and a new replacement appeared again.
This made him Muzan’s favorite, and all the Lower Ranks looked at him with jealousy, although he didn’t seem to notice or care about it.
She wouldn’t have beaten him if he challenged her to the Blood Battle - she knew her abilities and the differences between their powers that divide them like a deep chasm.
This didn’t mean that she wouldn’t try to defend herself, she would be foolish to surrender without a fight.
He didn’t need weak and cowardly demons. He wanted nothing from them but boundless devotion and ruthlessness. It’s the only way she could go far as a demon, as Lower One and all the Upper Ranks have shown.
And that’s why she was relieved that the spider boy was indifferent to the rat race in the ranks of Twelve Kizuki. As a result, she could still live.
But even though she had been one of Kizuki for some time, she still didn’t feel like a member of their group. It’s like she totally doesn’t fit there.
The Kibutsuji once said that they all should get rid of their humanity. Their greatest weakness, but just because she was a demon doesn’t mean that she still has no human feelings - she could still laugh, cry and feel gratitude for the kindness showed for her.
That’s why she remembers with pleasure her first encounter with [Last Name], which she tries to hide even from the Kibutsuji, fearing how he might react.
She was wounded and running from the Demon Slayer. She hoped her Lower Rank 4 position would somehow deter him, but he was determined to kill her. Too late she noticed that he was one of the kinoe - hashire she would have sensed from afar long ago.
With dizzying speed she ran through the trees, hearing his footsteps behind her, not at all far behind her. He easily kept up with her.
Every time she heard him pull out his katana with a metallic sound, she tilted her head down or changed direction to avoid the colored blade. Once he managed to cut the tips of her horns. She felt sweat run all over her body and her hair stand on end.
This chase could go on indefinitely unless one coincidence - a cliff that neither she nor he noticed.
With the menacing sound of a katana cutting through the air, she tried to dodge once again and cover her head with her hands, but suddenly she lost ground under her feet.
She didn’t have time to scream when she started falling, with the Demon Slayer next to her.
In the dark she had much better eyesight than humans in the dark, and in the dim moonlight she could see a surprise painted on the boy’s face - he didn’t even understand, what was happening before he hit the stones below them with a crack.
The fall, despite appearances, was quiet - the sound of broken bones was no louder than the sound of breaking a dry branch. Neither of them screamed. The only thing that escaped their mouths was the air collected in their lungs, which came out stifled.
She landed on her abdomen - she felt pain in her bent limbs and collapsed lungs.
Her nerve endings were burning her throughout her body, sending a message to her brain about her numerous critical injuries, and liters of blood spilling from her wounds made her feel cold as if she were lying in the snow. The punctured lungs prevented her from breathing, and the blood flooding them from the inside would probably have drowned her long ago, if she hadn’t been a demon.
Either that, or she’d die of pain because, unfortunately, she fell frist on her feet.
The nameless Demon Slayer fell out of her line of sight, and it cost her too much effort to lift and turn her head to see where he lay.
She didn’t hear his groans or heavy, unsteady breathing indicative of an agonizing state of great pain, so she suspected he fell on his head and split his skull. He died quickly and probably painlessly, unlike her - she was waiting for a long and painful recovery now.
If she faints for a few hours it would be a grace, but her mind stubbornly kept her conscious.
After about thirty minutes (which seemed like an eternity to her), her throat regenerated, and although she was still in pain, she was able to emit squeaks of pain. She sounded pathetic even to her own ears - not like a member of the most powerful demons in the world, but like a mouse tormented by a cat.
Tears continued to flow from her eyes, like endless waterfalls, blurring the view of white flowers from her face. It hurt, everything hurt her so much.
Suddenly she heard footsteps approaching her, and then saw a brighter and brighter light illuminating everything in front of her. Rocks, trees, plants… For a moment she feared it would be a rising of the day, but she didn’t burn after standing in all its glory.
The person, who arrived, stood behind her back and she could only guess who it was - a lost trader in the mountains? Another demon? Or maybe another Demon Slayer?
In her present condition, she couldn’t escape. She was scared, but at the same time she wanted all the pain to end.
Will that be the end of her? Will she find peace? Will she go to hell for her sins? Will she be reborn and get a second chance?
The person stood over them for a moment and heard only the hiss of the fire burning land in the candle that human had brought and its faster breathing.
She saw how the light moving and long shadow on the stones in front of her as the mystery figure covered the flame.
The traveler was afraid. She was sure of it. Mugako didn’t have a sharpened sense of hearing as well as the Upper Moon, but the person’s heart was beating so hard that she could hear it as if she had an ear on their chest.
Despite panic, this heartbeat calmed her down a bit. With a sore throat in a hoarse, quiet voice she said:
“He-help…”
And finally, she began to float away into blissful unconsciousness, listening to the sound of a rapid heartbeat.
• • •
Mukago woke up some time later in an unfamiliar place. She didn’t see the black sky above her or even the surrounding her before mountain landscape, but the wooden ceiling of a small house. She lay on a soft futon tightly covered with numerous blankets to keep her warm.
Where was she? Did she die? This is reincarnation?
Her sense of smell was immediately attacked by the numerous sweet smells, which was mixing with each other and surrounding her from all sides. She couldn’t pick up one that would tell her where she was.
Her thoughts were suddenly interrupted by the sound of sliding wooden doors and footsteps. With difficulty she turned her head and saw the figure standing in the dark - she knew from the smell that it was a human. Unfortunately, it was too dark for her to tell more about person from place where she lay. She’d have to get up and get closer, but her head (and all the limbs) seemed to weigh hundreds of kilograms.
The stranger gently put down the wicker baskets on the ground next to the entrance and went to the furnace nearby. As quietly as before, person threw in a few logs of wood and lit a fire.
Are you afraid of her? Is that why you were so careful? But then why would you take her to your home?
In the dim orange light from the stone furnace, she saw better the facial features of her new companion. You didn’t look like a Demon Slayer, and your worried, wrinkled eyebrows didn’t indicate bad intentions. More like regret.
Maybe you regretted your decision and wondered what to do next? What should you do with a dangerous demon under your roof?
Suddenly you noticed she was awake and with a quiet “oh!” you froze motionless. In the warm glow of fire, she saw the surprise that appeared on your face for a second and then how you looked at her with those [color] eyes with an expression she didn’t recognize for now. She hasn’t seen it on anyone’s face too long time to tell immediately what kind of emotion it is.
She knew perfectly well the fear hidden in the stiff faces of her dead victims or the sadness when they begged for mercy in tears. She had seen pain and anger, but this… It was something new.
“Are you still going to sleep? Are you all right?” you asked, confusing her even more.
Why would you ask that and care about her? With every moment she spent with you, she have more and more questions popping into her head, and the uncertainty of your intentions twisting her guts. She didn’t know what to expect from you.
She nodded hesitantly and again there was silence between you for a few minutes.
You turned your gaze away from her looking at a distant point in front of you, focusing on your thoughts, and she felt the atmosphere getting more thicker.
You didn’t look like you were planning on speaking anytime soon, so she decided to do it, but before she spoke she already knew that it wouldn’t be an easy - no sound would pass through her dry, sore throat, and her swollen like a sponge tongue, stuck to her palate.
She swallowed her saliva with difficulty a few times and opened her glued lips with a wet sound attracting your attention again.
“Where–?”
“At my house,” you said quickly and didn’t let her finish. “Don’t bother yourself, lie down. Try to get more sleep.”
She closed her mouth obediently and continued to stare at you with a startled look.
Unable to stand her attentive, unblinking gaze, you turned your head the other way and looked into space. You felt awkward when she did it.
The windows were closed with wooden shutters, so the only source of light in the small hut was the fire from the furnace, and the sound that interrupted the uncomfortable silence was the crackling of wood in the heat and your quiet breaths.
When you entered the house you noticed a change - her breathing was no longer as loud and whistling as at the beginning, when you found her.
Have her lungs already regenerated? If so, how long will it take for her to fully recover?
You tightened your lips in anger and frowned slightly in frustration. What are you gonna do next? What will she do?
How stupid you were…
You chastised yourself in your mind for your recklessness and wondered what you should do now, when the demon was watching you all the time.
She could see perfectly well how your face changed under the influence of emotion - honestly, anyone could read you like an open book, but she hoped you wouldn’t suddenly pull out a nichirin blade from somewhere to kill her.
She wasn’t sure, she would have been able to defend herself from you in this state.
- - -
The night passed for you… without much 'attraction' - you didn’t talk to Mukago anymore and after a few minutes you fell asleep by the stove through its warmth and she didn’t try to wake you up. She focused on regenerating as quickly as possible so she could leave.
But unfortunately, she couldn’t sleep at the same time anymore, so she just lay alone with her thoughts, staring at the ceiling. Hunger squeezed and twisted her guts, the recovering drained a lot of energy from her, and when she looked at you, saliva flowed into her mouth.
You looked so good with that calm face untainted by any worries when you were conscious. Your scent filled her nostrils until she got dizzy - she felt drunk from your scent. You weren’t a marechi, but everything in the cabin smelled like you - the floor, the furniture and even the sheets she was lying in.
The years spent in the wooden walls made the entire house to soak up your scent like a handkerchief thrown into the water, although you probably didn’t smell it - demons have a much more sensitive sense of smell than humans, and her hunger with numerous, severe injuries only made it worse.
You were like an aromatic, fat chicken covered in honey over a fire. With skin flushed from the warmth and slightly shiny from the sweat running down your forehead.
You were definitely well seasoned. Just looking at you, she could imagine the structure of your muscles, feel the distinct iron taste of blood on her tongue spiced with your emotions.
There were many chemical reactions in the human body that were also caused by hormones and enzymes - from what she remembered about butchering meat or fish, when she was still human. Apparently, fear killed the taste of meat by the adrenaline and acids released in muscle tissues during stressful situations, so now you were perfect. Hunters and fishermen tried to kill the animal as quickly and painlessly as possible to prevent it. This killing technique is called ikejime.
You weren’t special, but in her condition, you were everything she could have dreamed of right now.
Normally, she’d sneak up on you while you were asleep and kill you before you could react, but she couldn’t. She still had broken bones (not only in her legs) and too severe internal injuries. All she had left was to wait and suffer in the silence still lured by your scent like a bee to a flower.
You unknowingly tortured her and turned your little house into her own private hell. You were her executioner, even though you didn’t do anything to her.
Her belly murmured low and long for food like a dog waiting for a bone, but it was a sound too muffled by the blanket to wake you up. You didn’t even move in your position.
An unpleasant spasm passed through her bowels like a spear, and the emptiness in her stomach became even more painful. Even more saliva poured into her mouth and flowed down her unnaturally pale cheek to soak into the pillow under her head and into her messy hair.
All she could do now was looking at you with a deep hunger in her eyes.
- - -
Shortly after sunrise you woke up - although the shutter was tightly closed and covered with some material she could tell by the singing of the morning birds.
Your sleepy eyes slowly opened and you stretched your bones with a quiet crack. From being in an awkward position for hours, your back and neck hurt. You grabbed the back of your neck to massage your tense muscles and looked around with tired eyes into a dark room, but you didn’t saw anything - the fire from the furnace has long gone out, leaving behind a delicate smell of smoke.
Moving around in a small room using only your memory, you walked up to the door and a little opened it, letting light in - luckily for your adopted guest, they didn’t face east or west, so it was half-dark.
Now you could see a white horned head with silver hair around her like a halo from beneath your bedding. Her dark eyes stared at you, making you less comfortable with a constant observer.
Honestly, if you forgot her, you’d scream in terror until the nearest village heard you and waking everyone up.
How about you become a new legend about a ghost living in the mountains with a killing voice, hm?
Her eyes followed you wherever you went in a small room - whether you made yourself breakfast or a bento for lunch at work. You pretended you didn’t notice how the unnatural irises moved, tracking your every slightest movement. When you disappeared out of their area, she even struggled to move her whole head towards you.
Was it uncomfortable? Yes. Was that disturbing? Most of all.
And you could have left the door locked and forgotten about her… Or leave her in the mountains till morning to burn.
“I’m going to work, don’t destroy or touch anything,” you said coldly when you changed (hiding behind a curtain made from an old blanket and hung from the ceiling on a beam supporting the roof) clothes and turned to the exit.
You didn’t even look at her knowing she’d still stare at you quietly with those dark eyes.
- - -
To your surprise, when you came home that evening, the demon woman was still lying where you left her.
Demons don’t regenerate faster?
You thought slowly chewing an onigiri ball. A little white rice stuck to your cheeks around your lips, but you didn’t pay much attention to it when you were focused on the lying demon.
“You still can’t move?” you asked her, still standing in the red light of the setting sun.
You had a bag of groceries hanging loosely on your one shoulder and an axe in the other hand. You weren’t stupid enough to walk into a dark room with a predator without any weapons.
But you were stupid enough to let a monster in and fall asleep next to her.
You reprimanded yourself quietly in your mind, frowned at that and clenched the handle of the iron axe tighter.
And then you left her unsupervised.
Were you mad at yourself? Yeah, but you can’t change the time. You could only hope she was really too hurt to get to you.
“Hey, come on, move,” you ordered to her still not going inside.
“I-I can’t…” she said in a slightly hoarse voice. You couldn’t tell if it was because of her bad condition or the long time she hadn’t used it.
So far, her body has taken care of numerous internal injuries and setting her ribs in right place. Maybe if she had eaten in the meantime it would have gone faster, but she was completely alone all day without any food.
Unfortunately, despite healing most of the injuries from her body, she felt weaker because of the amount of energy it consumed from her. Probably even after she’s completely healed, she won’t be able to stand on her feet for a while.
“This better be true,” you threatened, and she could have seen your embrance on the wooden shaft of the tool tighten. She even heard the wood crackling quietly under your hand.
You were ready to attack her at any moment if she suddenly jumped at you, and she was sure you wouldn’t hesitate.
You went inside and put a white wrap from a fabric bag next to her. It emitted a strong odor that attracted her on the one hand and repelled her on the other. Like water in a poisoned lake, a dehydrated animal. Like a Venus flytrap bugs.
“Eat,” you said looking down at her, and the command acted on her like letting the dog off a leash.
She had one big word in her head: “FOOD” - she immediately turning to the bundle with a weak, pale hand ending with sharp claws and she tore the material.
It was meat.
She felt she was about to cry. She didn’t understand your kindness and she had many questions.
Who are you to her, after all? You helped her a lot, but your behavior shows her how much you despise her (or her kind). You still gave her mixed signals that caused her a headache.
If she still goes on like this, she’ll go crazy because of you.
With a trembling hand, she grabbed it and shoved it into her mouth, almost choking. The sudden sweetness that attacked her tongue turned into a bitter and tart taste, making her want to vomit.
She quickly spat out a large piece of meat and began coughing and spitting with effort to rid her mouth of the residue. When she looked up, she saw you looking at her frown in a grim grimace of discontent.
She knew that look, you reminded her… It’s better not to mention his name here. Even quietly, because he’d find out, and he’d be angry to see one of his moons in such a weak state. He would probably consider her unworthy of that rank.
And what would he do next? Would he downgrade her to a lower position? Would he expel her from Twelve Kizuki? Would he kill her?
Those thoughts gave her the creeps.
“What is it? Why can’t you eat?” You asked, and your voice sounded sharp in her ears. She lowered her head. She couldn’t look you in the face for some reason.
“You’re a demon, you eat meat,” you said as if you were stating the obvious, such as that it’s bright during the day and birds fly in the sky.
“I can’t,” she admitted quietly and reluctantly, still trembling. “I can’t eat an animal.”
Are you gonna kill her now? You gonna call a Demon Slayer? Why don’t you just expose her to sunlight?
All she heard was your unhappy sigh above her and saw how you take the bag of the rest of the meat from her. There was still probably kilo in there.
“Well, it’s sad, but it won’t go to waste.”
You turned away from her and sat by the stone oven with the dry twigs from the wicker basket. Moments later, you put a pot on it and started preparing food for yourself.
In the next few minutes, the hut was filled with aromas of spices and the sound of bubbling water for sauce. All your attention was turned to cooking and she could see your calm face again illuminated by a yellow, warm flame.
You looked as if you had forgotten about her presence and all your problems - now there was only you and your little cabin. Your home. The outside world didn’t exist. You probably didn’t even worry about the probable sudden intrusion of some dangerous intruder.
Mukago would like to have such a quiet haven. A place, where she can come and forget everything - about demons and people, the rest of Kizuki and about her Master, fear of whether she’ll survive another day or the slayer she encounters is stronger than she is.
But looking at you, she finally calmed herself - it was nice to see you at work, even when you weren’t doing anything special.
Lying in your futon and covered with a blanket (she could still smell your scent, even though it had begun to faded) watching you cook - this scene was almost family-like. Affectionate. Intimate.
If she were human, the smell would make her drool. Maybe you could eat together.
When you were done, you put your food in a clay dish and sat in the corner not far from the furnace that was still generating heat. Suddenly, as if you remembering something, you looked in her direction without moving.
“Are you going to watch me eat like that?” you asked hesitantly.
Surprised, she forgot she was staring at you so intensely. Slightly ashamed, she looked away and focused on the ceiling this time.
Now the roles were reversed and you were staring at her, slowly eating the steaming gyūdon and wondering what to do next.
You should have gotten rid of her this morning, thrown her in the sunlight. What went into your mind to take her with you? If not now, she’ll kill you the next time. The only thing demons can eat is human flesh, and now you’re sure, and she even confirmed it. She’s hungry, you can’t feed her anything else. The sooner you take care of this, the better it will be.
You thought as you put the dish next to you and turned to the door. The sun has already set.
With resignation, you promised yourself you’d get rid of her in the morning (even though you knew, you wouldn’t keep it as usual).
“How long will it take you to regenerate?”
You suddenly broke the silence. The horned demon looked at you and the fire reflected in her silver irises. The red sclera all around it made her look like she really came out of the depths of hell, but there was something endearing about her - if it weren’t for the unnaturally eyes color and horns, she would have been really lovely human.
“I don’t know.”
She admitted it honestly, because she had nothing else and asked instead what will you do with her, still not looking at you.
“I don’t know,” you said as if you wanted to tease her.
Although the way your body was tensed up and your pulse quickened, she knew you were lying, but there was nothing she could do about it.
- - -
Mukago suddenly felt her blanket lift. She wasn’t sleeping - she just lay there with her eyes closed trying to speed up her recovery by focusing on healing individual fractures and injuries rather than trying everything at once.
With her slightly open eyelids, she saw you squatting next to her, holding the same axe on your shoulder as before, and staring at her belly with squinted eyes.
She quickly raised her hands, trying to shield herself from the blows, squealing like any woman in the face of unexpected danger. Surprised she was awake, you shivered and dropped the covering her material. A deep blush of shame appeared on your cheeks from being caught in the act of disgrace.
“I was just checking to see if you’re recovering well,” you said right away so she wouldn’t have any bad ideas…
And you thought you could change the sheets soon, because lying in stains of dried blood leaking through the bandages didn’t seem too hygienic to you, but you never mentioned it.
You sounded like you needed to explain yourself to her.
And stupid.
When you realized it, your surprised (and definitely guilty) face turned into a grimace again. You made a loud “tsk!” with your tongue and walked away from her.
Before you left, you took a big basket with you, and in the first rays of the sun coming through the door, she saw your ears are still red.
She was alone.
Again.
She felt like the small progress you had made in your unexpected relationship had been reduced to zero, and even as if you had taken a few extra steps backwards. She felt guilty about it because you really seemed nice even though you were hiding under the hood of a rough person all the time. She wished she hadn’t kept her eyes closed or called you.
Although she had spent years as a demon, she had not had many opportunities to meet another person to talk to. Humans quickly ended up as her food, weaker demons fled or died fighting for rank, and Twelve Kizuki treated each other as enemies.
Why did she only now feel how lonely she was? Or maybe it’s by tasting a sweet a little bit of the other person’s company?
Is it gonna be hard for her to get back into her life now after that you’ve just walked into it so unexpectedly?
Will she be able to return to those cold, lonely nights surrounded only by the dead bodies of her enemies who only hated her? Who only wanted to kill her?
You never gave her the feeling that you wanted to hurt her or that you were angry with her. You made ugly faces sometimes, but she saw you were only mad at yourself.
You did it when you said or showed her too much. You pretend you don’t care about her, but she doesn’t think it’s true. You’re a good person.
And maybe you were lonely in those mountains too. In these four wooden walls, where it is futile to look for the smell or traces of any guests.
Will she forget the heat from your furnace? The smell of flowers surrounding your home? The sound of your clamly beating heart or quietly breathing while you sleep?
When will she forget your voice or the color of your eyes? Or all those faces, that even though she didn’t feel comfortable with you at first, she found it funny now.
Did you know that when you get nervous, your left temple pulsates?
Here it was so… Pleasant. Nice. Different.
- - -
“How much more time do you need?” you asked when you came to see her in the afternoon.
She was now able to sit up and hardly felt any pain in her abdomen. The only thing stopping her from leaving was the sunlight and the broken bones in her legs.
“About twelve hours.” However, after a moment of reflection, she added. “Maybe a little more.”
Hearing an answer that satisfied you, you nodded your head and put away the new dry branches and charcoal. The last one you got from a friendly family, and the rest you found on the way home from the city where you work.
Despite living near the woods and mountains, you were neither a hunter nor a lumberjack. This meant, you had to get up early in the morning and drive your carretela the next few kilometers to your workplace, but you liked it. The other employees were always nice and there was always a customer to whom you could please with your goods. An additional plus was the specific place where you live allowing you to experiment with it.
And what were you trading?
“What are you doing?” the girl asked, when she felt a little more confident and saw you pull a little wrap from behind your kimono.
“I’m planting.”
You sprinkled seeds from a small handkerchief into a pot and wrote the name of the plant with charcoal on it, before you pulled out a thin notebook from the book cabinet and starting to write something in it. She thought you wouldn’t want to talk to her, but after a while, you started more talking.
“My boss sometimes gives me different seeds to record the growth of plants under different conditions than in the greenhouse.” You paused for a moment to see if you wrote the name on the other page correctly. “And there are also plants that won’t grow anywhere else, but in the mountains because of this.”
“Are you a gardener?”
“I work in a flower shop, but yes - I’m also a gardener. I even have a nice garden in front of my house thanks to this.”
“Do you know a lot of plants?”
“Oh, yes, boss probably brings them from all over the world.” You said in a tone showing that you don’t consider it a great feat. Like you’d be better off without that knowledge. “He has many shops and contacts with abroad. He’s a businessman and lately he’s trying to make a deal for his services with some old family of pharmacists.”
“Is that why you were there? To study the growth of flowers in the mountains?”
The quiet shuffle of the grey pencil on the paper went silent when you looked at her. She was no longer hiding from your gaze - after all, she was Lower Rank 4.
“Yes, you fell into my Hayachineusuyukiso.” Seeing that the name doesn’t mean anything to her, you added. “Also called Edelweiss or Beautiful Star. A rare, white, mountain flower, not difficult to grow, but it was difficult for me to make suitable soil conditions for it.”
The only thing she answered was “oh” as an understanding of the subject of the plant, and then she added even louder and more confidently “Oh!” when she understood exactly what she had done.
She swooped in (along with the Demon Slayer) and destroyed your hard work to grow these flowers. She didn’t know what you had to do to get this, so she was even more worried. And you were probably doing it for your boss. She was hoping, he wouldn’t fire you for it.
“I’m sorry,” she said with guilt, putting her hands on the sheets covering her. There’s almost nothing left of your scent on it, replaced by her sweat and blood.
“You don’t have to, you can’t fix them with words.”
You lifted your eyes from the pages and saw the demon staring at her clenched hands. The bangs and longer strands of hair fell freely over her face, concealing her like a silver hood, but were still too short to cover her tightly held lips.
Was she clutching them out of hunger or guilt?
Even though the thought occurred in your head, you didn’t consider her a serious threat. She reminded you of a child, which somebody yelled at - sad and ashamed of their actions. Sitting in a corner for punishment and left with her thoughts to calmly reflect on her mistakes. Unwillingly, you added while closing the small notebook with a slam.
“I didn’t need them for anything anymore anyway - I just had to get the flowers to unfurl to confirm a theory.”
When you stood up, she followed you with her eyes, watching you slowly getting to leave, before you stopped for a moment.
You came back and put some similar notebooks in front of her.
“If you’re bored, you can read or draw on blank pages. I’d probably be bored to death with nothing to do here.”
“Are you going back to work?” she asked, hoping you’d stay with her.
“There’s a charcoal-burning family on the other side of the mountains, and I promised Tanjiro-kun I’d come and visit them after I checked on you.”
“Oh, okey.”
Her sad and disappointed tone made you feel like you just kicked a little cat. Before guilt and duty completely took over you, you left planning a meeting with the rest of the Kamado family, picking prettier flowers for a bouquet for Mrs. Kie and her two daughters.
- - -
“Any improvement?” you asked when you finally came back.
Although you left your friends before dark (knowing how treacherous mountain roads can be), you still reached the hut only after the sun had hidden behind the horizon.
The abdominal pain practically disappeared along with the dark blue and purple spots adorning her skin and she could move her toes, but it was still a problem for her to bend her knees. She still can’t walk on her own.
“I need a few more hours.”
“Is there any way to speed this up?”
“I could, but…”
She couldn’t finish a sentence knowing there was no way you’d say yes. She looked down and silver hair again obscured her view.
She heard you sighing and leaving. In the backyard, you threw something on a gravel road that gave off a metallic reverberation and dragged it, destroying a few of the stray little twigs.
Through the entrance to the cottage, she saw you standing in front of a wooden trailer. You harnessed a little brown horse to it and started pulling off the fabric bags and bringing them home, putting them in a corner.
She watched your actions with curiosity until you stopped, stood over her and asked with a neutral expression.
“If I help you, can you make it to the carriage?”
She looked at the vehicle one more time and then nodded at you. You uncovered her body, pulled her out of the futon - there was a large dark stain of clotted blood where she lay, but you’ve seen a significant improvement. You were involuntarily happy about it.
She reached out to you like a baby. You held her under her armpits and then you tried to put her hand across your neck. The last time, when you carried her home unconscious, she was definitely heavier and harder for you to maneuver.
Unlike the first time you met her, she was no longer cold - the gentle warmth of her body made you believe she was truly human, if it weren’t for her appearance.
Relying on you, she came to the carriage and you put her in the trailer. Her legs were still weak and flabby, but the fact that she could walk a few steps with the help was a good sign.
“Where are you taking me?”
She asked, watching you step forward and sit in the coachman’s seat. Holding the leather reins, you swung with it at the animal to make it move.
Not very glad with the night ride, the horse initially resisted, but after a few pulls, he finally moved. His clattering hooves resounded in silence along with his loud hisses, making it even less real.
When was the last time Mukago rode in a carriage? It must have been when she was still human.
Was she afraid? No, even though you didn’t answer her question and you kept your distance almost the whole time. She knew you weren’t bad.
And she knew it would finally come. She couldn’t hope that you would let her live with you - after all, you were natural enemies.
When after a long ride you stopped the horse before the entrance between the two mountains, she knew it was time to say goodbye.
You went around the carriage again to get to her and took her down, before you led her deep into a narrow, stone road and sat her on a big boulder.
“I can’t go any further.”
You said crouching at the height of her eyes. You pointed your finger at the dark behind her and added. “That’s where I found you, with any luck he should still be there, if the wild animals haven’t gotten him first.”
The demon nodded. She still didn’t understand what was inside your head and why you decided to helping her so much, but she was very grateful to you.
She looked at your back for a moment as you walked away from her and when your footsteps silenced in the other sounds of the night, she slowly crawl into the corpse of the Demon Slayer.
She had to make several stops along the way to rest, but she had all night to get there.
Surprisingly, the corpse was still lying where he fell. Flowers were arranged around it, as if someone was trying to make it up for the dead boy’s lack of burial.
As she got closer, she could see that the animals had found their way to him during those three days. His right hand was missing and in the place of his eyes were two black voids staring straight at her. The dried blood on his cheeks now looked like tears. Equally bad must have been the hole in his belly, where something was still moving under the stiff material of his uniform.
Unable to complain, she tried to ignore the horrible smell coming from the rotting body and after a few minutes she could walk normally again.
- - -
You didn’t leave from the entrance to the ravine long before dawn. What told you to stay? Guilt? Duty to a stranger’s girl?
No, it’s a demon. You can’t forget that.
But even your own admonitions didn’t move you. Your horse turned his head restlessly waiting for you to let him to turn back and lie down again in the dry straw in a small barn, but you waited.
For what? Until she finishes eating and comes back for you?
Tired, you rubbed your eyes and struggled with drowsiness. You decided to wait another ten minutes, and if she doesn’t signal that she needs help by then, you’ll leave.
- - -
You were awakened from a shallow sleep by the restlessness of the horse. The animal tromped its hooves and neighing, trying to wake you up and keep you away from the danger in front of you.
When you got up quickly, you grabbed the lantern next to you and lit your way, but you didn’t see anything. Not any demon or a wild animal.
Feeling a sudden movement of air next to you, you looked to the side, but there was nothing too. You could have tell someone was here a moment ago - you still felt the warmth on your shoulder.
Deciding you’d wasted too much time here, you ordered for the horse turn around, still looking back to see what would upset him so much. When you took a closer look, you saw on the road an elongated shape sliding slowly into the nearby bushes.
A snake? Well, at least it wasn’t your still hungry friend…
On the way home, you could have sworn that you felt a constant gaze stuck into you like two daggers. It wasn’t very pleasant, you could feel how its hidden owner buzzing with bad emotions and the desire to murder.
It gave you the creeps all over your body and all you could think about was getting back to a safe house as soon as possible.
Maybe it’s just your wild imagination? Being alone late at night in the dark woods are good food for it.
The only thing you heard that night (apart from the moaning of the wooden wheels of your carriage) was the loud flutter of the wings of some bird flying over your head, but because of the thick branches of the trees you couldn’t even see the starry sky above you. You knew something was there because once you even got hit in the head with a pine cone that broke off under his weight.
- - -
For the next few days you had some peace and quiet - no one fell to your flowers or needed your help.
The only people, who disturbed you were mysterious men in brown suits, who came to ask you for the way to the mountains. They explained that they worked for some organization and one of their members had a terrible accident nearby.
The road to this place was easy from your house, so you pointed them in the right direction.
All you saw was how they looked at each other through the gap in the material attached under their hats in understanding and they left you without a word.
The first time you came to this place, the view was terrible, now it must be a lot of worst especially after you left the corpse for decay, wild animals and brought there the starving demon.
But it’s not your problem anymore, although you could have sworn the birds that accompanied them looked at you like they knew what you’d done.
They looked at you with their black eyes, judging you quietly and with the intelligence you’ve never seen in any animal.
But maybe you were just imagining it? Maybe you’re just too paranoid?
- - -
Mukago thought no one would find out about her weak. That it would remain her little secret.
Oh, how wrong she could have been.
As much as she wanted to stay and be around you, she knew it would be too dangerous for both of you. Just thinking about you, no matter how pleasant, could get her (and not only her) into trouble.
Unfortunately, no matter how hard she tried, nothing could escape the attention of the Demon King.
One day he summoned her to Infinite Castle by a woman with biwa.
She was wandering through the forest and all she heard was an unexpected sharp tug of the strings of the instrument, when she suddenly stood in front of the cold face of Kibutsuji. The demon was dressed in white pants and a black suit still remaining in his current role of a good husband and father.
The demon has recently found a new family to serve as a cover for him, so he can hide from the Demon Slayer Corps.
What did he do to achieve this?
She couldn’t be sure, but she expected him to stain his hands again with the blood of an innocent person. People were nothing but food and tools to him, just like the members of Twelve Kizuki.
He stood in front of her, staring at her like she was an uninteresting animal. An insect. A miserable subspecies.
Seeing him, she immediately turned even more pale and fell on her knees before him, lowering her head as low as she could. Her forehead touched the hard, dark wood beneath her and she felt how sweat ran down her temples. Mukago barely holds back the trembling from nervousness.
His forehead was not tainted by any wrinkle created by furrowed brows. The man's posture, though it was and did not seem tense, she still could feel the dread floating in the air.
“What was that supposed to mean?” Muzan asked calmly but harshly, standing over her. As he always did when he gave the order for Twelve Kizuki.
“I–”
She didn’t know what to say. How was she supposed to explain all of this? Or was it about puncture the Demon Lord’s pride, thinking he wouldn’t know? Here, among the demons you could die for lesser offenses.
Or maybe she should already start apologizing and writing her last mental will?
“You had a perfect source of information right under your nose,” he started to speak, and his immaculate image began to break like a broken vessel. With every word, she could hear the anger rising within him. “How could you leave so easily? When others work hard to find even the slightest clue as to where Blue Spider Lily is, you just turn down the chance that fate has given you!”
With his scream, something glass snapped near them, making Mukago squirm even more. She trying to hide inside himself and shaking like a frightened rabbit.
She began to wonder if the next thing that snapped would be her skull.
This time, however, he spared her life. It just ended with an unpleasant reprimand that she won’t forget for long, really long time.
Black-haired woman barely teleported her to the vicinity of the wooded areas of the mountains, she already started instinctively running towards you with tears in her eyes.
Were those tears of fear? Relief from a life saved yet again by luck? Happiness of seeing you one more time?
Or maybe just a rush of cold air caused them?
Her whole body was still trembling and covered with goosebumps, the cloud of shock was just started leaving her mind, her heart was beating fast fueled by adrenaline, but there was also an unusual lightness in her legs, as if she weighed nothing.
Her feet carried her to the door of your hut, lured by the familiar scent of flowers from your garden, dug-up earth and…
You.
Mukago is alive.
For now…
- - -
“I’m sorry, but I can’t help you.” Mukago heard your voice along with approaching footsteps.
She waited for you as usual, sitting on the wooden beam supporting the ceiling, that she had spent so much time staring at during her long convalescence.
She has been coming to see you almost every day since she had the conversation with her Master - sometimes she disappearing for a quick hunt.
She tried to deal with it quickly, but at the same time she chose villages a little further away from your home. She didn’t want to bring here another slayer or, even worse, a Hashira.
That would be too suspicious and it could lead them to you.
What would they do when they found out you were friends with a demon? With the murderer of countless people? One of the Kizuki?
She didn’t even want to think about it…
Another reason was a little selfish, because she didn’t want you to hear about her victims. She didn’t want you to start looking at her like everyone else, like the demon that she is.
But this time when you came back, you weren’t alone - she heard other footsteps too.
From the sounds she might have deduced your comrade was a man. He walked quietly, but confidently. She could hear the clatter of the scabbard on his katana slapping against his hip and belt when he was walking, and his calm breathing.
A hunter?
No, the slayer.
And from his strong aura, she could have infer that he must have been high-ranking. Perhaps, he was even a Kinoe.
Outside the door, she heard a man walk away from you. When you entered the hut, for a moment the orange rays of the sunset fell inside, drawing your long shadow on the ground. You immediately looked up expecting to see your guest there as usual.
And as usual, she was there. With a nice smile and soft eyes waiting for you. Just like a domestic cat.
A large, predatory cat that could easily devour you if she only wanted to. She was now like a wild tiger in her territory.
You no longer saw in her the same fear as before or the pretended confidence.
But tigers are big cats, who also like to lie down sometimes without stress.
She often watched you at work too. You didn’t know exactly why she came back to you or where her interest in plants came from, because she never made it clear before what she was interested in. When you asked her about it, she only said:
“Because I can’t and you know a lot about this.”
You sensed her sincerity at the time, even though you didn’t quite understand what she meant.
Maybe if you knew Muzan Kibutsuji you could understand, but she couldn’t tell you about him.
And her mission wasn’t the only reason why she couldn’t leave…
Sometimes you felt like you were playing a game with her, where you slowly discover more and more about each other.
It was nice talking to someone and not going back to an empty hut where no one was waiting for you, but it brought new problems for you.
You began to get attached to her presence and miss her when she was gone. Wait for her to come back to you, when she suddenly disappeared at night after you fell asleep.
How many times have you woken up in the dark and waited for her appear to the first rays of the sun?
How many more excuses are you gonna need for your eyes bags, when people ask for them? When will you stop worrying others with your absent-minded behavior, often getting lost in your thoughts and falling asleep in a quiet corner at work?
“Demons don’t feel love or empathy, they’re monsters.” Someone told you once, and you took those words to heart. “Bloodthirsty beasts, who only want to quench their hunger.”
But are all demons really evil?
Are there any good demons?
You followed the girl coming down from the wooden beam with your eyes. Even though she smiled at you, you could tell she was nervous.
Is it because of that guy with the katana?
Suddenly, remembering something, you asked her putting away your packages of things you bought in the city on the table next to the fireplace.
“There's been some missing in the area lately… Do you know anything about that?”
Mukago seemed surprised by your question - she turned pale (although you didn’t expect it to be possible) and a smile faded from her face, replaced by the uncertainty you saw in her during your first conversation.
“Um, no. I don't think so. Why?”
It didn’t sound very convincing and all you could do, was take her word for it.
Some time ago a child went missing and was found after two days - he had lost into the woods and fallen into an old, but deep bear pit.
Luckily, the villagers found him safe and healthy (not counting the fear and hunger he must have felt during that time, as well as the numerous abrasions he made, when he tried to climb on the slippery rocks).
Mr. Bear was probably on a trip or was long dead, killed by hunters.
Missing husbands were found drunk in pubs, and and young womens were found with their chosen ones not accepted by their families.
But there were also unsolved disappearances, where no clues have been found to tell what might have happened to the missing.
You didn’t dwell on the subject and unpacked your bag, carefully placing its contents in a locker nearby. These included various spices, rice, bread and meat, in addition to seeds from your boss.
You might have gone a little crazy, because you had an unusual customer, who come to see you in the morning.
A mysterious black-haired man in western clothes entered the flower shop before the sun came up and asked your friend Misaki (who was standing behind the counter) about flowers. He wanted to buy something for his wife and daughter as an apology for spending so much time at work.
When she disappeared into the other side of the store behind one of the larger plants to bring ribbons to tie the flowers stems, you saw him looking around, although you could tell from his eyes that he was bored rather than curious.
His red irises wandered along the shelves with vases and multicolored plants without any reaction - none of them surprised or delighted him, as if he had seen them all more than once.
Well, this place certainly weren’t the only store selling exotic plants, there were more of them in Tokyo for sure. The only difference between you and them is the price - because your boss tried to grow most of them here, the prices were much lower than those in the center of the capital.
You barely managed to keep your eyes open, sitting where you usually sit hidden in a corner on the windowsill.
Monstera deliciosa - an ornamental plant, imported from distant exotic forests, with large leaves in the usual heart shape was the perfect cover for you. From behind its jagged leaves, you could see who was going in and out without fear of being noticed. You liked working here, but didn't always feel like dealing with customers.
Misaki, with her open and warm personality, was the perfect worker for such tasks and kind enough to let you laze in your corner. Unlike you, she was unfamiliar with growing plants and thought you were digging up in mud every day. So with minimal work you could have had extra hours of sleep or read a book, sometimes aloud to pass the time for both of you.
But now she is gone and your slumber was interrupted by an unexpected nice voice.
“Excuse me,” the client said with a polite expression. He had an even nicer, smooth face and a gentle smile. “I’m also looking for something for my mother’s grave. She died just a few days ago.”
Surprised, he’s addressing to you, you just pointed your finger at Spider Lily standing nearby. The slender flowers already had their characteristic upward spindly stamens and corrugated petals, giving them their unique charm. They attracted by their furiously red color that matched his irises.
That color spoke loudly: danger! They made you as anxious as when a man turned his attention to you.
You were disturbed, when he talked about his dead relative like he didn’t care what happened to her and how fast he was right next to you. You didn’t hear any footsteps or the creaking of the wooden floor under his weight.
Even more puzzling was how he could see you hidden behind many large leaves in a dark corner of the store.
You wanted Misaki to come back and take him away from you, but undeterred by your unkindness behavior, the man continued.
“Yes, I thought about it, but she didn’t like red. She associated it with bad luck.”
He spoke, looking at other flowers, but you still somehow felt his gaze on you. It was as if he was trying to keep you within the corner of his eye so you wouldn’t escape him.
You didn’t know what they were associating with for her, but from now on for you, they were with his eyes. Red as fresh blood.
“Is it available in blue?”
You swallowed your saliva with difficulty and nodded insecurely, when his cat’s pupils landed on you again without even turning his head towards you. You weren’t even sure you heard him right - he hypnotized you like a snake.
He finally turned his head to you and closed his eyes gently. It seemed to shine its own light. “Where are they?”
“We don’t have them right now… It’s very hard to grow and maintain them.”
You finally managed to gather inside enough to speak up and come out smoothly from an unconscious lie.
The man’s smiling expression turned to disappointment when he frowned. He pulled out a small leather purse from his pocket and handed it to you. The coins inside clinked pleasantly with every shake.
“Well, if you ever manage to grow them, could you keep them for me?”
At the same time Misaki returned from the warehouse with colored ribbons and decorative paper.
He immediately drew all his attention to her as if he had never spoken to you and composed with her advice one lovely, little bouquet for his wife and one for his daughter.
When he finally left, he didn’t ask for a refund or tell you how to notify him when the job will be done.
You felt like you made a deal with the devil and that it was too late to withdraw.
So you did some more shopping after work. Your boss let you go home earlier seeing your fatigue written on your face (again) and thought you were sick.
By the time you returned home, the sun was already slowly sinking into the west, even though it was still early. The charms of the coming winter.
That’s when you ran into the Demon Slayer. Hashira. You’ve occasionally seen low-ranking slayers in the city passing through or staying to take a break there, but you’ve only seen Hashira twice.
Your first meeting wasn’t the most pleasant, and if you could, you’d erase it from your memory.
It was a few years ago, when you still had no idea of the importance of their uniforms and demons walking among humans as myths inserted between other fairy tales.
But one unlucky night, your… friend was turned into a demon.
Terrified and badly wounded, she escaped from her home where the attack took place, but soon after, she was transformed into these things. Driven probably by hunger and instinct, she ran to you - to the place, where she felt most safe and where she knew, she could get help.
In the middle of the night you suddenly heard a loud sound, waking you from a deep sleep. Rubbing your eyes, you weren’t sure what it was until you heard it again.
It sounded more like the roar of a wounded animal than the weeping of a woman - through the thin walls you could hear her heavy gasp and squeak, when she stood in front of your house.
Why didn’t she attack you right away? Was she out of strength? Did she sense anything else? Something stronger than her?
Or was she fighting with herself?
Are there any good demons?
With the only weapon you had (and it was a metal fire poker) you opened the shōji door. There you saw in the full moonlight your friend lying in a pool of blood, curling in pain.
Without thinking, you ran to help her. Your head was empty, all you could think about was your friend. Wounded.
You didn't even have time to kneel beside her when she suddenly threw herself at you knocking you over onto the mud. You tried to push her away with a metal tool, but it was like a new force came into her.
Her jaw snapped in your face, almost biting your nose off. Saliva dripped from her mouth and chin splashing you, but you barely felt it.
Nor did you feel the strong gust of wind blowing her hair and knocking her head off her neck.
Suddenly she froze and her head hit you before fell to the ground next to you. Still on the poker, you held the rest of her inert body, which became even heavier.
“Oi, move.”
He said in a cold tone as he hid the katana in the cover - the green sheen of its blade blinded you for a second.
"Oi, you can't hear what I'm saying to you!? Get out of here!"
He saw you open and close your mouth before you muttered something, still in shock, looking back at the stagnant corpse in front of you.
“You...ed her... Mur...”
"Hmm?" He asked without hearing what you said. He sounded harsh and cold, like what he did was just killing a worm. "What?"
“A murder! You kill, killed her! Mur–!”
You weren't allowed to finish because a stranger punched you in the jaw and you fell face down again into the dirt beneath you mixed with her blood. Then stranger tugged you by the shoulder, dragging you to stand on your knees to look at him.
The air between you, besides the stench of blood, was filled with the strong smell of smoke and decomposing flesh.
"She wasn't a human anymore," he began unconsciously squeezing you by the shoulder and other hand. He almost broke your arm. You tried to wrestle, but you were too weak. "It's a demon!"
"No! It was–"
"It doesn't matter what or who she was to you before," he interrupted you violently and shook you again.
It made you feel some of the shock go away, allowing you to focus more on the man and the environment. You saw he was covered with numerous ugly scars. He reminded you of the monster the old women of your village warned about.
"Demons don't feel love or empathy, they're monsters. Bloodthirsty beasts who only want to quench their hunger."
When he let you go, you fell back to your knees. In an instant, your safe picture of the world crumbled into a million tiny pieces.
Tears slowly flowed into your eyes, but before they blurred your vision, you saw her body crumbling into dust.
Was that true or nightmare?
With nothing more to do for you, the man left. You didn't even notice, when he walked away from you. He left you alone to mourn your friend.
Although that's what he let you do.
Crying loudly, you didn't know what to do. You tried to lift her head, but you couldn't. You were still scared and shaking. You felt an invisible hand clutching your heart and throat as if it were about to crush them.
But you were still alive.
And she was falling apart right in front of you.
When the moon looked out from behind the thick clouds, you saw wet, shiny marks on her crumbling cheeks.
Are there good demons?
And when the sun came out of the horizon, there was nothing left of her but her bloody clothes. The only proof of what happened here.
After what happened and the mourning you shared with her family at the funeral, where you buried only her clothes, you wanted to know more.
You found out who white-haired man is and more about demons, but you didn't become a Demon Slayer.
The first ones killed your friend, the second hurt.
Since then, you've been trying to live your normal life, and you've started asking yourself...
Are there good demons?
You shake your head trying to get back to the present. That was long time ago, and you've get over with it, even though the memories still haunt you.
"I've brought some new seeds, but we'll probably plant them in the spring." You turned to the girl standing behind you.
She smiled at you gently nodding her head. Her silver hair swayed with her movement, reflecting the light of fire.
She looked amazing.
- - -
Your joint meeting was interrupted by a sudden knock and a vigorous shout of your name through the door.
It was Tanjiro Kamado.
Surprised by his visit, you went outside the cabin so he wouldn't see your guest. The snow fell quietly beneath your feet. In the mountains, winter came faster, and in the higher areas it can last even the whole year.
"Hello, Kamado-kun" you greeted him. The frost pinched your face and a small cloud of steam came out of your mouth. "What brings you here?"
"Ohayō!" Younger boy bowed to you. His nose, cheeks, and ears were fiercely red despite wearing a shawl on his head. "I thought you might be running out of coal and I wanted to see how you were doing."
Sweeten by his kindness and sincerity, you thanked him for his efforts. You both lived on the same mountain, but your cabin was on the other side. To reach it, he had to go down to the village, and then walk for a long time along a path circling the mountain before he started climbing again.
The road wasn't hard, but it was a long one, which is why you preferred to buy coal from him when you were downstairs so as not to bother him.
If you were alone, you'd have offered him in and tea. Maybe even the overnight stay, so he wouldn't have to come home in the dark and in the morning you would have escorted him to the village before you went to work.
"Oh, thank you. I'll pay you right away..."
You were reaching for your belt looking for a purse of money when suddenly he asked.
"Do you have a visitor?"
"Um, yes." You've been spin around trying to count the coins, but you've had a hard time doing it without feeling your fingertips.
You figured he must have sensed Mukago. The red-haired boy, as long as you can remember, had a perfect sense of smell. You wondered what exactly he sensed.
"The same one you took care of when she was sick?"
You nodded and didn't stop counting.
"What's she like?"
He asked unexpectedly. He knew a lot of smells, including the smell of human sadness, sorrow, or joy, but this one was completely new to him, so he couldn't determine who your mystery guest was.
"Oh, she's..." You've been thinking about trying to decide which term might best fit Mukago.
To a man-eating demon, who likes to wait for you in your attic. A demon who likes to watch you work on flowers and ask a lot of questions about them. A demon who, when she thinks you're asleep, strokes your hair or cheek gently.
"She's cute."
The boy nodded understandingly, knowing you were completely sincere. Then he stood with you for a while, trying to give you back some of the coins you gave him extra for coming all the way to your house, and you watched him leave happy.
The sun was half hidden behind the horizon and he didn't have time to get home before dark, but you weren't afraid for him. As far as you know, demons are very territorial, and Mukago's presence should deter weaker demons.
You didn't even think of the possibility that there might be a demon more powerful than her nearby...
But you weren't supposed to find out until the next morning from the other villagers and see two survivors disappear among the massacred bodies.
But that's not until tomorrow. Today, blissfully unaware, you returned to the inside of your home and your guest stiffly seated at your low table.
You could tell right away that she was more dreamy looking at you with her slightly spread lips showing white fangs, dilated pupils and...
You weren't sure, but is that the blush on her cheeks? She didn't hear you talking to Tanjiro, did she?
Right?
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auxiliarydetective · 1 month ago
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OHC Day Fourteen: Musical AU
Some Unconventional Musicals
For this day, I once again had a lot of options. And I couldn't choose because I honestly thought multiple of these were too cool not to share, so you're getting multiple again.
Featuring: Ezori, Shimotsuki Kaede, Lindewen, Ofelia Marenzi
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Your Inner Song, starring Ezori
In this sci-fi musical, Ezori is the protagonist. But, hear me out, she doesn't sing. Other characters very much do – hell, even T'Pol might be heard singing at least once – but Ezori herself stays quiet. After all, she doesn't talk either, so she also will not sign. The most you'll hear over her throughout the musical would be humming, whistling, but never actual words.
This musical would definitely have to be a musical film instead of a stage production because the ENT jumpsuits don't really make for good stage costumes. Characters would be very hard to differentiate.
As for the plot, I don't really have much of a concept for it, but I'm very sure that the finale would take place inside some sort of mindspace. This is the first and only time where we hear Ezori sign, after not even hearing her voice for the entire runtime. Her singing appears as this seemingly disembodied voice, with nobody knowing who it belongs to. But then it's her. Chills~
The Squirrel-Tailed Thief, starring Shimotsuki Kaede
The plot is fairly simple. It's Kaede's youth before the events of the Wano Arc, living as a poor kimono dyer and woodworker by day and the eponymous thief by night. Expect some shenanigans, blatant lying, Robin Hood vibes...
But here's the twist.
This musical has heavy kabuki elements. Kabuki pieces often comment on political events, so it's the perfect genre for Kaede's story, and Wano is based on Edo-period Japan, so that's perfect too! The costumes would feature heavy makeup, there would be stagehands dressed in all black doing the practical effects (maybe even with the classic twist of Kaede hiding among them and then shrouding her disguise and appearing onstage like a true hidden thief), the movements and acting would be noticeably inspired by kabuki... And yes, of course the music is dominated by traditional Japanese instruments like the shamisen, koto, shakuhachi, tsuzumi etc. Hyoshigi are used to indicate beats of the story, the changing of scenes and the like. Kaede's leitmotif is played with the koto.
The Tales of Linda Seasong, starring Lindewen
This is a story where the characters themselves don't really sing. Instead, the focus is on Lindewen, under her alias of Linda Seasong, who acts as the narrator of this collection of many tales. She travels from town to town as a bard, telling these stories, which is the frame in which the musical takes place. Tonight, she's performing in the venue that the musical is being performed in that night, the next she'll be in the next, she says.
Lindewen sits on a pedestal at the back of the stage, illuminated by dim lights as a thin fog covers the stage. In front of her, the stories she narrates take place. In every story, there's one character who looks like her, but she never confirms nor denies that it is in fact her. Still, the costumes seem to suggest it, as the characters in question share her color scheme. Also, unlike other characters from her stories, these doppelgängers are never named.
The music is in tune with the plot of her being a travelling bard. I can't really describe it, I think it's been described as pagan folk, but I mean a very specific type of song, so I'll just show you:
This is Lindewen's character playlist, and it's full of songs like these. (This playlist might change over time, but the songs by Faun are the ones I mean.)
Flying 40s, starring Ofelia Marenzi
Listen, I haven't watched Masters of the Air yet, so I can't tell you a specific plot, but I shall give you vibes:
Imagine with me a war movie. But the protagonist who you're following isn't actively participating in the fighting. You know that it's happening, but you're not there yourself. Ofelia is our protagonist and we know that she's a flight nurse and that her male friends are mostly pilots and crew of bombers, fighters and the like, but we never see either of them on a plane. We just see the consequences. The cast dwindling in numbers, new people arriving, others disappearing.
Instead, the focus is on Ofelia's other job as a singer. As such, the music is jazzy, with lots of songs also sounding straight from an Andrews Sisters album. As the musical goes on and the songs become a little distorted, with the lyrics and music starting to reflect the darkness behind the scenes. The final number has none of that darkness though, it's about celebrating the end of the war, the euphoria of it. But then, after the number is over, everyone clears off the stage except for Ofelia... And the final final number is something like this:
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This is actually Ofelia's faceclaim, by the way
There is no encore.
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General Taglist: @starcrossedjedis @oneirataxia-girl @daughter-of-melpomene @bravelittleflower @box-of-bats
@eddysocs
Star Trek Taglist: @enterprise-come-in
One Piece Taglist: @supermarine-silvally
Let me know if you’d like to be added or removed!
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topbestglobal · 2 years ago
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Exploring the Enchanting World of Traditional Japanese Instruments
Japan's rich cultural heritage is beautifully preserved in its traditional music, which is brought to life by a diverse array of captivating instruments. These instruments have been cherished for centuries and continue to play a significant role in Japanese music, evoking a sense of nostalgia and showcasing the country's unique musical traditions. In this article, we embark on a journey to explore the enchanting world of traditional Japanese instruments, uncovering their distinctive sounds, origins, and cultural significance.
Stringed Instruments
- Koto: The koto is a revered instrument with a long history in Japan. Resembling a horizontal harp, it features 13 strings that are plucked using picks known as tsume. The koto's ethereal and resonant tones have made it an integral part of traditional Japanese court music and solo performances.
- Shamisen: As a three-stringed instrument, the shamisen is instantly recognizable for its distinctive twangy sound. Played with a plectrum called a bachi, this plucked instrument is commonly associated with traditional Japanese folk music, kabuki theater, and geisha performances.
- Biwa: The biwa is a short-necked lute-like instrument with four to five strings. It holds historical significance as a storytelling instrument and has been utilized to accompany epic narratives and ballads. The biwa's expressive and melancholic tones transport listeners to ancient Japan.
Wind Instruments
- Shakuhachi: Carved from bamboo, the shakuhachi is a traditional end-blown flute that has been used for Zen Buddhist meditation and the performance of classical music. Its hauntingly beautiful sound, with its breathy and meditative quality, embodies the essence of Zen philosophy.
- Hichiriki: An ancient double-reed woodwind instrument, the hichiriki is predominantly featured in gagaku, Japan's court music. This instrument, with its piercing and rich timbre, adds depth and character to traditional ensembles and ceremonial music.
- Sho: The sho is a mouth-blown free-reed instrument, reminiscent of an organ, used in gagaku orchestras. Its complex harmonies and ethereal tones provide a unique and otherworldly dimension to the ancient court music.
Percussion Instruments
- Taiko: The taiko drums are a collection of large barrel-shaped drums that create thunderous and resonant beats. Used in religious ceremonies, festivals, and theatrical performances, taiko drums symbolize power, energy, and the spirit of unity.
- Tsuzumi: Tsuzumi drums are hourglass-shaped hand drums that accompany traditional Japanese theater forms such as Noh and Kabuki. The drummer's skilled technique produces various pitches, enhancing the dramatic elements of performances.
- Shime-daiko: This smaller, high-pitched drum is often used in festivals and folk music. Its vibrant and rhythmic beats provide a lively backdrop for traditional dance performances and celebrations.
Conclusion
Traditional Japanese instruments form an integral part of the country's cultural fabric, preserving its unique musical heritage. From the graceful melodies of the koto to the soul-stirring sounds of the shakuhachi flute, each instrument carries the essence of Japan's rich history and artistic expression.
These instruments serve as a gateway to Japanese culture, offering a glimpse into the traditions, rituals, and emotions that have shaped the nation. Whether it's the resonating strings, breathy woodwinds, or thunderous percussion, each instrument holds a special place in the hearts of both performers and listeners.
As we explore the world of traditional Japanese instruments, we embark on a journey that transcends time and borders, connecting us to the beauty and depth of Japan's musical traditions. It is through these
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sparkling-vynegar · 2 years ago
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"Music from around the world" should be elaborated on. Given the fact that the scientists that built it were mostly white American academic types there is certainly an uneven portrayal of classical composers (Bach himself having 3 whole songs on the goddamn thing) and the popular music of America from the decades prior. However, even through their own bias, they tried their hardest to represent as much as they could. Gamalan court music from the island of Java, Senegalese percussion, Australian aboriginal music about the beauty of birds and the sun, a Mexican folk song about bells and love, a Japanese shakuhachi piece depicting the life cycle of a crane, the Night Chants of the Navajo people, Peruvian wedding music, the song played for Pygmy girls when they're initiated into womanhood, Azerbaijani bagpipes, a Hungarian women's choir, a Chinese instrument called a Guqin, an Indian raga containing lyrics of children's games and fields of saffron, and panpipes from the Solomon islands. They tried so hard to show what the entire world was capable of. Cultures often overlooked by greater powers on earth were made into the voice of the whole planet.
sometimes i think about the golden record and i want to cry
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1001albumsrated · 5 months ago
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#26: Miriam Makeba - Miriam Makeba (1960)
Genre(s): Afropop, World
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I don't want to sidebar on it too much, but let me start by saying that Miriam Makeba was a truly incredible person. Take some time and learn about her life, she did some impressive work and fearlessly stood up for black liberation both in South Africa and here in the states, often at great personal risk. It's tangential to the material on the album so I don't want to devote a lot of space to it, but it's significant enough that I'd be remiss to not mention it.
As for the album: the very, very abridged version of the story is that Miriam moved to the states from Johannesburg in the middle of apartheid and met Harry Belafonte, who mentored her and gave her an in to the music industry. In fact, his backing band plays throughout this album.
The tracklist is a mix of African folk songs and Western standards, and the sound is a similar combination. I'm not an expert on traditional African music by any means, but this is very sedate compared to the field recordings/etc I've heard of African music as performed in Africa by local musicians. This aesthetic was a very smart move on Miriam's part, as it surely was much more appealing to a Western audience than the "more authentic" versions of these songs would be, and as a result helped kickstart Western interest in "world music" (for the record, I've never liked the idea of bulk-batching all non-Western traditional music into one pseudo-genre; Japanese shakuhachi music has as little to do with Indian classical music or African folk songs as jazz does with heavy metal or European classical music. What a bullshit big business music industry concept it is to just throw it all under one card in the record store.)
That being said, I also find this "blended" sound much less appealing than the other African music I've heard from the era. Don't get me wrong, her singing is excellent. There's just something missing for me here. It's all a little too loungey. It's not a bad listen, but I find myself losing interest throughout and tuning it out a bit. I think this album possesses immense historical and cultural significance, but MUST you hear it before you die? I'm conflicted on this one, but I'm leaning towards No. I think if you have a personal interest in the history of African music it's essential, but I feel like there are better options out there that would be of more interest to the average listener. There's a wide assortment of comparatively-high-quality field recordings of traditional African music out there from the usual suspects (Smithsonian Folkways, JVC World Sounds, etc) if you want the real McCoy, and there are more interesting albums from later down the road that blend African music with Western sounds to greater effect in my opinion (Afreaka! by Demon Fuzz and Lazy Bones!! by Witch both come to mind, listed in order of exclamation, as well as the obvious picks like Fela Kuti or Songhoy Blues, both of whom I believe we'll hear later in the project).
Also, for the nerds, I listened to this one in hi-res on Qobuz. I've ran across the record before, but never could bring myself to drop the cash on it.
Next time, pull on up to the soda fountain and hit the drive-in with your gal with A Date With the Everly Brothers!
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worldrankmusic · 2 years ago
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Soothing Sounds: The Top 10 Best New Age Music Albums of All Time Music has always been a universal language that transcends all barriers, stimulates emotions and unwinds the soul. With the fast-paced, stressful lives we lead in the modern era, it can be difficult to find time to unwind and relax. Luckily, new age music offers a peaceful and soothing remedy to a hectic lifestyle. These incredible albums incorporate elements of ambient, world, and electronic music among other genres, to create a soul-enriching and relaxing experience for the listener. Without further ado, here are the top 10 best new age music albums of all time: 1. Enya - Watermark (1988) The Irish singer and songwriter, Enya, is a pioneer of new age music. Her debut album, Watermark, remains a timeless classic with soothing vocals, ethereal synthesizers and pan flutes that transport the listener to another world. 2. Vangelis - Blade Runner soundtrack (1982) The Blade Runner soundtrack is a masterpiece of electronic new age music that blends sci-fi elements with orchestral themes. The soundtrack's dystopian vibe is calming and enchanting and is an absolute must-listen for any fan of ambient music. 3. Yanni - Live at the Acropolis (1993) Greek-born composer Yanni, captivates audiences around the world with his mesmerizing live performances. This album captures the magic and energy of his concert at the Acropolis in Athens, Greece. The combination of Yanni's majestic piano playing and the ornate orchestration makes this album unforgettable. 4. Kitaro - Silk Road (1980) Silk Road is a cultural melting pot of new age music from renowned Japanese composer Kitaro. The album incorporates traditional instruments such as the Shakuhachi and the Koto, blended with modern synthesizers, creating a unique and awe-inspiring sound. 5. Andreas Vollenweider - Behind the Gardens, Behind the Wall, Under the Tree (1981) This album by Swiss musician Andreas Vollenweider, is a symphony of enchanting bright melodies and orchestral arrangements, seamlessly blending traditional instruments like the harp and accordion with electronics to create a soundscape that is ethereal and invigorating. 6. Brian Eno - Ambient 1: Music for Airports (1978) Brian Eno's groundbreaking album Music for Airports, is a fine example of ambient music's capacity to calm and relax the spirit. With soothing piano and delicate synthesizers, the listener can't help but feel a sense of tranquility that flows seamlessly from one track to the next. 7. Wendy Carlos - Sonic Seasonings (1972) Sonic Seasonings is an innovative album that sees Wendy Carlos, an American composer and keyboardist, transform environmental sound into a stunning ambient soundscape. The album, divided into four seasons, paints a vivid and evocative picture of each one by using sounds from nature. 8. Steven Halpern - Spectrum Suite (1978) Spectrum Suite by Steven Halpern is the quintessential album for those looking for a deep level of relaxation. The album's therapeutic qualities reflect Halpern's background in sound healing, with each track intended to resonate with a particular energy center or chakra. The peaceful melodies and dreamy soundscapes make for a perfect lullaby. 9. Dead Can Dance - Within the Realm of a Dying Sun (1987) Australian band Dead Can Dance, can be best described as a confluence of folk, art rock, and world music. Within the realm of a dying sun is a haunting and ethereal album that features medieval-inspired vocals, accompanied by string and wind instruments. 10. George Winston - December (1982) George Winston is an American pianist who is best known for his melodic and flowing piano playing. December is a heart-warming album that is perfect for the winter holidays. The tracks on this album are based on the season's winter solstice and are intermixed with hymn-like melodies inspired by the pianist's childhood in Montana. In conclusion, new age music is an excellent way to escape the stress of everyday life and be transported to a state of pure relaxation.
These top 10 best new age music albums are classics that have withstood the test of time and are sure to please both avid listeners and newcomers alike. With their soothing melodies and ethereal sounding tracks, these albums will take you on an uplifting and soul-enriching musical journey. Soothing Sounds: The Top 10 Best New Age Music Albums of All Time
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jjkirbs · 2 years ago
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GAME REVIEW - Ghost of Tsushima
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Ghost of Tsushima, developed by Sucker Punch Productions and published by Sony Interactive Entertainment, is a breathtaking open-world adventure that immerses players in the stunning landscapes of Tsushima Island during the Mongol invasion of 1274.
The game beautifully balances an engaging storyline with visually striking art direction, creating an experience that is both emotionally resonant and visually compelling.
You take on the role of Jin Sakai, a samurai warrior who, after a devastating defeat, must confront the restrictive ways of the samurai code to save his homeland from the cunning and ruthless Khotun Khan, a fictitious grandson of the historical Kublai Khan. Jin's journey is one of redemption and transformation, beautifully rendered in an expansive world filled with vibrant rice fields, serene temples, and lush forests, all under a shower of cherry blossoms.
The attention to detail in the world-building is extraordinary, from the lush forests to the intricately designed temples and shrines. The game's art direction is simply breathtaking, with a color palette that ranges from vibrant orange and red sunsets to tranquil blue and green fields. The weather system is also noteworthy, offering everything from gentle rain to intense thunderstorms.
The narrative is driven by Jin's internal conflict between maintaining his samurai honor and embracing more unorthodox methods to fight the Mongols. While Jin himself might not be the most charismatic protagonist, his adversary, Khotun Khan, brilliantly voiced by Patrick Gallagher, leaves a lasting impression. Khan's calm yet terrifying demeanor and strategic prowess make him a formidable antagonist, enhancing the storyline's depth and engagement.
The voice acting is commendable in both English and Japanese, though the Japanese audio track, featuring the excellent Kazuya Nakai as Jin, suffers from some mismatched lip-syncing. Despite this, the option to play in Japanese, complemented by the Kurosawa Mode that adds a classic film grain and black-and-white filter, enriches the cultural and cinematic experience, paying homage to the legendary Akira Kurosawa.
The combat system in Ghost of Tsushima stands out as a masterful blend of influences from the Batman Arkham series, early Assassin’s Creed games, and Sekiro: Shadows Die Twice, all wrapped in the aesthetic of Kurosawa films. Combat is accessible yet deep, with light and heavy attacks, blocks, and parries creating a satisfying and tactical experience. You have two main options: fight as a samurai, adhering to a strict code of honor, or embrace the way of the Ghost, using stealth and a variety of gadgets to gain the upper hand.
The game's progression system is well-designed, with a skill tree that allows you to customize Jin's abilities to suit your playstyle. You can unlock new moves and techniques that make combat even more satisfying, such as the ability to chain together multiple kills in quick succession. The dynamic score, seamlessly blending traditional instruments like shakuhachi flutes, taiko drums, biwas, and shamisens, amplifies the emotional resonance of each moment.
Ghost of Tsushima: Director's Cut enhances an already remarkable game with refined features and a compelling new storyline in the Iki Island expansion. The Iki Island expansion provides a fresh narrative that delves deeper into Jin Sakai's past and his ongoing battle against the Mongol invaders. Iki Island itself is a beautifully realized new region with unique biomes, wildlife, and cultural landmarks, distinct from the mainland of Tsushima.
Iki Island introduces new enemies that require different strategies and combat techniques, keeping the gameplay fresh and engaging. The expansion also brings new skills and abilities for Jin, allowing players to further refine their combat style and explore new ways to approach battles. The new Mythic Tales and side quests are rich in lore and provide deeper insight into the island’s history and its inhabitants.
Overall, Ghost of Tsushima and its Director's Cut with the Iki Island expansion offer an enriched, deeper, and more polished experience, blending an evocative storyline with stunning visuals and innovative gameplay enhancements. The journey through Tsushima and Iki Island is a captivating adventure that stays with you long after the final sword is sheathed. This game sets a new bar for open-world action-adventure titles and is a must-play for anyone who loves immersive gaming experiences.
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zenkaze-japan · 6 months ago
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May 2024, The Session @Cassie’s
It had been a while since attended a session at Cassie’s. Not because I did not want to, but because there was the accident, bad timing, my laziness, cold, rain. A bunch of kinda lame reasons, sometimes I just had other stuff to do at Komyoji. There is always my first priority. Last month there was a lot of rain and I sort of had a cold. I in fact canceled going to another much more local Jazz…
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musicinstrumentsins · 2 years ago
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Flute Instrument - an Ocean of Intrigue
The flute is a beautiful and versatile musical instrument that has been used in music for thousands of years. It belongs to the woodwind family and is played by blowing air across a hole or series of holes on the instrument.
The modern flute is cylindrical and made of wood or metal, such as silver or gold. It consists of three main parts: the head joint, the body, and the foot joint. The head joint contains the mouthpiece and the embouchure hole. The body includes the tone holes and keys that the player covers and presses to produce different notes. The foot joint contains additional keys that allow the player to reach lower notes. Sometimes, the make of it can lead to quite a fortune, and flute insurance is recommended in those cases.
One of the challenges of playing the flute is mastering the breath control technique. The flute requires a constant airflow to produce sound, and players must learn to control their breath to create a steady and even tone. Flute players must also develop good finger dexterity to move quickly and accurately between the different notes and keys.
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Types of Flutes
Flutes are a diverse family of musical instruments that have been played worldwide for thousands of years. There are many different types of flutes with unique sounds and playing techniques. Below are a few of the most popular flute types:
● Western concert flute: Also known as the silver flute, this is the most popular type of flute in Western classical music. It is made of silver or nickel and has a range of three octaves. ● Bass flute: The bass flute is the lowest member of the flute family and has a rich, deep tone. It is often used in flute choirs. ● Irish flute: Made of wood, the Irish flute is a traditional instrument used in Irish and Scottish folk music. It has a unique tone and requires a different playing technique. ● Indian bansuri: The bansuri is a bamboo flute in Indian classical music. It has a soft, breathy tone and requires a specialized playing technique to produce the characteristic "sliding" notes. ● Shakuhachi: The shakuhachi is a Japanese bamboo flute in traditional Japanese music. It has a rich, deep tone and is often used in meditation and Zen Buddhist practices. ● Ney: The Ney is a Middle Eastern flute made of reed or bamboo. It has a haunting, melancholy sound and is often used in traditional Middle Eastern music. ● Quena: The Quena is a traditional Andean flute made of bamboo or cane. It has a bright, clear tone and is often used in South American folk music.
Protect Your Musical Investment from All Risks
Each type of flute has its unique sound, playing techniques, and cultural associations. Whether you are a classical musician, a folk musician, or a jazz player, a flute can suit your needs and inspire your creativity. However, every type needs to be safeguarded from hazards-
Flute insurance is a type of insurance designed to protect flute players from financial loss due to unexpected events that could damage or destroy their instruments.
As flutes can be expensive and delicate, having the right insurance coverage can provide peace of mind and financial protection.
It can include coverage for theft, accidental damage, and loss of the instrument during travel. With the high cost of professional flutes, having the right flute insurance coverage can be the difference between a minor inconvenience and a financial catastrophe.
Conclusion
In conclusion, the flute is a beautiful and versatile musical instrument that has been used for centuries. It has a unique sound and can be played in various musical styles. Playing the flute requires a combination of physical and mental skills, including breath control, ear for pitch and rhythm, and finger dexterity. Whether you're a beginner or an experienced player, the flute is a rewarding and enjoyable instrument. Also, it is essential to safeguard your valuable instrument.
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itsapmseymour · 3 years ago
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What type of music do your characters like to listen to?
*cracks knuckles*
Cyana - Future Funk/Moe Synth Music
Grape - Punk/Hip Hop
Acai - Calming Orchestra
Shiro - Ballroom Singing and Shakuhachi Music
Kevin - Slow Jazz
Chie - Vaporwave
Mara - Cardio Music
Oren - Punk Rock
Solaria - Pop
Bah'Rhys - Motown
Rei - Healing Frequency Music
Sana - Disney Princess Music
Aoi - Classic Rock
Azuri - Meditation Music
Muppet - Yes
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burlveneer-music · 3 years ago
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Terry Riley & Bang on a Can All-Stars - Autodreamographical Tales - Riley at song length; his singing and good-natured narratives, and the stylistically diverse instrumental backing, make this album and engrossing and uplifting listen
Playful, eloquent, intimate and existentially cool, Terry Riley’s Autodreamographical Tales is a musical dream diary — a no-holds-barred journey into the creative unconscious, rendered with a compelling joie de vivre by one of the most influential composers of our time. Each of these ten songs offers an uncommonly special connection with Riley, who narrates, sings and adds his signature minimalist piano filigrees to a sprawling narrative that can turn poetic, picaresque or downright kaleidoscopic. Backed by the ever-flexible Bang on a Can All-Stars, Riley challenges the ensemble by digging deep into a wide range of musical flavors that include free jazz, blues, rock, pop and classical. And through the vivid storytelling of “Long Bus Ride” and “Zucchini,” to the Jabberwockyan wordplay of “Science Fiction” and the raucous confessional “Cannabis,” Riley also bends and stretches the very limits of language — conveying a multivalent message for these times that is pithy, uplifting and powerful. All works arranged by Gyan Riley except War on the Poor, Cannabis, and Science Fiction, arranged by Terry Riley. Bruce Gremo plays glissando flute on Dwarf and Black Woman, shakuhachi on Black Woman and The Faquir.
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oddman-the-oldman · 3 years ago
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thatbanjobusiness · 3 years ago
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Hey guys! I realized if anyone wanted to be better acquainted with the idiot here yakking on banjos and bluegrass, I could give a little explanation of my music background? Gah, I swear I was trying to be brief!
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I started piano when I was about five or six. I’d watched my older sister learn piano and decided I wanted to emulate her (she later switched to electric bass). My mom tested my interest by teaching me a little before we switched to formal lessons. Piano became My Instrument and I took lessons through college undergrad.
In addition to classical piano, I learned keyboard reading chord charts. My father was the church praise band leader and first pulled me in around nine years old, my uncle gave me a few tips (he was the lead keyboard player), and I filled in periodically through the end of high school.
In elementary school, I loved choir. I auditioned into our special choir and took as many solos up for grabs as I could get.
When I was about twelve, my dad asked if I wanted to play flute. I didn’t have strong feelings for or against it, but said “Yes,” and ergo began private flute lessons. Flute became my co-main instrument. I enthusiastically participated in All Things Music in high school: band, orchestra, chamber ensemble class, woodwind quintet, pit orchestra for the school’s musicals, marching band, pep band, outside gigs... I added piccolo and clarinet (my flute teacher also taught clarinet) and had a best friend teach me viola. During my senior year, the pit orchestra required pennywhistles and recorders, which I rapidly picked up.
I auditioned into as many regional and state honor ensembles I could. After the fluke of getting first chair flute in All-State Orchestra, I was so blown away by the experience I decided to be a music major in college. Specifically, Music Composition.
I’d been composing music my entire life. I have crayon-scribbled booklets notating tunes for toy instruments and tapes of Mom recording me singing semi-adlibbed original (and very very horrible!!!!) songs as a four year old. My piano teachers encouraged and taught me composition, and starting in third grade, my dad introduced me to MIDI sequencing and music notation programs so I could compose multi-track pieces digitally.
Music Composition wasn’t my only college major, but it was the most time-consuming. Due to limited ensemble opportunities on flute, I switched to viola for orchestra (and sounded terrible XD) and played in Japanese Ensemble on taiko, shamisen, and shinobue. When I traveled to Cambodia in 2012 for a study abroad, I came back with a tro, tro ou, and several khloy. But mainly, I worked on writing Contemporary Classical Music for ensembles, periodically performed by myself or my peers.
The music composition program grew me tons, but after undergrad, I was burned out. My musical ideals didn’t match the program’s values, and I had gone on to pursue a Masters and PhD in Linguistics, leaving me little time to do music. After quitting the PhD, I was busy trying to stabilize work life. I did a few short (usually incomplete) projects composing music for amateur video games, and my musical instrument collection kept growing (ocarina, khene, shakuhachi, ukulele, guitar, fiddle...). But it wasn’t until two years ago (2019) that I jumped back to doing music consistently.
Life is a **TON** better now that music is back in my life! I can talk later about the journey of why country music resonated with me after a background in classical music. But regardless! I found banjo, or banjo found me, and that’s what I’ve been doing ever since!
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