#Christianity and Literature

[prokopetz]

Tumblr: Isn't it funny how Japanese light novels have such improbably long titles? Isn't it weird?

English literature for most of the 17th–19th Centuries:

[Image description – A photograph of a book published in 1810, whose title reads, in full: "A Reviving Cordial for a Sin-Sick Despairing Soul, in the Time of Temptation, Being an Account of the Miraculous Preservation of the Author’s Bodily Life From Many Imminent Dangers; and of the Way in Which the Spirit of God Effected the Deliverance Of His Soul From the State of Nature to the State of Grace. To Which Is Subjoined, the Only Refuge of a Troubled Soul, in the Time of Tribulation and Affliction; or, The Mystery of the Apple-Tree, Explained and Laid Open, in Two Discourses From Cant. ii. 3", by the Rev. James Barry, Minister of the Gospel.]

[literaturereads]

"And Cain says, “When you split me and my brother in the womb, you did not divide us evenly. He got kindness, and I got longing. He got complacence, and I got ambition. I want to kill him sometimes. I think sometimes he wants to die.”

- Nathaniel Orion, "Hevel"

[dommnics]

FAIRY TALE ART SERIES | Hans Christian Andersen's 'The Little Mermaid' | PART II

Here's the human form of Iniya, my take on Hans Christian Andersen's little mermaid character.

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Check out more of my work on other platforms!

My Instagram -- My Twitter

[tenaciousgeckos]

Shakespeare: So, in Macbeth, the forest doesn't actually move, it's just an army holding branches

C.S. Lewis & J.R.R. Tolkien: And we took that personally

[lepetitdragonvert]

Thumbkin and Other Stories

Text Version by W. K. Holmes

Artist : Barbara C. Freeman (1906-1999)

Blackie & Son Limited

London and Glascow

[literaryvein-reblogs]

Writing Notes: Exploring your Setting

(Excerpted from the Young Novelist Workbook) ⚜ Basics: Setting

PART 1: Settings That Create Moods

Mood - the feeling of your novel; its emotional quality.

You can also think of the mood as how you want someone to feel while reading your novel. 

Examples: playful, serious, mysterious, tense, warm, dangerous, joyous

The setting of a novel - where and when the story takes place. As you know, most novels have more than one setting.

Usually, the author decides to have one large setting.

Example: Los Angeles in 1995

and then many smaller settings

Examples: The laundromat where the characters hang out on the weekends, or the classroom where they get in a fight

Settings do more than serve as a backdrop to the action in your novel. They can also create or enhance the mood of your novel. 

Example

If you wanted to create a creepy mood for a scene in your novel, you could start with something like: 

"A dead tree stood alone in a dark field. Its branches creaked in a cold wind, and in the distance, something howled.”

These images remind us of dark, disturbing things, and show the reader that the scene of the novel is “creepy” without having to tell them directly.

Describing the Setting: A Sample Exercise

Describe the settings that would help create each of the moods listed below.

Try to write 2 or 3 sentences for each mood.

Include specific details about the sights, sounds, sensations (and maybe even smells) of the settings you choose:

Creepy, Joyous, Suspenseful/tense

Now make up 2-3 of your own moods and describe a setting that would go along with each one. 

The last step is to apply your new skills to your upcoming novel.

Think of a scene from each section of your novel.

Then, write or list details to describe a setting that will help create the right mood for each scene.

Example: You might set your climax on the edge of a crumbling cliff at sunset in the middle of a thunderstorm. 

A setting from your set-up:

A setting from your inciting incident:

A setting from your rising action:

A setting from your climax:

A setting from your falling action:

A setting from your resolution:

Now you have settings to enhance the different moods that will be in your novel.

PART 2: Settings That Reinforce Characters

Another advanced writing trick is to show things about your characters just by putting them in specific settings.

Examples: If you were writing about a mysterious person, you might place them in a dark mansion on a hill outside of town; if you were writing about a musician, you might place them in a messy room filled with instruments, speakers, and microphones.

Sample Exercise

For each of the following characters, try to come up with a setting that will reflect or reinforce what you imagine about them.

As you write, try to be as detailed as possible.

Don’t forget colors, sounds, and even smells.

Focus on where the character is.

The shy new kid in town:

A secret scientist superhero:

A character from your novel:

Another character from your novel:

Source ⚜ Writing Notes & References ⚜ On Setting

[oidheadh-con-culainn]

i don't have the words to articulate it at this moment but there's something about the way that people have specific expectations for "authenticity" and will dismiss anything that falls outside them as a mangled, anglicised version of the thing when actually that is the older and more traditional form of something, it just doesn't match their expectations. obviously in my personal experiences i'm mostly talking about medieval literature here especially medieval irish literature

sometimes this is as simple as spelling – i've had people argue that the name "finn" is anglicised and it should always be "fionn" to be Really Irish, but "finn" is an older spelling, glide vowels are later, if you wanna go real far back it'll be "find" (nd in place of nn is an older spelling pattern). or they'll hear someone say "ogam" and assume they're mispronouncing "ogham" due to lack of knowledge of irish and not consider the fact that medievalists tend to use the older form of the word. or they'll Well Actually you about "correct" terminology which wasn't standardised (and/or invented) until the 20th century

a lot of this is defensive and the result of seeing a lot of people ACTUALLY get this stuff wrong and have no respect for the language. in that regard i understand it, although it becomes very tedious after a while, particularly when people sanctimoniously declare something "inauthentic", "fake", or "anglicised" without doing enough research to realise it's not trying to be modern irish and is in fact correct for older forms of the language

more often however this search for the projected "authenticity" is ideological and has much larger flaws and more problematic implications. "this can't be the real story because it's christian" well... that's the oldest version of the story that exists and it postdates christianity in ireland by about nine hundred years, so... maybe question why you're assuming the only "real" version of irish stories can't be a christian one? this is especially true when it comes to fíanaigecht material tbh, but in general there seems to a widespread misapprehension about ireland's historical relationship with christianity (i have seen people arguing that christianity in ireland is the result of english colonialism which took their "true" faith from them... bro. they were christian before the "english" existed. half the conversion efforts went the other way. please read some early medieval history thank you)

however i also saw someone saying this about arthurian literature lately which REALLY baffled me. "we'll never have the Real arthurian stories only the christianised versions" and it was in the context of chivalric romance. buddy you are mourning something that does not exist. this "authentic" story you're looking for isn't there. that twelfth century story you're dismissing as a christian bastardisation is as "real" a part of this tradition as you're going to get

[copela4692]

Contemplation in Community

Timestamps: 00:00:15 Introductions 00:01:40 Opening Prayer 00:04:35 What is Contemplation in Community? 00:06:25 St John Henry Newman on Contemplation – in the Midst of Ordinary Things 00:07:35 the Samaritan Woman at the Well 00:10:30 Sts. Augustine & Monica – Joint Contemplation 00:20:00 Jane Austen & Contemplation – Fanny Price & Edmund Bertram at the Window 00:31:20 Contemplating the Order in…

[laurenillustrated]

Thumbelina 🪶

[garden-of-thoughts-fruit-of-lips]

When recognizing a mistake, don't you instinctively strive for improvement? Similarly, when life knocks someone down, don't they inherently seek to rise stronger than before?

Our inner light is the greatest source of guidance. Is it not fitting that celebrities are called stars, shining bright? When we close our eyes, darkness fades, revealing our own radiant potential. Didn't the dragon's tail sweep away a third of the stars and hurled them to earth, reminding us God's Word is our eternal illumination?

Please pick a color to read. Or read them all 📚

Revelation 18:1

Revelation 21:23

Ezekiel 43:2

Genesis 2:1

Genesis 1:26

John 1:4

John 1:5

Revelation 12:1

Romans 12:2

Revelation 22:5

John 8:12

John 5:35

Isaiah 60:2

Psalms 36:9

Psalms 119:105

Matthew 5:16

Proverbs 4:18

Proverbs 6:23

2 Corinthians 4:4

Revelation 12:4

2 Corinthians 11:14

[quotemadness]

Promise yourself to be so strong that nothing can disturb your peace of mind. Look at the sunny side of everything and make your optimism come true. Think only of the best, work only for the best,and expect only the best. Forget the mistakes of the past and press on to the greater achievements of the future.

Christian D. Larson

[surqrised]

Believe in yourself and all that you are. Know that there is something inside you that is greater than any obstacle.

Christian D. Larson

[dommnics]

FAIRY TALE ART SERIES | Hans Christian Andersen's 'The Little Mermaid' | PART I

I previously uploaded this design for my interpretation of Hans Christian Andersen's Little Mermaid, but added a new look for her, based on the original story, complete with a wreath of lilies and oysters from her grandmother, and her veil as well.

I plan to draw designs for the other characters in the story as well!

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[lepetitdragonvert]

Légendes et contes d’Andersen

Éditions Gründ

1962

Artist : Jiri Trnka

The Little Mermaid

[artist-issues]

there is a huge difference between “magic” as in, “the fairy-tale symbol for a another dimension of good or evil being manifested/a fantasy word for ‘superpower’”

and “magic” as in: “real-world sorcery.”

HUGE difference. Sorcery happens in the real world. It’s when creatures worship created things instead of their Creator. It’s when humans get played by real demons and think they’re tapping into something better.

But “magic” in stories is not always that. Weirdly it sometimes references sorcery. But it’s not always sorcererous. The Fairy Godmother from Cinderella is a symbol; she’s a rewarder of good ethics, and her “magic” just makes that agency a little richer and sparklier. But the witch from Snow White? She’s a character who references real-world sorcery. The same way the Huntsman references real-world people-who-hunted-for-a-living.

That is the difference. Sorcery vs. storytelling magic.

[palavratododia]

Esta imagem representa como meu coração esteve muitas e muitas vezes, mas encontrei um ugar que não doi mais. Já esteve assim?