#Chilean folk music

[kalopyrgos1]

Violeta Parra played an important role in the folk music movement in Chile., also in starting "la canciòn nueva" with political songs which tried to build up a just society.

[mywifeleftme]

312: Victor Jara // Manifiesto

Manifiesto Victor Jara 1975, Discos Pueblo

Manifiesto is assembled from recordings intended for an album that was to be called Tiempos que cambian (literally Times That Change, or New Times) smuggled out of Chile by Jara’s widow Joan after the folksinger’s torture and murder by the Pinochet junta in 1973. It was simultaneously released by different labels under a variety of titles around the world. My copy hails from Mexico, released by leftist folk label Discos Pueblo, who make their intentions clear in a statement (machine-translated by me) on the back of the sleeve that reads in part:

“We find it necessary to point out that due to its quality and value, Victor Jara’s work should be disseminated, but always by those who identify with it, and not by the transnational companies that financed his return to Chile by organizing the bloody military coup of 1973. [Ed. Something in their use of word “retorno” is probably being lost in translation here; I think it implies something like Jara’s “return to whence he came,” e.g. his burial in Chilean soil.] Those transnational corporations that today benefit from Victor Jara’s singing, filtering out its combative aspects and presenting it as incomplete, seem to ignore the deep paths that people use to preserve the integrity of the voice of their singers. This album is our answer.”

The LP is clearly a work of love (and economy), the sleeve purposely left unglued so that it can be opened like a gatefold, revealing testimonies by his peers. There’s scarcely an inch that isn’t crammed with text—even the flaps that cradle the inner sleeve itself hide lyrics to two of the album’s key songs:

The sleeve unfolded.

“I don’t sing for the sake of singing, or for having a good voice, I sing because the guitar has sense and reason, it has a heart of earth and wings of a dove, it is like holy water that blesses my sorrows. This is where my song fits, as Violeta said, a hard-working guitar that smells of spring. It is not a rich man’s guitar or anything like that, my song is the scaffolding to reach the stars. The song has meaning when it beats in the veins of the one who will die singing truths, not fleeting flattery or foreign fame, but the song of a lark to the bottom of the earth. There, where everything arrives and where everything begins, a song that has been brave will always be a nueva cancion [New Song].”

Jara’s artistry (which, besides spearheading the nueva cancion movement, also included poetry and theatrical direction) was inseparable from his politics, and the music of Manifiesto is a stirring testament to his talents and the historical moment he occupied, when Chile like Cuba before it seemed on the verge of breaking free from centuries of resource extraction-driven imperialism and making its own way. These songs cannot help but feel elegiac given the circumstances of their release, and indeed they do frequently mourn the historical oppression of the common worker. Jara’s was a lark’s voice, not that of a conventional rabble rouser, and most of these songs seem best suited for night-time gatherings of comrades and lovers or, in the case of the dazzling instrumental “Caicai Vilu” (referencing a Mapuche creation myth), perhaps a rural cotillion. But these songs were recorded during the years of Salvador Allende’s triumph, a movement that Jara had personally helped galvanize, and there is the sense that these are songs about moving in a changed world that still feels almost surreal. Only at the very end, with the rock-inflected call to arms “Canto libre,” does Jara’s Revolutionary sentiment take on a more martial beat, finally unfurling a flag of victory.

That victory would be short-lived of course, as U.S. imperialists would soon back Pinochet’s reign of terror and grind the Chilean people under the heel of fascism for another generation. It’s hard to make an argument that Jara and Allende’s side “won” in any meaningful sense (without an appeal to some abstracted moral arbiter anyway). It may be blinkered to even try, knowing that Pinochet died obscenely wealth in his nineties and that there were never meaningful consequences for his even wealthier American backers, while a despairing Allende perished at his own hand and Jara with his fingers broken and his body riddled with bullets. Yet I do believe that a song can transcend the accounting of atrocities and persist on its own terms. Music like Jara’s will endure as long as there are human beings who seek a recognition of their own worthiest qualities in art. As one of the Mexican edition’s compilers says:

“…his voice will not have coffins or crematoriums, nor dark prisons nor barbed wire, comrades! His voice and his guitar continue the fight, they remain alive seeking victory. And they will also return as flags when the Homeland regains its joy.”

312/365

[donslayote]

Poster for “Victor Jara Festivaali”

Helsinki, Finland

26 - 29 October 1978

[cavedwellermusic]

Kiltro - Underbelly (2023)

Naz recommends listening to this album as a whole, preferably on a chilly summer evening. The musical complexity and different genres blending together, along with the gentle songwriting means that Underbelly is an album you shouldn’t be missing no matter what your go to genre is.

[doyoulikethissong-poll]

Kiltro - All The Time In The World 2023

Chilean-American singer-songwriter Chris Bowers Castillo moved to the port city of Valparaíso and became a walking tour guide. Back in Denver, Chris had looked for a moniker that reflected the evocative and subtly rebellious musical concepts percolating in his head, and settled on kiltro - a word used in Chile for stray dogs or mutts. He then teamed up with bassist Will Parkhill and drummer Michael Devincenzi, later inviting Fez García to join the band as an additional percussionist on Kiltro’s live gigs.

Titled Underbelly, Kiltro’s sophomore album crystallizes those dreams and experiences into a post-rock manifesto of dazzling beauty. Its songs combine touches of shoegaze, ambient and neo-psychedelia with the soulful transcendence of South American folk – the purity of stringed instruments, supple syncopated percussion and elusive melodies that define the works of Latin American legends such as Violeta Parra, Víctor Jara and Atahualpa Yupanqui. From the propulsive, chant-like groove of “Guanaco” to the art-pop panache of “All the Time in the World,” Underbelly is the kind of record that invites you to quiet down and listen, savoring every single detail.

"All The Time In The World" received a total of 65,2% yes votes!

[literaryvein-reblogs]

Word List: Dance

for your next poem/story

Allemande - a 17th and 18th century court dance developed in France from a German folk dance; a dance step with arms interlaced

Beguine - a vigorous popular dance of the islands of Saint Lucia and Martinique that somewhat resembles the rumba

Bourrée - a 17th century French dance usually in quick duple time

Cabriole - a ballet leap in which one leg is extended in midair and the other struck against it

Chaconne - an old Spanish dance tune of Latin American origin

Czardas - a Hungarian dance to music in duple time in which the dancers start slowly and finish with a rapid whirl

Estampie - a usually textless, monophonic musical work of the late Middle Ages consisting of several repeated units that probably accompanied a dance

Farandole - a lively Provençal dance in which men and women hold hands, form a chain, and follow a leader through a serpentine course

Gavotte - a dance of French peasant origin marked by the raising rather than sliding of the feet

Hora - a circle dance

Juba - a dance that was accompanied by complex rhythmic hand clapping and slapping of the knees and thighs and that was performed on plantations in the southern U.S. by enslaved Black people

Kolo - a central European folk dance in which dancers form a circle and progress slowly to right or left while one or more dancers perform elaborate steps in the center

Lavolta - an early French couple dance characterized by pivoting and making high springs or bounds

Matachin - a dance performed by a matachin (i.e., a sword dancer in a fantastic costume)

Maxixe - a ballroom dance of Brazilian origin that resembles the two-step

Mazurka - a Polish folk dance in moderate triple measure

Passacaglia - an old dance performed to a passacaglia (i.e., an old Italian or Spanish dance tune consisting of variations usually on a ground bass in moderately slow triple time)

Pavane - a stately court dance by couples that was introduced from southern Europe into England in the 16th century

Quadrille - a square dance for four couples made up of five or six figures chiefly in ⁶/₈ and ²/₄ time

Rigadoon - a lively dance of the 17th and 18th centuries

Saltarello - an Italian dance with a lively hop step beginning each measure

Strathspey - a Scottish dance that is similar to but slower than the reel

Tarantella - a lively folk dance of southern Italy in ⁶/₈ time

Varsovienne - a graceful dance similar to a mazurka and popular in many European countries, Mexico, and the U.S.

Zamacueca - a South American especially Chilean courtship dance

More: Word Lists

[sea-of-machines]

my music taste: power metal, workers songs, religious hymns, rock opera about easter, prog metal, chilean leftist folk, irish folk, pirate metal, random over ten years old meme songs, eurobeat, moses animation film soundtrack, power metal about silmarillion, yugoslavian pop-

[ihaveforgortoomany]

ALR 2.4

Some analysis on the poster release

(credit to Boneless Diluc on discord lets goo and this person on the CN side who caught all this you work miracles woah)

http://xhslink.com/a/8OBXK3QLYnG0，复制本条信息，打开【小红书】App查看精彩内容！- link here to the original post

If i repost theres updates to what i find/ anyone else finds

Spoilers for CN updates below

Alr:

Book - Last Evenings on Earth or "llamadas telefonicas" by Roberto Bolaño. By a Chilean writer this is a short story collection about journey, ideal, loneness, freedom and youth.

Currently question of whether the ship is heading towards or away from a coast in "the jealous sea hates every sailor who looks back at land"

Currently I could only research stuff on Barcarola:

Not much on Fatutu currently.

The main question is exactly what ship is being referenced?

Currently the original suggests this is the Titantic, one of the most famous three funnel ocean liners, the presence of the music staves and one of the characters being named after traditional folk music - as the Titantic sank a group of violnists played as the ship went down. Although it was likely the hymn "Near to God than thee" that those violinists played.

The main question (as always) is when - 2.2 implied we at some point were going to the 40s from the 90s, the Titantic was in operation in the 1910s. Until the PV drops its unclear which ship or voyage this is referencing.

This is what I got so far from others

[kiltro]

Kiltro Q&A Session (28/07/2023)

"This event was made possible by Jack Trueax, their sound technician and tour manager, who facilitated our communication with the band and assisted in compiling their answers; and Trevor, aka CATZ, a member of our server who kindly shared the server with Jack in the first place. We'd also like to express our immense gratitude to their sound engineer Kyle Smith and the rest of the band for generously taking the time to answer our questions, as well as for their continuous involvement with, acknowledgment, and support of the community. We seriously can't thank y'all enough, it was a dream come true." Written, compiled and formatted by @starfunkbonnibel over on rateyourmusic.com! All credit goes to her - this post is simply meant to facilitate reading and sharing.

Join the Kiltro server here: https://discord.gg/M67HjF9C9V The following is a transcript of a Q&A session with the band hosted on our Discord server, around July 28th, 2023. With the exception of certain typos and emojis, the questions and answers remain intact. Enjoy!

Introduction

Kiltro is an indie latin folk rock project created by Chilean-American musician Chris Bowers Castillo while working as a walking tour guide in Valparaíso, a formerly prosperous port city northwest of Santiago, Chile. After the opening of the Panama Canal, the city transformed into an elusive haven of bohemians and stray dogs - or "quiltros", Chilean slang for "mutt". Inspired by the liminal nature of Valparaíso, Chris wrote a series of short stories that would later evolve into the material of the band, using the symbol of the stray dog as both a metaphorical vehicle and an empowering term for his mixed identity and music, ultimately naming the band after them. Subsequently, he would reunite with an old college friend, Will Parkhill, who would go on to join as the band's bassist, alongside Michael Devincenzi as their drummer. Together, they would shape the sound of Kiltro, reanimating Chris's stories into the mysterious characters, melodic allure, and intangible soundscapes that comprise and lurk beneath their debut album Creatures of Habit. Later on, affected by the quarantine, the band took a more introspective approach, deciding to use cats as a motif for their sophomore record, Underbelly, inspired by their solitary and contemplative nature. Around this time, Fez García joined the band as a second percussionist for concerts, completing the lineup as we know it today. (Carroll, 2019) (Mitchell, 2023) Info sourced from: Carroll, E. (2019, 13th November). Here, There and Everywhere: Kiltro’s Mutt Rock. Westword. https://www.westword.com/music/kiltro-frontman-chris-bowers-castillo-talks-mutt-rock-11494843 Mitchell, M. (2023, 1st June). Kiltro Go Behind the Scenes on Underbelly Track By Track. Paste Magazine. https://www.pastemagazine.com/music/kiltro/underbelly-track-by-track

Q (regulus_di): What's the best show the band has ever had, or alternatively the most special?

WILL: the last run of tour had the most special shows in a while, especially the navy pier in Chicago, Vienna, and Brooklyn. The growth and excitement has been extremely exciting to see.

CHRIS: The show on the staircase outside of a friend’s restaurant, in Valparaiso, Chile.

MICHAEL: the shows in which there are zero expectations about the city have been the best. Every time we arrive in a town that we know nothing about, we are blown away by the hospitality that we receive. Towns like Columbus, Phoenix, Richmond, Vienna, and Detroit come to mind.

FEZ: can’t decide. He says it’s like asking him what his favorite meal of all time is, “they all filled my tum tum” 😂

SOUND CREW: the Hollywood theater in Vancouver, BC, and Baby’s Alright in NY have sounded the absolute best From Chris's favorite show 😱

Q (goodman873): Chris solo album?

A: Currently the focus is Kiltro, if a song is written that seems out of place for the current state of the project, it’s often left on the shelf to return to at another time. There are a handful of songs that were planned for Underbelly that ultimately didn’t make it onto the final version for one reason or another, the possibility of them being included on a future album always exists. If a song appears that categorically falls outside of the vision of the band, then a solo project might be considered, but the ultimate goal is to experiment and push musical boundaries.

Q (evantheblank): Favorite unreleased / scrapped song, and is it planned to be available at some point?

A: There are tons of demos that have silly working titles, some of the songs that make it into the final version often don’t have a legitimate name until close to the end of the writing process.

CHRIS: the song Alpaca that was written as the same time as Guanaco, different energy but in the same vein and style. Never played live

WILL: Sin Salida that was included in an Instagram reel with a bunch of Super 8 footage

MICHAEL AND FEZ: Tambach

Q (allisawr): Any plans to record a live album?

THE BAND: we try to capture every show 😉

SOUND CREW: We are currently multitrack recording every live show for reference purposes and our personal archives. If a particular recording stands out, then it will be heavily considered for a live release.

Q (syd1288): What's with the cover art of Creatures of Habit?

A: The cover was a collaborative piece done by Markus Puskar and Julian Brier, heavily inspired by the work of M.C. Escher

The songs on CoH have a lot to do with the monotonous liminal spaces in our everyday lives, and the lyrics are very character driven. The art is meant to invoke the illusion of a society that feels like it is going in loops and circles, in which we are becoming “creatures of habit.”

Q (regulus_di): What games are the guys into atm/pre-tour?

A: We love to play giant jenga and a card game called “Hanabi,” we also invented a pool game called “twenty ball” in which Will is the (heavily disputed) champion.

Chris is currently working through another play through of Dark Souls, he’s been tearing through it on the switch in the van. We’ve also played The Legend of Zelda: Tears of the Kingdom, Mario Kart 8 Deluxe, Super Smash Bros. Ultimate, and a lot of Super Mario 3D World + Bowser's Fury. Stardew Valley and Roller Coaster Tycoon Classic are also big hits on the iPad.

Q (kalamaroe): What inspired the visuals in the If I Lead music video? I've always found it very hypnotising

A: Generally the band doesn’t like to be too specific with the meaning of the artistic content and likes to leave it more to interpretation from the audience. At the time that the video was shot, the band was interested in experimenting with old school classroom projectors, spinning images, double exposures in Will’s photography, and super 8 film footage. The goal was to add visual content to live shows, and a lot of the footage came from that effort.

Here’s some behind the scenes footage from that video courtesy of Will 😱

Q (happidragon): What are the band members' favorite songs to perform?

WILL: it’s hard to pin down and is always changing based upon each performance, but Guanaco is always up there

CHRIS: it really depends on the show, Softy has been a favorite recently because of how dynamic it is, and Lovers of death is another that has been a longtime standard in the sets for that same reason.

MICHAEL: Underbelly, Softy and Lovers of death are all favorites. The dynamics and drum progression allows for a lot of exploration in each performance.

FEZ: Crazy because of the shaker and wood blocks, there are a lot of fun little percussion parts

SOUND CREW: Errasuriz is the most fun to mix, and is always right in the middle of the set when we really have things dialed in.

Q (gumibearheart): How do you guys approach music and the moving parts of it?

A: The writing process is slightly different for each song but tends to coalesce in a similar way, with lyrics typically coming later on in the process. Many songs that start as musical loops get jammed on in rehearsal and recorded as practice demos, the most exciting material eventually evolves into something worth returning to.

Q (starfunkbonnibel): What has been your approach in connecting all these sounds with the themes and stories of your songs? And are there any plans to do one continuous narrative in an album?

CHRIS: I think the soundscapes and by extension the “story” comes from whatever I’m interested in or experiencing at the time of writing. I start in one place, whether it’s a chords progression or an interesting ambient loop, and move in whatever direction feels most compelling and true. I find that a lot of ideas begin to link together because I tend to cycle back on ideas multiple times throughout the process. Because I’m working it out for myself. That goes for sounds, samples and progressions too. Overarching themes or the recurring “character” of the sounds and the places they evoke emerge as the process goes on, and in that is often a kind of story. Or many stories in a similar setting. I visualize things a lot when I’m writing.

In a sense, I think we already work “narratively,” it’s just that there’s not necessarily a script or a series of events. I’d like to make albums that exist in a specific space and create the context for meanings and patterns to emerge. Not a narrative per se. There are bands that do that well but I like to keep things more abstract.

Q (goldengoldstar): Although we know of the influence artists like Víctor Jara, Violeta Parra and Atahualpa Yupanqui have had on the music of Kiltro, are there any other artists or bands you might mention as big influences or inspirations?

A: Thanks to everyone who listens to and shares the Kiltro playlist! This is a stream of consciousness list from all the guys in the band in no particular order: Manu Chao, Deerhunter, Devendra Banhart, Ween, Talking Heads, Jorge Ben, Radiohead, Damon Albarn, Thelonious Monk, Damu the Fudgemunk, Moses Sumney, Animal Collective, John Coltrane, Boards of Canada, Chico Trujillo, OutKast, Teke Teke, Travel Kit, New Order, Kraftwerk, Stereolab, Broadcast, Jack Canaan, Charles Mingus, Sonic Youth, Polo y Pan, Andrew Bird, Marvin Gaye, Metronomy, Sade, YĪN YĪN, Fela Kuti, Tortoise, Cocteau Twins, Air, and Erlend Øye.

Q (goldengoldstar): Are there any plans to play in Latin America?

A: No plans currently, but it’s definitely a long-term goal

Q (starfunkbonnibel): What are your favorite moments of experimentation during the making of Underbelly?

KYLE: During the production/recording process of Curicó (being one of the first songs Chris, Will, and I dove into, if I remember correctly) I was in the studio with Chris focusing on the song’s momentum. I believe this may have been before real drums were put down? Idk, can’t completely remember… but my goal in that session was to add excitement and some kind of uplifting drive to the song. In one moment, I was trying to think of a way to show Chris how we “could” add a particular energy to the song to see if he liked the idea/direction. I decided to give Chris an example by grabbing a shitty/lofi mic and shouting “HEY! HEY! HEY!.. etc” into the mic along with what we had recorded so far. And I was like, “that’s the kinda of energy I’m thinking we can add,” and then Chris was basically like… we should just keep that hahahaha. In that moment I personally felt like we or I at least had figured out a key to the energy of that song, and also my creative flow with Chris, Will, and so forth going forward. Not to mention the beginning of a great friendship 🙂 this was fun to write about! Thanks to everyone here for being a part of their music ✨🐕 This wasn’t about Underbelly, but it’s what the question made me think of lol sorry But still fits a vibe of how I think we all have fun working together on all the music 🙂

Thank you for reading! Event managed by: Kamsthetics , MartixArtist, GoldenGoldstar, and StarfunkBoogie / @starfunkbonnibel. Transcript revised by: plantboyfriend / @plumerii Format inspired by silvershr0ud_'s interview

[vanhelsingapologist]

I am submitting my formal request for folk music ~opinions~ ❤️

Folk music is another one of those genres that’s hard to pinpoint. It’s basically been merging with country and Americana for years. Further, are people asking for traditional folk? Folk metal? Indie folk? Baroque folk? But it’s all folk! Folk, folk, folk. I’ve written it so many times that it doesn’t look like a word. Anyway, I went contemporary/indie/roots folk for this. Started with more woodsy stuff, too.

• Empty Northern Hemisphere by Gregory Alan Isakov. Gregory Alan Isakov is one of those artists I adore and I think he pretty consistently nails it when it comes to folksy themes and instrumentation. His Weatherman album is pretty fantastic. He’s probably considered indie folk, if I had to put a finger on it.

• My Gal, My Guy by Darlingside. The first song I ever heard by them was called Harrison Ford, which is also pretty good, but there’s just something about this song! Also indie folk.

• Oats In The Water by Ben Howard. He has another great one called In Dreams. His earlier music sort of feels like standing in a dead forest. I can’t really explain it beyond that. His newer stuff is a bit more atmospheric, but it’s good.

• Bavarian Porcelain by Sea Wolf. His song Dear Fellow Traveller got some fandom airtime, but his whole discography is pretty good and soaked with forest imagery. My favorite album is probably White Water, White Bloom, but Cedarsmoke is very kind to me.

• Let This Remain by Alana Henderson. Henderson keeps making her way into my playlists. She sort of reminds me of Enya, sort of reminds me of something reminiscent of the Dresdon Dolls, but it’s just enough that she’s got this incredible unique sound.

• Francis by Haley Heynderickx and Max García Conover. This is another one that I have to physically restrain myself from looping. Their voices blend really well, and I’d also consider it my official endorsement of both their music. Heynderickx’s No Face and Show You A Body kill me and Conover’s collaboration on the everything in winter album is worth a listen.

• Deep Green by Marika Hackman. I feel like we can call Marika Hackman folk. Her voice is haunting, her lyrics stick, and she does really neat stuff instrumentally, and she had the folk sound. Not coffeehouse music, so I had to look to see what she’s categorized as. Alternative, it was. Her new album is less folksy, but We Slept At Last definitely is.

• Darlin Corey by Amythyst Kiah. If you haven’t heard any of her work, go listen as soon as possible. She’s got this deep, beautiful sound and writes about isolation in a way that really resonates. It’s hard to find artists who make folk that sounds a hundred years old, but she nails it every single time.

• Love Me Like You Used To by Lord Huron. Lord Huron is an old favorite, and I do think their Long Lost album is my favorite, despite Strange Trails being so well-known. Nothing makes you wanna awoo the way these guys do.

• Traveling On by The Decemberists. I’m a Decemberists fan first, person second. Sometimes I go about my day and “street side smokers, holy rollers” pops into my head at random. Hopefully, you will share my plight.

• Ofelia by Kiltro. Kiltro plays a mixture of shoegaze and Chilean folk. If that doesn’t sound like the best fucking time ever get AWAY from me. Creatures of Habit bumped all year before I graduated.

• The Weight by Amigo the Devil. Darker folk. I think he’s on a playlist called Murderfolk, which just about sums it up. I might put Amigo the Devil in the same camp as AJJ in terms of sound. Slightly different in lyricism.

• Northern Wind by Liza Anne. Their new stuff isn’t folk, but their old stuff is definitely indie folk. I sometimes describe them as drinking cold water, and I think that definitely sticks with their Two album.

As always, I have no idea what I’m talking about. Hope this is good!

[leftistfeminista]

On Paul Robeson's 126th birthday, I would like to celebrate one of his lesser known songs. His rendition of Beethoven's Ode to Joy with his own interpretive translation of the lyrics. It captures the humanistic spirit of the Enlightenment, French Revolutionary and Romanticist eras in which Beethoven worked. And the egalitarian ideas Robeson championed. Those who struggle are supported and those who might dominate are kept in check. It is the deepest level of solidarity and fraternity where none are allowed to fall. A powerful antidote to an age of unchecked individualism, competition, cruelty and glorification of strength for its own sake.

..Build the road of peace before us, Build it wide and deep and long Speed the slow and check the eager, Help the weak and curb the strong. None shall push aside another, None shall let another fall March beside me, oh, my brothers, 

ALL FOR ONE AND ONE FOR ALL

Paul Robeson Sings For The Underdog 

During his career, vocalist Paul Robeson usually avoided singing classical music, once stating that European traditions had “nothing in common with the history of my slave ancestors.” He almost exclusively devoted himself to spirituals, protest songs and folk ballads, championing the oppressed through music. That was certainly the case with his unlikely but devoted relationship with group of working-class miners in Wales, whom Robeson supported in their protests against low wages and unsafe working conditions.

On the occasion he did perform classical works, he reframed them as folk music. Robeson’s “Ode to Joy” replaces the orchestra with a single piano, and he opts to sing in English rather than German, driving home the message of brotherhood to his English-speaking audiences. Robeson’s leftist politics lead to his blacklisting during the McCarthy Era, leaving him unable to travel with a revoked passport. So when the Welsh miners invited him to perform at a festival 1957, his only choice was to sing across the sea via a transatlantic telephone line. He dedicated his version of “Ode to Joy” to the crowd of 5,000, supporting their struggle for what he called “a world where we can live abundant and dignified lives.”

Chilean Women Protest A Violent Dictator

In 1973, military dictator Augusto Pinochet assumed power in Chile and oversaw the imprisonment and torture of tens of thousands of people belonging to opposition groups. At the risk of their own lives, female protesters gathered outside torture prisons to sing the “Himno a la Alegria,” a hymn based on “Ode to Joy,” to bring hope to those being held inside. You can see a clip of the protest in the documentary Following the Ninth: 

Another of his lesser known performance is of Luther's famous hymn, which launched in the religious sphere the bourgeois democratic revolt against Medieval Feudalism.

While we are still a long, long ways away from the just society Robeson dreamed of, we have at least made some progress from the McCarthyist days in which he was blacklisted, to being officially recognized today in our nation's capital.

[burlveneer-music]

Atalaya - La Sed - Shika Shika presents the debut EP from Chilean folktronica duo

We are delighted to present ATALAYA, a new project by SPEC one of the co-founders of Chile's pioneering folktronica trio Matanza, and Chilean singer-songwriter Fernando Milagros. In their own words, ATALAYA delves into a glocal (global+local) sound, inspired by acoustic instruments, roots rhythms and vocals, all filtered through available technology, to shape a sonic and rhythmic experience. Their debut EP "La Sed" features 4 surprising and original tracks of new rhythmic explorations each with the power to transform folk-spirited songs into deep danceable music. Produced by Atalaya (Luis Galvez & Fernando Milagros) Lyrics by Fernando Milagros

[warningsine]

SANTIAGO, Chile: A Chilean court on Monday (Aug 28) confirmed jail terms for seven elderly ex-soldiers for the 1973 murder of beloved folk singer Victor Jara in the aftermath of the coup d'etat that installed dictator Augusto Pinochet.

The soldiers, aged between 73 and 85 and free men until the ruling, will now have to report to prison to serve sentences of between eight and 25 years.Jara, then 40, was arrested the day after the Sep 11, 1973 CIA-backed coup that overthrew Salvador Allende.

His body was found days later, riddled with 44 bullets. He had been held, along with some 5,000 other political prisoners, in a sports stadium where he was interrogated, tortured and killed.

Among other horrors, the singer-guitarist's fingers were crushed - broken by rifle butts and boots.

Jara was a member of Chile's Communist Party and a fervent supporter of the Popular Unity coalition that backed Marxist president Allende, who came to power by popular vote in 1970.

The body of a fellow detainee, Littre Quiroga, 33 - national prisons director and a Communist Party member - was found with signs of torture near that of Jara and three other political prisoners.

Monday's ruling - the outcome of an appeal by the convicted men - confirmed sentences of 15 years for the murders of Jara and Littre and another 10 years for the kidnapping of each, for ex-army officials Raul Jofre, Edwin Dimter, Nelson Haase, Ernesto Bethke, Juan Jara and Hernan Chacon.Rolando Melo received eight years for his role in covering up the crimes.

The men had first been convicted in 2018 and saw their sentences increased by an appeals court three years later - jail terms confirmed in large part by the Supreme Court Monday in what is the final ruling in the matter.

Jara, a pacifist singer whose lyrics spoke of love and social protest, became an icon of Latin American popular music with songs like The Right to Live in Peace.

He inspired musicians from U2 to Bob Dylan, and at a 2013 concert in Santiago, Bruce Springsteen paid tribute to him.

Pinochet ruled Chile until 1990 and died in 2006 without ever being convicted for the crimes committed by his regime, believed to have killed some 3,200 leftist activists and other suspected opponents.

In 2009, Chilean authorities ordered the exhumation of Jara's remains. He was buried in an official ceremony that year attended by then-president Michelle Bachelet.

Today, the stadium where Jara was held and suffered bears his name.

[captaingondolin]

Get to know me tag game!

tagged by @corelliaxdreaming

I am constitutionally incapable of being brief ¯\_(ツ)_/¯

1. Do you make your bed?

Usually not. Sometimes I think it will magically make me feel better about life. Or help me not fall back into it (spoiler: it doesn't work)

2. Favorite number?

Even numbers. 5 and its multiples are on thin ice.

3. What’s your job?

Used to be librarian, currently an archeology student (shout out to my mother for the help, to my depression funk that meant I spent next to nothing during my last two years at work, and to the fact that I moved to a place where normal humans don't need faustian deals to afford higher education)

4. If you could go back to school would you?

See above. I am also an anxious mess who cannot do deadlines, so the dream would be just attending lectures forever without doing exams/essays (which I think in my home country you could technically legally do, since unis are public, you only pay if you enroll. but it might be outdated info)

5. Can you parallel park?

No license yet (and I'm An Old). Don't judge, I used to live in London, and currently I'm in a weird spot with figuring out where I'm living long term.

6. Do you think aliens are real?

Same as what Katie said, not sure about humanoid aliens, but the universe is vast and there must be life somewhere else.

7. Can you drive a manual car?

See above. But I live in Europe, most people use manual, so that's what I'll learn.

8. What’s your guilty pleasure?

Guilt was invented by the catholic church to sell more confessions.

9. Tattoos?

I have a whole list. I promised the very first to my child self (it will be Alexander the Great themed). But.

There's an ongoing thing with my mother - I know she has no say over my body and it's not my responsibility if she chooses to take my decisions as a personal attack. However, she's one of the best people I know about literally everything else (not just because we are related, mind you, I can and have told family to fuck right out of my life), so for a long time I hemmed and hawed about it, because I wasn't sure it was worth risking a fight. Recently I got a nose ring and she has kept her mouth blessedly shut about it, so yay for progress (again, I am An Old, but mediterranean mothers are just Like That. In her defence, she outright told me she is making an effort to treat me as an adult and a peer and I can see her really working on it).

10. Favorite color?

the colour of the sky

Orange. I'd pull off the pilot flightsuit. And pink, I adore all shades of pink!

11. Favorite type of music?

Currently in a months long standoff with my brain, who thinks music is evil and out to get him (because we're not having feelings right now) but I can occasionally spoon feed him Hazbin Hotel. ♫⋆ CAUSE I KNOW YOU'RE POISON, YOU'RE FEEDING ME POOOISOOOON, ADDICTED TO THIS FEEEEELIIIIIN' ♪ ₊˚♬

...sorry.

If things are good, literally everything, but I love musicals (Legally Blonde got me through uni last time), metal (D'Artagnan is the latest band I discovered) and everything in the folk, folk metal, country, sea shanties, pirate metal kind of rhythm, and classical music (Verdi can so get it. and Mozart, baby Gondolin's first crush). Oh, and tango and early 2000 pop. Hardstyle if I'm in a writing fugue. I used to only dislike slow ballads and acoustic remakes, but I was recently personally attacked by Avril Lavigne with the Bite Me acoustic. And tbh I listen to Hozier, I should have known.

Shoutout to Inti-Illimani, I am contractually obligated to tell people about chilean protest songs-andean folk legends, listen to them.

12. Do you like puzzles?

Nope.

13. Any phobia?

Mice. Most houses I lived in while in London had mice, and seeing glimpses of tail and little feet scuttling about in places like the fucking kitchen counter really did me in. I recently saw the tiniest, objectively cute, mouse outside (at an archaeological dig, we'd disturbed him and not the other way around) and my heartbeat still got fucked. Meanwhile, I was chill with the HUGE centipede, the snake that slithered right past me, the geko, the turtles, spiders and all other wildlife, or even huge city cockroaches.

Maybe my phobia is shitty British houses, actually. Your walls and celings are not supposed to have holes, you know?

14. Favorite childhood sport?

Quitting. I wasn't into sports enough for me to want to go on and I couldn't give a rat's ass about competing. But I loved ice skating and judo. Skiing too (I grew up in the mountains, I know for a lot of people skiing is the epitome of luxury xD but I could have probably walked to a slope. Okay, maybe not walked, but.)

15. Do you talk to your self?

All the time, and my grandma used to be the same.

I used to give myself interviews when I was a kid, imagining myself as a famous author or filmmaker. Now sometimes I pretend I'm talking to my therapist. Or just straight up talk through things out loud, so it's easier to follow a single train of thought without thinking a billion things at once. Or I give myself little pep talks or go "godddamit, self" and I talk to objects a lot.

16. What movies do you adore?

The Lord of the Rings. All the Star Warses. Even the ones I don't love are fun. Rogue One is top tier but I need to be hydrated for how much I'll cry.

More recently the duology Les Trois Mousquetaires : D'Artagnan part I and II. I can't quite figure out if it's for the movies themselves (and the soundtrack, the soundtrack absolutely slaps), because I'm horrendously thirsty for the cast (I would let trauma-ridden, unwashed, long-haired Vincent Cassel straight up give me syphilis. He's so fucking good as the alcoholic trashfire that is Athos) or if it's because I adore the book and Dumas is part of my genetic makeup at this point.

17. Coffee or tea?

Coffee (currently drinking the cold brew of dreams). I don't like black tea, but herbal teas/infusions are fantastic. I have a hibiscus, apple, mint and berries one from Lidl that is the stuff of dreams (excellent cold too, I brew it for longer with a pinch of green tea and honey, then add some lemon and it's the shit). On the more bougie side, I have the biggest hard on for jasmine tea. Most places sell you green tea with a vague hint of jasmine, but the good stuff that comes in little balls is unparalleled, it smells like the flowers. Also good both hot or cold (again, brewed for longer with some honey or sugar and then I love it with milk or milk substitutes).

18. First thing you wanted to be growing up

Archaeologist 💖 librarian, writer, film director, and briefly F1 pilot.

Since I never know who to tag, I'm doing the last 5 mutuals who liked/reblogged something, because why not. Feel free to ignore this! @obiwong @reena-jenkins @silvergryphon @tothestarwarsandback @themonopolyhat

[mr-snailman]

these are very good songs. thought I'd share:

this one almost never comes on the radio but once in a blue moon when it does it's so exciting. think this mighta been my first time hearing 2Pac when I was a kid.

if that was my first Pac song this one is definitely hands down my favorite. the beat is so hypnotic.

I like the sound on this version a little better but the music video is also really cool.

this one is really eerie in a horror-flick sort of way. love those bells.

surprise, not a Pac song, although it does mention him, as well as his namesake, Inca leader Tupac Amaru. watched this in Spanish class. I've seen this video at least three times but I keep noticing new details and references to latino history. there's probably a whole post in that alone, but I'll mention a few: the woman at the beginning is Lolita Lebrón, a Puerto Rican nationalist who fired shots in the Capitol Building in 1954. the man who wipes his mouth on the flag is former Brazilian president Jair Bolsonaro. the guitar player who is shot in the stadium is Victor Jara, a Chilean folk singer who was murdered by the military during the 1973 coup.

[takami-takami]

WAIT!!!!!

While I am in the shadowrealm this account will no longer be Keigo posting space. :)

Instead, I will subject you all to V MUSIC POSTING PERMANTENTLY! YAY!!!

Today's song of the day is All the Time in the World by Kiltro, a Chilean-American group with an otherworldly folk inspired sound— this song is written about quarentine, part of an album titled Underbelly.