#Charles Haslewood Shannon
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The Fisherman and the Mermaid, 1901 Charles Haslewood Shannon
Mermaid Mondays
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Charles Haslewood Shannon - The Fantastic Dress (1890)
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‘The Wood Nymph’ by Charles Haslewood Shannon (1863–1937)
#Charles Haslewood Shannon#vintage art#classic art#art#art history#old art#art details#vintage#painting#moody art#oil painting
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The Fisherman and the Mermaid
Charles Haslewood Shannon
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Miriam by Charles Haslewood Shannon, 1918
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Charles Haslewood Shannon (deceased)
Gender: Male
Sexuality: Gay
DOB: 26 April 1863
RIP: 18 March 1937
Ethnicity: White - English
Occupation: Artist
#Charles Haslewood Shannon#lgbt history#gay people#homosexuality#lgbt#male#gay#1863#rip#historical#white#english#artist
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Henry Wickham Steed by Charles Haslewood Shannon 1920
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Charles Haslewood Shannon The Toilet 1927
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The Toilet by Charles Haslewood Shannon (1863–1937)
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Charles Haslewood Shannon, The Fisherman and the Mermaid
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MOSTRE / Atmosfere gotiche e donne fatali: il Medioevo e il Rinascimento che stregò i Preraffaelliti
MOSTRE / Atmosfere gotiche e donne fatali: a Forlì il Medioevo e il Rinascimento che stregò i Preraffaelliti
Redazione Tra gli anni Quaranta dell’Ottocento e gli anni Venti del Novecento, l’arte storica italiana, dal Medioevo al Rinascimento, ha un forte impatto sulla cultura visiva britannica, in particolare sui Preraffaelliti. Questo movimento artistico, nato nell’Inghilterra vittoriana di metà Ottocento a opera di alcuni artisti – William Holman Hunt, John Everett Millais e Dante Gabriel Rossetti –…
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#Arte#arte medievale#arte rinascimentale#Beato Angelico#Beatrice Parsons#Benozzo Gozzoli#Charles Haslewood Shannon#Charles Ricketts#Charlotte Gere#Christiana Jane Herringham#Cimabue#Cosimo Rosselli#Cristina Acidini#Dante Gabriel Rossetti#Edward Burne-Jones#Elizabeth Prettejohn#Elizabeth Siddal#Evelin de Morgan#Evelyn De Morgan#Filippino Lippi#Filippo Lippi#Ford Madox Brown#Forlì#Frederic Leighton#Frederick Sandys#George Frederic Watts#Gianfranco Brunelli#Giovanni Bellini#Guido Reni#Henry Holiday
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Charles Haslewood Shannon - La Renaissance des arts (1917)
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jean moreau, and faith and religion and the absence of it.
the sunshine court, nora sakavic // the unabridged journals of sylvia plath, sylvia plath // "stay down" by boygenius ft. julien baker, lucy dacus, and phoebe bridgers // the denial of st. peter, caravaggio // salome with the head of st. john the baptist, simon vouet // henry iv pt. ii, william shakespeare // the rebirth of the arts, charles haslewood shannon // daredevil: "born again" (1986) by frank miller et al. // "ash-wednesday", t.s. eliot // map of hell, botticelli
#jean moreau#the sunshine court#aftg#tsc#renee walker#all for the game#nora sakavic#web weaving#r weaves webs#okay yall im gonna be honest this is a new kind of engagement for me soooo pls b nice#however i simply had to get into it bc i have so many ideas all the time#in this case all the religious imagery in tsc literally had me losing my mind#i didn't even have space to use half the examples i found here#renee rainbow post coming maybe???#anyway for those of yall who do these web posts all the time pls lmk if u have any advice bc honestly i just gave it my best shot#like i did do my research so everything should in fact mean what i believe it means#but u know. nowhere to go from here but UP#r tags#r posts
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The Birth of Venus by Charles Haslewood Shannon, 1923
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MWW Artist of the Day (11/30/23) Charles Haslewood Shannon (British, 1863-1937) Souvenir of an "International Ball" (Portrait of Miss Kathleen Bruce)(1907) Oil on canvas, 116.8 x 87.2 cm The Cleveland Museum of Art (Mr. & Mrs. William H. Marlatt Fund)
The subject for this portrait is Miss Kathleen Bruce, later Lady Scott, the widow of Antarctic explorer Sir Robert F. Scott. However, as the picture's original title underlines (Souvenir of an "International Ball"), the identity of the sitter is less important than her treatment as a decorous object. Highlighting the woman in front of a shadowed screen decorated with foliage, Shannon positioned her to ensure her hoop skirt billowed out and filled the large chair. The result is a "bouquet" of fabrics and bows which bursts forth from the real bouquet of flowers nestled upon the woman's lap.
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Charles Haslewood Shannon
Via ultrawolvesunderthefullmoon.blog
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