#Century type

[uwmspeccoll]

Typography Tuesday

Before the holidays on December 16, the Milwaukee Public Library held its third Art Book Club session, a informal art book appreciation gathering that meets once a month in the Art, Music, and Recreation Department of the Central Library. The theme for this meeting was "Technology" and there were all manner of beautifully-designed technology books to peruse and ogle over. It was an immersive experience, and of course I was particularly pleased to spend time with the type specimen books.

This week I highlight one of those books, Specimen Book Linotype Faces, published in Brooklyn, New York by the Mergenthaler Linotype Company in 1939. The typefaces displayed here are:

Century Bold, designed by Milwaukee-born Morris Fuller Benton in 1900.

Gothic No. 13, by Morris Fuller Benton ca. 1900.

Franklin Gothic, designed by Benton in 1903.

Metro Light, designed by W. A. Dwiggins in the early 1930s.

Garamond No. 3, originally designed for American Type Founders by Morris Fuller Benton in the late 1910s and licensed to Linotype's American branch around 1936.

Memphis, originally designed for the Stempel Type Foundry by Rudolf Wolf in 1929.

View other type specimen books.

View more Typography Tuesday posts.

-- MAX, Head, Special Collections

[marzipanandminutiae]

why are skirts inherently evil and oppressive in historical fiction until men are wearing them

I've never heard anyone going on at length about how Universally ImpracticalTM the garb of a Scotsman or an ancient Roman politician are

suddenly everyone has a concept of situational practicality that previously was not there

[nazrigar]

It's great to see the Aliens franchise get its time to shine!

It's been a long and tumultous road for 20th Century post buyout, but I'm glad to see the studio find its footing once more.

It's great to see all the big tentpole science fiction franchises of 20th Century Studios be critical and commercial successes.

[theancientwayoflife]

~ Apollo of the Cassel type.

Date: A.D. 125-150

Period: Imperial Roman

Medium: Marble (Paros marble)

[sunderwight]

Thinking about a bingqiu Dreamling AU where Shen Yuan and Shang Qinghua are both bored deities, just sort of taking a brief sojourn through the mortal world to shoot the shit and see some interesting monster or other that Shen Yuan has heard about, when they come across a tea house and decide to take a break and do some people-watching instead.

Shen Yuan is well into something of a shut-in phase, which Shang Qinghua doesn't like, mostly because when Shen Yuan is in those phases he doesn't do particularly well either. Shen Yuan's a social butterfly, for however little he cares to actually acknowledge it about himself, and his critique of Shang Qinghua's literary masterpieces gets so much harsher when he's not getting enough enrichment.

So when they overhear one of the kitchen boys solemnly insisting that he is going to do everything in his power to never die, and Shen Yuan laments that the boy would probably regret such a wish if it came true, Shang Qinghua decides to bestow a rare bit of godly power onto this mortal and grant his wish.

He doesn't make him a god, of course, that wouldn't even be in his ability. At least, not without using up more time and effort than he's prepared to expend on this one random kid. But immortality on its own is not that difficult. The boy will still finish growing up, and will still be able to be harmed, to know hunger and pain and illness. It just won't ever kill him.

Shen Yuan sighs that it's a cruel thing to do to a mortal, especially one with such low odds of ever cultivating other skills to mitigate the potential torment of it all. But Shang Qinghua just shrugs and they place bets, that this boy will ask for the immortality to be revoked in a hundred years, or two hundred, or so on, or else he won't. Shen Qingqiu approaches the kitchen boy and flusters and bewilders him by telling him to meet him back here again in a hundred years time.

A hundred years later, the tea house is larger. The boy has grown to be a striking young man, who looks at Shen Yuan with wariness and something else, something almost like awe, as he asks what manner of creature he's made this bargain with. Shen Yuan assures him that he has no nefarious intentions, and instead asks Luo Binghe how the past century of his life has gone.

Horribly, at least at first. Binghe's mother had already died by the time they met, but afterwards he managed to earn enough money to travel to a nearby sect. Working in the tea house's kitchen was just a minor stopover along the way. Shen Yuan was wrong, it seems, about his odds of becoming a cultivator -- Luo Binghe earned entry as a disciple.

Yet, he had no success. The master who took him on was unaccountably cruel and mercurial, and Luo Binghe's attempts to cultivate failed. Looking back he sees now that there were many times when he should have died but didn't, but when it was all happening he just thought himself lucky. At least until an enemy sect attacked a cultivation conference, and he suffered mortal wounds that absolutely should have killed him (or anyone) but still didn't die. (No demon race or abyss in this AU, but there are still demonic and fantastical creatures.)

His cruel master, upon witnessing this, accused him of heretical practices and tried to kill him as well by flinging him off the edge of a gorge. The fall was terrible. Binghe lay at the bottom in a horrifying state, injured beyond reason and yet, still, he didn't die. Eventually his body recovered enough for him to drag himself out, and once he did the only thing on his mind was getting revenge. For the next several decades he managed to ingratiate himself to all manner of potential allies, forging alliances, accumulating blackmail, and convincing people that he had to be some powerful cultivator through his supernatural resilience, lack of visible aging, and a lot of bluffing. He got revenge on his old teacher, drove his first sect into ruin, and rose to prominence as a feared and respected leader of the cultivation world.

Shen Yuan listens with clear interest, asking plenty of questions and seemingly quite taken up with the story. At the conclusion, Luo Binghe admits that his actual cultivation is still mostly a matter of smoke and mirrors, and wonders if -- now that the hundred years have passed -- Shen Yuan means to strip his immortality from him.

Shen Yuan asks if Luo Binghe wants that. When Luo Binghe says no, he accepts the answer, and tells him to meet him back here again in another hundred years. Luo Binghe calls after him, but before he can ask anything more, Shen Yuan has disappeared again.

A hundred years later, Binghe arrives back at the tea house with an entourage befitting of an emperor. The tea house has also expanded. Luo Binghe orders a lavish feast from them, which everyone hastens to provide. He's spent the past several decades consolidating his power, forging alliances with key political players via several marriages, producing heirs, and crushing his enemies. As he brags about the state of his massive harem to Shen Yuan, the deity's eyes begin to glaze over. He doesn't seem impressed. He also doesn't seem to care much for the food, and eventually his attention is stolen away by a conversation at another table. The diners are discussing the exploits of a promising new poet and novelist. Try as he might, Luo Binghe fails to regain Shen Yuan's attention before the evening is done. Shen Yuan doesn't think it's a big deal -- after all, if Binghe is still riding on top of the world, he's probably not going to want his immortality gift revoked just yet!

Another hundred years go by. The tea house has returned to a more modest situation, the next time Shen Yuan sets foot in it. He waits an unusually long while for his guest to arrive, and when he does, he's almost stopped at the door by the tea house's servers. It's only when Shen Yuan bids them let him through that Luo Binghe is able to come to the table, almost collapsing against it and desperately falling onto the arrangement of snacks with obvious hunger.

Shen Yuan wonders if this, now, will be when the boy (no longer a boy) asks for the immortality to be revoked. Surprisingly, he finds himself resistant to the idea, even though it's also clear that the game has run too long. Maybe hundred year check-ins were too short? He doesn't like the implications of what's gone on, even if he's not really surprised about it either.

Between desperate mouthfuls of food, Luo Binghe explains that without mastering inedia, going hungry but never dying is a deeply unpleasant experience. Shen Yuan orders more food. Once Binghe has finally eaten his fill, he begins, haltingly, to explain his situation. His clothes are ragged, he is painfully thin, and his gaze is haunted.

Apparently, several of his wives conspired to assassinate him, despite his reputation as unkillable. Realizing that most poisons and such didn't kill him, but that he could still be incapacitated, they hatched a scheme to dose his food with a powerful sleeping agent, and then walled him up in a famous ancestral tomb. They went to great length to ensure that it was impossible to escape from. It took Binghe decades to do it anyway, digging away at the floors, and when he got out he found that his power base had collapsed. In-fighting and the incursion of his enemies had led to the deaths of all of his children, and what wives had survived had either fled or remarried. Not that he particularly wanted them back at that point, since the ones actually most loyal to him had also been killed early on after his own "death". His face marked him, to the eyes of his enemy, as a surviving descendant of himself. He was hunted down, chased across the continent and back again, until he managed to fall into enough obscurity that his pursuers abandoned the chase. Except that he has nothing, and any time he tries to regain something, he runs the risk of being hounded again. Those who might see some potential in him still remember the collapse of his recent "dynasty" and slam doors in his face, or else try and turn him over to those now in power in pursuit of a reward. Those who don't know that much see only a dirty beggar, and usually run him off on that basis instead.

Shen Yuan, almost hesitant, asks if Luo Binghe would like to have his immortality revoked.

Luo Binghe declines. How will he be able to take revenge on those who wronged him if he is dead? He has a hit list a mile long by now.

Which is definitely not the most noble of reasons to persist, but Shen Yuan finds himself reluctant to ask twice. Instead he orders more food, and then even reserves one of the traveler's rooms above the tea house for several days. By then the sky is turning grey, and Luo Binghe is losing his apparent battle with exhaustion. Shen Yuan presses the key into his hand, thinking it's probably not enough, but there are limits to how much gods are supposed to interfere and Shang Qinghua already stretched them to the breaking point with this entire scenario.

He leaves, not seeing the hand that reaches after him just before he is out of the door and gone.

Another hundred years pass. This time, Shen Yuan arrives to find Luo Binghe already waiting for him. He isn't surprised to see that Binghe's situation has visibly improved -- maybe he was keeping closer tabs on him, just a little bit, for this past while. If only to be sure he wouldn't have to warn the tea house workers to expect an unorthodox visitor again! But no, Binghe has been doing well enough for himself. No more harems or thrones, though. He dresses more like a well-off merchant now, deliberately posing as his own mortal descendant rather than as a great immortal cultivator. The food at the table looks far more delicious than usual too (Binghe commandeered the tea house's kitchen himself this time). As they chat, Shen Yuan is regaled with the exploits of Luo Binghe's travels and adventures, how even though he initially set out to claim revenge on those who overthrew him, by the time he was in a position to actually do so they had already died of the usual causes (time, illness, their own schemes backfiring, etc). Subsequently, only their children and grandchildren were left with the scraps of power they had obtained, and when one of those children employed Luo Binghe as a bodyguard, his initial plan to assassinate them eventually fell by the wayside. After all, the wrongdoings weren't actually theirs. From that point, Binghe was able to restore himself to a more comfortable life, joining his new employer on their travels until he had set aside enough earnings to take his leave before his youthful good-looks earned him suspicion. He then began investing in travel and trade, specifically cargo ships, because never spending too long in the same place or around the same people helped disguise his immortality. He had found that, at least for now, this served him better than playing the part of a cultivator. It also gave him time to try and actually repair his ruined cultivation base somewhat, and fighting pirates proved very diverting.

Binghe is midway through recounting his adventures with a gigantic sea monster, while Shen Yuan hangs on every word, when they're interrupted by the arrival of a brash young mistress, clearly wealthy and trained in cultivation. The young lady declares that there is a rumor that a fallen god and a demon meet in this tea house once a century, that they wield strange powers, etc etc, and she intends to interrogate them both with the assistance of her hired muscle and her own spiritual weapon, and discover the truth of the matter. Then she whips out, well, a whip!

Before Shen Yuan can deal with the matter, Luo Binghe is already on his feet, disarming the goons and breaking a few arms in the process. Shen Yuan is so distracted that he almost misses the whip aimed right for him, but before Binghe can catch the barbed weapon with his bare hand (wtf, Binghe, no) Shen Yuan deflects it with a wave of his fan, and then efficiently knocks the troublesome young lady unconscious. The hired muscle flees, Shen Yuan arranges for their assailant to be placed in a room upstairs until she regains consciousness, and he and Binghe resume their meal and conversation in relative peace.

Even though it's clear that Luo Binghe has not yet reached the end of his tolerance for life, Shen Yuan nevertheless finds himself strangely reluctant to part ways at the end of the night. Still, he does, because that's what is expected of him, gently denying Luo Binghe's suggestions that they find some other establishment to continue their conversation at. He also has to investigate these "rumors" that the young lady mentioned. It's probably nothing (Shang Qinghua has a loose tongue when he's drunk, and a lot of imaginative storytellers have frequented this tea house over the years) but he doesn't like being caught unawares like that. Heavenly politics are... complicated, it's best not to court unwanted attention in any capacity.

Another hundred years go by. This time, when they meet at the tea house, Luo Binghe asks Shen Yuan why he keeps it up. Why did he pick Binghe? What is he really after? When Shen Yuan fails to give any kind of clear answer, Luo Binghe shoots his shot and makes a (very obvious) move on him.

Shen Yuan, flustered, gets up and flees. Ignoring Luo Binghe's calls after him. It just doesn't make any sense! Why would Binghe do that?! He's a man who once had a harem of wives in the triple digits! Clearly he's not gay, so what was that all about? Was he just messing with him?! How dare he! Etc, etc.

Another century passes. Luo Binghe waits at the tea house, which has fallen onto hard times again. With the construction of some new roadways, travelers no longer pass through as often. Binghe listens, worried, to the proprietor's laments that this old place will probably not be around in another hundred years. He listens because he has no one else to speak to, because Shen Yuan has not shown up. Not that morning, not during the day, not come evening, and not now that it is closing time. Binghe nevertheless charms and bribes the proprietor to let him stay even after the place has shuttered.

It seems damning, of course. He pressed too hard and now his mysterious benefactor wants nothing more to do with him. Except, no, he refuses to accept that. He's still immortal. And he has gleaned enough of Shen Yuan's character by now that he thinks that even if he was rejected, he would be let down more clearly and gently than this. The more he thinks about it, the less willing Luo Binghe is to believe that he has been deliberately stood up (also, since the tenor of his confession was different from Hob Gadling's, he never delivered an ultimatum about what it might imply when they met up again).

Over the centuries, Luo Binghe has built up a few contacts with similarly strange and supernatural stories. Cultivators, sure, but also others, fortune tellers and people of strange ancestry, questionable abilities, those who have interacted with powerful beings of mysterious provenance. He makes his way to a certain gambling den, frequented often by such people, and while he flashes around enough money to draw curiosity, he collects information. Shen Yuan wasn't the only person who started paying more attention to the kinds of rumors surrounding the two of them after their confrontation with the young cultivator a couple centuries ago. And in fact, Luo Binghe has been spending many, many years trying to find out more about his mystery man. Though, too many potential deities and immortals fit his description for him to have ever conclusively figured much out.

This is how Binghe gets wind of a rumor that an eccentric occultist has somehow captured a god in his basement...

[sclappin]

This was part of my undergrad illustration thesis, which was illustrations to accompany the text of Shakespeare's The Tempest, repurposing aesthetics and imagery from the rural New Hampshire village where I grew up.

Reposting this piece from May 2020, because it is now available as a print, and Tumblr is being weird about letting me edit the original post to add alt text and a link.

[spellmage]

my Nevarra headcanon is that they love Memento Mori rings

[cuties-in-codices]

the wild woman ruel carrying wigalois

illustration from a copy of wirnt von grafenberg's arthurian romance "wigalois", alsace, c. 1420

source: Karlsruhe, Badische Landesbibl., Cod. Donaueschingen 71, fol. 125r

[thesmokinpossum]

If My Body Could Speak, Blythe Baird | The Godfather, Mario Puzo | My Father's House, Sylvia Fraser | To The Daughter Who Secretly Longs For Her Mother’s Affection, Lynne Shako | Storms from Jupiter, Wanda Deglane | DO NOT REPLY, @filmnoirsbian

[theside-b]

CENTURY OF LOVE (2024)

[uwmspeccoll]

Typography Tuesday

GIOVANNI BAPTISTA VERINI

Sometime between 1526 and 1527, Italian calligrapher and writer Giovanni Baptista Verini published his noted 4-part handwriting manual, Liber Elementorum Litterarum, probably at Toscolano on Lake Garda. This very rare book stands between the great manuals of Albrecht Dürer's Four Books on Measurement (1525) and Geoffroy Tory's Champfleury (1529).

The images shown here are from a 1947 printing of the third part of Varini's manual, published as Luminario or the Third Chapter of the Liber Elementorum Litterarum on the Construction of Roman Capitals, with an English translation by English librarian and typography expert Alfred F. Johnson (1884-1972) and an introduction by the master type historian and designer Stanley Morison (1889-1967). It was published in Cambridge by Harvard College Library and in Chicago by the Newberry Library, and printed in London by the Office of The Times in an edition of 510 copies.

Next to nothing is known about Verini himself. In his introduction, Morison writes:

The meagre details concerning the career of Giovanni Baptista Verini provide material for few positive statements. He was young, he was a citizen of Florence, . . . and a bookseller there. . . . If Verini's "Luminario" . . . was not reprinted, if was a disappointment he was prepared for, as witness the text he chose to place on the title page of part three, here reprinted after four hundred and score years: OMNIA LABUNTUR SED VIRTUS SOLA VIRESCIT [Everything slips away, but only virtue remains verdant].

View a post on Albrecht Dürer's manual.

View a post on Geoffroy Tory's Champfleury.

View more Typography Tuesday posts.

[even-more-pro-fiction-jellicle]

People will really say things like "this irl adult woman wearing lingerie is child-coded" and don't ever stop to think about the question of why they associate lingerie with irl children.

This reminded me of a while ago when I saw a post about someone in a Pokemon discord complaining about a game mechanic being pedo-bait because you could... put Pokemon in dresses?

And they'll continue on with no self-awareness of how they're closer to the "you wouldn't have gotten raped if you weren't wearing that" crowd (for both children and adults) than any reasonable people trying to reduce harm and encourage respect for others.

[gdn7-dollopole]

They should have dwelled more into Merlin’s skills (and I’m not talking about just magic)

As I rewatched Merlin, I realised this man has so many skills?!

We often talk about how surely Arthur must have thought him how to use a sword (I agree 100%) but Merlin also knows how to hunt?

He dislikes it, yet years and years of going hunting with Arthur proves to be fruitful. Merlin founds the deer in season four before the entire Camelot patrol. He knows how to recognise tracks on trees and traces of feet in the mud (he knows how to build them in the right way with magic, too). And I have proof that Arthur teaches Merlin, because in season five, Arthur makes Merlin see what was wrong with the branch. when they went out and Arthur noticed that someone (Mordred) had walked past the woods.

Also, season four, episode two? Merlin wakes up before Lancelot and HE IS HUNTING FISH LIKE A MASTER?!

Have we talked about this? Who taught him? I believe most things he already knew how to do, since he grew up in a village with a single mother where everyone had to fetch up for themselves.

He also knows how to cook. And he gets compliments (even if they are jokes) from the Knights and Arthur himself too.

HE IS A PHYSICIAN, and I wished we could have seen so much more of that, because he is hot, because it proves that is so good at learning, listening and also teaching. He tells Daegal how to get rid of the poison, poison, in his body and HE IS STILL SO HUMBLE ABOUT IT?! He spent more than ten years being an apprentice and when Daegal tells him he is a good physician, Merlin denies it?! Bro has low self esteem.

Merlin also has all the skills required from a servant, like sewing, cleaning specific fabric in a certain way, polishing armour and so many other things, adjusting swords and weapons ecc.

I guess it pisses me off when Merlin is described (heavily in fanfictions too) like an incapable manservant, unable to do things for himself or defend himself without magic, when he spent ten years in Camelot doing new work after new work. Just because he was scared at the end of season five without his powers (because he had never lost them before) it doesn’t mean Merlin isn’t capable of using a sword, or help himself, since he does and challenges Morgana too, even without powers.

EDIT:

Merlin also knows how to use a crossbow and how to fight side by side with Arthur and he knows where to head, where north and south are, based on the scent of the air?! Merlin knows so many things.

[ltwilliammowett]

Rigs and Ship Types

[starlight-incarnate]

House of Feänor as Aesthetics:

Fëanor  —  loud voice, commanding presence, analytical, natural leader, piercing eyes, foggy hillsides, black boots, tipping their head back to breathe the air, mirrored lakes and everything below the surface, tearing leaves from trees, blunt sarcasm, long dark hair, deep sleeper, rotting tree stumps, black leather jacket, songs that makes you want to create a storm, rebellious, ambition, unstoppable passion, fast trains, polaroids, empty castles.

Maedhros — walking silently, stronger due to all the stuff meant to kill them, ignoring their mental health issues, fiery red hair, crumbling marble, oversized hoodies, raw voice, lingering touches, faint music in the distance, calming down from a panic attack, long heavy cloaks, cold hands, disillusioned with the world, insomnia, unhealthy habits, sighs made visible by cold night air, strong hugs, never sleeps, loud music, freckles, dark under-eyes.

Maglor — hypnotising smiles, a broken mind, melancholy, driving through mountains and the woods, iced coffee, the faint feeling of raindrops on your cheeks, ripped jeans, tight hugs, whispered compliments, deep conversations, late night texts, nimble hands, thin blades, white lilies, vertigo, unkept journals, lightning and thunder, rhythms so raw the heartbreak is showing, shattered glass, walking alone on a cold night, silver necklaces, regret.

Celegorm — bright eyes, climbing rock formations, cold-hearted, hard breathing after running, wood cabins, gladiator arenas, wicked smiles, twisted branches, wild hair, growing more and more dangerous, night drives, adrenaline rushes, bruises, bloody cloaks, running from society, breathless laughing, that animalistic unpredictability, silver and leather bracelets, strong coffee after a sleepless night, city lights from a high rise, addiction, barking dogs, hurricanes.

Caranthir — ironic smirks, bitten nails painted black, lightning in summer, empty threats, sunglasses hiding dead eyes, thick chain jewellery, temperamental, goes to car races just to watch the crashes, deep glares, tongue/lip piercings, midnight walks, lightbulbs burning out, diamonds, crushed ice, a glint of cat eyes in the dark, gold coins in storm drains, cold hands, storm clouds rolling in, theatres, suppressed emotions, wrought iron gates, motorcycles. 

Curufin — cherries and Diet Coke, white marble, a studio apartment on the 67th floor, tattoos, neon lights, sweetened coffee, smudged makeup, too-loud music, cursive notes written in red ink, veiny forearms, sharp canines, fresh snowfall, high rise buildings, white light, sheer robes with nothing underneath, fog, stained glass windows, colourful hair, slow heartbeats, long-forgotten love, cold mountaintops, eternal silence.

Amrod — burnished copper, feverish eyes, hues of orange and gold, stars and spades, brewing tea, freckles, hardwood floors, poisonous flowers, listens to Hozier, messy hair, fake circle glasses, bullet point notes on a restaurant napkin, comfortable silence, broken wings on insects, old hungers, the whispering of trees, kicking stones on deserted paths, forgotten places, origami stars, old overgrown stone castles, morning mist, horse riding.

Amras  —  misplaced keys, wandering aimlessly, selectively mute, deep lakes hiding secrets, pine trees, restless nights, misunderstood, reliving the same day over and over again, graphic tees, dead moths, visual mind, muffled screams into a pillow, listens to asmr, doc martens, profanity, burned cigarettes, zoning out often, heart fluttering nervously, confusing satellites for stars, comic filled bookshelves, radios, old jeeps, glowing keyboards.

Celebrimbor — ravens, white-hot metal, the darkest shade of black, glittering skin, low waist pants, stars falling, the heat lingering in the evening, petals falling off dead flowers, trusting the wrong people, blue veins, cobblestone paths, linoleum tiles, bruises/scars easily, the heat lingering in the evening, cities awake late, card games, overanalysing everything, shiny fabrics, the slamming of a shot glass, the sting of betrayal.

[pfhwrittes]

have a chunk of tradie!141 for your reading pleasure.

it's fuckin' pourin' down, has been for the last 3 days and the forecast ain't getting any better. thick, claggy muck sucks at the soles of simon's boots, threatening to pull 'em straight off his feet as he crosses the quagmire to slip into the portakabin-cum-office where he knows his skipper'll be.

price is fumin' under his hard hat, his ancient brick of a phone glued to his ear as he barks out demands to whichever poor sod is gettin' an earful off the boss today (probably nik, who straight up refused to drive onto site, stating bold as brass that the wagon would get bogged down, fuck the delay, captain. i'm not hurting my girl for your timetable).

with a disgusted snort price throws the offending phone onto the cluttered desk sending a sheaf of papers careening onto the floor.

"fucks sake, riley. what d'ya want?" price growls out in his direction and simon just lifts a battered eyebrow at the tone. no point gettin' his knickers in a twist over weather but price has always thought himself better than acts of nature and god himself.

"told the lads to put the tools down and go 'ome."

if looks could kill, simon would be buried in a shallow grave under the portaloo. price's face is as stormy as the sky rumbling ominously outside.

"well tell 'em to pick them back up, for fucks sake! we've got a fucking job to do here, simon." price snaps, his patience well and truly gone and it isn't even dinner time by simon's watch.

simon's hi-vis jacket creaks forebodingly as he straightens up.

"no."

there's a beat as simon squares off against his skipper, the unstoppable force of john price smashing against simon's immovable iron will. simon's known john a long fuckin' time and he'll play dirty to keep the crew safe if he has to. john's seen him walk off jobs for less.

price sighs noisily, ruffling the ends of his moustache.

"right then. who're we losing?"

"gaz can't work with the humidity, ale and rudy can't paint if gaz ain't finished the plaster, don't trust soap not to fry 'isself, and flash is sat in the van dryin' out." simon counts off on his fingers.

price's eyebrows hike up to his hairline at the mention of the plumber's apprentice.

"'s matter with flash?"

simon chuckles at the memory of flash covered head to toe in mud after an unfortunate tumble.

"debuted 'is mud-wrestlin' career f'r us."

price snorts out an amused sound and shakes his head. poor sod'll be miserable for the rest of the day without any spare kit to change into.

"right, go on then. tell 'em they can fuck off for the day." price reaches for his abandoned phone, probably to tell the client, some jumped up property developer-slash-social media wanker, that the job's been delayed by the shit weather. (simon doesn't envy him in the slightest, last time he met her she looked him up and down like he was scum and he was tempted to "accidentally" score the side of her flash car with the end of a length of 22mm copper pipe.)

simon offers price a nod and turns towards the door of the 'kabin, hooking the flimsy hood of his jacket over his head.

"oi, riley. you better not have stuck flash in my van."

"nah, stuck 'im in with soap and gaz. i ain't gettin' that shit on our seats."

price's barking laugh follows simon out the door into the pissing rain.