#CHOOSING A LIFE

[aforceofevilandchaos]

Oh. my. gosh. I can't believe this last episode.

Ruthie finally getting to fly?? Pool doing magic stuff with Elemin?? Acera finally sleeping?? Carlin's hidey hole?? 5 days of these people trapped with no one to talk to but each other?????

Man I love this show.

[beaft]

my mum forbade me to say anything to my dad about the top surgery thing, and it's just hit me how funny it would be if i got it done and didn't tell him and just waited for him to notice. i mean, what's he gonna say? "didn't you used to have tits?"

[a-sweeter-solarsystem]

take my hand for a moment

your objective from this point on is to survive

the election results are going to take a few days. The world is going to be very tense. I want you to take all the things you like to do to distract yourself and splurge on them. I want you to go eat your favroite foods and spend time with friends. I want you to do what you gotta do to make sure you can make it through the week.

There are people out there who want you to survive. There are people out there who are just as scared as you are.

We'll get through this. We will find a way

[hinamie]

post-graduation trip airport looks

[miothle]

Farewell, Kakavasha.

[mxmarsbars]

just some concepts ^.^ can’t wait for the next episode where nothing goes wrong :,3

anyways so uh. suit symbolism and stuff. i think it kinda fits them.

EDIT ; I DON’T KNOW WHAT HOMESTUCK IS /LH

[hansoeii]

Ghosts! 👻

[rubyfunkey]

despite all my rage i am still just a cat outta chains

[nezhanetwork]

based on falseknees' comic :)

[galaxystt]

"Sometimes you just gotta cut their throats."

[bigfatbreak]

Birds of a Feather previous / next

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[very-small-giant]

it’s the parley room…the parlor room? the parley parlor.

[poorly-drawn-mdzs]

Not beating the allegations.

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[ambrosiagourmet]

This is just a smaller observation that will hopefully someday be part of a larger analysis on Kabru's view of Laios & how Laios impacts him...

But I think it really interesting that Kabru surrenders something for Laios twice, and that these moments are inversions of each other.

The first time, Kabru gives up his life to maintain his control. He changes the course of the entire story with this action, and is willing to die to achieve that. Kabru is (supposedly) entrusting the future to Laios, but he is still very much the primary actor in the overall narrative. He is still the one choosing what the story should be.

The second time, however, Kabru gives up his control to keep hold of something personal and selfish (in the way of dungeon meshi selfishness - it is a good thing to keep this desire. It small piece of what makes him a living creature). He steps aside to let Laios choose the way forward. He surrenders narrative agency for personal agency... not changing the story, but changing himself.

[catgrandpa]

I need a fic where Bruce realizes this kid who shoved his way into his sidekick roll will not be leaving anytime soon, and instead of emotionally distancing himself he becomes a combination Helicopter Mom and Shotgun Dad.

☆彡

Tim: Bruce, I’m headed out to meet my friends at the mall.

Bruce: Is that Kent boy going to be there?

Tim, rolling his eyes: Yes, Kon is going. And so is Bart, and Cassie, and maybe Bernard if he can make it.

Bruce: Hnn. Do you have everything? Coat, scarf, keys, wallet, tracker, pepper spray, dagger, kryptonite shard, emergency beacon, first aid kit, fire starter, extra pair of-

Tim: Yes, Dad! I already went through the list with Alfred. I’ll be fine.

☆彡

Kon: Hello Sir! I’m here to pick up Tim!

Bruce: Follow me.

…

Bruce: Sit down.

Kon: In your study? Is Tim on the way, or…?

Bruce: I just thought you might need reminding of the fact that I have a vault downstairs full of items specifically designed to take down a Kryptonian.

Kon: Whuh?

Bruce: You should probably ask your father about the time I was slightly annoyed with him for encroaching on one of my cases.

Kon: Why are you telling me this?

Bruce: Now just imagine what would happen if someone were to hurt my darling little boy.

*door opens*

Tim: Hey Bruce, Alfie said Kon was here, have you seen him? Oh! Hey, why are you two in here??

Bruce: Oh, hey sweetheart, we were just chatting. Have a good time at the carnival!

☆彡

Dick, pouting: I don’t understand, you’re not this protective over who Jason or I date.

Bruce: Don’t be ridiculous, Jason and I may have our problems, but he would never betray me by gallivanting off with someone I disapprove of.

Dick, who covered for Jay sneaking out to visit Roy Harper just last night: Mhm yeah, sure. And you’re not worried about me?

Bruce: Chum, I’ve known who you were going to marry since you were 12 years old.

Dick: WHAT?

Bruce: I have the whole ceremony already planned. I’ve got Gotham’s best wedding planner on standby. You have a very nice house waiting for you both, 20 minutes from here. A modest 7 bedrooms on 5 acres of land.

Dick: I’m not even dating anyone?!

Bruce: I can’t wait to meet my 3 grandbabies:)