#But this has been weighing on me

[kithtaehyung]

hi ryen! i recently posted a yoongi fic up on wattpad and took a bit of inspo for it's intro from your intro there for 3tan, i hope you don't mind :)) but if you do, i'll be more than glad to revise the intro chapter! i'm just super new to actually publishing series so i'm looking into fics i really like for format inspo so i can get more used to it ! i chose you bc u were the one who inspired me to actually publish the series that i've been working on for a bit now (felt so after reading 3tan, AMAZING fic btw, i mean it sm !!!) so thank u sm for being an inspiration!

ah.. what is the fic, babe. what does the intro look like. did you list three tangerines and kithtaehyung as credit for the intro? may i please have the link, too?

this goes for everyone: please ask or let authors know you are wanting to take inspiration from them before you write anything because tbh this ask is very, very jarring to read even if the intentions are good. bc i don’t know if i’m fine with it or not since there’s no link, and idk if the inspo is a retelling, reconstructing, or really just a quick nod.

y’all…. i’ll be honest, there’s been a lot going on over the last few months regarding 3tan. while i am honored and flattered you hold this series in high regard, the multiple instances of no credit being given, or me being told that 3tan has been used after fics have already been posted with no mention in the fic notes, is breaking my creative spirit and is making me question whether i even continue this series or not.

the one thing that would keep me going is the sole reason that it helps people, but i would be miserable continuing because of the constant feeling that anything i pour my heart into will be taken from me without even a courtesy question if it could be used or not.

if this is shocking to read, it’s because i’ve been keeping all of these instances private. but i am at my limit and i truly don’t know what to do now.

[prodgermmath]

Being trans in England right now feels a lot like someone’s got you at gunpoint, and people are handing them bullets while telling you how much they support you, and how much they don’t want you to get shot.

[fox-mulder-gets-pegged]

I just wanna say bc I KNOW you're somewhere on tumblr, to the teenage girl who attended Take Your Kid To Work Day at an office building in Ontario, Canada circa 2013 and had a conversation with a middle aged woman in which you showed her your Black Veil Brides fanart and fanfics and ship content and told her about different fanfic tropes including a/b/o verse bc she happened to know who Panic! at The Disco and Fallout Boy were and thus you felt the need to show her your bandblr ship art, that was my fucking mother and I had to clarify all that to her including looking my mother in the eye and trying to explain a/b/o verse without sounding like a lunatic.

It's been 10 years and I still regularly sent evil energies in your direction. Since you'd be probably two years younger than me and thus legally an adult now, please know if this post reaches you it's on sight.

[aroaceleovaldez]

i have suddenly become obsessed with a theme that HoO established but never proceeded to extrapolate on, which is:

You are Percy Jackson, and you have been swapped with a boy who was allegedly everyone's favorite person, but they have decided to replace him with you. They just met you. You stand next to his best friend and the people he's known his entire life. In his home. In his cloak. In his place. They stopped looking for him.

You are Jason Grace, and you have just found out you have a long lost sister who completely replaced you in her life with this girl you just met. Your lives and personalities are mirrors. She is you, living the life you were robbed of.

You are Annabeth Chase, and you have just become starkly aware that you have been inhabiting the void left behind by your best friend's long lost brother. You and Luke were just replacements for him. Now you have to look him in the eyes when he has nothing and know you took that life from him.

You are Piper McLean, and you have just found out your relationship is fake and built entirely on the memories of Annabeth Chase. You have been given a boyfriend when hers has been taken away. You have no idea how much of it is real or not but regardless you feel like if your relationship isn't exactly in their image that you have failed.

You are Leo Valdez, and you have just learned that you are the echo of your great-grandfather. You are not your own person. You just exist to be a mirror of him. A doppelganger. An actor and stunt double facing all the danger he never had to but wearing his face. To be there for his best friend decades later simply because he couldn't. You are playing a role. A seventh wheel and a pawn for a goddess who carefully sculpted your entire life for her own purposes.

You are Hazel Levesque, and the only reason you are alive is because your brother couldn't save your his sister. You are a consolation prize. An apology. Your existence here is misplaced in every way but you inhabit it anyways.

You are Frank Zhang, and you are a shapeshifter. Inhabiting your own body feels strange and clumsy when you could be literally anything at any time. You are anything and everything and live your life with the simple certainty of knowing exactly how you will die.

[meamiki]

mira !!! :]

[keepingeahalive]

Miss Rosabella Beauty: The Queen of Wasted Potential

Okay, I'll admit it. I do ship her and Daring. I'm a sucker for Beauty and the Beast, and I couldn't help myself. That said, objectively, this ship and Rosabella's character.... yeah, it kinda sucks.

Maybe I didn't want to admit it because Beauty and the Beast is my favorite fairytale. But the more I look into her character, the more I realize she embodies virtues that contradict her own story. Epic Winter was more about "fixing" Daring's supposed selfishness than addressing the real elephant in the room, and Rosabella was a plot device to push that narrative. I think she could have been an interesting character with flaws and a lot of depth. But she wasn't, and I am very very disappointed.

Her Character

The first time I saw her, I was really rooting for her. She's an animal rights and monster activist. She could have been great friends with Cerise for that reason. She could have even had interactions with Ramona in the past. But she comes off as self-righteous and preachy.

I get she's an activist and that's the joke; activists are inherently self-righteous. But this is Ever After High. Where's the nuance? She could be an animal and monster activist because she's experienced prejudice herself. She's the daughter of Beauty and The Beast. Look me in the eye and tell me she doesn't have any Beast genes. I dare you!

It's canon that Beauty and the Beast is considered a bad destiny story, with the stigma of the heroine falling in love with a creature most fairytales would pin as the villain, and a handsome prince carrying the stigma of being of being a beast even after the curse is gone. She should understand that better than anyone. And yet, this kindness and compassion she tries to convey comes off as condescending. She inserts herself into situations because she feels she's needed when nobody has asked for her help.

2. DARABELLA

Rosabella was only introduced in one minisode and suddenly gets a big role in Epic Winter? She and Daring hadn't had a meaningful conversation up until that point. Really, she barely knows Daring.

For the daughter of Beauty and the Beast, she's so .... judgmental. She's supposed to have the ability to see people's true intentions, but why does she get it so wrong? She immediately assumes Daring is self-centered and narcissistic. On the surface, I can see where she's coming from. But, that's only on the surface.

Daring is more complex than she made him out to be, and Epic Winter wanted the audience to think she was in the right. We know this isn't true. Daring loves being a hero and saving people. He loves his siblings and does what he thinks is best for them. He certainly cared about Lizzie enough to respect her wishes. He's chivalrous to a fault!

Daring is clearly going through some things, and it doesn't seem like anyone's paying attention to what's really bothering him: He has no purpose anymore. He's been brought up his whole life thinking he would be King of Ever After, and now his world is shattered. He's not coping well. And Rosabella thinks he's full of himself when she's barely met this guy.

Having him become the Beast from Beauty and the Beast felt natural to me in the story progression, but Rosabella's inclusion felt forced. She gives him the same old advice from her original story when she should be hinting at something greater. This should be the turning point in Daring that destiny is malarky, and he can break away from the expectations his family and peers put on him. But she doesn't understand that. She only sees that he's obsessed with his looks because his main form of coping is gone.

He's not really upset about his looks. He's upset that his destiny is gone, and either that's not as important to her as him getting over his looks or she doesn't know him well enough to know what's been put on him. Assuming it's the latter, why wouldn't she try to find the root of the problem instead of fixing what she thinks needs fixing?

Daring is the victim here, even if he has issues to work out. And it doesn't seem like she's really listening to him.

3. The Cousins No One Talks About

Yeah. Rosabella and Briar are cousins. And there is very. little. BACKSTORY!!

We know their dads don't get along. Briar's is a monster hunter. Rosa's is The Beast. Their moms are sisters. That's all we know. What's her relationship with Briar? Is it a tragic sisterly bond? Or did the two drift apart/fall out because of their family conflict? Rosa's mom is likely the black sheep of the family, so do she and Sleeping Beauty still talk anymore?

How does Briar feel about all this? Does she have time to feel anything about it at all? She has her own family and her own destiny to worry about. What kind of influence did Briar's parents have on her views on beasts? She hadn't even been to Rosa's home until they were both well into high school. How much do they even know about each other?

We know so little about their dynamic. Family conflict shapes a child, and both of them probably have some deep-seated trauma relating to their families. But did the writers forget that they're cousins?

4. How I Would Write Rosabella (and maybe Daring)

First, give her the ability to transform into a beast. It's not hard.

She's advocating for people like her to exist. She wants people to see both sides of her and those like her to be seen as more than monsters. But she's had her fair share of prejudice, even within her own family. Her uncle is a monster hunter, so a half-beast niece would be considered an abomination. Because of this, she suppresses her anger to better the image of beasts. She doesn't want to, but she feels like she has to, for her own safety and to make herself more palatable in society. However, the more anger she holds in, the less control she has over herself. Her judgment becomes clouded, and this makes her jump to conclusions about people's behavior. She wants things to be fair so much that she gets in trouble for it. She wants to be understanding and patient, but having a hair-trigger temper gets in the way of her goals.

Give her a backstory with Cerise and the Hood-Badwolf family. Her family would know more than anyone the hardships that a human-beast family goes through, and they should be very good friends because of that. Her growing up around Cerise and Ramona would give her more of a reason to protect the beast population.

If any sort of relationship with Daring were to work, they would both have to learn from each other. Daring would learn to let go of people's expectations of him, and Rosabella would learn to let her anger out in a healthy way and pick her battles. Daring can't be the only one learning from her, and Rosa shouldn't see anything to fix in him. She needs to accept him for who he really is, not just preaching about appearances.

She should be embodying both Beauty and the Beast, all the kindness and grief that comes with it. She's not meant to be a paragon, and the writers should not have portrayed her as such. She needed to be a character with her own development. She needed to be portrayed just as in the wrong as Daring was when they met, not about appearance but about each other. She needs to admit her mistakes and acknowledge she is not always right about everyone. Or, at the very least, have her see right through Daring's facade about looks and realize there's something deeper going on.

The writer's dropped the ball on this ship, and they did Daring so dirty here. But they also did Rosabella a disservice by making her so two-dimensional and preachy, almost not even her own character. There are so many routes they could have taken with her. She could have been great, but she wasn't.

[commsroom]

the scene at the end of who's there?: eiffel is cut off mid-sentence (addressing minkowski), minkowski calls his name twice, and hera says, "commander... he's not showing up on any of my scans. he's gone." vs. brave new world: eiffel is cut off mid-sentence (addressing hera), minkowski calls his name twice, and hera says, "he's... commander, he's gone." in idle hands, eiffel regaining his autonomy ("hera, it's me. i'm me again.") is described: "there's a SOFT WOOSH, and eiffel's eyes go from spaced out to sharp focus." in brave new world, eiffel losing his memory is described: "there's a SOFT WOOSH, and his eyes go glassy." in mayday, hera's voice is the last one eiffel hears, the last voice in his head trying to keep him from giving up when he's sure he's about to die. in brave new world, eiffel loses his memory mid-thought while addressing hera, and so she was his last memory, the last thing on his mind. whatever. whatever.

[srcepiksla]

one must imagine claudia de lioncourt de pointe du lac happy and smiling and carefree and resplendent etc etc

[angstics]

on my chemical romance's history of racism:

(edit: i wont rewrite anything since that will create discrepancies in reblogs. however, i will include these important additions: post 1 and post 2)

cultural appropriation is a neutral term that turns negative when people co-opt a culture without consideration to its people and history, or their prejudices and privileges. the rising sun japanese flag is an imperialist symbol used during japan's occupation of other countries from 1870 to 1945 (the guardian 2019). unlike other symbols of terror, the rising sun is normalized because of the japanese government's refusal to acknowledge its history. the symbol's meaning was popularized a few years ago when people from south korea protested its legality in the 2020 tokyo olympics (bbc 2020). aware or unaware of its history, americans have long appropriated the rising sun. in part because of their fascination with japanese art, in part because of orientalism -- a fixation on asian cultures that centers "exoticism".

my chemical romance has been associated with the rising sun symbol a couple of times. frank iero used to have a tattoo of it. gerard way designed frank's killjoys outfit to include it (seen in concept art and music videos). it is often used in mcr fanart.

tokenism is when something contains limited diversity to divert criticisms for the lack of it. my chemical romance has had a very white cast of characters in their music videos and stories. in the "i dont love you" music video, a main character is in black body paint. in the casting call, they specifically asked for a white man (there is 100% an online source -- please let me know if you have it). even casting a black person for this role would place him in a video that appropriated his skin color to mark his "difference" from the light-skin female character.

the female character points to the band's main problem with tokenism. if they arent casting a white woman, theyre casting a light-skin asian woman. the woman in the "i dont love you" mv is fetishized for physical traits stereotypically attributed to east asian women: big eyes, daintiness. east asian women feature most prominently aside from the band and main characters in the "welcome to the black parade" music video and photo shoot. the photoshoot is the only place where an ashy-faced black man and ambiguously tribal? brown man are seen (brought in by photographer chris anthony per the "making of the black parade" book). the director antagonist of the danger days music videos (shown in "sing") is a japanese woman. she is the only main character of color in the music videos and the killjoys: california comics. the focus of this post is on my chemical romance, but the comics are important to showcase that the reality is never "color-blind casting" or "limited roles". it's mostly white creatives (band members and directors and artists) who ignore non-white people when they cant use them, reflected as much by gerard way years later (nyt 2019).

"japan takes over the world" is a media trope that is built on the late 20th century fear of the return of imperial japan. this trope frames japanese people as unique aggressors, feeding into "yellow peril" fears of asian people "taking over" the white race. this trope is suggested all over the danger days universe, where the corporation BL/ind overthrows the US government. the appropriation of the japanese modern flag and lettering on the killjoys outfits, the primary BL/ind villain being a japanese person who only speaks japanese in videos, the official BL/ind website having a ".jp" domain and english-japanese translations. japanese people and culture only exist in this universe to decorate and threaten.

the point of this post is not to punish my chemical romance. in the decade+ since, they have made meaningful changes -- the sing it for japan project to aid japan during the 2011 earthquake-tsunami, developing diversity in gerard's comics / tv show, a mexican-american main character in the 2020 summoning video. people of color treated as real goddamn people.

however. all these faults exist in frozen time. there is no discussion attached to the work. so anyone, fan or casual, may come across it and not notice or care for these important issues. i know all this shit and i still fail to see instances of what i highlighted. it's difficult locating not only your own prejudices but those of others. those you look up to.

"my chemical romance" is the product of many people from 2001 to 2013. many of these people were male, white, american, and/or, most radically, liberal. clearly laying out what they did wrong is important. being careful with history and culture and personhood is important. prioritizing growth is important. constantly. forever.

[akiiame-blog]

It's really difficult watching a friend you really look up to clearly not doing okay mentally. I want to help them so badly, but I don't have the resources to do so.

I just hope that they'll be okay.

And if anyone needs this today: You matter. You are loved.

[qpjianghu]

(...but what if I was?)

Li Lianhua / Li Xiangyi | Mysterious Lotus Casebook (2023)

[sekai-no-reita]

[bacchuschucklefuck]

My Accolades

[dittolicous]

If I can be real for a second - what turned me off from BNHA/MHA wasn't even the series itself (though it def has some things I don't care for in the later half) but the fucking real life League of Villains stans who just CONSTANTLY blasted the hero side and acted like LoV were totally in the right just because they have tragic back stories where they were abused or failed by society (it started getting truly unbearable when Hawks killed Twice, like jesus. I will forever argue his actions were entirely valid, if misguided, given the information he had).

Because... it's literally the gif.

The who damn point was that they had valid points, that hero society was fucked up and failing the people who needed help the most... but LoV were not against MURDERING GENUINELY INNOCENT PEOPLE and thus had to be fucking STOPPED. They didn't just kill heros, they'd kill civilians as well. They were actively continuing the cycle that hurt them, just for the other half of society. Their actions weren't about making everyone equal, it was about making others suffer and putting themselves at the top.

Their reasons being understandable and sad DON'T MAKE THEM THE TRUE GOOD GUYS. Just like the heroes weren't purely the good guys because they fought bad guys (fuck Endeavor, all my homies hate Endeavor). It was gray vs gray, not black vs white. Both sides had something they needed to learn or understand, and change as a result of.

I just got so sick of wading through 'LoV is right!' 'Kill Hawks/All Might/etc.' 'All Mights a bad guy' rhetoric, I couldn't enjoy MHA.

[clowndensation]

there’s a question to be asked i think about to what extent “getting out” can be conflated with “being saved” in this show, and what freedom actually means to any of these characters.

like you can argue that shiv saved ken by voting against him on gojo, but what if your intent behind saving someone is to inflict a worse punishment than if you’d just left them trapped? can a child weaned on poison survive on milk, or are you just sentencing them to a death by inches, starved of the only thing they know? and if you save someone specifically because you know that being saved is the worst thing that can happen to them, is that kindness or cruelty? at what point does a good thing become a malicious act?

and you can say that roman is finally free, but what exactly is he free from? the company? his father? does unlocking a cage mean saving a dog, or are you allowing him out on the street knowing there’s a kill shelter nearby? if the driving anxiety behind roman is that he’s an idiot and a failure—that he’ll never amount to anything, and trying will only lead to pain—and he’s finally cut loose once all of those anxieties have crystallized into cold hard fact in his mind, what has he actually escaped from? if the cage is in your mind, is it even possible for somebody else to unlock it?

the fundamental truth of a tragedy is that even being saved can be a death sentence, if the characters are incapable of escaping the thing doing them the most harm (themselves and their childhoods)

[javierpena-inatacvest]

*inhales deeply to prepare to screech* CHAPTER 20 IS FINALLY DONE. IT'S COMING TOMORROW. LET'S GET THESE TWO MARRIED 😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭

here's a sneak peak below the cut hehehe

Thank you so much for bearing with me on how long this took, I appreciate your patience so much 🥺💛

IT'S WEDDING TIME, BABY!!!!!!!!!!