#But in the process of trying to make an excuse for them to want to be a couple (as if their inherent dynamic and original interactions

[eddis-not-eeddis]

How To Stop Killing Conversations

Talking is hard. People are confusing. Making friends is difficult, and interacting with coworkers is tortuous.

You want to make friends, you want to reach out, but it's hard and every time you start a conversation it dies, or limps along until both you and the person you're talking to are looking for excuses to kill it and put it out of it's misery so you can both escape the increasingly awkward situation.

As an introvert who has suffered a lot of social anxiety in my time, let me share a few tricks I've learned over the years going through hundreds and thousands of excruciatingly painful conversations until I found something that works. I've kind of distilled the process.

ALWAYS ASK A QUESTION!!!

The first thing is to always leave your partner an opening. You need to let each other talk for a conversation to get off the ground, but it's more than that, really. You need to actively encourage each other to talk. The best way to do that is to ask questions.

Here are two examples of an introduction: Example A

You: Hello.

Them: Hello.

You: Nice to meet you.

Them: Nice to meet you too.

Example B

Y: Hello, nice to meet you, how are you? T: I’m doing well, yourself?

Y: I've been really well. How are you liking the weather?

T: I'm so happy the weather's finally getting cooler, I'm looking forward to pumpkin spice season. Do you like lattes?

Do you see how in Example A the conversation wasn’t going anywhere? It just kinda died, because there weren’t any openings for new topics, whereas in Example B, there were openings to keep the conversation going.

But what do you do if your conversation partner is as socially inept as you were two minutes ago and doesn't play along? All is not lost.

Example C

Y: Hello, so nice to meet you, how have you been doing?

T: I'm doing well.

Y: That's great, are you enjoying the nice weather, then?

T: Yeah. I'm glad it's finally fall, I'm looking forward to pumpkin spice lattes.

Y: I love pumpkin spice lattes! Pumpkin spice anything, really. I recently got the best pumpkin spice candle at the shop down the road, have you been there?

Even if they don't leave you an opening, you can usually make one. It may be difficult, especially when they don't give you much to work with. This is where having a go-to script is a life-saver--me, I always default to talking about the weather, so when in doubt, you can do that.* The important thing right now is to keep fostering the conversation, so once you bring up the weather, segue into a question. When they answer the question, make a brief comment or observation from your own experience and build off of that comment or observation to ask another question.

"But I don't want to make it about me. Doing that's bad, right?"

This is why that questions are important. If you haven't been asked a question, you kinda have to make it about you, you don't have a choice. But to keep from being an attention hog, follow up your shared experience or anecdote with another question.

Example D

T: I love pumpkin spice lattes

Y: Me too. I had the best pumpkin spice latte the other day at the cafe down the road, have you ever been there?

Now you've circled the conversation back around to them again, and you aren't taking the limelight. Sharing an experience is so important, you're trying to show that you understand, that you sympathize, that you relate.**

This really is the most important element of being a good conversationalist. You have to keep asking questions.

The one other thing I will touch on is introductions. DO NOT get into turn based combat.

Example E

Y: Hello

T: Hello

Y: Nice to meet you

T: Nice to meet you too.

Y: How are you doing?

T: I'm fine. You?

Y: Me too.

This will kill any possibility of continuing a conversation. Instead, get it all out of the way all at once, if at all possible.

Example F

Y: Hi, it's nice to meet you, how are you doing?

This is good, but this is better

Example G

Y: Hi, nice to meet you, how are you liking the weather?

Don't ask how they are doing, or if you do, before they can answer, follow it up with your placeholder (weather etc.) so they have to say some thing like

Example H

T: I'm fine, and I'm really liking the weather.

or

T: Not so great, the weather sucks.

Either of those options are much easier to work with than your basic "I'm fine."

Usually, if you can get past the introduction, you can get a conversation going. And then, even if you don't end up hitting it off with the person you're talking with, you at least don't leave the conversation feeling like you've died a thousand tiny deaths.

In fact, if you get past that introduction, you may have just made yourself a friend.

Remember folks, basically everyone around you is more afraid of you than you are of them, and in this benighted age no one has been taught conversation skills, so we are all pretty much in the same boat. (Unless you were born an extrovert, in which case we are all deeply envious and would probably kill you if we didn't need you in our sad and lonely lives so much.)

Have grace for one another, and for yourselves because talking with people is difficult.

Go forth, and stop killing conversations.

*If you are one of those awful people who likes to brag about how you hate small talk and only want to talk about important and meaningful things, I have one question: Do you ever have a conversation that lasts long enough to become meaningful? I thought not. Small talk is an important skill. Develop it.

**This is how you deal with sad or difficult situations too. When you want to show you sympathize with someone going through a hard time.

Example:

Y: How are you doing?

T: Not very well. My dog died last week.

Y: Oh, I'm so sorry to hear that. My own dog died last year and I still miss her a lot. How are you handling it?

Now you've circled the conversation back around to them again. You aren't making it about you.

If y'all want, next time I can share how to extricate yourself from a conversation.

[quillpokebiology]

As an artist how do you make pokemon crossbreeds? since I am thinking about making some.

Thanks for asking! I'd love an excuse to talk about the process.

1. I find the pokemon I want to make a crossbreed of. I have a full Google docs list to keep track of names and ones I want to do and all of that, since a lot of the fun for me I'd coming up with names for them

2. 99% of the time, the art is traced. I used to draw earlier crossbreeds freely, but they were supposed to be quick design practice and I would end up spending too long on them, so I started tracing them

3. I love crossbreed art, and while I don't want to throw anyone under the bus, I always felt like a lot of the crossbreeds felt "too-fusion like." What I try my best to do is find small traits to fit in with the existing design, while not changing it too much. While I sometimes let go of that for the sake of fun (when I made the slurpuff and raochu crossbreed), I usually keep that ruleset. An example would be this Cadenza Lapras (primarina father)

Lapras already has spikes, so to make it look more like Primarina, I made them sharper, like the spikes on Primarina's tail. It also has a more pointed snout, like Primarina.

And this sprinting scorbunny too (yamper father). While a dog and rabbit aren't that similar, both yamper and scorbunny have the same yellow, pointed ears, eyes, and other similar features. So, I made the scorbunny's fluff connect like yamper, gave it the paw markings of yamper, turned its tail into that of yamper, and made it stick its tongue out like yamper.

I recommend keeping the color scheme similar, but that can be difficult when they have wildly different color schemes. What I try to do then to make up for it is add more traits of the father pokemon, so whole it looks similar at first glance, you can tell it's different. I did that with Clanging Noivern (jangmo-o father)

If the pokemon seems too different, they finding smaller traits to use. Right now, I'm making a Gastrodon with a Phantump father and they seemed hard, but I was able to find similar traits; such as the wisps in the designs and making their shell look like a tree a bit.

4. Other than that, process follows art stuff. Sketch over the official art to add differing traits, and then outline it in black. My outlines are messy since again, these are more breaks for my other art (I have an Instagram where I post some of my art btw, I don't post much art on my main tumblr), but outline whatever way you want

5. Do what you want! These are just the rules I follow that I made for myself! These are just supposed to be fun stuff and shouldn't be polices

6. Send me the crossbreeds. I want to see them

7. Hope these helped! I'm not the best at explaining my art process

[nicosraf]

I hope its alright to ask for writing tips, i know you have plenty on your plate already so definitely disregard if this is a lot to answer. Was there anything you used that helped you develop characters during the writing process? Like guidelines or tips or even other books?? I wanted to take on writing for fun but I'm quickly realizing there is a lot of,,,, planning and learning that goes along with the writing process. I feel like I have so many ideas and if I don't get them out I will soon explode 🥴

Hello! I always like answering writing questions!

I don't use guides! I've mostly got my own method now, but I've been writing for a long time, and one day, you'll probably have your own method too. I can share with you how I make characters, but try different things! Experiment!

(I also want to emphasize that if you're writing for fun then don't worry about it being good. If you're writing seriously, also don't worry about it being good. Write bad characters, if you want. Do what makes you happy and the work will always be good.)

My rubric for a character, in order of importance (for the most part) is: immediate relevance, themes, arc, background, attributes.

(Note: this isn't the order in which I come up with a character, just how I plot them).

Let me use Rosier as an example of how I typically think of character construction (Note: this isn't exactly how I thought up Rosier)

Initial idea: Lucifer needs a kind figure in his life, maybe someone he lives with. Not Michael. I want him to have a strong platonic relationship. Next idea: Maybe he'll stay kind while Lucifer worsens as a person. Next idea: He should fall but not because of a sin he committed. Next idea: He's older than Lucifer. Next idea: He had a life before Lucifer, too. Next idea: Something, something, fruit. It shows up everywhere in the (imagined) story. Fruit angel? Next idea: Messy, messy feelings about sex.

I start sorting this out as per my little guide:

Immediate Relevance: A platonic relationship for the protagonist, someone who will bring fruits to the Earth. Now what can he bring to this book?

Themes (with an eye for Rosier's relevance to the plot (and its own themes) and the most plot-focused characters' themes): Unconditional kindness, fruit and devil, no ambition, loss of innocence, weakness, not desiring sex (opposed to the theme of others and the book itself), unwillingly creating (while some others are desperate to create), falling from choice, demon who isn't a good demon. How can we structure these themes into a story?

Arc: Rosier, the fruit angel, happily takes newborn Lucifer in. He loves the paradise where nothing ever happens. He has a situationship with the angel who will become the demon of lust. He suffers at Lucifer's hands but forgives him. He loves him. But he doesn't do enough. He suffers at Asmodeus' hands. He chooses to fall. He cares for Lucifer's body. He creates a body for Asmodeus. He follows his friends (again) to a cave of demons. He doesn't want to be alone. He chooses demonhood, despite his kindness. But how can this arc happen to him? (There's a seperate checklist for an arc in my head, with the most important part being "Kill your character." It doesn't have to be literal. Kill them in the sense that they're no longer who they were at the start of the story.)

Background: This arc can only happen because of who Rosier is. And a person is their life, so what is Rosier's life? He was born out of a nova in the sky like a fruit. God hugs him tight, but he won't remember, and God will never meet him, not really. [More about Rosier's background here; this post is getting too long]. What has his background shaped him to be?

Attributes: Is kind, is patient, has learned to be happy with the bare minimum, has learned to make excuses for people. Loves fruits (obviously), likes baking, is fussy. [So on]

You see how all these things build into each other? It's like writing a book in itself. Actually, I think writing a plot and writing a character are very very similar! Because a story is a narrative — a collection of scenes/lines with a beginning and an end, each scene typically affecting the next — and a life is a narrative too — a collection of experiences with a beginning and an end, each experience affecting the next.

You might be curious why "Arc" is above "Background"; again, this isn't the order in which you should come up with a character or anything, but I find that placing big (author-ly) importance on the arc happening in the book/story itself can keep you from falling into the pitfall of "backstory of character is more interesting than what theyre currently up to in the plot." (Also this rubric isn't 100%. Sometimes you have to move the importance of things around. Sometimes a minor character should only have immediate relevance and attributes.)

I hope this is helpful! Good luck!! But please don't worry too much... Just have fun! Write a sexy character and see where they take you

[twinribbonz]

Chimeras classify as insects.

Just some silliness before the planned horrors.

Divider by straywords.

Epic eyes the blueprint with intense focus. Erasing some of the details to replace them with better ones. He begins to bite the pencil as his mind wanders to something else.

Turning away from the desk, a subtle grin comes to his face. "Hey bruh. How does it feel to be related to bugs?" Trying not to burst out laughing at his own stupid joke.

Cross carries a bunch of wooden boards. Halting in his steps to ponder the question. He tilts his head to the side. "What do you mean by that, dude? I'm a dragon not an insect."

"Six limbs means you're a bug." Epic's grin gets bigger.

The realization hits Cross causing him to look down at his new body. He sighs at this before shaking his head, stifling his own chuckle.

Rounding the corner, Chara chucks a crate straight at Epic. It collides with his face causing him to fall backwards. "The only bug here is you! Annoying ass old man." They huff, picking up the empty crate.

A gasp escapes Cross as he rushes to help Epic. Dropping all the boards in the process. Stumbling over with the newly acquired draconic legs. His tail wraps around his best friend, lifting him back up to his feet. He inspects him over for any injuries. Nothing but a swollen face.

An ice pack is retrieved from the mini fridge. It is pressed against his cheek. "Your kid is such a meanie to me." Epic pouts, pretending to look wounded.

XChara rolls their eyes at this. Passing the boards back to Cross. Who places them neatly into the pile.

"The kiddo is just upset that I'm not an arachnid." Cross winks at Epic before smirking at XChara. Their expression changes into one of pure horror.

"I HATE SPIDERS, C!!!" They stomp their foot before storming off. Cross chuckles at their reaction.

His attention is directed at his best friend now. Cupping Epic's face in the gigantic hands of his. Rubbing clawed thumbs under his eyes to soothe some of the pain. "Are you going to be okay, dude?" His voice is so soft as he asks the question.

A flustered squeak comes from Epic as he nods frantically. His face turning extremely purple at the affectionate gesture. Using the ice pack to cover his face from the other. "I'm going to revise the blueprint for your house!" Making an excuse to return to his workstation.

Oh, he liked that expression on Epic's face very much. Cross blushes faintly at his own thought. That is his best friend! Oh. He wishes they could be more than best friends.

Cross is quick to follow after XChara to bury his head in more work. Not wanting to delve deeper into those thoughts about his best friend.

[starry-bi-sky]

okay so i was thinking of a joke earlier about how in DPDC Amity Park's slogan "a great place to live" is not only city propaganda but also the city lording it over the rest of America for being normal. But then I remembered that, despite how many DCU Cities with heroes in it there are, the amount of cities in America without heroes still far outnumber the amount of cities in America WITH heroes.

So I did a little digging so the joke would still land. Something most heroes have in common is that they operate in major cities. What makes a major city? I found that the general consensus is that the population is roughly over or around a million. THEN I looked up the populations of cities in the DCU that I thought of off the top of my head. So Gotham, Metropolis, Starling City, Central City, Jump City. All of them ranked up to millions in population (most of them were in the tens of millions).

Amity Park's wikipedia describes it as being similar to specifically Philadelphia, Chicago, and San Francisco.

Philadelphia's Population: 1.576 million as of 2021 Chicago's Population: 2.697 million as of 2021 San Francisco: 815,201 as of 2021

Whiiich means that Amity Park if we take that from canon, is probably a major city. There are approximately 19,000 cities in America with probably less than a hundred that are major cities. Adding the DCU major cities wouldn't skew the data too much.

Which MEANS that I can make the joke that Amity Park's "great place to live" is not only just typical city propaganda, but also its Amity Park lording it over the other major cities for being one of the only major cities that doesn't have problems bad enough to warrant a superhero or a vigilante. Cue stage left the Fentons and Phantom :)

Amity Parkers were probably SO proud that they didn't need a superhero. They didn't have to worry about things like 'world ending threats' and 'super-powered individuals' and 'staggering property damage'. And then enter Fentons.

It also could be used as an excuse for why nobody took notice to Amity Park getting ghosts if folks like me aren't huge fans of the notion of a media blackout via Tucker, Technus, or the US Government. Or if you want to keep Amity Park as its urban city self. Amity Park's news on ghosts gets drowned out in a week because there's news on more popular, well-known cities going on every other day. The shit going on in Amity Park is every other major city's regular Tuesday and it gets filtered as such.

[yoihino]

Where's that post talking about how shipping two characters can sometimes undermine the deep relationship and character dynamic they share in the original work? I feel like I really need it roght now

[arolesbianism]

Some au antag doodles

[cjgladback]

For the first time in a long while, I got to go to a white elephant gift exchange this December! We had a low price ceiling and my practically wins out over any practical joke sensibilities every time, so on the designated shopping day I left my local overstock store with a nice chopstick set, some fancy (not at all mess-free) popcorn, and a dream.

When I was growing up, my mom was an intrepid homeschooling parent who loved event planning, valued cultural exploration, and had married into a Japanese family. Multiple times - sometimes in the setting of a multicultural fair, at least once as a kind of class party (with celebratory takeout at the end) - she faced teaching large groups of children how to use chopsticks quickly and with as little cost and cleanup as possible.

Her answer was popcorn! It's edible, so you get the full motion down, and lightweight but large enough for less coordinated sticks to pinch. It has tons of nubbins to grab and widely varied shapes to experiment with. Specifically, we used air-popped kernels, without oil or toppings, so when it gets overzealously crushed or bounces away and gets missed by a broom, it's basically biodegradable styrofoam.

What I'm saying is, this is my mom's fault. Other than the choice to draw so many hands in one afternoon on the same day as the party, while also baking a snack. That's all me. This primer was delivered in the format of a tiny booklet (if you look up an "eight page zine" that's also a method I learned from my mom, to turn single-sided misprints into notepads), with fewer jokes and tips than I'd have liked because I simply did not have time to transcribe a hashi rest fold or hairstyle. But reformatted (for Mastodon) it looks fairly respectable.

Lengthy image descriptions and full poster format under the cut.

[ID: A title page reads "How to Use Chopsticks" in all caps. The words "without too much mess" are between two straight, orange lines, which start with round points at the left, evoking chopsticks, and end in flared shapes of a silhouetted splash on the right. Below the lower line are the words "by CJ Gladback." All the text is in black, the background is white but appears light orange due to a repeating geometric watermark pattern of CJ's logo in orange overlaid on the whole image; her handle on most sites is included once on each of the following spreads: @cjgladback​

Next is the first spread of four illustrations with their instructions. On the left half of page are two line drawings of a right hand holding one and then two chopsticks, with the text, "The first stick rests on the side of your ring finger's nail and the flesh between your thumb and index finger. Your middle finger's pad holds it securely while it can slide against your thumb as your hand changes posture in use. The second stick is held between the knuckle of your thumb and the middle section of your index finger. This is the one you move to change angles; it may touch but doesn't really rest on the middle finger's tip." In orange, two arrows indicate the rest points for the first stick while small hashes emanate from the points pressed on the middle and ring fingertips and under the thumb's joint holding the top stick. On the right upper quadrant of the page is the text "Hold them close to parallel to scoop." A hand holds two sticks poked into a bowl of rice between the viewer and the palm; a series of parallel orange lines emphasize the space between the sticks. The remaining quadrant's text reads, "Press with your index finger to pinch firmly." This hand is holding an indistinct rounded shape in its chopsticks, with an orange arrow indicating the rotation of the index finger's tip to press the top stick's point toward the bottom's.

Next is the final spread of the pamphlet. The upper right text reads, "Practice with something medium sized and low mess like (air-popped) popcorn." A single piece of popcorn is held in disembodied chopsticks above a full popcorn bowl, with several kernels fallen to the surface below it. Text below reads, "Pick up your dishes to bring close to your mouth to scoop the harder to grab foods." An implied tilted bowl of food (fried rice or porridge with diced pieces) protrudes off the page, covering only the lower left corner. Close-up chopsticks have their points buried in the food and their lines fade out toward the right. The final black text, underlined by two orange chopstick shapes, reads, "but most of all, do what feels comfortable and eat well!" In orange in the lower right corner, the parenthetical "(and maybe knit a scarf)" is followed by a small orange drawing of a steaming bowl of noodles and sliced egg with a noodle line trailing toward two upward angled sticks with loopy hashes indicating knit fabric hanging from them.

The final image is the full booklet in its web format, with the three previous images from this post stacked vertically. Some orange lines have been added between what were pages in the print booklet, to aid reading flow. /end ID]

[cak31ssuperi04]

1bitJanuary Day 6- favorite ship

It's Izuchi/Sagara btw Kirai doesn't have anything to do with this.

[strwbrymlkshake]

finished my normalcy phase returning to the horrors

[dutybcrne]

Think abt Huffman & Kaeya having a Jean-Mikasa moment when they first met

[showmethestarlight]

So I think my thoughts on The Tortured Poets Department are that I'm a little conflicted. I think it is a good album, the sound is a bit Midnights and folklore and evermore, which is a bit messy but it kind of works. I think it's more of a matter of which kind of albums you prefer for where it falls in your rankings but the albums that are mostly slow songs that stay at the same level/tempo aren't my favourites so this isn't my highest (I love Speak Now for example for songs like Haunted) but I still had a good time listening and I still had a few I liked a lot on the album. I liked the sound and storytelling of But Daddy I love Him, I think Florence and Taylor's voices are really good together on Florida!!! I liked My Boy Only Breaks His Favourite Toys, and I loved the dark and deep atmospheric feeling of Who's Afraid of Little Old Me? And I thought Clara Bow got its message across really well. There are some songs I'm confused by and I think I'll need some time with to understand like Fortnight and Fresh out the Slammer and some odd little lyrics here and there that I think maybe could have been cut because they just felt out of place or unnecessary. And I just don't think I'll ever be much of a fan of Guilty as Sin? I think I like Cassandra but at the moment it feels too much like mad woman. I think those are all my thoughts so far, I probably need a few more listens to process everything.

[713-4th-ward-g]

.

[foldingfittedsheets]

I worked retail for a long time and people really do treat you like shit sometimes. But between selling sex toys, mattresses, and jewelry I can say definitively I got treated worst selling mattresses.

All three of my jobs were in sales but selling sex toys we were allowed to put people in their place, and in jewelry people didn’t want to misbehave in a fancy setting. But people at the mattress store had no problem yelling at me, hitting on me, or insulting me to my face.

For a while I was managing my own store for the company. I ran a small location and had struggling employees placed with me for rehabilitation. If their numbers improved they could go back to bigger stores. If not, they got fired.

So this meant I was the manager of problem employees. At one point both of my people had a foot out the door. The company was going downhill and changed computer systems and they were fed up. Consequently, they made a ton of mistakes, because they just didn’t care about the job or learning the new systems.

I strolled into work on what was essentially my Monday to a shit show. Deliveries scheduled without product, wrong things on orders, poor expectations of the process, you name it. I spent the entire morning getting yelled at for mistakes that weren’t mine.

The final straw came when a man called furious that his moms bed for her nursing home had a delivery window he couldn’t accommodate. This wasn’t a huge disaster since we still had time to deliver it before she moved. I ran him through the options and he just kept screaming at me. Not for a solution but because I was there and he was frustrated.

My heart filled with malice and a cold fury. A calculating part of my brain had a realization in that moment that I could stay a punching bag or I could strike back.

I quavered my voice delicately, taking in a shaky, warbling breath like I was trying not to cry. “Sir,” I quivered through fake tears, “I don’t know what you want from me! I told you what I can do, I didn’t make this mistake I’m just trying to fix it!” My voice broke pitifully on the last syllables, sounding in all ways like a sweet innocent person being yelled at who’s just trying her best, really!

It was like I’d doused him with cold water. My emotional act was the realization that he was screaming at someone who was just doing their damn job, and he was being an asshole. He hastily made an excuse and hung up.

I had a third employee covering with me from another store that day who heard everything. When I hung up, I looked over to see them watching me with an awed expression. “Did… did you just pretend to cry?”

“I absolutely fucking did,” I said with feeling, “and I’d do it a thousand more times. If that’s what it takes for someone to realize they’re behaving like a fucking prick, they deserve it.” The employee looked at me like I was their hero.

The man called back, apologizing profusely, having magically arranged his schedule to accommodate delivery. He came in later that week with an apology Starbucks gift card. I was gracious in my acceptance.

I pulled it a few more times before leaving the company. I felt no shame in the ruse. If someone behaves so poorly that it’s plausible their behavior would drive someone to tears they deserve to feel absolutely wretched about it.

[joonieskinks]

Simon “please will you be my fake girlfriend” Riley

Simon couldn’t be happier for John. Finally, he’s met a woman whose head over heels for him, who will stick around during the hard times. The man deserves this, deserves her. It’s about time they got married after all.

Today is his wedding day, and Simon was actually delighted to receive an invite. Although he had to dress up a bit for the event and all, he didn’t mind. It was for one of his greatest friends, and the energy in the room was so positive, so supportive. He can honestly say he felt happy to be here.

That was until he spotted eager mamas eyeing him at the reception, no doubt coming over to set him up with their daughters. Nope- he was not having that whatsoever. He went into full panic mode, trying to avoid their eyes, their presence that was ever closing in on him. Simon turned straight around and made his way to the bar where he found you.

“Gosh, how long does it take to find white wine-?” You complain under your breath before the handsome stranger from the corner of your eye interrupts you.

“Pleasewillyoubemyfakegirlfriend?” The rather tall man asks frantically as your eyes finally meet. Yours, rather confused, and his, rather desperate.

“Uh- sure?” You laugh nervously as you sip your wine that just arrived.

“Great- M’ Simon, I’m from England, I work in the military, we’ve been together six months, ‘right love?.” He explains rather quickly, eyes darting back and forth between you and the mamas rapidly approaching.

But you get the message.

“You can call me that “love” of yours, I work for the government if you should know and you have to act like you want me for this to work, Simon.” You pull him down by his tie to whisper in his ear.

“If you want them to stay away, touch me.” You kiss his cheek and pull away, performing with a laugh.

It disarms Simon how effortless you make this seem, how quick witted you are - this mysterious yet willing woman at the bar. You’ve truly peaked his interest and he’s so grateful. So yea, absolutely he will touch you, a gorgeous woman in this gorgeous dress.

Simon takes you by the waist, pulling you to his body, whispering back how beautiful you look. It makes you blush, looking back at him rather surprised. He’s equally surprised by his own bold actions, but he plays it off good enough and smiles. Glancing at your pink cheeks with a “good” as you’re both interrupted.

“Simon, darling! There you are!” One woman says.

“I’ve been looking for you! May I present my daughter, Bridgette. She’s a nurse in London as a matter of fact.” Another states proudly.

“I’m terribly sorry, mam”, you interrupt, turning towards Simon and tidying up his tie. Your fingers brushing up against his chest, his throat, it gives him shivers. Any excuse to touch him really was your thought process-

“But I’m afraid he’s already spoken for. As of six months ago tonight, actually. Isn’t that right, darling?.” A proud smile on your face, and Simon just thinks you’re absolutely hypnotizing. Tongue in cheek, yes, but he already wants it to be real, to be yours. He just hopes you’ll say yes to dinner after this, and that you actually didn’t accompany anyone here.

“Yea, this is my girlfriend…” he starts, completely blanking.

My God, he didn’t even know your name, and yet he’s utterly entranced. Talk about a backwards way to start off a relationship.

“Y/N,” you stick out a hand to the mama and her nurse daughter, but they just painfully smile, clearly trying to decline “politely”. With that, they mutter an excuse and walk away, already sniffing for the next eligible bachelor around this evening.

“Well. That’s that then. You’re very welcome, boyfriend dearest.” You tease, bringing your wine glass back up to your lips, admiring his features. He really is a handsome man, it surprises you he doesn’t have anyone special in his life.

“Thank you for your help, Y/N.” He says your name on purpose, he wants to test it out on his tongue. He finds he rather likes it. You do as well.

“Can I get you another drink? On me…” Simon shyly asks, leaning against the bar.

“If it means you’ll stay and have one with me, then yes.” You flirt, waiting for his reaction. Alas, a blush appears on his cheeks. It makes you smile, a big, gorgeous man like this- yet he’s rather timid. It’s sweet really.

“It’s nice to meet you Simon, formally.” You stick out your hand for him to shake. His eyes meet your own and he smiles before taking it. Your hands are so soft, he wants to touch you always if it’s like this.

“Likewise, love.”

You two spent the rest of the night together, by the bar chatting, walking through the gardens getting to know one another, he asked you to dance. Hell, even Price and his new bride thought you two were together by the end of the night.

It took an official date or two, but eventually you were.

Who knows, maybe you two would be the next to get hitched. Simon certainly hopes so.

[wannabe-skinni-qween]

TW!! 111 harsh wl quotes

nothing tastes as good as skinny feels

eat for the body you want, not the body you have

it may be a difficult process, but quitting won't speed it up

fat lasts longer than flavour

a moment on the lips, a lifetime on the hips

stop rewarding yourself with food, you're not a dog

30 minute workout, or 30 extra pounds?

whatever your problem may be, the answer is not in the fridge

you can't out exercise a bad diet

an imperfect body reflects and imperfect person

hungry to bed, hungry to rise, makes a girl a smaller size

what you eat in private, you wear in public

suck it up and one day you wont have to suck it in

you get what you work for, not what you wish for

it's better to resist than to regret

if you eat what you've always eaten, you'll weigh what you've always weighed

eat wise to drop a size

junk food you've craved for an hour, or the body you've craved for a lifetime?

every time you feel like giving up, remember why you started

every taste adds to the waist

this month's choices are next month's body

don't stop when it hurts, stop when you're done

summer bodies are made in the winter

if you're tired of starting over, stop giving up

in two weeks you'll feel it. in four weeks you'll see it. in eight weeks you'll hear it

just because you don't read food labels doesn't mean the calories don't exist

if you don't see the calories on the label, you'll see them later on your hips

every time you say "fuck it, i don't care" and eat that cookie, there's a 100% chance you'll care later

your stomach isn't growling, it's applauding

don't stop until you're proud

someone busier than you is running right now

when you lose all excuses, you'll find results

one day or day one

use food as fuel, not therapy

if you can't handle the fat jokes, lose the weight

overeating is always a decision, nobody forces the food into your mouth

suffer the pain of discipline, or suffer the pain of regret

follow your plan, not your mood

do what is right, not what is easy

you can't expect to succeed if you only put in work on the days you feel like it

i'm not starving, i'm perfecting my emptiness

not eating light makes your clothes tight

sacrifice is giving up something good for something better

if it was easy, everybody would be thin

craving is only a feeling

skip dinner, wake up thinner

the difference between want and need is self control

a cat says "meow meow" a dog says "woof woof" a pig says "i'll start tomorrow"

it's easier to workout than to wake up every morning and not like what you see

hunger hurts, but starving works

don't give up what you want the most for what you want in the moment

you've come too far in life to take orders from a cookie

thin is beautiful, even thinner is perfection

a month from now you can either have a month's worth of progress or a month's worth of excuses why you didn't

if you can pinch it, you can lose it

eat to live, don't live to eat

you can never be too rich or too thin

perfection is reached not where there isn't anything to add, but when there isn't anything to take away

respect yourself, put down the fork

when you resist the pain of hungry, it means you're not a slave to your body

every time you say no to food, you say yes to thin

empty is pure, starving is the eure

it's the mind that makes the body

there is no try, there is only DO

pain is temporary, pride is forever

thinner is the winner

if you don't fight for the body you want, don't cry for the body you have

imagine having one life on this earth and you spend it as a fat fuck

would you rather be at the gym covered in sweat, or at the beach covered in clothes?

until you're being accused of having an ed, you have a couple more pounds to lose

"i'm so fat" you say, taking another bite

eating won't kill you, but not eating will make you thin

aren't you tired of making the same excuses over and over again?

i don't even think you need to wear oversized clothes, your amount of body fat is oversizing you enough

you'd look so much prettier 20 pounds lighter

you don't want to embarrass him do you? then lose weight

you already know what it tastes like, so why eat it again?

you're fat. i'd sugarcoat it but then you'd eat that too

you binged? that's ok! somebody has to be the fat friend

if you have a skinny friend just remember, they probably use you as fatspo

skinny privilege is real

your morning skinny is someone else's evening bloat

if you can find the time to eat, you can find the time to workout

food is made to provide you with energy, not to fucking entertain you

if you treat food like an addiction, you're destined to fail

junk food is not a reward, it's a punishment

work out for 1 hour and feel amazing for the next 23 hours

if you're tired of starting over, stop giving up

if you want it, work for it

somebody else's starting weight is your goal weight

stop being jealous of her body and start doing something about yours

the fact that you aren't where you want to be should be motivation enough

it's all fun and games until your jeans don't fit anymore

need motivation? just sit infront of the mirror naked

making excuses burns zero calories

don't let the weekend become your weak end

three months from now you will thank yourself

imagine the weight you are losing is going to the person you hate

do not use your stomach as a trash can

you are what you eat. eat shit. feel shit look shit. or, eat good. feel good. look good

make it happen girl, shock everyone

so you can sit down and still have a flat stomach

losing weight is hard. being fat is hard. choose your hard

no matter how many mistakes you make or how slow you progress, you're still way ahead of everyone who isn't trying

a little progress each day adds up to big results

if not now, then when?

you are what you eat, so don't be cheap, fast, easy or fake

look down at your plate and ask, "is this going to make me feel good?"

i am powerful enough to resist temptations

you're not hungry, you're just bored

look in the mirror. that's your competition

this took a long time so please enjoy xx