#Building Black Mythos

[searchfactory]

Ekow Nimako / Building Black Mythos / Sculpture / 2022

[thestuffedalligator]

I read Fat Face by Michael Shea last month and it was. Fine? It was a Cthulhu Mythos story written in the 80s, it was very edgy and it had a lot of tropes I’m not a fan of, I don’t really recommend it, but I have to talk about one detail I have not stopped thinking about since I read it.

So. I knew Fat Face through reputation because it was the story that inspired Shoggoth Lords from the Call of Cthulhu TTRPG, shoggoths that can control their cellular makeup to look like humans. And the twist in Fat Face is that shoggoths have been hiding amongst humans in Los Angeles, and at the end of the story one of them eats the protagonist.

The tone of the story is grit. It’s grime. It’s sleaze and sexual violence and drug abuse on top of cosmic horror. It wants to be taken seriously so bad.

But here’s the thing about the shoggoths: they have a business.

They have two businesses they run out of an office building in downtown Los Angeles. A shoggoth is a primordial blob of eyes and mouths and flesh and hunger, and the idea of one of them at the LA Office of Finance registering an LLC is already. Great. Perfect. No notes.

The business is a front — and again, that’s great, a shoggoth went, “I want to do some nefarious deeds and not get caught by humans; I know, I’ll register a fake business that’ll be a front, and no human will ever suspect” — because the actual interior of this office is a room of pools of water made from black and ancient Antarctic rocks so that shoggoths can relax in their original blobby forms and eat stray animals that they’ve caught.

So it’s basically just. A place for shoggoths to unwind after a long day of pretending to be human. It’s portrayed as cosmic horror, but it’s shoggoth Cheers. Sometimes you wanna go where nobody knows your shape.

Here’s the kicker. The front of the business is a hydrotherapy clinic and stray pet rescue.

When they decided to make a front for their secret lair in an LA office building where they hang out in pools of water and eat stray animals — the front they prominently display and advertise — they decided to go with a hydrotherapy clinic and stray pet rescue.

That is Goosebumps shit. The rest of the story reads like a tone poem about the sleaze and violence of Los Angeles, and the main twist of the story reads like R.L. Stine.

But that’s not even the detail I can’t stop thinking about. Because the story reveals that this business — which again, is a front made by alien blobs to eat stray animals like an ALF-themed buffet and hang out in jacuzzi tubs of Antarctic rocks in an LA office — has a flyer.

Which means there’s a shoggoth with a passion for graphic design

[narutouzumakiarchive]

A while ago, I made a post about hypocritical Sasusaku stans that pretend to be anti Konoha so they can criticize SNS (despite having no grounds to stand on), and in light of recent annoying discourse, in this post I'm going to go over a case example at length because this perfectly encapsulates the typical behavior of that fandom.

So let's take a look at this post. In this tweet, they mention their criticism of Sasuke being saved from the darkness at the end. Now in order to deconstruct this post, we have to look at what "darkness" symbolizes in Naruto's text.

And when you look at the text, you'll see that "darkness" was attributed two distinct, but sometimes interconnected, senses. The first meaning of darkness in the text was loneliness, plain and simple. Wee see pitch black imagery when Naruto recounts the pain he experienced before he met Team 7, when he was all alone. And we also see this imagery crop up when Sasuke enters into a shroud of darkness after experiencing the pain of leaving Naruto, who is symbolically represented as the juxtaposed light to Sasuke's darkness. Though he doesn't cut off Naruto, an issue which is the crux of their conflict after the timeskip, the panels of Sasuke talking about pain still serve to contextualize his state of mind when leaving Naruto: "If I leave Naruto, I will experience pain, much pain."

The second meaning of the darkness is also established during the Sasuke retrieval arc: hatred. Itachi, in his desperation to be judged by Sasuke, forces Sasuke to seek out hatred in order to acheive his goal of avenging the clan by killing Itachi. And of course this meaning of the concept of darkness comes with a host of attendant negative connotations, as darkness is frequently associated with evil — especially in the Christian mythos that Kishimoto drew from.

Now there is certainly something to be said for Kishimoto's conservative framing, but that's for another post. The purpose of laying out the two meanings of "darkness" invoked in the text was to compare and contrast Sakura and Naruto at the end of the manga and see which particular meaning of darkness was salient in their motivations regarding Sasuke, and well... things don't look good for "sasukeslawyer."

Because Naruto continually reinforces his motivations for saving Sasuke. In the text it's explicitly spelled out that Naruto wants to help ease Sasuke's loneliness. There's a reason why the resolution of their feelings is spurred on by Naruto admitting to feeling pain for Sasuke, the same pain that Kishimoto narratively links to being alone.

Sakura, on the other hand, wanted to save Sasuke from the darkness of "evil" at the end of the manga. It is established during the 5 Kage Summit that because Sakura "loves" Sasuke, she wants to prevent him from continuing on a path of darkness and progressing towards evil. And Sai's description of Sakura's actions receive authorial endorsement. In this scene, Kishimoto builds up Sai's credibility by having him accurately assess that Sakura was quite likely planning on killing Sasuke and that her smile, when she stated she was planning on working together with her Konoha comrades to acheive that objective, was forced. The reader is given no reason to doubt this.

But most significantly, not once does the text show Sakura reneging on her beliefs about Sasuke's darkness. When we get insight into her feelings about Sasuke during the war arc, it is made blatantly clear that she distrusts him which is shown through the same fake smile she showed Sai before heading off to kill Sasuke. Additionally Sakura's to desire to save Sasuke from the darkness is reinforced, this time through another mouthpiece in Kakashi. And athough Kakashi is not the most reliable character, the text doesn't contradict this particular fact.

But Kakashi's reliability doesn't particularly matter for this post because "sasukeslawyer" and most other sasusaku fans believe Kakashi to be a reliable character that understands all of Sakura's actions. As indicated below, she takes no issue with Kakashi's assessment that Sakura wanted to save Sasuke from this negative darkness. And yet, there's no attempted moral harranguing or criticism of Sakura for wanting to save Sasuke from the progression towards evil by *checks notes* killing him. Nor is there criticism of Sakura never changing in this regarding and maintaining that desire to save him from the negatively connoted darkness.

In fact, "sasukeslawyer," has no problem with the idea of Sasuke, the genocide survivor, traveling for years to reedem himself and be "worthy" of the same Sakura who attempted to kill him on behalf of the same village she claims to hate only when she can use it in an attempt to downplay Naruto and Sasuke's dynamic.

Like aside from the fact that this obviously isn't true [Kishimoto wrote 9 pages of Sasuke reflecting on his journey in the manga and not once is Sakura mentioned, because he can't individuate her and Sakura had to chase Sasuke on his journey because Sasuke never came back and Sakura couldn't take a hint]...

On what earth is Sasuke not worthy in general, let alone for Sakura, who's shallow romantic inclinations he repeatedly rejected to begin with. It is Sakura who didn't take accountability for trying to kill Sasuke instead of bothering to find out why Sasuke took the actions he took. She is never forced to reflect even once on how she acted towards Sasuke nor do we ever see her make a single negative or critical statement about the shinobi system. But these alleged anti-Konoha warriors have no complaints about that, and that's because it's not about them disliking Konoha or the elders who deserve to die. It's about them trying to undermine SNS because they resent Naruto and Sasuke's dynamic and want to prop up SS. But don't just take my word for it.

They take the canonical scenes of Sasuke looking at Naruto, which mirrored Sakura's own body language towards Sasuke, in order to attribute it to Sakura (this is one of many examples).

The sharingan is obviously a reflection of love and Naruto was explicitly associated with Sasuke's sharingan on three different ocassions. Kishimoto cared so little for SS that he couldn't even bother to associate a crucial element of Sasuke's character with Sakura in manga that he wrote with his own hands. So Sasusaku have to use filler novels that Kishimoto didn't write, let alone acknowledge, to say that Sasuke would transform a new and unheard of sharingan if he lost Sakura. LOL.

There's the editing the panels of VOTE 2 to claim that Sasuke made Sakura watch Naruto and Sasuke's personal memories, despite the fact that 1. We clearly see the only thing Sasuke shows Sakura is a violent genjutsu of her getting stabbed in the chest.

2. The manga utilizes clear visual language to depict the transition from memories into real life to indicatr who is thinking about the memories, something not present in the panel that Sakura wakes up from which makes because

3. Naruto and Sasuke thought about memories which Sakura wasn't even present for and Sasuke cannot telepathically transmit memories.

And this isnt even all, but the point stands nevertheless. Sasusaku fans harass SNS shippers using fake moral justifications that they don't even abide by. Don't be fooled. It's always been about their frustrations over the romantic tones in SNS. But it won't change the fact that more than anyone else, Naruto and Sasuke both saved eachother from the darkness of loneliness more than anybody else.

[foolsocracy]

Hi, hello, I’m new to your blog. I’ve made myself at home. Lovely carpet.

Can I please know more about your spider Robbie pie? Can’t seem to find the silverware.

but of course, kind anon

Spider Robbie is an au in which Robbie Robertson takes up the spider mantle after the death of the one before him. He is the third, following Ben Urich and, most notably, Peter Parker.

This au is very much canon divergence from Eyes Without a Face, where Peter makes it in time to save Robbie from his original fate but dies in the process. Peter is shot while rushing Robbie and the others out. In his panic and elation at finding Robbie physically unharmed, Peter outs himself as the Spider Man to his best friend. Robbie stays with him as he bleeds out and resolves to continue to hide Peter's identity.

Peter is buried and remains that way for... an undetermined amount of time.

Robbie is left with a mask, a jacket, and the question of just who was this other half of his friend. As he learns more of who this... Spider Man was, he gets more and more involved in the spider's cases and conflicts. Robbie gets more sure of his own abilities and makes a bit of a name for the Spider Man within his own community, though the people of Harlem are largely unaware that the appearances of a masked vigilante match the interests of one Robbie Robertson.

It is to be noted that none of these aforementioned abilities are spider-god-induced powers like Peter's. Robbie, especially at the beginning of his spidering career, leans more into Urich's role than Parker's. To me, Robbie has been passionate about the press and journalism in a way that Peter never was. For Pete, his job as a photographer and reporter was a job he took until he could get into college and study science. Robbie has a way with words and communication that Peter frankly lacks. Of course, that isn't to say that Robbie won't be kicking ass, because he will. It will just take him a bit of time to get some of those skills as he's, well, a normal guy. Not everyone can get their biology scrambled like Pete.

And just because Robbie hasn't been scrambled doesn't mean he's completely separate from all things supernatural either!

I think the marvel noir universe is at its best when there's a magical, supernatural undercurrent. This concept isn't super prevalent in the actual comics, but HoplesslyLost on ao3 has done some really cool world building with it.

I think in Robbie's case, where he would be the narrator, "magical realism" would be an interesting avenue to take it. I use this term in particular because I most closely relate it to Toni Morrison in my head, when I first learned about it through her work in high school. For Morrison, the concept was inseparable to blackness and I think for Robbie, where his blackness is so central to his character and his motivations, drawing on that could be more of a service to his character. It feels better to do that than ignore how incredibly racialized his society and story is. It will make his relationship with the spider god, Peter (who I will get to very very shortly), his community, and his own mythos as The Spider Man really interesting and complex.

So it's been established that Robbie doesn't have spider powers. And we all know that Peter did-- or should I say does. One of the spider god's abilities is to bring Peter back to life. She does this in the comics, but not in any of the runs from 2008-2010 (the runs that make up this au). When Peter dies on Ellis Island, he does not think he is coming back from that. Waking up again is a surprise.

Here's where I think the au really takes a left turn. Do I think the Spider God is purely evil and spiteful and has it out for Pete? No, not really. Will I be ramping said traits up to 11 for the au? Yeah, I guess I might. This is because I love a little bit of horror and the came back wrong trope. I will hopefully be fleshing the spider god out in the near future, but I really haven't given her the many hours of thought I have the other characters. For that I'm sorry spider god </3

Peter digs himself out of his grave, more spider than he ever has been. For much of his new, waking life he is more animalistic than not. There is clearly something wrong with him; his joints are too flexible and loose, he's got some eye-shine going on, his skin is pale and his veins are starkly dark beneath it. He's possessed. Someone is puppeteering him, someone who knows a lot-- almost everything about him, but it's clear that the someone isn't him.

And Peter--- the body, it can't be Peter. At least, that's what Robbie thinks when the figure catches his eye the first time. Because Peter is dead and buried, and he has been dead and buried for weeks.

[werecreature-addicted]

Would the sparkling vampires have been reacted to differently if written by a better author? Possibly

I feel like the main reason (imo) for why the sparkling is hated on so much though is that the reveal of it just feels so ridiculous. Like edward claiming he’s a monster or whatever and then proceeds to reveal his shimmery 6 pack is….unconvincing at best

og tags on this post for anyone who hasn't seen it

Excellent question anon. If you think about it there are a lot of silly things we associate with vampires.

Exhibit A: the classic widow's peak black hair and dramatic cape

look at it with fresh eyes and imagine seeing this for the first time, goofy. silly even. but this style of vampire was iconized by Bella Ligosi's performance as Dracula in Dracula 1931 which is of course very good and a staple in vampire cannon as well as just culture in general. It's good and it's old which lends it an air of authority. whereas Twilight is new(ish) and bad so it's artistic changes and creative choices are fighting an uphill battle already, add in the fact that Vampires Sparkling is a little ridiculous and you can see why so many people dismiss Twilight's vampires outright.

This post is so long continued under the cut

Now I am a Twilight fan and I think Twilight is very bad in a lot of ways, the two ideas are not mutually exclusive. Twilight however is a fascinating case study in cultural knowledge and mythos. Stephanie Meyer informally did very little research about Vampire Cannon, if you can call it that, before writing Twilight (link to an interview where she mentions it) so instead of being carefully constructed world-building based on hard rules and strict internal logic, the vampires are kind of loosely defined shadows based on the broadest understanding of what a vampire is. They're dead, they drink blood, they don't go out in sunlight. Some other popular vampire staples go addressed but dismissed as myth (garlic and having no reflection) but then things like The vampires in Twilight don't have fangs and have weird additional supper powers sometimes go just completely taken for granted and not really expanded upon in a satisfying way.

This style of world-building and magic system has a tendency to chafe against readers who have a more in-depth context for vampires and Meyre's more simplistic writing style makes the text come off as juvenile and perhaps a little dumb.

All this to say the sparkling vampires are not handled super well. It is a very large jump from what most readers would expect to see from a vampire story and it is handled inconsistently at best in the text itself. Meyer describes the vampires in the sun both as A beautiful glittering like that of a diamond, and a reflection of light so intense that it looks like the vampire is being burned alive in the sun.

these two conflicting descriptions coupled with the again simplistic and juvenile writing style makes it seem more like a mistake you should roll your eyes at rather than an intentional complexity to read into. I'd argue that Bella sees this inhumanity as beautiful and alluring while Edward sees it as a curse and a reminder of his monstrous nature and therefore disgusting. That being said I don't fault anyone for not wanting to read that deeply into the vampire glittering and instead see it as the author trying to have her cake and eat it too, something Meyers does frequently throughout even just the first Twilight novel.

Not even to mention the movies.

Exhibit B: this is the skin of a killer Bella.

This is prima facie hilarious and stupid. the juxtaposition of the soft glittering effect and the chiming sound in this scene coupled with the seemingly unwarranted disgust is so fucking funny. which is not the tone this scene is going for. it's supposed to be tense, it comes off as corny instead.

Then there is the hate mob that dominated Twilight discourse when it first came out. I will not get into how much of that hate was warranted, what I'm interested in is how much of a cultural impact it had. There was, at least in the beginning, a large group of people who hated Twilight and would hate anything that came from it simply because it came from Twilight. These people grabbed onto the sparkly vampire thing and made it what it is today, these people were never going to be won over by any artistic liberty no matter what.

So to answer your question, I think that if a writer with a more in-depth understanding of vampires and a clearer vision of the magic system wrote Twilight with a more mature tone and more time given to expanding on just the vampire's powers and limitations, and the movies followed these hypothetical books more closely AND if there was never an anti-Twilight coultral movement. then yeah maybe Vampires sparkling wouldn't be seen as the dumbest shit ever.

thank you for coming to my Twilight Ted talk.

[ryin-silverfish]

LMK S5 Fix-it: the Four Divine Beasts

My feeling on LMK S5 has stayed pretty consistent after first watching the Chinese dub: "nice character moments, but what even is this worldbuilding?"

And personally, the Four Divine Beasts/Guardians/Symbols are the biggest symptom of S5's worldbuilding problem.

Namely, they feel more like plot devices that are just there to die and cough up the Color Stones, and as a result, 4/5 of the "Find the Color Stone" plotline felt like a worse version of S3 and the Samadhi Rings, but with even less flavor.

Now, I'm aware of the 11-minute episode constraint, as well as the pressure the studio change might have created that contributed to the overall feeling of rushed-ness.

However, my criticism here is about the writing and worldbuilding, not the animation quality——things that, in my humble and uneducated opinion, could have been done a lot better even if we were sticking to the "Find the McGuffins" plotline.

Thus, this post. As always: very lengthy, very Chinese-mythos inspired.

Four Guardians & Five Phases

A brief Google Search on the Four Symbols, aka Sixiang, will tell you this: the Azure Dragon, White Tiger, Vermillion Bird and Black Tortoise are divine beasts in Chinese mythology that watch over the four directions, each associated with a color and one of the Five Phases.

(An old post of mine briefly talked about their origins as personifications of four big constellations that occupy a quadrant of the sky each, and their relations to the 28 Lunar Mansions)

And S5 certainly paid homage to their elemental associations, however brief and surface-level it is.

The Vermillion Bird's ability to use fire and its flaming temple is the most notable example, but this screenshot of the seal that appeared at the temple entrances also shows five symbols:

From middle left, going in the clockwise direction, these appear to be the characters for Wood, Water, Fire, Earth and Metal in Oracle Bone/Bronze Script.

Which begs the question...why would you spend so much effort on the tiny visual details, yet not show most of their elemental association through the narrative itself?

Like, suppose you are a foreign audience that knows nothing about Chinese culture and legends, who have just finished watching S5, and I ask you "What elemental powers do each of the Four Symbols have?"

Apart from Vermillion Bird = Fire (the obvious one) and the Black Tortoise = maybe Earth (which is not mythos-accurate, btw), can you honestly answer it, based only on what the show has given you?

Which leads me to my biggest gripe: their random-as-hell placement.

Even the Samadhi Rings have a map, however vague it is, but with the Color Stones, the gang basically just wandered all over the place in the hope of eventually running into one of the divine beasts——and they did, somehow!

Like, I'm not asking the writers for an entire mini-arc that's just them piecing the clues together. But will it be too much to let SWK or Tang make an off-hand comment like this?

"Well, legends said that the Four Symbols watch over the four directions and their respective elements. So if we wanna find them, we just gotta go real far in these directions, toward places with the most of that... elemental stuff! Right?"

And that brings me to the actual fix-it part. The Vermillion Bird can stay where she is, but the placement of the other three should also logically follow their elemental associations.

Oh, and though there's limited space for their characterization, they should at least get some individual characterization apart from "wise ancient guardians".

Xuanwu, Black Tortoise of the North

The fact that Xuanwu, or rather, it's snake half, can transform into stone at will might lead you to believe that its element is Earth.

Well...no, not traditionally; the Black Tortoise and the North correspond to Water in the Five Phases system, and I'm gonna both stick to that and build my fix-it off this foundation.

Instead of cosplaying a stone statue in the middle of nowhere, Xuanwu is gonna be residing on one of the islands in the North Sea, where dark tides and huge snow storms rage endlessly under the sunless sky.

So Sandy, being the water travel specialist, is gonna head out there on his boat. Mei would go to her great x N granduncle, Ao Guang's place, to see if he has any clues on, well, this big blue dragon that's also of the East.

Pigsy and Tang would head west, classic JTTW style, towards the mythical Mt. Kunlun where Queen Mother of the West resides (based on one of Tang's books that said the White Tiger was her emissary), while SWK performs an all-round search everywhere on his somersault cloud.

Which leaves MK: his dilemma is not about some random divergence in the road, but which of his friends to follow. Like, what if he goes with one person, and something bad happen to the others in the meantime?

In the end, even though he reluctantly goes with Sandy, he is still constantly distracted by his worries about everyone else, which segments nicely into the meditation training of S5E3.

But since they are doing it on a boat, there can be an external storm to go with the internal storm, causing further distractions for MK and also forcing them to seek shelter on the nearest island.

An island that, strangely, seems to be coated in a thin layer of ice. It isn't just the earth that's frosted over: all the plants, a few unfortunate multi-headed (???) seabirds, and a snake have also turned into ice statues...

Wait, snake? How does a reptile survive this far out in the north?

They have a bigger concern, however. The ice is slowly but steadily spreading, over the beaches and the surrounding seawater, and if they don't finish the search soon, the ice might get too thick for the boat to break.

So MK dashed off to do a grid-by grid search, then circled back to the place with all the frozen statues...and found the snake missing.

Cue, peak paranoia moment, and going on a wild-goose chase for the missing snake that might or might not be an ice-wielding demon waiting to ambush them.

In fact, the snake almost seems to be taunting them, seeing how they run into several "frozen snake statues" that turned out to be made of actual, solid ice. Sandy keeps reminding him to stop and think, while MK finds it harder and harder to put the lessons to practice.

By following the trail of ice statues, however, they eventually arrived on a little island in the middle of a frozen lake, where the real snake——the one half of Xuanwu lay coiling around the Blue Color Stone.

Just when MK is about to dash out and grab it, the snake comes to life with a hiss, and they barely dodged the ice spikes rising up from underneath their feet.

"Begone, foul spawn of Hundun! Return to thy conniving master, ilk of the Floodbringer, before I freeze every single drop of thy tainted blood!" "Um, I-I think you've mistaken me for someone else? I'm the Monkie Kid, and I'm here to collect your Color Stone so I can save the world——" "Doth thee mistake me for a fool, too?" The snake bore its fangs, rising its head high up into the air. "I can feel the flames of dear Lingguang on you, murderer, ripped straight out of its rightful owner's chest! She would not have perished without a fight, nor shalt I!" "Enough, Zhiming."

The tiny island itself begins to shake, revealing the other half of Xuanwu, the Black Tortoise itself. The snake still manages to half-encast Sandy in ice, before the Black Tortoise traps it inside a ball of flowing water.

She briefly apologized for her twin's hostility——whereas the strain of keeping the world together affects her body in the form of visible cracks, her other half has not been in his right mind ever since the Vermillion Bird's fall, living in the distant past and rarely able to perceive the present.

(The whole conversation is punctuated by the snake's psychic screeches in the background, which alternates between accusing her of betrayal and stating she must have fallen victim to the "poisonous blood of the enemy".)

Which makes the upcoming trial even more necessary. No, it's not "mercy-kill her twin". Yet. MK needs to prove his ability to control his body and mind, that his psyche will not break like her other half here under the tremendous pressure.

Thus, the trial of meditation. And he needs to act fast, for she cannot hold the snake back for long, as made evident by the slowly creeping ice inside and outside his watery prison.

"If you are truly worthy, then vanquish your fears, and stand before us in your true form. Brandish Lingguang's stone, so that we may be released from our watch in the long night."

MK succeeded, like he did in canon, with a small difference: his mastery of the monkey form is required for, and enables the limited usage of the stone's power.

So, holding the Red Color Stone, he unleashes a wave of fiery light that melts away the ice on Sandy and finally brings the snake back to his senses...somewhat.

He only managed to say the Vermillion Bird's name in a wistful voice, exclaiming "How I missed thy warm flames!" before melting into a puddle of water.

The other half of Xuanwu soon followed after giving him the stone, disintegrating into a mass of snowflakes that is swept away by the wind, but not before dropping one last bit of foreshadowing:

"Trust not the Floodbringer's Emissary."

(Sidenote: I think it'll be neat if the Four Symbols refer to each other using their IRL Daoist titles. Vermillion Bird - Lingguang, Black Tortoise & Snake - Zhiming, Azure Dragon - Mengzhang, White Tiger - Jianbing)

Azure Dragon & White Tiger

...And I thought Xuanwu's placement was random.

No, seriously, why is there a random music festival that just happens to be Azure Dragon and White Tiger themed that just happens to be near the actual place the two divine beasts are at?

To stay within the show's time constraint, I will not be giving White Tiger his individually themed placement, and instead try to come up with something that is appropriate for the pair as a whole.

Since Azure Dragon's associated element is Wood, it makes sense for him to have plant powers. Namely, whereever the divine beast resides, floras and faunas will flourish, no matter how out of place with the local geography and climate.

Once Mei learned that from Ao Guang, theoretically, it becomes quite the easy find: the mythical oasis city in western China, one that shows up multiple times in historical travel records yet has never been found by archeologists.

And the reason will soon become clear, as Tang and Pigsy make the drive from one desert city to another on their way to Mt. Kunlun (joined by Mei after she returned from the Samadhi Fire side-arc).

Namely, it's like a magical version of the famous Peach Blossom Spring of Chinese literature: an entire city that has been glamored over by the power of the divine beasts, occupied by people whose way of life hasn't changed since the Tang dynasty.

But as the guardians' powers fade, so does the illusion that veils it from the outside world, and the elemental magic that sustains this paradise.

Instead of a music festival, the gang finally discover the city that, according to the locals, has appeared out of thin air a few days ago, while it is in the middle of an archaic ritual procession.

The atmosphere is a lot more solemn, and it isn't hard to see why. Not only has the illusion vanished, exposing them to a profoundly alien world, the foliage of the oasis are growing and dying in rapid succession, clogging the streets with fallen leaves and yellowed petals.

An opera play is going on atop a nearby stage. It sings of a teal-robed immortal who rescued the refugees of a long-forgotten war, who turned desert into fertile soil with the help of a mighty divine general, concealing their existence from the greed and malice of the outside world.

The people in the procession knelt down and pleaded to the immortal for aid, to not abandon them in their hour of need. And their prayers are, indeed, answered, just not by the divine beasts in person.

The 14 Lunar Mansions that belong to the Azure Dragon and White Tiger descended from the sky, summoned by their masters, though they seemed to have been given different orders.

Namely, the Azure Dragon 7 spread out to guard all the major city gates, letting no one enter or leave, while the White Tiger 7 are ordered to round up all the residents and start setting up a teleportation formation.

Soon afterwards, Nezha arrived in the midst of the chaos. He is just as clueless as to what was going on as the Monkie Kid gang, but the moment he caught sight of SWK and friends, he's after them in hot pursuit.

Meanwhile, Li Jing is not happy about the Lunar Mansions suddenly acting without his orders, and commanded them to stand down or be arrested for insubordination.

"With all due respect, Devaraja Li——" Before the Moon Fox Star could finish her sentence, another stellar beast stepped forth, his tiger tail swishing behind him. "Who the hell do you think you are?"

Results: most of the Azure Dragon 7 get sucked into his pagoda, but while they were fighting, the White Tiger 7's formation activated, teleporting the majority of the city residents to god knows where.

While shit was hitting the fan, Tang hurriedly teleported the gang away, right into the sanctuary of the divine beasts——an underground temple.

"It's over, Mengzhang. Now that the Harbinger is on our doorsteps, and your pet mortals are safe at the cost of our loyal warriors, will you finally rest easy?" "Not...yet. There are still...stragglers, left behind." "Stragglers you have doomed yourself! Their fate is sealed the moment you cast your mirage over their ancestors and create this little utopia, frozen in time." The cracks on the tiger's body widened. A thick layer of condensation began forming on the metal reliefs, as if the very walls of the temple were weeping. "I should have never agreed to stay and help." "Yet you...still did. And I'm so glad you are here."

Yep, in this fix-it, I decide to use the Azure Dragon & White Tiger for some thematic parallels, with them basically repeating Nvwa and the Pillar of Heaven on a smaller scale.

The former created a garden city in the middle of the desert, while the latter uses his power to provide the water source that sustains the city (because Metal births Water).

As the end approaches, however, they are faced with the problem of ensuring the city residents' safety, since, upon their death, the entire oasis will revert to a desert overnight.

The White Tiger feels like there's no point in trying anything, since their death means the Harbinger will fulfill his destiny soon and give the world a reboot.

But the Azure Dragon insists on channeling his power into the land until the very last possible moment, so that the people's last memories will be a mundane, peaceful one.

Besides, they know very well that Fate and Destiny are no longer ironclad, when the very laws of reality are breaking down. How, then, can he be sure that the cycle will end and the world will be reforged as Nvwa intended, seeing that its premature beginning is already an outlier?

After a long argument, they had reached an uneasy compromise. Thus, the chaotic arrival of the Lunar Mansions and the hurried evacuation of the residents.

"You will understand, won't you, Harbinger?" The dragon looked into his eyes. "Even if you know it's selfish and futile, that you can't keep them safe forever, you are still going to give your all, just so their happy days will last a little longer..." "It is easy for Brother Jianbing to say, let go, face your end with honor. For Metal is the clashes of blades, the unforgiving axe of executioners." "I? This old fool just saw lives. Of men and women, children and elderly folks. And I cannot stand by and watch them wither."

MK nodded quietly, feeling Mei's worried, "are you not telling me something" glance on the back of his head. He reached out a hand, and the two divine beasts press their foreheads together.

The dragon faded away in a rain of falling leaves and petals, and when the Purple Color Stone hit the ground, nothing remains of the tiger but a thin layer of silvery, metallic sand on the floor.

Appendix: Inside the Pagoda

The fix-it is mostly over at this point, so the following is just me adding some additional worldbuilding and foreshadowing to MK's solution in E10, to make the whole "giving powers to everyone" thing a little less out of left field.

In the previous section, it was mentioned that a bunch of Lunar Mansions end up inside Li Jing's pagoda too. And when MK and friends run across them, they are in a pretty bad state.

Namely, the same cracks they see on the divine beasts are now appearing on the Lunar Mansions' bodies too.

"Isn't it obvious? Our masters are no more, so we now bear the brunt of the weight that was once on their shoulders..." "And are on our way of being crushed to a pancake." "Very tactful, aren't you?" The one-horned man sighed. "But yes. Lord Mengzhang is a stellar beast too——the greatest of all. He is a constellation, while we are merely the stars that make up the dragon's body, embued with a tiny fraction of his power." "And when the very sky of the East has fallen..." "How can the stars remain unscathed?"

After that, they basically exit the scene to fade away offscreen. But the information they revealed plants the seed of an idea in MK: specifically, that the Color Stones' power (and burden) can be shared between multiple individuals, like what happened at the end of E10.

Also, tiny fix: instead of MK learning the circlet spell outta nowhere, he's gonna tap into the power of the Color Stones during his fight with SWK, just like he did during Xuanwu's trial, to buy enough time to make his sacrifice.

[vpofcookies]

Please tell us more about characters assigned rocks 👀

Oh no my trap card! long post time!

Okay, the rocks that I assign to characters depend on a lot of different factors (mostly vibes), am I planning aesthetic matches? eg. rubies and garnets for technoblade? Narrative matches? eg. gypsum for dream? Character matches? vibe or function? eg. feldspar for techno, muscovite for phil? The result is a pile of different rocks assigned to each of my special little guys, some with more uhh tenuous connections than others.

Let's go over the rocks I assigned to the syndicate (+dream) and why:

First up, Technoblade and K-Feldspar:

This is one based mostly off of vibes. It's one of my favorite feldspars and Technoblade is my favorite guy. And orthoclase feldspar, or K-feldspar, is PINK.

But I am nothing if not able to make explanations for things that were initially just based on vibes. Let's look a little beyond, shall we? Feldspars are known for being very structured in the sense that they have two defined cleavage planes at 90 degrees to each other, making rectangular blocks with irregular ends. Techno, to me, is the pillar of support and structure to his friends, so a cleavage pattern that reflects that is fitting. (in contrast, I think Ranboo's character could be represented by obsidian, which is glass-like). Beyond that, feldspar is the most common mineral in the earth's crust, making up about 60% of the crust. In terms of Technoblade, this could represent his impact on the mcyt community, his character's role in driving many major plotlines, or if you like the old immortals hc, a lasting impact on the world throughout history. (If you like the old immortals theory, please consider pairing feldspar techno with olivine philza! Olivine is a green mineral, the most abundant in the upper mantle!)

A couple other notes: K-feldspar is pink because it has iron mixed into it, but it's named for the high concentration of potassium. Potassium is also known for: exploding! Also. It's PINK. But, generally I do tend to associate feldspars with Philza instead of Technoblade, because feldspars are what makes moonstone and labradorite, and I tend to associate moon and star mythos and symbolism with Phil.

Philza and muscovite:

I know I just wrote muscovite, but I was thinking of fuchsite, which is a chromium-rich muscovite!

I can't really put a finger on why I feel that muscovite fits Phil so well, but I think the micas suit him. Maybe it's something about how they used to use Mica to make windows (Muscovy glass, from Moscow, gives muscovite it's name!), and I feel that Philza's builds and character act as windows into rich worldbuilding. Maybe it's something about the fact that micas are made of many many layers and Philza adds a depth to each of his characters (and even literal layers with the colorzas). Muscovite is generally clear and reflective, while biotite micas can be dark enough to be black even in thin sheets. both suit Phil in my opinion, but the inclusion of alluminum in muscovite sometimes gives it a metallic sheen. It can be thin and transparent sheets, but it's still durable and versatile as a material. Maybe that reminded me of how people always see Technoblade as the warrior, but Philza has been known as a survivor for just as long if not longer.

Connor and Ocean Jasper:

I'm going to be honest. I know nothing about this guy.

Ocean jasper is blue. He's blue. What more is there to say?

Ocean jasper, or orbicular jasper, is a pretty rare stone! The main reason I assigned this to C!connor, other than the color, is that from the little I knew of his character, he was still somehow everywhere. That sums up my understanding of jasper pretty well too! It's a silicate mineral, defined more by its crystal structure than its composition, but some people still just call it chalcedony or quartz, and jasper is everywhere with lots of varieties! It reminded me of seeing all of C!connor's appearances with his normal skin and all the time traveler theories. The same Connor under different names, the same quartz under different names.

Niki Nihachu and Rhodochrosite:

This is the one I feel fits the best, actually! Yes I did initially think of it because it's pink, but Rhodochrosite is an extremely cool mineral and I think the fact that people think of it as "just pink" reflects perception of Niki's character compared to her true depth.

Just look at the versatility of it! From crystals to roses to speleothems. Rhodochrosite has been used for manganese, which is used in steel and aluminum alloy production, or to concentrate silver. In both cases the process is destructive and creates a lot of byproducts, which reminded me of the hurt caused to C!Niki through the revolution, and the way she was spoken over and ignored after. Another aspect of rhodochrosite is that it generally forms in hydrothermal veins. High pressure formation conditions to create this beautiful mineral reflect, to me, Niki's arc of finding herself again.

Ranboo and Snowflake Obsidian:

I think any obsidian fit's C!Ranboo well, but you know I had to choose snowflake obsidian because it's black and white.

Ranboo's fragmented memory made me think that a fracturing material would be a good fit, and obsidian has the properties of glass. It is also not lost on me that obsidian forms when magma or lava hit water. However, snowflake obsidian forms through the process of devitrification (vitri-, like vitreous, meaning glass-like), where glasslike substances become crystalline. The white material is cristobalite, a silicate material that forms at high temperatures. What this means is that snowflake obsidian is not as glass-like as other types of obsidian, just as Ranboo's memory loss is not exactly what it first appears to be either.

Dream and Gypsum:

Gypsum, in some forms called selenite, is a pretty well-known mineral. However, many of the forms are known under different names so people do not realize that they are all the same mineral.

Gypsum can form roses, clear selenite, reflective satin spar, the sands of white dunes, rock, crystals, and more. It's used in construction, to make chalk, to make buildings, to analyze mineral thin sections, to measure hardness on the Mohs scale, and to charge crystals by those that believe in spiritual properties of minerals. I see these many different forms as parallels to Dream's many faces on the server, real and perceived. Many different names given to different forms of the same person. I think the many used of gypsum also reflect the perception of Dream by the rest of the server. Gypsum is attributed power by some (is Dream the most powerful villian on the server?) and use by geologists and builders (Is Dream a way to get the revival book? Is he an ally?), but one of the main qualities is that it has a very low hardness, and is very easily broken. Is the role and name assigned to Dream, by others and by himself, more than he can fulfill without breaking?

[cupid-roses]

Mythos melodies au designs: asl!

↓ Design notes below! ↓

So for some context I tend to change up my art style depending on what kind of story I’m telling which I feel a lot of people do so for this specific fic I wanted to do the art in a very funky collage style! So shanks is supposed to look like a water color painting but the kids are supposed to look like they came out a coloring book ^^

The fic is set around late fall / early winter so the kids get comfy clothes

Sabo was the easiest for me mostly because he is my favorite lol. I actually got inspired by @/where-does-the-heart-lie and how they draw him so that’s why he’s albino, because he is so pale in their artwork and then I have to give him blue so I gave him the star sweater from coraline

Luffy was fun to design. I gave em polka dots to match with shanks since their relationship here is very important to the plot. Also bandaids because I think they are cute. Luffy is also trans in this fic! Which way? I think it’s obvious if you go through my other posts lol

Ace looks the most different here but I have a good reason I swear! He’s not human, and for his species i took the dnd version of it where there appearance changes on the season ( it’s emotions in dnd but eh) so in the summer he has black hair but in the autumn it turns red (and it explains why his freckles are fire colors) and then I took the sweater colors again from coraline

Fun fact: ace was the one to suggest they match outfits but he will deny it until the day he dies:]

And for another context crumb: this is set in the canon universe essentially except there is a shit ton canon divergence if you couldn’t already tell. I will try to keep everything in line with canon lore (mostly) , character and world building customs the same but the way the plot is going to go is taking an entire left turn into hell very quickly

[transman-badass]

Casually putting this here

From my Cthulhu Mythos Halloween short story project. Thanks again to Stella for helping me and letting me borrow their characters!

[Image ID: White text on an illustrated background. The background has buildings with peaked roofs, a tree with few leaves and grass under it, and two jack-o'-lanterns. The sky is black, dark green and dark purple. The text reads:

“I didn’t.” I started, my heart racing faster. “I didn’t say I’d do it yet.”

I didn’t like to defy O’Tipp so openly, even after all these months. Nobody ever called me a wise man. Most wouldn’t even call me a man at all, the bastards. It was anger I braced myself for. But O’Tipp merely smiled, sharp as the edge of a blade. Somehow that was worse.

“You didn’t say.” His smile widened. “But you are, aren’t you?”

End image description]

@slenders1ckn3ss @jacqueswriteblrlibrary @redacted-metallum @actualblanketgremlin @higgs-space

@phantomnations @mushabumi @assistantdirector--janson @sabtael

@yourheartonfireblog @jade-island-lives @carnocus @cecuesta @darkhorse-javert

@comicgoblinwrites @lizadomuch @minutiaewriter @izzyspussy

@passthebeat-blog-blog @dragonedged-if @andromedaexists @cyanide-latte

@late-to-the-fandom @eldritch-flower @cljordan-imperium @royal1asset-if

@pineywitch @fragrant-stars @mynameis40and4 @starry-voids

@divine-anarchy @elbritch-kit @tousled-birdmad-girl @pen-for-sword

@noightwitchers @bee-barnes-author @amielbjacobs @dyrewrites @astras-rambles

[kryptonbabe]

Superman: Earth One (2010) by J. Michael Straczynski & Shane Davis: A Review

Clark Kent is a reserved young adult, he's leaving his familiar Smallville for Metropolis, looking to find himself, build a life. With an anguished demeanor and sad eyes he navigates the big city unscathed, but never satisfied. There's a veneer of trauma to the story, Clark talks more with his dead father, Jonathan, than to anyone alive in the book. While his parents are pumped to have a superhero son, Clark just wants to give his mother a good life, after his father's passing, and to belong somewhere, anywhere.

This had so much potential bringing this different perspective to the Superman mythos, exploring all these heavier feelings we are more used to seeing in the origins of characters like Batman or Hulk. The thing is that while Batman and Hulk earn their angst, Clark's behavior feels unjustified. It's never clear how his otherness can be an obstacle, his abilities are always described as achievements, he's easily accepted everywhere he goes. He could be depressed and that would be interesting (what to expect when the most powerful being on the planet is not evil, but isn't hopeful at all?), but that is never really mentioned.

Clark's feelings are exposed in dialogues and monologues, but his wallowing seems out of place, his father's death is not traumatic, he had a healthy relationship with his parents, he's a genius, he's super strong, he can make a lot of money really fast, but hmm, I guess everybody always asks where is Superman, but no one ever asks HOW is Superman. He's just sad, and we must embrace this.

There's also a kind of mall goth / 2010s emo to this art style and dialogue, the moodiness, the angst, the aversion to primary colors, the Welcome to the Black Parade palette of the underdeveloped villain. As an emo kid myself, I'd probably have a much better time reading this in 2012, when all was new and darkness was inherently exciting. But now, as an elderly decaying millennial emo, I just feel like I need more than aesthetics to make me interested in a story, invested in a character.

The freezing cold take of "Clark Kent is the costume of Superman" was already old in 2010, this view was popularized by the Kill Bill vol. 2 movie, released in 2004, and it's an oversimplified perception of the character, one that considers certain aspects of his history while ignoring several others, lacking the nuance a character as old as Superman deserves. It's jarring to hear this coming from Clark's mother, at this point in the story he is not Superman yet, he doesn't even know if he will someday choose to wear the cape. When Martha says "the mask is what you'll have to wear the rest of the time" she's disregarding Clark's humanity, the life he lived so far, the bonds he might develop when he's not in Smallville anymore. All of this belittled in front of the bigger goal: to turn Clark into a Superman.

In the flashbacks the couple seem slightly manipulative, Jonathan and Martha's only subject with Clark is about him becoming Superman, which might explain why the boy feels so on edge, as if deep down he's trying to run away from this fate of becoming an all achieving force of nature their parents want him to become. It's his parents who give him the Superman name, the costume and the idea to become a superhero. Clark has so little agency in this story, acting resigned, his intentions vague, it's frustrating.

On a positive note, I really liked the fact that Superman destroys a giant spaceship on board his baby ship, (even though, how exactly he stops a world invasion happening in multiple locations with multiple vessels by destroying only one single ship is never explained), overall the baby ship was a nice touch, the science fiction logic of it was very interesting too.

Superman Earth One felt like a very hopeless post-9/11 Superman story, surface level deep, moody and often bleak, without any of the positive emotional impact of the character. The art is nice though and emo Clark is cute. But I need to cheer up now. Thanks for reading this!

[nitewrighter]

I think it would be funny if Batman did appear in maws (or just A Superman series), but he’s the last guest hero to show up- like, dead last.

Clark meets Scott and Barda first, then a couple of green lanterns. One episode teases a mysterious figure in a large cape, but he steps out of the shadows to reveal Martian manhunter. The first non alien tech based heroes he meets are Wonder Woman and aquaman to round out his contemporaries (with abin sur and later j’hon as sort of mentors).

Then we get the heroes Clark inspires (like how he inspired pretty much all superheroes in the real world), flash, the hawks, green arrow, black canary, blue beetle, zatanna, et al. He even meets some kids who would one day become titans.

In the last season he even meets robin and batgirl first, and they don’t even say the words Gotham city, just that they’re from “out of town”.

In a 3 part grand finale Clark, lois and jimmy have to gather all the super friends they met to stop an attack by darksied or the anti monitor, or trigon or starro, or hell maybe just a really cranky lex.

Sometime After the action is over, Superman gathers the various heroes at a newly built hall of justice to announce their building an organization of heroes, even a program to train the younger ones.

And suddenly Batman crashes in yelling “I AM THE NIGHT!!”, clearly exhausted trying to catch up with everyone, and starts ranting, yelling the names of various things from the bat mythos and how the league needs him. Meanwhile babs and dick are like “oh my god Bruce, you are embarrassing us in front of Kara/Kori”

He challenges Clark to a fight, “I got some kryptonite with your name on it big blue, let’s see who the big dog is!!”, Clark is just baffled. Lois talks him down, telling him to get some sleep and they can talk tomorrow.

The next day Lois and Clark are having lunch with Bruce Wayne and Dick Grayson.

Lois: ok, hot take. Maybe losing your parents at such a young age left you with not so much a need for vengeance, but more a need for attention.

Bruce, drinking coffee: I mean, Alfred tried his best.

Clark: and he sounds like a great guy!

(I may have taken Bruce’s characterization from Lego movie Batman)

My ideal Batman appearance in MAWS is at the very very very end. He opens his mouth and the credits start rolling before he can say anything.

There's a mid-credits scene and it's just Scott and Barda showing up to Lois and Clark's for dinner with a veggie tray.

There's a post credits scene and it's Adam Strange zeta-beaming into the middle of Clois and ScottBarda's dinner party in the Family Guy Death Pose. Bruce is never mentioned.

[mollyjames]

Oh resident Slime Queen, I need your advice. I'm trying to build a Slime Against Humanity deck but I cant decide on the commander. I've narrowed it down to either Umori the Collector, Slogurk the Overslime, or Wort the Raidmother.

Hmmm... a lot of it depends on the direction you want to take your deck. Would you rather build Oozes or Sorceries?

As a reminder, Slime Against Humanity doesn't just care about itself, it cares about other Oozes as well, so typal is a perfectly acceptable direction to take the deck. Slogurk and Umori are both practical as commanders. My inclination would be Umori, as you have a few more options in Black than Blue, and the discount is nice upside.

I like you thinking of Wort the Raidmother, but why stop there? Kalamax the Stormsire does the same thing and allows you to splash Blue for Goblin Electromancer and Baral Chief of Compliance to make all of your SAHs cost 1 green pip. If you decide to go this direction, do me a favor and include a copy of Pyromancer Ascension. It's one of my favorite cards, and I'm so happy it finally has a deck in EDH.

Or, if you want to get really creative, you could always go the Mythos of Illuna route... Who doesn't want a free Omniscience alongside their commander? Plus all of the copies of SAH stay exiled to supercharge your remaining sorceries. Seems like a good deal to me.

Thank you for giving me an excuse to talk about this card. The more I think about Slime Against Humanity, the more I'm sure this is going to be my favorite "relentless" style card ever. But what do you think?

[thedrunkenreadersreviews]

A Review on The Prisoner's Throne by Holly Black (SPOILERS)

*Sip, sip* And we're back at it again with that faerie wine!

Now, I know. It has been a hot minute since I posted. The new year has been hectic but I got 2 book reviews coming at you. Let's start with this one.

*Sip, sip*

I knew they would be back and that is why I went to a midnight launch to get my hands on this book. To see the return of my High King and Queen ... ahhhhhh ... but we must have patience and so we shall.

Let's examine this in plot and characters first.

*Sip, sip*

Firstly, let me say that the plot felt a little ... perhaps not as organized as previous plots. For example, the first book focused on the theft of Mab's bones and the creation of these stick creatures which I thought was pretty awesome and enjoyed. Here, that plot goes no further. I wished it was explored a bit more; the power of Mab's bones and the connections it has to the land of Elfhame as a whole. We know Mab was the first High Queen and essentially created Elfhame, so I wanted to see just how interwoven Mab was with the land because, as was explored in The Folk of the Air trilogy, the High King/Queen is immensely connected to the land. That entire part of the mythos kind of fell away to make room for Wren.

*Sip, sip*

Speaking of the whole storyline with Wren ... I'm sorry guys, for the most part, I did not care for it. It's not that I necessarily found it lacking but rather, I found myself disappointed. I had mentioned in a previous post of mine how Holly Black is one of those authors who does not sacrifice the importance or power of one character for another, typically in the case of taking from a male to distribute to a female character. For example, in her novel The Darkest Part of the Forest (which is my favorite standalone faerie book thus far and not just a Holly Black fairy book), never is Severin's status or power diminished for the sake of building up Hazel. It makes perfect sense how, during the climax, Hazel is able to fight as she is. Likewise, in The Folk of the Air, it makes sense that Jude is more strategically inclined while Cardan is more magically inclined, and I LOVED it! I loved how Jude did not possess anywhere near the same magical abilities as Cardan but was rather spectacular for everything she earned. Cardan is a faerie, a descendent of Mab, and the blood High King. It is understandable how he is more connected to the land and thus able to wield it more absolutely than Jude. Jude, on the other hand, taught herself the ways of spying, learned to fight from a vicious redcap, and had to learn to play the game of the folk as she lived in Faerie most of her life. They complement each other incredibly.

*Sip, sip*

Wren, to me, was a bit much. This whole concept of her being able to unmake things made me twist my lips. I understand that hags are the supreme beings of Faerie and how Wren has hag-blood. This manipulation of magic, of being able to unmake things took away, I think, from Cardan, Jude, Oak, and yes, even Mab.

Why? Well, Mab, in a way, is like Jude. She learned how to play the game, she played it well, and Bogdona was upset she got fooled. But, to me, Mab won the Faerie Game fair and square. The land, Elfhame, the crown, all of it belongs to Mab and her bloodline. And Mab gained the ability to create, to bring life. That is the whole Greenbriar thing.

Now, I could work with Wren having the ability to unmake things if it contributed more to the plot of this Greenbriar = Creation, Bogdona/Wren = Destruction. But it doesn't. It just creates a hurtle for Jude. What I think would have been great was to bring this question of Creation vs. Destruction to the forefront. Mab's bones can make things because they are imbued with her power. Great! Can they cure Wren? Can the remark what Wren unmakes? Could Cardan and Jude's power to create block Wren's power to destroy? Could Mab's bones and Cardan and Jude's powers protect Elfhame from Wren's? There are so many questions I wished would be explored but they were never touched on. Could Cardan deflect Wren's spell of unmaking? Could Wren unmake something that Cardan made?

Now to some of you, it may seem obvious ("Well, duh, she can. She has the blood of a hag.") And, you know what, fair. But we should not underestimate the abilities of Mab (who tricked a hag and gained the power of one) and I would have loved it if it played out more.

*Sip, sip*

As for Oak ... oh no.

Readers ... this book made me dislike him. Not hate him, no. And I did not always find myself annoyed with him. Most of the time, throughout the book, I enjoyed Oak but when he annoyed me, my goodness did he annoy me.

*Sip, sip*

As someone who personally detests the whole "ghosting" trend, beating around the bush, talking in circles, and not being direct, I DESPISE the miscommunication/ no communication trope to no end. Anytime Oak even thought about Cardan I slammed my head into the book and seethed past gritted "Just fucking tell him!".

Truly, I had some theories on why Oak may be reluctant to tell Cardan anything. I found no reason besides him being afraid Cardan would tell Jude. Again, fair, but something as simple as saying point blank because faeries cannot lie, "Listen, Cardan, I am not going to ever try to take the throne from you. You do not have to worry about that." Oak's guilt about what he made his sisters endure for him, fine, I understand. But I don't remember a time of him lamenting what he put Cardan through (as I hoped he would) or what he took from Cardan. Rather, he mentions it briefly in passing but does not elaborate. This whole concept of him thinking Cardan wants him dead seems a bit much, even with what he overheard Jude and Cardan talking about in the beginning.

*Sip, sip*

As suspected, though, Cardan is not an idiot.

*Sip, sip*

Jumping back to the plot, the whole ending seemed a little like "Wait, what?" Why is the Ghost done so dirty? Randalian's flip-flop seemed a little Fallout meme "hold on, now." Nacassia and the Undersea were just sort of there (I know she is setting up for an Undersea storyline but as someone who hates cheaters, sorry, I feel nothing for Nicassia so I couldn't care less), Madoc is kind of just pardoned, the falcons who betrayed Elfhame are sort of okay now, someone who literally tried to assassinate Cardan (I think it was twice now) is just sort of free to go. Like, what?

But anyway ... On to the main points.

*Sip, sip*

Oak and Wren.

As much as I found myself annoyed by Oak, I did not necessarily dislike Wren (as I tend to favor villains in books) but found her unforgivable at times. Some of her actions had me pondering, "Oak, how could you have romantic feelings for this girl?" I understand why Wren did most of the things she did. But the way she treated Oak the whole time he was at the citadel, uh, no. Freezing him, starving him, having him in solitary, humiliating him, like ... lying by omission as Oak did, yeah, not cool. Torture via neglect---not cool either.

*Sip, sip*

Do I ship them? I mean ... I don't oppose it but I wasn't really rooting for them through the book. I did not feel the same chemistry as I did with other faerie romances that Black has written. Some characters with great chemistry are Kaye and Roiben, Severin and Ben, Cardan and Jude especially, even Hazel and Jack I felt more pull to. Hell, even Val and Ravius. Why is that? Well, I'll keep this in the Elfhame part of Faerie for those who haven't read the other books. So comparing Cardan and Jude to Oak and Wren as both can be considered enemies to lovers:

Cardan and Jude start off with a mutual hatred.

Oak and Wren do not.

Cardan inflicts his hatred upon Jude and Jude does it right back to him. It is mutual, shared, and practiced on both sides up until they both cave and when they both cave they both cave at the same time.

That's not what happens to Wren and Oak. Their hatred, or rather cruelty, is one-sided. Wren is far more, I guess, negative towards Oak than Oak is towards Wren. Neglect is still a form of abuse; even if the person is not actively being physically, verbally, or mentally abusive, they are still abusing the person via their lack of attention and mindfulness. So when Oak was Wren's prisoner, she was being neglectful and tormenting. Which, hey, he lied and it was a big lie too. So I could fully understand Wren wanting to humiliate Oak because she felt humiliated too. But humiliation is one thing. Neglectful abuse for several weeks is another. Yet, since book one, Oak has had feelings for Wren, whereas Wren harbored a lot of resentment for Oak in the beginning of book 2.

*Sip, sip*

So, do I ship it? As I said before, it is not in my fleet. However, I am not opposed to it. I think Oak does a lot more for Wren than she does for him positively, and I think Wren inflicts a lot more negative things upon Oak than vice versa. Honestly, for this one, I feel as though Wren and Oak would have been better if they ended as friends with the possibility of romance in their future. I think they jumped it too quickly, especially after everything they put each other through. I think having the time to explore being friends again would have been better for their relationship with Black leaving us with a nugget of but you know, they are going to be together in the future.

*Sip, sip*

And now, for the main event.

*Lifts glass*

CUE THE HOMELANDER MEME!

It was perfect. Perfect. Everything. Down to the last minute details.

*Sip, sip*

Yes, my High King and Queen were as fabulous as ever and stole the show every time they were on the page. They were just as in love as ever, still as badass as ever, and both have even matured but not entirely.

Cardan commanding everyone to be killed had me cackling like a Disney witch. Jude's sword fighting is still top-tier. And the fact that Cardan and Taryn still don't like each other had me crying even though Cardan dots upon her son.

Confirmed! Cardan is great with kids as we all suspected.

Him completely ignoring Oriana and her opinions on decorum because he is the High King had me nodding in agreement, one hundred percent. Throwing food into people's wine goblets as a game with Leander, splendid.

Jude resting her head on his shoulder, well done. Jude "threatening" Oak to die for the High King, badass. Jude calling for her good sword, sick! The fact that the sword Severin gave her was not destroyed, big relief (like I was actually sweating when I saw it return, beginning Wren not to touch it).

Them agreeing to Nicassia's stupid little party to keep their people safe, major flex.

Cardan walking off getting stabbed in the chest, giving the order to have people executed to then escorting his people to safety by making a deal with his cheating ex is an I'm him moment.

"Liar," gave me chills and flashbacks to The Wicked King, chapter 15 (hehe ¬‿¬).

Jude acting just like her "dad," put some respect on her name.

Like, if this book was worth reading for any reason, it was them. They did not take up most of the book but when they were there, they were THERE. I loved Jude and Oak's fight at the end, and I loved Oak and Cardan's conversation. I wish they had spent some time talking about how Oak was part of the original plot to put the crown on Cardan's head or how they both fell for vicious women, but the ending was great.

*Sip, sip*

So, was it a good book? Yes, it was. It was an enjoyable read and had that whimsy that all of Black's faerie books have. It was great to see old characters, discover new ones, and expand even more on the realm of Faerie. You know Holly Black loves these characters, especially because of how frequently she keeps returning to them in recent years. It is understandable. These characters are spectacular.

All of the books set in Faerie written by Black so far, for me, from most favored to least, are as follows:

The Wicked King, The Cruel Prince, How the King of Elfhame Learned to Hate Stories, The Darkest Part of the Forest, The Queen of Nothing, The Prisoner's Throne, The Stolen Heir, Tithe, Ironside, Valiant.

Also, another review is being posted soon to make up for my absence. If you have a book you'd like to recommend for me to read, I'm all ears (or, eyes, I guess lol). I am also on Goodreads (same name: thedrunkenreaderreviews).

Anyway, thank you for your time, enjoy the faerie wine, and with the weather growing warmer, why not go for a swim with the nixies?

Till next time, cheers.

*Sip, sip*

[loiterer87]

Another late one! Here's the lead singer, Vessel (Yes, that's actually what he calls himself...) of the band Sleep Token. A... Band?... I don't know how you class them beyond that. They've got bits of alternative metal, indie rock, pop, djent... Even some R'n'B in there. They're... Fine. They're fine. 

Not a fan of these guys. Their sound's a bit too slow at times and their mashing up of genres feels a bit choppy in places. It's technically fine, but it kind of builds to nothing. If you like it fine, but to me it's a bit boring. Sorry, lads. 

That being said, the reason I put them on the list,  aside from listening to more music, was their aesthetic. Just look at this guy! The mask, the hoodie with the shoulder... thing, it's a hell of a look! The rest of the band are also anonymous, simply wearing black masks bearing the band's logo. And they have a mythology!

They all worship a weird god called Sleep and claim to be his mortal representatives, with Vessel as the main err, vessel of Sleep. So I did a picture of him in front of some sort of church. I dunno, it was late and I was tired. There's not much out there in their mythos and I really didn't feel like heading down rabbit holes...

[ghostflowerhotpotch]

Spiderman Society and Manipulation Part 2

Horrible Copy Mechanism and the Responsibilities you put in your own shoulders

Part 1

Oh boy this is going to be interesting for sure.

While I was writing the first part I originally wasn't thinking of writing this section at the beginning, I thought considering the situation it was better to focus in how the lower rankings and people in need are put between a rock and a hard place, and in the cultish characteristics it has.

But then I realized is not just that is a horrible copy mechanism that they are more or less using as a crutch, it also involves why Miguel is convinced over this, and also the responsibility that still comes with it.

WARNING: The following chat will have talks about trauma, recovery, and accountability. It will also include mentions of real religious manipulation and cultish behaviours.

If you think any of this could be triggering, please consider skipping this one.

But before we address the sad reality that is enforcing canon by the eldest/higher up members of this society, let me address something that I didn't mention last time.

Part of the reason all of this is bad is because Canon is fake, this theory falls apart by the seams, and this makes the society more like a cult exactly for this reason!

Here is the long version of why I say this so firmly.

But because I don't want to sent people to do homework, here is the cliff notes version:

Canon Event ASM-90 cannot be happening at this moment, because Spot IS an anomaly. Also, Miguel said himself that canon event ASM-90 is when a captain dies in a battle between the spider-person and a nemesis, but Spot isn't Pavitr's nemesis, and Miguel himself said that Spot shouldn't had happened and is another anomaly like Miles, so why Captain Singh should had died at that moment?

The black matter that supposedly is happening because Miles broke canon? Was happening BEFORE we saw the captain. The alchemax building is breaking down, and has a dark matter absorbing it, which gets bigger and bigger as we see our heroes descend, and then in the same spot the building felt, now there is a black hole! Coincidence? Doubtful.

Miles's universe didn't fell because he became a spider-man, even if by being an "anomaly" you should expect to cause some sort of reaction, right? Further more, he blames Miles and Co for the hole in the multi-verse, but this is ignoring the fact the spot not only was the one to transport the spider, he has MULTIPLE of them. But Miles's universe has no reaction to any of this somehow? And the only issues it had was because of the collider messing up?

Look dear reader, I feel the fact that Pavitr's example doesn't fit the bill by Miguel's own words, and Miles's case in ITSV has jackshit to do with being anomaly; is safe to say this isn't about canon. Is about what is happening.

Because Miguel, Peter, Jess and the rest are so blinded by this idea of canon on Spider-man, they can't notice an incongruity as they are explaining it to you.

You guys know what this means? This means that instead of learning what is actually going on with Pavitr's universe (probably more related to physics than spider-man in itself.) They are wasting time and resources in preserving a mythos that so far feels more like trying to fit a pattern and mix destiny with physics somehow.

So the question is...how come is that they don't see it? Why they believe in this well?

WELL-

Here is the interesting part about the "Canon is part of every spider-man story,." While is a horrible thing to say to people just starting that need to deal with the fact that they will lose love ones and suffer great hardships because of their work, for those who are over? Oh this is great news.

(I swear while looking at this I had a flashback of "G-d's time is perfect" and "Everything happens for a reason," after having a personal hardship. Goddammit this really falls in the steps to a cult way too much.)

Okay but seriously, I saw a lot of people over the past few months complain about how the other spiders could let this happen, and this is so horrible how come Miles is being the only real spider-man here-

Is trauma, is all back to trauma.

Because okay, we don't know until which point the canon theory goes; I would say most spider-people are bit when they are teens or young adults (tho there are universes where Aunt May or Uncle Ben got bitten- yes as senior adults.) So I wouldn't be surprised if the "canon" events Miguel has mapped out has already happened to Peter, Jess and him, considering that at least Peter? Has been doing this for almost a quarter of a century; the others can't be too far apart for what I gather.

So while for someone like Gwen, Miles or Pavitr means "oh this is the list of horrible things you are going to suffer, sorry kid." For people like Peter, Miguel and Jess? Is probably more of a "oh those tragedies that you faced? They were part of the universe making sure it stays intact, is okay."

The sad reality, one of the most twisted things about this situation, is that the system uses the trauma of the eldest members to ensure they continue the cycle.

A funny thing about cults and many religions quite honestly, is that they have specific believes in place to ensure that people are not just indoctrinated, but are also incentivized to perpetuated the doctrine and make others do the same. Almost like evolution, the ideology behind became this way in order to ensure it is believed and doesn't die out like other beliefs.

I know I already put warnings previously, but now I want to bring a real life case because I think I need to hammer home how these beliefs can be so hard to shake off.

WARNING: Talks about Missionary Work, Murder, and passing mentions about colonialism.

The following discussion will involve the case around John Chau's missionary work and end, if you want to skip it, the discussing will begin and finish with the gif below.

So, in case you guys aren't familiar with this guy.

John Chau was a young man, he liked to go on adventures and was a passionate evangelical christian, who also liked to do Missionary Work. He went to a few different places, but the one were he died was in North Sentinel Island. He was killed by the native people there.

North Sentinel Island is among the last few places that has a group of people that are disconnected from the rest of the world. Every time someone tries to establish contact they killed, or at best, barely make it alive for what I recall. We don't know exactly know why since no one has been able to establish communications with them.

Now, I can't have this chat and not mention that is better to leave those people alone. They clearly prefer to continue with their traditional ways, and if you had seen some history you can probably tell even if they were interested, chances are this would end more poorly for them than anyone else.

Considering their reputation, that it is ILLEGAL to try to contact them for that exact reason (John Bribed two fisherman to leave him in the island, there is no way to get there without breaking the law.) You may be wondering, why he choose to go there?

Well, as mentioned before, missionary work; because he firmly believed this was "Satan's last stronghold" since no one was able to preach Christianity to them yet.

Okay, I know I am messing with the tiger here, and I don't want to insult anyone's faith; but I also have to be honest. I am Jewish, but I am a convert, my family is christian (I prefer not to say which branch but is probably obvious,) and while I will try to remain neutral let's say is hard when you are still processing stuff that happened to you.

I will say this, for all the people who called this man a "deluded idiot" when I remember this case, I feel two things, one of them is pity, and the other one is rage.

For starters, trying to force a religion into others is wrong in my eyes, (In Judaism is forbidden to proselytize, the traditional thing is actually deny converts until they ask for a third time.) It also forces an erasure of culture and colonialism, a lot of times trying to absorb past beliefs just to make the new believers happy, which muddies some stuff later on.

So, why I still feel bad for him?

Because he thought he was doing the right thing.

As someone who doesn't believe, in my eyes this is horrifying; but for him? He believes if he doesn't go to preach to this people, they may suffer in eternity for never hearing about Jesus. In his eyes, if he goes to them and convinces this group of worship his lord, he has now given eternal happiness and peace to this people; or the possibility to do so.

I feel bad, because this man was convinced to do something dangerous and bad, by thinking he was saving the lives of these people.

Sorry for the heavy topic, but I feel this was a good way to understand why the society does what it does. Because by bringing real life situations, I think is all the easier to understand how easy you can end up in these places.

Miguel theory doesn't just provide an explanation as to why the dimensions work the way they work, they also provide a nice explanation as to why they all had lived similar struggles, while they had suffered this much.

Is a balm to all those old wounds, because I am pretty sure Peter, nor the rest of the other adults that are "done" or mostly done with the canon events, or heck just suffered a few of them- still had their nightmares and hard times remembering all of the people they lost.

But if they learn about this after? Now they know it wasn't their fault, this was suppose to happen.

Remember what I said earlier? "G-d time is perfect"? That's something I heard growing up, from people who needed to hear that this has to have a purpose, serve a deeper meaning.

Otherwise, is just suffering.

However, can you see the parallels now? A belief that uses the pain and trauma of their members to make them believe, gives a "justifiable" and "noble" reason to continue pushing this narrative too (aka if we don't do it the universe collapses.) And just as well, is also fake, yet they are too blinded to notice, and they are now making people suffer for most probably not good reason while neglecting to learn what is actually going down.

Yeah, this really hammers more than anything the most cultish aspects of the Society. Because it is at is core.

Miguel's Biases

Now, I am convinced Miguel's canon theory is wrong, I know we can't know for sure what's going on until BTVS, but at this point I am rolling with that idea because too many things are adding up for me.

Yet despite how it becomes obvious in a way I consider embarrassing that Miguel doesn't notice- He is blinded by his own theory.

We all have our own biases, is not odd that we are inclined to believe things when they are said for people we respect, admire or look up. Similarly, we are also inclined to believe things more quickly when they align we pre-established world views, or favours a narrative you are more inclined to believe in.

(Yes I admitted how that means this work and others fall into this category, the reason they are as long as they are is because I try to at least to be able to justify my position in some way, and lay all what I think in case someone wants to debate me on it.)

My point with all of this, is that the reason why Miguel cannot see the holes in his own theory as he explains it, is because he is biased by the narrative he has done in his head.

I said this a million times already and I will say it again: No one believes in this more than Miguel, while I think Jess and Peter believe some things and are doubtful with others, Miguel believes all the way.

And just like some missionary people going too far, he can justify all the things he is doing because of this. Because is for the "greater good," and as long as it is for that reason, slamming teens into the train while screaming "you are a mistake!" Is all to save the multiverse.

But we aren't seeing a guy convinced to do things the hard way because sometimes tough situations demand desperate measures. We are seen a man try to cope with his guilt so poorly he created an entire unit dedicated to preserve this idea.

This is horrifying.

And now everything he has done colours different, because let me tell you, if you think too hard about his behaviour now looks a lot more authoritative and insane.

Projection is NOT a great Look Miguel

You know? I firmly believe a lot of people in Miguel's side are biased by his angsty demeanour, by his looks, by the power he has. This isn't to say I am not biased, is just that is not in that direction.

Not gonna lie I can't see this guy throwing stuff and don't remember a couple of temper tantrums my dad has done.

Regardless of my biases, I believe is for this reason I can say that honestly? I find embarrassing that Miguel throws things like that.

Again, I feel these scenes changed a lot the context once you put together that canon isn't part of saving the universe, and that Miguel is getting so worked up about something that until I see the contrary, is a theory he came up by himself with no other backing.

Which means he is throwing stuff at people for no good reason, getting worked up to intense levels that are not appropriate; all while being the boss that doesn't like to be questioned.

Honestly this part isn't exactly necessary on cult leaders, but I would say it happens.

(Again, I don't want to call this necessarily a cult; regardless of how much I think it fits the bill. There are multiple criteria, and I can't evaluate everything.)

One way or another, Miguel's reactions aren't anything good. Think about it, if your boss threw things around when he was angry, would you consider that safe?

Because you know what I consider the most telling part of all of this? Neither when Miguel throws the trashcan, nor when he throws the console, has anyone being surprised about this behaviour.

Let me repeat this; even if this wasn't about Miles, Miguel apparently is known for this enough that no one is phased.

Forget that they are super heroes, I don't think is a great look when the leader of your organization gets so angry he can't think straight, to the point he reaches the wildest conclusions.

This is another reason why I think the mental health in this institution has to be shit, 1) You can't have a harmful belief that enforces suffering and have good mental health, is not feasible. 2) I don't care if Miguel is the boss, or is probably his decision not getting help; is downright embarrassing he is let to do these things and no one questions if he is out of line.

Remember, this shouldn't be a dictatorship, regardless if this was Miguel's idea and operation, if you can't question the leader even if he is wrong; that's tyranny, and all just needs the boss to be wrong once for things to go south.

Now imagine when the entire system is flawed.

Now, the following part feels like I may be repeating myself, but the previous part was about how these actions are bad; and the second one is about why having mental health issues isn't a defence,

I imagine by this point, perhaps someone may want to come out of the woodwork's and say "But you are being completely unfair! Miguel is clearly hurting about this, he is not thinking clearly! That's why he screams to Miles that he is a mistake, he is projecting!"

(Sigh.) You know? I don't think there is a lot of people who would seriously try to say that about someone making a theory like this is still justified to do what he does, because he is clearly trying to substitute reality with his own, but because I had gotten WAY TOO MANY TIMES the "oh poor Miguel/Peter they are traumatized!" I am going to do the thing that is the real reason this post will be controversial.

Because disregarding your mental health to the point is hurting you and affecting others IS BAD TOO.

HEAR ME OUT!

In real life, there are complications like not having money, not having resources you can go to, maybe you are living with an abusive person who will not let you get any help- Things are very complicated, and there are many reasons you are stuck.

This isn't Miguel's case, for starters.

The guy clearly has money, he even has a spider-man psych which means the guy knows how the secret identity goes and has a psychological degree, so you can say he has an available, viable help just right around the corner. He is also a middle-aged man, meaning he should know better.

Because here is the thing, for all the dumb shit Gwen has done, she is a traumatized teen with not the best support, not adults she can rely on, and has a dad which copy mechanism is "I have a job to do," which is the same thing she does. I can believe she doesn't know any better, and will not take the best decisions either. I did my own fair of mistakes at that age so I can't talk.

What is Miguel's excuse? I am sorry, but I feel when you are at that age, when you have a responsibility this big, (that let's not forget everybody, HE CHOSE THIS, no one forced it onto him.) You need to be able to look in yourself and know when you can lead or not, when you can be trusted with big decisions or not. By this point in your life, you shouldn't rely on other people to tell you need help. If you are so much in your own head you are not seeing what's in front of you, that's a problem you need to fix.

You could try to argue that at that point he obviously will not see it, but 1) Honestly people let him get away with it, as we can see. 2) Do we know he would listen, considering this situation?

That doesn't mean letting him go rampant, that means "we took the executive decision you aren't fit as a leader." I am not joking here, Elon Musk was kicked out of paypal for less dumb shit and that's saying something.

I had heard so many excuses over the years about angry men that refuse to address their attitude issues because, "he had a rough childhood," "his father was absent," "he is stressed about work." All while being told that you need to grit your tear and bear it.

I can't take seriously a guy who has the money and the means to recover, yet refuses to confront reality because is more comfortable to fabricate something in your mind.

ESPECIALLY NOT when he is involving more people into his twisted system, that perpetuates people having MORE TRAUMA, all to justify his own.

All, while putting the multi-verse in danger, because he decided to take this task upon himself yet using his own flawed narrative.

And you know why I think Miguel being wrong in multiple things, (his theory, behaviour, literally throwing Gwen for questioning him and "letting him go" and not for disobeying- seriously why throw a way the justifiable reason if it isn't meant to be something?) Is not bad writing in my opinion, is because-

THAT'S THE ENTIRE POINT~!

Notice the funny thing about all of these scenes? All of them have Miguel showing being in the wrong.

Miles is telling Miguel it was the Spot, because it literally was; the black matter started way before and he saw it.

Miles IS Spider-man because he has earned that title, and not by doing a checklist of pre-approved events to see if he fits or not the bill.

Miguel is wrong because he is literally mad at Gwen for questioning him, and is insisting Gwen let Miles go; which is funny because PETER was the one in close quarters with Miles, and had a much better chance of capturing him.

But he isn't given any a reprimand for his behaviour, he gets scotch free while Gwen is being blamed for that blunder; and hey isn't something very traditional of corrupt systems of power favour those close to the inner circle while the "problematic members" are blamed for the mistakes of others?

And you can see all the other mistakes I had laid down already.

Because Miguel is the antagonist.

He is a man so blinded by guilt he has created a whole system made to keep it intact, is absolutely absurd to realize how crazy everything sounds once you put all of these pieces together.

Yet the point of this story is how even while having the most noble of reasons, if you are so focused on the past you are forced to make it your future, you may miss the opportunities out there to make it better.

Just like someone living in an unjust society, convinced it needs to perpetuate the status quo because anything else would mean the end of the world as we know it.

It really shows how sad and twisted this can be.

Oof, that got a little heavy huh? Sorry about that, is hard not to get intense.

Still feel a little crazy seeing the parallels about cults because I don't think the team realized how much this is hammering home with that; or maybe they do and I am underestimating them.

Thank you for anyone who came along in this ready! As always if you have the chance please support my ko-fi, and if you can't, please share this post around!

[czortofbaldmountain]

Lightrising

Luciferian Winter Holidays

Celebrating the stories of the Heavenly Rebellion and of the Garden of Eden, Lightrising - the renewal of light at the Winter Solstice - is perhaps the most important festival in my developing liturgical calendar. This year will be the first time I'm celebrating it, so it will be a kind of experimental celebration, but I decided to share my ideas here.

EDIT: to make things clear, the holiday is created by me.

[Image description: the post begins with four black and white drawings, illustrations of Paradise Lost:

The rebel angels falling, Michael commanding the triumphing angels loyal to God

Lucifer speaking to the Fallen, raising his spear belligerently

Lucifer flying to land on Earth, a sphere among the stars

Adam and Eve in the Garden of Eden, Eve giving the fruit to Adam

All pictures by Gustave Doré.]

The holiday lasts seven days, each dedicated to an event or motif from Luciferian mythos:

The Day of the Rebellion

Start: the dusk two nights before the Solstice Night

End: the next dusk

Theme: Rebellion in Heaven, the struggle for justice and liberation.

Celebration ideas:

Bless and light a Lightrising Candle. Any candle big enough to not burn out too soon will do. Let it burn for a while to symbolize the fires of rebellion. Remember fire safety. Before, you can have some fun decorating your candle!

If your practice involves acts of transgression and reversal (for example an ex-Catholic saying Credo in reverse), now is a good time for that. While such things can be helpful for those with religious trauma, make sure to be gentle with yourself and don't overdo it in a way that would hurt you.

Seeking out ways to help someone disadvantaged by the toxic system we live in (though remember it's always a good time for that!)

The Day of the Fall

Start: the dusk one night before the Solstice Night

End: the next dusk

Theme: the Fall

Celebration ideas:

Instead of lighting the Lighrising Candle, cover it with a dark cloth until the Lightrising Dawn.

Shadow work and cathartic activities.

You can wear something to signify mourning.

Lightrising

Start: the dusk of the Solstice Night

End: the next dusk

Theme: the Fallen rising again. Survival, persistence, hope, and renewal - even in face of Hell.

Celebration ideas:

If possible, the Lightrising night is a good time to hold a vigil.

At dawn you can again light the candle you lit on the Night of Rebellion and let it burn for a while. If you were not holding a vigil, you can just do that when you wake up.

Magic for healing and regeneration.

The Day of Pandemonium

Start: the dusk one night after the Solstice Night

End: the next dusk

Theme: fallen angels becoming demons and making Hell their own. The story of the building of Pandemonium.

Celebration ideas:

Making offerings and giving thanks to the demons in your life. Taking time to spend with them and appreciate them.

A shared meal with them.

DIY and upcycling.

The Day of the Serpent

Start: the dusk two nights after the Solstice Night

End: the next dusk

Theme: Lucifer as the Serpent and the bringer of knowledge to humanity.

Celebration ideas:

Did you know that in the Christian tradition, the Christmas tree was often associated with the tree of Eden? You can easily subvert and adapt it for your practice, and even make your own decorations!

Decorating and blessing fruit to be offered and eaten on the two following days.

Studying philosophy (or other things!)

The Day of Eve

Start: the dusk three nights after the Solstice Night

End: the next dusk

Theme: Eve as the mother of humanity, and her decision to take the fruit of knowledge and share it with Adam.

Celebration ideas:

Sharing a meal with Eve, Adam, and the Serpent. Eating the fruits you blessed the day before.

Discussing or, if alone, just reflecting on what you learned yesterday.

Sharing knowledge with others. For example, if celebrating in a group you can do short talks about things each of you is knowledgable about, or if solitary you can make a post on Tumblr!

The Day of the Earth

Start: the dusk four nights after the Solstice Night

End: the next dusk

Theme: humanity leaving Paradise. But it's not a sad holiday. As the Day of Pandemonium is dedicated to the demons of Hell, this day celebrates being human on Earth.

Celebration ideas:

It is a great time to spend time with your beloved people and do things that bring you joy. If you celebrate with others, you can incorporate the tradition of exchanging gifts on that day.

Animals count as earthly loved ones too! If you live with an animal friend, maybe give them a special treat?

The Day of the Earth is also a good time for ancestor veneration, and to make offerings to your local land spirits - including local folk devils.

[image description: a divider with the sigil of Lucifer made by @peculiar-666]

If you want to take inspiration from this, feel free to do so, as well as to share what you're doing and tag me so I can see!