Archive for original character writing. Click blog navigation to explore character pages, see which characters belong to what story, or read things in chronological order. All stories being worked on are intended for an Mature // 18+ Audience, and I must politely request anyone under 18 not to engage with these works.
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I probably should start posting the OC sketches I have developing the Book of Industry characters and plot over here instead. I'll reblog everything from my main onto this one tonight and consider if I want to do that.
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Nude references for the BoM cast, for my own use. You can have it though.
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House Wife Horror
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Dog Days: Book of Mythos
Fantasy, character driven, atmospheric. Read the Ao3 tags. Here's the cover.
Except to show off #The Writing
Heās small enough that he can duck up into the rafters. Theyāre thin planks of wood, one of which fell to the ground and broken through one of the old corner tables that had been left abandonedĀ She, on the other hand, is tall enough that she has to duck under the doorframe to get into the room. Thereās a sword dangling loosely in her hand, something he personally thinks is hard not to notice with some amount of immediacy. Actually- There are three, if heās counting right. One in hand, two strapped to her back. Though he canāt see any other weapons at a glance, he presumes, of course, that she probably has more. On the whole, he thinks itās good to assume people willing to carry around three swords are willing to carry around three swords and a knife. It seemed a little excessive, if you asked him. Three swords and all that. Exactly what kind of threat did she think she was walking into?Ā The biggest one - that being, the one sheās currently holding, is so well-polished that it shines when the light hits it. Itās bent at an angle. He finds that odd. He canāt imagine what purpose the bend in it serves, but weapons had never exactly been his āThing.ā (Not that he had many āthingsā that humans would consider worthwhile knowledge to begin with.)
Mwah Mwah šš
#I originally made this for a different site but they aren't taking advertisements right now jwndskcx#mortifying ordeal of being known vs read the thing im kind of proud of#im putting ten dollars into this blaze#please talk to me about my characters#i am not beneath doing a little bit of ebegging to get eyes on something im proud of working on
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ā¼
Title: Dog Days - Book of Mythos (Chapter 4) ā¼
Start of story = Previous Chapter = Link to Ao3 Mirror
===
He gets caught in the rain again.
He sees the storm clouds beginning to gather when he wakes at dawn, so thick that they black out the pale morning sky. It brings with it the first chill heās felt in days. While the air is still humid, the atmosphere itself is cool and kind on him, and so he gets greedy with his travels.Ā
Itās not that he does not know itās coming. He has ample warning - The treeās begin turning over their leaves, a heavy breeze sweeping through to shake and pull at their branches. Occasionally, the sound of thunder rolls through the sky.Ā
(It always succeeds in putting his fur on end. The thunder. He hates the way it sounds and the way the world feels against it)
No. He has ample time to find shelter, if heād taken everything into account. Itās just that heās...Ā
Well, heās a fucking idiot, really, ignoring his instincts and gut like he does. As bad as some humans are. Heādāve figured that heād at least have a warning that the rain was about to come down. Heādāve been fine walking through a small shower, or even a mist. But when the rain comes, it comes down hard, hitting the ground like frigid arrows.
And so finds himself caught in the torrential downpour.
He originally considers continuing on through it (If heās already soaked, thereās no point in stopping) but it takes some amount of effort to fight the wind, and that the chill heād enjoyed the company of works against him with the storm. As such, he must find cover under a rock overhang. The shelter is deep enough to get him immediately out of the water, but not so deep that it stops the water from pooling in around his feet. He sets his clothing off to the side and shakes what he can of the water out of his fur. And then, when heās done what he can of that, he rights himself, turning paw to hand and fur to flesh.Ā
In the past, heās found that skin dried faster than fur, especially on miserable days like this where. Skin didnāt hold water as well as his fur did, though it also did little to keep it off him. Water sat on top of it, sort of. He runs his hands down his arms to scrape the water off of it, but he still feels damp. Skin was - Well, it was less comfortable to sit around in overall. Water sat colder, rocks dug in harder. He feels the way mud sits under his nails and grinds into the little crevices of his skin. He didnāt blame the humans for inventing clothing, when it felt like that.Ā
(He wonders if it even felt like that for all of them, or if heās just doing something wrong.)
He considers dressing, if only to better sit. But his clothing is a lost cause, ruined in his rush to find somewhere to wait the storm out. He thinks theyād probably only work to worsen the cold heās in.
Heād need to wash the mud off of it when the rain let up. It was one of the more inconvenient things about carrying that around. Supposed he could just find a way to mimic clothing in whatever form he decided to take, but heād never managed to get the texture of clothing right. Something about the way the light hit it, and the smaller grains of fabric and how they shifted and moved when he did. It was an art heād master eventually, he knew it was.Ā
For now, however, he sits on his knees and works at squeezing the water out of his hair. Specks of water drop onto his face, brought in by the wind.
ā Fuckinā stupid ,ā He mutters, to no one in particular and about himself, and squeezes out his hair again. A few rocks dig into his knees.Ā
Thunder rolls above him.Ā
He rubs his hands together until heat sparks a flame up, blue and sticking on the skin between his palms and fingers. It runs hot enough that the water burns and steams away, and while the warmth is welcome, it causes his stomach to do an odd churn, and saliva to gather in the back of his mouth in a warning of nausea. This kind of magic had always troubled him, though heād had it long enough to know how to use it well enough. It was just the way it ran through him. It lit up his nerves, traveling down his spine and turned over in his gut. It was a heavy, unavoidable feeling. Nothing like the comfort shifting gave him, or the cool ease the illusion magic offered.Ā
But he learns it. For moments like this, where itās helpful to get a fire in an instant.Ā
ā¦
He doesnāt hear her coming, this time. The rain is so loud (And her steps, perhaps, so light) that it drowns out her approach. Instead, he sees her legs pop into view. And then, as she tilts her head down to investigate, her hair stringy, but not nearly as wet as he expects it to be from the storm. She looks at him. He looks back at her, the flame still running against his skin. It causes a gentle glow against the both of them. Sheās wearing the fur sheād had back in the little human-spot, which is odd, because when he thinks about it he doesnāt remember her wearing it the last time they met. Sheās wearing it a little different this time. The fur is facing towards her, the rain dancing off the wool stitched to the outside of it.Ā
Her gaze travels down to his palms.
ā... Fire?ā She asks, plainly.Ā
ā... No hello this time?ā He asks, baring his teeth towards her. Itās not as threatening, when heās all human-like. She stares at him.
āAlright,ā She says, a little deadpan, āHello little fox. Didnāt I tell you to stay on the main roads?ā
His smile widens. Itās all teeth and not very kind, and heās not really trying to make it kind for her sake, āHello Laelia. See - I would have stayed on the roads, but there aināt no good huntinā in that direction,ā he says, and then, feeling a sudden burst of energy, he props his elbow on his knee and his chin on his palm, and he says, āāSides - Those roads arenāt exactly what I would call functional. Really - youāre really out here stretchinā the definition of roads there to me, arenāt ya? Barely even footpaths out there. Iād even accept a- Like, a trial, maybe. But a road? Itās - ā¦āĀ
He gives some halfhearted hand gesture as he prattles on, but eventually, the chill gets to him, and he loses the sort of passionate opinion that heād had on the matter of road definition technicalities moments before hand. If the outburst surprises Laelia, or even really phases her, she doesnāt make much of a show for it. (Then again. He feels like thatās something he always seems to tack onto his thoughts around her. Heād like to get a decent read on her, even if only once.)
Laelia tilts her head, though whether inquisitive or considerate heās unsure, āThere'sā¦ signage,ā She offers, helpfully, as point of contention.
He opens his mouth. Closes it. And he -
ā... What?ā He asks.
āOn theā¦ roadsā¦ā She trails off, and points. Itās a slow, leisurely gesture, off in some general direction that he imagines goes off to the road. She looks almost statuesque with how still she is, ā... Theyāre not hard to follow.ā
And it occurs to him that she sort of looksā¦ Well. Absurd like this. Whatever tension that she normally carries with her is washed away with the rain.Ā
He canāt help himself. He laughs.Ā
āYes,ā He says, and sits up a bit straighter. He leans forward to better hear her over the rain. She speaks so softly that it almost drowns her out, but for some reason he still understands her just fine, āI know how to follow basic road signage. Itās - I mean itās not a hard concept to grasp.ā
āItās not, no,ā She agrees. Then, after considering him, says, ā... I didnāt expect you to listen, really. You donāt seem like the type to have much of a sense of self preservation.ā
āYeah,ā He says, immediately and absentmindedly, because heās still thinking about how awful the rain is and how harebrained it had been to try and beat it. But he eventually does punctuate it with, āIām good enough at takinā care of myself. Been through more dangerous areas than this and came out of it all fine,ā He runs his hands against his legs, still drenched and muddy. Then, āLook. Are you just gonna stand there like that the entire time?ā
She lowers her arm. When he gestures to the spot next to him to get his point across, she simply tells him that, āThe rain doesnāt bother me.ā
āYeah. So that was lessāa offer nā more of aā¦ an ahā¦ Ah. Right. Yeah, a stipulation for me to keep givinā half an ass about this conversation. Take it or leave it.āĀ Ā
She raises a brow at him, hand lowering back down to her side. Her lip twitches, amused, though her gaze momentarily travels up to stare past the overhang heās using for shelter. Then she makes a face. Shrugs. And she shifts to sit next to him, her motions smooth and careful. The ground being as wet as it is seems to bother her about as much as the rain does, and she does not even attempt to stop her hair from dragging through the mud, brushing up the grime against the tips. She spares him a glance as she settles into the spot next to him, one leg folded up by her chest, the other hanging out to allow the rain itās continued assault on her person.
Her gaze travels, momentarily, back down to the flame on his skin.Ā
āYou look cold,ā She points out.
āI got into a fight with the rain and the rain won. That felt pretty fuckinā obvious,ā He says, baffled, but his humor carries the word. His grin, something already quite crooked, widens considerably.
She looks him over, head still but eyes not, āObviously. I meant despite the fire,ā She says, āYouāre in a bad mood today..ā
āI -ā His jaw snaps shut, āI am. Because Iām cold ,ā and, if heās being honest, a little hungry. Really hungry. Hunting hadn't been good, exactly.
āBecause youāre wet,ā She says. And she doesnāt miss a fucking beat, āNot very good at taking care of yourself, then.ā
He whips his head to glare at her. Sheās not phased by him.
āIt seems convenient,ā She tells him, āThe fire.āĀ
He considers not answering her as punishment for making his mood worse, but heās always been sort of bad at letting silence sit uninterrupted. He takes the time to warm his thighs, rubbing his now-dry hands against them to rid them of water.
ā... My ma knows how to manifest electricity. I always sortāa figured it too loud to have much use. Never learned how to do it,ā He tells her, as though offering a bit of casual information.
She thinks about it. Shrugs. As if on cue, another flash of lightning, and then thunder, āReasonable,ā She says.Ā
His hands slow to a still, and the flame heās maintaining grows a little brighter. Figuring that if sheās seen it, he might as well put on a little show for it, the flame travels off of his skin, instead coming to float out in front of him in an orb. It takes a little more concentration (and energy, really) to maintain it like that, but it works in getting her attention back towards him. Her eyebrows raise, and she looks at it - And then him. And then the flame again, sparkling despite the way water intrudes on itās presence.Ā
ā... Reminds me of will-o-wisp,ā She says.
āI .... Donāt know what that is,ā He admits to her, both the playful-like tone heād been carrying and his irritation both dropping to reveal that little bit of sincere curiosity that he allowed himself to have. She looks a little surprised. Doesnāt bother to hide it herself. Though, heās surprised himself.Ā
āItās- I supposed itās not a common name for it around here,ā She rubs her chin, leaning back again. But her eyes stay on the flame, āItās ahā¦ā She searches for her thoughts. Heās not sure if sheās struggling to find an explanation of it entirely, or if she feels the need to dumb it down for his sake. Heās a little insulted that it might be the second, āSometimes when things die, they release a gas. Under the right circumstances, it catches on fire. It looks a bit like your flame there,ā and then she props her hand up on her chin, āDoesnāt happen very often around here. Itās too dry. I havenāt seen it for a while.ā
That was, in fact, appropriately dumbed down enough for him. He looks at the way his little flame dances about. Heās beginning to feel an itch under his skin for it.Ā
āBut itās more complicated than that.ā
āIt is,ā She says, āGets a mind of its own sometimes. Sometimes itās caused by other things. You know how magic is,āĀ
He does. Know how magic is. It was hard not to, when he existed with it so close to his pelt.
She reaches out to poke at it. He grimaces, about to warn her that the flame has taken out men far scarier than she is. But he sort ofā¦ Stops himself. Closes his mouth, and narrows his gaze towards her. Heās not trying to be mean or anything, he just sort of figures that sheās not dumb enough to put her hand in fire. She seemed to have a good enough head on her shoulders.
āHumans tend to assume magic,ā She tells him, her voice lowering a touch. Impressive, with how low a tone she already spoke in. She brushes her fingers through it with the sort of ease and care that one would a running stream, with this gentle, experimental sway of her fingers. The flames lick and run around her touch. The water on her hands sizzles and steams, and though she does not flinch at the feeling, her fingers eventually curl. Itās a notion that causes a shiver to go down his spine, deep and rooted in his bones. His shoulders rise, suddenly quiet tense, and he feels a sort ofā¦ metallic taste on his tongue. He takes a deep breath in to steady himself. Checks that heās not bit his tongue - Tastes like blood, but itās not, cause heās not bleeding.Ā
She raises an eyebrow, āItās hot,ā She tells him, matter of factly.
āYeah. Uh,ā It breaks him out of his stupor, but he finds that he doesnāt have the words to actually finish the thought.
She looks at him.Ā
And then, she motions like sheās attempting to grab it. No. She does grab it. She closes her hand around it like a first, the flame spilling out from between her fingers, and through her palms. He jerks forward, almost instinctual in its speed, and smacks his hand against her wrist to get her to release it. The fire goes out as he does, and his nails digging into the skin of her wrist. He shivers. Not from the cold, but from this ugly, nauseous feeling thats struck him. Like a rug being pulled out from under his feet.Ā
Her skin is hot - The sort of hot that burns meat and flesh, and almost burns him. His nails donāt sink into her like he expects them too, scraping against her arm. She lets him, not bothering to fight the way he moves her hands.
āCan you be burntā¦?ā She asks him, inquisitively.Ā
āIām not - I mean obviously ,ā He says, baffled and strained, and he swipes the flame out himself, āItās not gonna hurt me, itās mine . How are you not hurtinā?ā
She goes quiet at his own questioning, which he thinks is a little unfair. Here he is humoring all of her questions, and then the second he wants to pick at her mind sheās gonna go and clam up?! She tugs her wrist out of his hand and, while looking at him, pokes it out into the rain. Her fingers uncurl. A bit of steam rises off of her skin.
āThere are worse things,ā She tells him, and turns her fingers over. He presumes to cool them, but heās not sure at this point.Ā
He doesnāt know what to say to that, so he defaults in saying nothing at all.
A small layer of fog has begun to form, hiding the roots of nearby trees and distant vegetation. She turns her gaze out towards it and he, not really sure what else to add, follows it. The rainfall is so heavy by this point that between it and the fog, he canāt see beyond the immediate horizon.Ā
She says, āIt doesnāt normally rain this much this time of year. You just got unlucky in your travels.ā
He doesnāt have the sort of mind to begin thinking about what she just did, so he buries it. Decides to unpack it later, when sheās not sitting next to him. He watches the dark grey silhouettes of the treeās on the horizon sway against the wind as one, cracking and creaking under the pressure. A pool of water just outside of their shelter bubbles.Ā
He really hates storms.Ā
āIf I tell you how to get back on the road, will you listen,ā She asks him.
āNo,ā He says immediately, his throat a little dry, āI donāt think I will.ā
āFigures,ā She says, āI wonāt waste the energy, then.ā
And then they both go quiet.Ā
They sit in silence long enough that the worst of the wet is gone, but his hair still sticks to his skin in uncomfortable little clumps. He reaches up to twist it. At first, over his shoulder. And then, when gathering it all together like that doesn't help, shakes his fingers through it to mimic the sort of thing he does with his fur, trying to shake what he can of the water from it. He feels the weight of Laelia's gaze on him, but doesn't actually try and get a look at her through his hair until he hears her moving as well. She grabs the fur off of her shoulders, and, as though it's something she knew she'd have to do, drops it in his direction. Itās heavy enough that it keeps itself sat upright long enough for him to grab without it getting too dirty or wet.
He glances up at her, raising a brow in her direction. She shrugs.
āI told you. The rain doesnāt bother me,ā She says again, without looking at him, āWarm up.ā
His fingers twitch against the fur a little. He hadnāt actually been able to appreciate the fur for what it is before. Heād sort of thought her to be more of a bare pelt type, wearing the skins of whatever she hunted like macabre trophies. Instead, he finds it to be intricately done, as humans were apt to do. The fur acts more-so as lining along the inside of the cloak, the outside some tightly knotted, fiber that heās not keen enough to know the exact of. He runs his hands over it for a moment or two, appreciating the texture and the detailing of it all. Itās the same, pretty green that her shirt is. Clearly something lovingly dyed, and tended to.
He doesn't put it on. He sits like that, laying it across his lap.
Itās not that he doesnāt want to accept her offer. Frankly, the most animalistic, instinctual part of his mind that nags and bites at him wants to curl in on himself till his limbs turn proper and fur comes back out, and he can hide under it like a makeshift shelter. But heās not so foolish as to go about doing that in front of her, and heās good at ignoring that nagging instinctual feeling.
Itās more-so. Well. Heād owe her.
Letting her buy a meal for him was one thing. Heādāve been fine getting the meal for himself, and sheād taken half the booze heādāve drunk anyway. It was something he could justify as equal value. She wasnāt doing him a favor if he didnāt need the help to begin with.Ā
But putting himself in debt to her? Over some minor inconvenience? That was another thing.
He doesnāt like owing people, and he really didnāt like owing humans any kind of favor or gift or protection in turn. He was just cold. The cold would not kill him. Not here. Itās not like itās snowing. Not like itās iced. Itās something to be negged and annoyed by until he dried off and the rain stopped and he was able to get back moving again.
His grip on the fur tightens.Ā
He looks at her out of the corner of his eye. Sheās not looking at him. Instead, sheās settled back against the rocky overhang, her arms crossed over her chest and legs finally folded up and out of the rain.Ā
Then again. She didnāt seem like a bad person to owe a favor towards. Not a small one.Ā
He runs his fingers against the grain again. Wolf fur. He'd know that from anywhere.
Slowly, he pulls over his own shoulders, appreciating it for how soft it is immediately. For as uncomfortable as skin was to sit in, it was also good for this. Appreciating the little bits of texture they'd he'd've missed against his own fur. It isnāt as warm as he expects it to be for having been something sheād been wearing ātill now. It doesnāt carry much of a scent on it, which also surprised him. Humans tended to stink, and their smell stuck to anything they touched. They didnāt even know it. Now that he thought about it, he doesnāt think heās caught her scent properly since meeting her. It wasnāt like it was something he was trying to do. But he was good at that. Smelling. And all that.Ā
The cloak, while of reasonable size on her, dwarfs him in a way that feels planned in its comedy. But itās dry, and offers more protection from the elements then even his clothing would. He cozies back against it, shifting around under it so that heās no longer on his shins and knees. He takes the time to rub away the dirt.
And to his surprise, she moves.
Heād sort of been expecting her to wait out the storm with him, especially now that he'd accepted her offer properly. But - True to her many, many words, she doesnāt seem particularly bothered to be pulling herself back out into the rain, even without the safety of her pelt.
āI have work to do,ā She tells him, simply, raising her voice to be heard over the rain. And then she says, āKeep it for now. Iāll get it back.ā
His lips curl.
āAnd if you donāt see me again?ā
She looks down at him.
āI will.ā
And when her eyes meet his, her gaze direct and heavy, he feels a shiver go down his spine.
She begins to walk away from him. Unable to help himself, he pokes his head back out towards her.Ā
āHumans arenāt indestructible, you know!ā He yells out, waving in her general direction. She pauses, long enough that he could finish speaking. There's fog around the base of her feet, and rain blocking his view.
āThey arenāt. I find them to be quite fragile, personally,ā She says, and she sounds almost.. Amused? When she says it, āThen again. So are you.ā
And again, she leaves.Ā
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Asa sticker to thank people with
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still waters
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Savior
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ā¼
Title: Dog Days - Book of Mythos (Chapter 3) ā¼
Start of story = Previous Chapter = Link to Ao3 Mirror
===
Traveling is slower than it otherwise should be.Ā
Itās the heat, mostly. Itās the time of year where days are hot enough to be suffocating, and the rain only really works to make the air stick between his fur. He works around it, traveling mostly during the dawn and dusk hours, sleeping around the height of the heat and hunting mostly at night.Ā
Thing is - Hunting is bad this time of year, and scavenging is worse. Takes more energy to find food in the heat, and everything he could hunt wants to be out and running around as much as he does. Grabbing off humans isnāt really an option. Theyāre smarter than he is, huddling up their shaded dens and spending their days around their little stream settlements.Ā
Nothing wanted to be out and moving.Ā
...
And itās for this reason that he is so surprised to run into her again.
//
He sees her again because he stops by one of the little roadside altars that humans like to erect.
He only takes interest in it because sometimes they leave food and booze atop the altar, and if the food was left recent enough and the drink was packaged well enough, it made for an easy (albeit often lackluster) meal. They come in lots of different looks and styles, some so large that they had to be tended to and lived in, and others so small that they were little more than flat stones with decorative engravings, no different than their graves.Ā
The one he comes across today is a funny little thing. A tiny house, sheltering an even smaller humanoid statue, both made of rough-cut white-aged stone. In front of the little human statue sits a bowel, made of some kind of deep, tarnished metal. Thereās engravings on the outside, some carved into the metal, some casted, and thereās shallow, stagnant water inside of the bowel. There are horses cast into the bowel, each one in a different stage of gallop, with some scenic mountain scratched deep into the backdrop of it.Ā
The little human statue holds her hand out as though beckoning him.Ā
Despite the clear signs of aging, itās something that's been otherwise well tended to. He knows the signs of human touch. The little white flowers growing around it are cultivated to be, and though currently over-grown, the grass around the statue is noticeably shorter than the long grass behind it.Ā
There is no food left for him at this shrine, only the dried wildflower pickings and the stagnant rain water. It shouldnāt surprise him as much as it does. The roads around the area were being choked out by wildflower and long grass, and the only indicator of a pathway being the little spotting of bare dirt and indented roadway. By the time he finds the little altar, the sun is at its highest point in the sky. Thereās no breeze, and while the shade of the trees keeps the sun off his back, it does little to temper the weight of the humidity that seems to haunt the worst of his travels. He places himself up in the lower branches of the trees, finding one thick enough to rest the clothing he travels with on.Ā
ā¦
Laelia emerges from the thicket behind the altar with a few leaves in her hair and mud on her pantleg. She gives an irritated sounding sigh, fussing her hair back and out of her eyes.Ā
She mutters something under her breath that heās too far from her to make out, and drifts to a stop in front of the statue. Her shoulders fall. Though sheād already looked irritated, the thing doesnāt make her any happier to see. Her hands rest at her hips, kind of close to where her main sword is sheathed, and her free heels dig into the dirt. Itās the kind of look heād have expected her to give of a predator that abouts to attack her, posture heavy with that sort ofā¦ sticky, apprehensive stiffness. Unkind, maybe, if you can be unkind towards a statue. She drifts toward it slow enough that her hair doesnāt move with the motion, sticking to her arms and face like it had post-rain.
āHey jackass,ā She says. She rests her toe against the base of the statue, makes this odd, clicking sound with her tongue. Then with more irritation, āDonāt... rupture a blood vessel now. Thereās some trouble in the area. I have to come through.ā
She sits like that for a while.
It had not been something he'd noticed at first, but the forest is silent when she's around. Where he expects the familiar comfort of bugs and rustling of leaves, he finds nothing. There are no cicadas singing, no birds chirping. Though the breeze had been stiff, it is only in it's absence that he realizes that it had been there, enough so to move the leaves.
He doesnāt like silence. Not the kind that comes as heavy as the humidity does. Forests werenāt supposed to be still, let alone silent. They were places life moved through. If the rabbits were asleep, then the bugs were moving. If the bugs were still, then the birds flapped their wings. Little lines of connections that kept the world moving and kept the sound alive.Ā
He raises himself on his branch, stalking a little more toward the middle of it. It groans under his weight. It cuts through the silence like a knife, but holds his weight without any other trouble.Ā
Ā She jerks back in surprise, her fingers wrapping around the handle of her sword. Her eyes meet his through the leaves. Recognition flashes across her face immediately.Ā
āAre you-ā Laelia opens her mouth to say something, then cuts herself off. Her hand moves off of her sword, but not away from it, āYouāre following me..?ā She says, sounding more like a question than an observation. She looks miffed at the thought.Ā
His ears twitch back at the accusation.Ā
āHow many paths do you think we have to follow?ā He asks, giving a stretch to show how very unthreatening he intends to be towards her. She seems to understand it for what it is, as the tension leaves her shoulder. But she does not take her eyes off of him. Heās beginning to pick up on the fact she never seems to want to, when heās around, āSuppose I need no introduction, by this point."
And that's really all he has to offer her.
Her eyes narrow. She doesnāt believe him, which is smart, because he wouldnāt believe himself either.Ā
"I suppose you do not," She says, scoffing, "Though a name would be nice."
He laughs. It sounds shrill, when he's like this.
Giving an irritated sounding sigh, she puts down her defenses. Suppose she'd finally figured him harmless enough, by this point. He didn't know about that. He sure didn't think she was harmless. Maybe unwilling to attack immediately, but harmless seemed beyond her.
She gestures up towards him.
"I thought you'd be gone by now."
His ears flatten, "In this weather..?" He asks her, a little baffled, "I didn't even want to be this far in. Considered stayin' back in that little human-place, but it uh-" His tails twitch. He doesn't want to admit that he doesn't particularly want to be on her bad side by screwing with people that were clearly her people.
She does that little thing she seems so good at doing, body and expression stiffening up. His ears flick, irritated at his inability to read anything past that.
What was her fucking issue. Human body language was normally so easy for him. Even the humans that thought they didn't reveal anything revealed a little bit of something. It was just in their nature. No amount of self control could hide the little tells they had. Sure, they could practice hiding their hands and holding their tongue, but it was all in the eyes, and the way they breathed. How they held themselves.
But talking to her was like talking to a brick wall. It wasn't like she was showing nothing. It was just... it was the only thing she was showing. Like it was all she had to.
She takes a step away from him. Her hand moves back towards her waist, far from her weapon. Taking that as an invitation, he closes the distance between them with the same apprehensive stride sheād given him, still not entirely confident that she isnāt going to turn on him and make him into a nice pair of slippers. Humans were unpredictable, unkind things like that sometimes. Instead of regarding him with the same kind of danger that he regards her with, she rifles through one of the few leather packs she has strapped to her side, until she eventually pulls out a drawstring pouch. It looks heavy in her hand, and weighs in her palm. She takes the time to thumbs out a few coins and drops them into the bowel, not really counting out any particular kind of coin or paying any mind to the water sheās dropping them into.Ā
ā... Seems a little disrespectful,ā He says, gesturing with his snout towards the shrine. He figures she'd know what he meant.
For all her suspicion and all of her skepticism, he still manages to earn a snort for that remark. She turns back toward the shrine, āSheāll deal with it. I pay well for my passage,ā She says. And then, under her breath,Ā ā Lucky I pay at all, frankly... āĀ
Huh.
She puts the pouch back in her pocket.
āDoes it work?ā He asks her, lifting his head up towards her, āPaying them like that. I always see humans doin' that. Leavin' food n' drink. Never really seemed to be much of a point to it all,ā Maybe there was something he didn't know. He figures there are a lot of things he doesn't know about.
She tilts her head back. Her lips turn to a grimace. And he isnāt going to pry further, because that feels like an answer in itself, but she does eventually clarify that, āAny threat worth being wary of is not one a goddess will intervene with, let alone a human god. They're as worthless as they are arrogant.ā
The answer causes his whiskers to twitch. Seemed appropriately pragmatic, but humans werenāt known for being either reasonable or practical, especially within the matters of the divine. She eyes him through his amusement.Ā
āYeah,ā She says, eventually, and turns toward the thicket, āThatās how I feel."
And then she turns back towards the thicket, waving at him from over her shoulder.
He gives the dish another look, and the little grubby coins tucked within it.Ā
The cicada's continue to buzz around them.
==> Next Chapter
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A first go at some design idea's I had for something I want to do in the future. Consider these a first draft - The designs might change a bit as I play with them, especially when it comes to color and direction.
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ā¼
Title: Dog Days - Book of Mythos (Chapter 2) ā¼
Start of story = Previous Chapter = Link to Ao3 Mirror
Description:
It only takes two days for him to run into her again.
===
It only takes two days for him to run into her again.
Itās because he stops at this little drinking spot. Itās the sort of place humans (That is - The stationary ones, the ones that concern themselves with planting things) make for their travelers, far enough into the forest to provide rest, close enough to the road to be noticed. The small kind, that has food and booze and a firepit that always seems to be burning. He knows itās a place he does not need to be invited into because they have signs indicating as much, cute little illustrations of food carefully painted on them.Ā
Not that needing to be invited into would have stopped him. Generally speaking, he finds human kindness to border on foolish when he plays his cards right, and human cruelty to be a worthwhile night of amusement when he plays them wrong.Ā
He wasnāt going to stop inside of it, originally. He wants to make good time on getting to the next spot, something he can only achieve by moving quickly. But the rain comes suddenly, and without warning. And despite himself, he had taken the sword-human's warning in mind. Rain made for real bad traveling in the safest regions of the world, let alone forests that were supposedly dangerous this time of year. And with clouds that are that dark, and the night getting so close, thunder and lightning tended to follow.
He doesnāt risk it.Ā
He takes the appearance of a woman.Ā Not any woman in particular, but a design of his own making.Ā
Shapeshifting had always come second nature to him. Most of his type had to work hard for the skill, but he was always good at adding the little details that made his bodies feel lived in. That was the thing his type always forgot to do. They made their bodies too - Well. Too graceful. Too inhumane. Humanās had a knack for being able to pick up on the ethereal as suspicious, and the suspicious as uncanny.Ā
ButĀ heĀ knew how to add the little knicks and calluses to make it look more natural. He knew where to add the little lines in their skin, how to make the nails more rough at the top and smooth at the bottom. Heād spent so long practicing and observing, and in many ways it now came second nature to him. He twists and warps his body into the pretty, soft faced kind of human heād grown up seeing a lot of, because other humans always seemed to like that one more. Got less defensive around it. He doesnāt know if they know itās a thing they do, but heās good at picking up on those things.
Illusion work give him a bit more trouble.
He knows enough to be passable - Little tricks he liked to keep up his sleeve to make traveling easier, nothing he would consider particularly fantastic or intricate. Coins, mostly. Rings and precious stones, sometimes, when they saw no point in coins. He doesnāt know why they like them - Just that they do. He is not so good that it is effortless, nor so accomplished that he can produce it from air.Ā Ā So he folds little leaves into squares and turns them over in his hand until they catch the light and look just right, holding them up and shifting them around to make sure heās gotten the weight and feel of it right. Close enough, andĀ āClose enoughĀ ā tends to beĀ good enoughĀ for coins, even if he doesnāt get them entirely right.
The building is small. Thereās a few sleeping spots set up around the fire. The bedframes are made for convenience rather than comfort,Ā made of a plain wood frame and leather base and low to the ground. The fire itself is probably forever burning, tended to with more care than Asa himself could ever plan for. There are logs lined up along the back wall, hiding the brickwork and wood-shuttered windows. Some kind of drying herbs hang from the rafters, though he isnāt familiar enough with the area to know what they are or what they could be used for.Ā
Thereās only two humans here at the moment. Sitting close to the fire pit, thereās a girl. Sheās on the younger end of things (He can tell by how small she is, and that's about it.) She has an instrument in her hand, and is plucking awkwardly at its strings in practice. She hums under her breath, following the notes of a song or hymn. It doesnāt soundĀ goodĀ , but it also doesnāt sound bad enough to leave.Ā
The barmaid is an older woman who sits behind a small table, and works a bone needle through some yarn. She patiently knots it with unstable hands. Her chair is cushioned, and, like the beds, low to the ground.Ā
āHello,ā He says, in the politest greeting he knows. He asks, āDo you have space for the night?ā Despite seeing the bare frames laid out around the fire. Heās found itās not really smart to come in assuming these things.
She looks him up and down, as though appraising him. His clothing is foreign to them. Heād grabbed the clothing a long way away, when he;d been closer to home, and had managed to keep them safe (Threadbare, and a little dirty. But safe.) Heās not carrying a lot. He generally does not need to. He thinks that might be suspicious to them, in some way.
The woman then looks beyond him. She looks out toward the doorway. He is not suspiciously dry, but he is also not soaked as thoroughly as he perhaps should be. The little motions sheās doing to work the yarn slow, the otherwise absentminded actions pausing with her thoughts.
āJust one bed?ā She asks.
āJust the one,ā He says.
He moves to take a seat across from her. She has a few things stored under the table, so he has to keep his legs tucked close to him.
ā... Youāre traveling alone?ā She asks, more bluntly, seemingly surprised.Ā
āSure,ā He says, and smiles at her. They always seem surprised by that. He doesnāt understand what is so suspicious about that, but he never stays around long enough to deal with the repercussions of that suspicion, āI take care of myself well enough,ā He adds on, propping his chin on his hand.
She gives a small, āĀ Hmā¦Ā ā And another look of appraisal. The kind of expression that tells him that she doesnāt entirelyā¦ like sheās about to give him a bed for the night.Ā But when he thumbs a few wet coins onto the table, she changes her mind. She holds it up to the light, suspicious of it. But the illusion holds up, and she eventually nods, setting it off to the side.Ā
āDo you need to board a horse as well?ā She asks him.
āI only require food and a bed,ā He assures, with a small raise of the hand.
They have wine. This doesnāt surprise him. Wine and Beer seemed to be the only kind of booze the humans in this area had, and many of them didnāt seem to like the beer. (He didnāt like either, minded. It was the taste of it all. But it was strong enough booze to still be worth drinking, especially on nights like this.) She gives him a cup that is less shallow than it looks at a glance, terracotta and adorned with embellishment. He turns it over, both curious and fond of the little trinket, much to the bemusement of the older woman serving him.
ā¦
He hears her before he sees her, her footsteps heavy and entrance abrupt.Ā
Her entrance into the building is all but comedically timed, the door opening being followed by a flash of lightening and a roll of thunder. The music player spares her a far kinder glance than sheād been willing to him, familiar and warm.
His first observation, here and now, is that she feels marginally less threatening than she had the last time theyād met. With her weapons put away and her hair heavy with water, she looks a little smaller than she had. She takes the time to squeeze the water out of her hair with her hands in a half hearted attempt to dry herself off, but itās something that doesnāt seem to be helping all that much. She has more layers on then she had when theyād first met, but even with the layer of fur over her shoulder her clothing is soaked through. Her shoes make this ugly squelching sound when she walks. Like her hair, she makes an honest attempt at wringing her clothing out in the doorway, but eventually seems to decide that thereās no point to trying any further. She sighs, like sheās only marginally inconvenienced by this, and mutters something under her breath that sheās too far away for him to properly hear. And then she looks up at him and she -
She stops, when she sees him.Ā
She goes still, like sheās been caught off guard by something. Then, her brows furrow, and her eyes narrow. And because she goes still, he goes still. That feeling of ease heād originally felt upon her coming into the room passes over him in favor of an instinctual discomfort. It's the kind of feeling he gets when he stumbles across wolves or wild cats or big birds of prey. Ones that are hungry enough to hunt things that eat meat, and stupid enough not to sniff out his magic before they try it.Ā
He does not think she is stupid. It causes his hair to stick on end, and his fingers to twitch at his leg.Ā
And his first thought is, of course. Thereās no fucking way she knows. His shapeshifting is precise and thorough. He casts no incorrect shadows on the walls, he keeps his ears and tails tucked away and fingers hidden behind his sleeves. Humans around here had no warning of his kind, and kept no precaution against him. And there were sometimes humans that could see through even that, but she hadnāt seem like the sort that could. Sheād just seemed weird.Ā
Their gazes stick on one another, and he shifts the tension from his shoulders to his feet. He lifts a hand to greet her like a stranger would. Not unfriendly, but with notice. Her head sort of.. tilts at that. She finishes finger-combing her hair with a casualty that feels performative, straightening herself back up to her full height. She strips the fur from her shoulder, and places both it and her traveling pack on the bedframe closest to the fire.Ā
He turns his gaze away from her, not so quick as to draw suspicion. He feels the ghost sensation of his ears and tails curling and flicking. Itās an unpleasant sensation. He doesnāt like being aware of his own body.Ā
The human heād given his coin to comes back into the room with a pitcher of wine. It is also terracotta. He wants to appreciate it like he did his cup, but the one with the sword is still staring at him, and it burns into his neck. As the older human pours his wine, she asks him something that he doesnāt catch entirely, but he thinks translates to, roughly,Ā āWhat is the purpose of your travels?āĀ
Sword-lady stalks around the edges of the room, inching close enough to him to observe.Ā
He answers the closest thing to honest as he can, which is, āWhat else butĀ pilgrimageĀ ,ā He raises his glass in thanks to her, before throwing back the first glass in its entirety and all at once.
When she is close enough that he can do-so with some amount of subtly, he spares sword-lady another glance. She takes a seat at one of the tables. He hadnāt paid much mind to them, pushed off to the sides of the room as they were. Theyāre close to the ground, but not so close that she sits on the floor with them. Instead, she folds herself into one of the cushioned chairs, and rests her feet up on the table. She crosses her arm over her chest, and stares at him with far less subtly than heās granting her. Again, her head tilts.
He looks away again.
āAh. You travel under the gods?ā She asks him, and it seems to bring her some kind of ease. He does not. He makes a note in his head that the word pilgrimage might have a meaning heās not entirely familiar with, but does not bother to correct her. Instead, he smiles at that. And she follows it up with, āYouāve come from far away, then?āĀ
āFurther than you can imagine,ā He says, lowly, like itās a secret between them, āAnd I aim to go as far as I can.āĀ
This seems to amuse the older human, āAnd all on your own?ā
āNoĀ .Ā Under the gods,ā He says, again, repeating it to appease her.Ā
Sword woman snorts. It grabs the older-humans attention. Asa wants another drink.Ā
āAh! Laelia. Excuse me, I didnāt see you come in,ā The older lady calls out. āĀ LaeliaĀ ā looks in the direction of the barmaid, raising a hand in greeting like Asa had to her. Then, she crosses her arms and looks back to him again. The woman, picking up on this, looks between the two of them and says, āA friend of yours, dear?ā
Laelia, presumably, continues to appraise him.
āWeāve met before,ā She says, eventually. She closes her eyes, tilting her head back as though she must put deep consideration into what to say next. It feels like an eternity before she speaks again, but he is aware that it is realistically a few seconds, "She is trouble, and it would do you well to treat her as such.āĀ
He feels every hair on his body bristle at the assessment of his character (Not incorrect, but hey. What the hell did she think she knew about his character?) The older human must take it as a joke. One that was lost on him, but a joke. She laughs.
āI will mind it,ā She tells Laelia, and sits back in her chair. To give his hands something to do, he reaches out to grab the wine pitcher, āYou should have said as much, dear. Here I was giving you troubleā¦.ā The woman trails off, shaking her head at him, and reaches for her needle and thread. Laelia speaks before he can.
āItās as I said. She is trouble,ā Laelia looks at him. He looks back at her. The immediate panic is beginning to wash away, more because Asa is beginning to suspect she has no interest in betraying her lie then any actual comfort he has in her presence. She sits up straighter, āShe deserves no kindness for my sake.ā
The older woman spits a sound close toĀ bahĀ , then says, āYou are too reserved,ā The woman says, waving her off. The woman clicks her tongue, āHospitality. That is what you lack.ā
ā... You were the one that was going to kick her out,ā Laelia shrugs.Ā
She goes back to looking at him.
ā¦
Asa pours himself another drink.
Now that Laelia is here, the woman heād been talking to doesnāt seem very interested in him. Laelia, in return, doesnāt seem very surprised to have the ladies' attention. The older-human works her in this hypnotic, even-paced way. He watches it in lieu of the two of them, because the practice fascinates him, and heās trying to figure out how itās done. He doesnāt have a needle to follow the motions himself, so instead his fingers twitch against the cup.
āWell. Since youāre hereā¦ā The older one starts. She hesitates, āThereās been some trouble a little ways northā¦ Ah. Up by the old travelers shrine. Iām sure youād know the one.ā
āI do,ā Laelia says, not missing a beat.
āRight, rightā¦ A little was past it, just a little off the road. Iām sure youād be able to find it.ā
There is silence. The music has stopped, and so in the silence there is only rain, and the sound of the fire cracking.
Laelia says, āI would. What kind of trouble is it?āĀ
The woman works her thread. Asa is only now beginning to recognize the silence as tension, rather than a natural sort of lull in conversation that always seems to follow humans and how they speak. Laelia, on the other hand, seems to take the silence as an answer on its own. She sighs, heavier this time. Sheās not irritated. He knows irritation on humans. She doesnāt even seem surprised.Ā
āI suppose itās that time of year. Lots of trouble popping up in places it normally shouldn't,ā She tells the woman. And he thinks to himself that he's probably the trouble she's talking about, considering everything else about this interaction. Finally breaking her gaze away from him, she looks to the doorway. He feels it when her gaze leaves him, a weight that just seems to shift off of him and to the air instead, āI plan on traveling in that direction. I can take care of it on my way out.ā
āThank you, dear.ā She says, and her voice softens a shade. She puts her needle down, āI suppose I couldnāt offer you a drink for your troubles, then?ā
Laelia does not consider the offer.Ā
She raises her hand and points at him.
āThere is no need to trouble yourself. I will be sharing drinks with her tonight.ā
āWhat?ā Asaās eyebrows furrow. He opens his mouth to tell her he is not interested - His own personal itinerary for the night was something closer to drinking in silence and sleeping until the worst of the thunder had passed. But Laelia stands. Sheās still so waterlogged that she leaves wet footprints on the floor behind her when she moves, and he almost forgets her to be a threat.
But then she approaches him. She places a hand on his shoulder. Under its weight, he is silent.Ā Ā
The coin that heād given the human in exchange for a bed and wine is still sitting on the table between them. Sheād never bothered to properly tuck it away. Laelia gives it the same look sheād given him. He knows, somehow, that sheās seeing past it, not unlike how sheās seen past him. She does not bring any awareness to the matter. Instead, she reaches out to gather the fake-coin in her hand and take it from the counter.
āMy treat,ā She says, and pats the spot her hand had been sitting, āCome on.ā
And he thinks to himself, with more fascination than panic.Ā
Okay. So she knows.
Laelia grabs the pitcher of wine in its entirety, and gestures for him to follow him. He hesitates (He presumes that sheās less willing to kill him around people) but eventually follows (unwilling to test the accuracy of that presumption.) She sits herself by the fire, cross legged on the ground. Theyāre far enough from the older-human not to be heart. The human that had been playing music earlier had, at some point, rolled over to lay on the bed instead and the rain is loud enough against the roof and walls that it drowns out their voice at a mutter. He opens his mouth to speak, but she holds up her hand to stop him. She holds out her hand, as though expectant. It takes him a moment to realize she wants his cup. He places it in her hand, still half filled, and she drinks the remainder of it without a second thought.
āOkay,ā She says. She pours herself another glass, āWhat are you.ā
He gives her a blank look, āIām a fox,ā That felt pretty obvious. Maybe sheĀ wasĀ stupid.
She gives him another weird look. He sort of prefers when her expressions are unreadable, because the ones she gives him now are irritating him. It feels almost patronizing.Ā
āĀ Just a fox,Ā ā She scoffs, so low he almost misses it. She goes to take another drink from the cup. This time, she doesnāt take her eyes off of him as she drinks. She holds the cup a bit oddly, by the lip of it rather than by the handle. Her wrist is crooked, keeping her hand away from her eyes. Then, looking a little baffled, she lowers the glass, ā... Youāre not lying.ā
Itās not a question. More musing, above all else.Ā
āHonesty aināt in my nature,ā He assures her, proudly. He slips into his own tongue for it, more comfortable, and she doesnāt miss a beat, āBut about this? Iāmma fox through and through.ā
She places the cup down, closer to him then to herself. Understanding implicitly that it is an offer, he takes the cup carefully within his hands. He uses both hands to hold it and, after sparing her a glance, takes a large gulp of it. While he drinks, she considers.Ā
āOkay,ā She says, as though sheās decided something. She holds her hand out for the cup. He gives it to her, not because heās had his fill, but because she kind of scares him. She lifts the pitcher that sheād taken. Then, she proclaims, āI think I will be needing far more wine than this tonight.ā
And then she drinks directly from the pitcher.Ā
ā¦.
They spend the next part of the night sharing their drink in silence. At some point, she reached over to grab the fire poker, and has alternated between tending to it with some amount of diligence, and stabbing it into the logs to keep it propped within reach. Fire does not make him wary, like it does other animals. He thinks it is, in many ways, his friend.Ā
āItās unusual,ā She tells him, once sheās another drink in. He opens his mouth to say something, but she cuts him off, āNot unheard of. But unusual.ā
He wrinkles his nose. Sheās being vague and enigmatic, and heās under the impression that's on purpose. He leans forward to steal the pitcher from her. Sheās drinking it faster than him, and he is on a personal mission to keep up with her. Sheās bigger than him, but he sort of likes his chances here, āI thought human language was suppāsed to be more complicated than that.ā
She takes it back from him, but only after he gets the chance to fill his cup, āWhat?āĀ
āYāknow,ā He raises it to her, āNeed more than a few words to have a conversation nāallāa that. Even I know that.ā
At first, he thinks that very much might have been the wrong thing to say. She raises an eyebrow at him, her expression unreadable, but very much different then it had been when sheād been musing to herself. He does not, however, apologize for the audacity he has. He doesnāt like being left in the dark. Certainly not by strangers.
āOkay. I get it,ā She places the pitcher at his side, āYour magic, I mean. Illusions and - What is that,ā She pauses. Then, after a moment, reaches out to brush her finger against his hair, and then (as though to be sure) his jaw, pinching at the skin there. Her touch only lingers for a moment, not even so long that he has time to react. It kind of hurts, but he doesnāt think that's the goal. Then, under her breath, āShapeshifting..?ā
Thatās what sheās confused about? He grins at her, all sharp toothed and big. And it is very much sharp toothed, āItās my talent,ā He says, with some amount of pride.
āYouāre not bad at it,ā She says. Itās neither with kindness or disdain - just observational, āItās unusual,ā She says again, annoying him. It must show on his face, because she raises a hand to stop him from speaking, and shakes her head, āFor animals other than humans to be blessed with that gift.ā
āI wasnātĀ blessedĀ with it,ā He says, feeling a little frustrated, āItāsĀ mineĀ .ā
āItās yours.ā She repeats, considering it.
āIt was the first thing I learned,ā He says, like that should help at all. And heās very proud of that, preening a little when he says it. Humans didnāt know how impressive it was. He didnāt even need anything to do it. He justĀ couldĀ .Ā
āHmā¦ā She looks a little troubled. She looks down at the wine theyāve been drinking, already almost empty. She shrugs, āStay here. I will grab more to drink.ā
āAnd if I leave?ā He asks, mostly to try and frustrate her.
She looks at him. Then, she looks absentmindedly towards the window, where the storm has worsened and the night has gotten darker. She says, with very little concern to her tone, āThen you simply would not be my problem anymore,ā And walks to the back of the little house, a little too steady on her feet for one that has drunk as much as she has.Ā
Heās beginning to think he will not, in fact, out drink her.Ā
ā¦
āAre you getting me drunk to loosen my lips?ā He asks her, when she returns with the pitcher fuller than it had been the first time. He holds his hand out to take it from her, and she shakes her head.
āIām under the impression you like to hear yourself speak regardless,ā she says, with this kind ofā¦ unimpressed air about her.Ā
He says, āItās practice. I donāt get to talk to people allāa that often.ā
She holds her hand out for the cup again. Begrudgingly, he hands it off to her. She takes the time to pour herself another glass, the pitcher so full that she has to place the cup on the ground and balance it with both hands. She takes a sip of it herself. Pauses, while looking him in the eye. And then, content with that, returns the glass to him.Ā
She places the pitcher at his side.Ā
āListen,ā She tells him, and thereās a shift in her tone. She speaks like sheās wary of the topic sheās about to approach, or maybe wary of giving him the information that sheās about to. But she braces herself, āAround here, there are only three things that have your gift. Spirits, gods, and those blessed by the gods. And - Youāll have to excuse my wariness. But I know youāre none of the three,ā She raises a hand, and with each word, counts it out, āAt least, none I would be familiar with. I don't like that. I would like to find one of the three to fit you into.ā
āI did say I come from far away,ā He rubs his eyes. Thereās a roll of thunder overhead, low and heavy. It makes him uneasy.
āYou did.ā She agrees.
"Maybe you should make another category," He says, shrugging, "I can be the first one in it."
"I'll consider it," She says, like that's not at all something she will be doing, ā... What else can you do?ā
The answer is, of course. Quite a few things. Heād been around long enough to have three tails. Not that sheād know the importance of that, but it was long enough to have picked up on a few things here and there.Ā
But he also likes to keep his tricks up his sleeve. Especially against humans that dealt with swords and carried themselves with the sort of wariness that came with predators ready for an attack. He thinks, if she decides to turn on him and lay her blade in his direction, he wants as many tricks on his person as he can.
He frowns, and answers honestly, āI donāt really want to answer that.ā
He prepares for her to push it. People that knew how to look past his illusions and his shapeshifting always did try and push it. Because people, like him, were wary of what they didnāt know. It only made sense to be.Ā
But she doesnāt. She nods, a little stiff and with narrow eyes, but a nod nonetheless.
āI suppose that makes sense,ā She says.
And itās as easy as that.Ā
Having decided heās had his fill of wine, he pushes both the cup and the pitcher towards her, and goes to lay on his side. She takes it from him. Seemingly having had enough for herself, she places the cup atop the pitcher like a cap, and moves it away from the both of them. As he moves to lay on his side, he says, āYāknow. Youāve been talkinā a lot at me. I got a few questions āfer you as well.ā
She seems surprised. Like this is at all an unfair thing for him to be pointing out. Her surprise shifts, confusion, then amusement. She makes an attempt to hide her amusement, her hand coming up to hide her lips. But he sees it in her eyes. Human eyes always revealed a lot like that, āThat would be fair.ā
He nods, āYeah. So howād you know it was me?ā He asks.
āIntuition,ā She says, immediately. This does not sound like a lie to him, but logic and reason are telling him itās not an entire truth, either. He sees no reason not to call her on it. So he does.
āBullshit,ā He says, jabbing a finger at her, āMy shapeshifting is - Itās flawless. Intuition my ass. Youāre lying to me. Like a liar does. You canāt lie to me when I answered allāa your questions.ā
She laughs. Itās so soft he doesnāt hear it, but he sees it in the way her shoulders shift, and the way her lips twitch through her fingers, āā¦ Well. Itās something like intuition, at least,ā She says, a little more vague. But thereās more honesty in that vagueness. She follows it up with, āConsider it a gift of my own. Like your shapeshifting.ā
āHmā¦ā He tilts his head. But, if he doesn't want to give her the directory of his own self defense, he supposed he wasn't in a position to ask the same of her. Not any of his business, in the same way his own was not hers. But, because what she can do does make him a little unease, he asks her, ā... Are there any other humans like you?ā
She grabs the poker.Ā
āNone that youāre likely to encounter.ā
Enlightening.Ā
His eyes drift over to the fire, where little fly-aways spark up and around the pit. It occurs to him that he probably should have gotten something in his stomach by now, but the booze has him so tired that he does not care to fix that. It was something that would have to be tomorrows issue.Ā
āOne more question,ā She says, "You know my name. It is only fair I have yours?"Ā
He does not want to do that, either.Ā
"I'll tell you eventually," He says, waving her off, "If it's important."
And that night, she doesn't ask him anything more.
=> Next Chapter
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Cover art for Act 1 of Book of Mythos.
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Some reference and design thoughts for the first part of book of mythos.
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ā¼
Title: Dog Days - Book of Mythos (Chapter 1) ā¼
Description:
He meets her because the village heās in has decided that heās a āproblem.ā And. Well. To be fair to them, he is, in fact, a problem.
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A story about the end of the world, but only kind of.
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Link to Ao3 Mirror
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The first time he meets her, heās going by the name Asa.
He doesnāt keep a last name. Not a lot of people did, let alone critters like himself. But he does have a name, because itās one of those things humans seem to concern themselves with, and he does like to try and exist alongside them when he can get away with it. Heās taken refuge in some dilapidated building at the corner of town, made with rough cut stone and rotting wood. Itās got ivy-creep across the outerwall and termite damage on the inner support, and lets in more sun then it keeps out. These types of buildings are a dime a dozen in this place, dotted between overgrown grassfields and forgotten mountain crevices. Theyāre useless to anyone with a brain, too unstable to feel safe, and too decayed to protect from anything more than a light rain. But heād never claim to be either smart or concerned with his own safety, and so to him they offer easy shelter in the periods between travel.
He meets her because the village heās in has decided that heās a āproblem.ā And. Well. To be fair to them, he is, in fact, a problem.Ā
Rather, by human terms, heās a problem.Ā
It had been the chickens, he thinks, that had gotten their attention. Heād killed two of them roughly a few days back, and heās learned that they tend to notice their critters dying faster than they notice their crop gone. (As far as heās concerned, if they didnāt want the little suckers killed, then they shouldnāt make it so easy to get into their enclosures. But that's neither here nor there, on the matter of them sending someone to kill him.)
But heād been hungry when heād gotten here, and a chicken feeds him longer than their berries would. So, heās not surprised they send someone to come looking for him. Heās not even startled by her appearance in the hut. He hears her coming from the base of the path. Sheās not being careful, but he also doesnāt think sheās trying to be. She walks with the sort of confidence that only comes from arrogant fools or tactless douchebags.Ā
Heās small enough that he can duck up into the rafters. Theyāre thin planks of wood, one of which fell to the ground and broken through one of the old corner tables that had been left abandonedĀ
She, on the other hand, is tall enough that she has to duck under the doorframe to get into the room. Thereās a sword dangling loosely in her hand, something he personally thinks is hard not to notice with some amount of immediacy. Actually- There are three, if heās counting right. One in hand, two strapped to her back. Though he canāt see any other weapons at a glance, he presumes, of course, that she probably has more. On the whole, he thinks itās good to assume people willing to carry around three swords are willing to carry around three swords and a knife. It seemed a little excessive, if you asked him. Three swords and all that. Exactly what kind of threat did she think she was walking into?Ā
The biggest one - that being, the one sheās currently holding, is so well-polished that it shines when the light hits it. Itās bent at an angle. He finds that odd. He canāt imagine what purpose the bend in it serves, but weapons had never exactly been his āThing.ā (Not that he had many āthingsā that humans would consider worthwhile knowledge to begin with.)
Besides the swords, she doesnāt look too out of the ordinary. Her hair is black. Long enough that even while thrown into a haphazard braid over her shoulder it sits well at her waist. The braid is struggling to hold. There are a few flyaway strands here and there, and a clump that's escaped the style and sticks to her forehead in the humidity. Her clothing is a bit threadbare, something that's both clearly had an attempt at maintenance, yet still inevitably wore down to time and travel. Itās an otherwise plain outfit (Something of which disappoints him a little. Asa had always figured that If you were going to go through all the effort of making and wearing clothing, it had best be something interesting to look at.) Sheās wearing dark trousers (He knows that fabric too, wool) and a loose fitting green shirt, half haphazardly draped over her shoulder and fastened into place with a rough looking cloth belt. The look is boxy-like. It leaves one of her shoulders and part of her chest exposed, revealing some isometric looking tattoo (The specific details of which he is still too far away to appreciate) wrapping around her arm.
His tail flicks with interest. Now that was something you didn't see everyday.Ā
Her gaze wanders around the shack, heavy and critical of her surroundings. After a moment of investigation (there was not, in fact, a lot to investigate. Heād made sure of that himself.) She crosses the room, picking up one of the old ceramic shards and turning it over in between her fingers. The small table it was once sitting on lays on its side, missing a leg and in the beginning stages of being reclaimed by nature.Ā
āHm,ā She holds it up. Nervous about being seen, he flattens himself further back at the corner end of the beam. As if on cue, the moment he steps back, her gaze snaps up to where heās sitting. Comparatively, however, she turns with no amount of urgency, dropping the shard back to the ground and dusting her hand off on her trouser.Ā
āOh,ā She says, more to herself than him. She doesnāt sound surprised. She doesnāt sound like much of anything, āA foxā¦?ā She says, under her breath, her brows furrowing. Yes, yes. Heās a very rare and beautiful creature. Pack it up, swordlady. She doesnāt do that. She tilts her head, presumably to try and get a better look at him. Her eyes wander down to his tails, as though instinctive, and he swears he sees the way she counts them in her eyes.
Momentarily, sheās silent. But then, she leans back on her heels, resting a hand on her face in some show of exhaustion. She rests it there momentarily, exhaling past her fingers, and then runs her hand up and into her hair.
ā... Alright,ā She says, eventually, pointing the length of her sword up toward him. Itās not exactly a threatening gesture, and the sword is just clunky enough to not pose much of a threat to him from the angle she sits at. Nevertheless, he stands in surprise, which he feels is reasonable. Given the sword pointed at him, āLet's get on with it, then. Say your piece.ā
Inquisitively, he sits up. His ears perk as he does, āWhat?ā He asks, acting more out of surprise than anything. He doesnāt think heās hearing her right. Heās not the best at this language yet - Heās been in the area long enough to pick up on a lot of it, but some of it still hurts his head to sort through.
She gives a loose gesture with the weapon, something that looks almost impatient, given the rest of her posture, āYou heard me. Say your piece.ā
Oh. He had heard her correctly. He doesnāt like that.
Sitting back on his hunches, he looks down at her rather skeptically. Humans, as a whole, didnāt expect him to be able to speak to them. He could, of course. Most of them didnātĀ knowĀ that, but he could. Curious, he sits back down, and does so slowly. The kind of action that he fears reveals more than he means for it to, shows off his apprehension more than it should. His tails hang off the rafter, and he flicks them closer to himself as though for protection.
āSorry,ā He says, not politely. He paraphrases his thoughts like this, āMost people come into these kinda things lookinā to kill. Didnāt exactly expectā¦ Ah. Yāknow.ā He trails off. She takes it for what it is, tilting her head in the same, instinctive way another fox might when curious. It looks odd on a human. It does work to calm him somewhat.
āI do know,ā She says, lazily shoveling the tip of her blade into the ground. Then, after a moment of consideration, decides to add, āI was sent in here to kill you.ā
His tails betray him, flicking again with unease at the news. She doesnāt say anything. But she also doesnāt move to try and grab him or anything like that, and she doesnāt look like sheās priming to do so. Humanās have pretty obvious cues on those kinds of things.
āWell,ā He echoās back, breaking the silence. He tilts his head back at her. Had he taken the shape of a human, heādāve probably been laughing a little nervously right now. Fortunately, he had not, and so itās just everything else about his posture that gives him away, āIf Iām being honest with you, I donāt really want to die.ā
āI donāt imagine you do, no,ā She says, and rests the whole of her weight on her blade. It sinks further into the wood like itās going through mud. Oof. Yeah that wouldnāt be a pretty way to go. Finally, as though a half assed attempt to soothe his nerves, āI donāt really want to kill today.ā
āOh,ā He says, and it does not, in fact, work to soothe him. She does not look like someone who does not want to kill. Nevertheless, he says, āThatās good. For the preservation of my life nāall that. Not tryinā to kill me does help with the whole, living thing.ā
Her lip twitches up. Oh good. She has a sense of humor.Ā
āThey thought you were ā¦.ā She seems to need a moment to search for her own words. Though, like him, she seems to lose her train of thought, and eventually just ends the whole of it with a ā... Well. They thought you were something else, is all. Not that Iām sure theyād be particularly fond of having pests running around,ā Her expression doesnāt betray a lot. He doesnāt like that. He likes how expressive humans are, when they are.
āIām not a pest,ā He says, though he doesnāt take much offense to it. To show it, he stretches himself across the rafter, and with some amount of pride decides, āIĀ amĀ a problem, though.ā
ā... I see no difference,ā She says.
Like her, he likes to think he has a sense of humor. āMost humans are problems,ā he points out, with some amount of poignancy.Ā
She makes another expression, thin lipped, and gives a shrug, āI see no difference,ā She says again, tone falling to mild-mannered agreement. He does laugh this time, a high pitched yelp sound in this body. He stalks forward on the beam - Mindful of its age, and careful, and in deciding that sheās moved from the category of āthreatā to the category of āneutral party,ā decides to re-assess her.
Upon closer inspection, the sword in her hand has an engraving along the side. That doesnāt surprise him. Humans had a fondness for decorating their murder-tools in all sorts of interesting ways, and heās inclined to believe it doesnāt serve much more of a purpose than looking nice. Her tattoos, which heād at first taken to be strictly isometric in nature look more like are up close. Thereās a sun on her shoulder, iconographic. The rays of it bleed from her shoulder, to her chest.Ā
His ear twitches. A soldier, maybeā¦? It would make sense. Even little settlements like this generally had one or two of those sitting around, and the ones that made their skin all pretty-like were either criminals or warriors. She didnāt feel very criminal to him. Tooā¦ well. It was the way she was holding herself.Ā
But something in his gut didnāt scream solder to him, either. The ones in this area wore more protective gear, and were awfully stupid too. Well. Most humans were pretty stupid, if you asked him, but the solders especially so.Ā
His tails flick.Ā
āYouāre not from here,ā She says, conversationally. Sheās looking at him again, like sheās looking through him rather than at him, and it makes his fur stand on end. His ear twitches, uncomfortable. Still. He humors the question, because he hasnāt actually spoken to anyone in some time, let alone in this tongue, and itās good to stay in practice with these things.
āNot really, no.ā
ā... Hm. Traveling then,ā She shifts her gaze away, bringing her hand up to rest at her chin. Itās odd. Heās a good read of body language - better than humans were with one another, maybe. And something about her feltā¦. There was really no other way of saying it, but she felt fake. Like she was a statue forcing the little movements for his sake. Itās the kind of thing that feels obvious to him. Not that a person couldnāt move like that, but they generally didnāt. He didnāt know why, he wasnāt that kind of smart, but instinct and experience told him so, and he trusts that. Heās always trusted that.
Because of this, heās unsure if sheās asking him, or simply saying it for the sake of doing so, he simplifies his situation down to a scant, āItās complicated,ā because itĀ isĀ complicated, and he doesnāt need or want her to know the details of those complications.
A small breeze flutters the reed-like grass growing at the end of the room. She gives him one of those inscrutable looks, the irritating kind that refuses to give more information then it takes. She sighs, propping her hands on her hips, and looks out the fragmented window. The one in the direction of the forest, that is, and tells him that, ā... Well. Stay on the paths the humans have made. The forest gets dangerous around this time of year.ā
He bites back pointing out thatĀ mostĀ old-growth forests are dangerous, a child would know that, heās not stupid and doesnāt like being patronized. But then sheās looking back to him, kind of out of the corner of her eye, and it halts whatever thought he had.Ā
Hm.
āIāll keep that in mind,ā He says, because he will. He might not listen, but he will keep it in mind.Ā
Deciding that itās been settled, she turns to leave. About half way across the room, where the charcoal remains of an old firepit she adds, āI would leave soon, if I were you. Or at least stop killing their livestock. A few people here have hounds, and the dogs arenāt as understanding as I am.ā
Well. Fair was fair. He didnāt like dogs all that much. They were dumber then the humans. Curious, he leans forward and asks, almost conspiratorially, ā.... the ducks?āĀ
She stops. Looks over her shoulder at him, expression one heavy with bemusement, āWhat?āĀ
āCan I at least have those?ā
Then her shoulders fall, and as though strained, she says, ā.... No,ā and, as she begins walking again. She raises a hand at him and says, āTake the eggs next time.ā
And then she walks away. He doesn't even get her name.
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