#Ida Innes

[mystxmomo]

?????

[mystique-peach]

A first go at some design idea's I had for something I want to do in the future. Consider these a first draft - The designs might change a bit as I play with them, especially when it comes to color and direction.

[ifreakingloveroyals]

Through the Years → Queen Mary of Denmark (983/∞) 5 March 2025 | King Frederik X of Denmark and Queen Mary of Denmark stand next to the Finnish presidential couple Alexander Stubb and his wife, Suzanne Innes-Stubb, as they visit the Arkki School of Architecture for Children and Youth in Helsinki, Finland. The school aims to introduce children and young people to the world of architecture in a creative and educational way. (Photo by Ida Marie Odgaard/Ritzau Scanpix/AFP via Getty Images)

[krimekrazyy]

dobrze byc w momencie zycia kiedy wyjscia solo w poszukiwaniu wyciszenia nie sa podszyte uczuciem porazki w sferze towarzyskiej. mlodych odstawilem na przymusowy urlop zdrowotny widzac ze na horyzoncie pojawili sie w koncu jacys rowiesnicy z ktorymi wydaja sie dobrze spedzac czas. nie wiem czy ich to cieszy czy nie, mysle ze nie narzekaja a ja sam ze wzgledu na roznice wieku nie traktuje ich jako 100% rownych sobie bo musieliby do mnie rownac udajac tym kogo nie sa bo nie musza. jak nie trzeba czegos przyspieszac to nie ma co

a jak mam wieczorem z nimi wyskakiwac gdy jestem na weekend u rodziny to wole zeby sie pobujali z kims na swoim poziomie a ja obskakuje silke babcie a jak starczy czasu to uderzam w ulice sam grubo po 22/23. niech kuja mlodzi zelazo towarzyskie poki gorace, oni na studia nie ida wiec po technikum to moze byc jeden wielki klops z interakcjami spolecznymi z ludzmi w podobnym wieku plus dochodza do tego zasady rynkowe ktore nadaja ton relacjom (spotykasz sie w pracy a w pracy jestes glownie dla pieniedzy, na zajeciach bo za nie placisz itd.) trzeba przebrac w ludziach zobaczyc kto czego jest wart. bo ja w ich wieku przebralem ale na sicie utrzymalo moze 5 osob z czego: moja dziewczyna, 1 osoba ze starej ekipy i 2-3 ktore darze respektem jako ludzi ale nie zadaje sie ze wzgledu na inne podejscie do relacji miedzyludzkich procz odmachania kiedy hituje ulice

niedawno pisalem ze poznalbym sie z kims bardziej w moim wieku ale na te chwile zarzucilem ten pomysl. zamkniety nie jestem ale okazji tez wielu nie mam. a jak wspominam swoich rowiesnikow ze studiow to glownie: wokerski kij w dupie spory o definicje i czepialstwo albo mimozy bez wyrazu. no nic kurwa pomiedzy. a jak sie ktos znalazl do pogadania to tez kij w dupie i krecenie nosem bo moge gotowac kraka menelom na lyzce w piekle a rozmawiac o gastarbeiterach i imigracji niemieckiej w niebie. jakas niechec czy po prostu podskorny bol dupy bo znam zycie od roznych stron jednoczesnie nie wpisujac sie w stereotyp typowego lebka z lawki pod sklepem/kamienica? ciezko powiedziec a nie chce przechylac sie w zadna z tych stron bez pewnosci

kocham swoje niszowe z punktu widzenia centralnej europy zainteresowania ale staram sie je chronic przed zaraza malkontentow i ludzi ograniczonych mowiacych o swojej otwartosci. wy otwarci? otwarty to moge byc ja z wyzej wymienionym kontrastem jesli chodzi o tematy na jakie moge rozmawiac, ty mozesz o tym wylacznie mowic ze to robisz i zgrywac bog wie kogo. mnie tez nie wszystko jara ale przynajmniej potrafie sie otwarcie z tego sprzedac ale to co mnie faktycznie nawet na sekunde zaneci od razu chlone. jedna z osob ktore obserwuje robi posting z horror gierek no totalnie cos z dala od moich zainteresowan a i tak zezarlem pare artykulow i recenzji na temat tych rzeczy. moga mowic ze jestem przemadrzaly albo buc no ale co poradze ze ktos chlonie informacje w wieku 20 lat z leciutkim hakiem mniej wiecej jak joe biden po 80tce? xD ale biore to tez na to poprawke bo autyzm to u mnie fakt niezaprzeczalny

troche sie tu rozjebalem ale pisalem to w partiach. pewnie sie jeszcze tu bede rozpisywac troche

[tilt5951]

Kling Theory

According to researches of [ERASED] in 110XX, many facts say, that there was a civilization, that is really close to the old culture of modern Danua, Howzukua and Ida. We will call them "Klings", because according to our researches, it's a first form of modern "Clanes". And those Klings probably are common ancestors of Inklings, Octolings and Clanes. In ancient texts of Anemonians, we see, that they mention some "Ъкготъi" and "Иннъi". So, we'll call them Okghoths and Inns due to etymology between the Cephalopodic languages. Okghoths probably lives somewhere in Northern coast of Soklesh, while Inns near the Inkopolis region. And now we need to simply glue the names in the right order. Inn + Kling = Inn-Kling, so Inkling. Okghoth + Kling = Okghoth-Kling > Okotokling > Octoling. From the result of excavation, we see, that Inns and Okghoths attacked on Klings in somewhere around 50th or 51st century, so about of 5000 years before! But this is not just it. We also see, that some of the Klings have gone behind the Hymalayas to save themselves from the horde, so they became Clanes. We see, that the lands of modern Clanic region were empty from civilization before 51st century, so we can even see the trail, that Klings did to escape Inns and Okghoths. At this rate, Clanes are their own species, while Inns and Okghoths wete their own as well. But this is not just it. We also compared the languages - Inklish, reconstructed Okghoth, Anemon, Danua, and Ida… and the result was shocking. They all have the similiarities just like the Indo-European languages have among each other. And so, there once was Proto-Clani-Cephalopodic language, that Klings might used to speak. So now, we can unify Clanic and Cephalopodic languages into one huge marcofamily - Clani-Cephalodic languages.

by Octoria's State Historical Museum since 11012

[officiallordvetinari]

Wikipedia Featured Article Poll, Biographies Edition. Summaries and links below the cut

Margaret Ives Abbott (June 15, 1878 – June 10, 1955) was an American amateur golfer. She was the first American woman to win an Olympic event: the women's golf tournament at the 1900 Summer Olympics.

Lilias Eveline Armstrong (29 September 1882 – 9 December 1937) was an English phonetician. She worked at University College London, where she attained the rank of reader. Armstrong is most known for her work on English intonation as well as the phonetics and tone of Somali and Kikuyu. Her book on English intonation, written with Ida C. Ward, was in print for 50 years. Armstrong also provided some of the first detailed descriptions of tone in Somali and Kikuyu.

Morris Berg (March 2, 1902 – May 29, 1972) was an American catcher and coach in Major League Baseball, who later served as a spy for the Office of Strategic Services during World War II. Although he played 15 seasons in the major leagues, almost entirely for four American League teams, Berg was never more than an average player and was better known for being "the brainiest guy in baseball." Casey Stengel once described Berg as "the strangest man ever to play baseball".

Edward Dando (c. 1803 – 28 August 1832) was a thief who came to public notice in Britain because of his unusual habit of overeating at food stalls and inns, and then revealing that he had no money to pay. Although the fare he consumed was varied, he was particularly fond of oysters, having once eaten 25 dozen of them with a loaf and a half of bread with butter.

Harold Francis Davidson (14 July 1875 – 30 July 1937), generally known as the Rector of Stiffkey, was a Church of England priest who in 1932, after a public scandal, was convicted of immorality by a church court and defrocked. Davidson strongly protested his innocence and to raise funds for his reinstatement campaign he exhibited himself in a barrel on the Blackpool seafront. He performed in other sideshows of a similar nature, and died after being attacked by a lion in whose cage he was appearing in a seaside spectacular.

Marjory Stoneman Douglas (April 7, 1890 – May 14, 1998) was an American journalist, author, women's suffrage advocate, and conservationist known for her staunch defense of the Everglades against efforts to drain it and reclaim land for development. Moving to Miami as a young woman to work for The Miami Herald, she became a freelance writer, producing over one hundred short stories that were published in popular magazines. Her most influential work was the book The Everglades: River of Grass (1947), which redefined the popular conception of the Everglades as a treasured river instead of a worthless swamp. Its impact has been compared to that of Rachel Carson's influential book Silent Spring (1962). Her books, stories, and journalism career brought her influence in Miami, enabling her to advance her causes.

George Went Hensley (May 2, 1881 – July 25, 1955) was an American Pentecostal minister best known for popularizing the practice of snake handling. A native of rural Appalachia, Hensley experienced a religious conversion around 1910: on the basis of his interpretation of scripture, he came to believe that the New Testament commanded all Christians to handle venomous snakes.

Margaret Alice Murray FSA Scot FRAI (13 July 1863 – 13 November 1963) was a British-Indian Egyptologist, archaeologist, anthropologist, historian, and folklorist who was born in India. The first woman to be appointed as a lecturer in archaeology in the United Kingdom, she worked at University College London (UCL) from 1898 to 1935. She served as president of the Folklore Society from 1953 to 1955, and published widely over the course of her career.

Dom Pedro Afonso (19 July 1848 – 10 January 1850) was the Prince Imperial and heir apparent to the throne of the Empire of Brazil. Born at the Palace of São Cristóvão in Rio de Janeiro, he was the second son and youngest child of Emperor Dom Pedro II and Dona Teresa Cristina of the Two Sicilies, and thus a member of the Brazilian branch of the House of Braganza. Pedro Afonso was seen as vital to the future viability of the monarchy, which had been put in jeopardy by the death of his older brother Dom Afonso almost three years earlier.

Elias Abraham Rosenberg (Hebrew: אליאס אברהם רוזנברג; Hawaiian: Eliaka Apelahama Loselabeka; c. 1810 – July 10, 1887) was a Jewish immigrant to the United States who, despite a questionable past, became a trusted friend and adviser of King Kalākaua of Hawaii. Regarded as eccentric, he lived in San Francisco in the 1880s and worked as a peddler selling illegal lottery tickets. In 1886, he traveled to Hawaii and performed as a fortune-teller. He came to Kalākaua's attention, and endeared himself to the king with favorable predictions about the future of Hawaii. Rosenberg received royal appointments to several positions: kahuna-kilokilo (royal soothsayer), customs appraiser, and guard. He was given lavish gifts by the king, but was mistrusted by other royal advisers and satirized in the Hawaiian press.

[blakbonnet]

hello meow and ida

please forgive the tiny little screenshot they included my full legal name in the body of the email several times and i try to avoid just sending that out to people on tumblr lmao

pls could i have a header of them walking into the inn in the background at the end 👉👈

or literally anything else if this is horribly hard to gif. i don't make gifs i just appreciate them from afar. it is sorcery to me

thanks!! 💛

Thank you for contacting your reps!! And absolutely ❤️❤️❤️ it's a very nice scene to gif, will tag you when it's posted!

(ask for a ceasefire from your local reps and get a custom header from either @bizarrelittlemew or I, more details here)

[papermoonloveslucy]

LUCY AT THE JUNCTION

"Petticoat Junction" and The Lucycoms

Although thematically the shows created by Lucille Ball were worlds apart from the quaint antics in Hooterville's Shady Rest Hotel, there were artistic and creative commonalities that are worth discussing.

"Petticoat Junction" ran from 1963 to 1970, while "The Lucy Show" ran from 1962 to 1968, both on CBS TV. "Petticoat Junction" was filmed at General Service Studios, where "I Love Lucy" began filming until it moved to larger quarters.

Like Kate Bradley, Lucy Carmichael and Lucy Carter are widows raising teenage girls while trying also to earn a living, a popular trope of the 1960s and '70s.

To vary storylines, "I Love Lucy" added a dog and a baby, as did "Petticoat Junction." Animal trainer Frank Inn worked on both shows, as well as on "Here's Lucy."

Both shows went from black and white to color in October 1965. Although "The Lucy Show" had filmed its second season in color, CBS declined to air it in color.

SHARING THE TYPEWRITER

Writer Seaman Jacobs penned six episodes of "Petticoat Junction" in 1963-64 and three of "The Lucy Show" in 1967. Fred S. Fox co-wrote one of those episodes with Jacobs. Fox also wrote one 1965 episode of "Petticoat Junction." Fox's co-writer for that episode was Irving 'Iz' Elinson, who wrote a dozen episodes of "The Lucy Show."

SHARED CASTING

Their "Petticoat Junction" characters are in parentheses, followed by their Lucycom / Desilu credits.

Bea Benadaret (Kate Bradley) first starred with Lucille Ball on her radio series "My Favorite Husband" (1948-1951), primarily as best friend Iris Atterbury. Benadaret was Ball's first choice to play Ethel Mertz on "I Love Lucy," but she was already contracted to play Blanche Morton on "The George Burns and Gracie Allen Show", another best friend character. Ball still managed to cast her as a one-off character, Miss Lewis, an elderly spinster, on season 1 of "I Love Lucy."

Edgar Buchanan (Uncle Joe Carson) appeared with Lucille Ball on a 1971 "Merv Griffin Show" saluting director George Marshall, for whom both worked. For Desilu, Buchanan appeared on a 1958 episode of "The Adventures of Jim Bowie" and a 1959 episode of their helicopter series "Whirlybirds".

Frank Cady (Sam Drucker) appeared for Desilu in "December Bride" (1956), "Westinghouse-Desilu Playhouse" (1959), "Guestward Ho!" (1961), "The Untouchables" (1962), "The Danny Thomas Show" (1960), "Glynis" (1963), and a 1963 unsold pilot titled "Swingin' Together."

Charles Lane (Homer Bedloe) appeared in 7 films with Lucille Ball between 1933 and 1949. He was also heard on her radio show "My Favorite Husband". On "I Love Lucy," he played 4 characters and 2 more on "The Lucy-Desi Comedy Hour." He was cast as banker Barnsdahl on "The Lucy Show," but was released after 4 episodes so that Ball could hire Gale Gordon. He went from Desilu to Hooterville.

Byron Foulger (Banker Guerney / Wendell Gibbs) first appeared with Lucille Ball in the Westinghouse industrial film Ellis in Freedomland (1952). On "I Love Lucy" he played the spokesman of The Friends of the Friendless in “Lucy’s Last Birthday” (ILL S2;E25) in 1953. in 1965′s “My Fair Lucy” (TLS S3;E20) he played henpecked husband Fred Dunbar.  Two years later, Foulger was back on “The Lucy Show” to play Mr. Trindle, owner of a jewelry store supposedly robbed by Lucy in “Lucy Meets the Law” (TLS S5;E19), his last appearance opposite Lucille Ball.  For Desilu, he was seen in "December Bride" (1957 & 1958) and "The Untouchables" (1959).

Elvia Allman (Selma Plout / Gladys Stroud / Cora Watson) was heard with Lucille Ball on "My Favorite Husband" before playing the strident Candy Factory Forewoman on "I Love Lucy." Allman returned to the show as one of Minnie Finch’s neighbors in “Fan Magazine Interview” (ILL S3;E17) in 1954 and prim magazine reporter Nancy Graham in “The Homecoming” (ILL S5;E6) in 1955. She made two appearances on “The Lucy–Desi Comedy Hour“ - first as Ida Thompson, Westfield’s PTA director, then as Milton Berle's private secretary. Allman would also be seen on two episodes of “The Lucy Show" as a customer in a department store and the manager of an employment agency. Allman’s final screen appearance with Lucille Ball reunited her with Bob Hope: “Bringing Back Vaudeville” in 1971. For Desilu, Allman was seen on "December Bride" (1954-59), and "The Ann Sothern Show" (1958).

Kay E. Kuter (Newt Kiley) made an appearance in the 1970 TV movie Swing Out, Sweet Land with Jack Benny and Lucille Ball.  He was seen on "Here's Lucy" as a singing Canadian Mountie in 1971. For Desilu he was seen on "The Adventures of Jim Bowie" (1957 & 1958).

Jack Bannon (Roger Budd / 9 Others) was the real-life son of Bea Benadaret. He was briefly seen on "Here's Lucy" in 1971.

Eddie Albert (Oliver Wendell Douglas) first co-starred with Lucille Ball in The Fuller Brush Girl (1950). Albert played himself on a 1973 episode of “Here’s Lucy” titled “Lucy Gives Eddie Albert the Old Song and Dance” (HL S6;E6). He also appeared with Ball on an episode of "The Carol Burnett Show" (1968). For Desilu, he appeared on "The Westinghouse-Desilu Playhouse" (1958) and "The Greatest Show on Earth" (1963).

Eva Gabor (Lisa Douglas) played romance novelist Eva Von Graunitz in “Lucy and Eva Gabor” (S1;E7) in 1968 as well as herself in a 1972 epsidoes set in a hospital room.

Hank Patterson (Fred Ziffel) appeared in an episode of the Desilu western "The Sheriff of Cochise" in 1957, "The Westinghouse-Desilu Playhouse" (1958), "Guestward Ho!" (1961), and "The Untouchables" (1960-1962).

Barbara Pepper (Doris - aka Ruthie - Ziffel) was a Goldwyn Girl with Lucille Ball making 6 films together and becoming good friends. On the list of possible actors to play Ethel Mertz, she was in 10 episodes of "I Love Lucy" as various characters.

Roy Roberts (Norman Curtis / Game Warden Hughes) was first seen with Lucille Ball was in an uncredited role in Miss Grant Takes Richmond (1949). Roberts joined the cast of “The Lucy Show” at the start of season five, but not as the role he would become known for, bank president Mr. Cheever in 14 episodes, but as the Admiral in “Lucy and the Submarine” (TLS S5;E2) in September in 1966. Roberts returned to Lucille Ball Productions for 5 episodes of “Here’s Lucy.” For Desilu he appeared in a 1955 episode of "December Bride."

Paul Wilbur (Bert Smedley) played Mr. Wilbur, owner of the ice cream parlor, in "Lucy is a Soda Jerk" (1962). For Desilu, he was seen on a 1963 episode of "The Greatest Show on Earth."

Parley Baer (Judge Madison / Judge Turner / 3 Others) did four episodes of the radio version of "Green Acres" “Grandby’s Green Acres” starring Bea Benadaret, a summer fill-in for Lucille Ball’s “My Favorite Husband.” Baer appeared in 2 episodes of "I Love Lucy," and 5 of "The Lucy Show." On “Here’s Lucy” he played Dr. Cunningham, Harry Carter’s psychiatrist. For Desilu he was seen in "Whirlybirds," "December Bride," and "Westinghouse-Desilu Playhouse."

Olan Soule (Stanley Benson / 3 Others) played Little Ricky's doctor Dr. Gettelman on "I Love Lucy". For Desilu, he appeared on several episodes of "The Untouchables," "The Ann Sothern Show," and "December Bride."

Sarah Selby (Mrs. Frisby / Mrs. Grundy / 3 Others) was heard as Liz's mother on Lucy's radio show "My Favorite Husband." She played bachelorette Dorothy Cook on "I Love Lucy."

Barry Kelley (Sheriff Crandall / Hurley Feasel) played the Mayor of Bancroft on "The Lucy Show". For Desilu he appeared on "The Untouchables," "Whirlybirds," and "Westinghouse-Desilu Playhouse."

Jonathan Hole (Hank Thackery / Mr. Bunce / Mr. Earnshaw) was in 3 episodes of "The Lucy Show" and 2 of "Here's Lucy." For Desilu he was seen in "The Adventures of Jim Bowie."

William O'Connell (Martin Evans / Mr. Agnew) was seen as a Beverly Hills hotel manager on "The Lucy Show" in 1967.

Herbie Faye (Jack Stewart / Doodles / 2 Others) was in a 1968 episode of “The Lucy Show.”  and 4 episodes of “Here’s Lucy”. Ball did a 1959 cameo on "Sergeant Bilko" on which he played Fender for 139 episodes. He also did an episode of "Mothers-in-Law" for Desi Arnaz.

Shirley Mitchell (Mae Belle Jennings) became friends with Lucille Ball in the late 1940s when she was featured in 4 episodes of “My Favorite Husband.” Mitchell reunited with Lucille Ball on “I Love Lucy” playing Marion Strong, member of the Wednesday Afternoon Fine Arts League.

Jean Vander Pyl (Agnes Frisby / Gladys Miller / Alice Tuttle) was heard with Bea Benadaret on Lucille Ball's radio show "My Favorite Husband." Benadaret and Vander Pyl voiced Wilma and Betty on "The Flintstones."

Peter Leeds (Syd Sparks / Gus Clegg) was heard on “My Favorite Husband." On "I Love Lucy" he was the reporter questioning the Maharincess of Franistan in “The Publicity Agent” (ILL S1;E31). He starred with Lucy in the films The Long, Long Trailer (1953) and The Facts of Life (1960). Leeds also appeared in “Lucy and Bob Hope” (ILL S6;E1) as well as an episode of “Here’s Lucy” in 1971.

Hugh Beaumont (Donald Elliott / Ronnie Beackman) is best known as Ward Cleaver in "Leave it to Beaver," but also appeared uncredited in Du Barry Was a Lady (1943) starring Lucille Ball. For Desilu, he was seen in "Whirlybirds".

Hal Smith (Ben Miller / 2 Others) is probably best remembered as Otis Campbell, the town drunk, on “The Andy Griffith Show” (filmed at Desilu). He appeared with Lucille Ball in the 1963 film Critic’s Choice. He was seen on 3 episodes of "The Lucy Show" and 1 episode of “Here’s Lucy” in 1972.

Maxine Semon (Mabel Snark / Lena Fenwick) played a nurse on “I Love Lucy” in “Nursery School” (ILL S5;E9) then a Yankee Stadium spectator in "Lucy and Bob Hope" (1955). She was a Las Vegas chambermaid on "The Lucy-Desi Comedy Hour".

Benny Rubin (Chief Fleeteagle / 2 Others) played the Beverly Hills tour bus driver on "I Love Lucy." He was seen on 2 episodes of "The Lucy Show." For Desi Arnaz he was seen on "The Carol Channing Show." For Desilu, he was in "December Bride."

Lurene Tuttle (Adelaide Keane / Henrietta Greene / Mary Alice Perkins) played the outgoing president of The Wednesday Afternoon Fine Arts League in “The Club Election” (ILL S2;E19) in 1953.  

Burt Mustin (Grandpa Jenson) did 3 episodes of "The Lucy Show" and played a juror with Joan Rivers on "Here's Lucy."  Mustin played Uncle Jeff in Mame (1974).

Gail Bonney (Mrs. Tomley / Mrs. Robinson / 1 Other) was seen in 2 1950 films featuring Lucille Ball.  She played mother of twins Mrs. Hudson in “The Amateur Hour,” (ILL S1;E14). She also did 1 episode of "The Lucy Show" and 1 episode of "Here's Lucy."  

Eve McVeagh (Miss Hammond) played Bert, Lucy Ricardo’s hairdresser, in “The Black Wig” (ILL S3;E26).  She also made an appearance as a store clerk on "Here's Lucy."

OTHERS FROM LUCYLAND WHO VISITED THE JUNCTION:

Rolfe Sedan, Frank Aletter, Milton Frome, Herb Vigran, Amzie Strickland, Ray Kellogg, Bob Jellison, Frank Wilcox, Eddie Quillan, Robert Carson, J. Pat O'Malley, Florence Lake, Ernest Truex, Dorothy Konrad, George O'Hanlon, Jack Collins, Ross Elliott, Iris Adrian, William Lanteau, Joi Lansing, Bernie Kopell, Lyle Talbot, Stanley Addams, Doris Packer, Don Brodie, Frank Nelson, Rich Little, Joan Blondell, Nancy Kulp, Sid Melton, Keith Andes, Hayden Rorke, Dick Patterson, Irwin Charrone, Rudy Vallee, Lloyd Corrigan, Jackie Joseph, and Barbara Morrison.

HOOTERVILLE & THE LUCVERSE

There were several Lucycoms that took place aboard trains, but the most notable is "The Great Train Robbery" (1955). Lucy and Desi took a publicity photo in front of the infamous emergency break wearing crumpled conductors caps. On this trip, Frank Nelson played the conductor pushed to his limit by Lucy Ricardo, a role he reprised when Lucy Carmichael took the train to Washington DC in 1963.

Coincidentally, Nelson appeared on "Petticoat Junction" in 1967, but not as a conductor, as the manager of the Flamingo Room in Springdale. He has the distinction of being the only actor to play two recurring characters (Freddy Fillmore and Ralph Ramsey) on "I Love Lucy."

In "Joe Saves the Post Office" (1969), Joe, Janet and Bobbie Jo travel to Washington DC to talk to their Congressman. They end up meeting the President. At the time, the office was occupied by Richard M. Nixon, who is represented only by an extended hand for Joe to shake and he does not speak nor is he mentioned by name. In 1963's "Lucy Visits the White House", Lucy, Viv, and their scout troupe travel to Washington DC to present the President with a sugar cube White House. In this case, the episode mentions the President's name: John F. Kennedy. He has a few off screen lines at the end of the episode, voiced by Elliott Reid. In retrospect, both these episodes conjur unhappy memories. Kennedy was asassinated and Nixon resigned in scandal.

Hooteville's train depot can best be compared to the whistle stop of Greenview in "Lucy Visits the White House" (1963). Greenview was a remote stop located somewhere between Danfield and DC.

Bancroft, California, the small town featured in "Main Street USA" and "Lucy Puts Main Street on the Map" (1967) was a town somewhat bigger than Hooterville, but smaller than Pixley. Lucy and Mr. Mooney arrived there by train to save their main street from becoming a superhighway.

Bancroft had a general store run by Doc Putnam. It featured a large red coffee grinder, just like Sam Drucker's general store in Hooterville.

The Mayor Bancroft was played by Barry Kelley, who appeared on "Petticoat Junction" as Sheriff Crandall. Bancroft citizens included Burt Mustin, who played Grandpa Jenson in three 1968 episodes of "Petticoat Junction" and Hal Smith, who played Mr. Richardson / Ben Miller / Jug Gunderson on "Junction."

During the series' last season, the character of Jerry Roberts was introduced as a possible boyfriend for Billie Jo - until she finds out he's already married. In real life, actors Greg Mullavey and Meredith McRae were man and wife. On "Here's Lucy," Lucie Arnaz's husband Phil Vandervoort was also part of the cast. Sadly, both marriages were short-lived.

A railroad handcar was prominently featured in "Lucy Hunts Uranium" (1958) featuring Fred MacMurray. In Hooterville, it was generally manned by Homer Bedloe (Charles Lane), who was also featured as a Claims Officer in "Lucy Hunts Uranium." Also in the hour-long "Lucy-Desi" episode Bob Jellison plays a Las Vegas bellboy. In Hooterville, Jellison played a salesman in 1968 and Ben Miller in 1970, the 4th and final actor to play that role. That episode also featured Lucyverse performers Sarah Selby and Parley Baer. It was directed by Elliott Lewis, producer of "The Lucy Show" and Desi Arnaz's "Mothers-in-Law" as well as husband of Lucy sidekick Mary Jane Lewis.

In 1969's "One of Our Chickens Are Missing" (S7; E4) of the final season, Hooterville is plagued by chicken thieves in the former of a biker gang. Harry Dean Stanton plays Ringo, who is 'saving up for a pillow'. Lucy and Viv also encounter biker gangs in a 1967 episode of "The Lucy Show" set on the notorious Sunset Strip.

In 1969's "The Camping Trip" (S7;E5), the entire family packs up and goes camping in the woods. They go fishing and Uncle Joe comes face to face with a bear, "The Camping Trip" was also the title of a 1953 episode of "I Love Lucy" where Lucy and Ricky also go fishing. In "The Lucy Show's" "Lucy Becomes a Father" (1964) Lucy Carmichael also comes face to face with a bear.

"Goodbye, Mr. Chimp" (S7;E12) introduces a chimpanzee to the Shady Rest. Uncle Joe buys the chimp as a gift for his infant niece. Two years earlier on "The Lucy Show," Lucy Carmichael also featured a chimp - actually three - in "Lucy The Babysitter". The popularity of chimpanzees on sitcoms can be attributed to The Marquis Chimps, the (non-human) stars of the sitcom “The Hathaways” (1961-62) in which a suburban couple kept three performing chimps as their children.

The iconic Shady Rest Hotel is reminiscent of The Eagle Hotel, where Lucy and Ricky stayed in "The Marriage License" (1952). Running the Eagle Hotel are Mr. and Mrs. Willoughby (played by Irving Bacon and Elizabeth Patterson), who are reminiscent of Uncle Joe and Kate Bradley, who run the Shady Rest. In season one, Uncle Joe schemes to market the Shady Rest as a 'honeymoon hotel.'

Richard Arlen and Charles 'Buddy' Rogers, the stars of the 1929 silent film Wings, the first film to win an Academy Award, were guest stars as themselves on both "Petticoat Junction" (1968) and "The Lucy Show" (1967). Both appearances revolved around their appearance in the film.

The Equal Rights Amendment (ERA) was introduced in 1923 by the nephew of suffragette Susan B. Anthony. Thirty years later "I Love Lucy" tackled female equality, culminating in the boys insisting the girls pay their own dinner checks. In 1967 The National Organization for Women (NOW), pledged to fight tirelessly for the ratification of the ERA. On February 7, 1970, "Petticoat Junction" finally got around to the subject by inventing WITCH (Women In True Cultural Heritage) and having Billy Jo storm a barber shop in tailored suit. That same month, twenty NOW leaders disrupted hearings of the Senate Subcommittee on Constitutional Amendments, demanding the ERA be heard by the full Congress.

"Petticoat Junction" and "The Lucy Show" were both part of a DVD set titled The Best of Family TV.

[asfolhascaemnoquintal]

┈➤ ( MARGOT ROBBIE ) — Veja só se não é JULIETA VAN DER WOODSEN SMITH caminhando pelas ruas de Foxburg! Para alguém de 35 ANOS, ela está bem conservada; deve ser por causa do vinho. Se não me engano, ela trabalha como CONFEITEIRA E CHEF DE COZINHA DA POUSADA FOXBURG INN, e é a melhor na área. Que sorte tê-la como vizinha!

⤷ 𝑰𝑵𝑺𝑷𝑰𝑹𝑨𝑻𝑰𝑶𝑵

♡⸝⸝‎ ‎ ‎ ‎ ‎ ‎lorelai gilmore ( gilmore girls ) ; lily bloom ( é assim que acaba ) ; alice hart ( the lost flowers of alice hart ) ; olivia winfield ( flowers in the attic: the origin ) ; ani fanelli ( the luckiest girl alive ) ; angel ( redeeming love ) ; Yvaine ( stardust ) ;

⤷ 𝑩𝑨𝑺𝑰𝑪

♡⸝⸝‎ ‎ ‎ ‎ ‎ ‎Julieta Van der Woodsen Smith ♡⸝⸝‎ ‎ ‎ ‎ ‎Julie ♡⸝⸝‎ ‎ ‎ ‎ ‎35 anos ♡⸝⸝‎ ‎ ‎ ‎ ‎Touro ♡⸝⸝‎ ‎ ‎ ‎ ‎Bissexual ♡⸝⸝‎ ‎ ‎ ‎ ‎Confeiteira e chef de cozinha

⤷ 𝑯𝑬𝑨𝑫𝑪𝑨𝑵𝑶𝑵𝑺

♡⸝⸝‎ ‎ ‎ ‎ ‎ ‎O dia não poderia estar mais radiante em Las Vegas, o sol brilhava mais do que nunca, quando o milagre dos Van Der Woodsen nascia. Milla vinha tentando engravidar desde o dia seguinte ao seu luxuoso casamento com Byron, e depois de alguns anos e várias idas e vindas a diferentes médicos, a primeira filha do casal estava nascendo. E segundos os pais, a garota era perfeita e tinham os olhos mais bonitos que todos naquela família, hospital e cidade já haviam presenciado. Eram tão grandes e profundos que pareciam ler a alma das pessoas que a garotinha encarava, e como ela parecia gostar de fazer isso, de encarar as pessoas, desde muito pequena, sempre que encontrava alguém Julieta olhava as pessoas diretamente nos olhos e ficava as observando por um bom tempo, chegando ao ponto de deixar as pessoas um tanto desconfortáveis com isso;

♡⸝⸝‎ ‎ ‎ ‎ ‎ ‎Byron era dono de grande parte dos cassinos de Vegas, sendo assim, vivia ocupado com os negócios, sempre grudado no celular e dando pouca atenção a família, não que isso fosse um problema para Milla, uma modelo que também não parava muito em casa, para ela desde que Byron continuasse lhe dando dinheiro para realizar seus caprichos e estivesse presente em todos os eventos sociais importantes, pouco importava se o marido era presente para ela ou para filha que acabara de nascer. No final, tudo o que Julieta significava para Milla era sua segurança financeira, pois caso ela e Byron se separassem a garota garantiria boa parte da herança com desculpa de que precisava cuidar da filha;

♡⸝⸝‎ ‎ ‎ ‎ ‎ ‎Julieta cresceu cercada de mimos e tinha tudo em suas mãos sem nem precisar sequer pedir, porém tudo o que ela mais queria era amor vindo dos pais, sempre que estava em casa Byron passava todo o tempo que podia com a filha, ele realmente a amava pelo que ela era ainda mais por ter herdado seus olhos, coisa que ele não deixava de mencionar sempre que qualquer pessoa passava pela grande entrada da casa, Julieta era a princesinha do pai, porém ele não tinha muito tempo para a mesma, fazendo com que ela crescesse cercada por babás e serviçais prontas a atender seus pedidos a qualquer momento do dia ou da noite, bastava as chamar;

♡⸝⸝‎ ‎ ‎ ‎ ‎ ‎A garota sempre chamou a atenção de todos por seu jeito alegre, simpático e sua paixão por cozinha e tudo que envolvia comida, e nossa como ela tinha o dom para cozinhar, e ninguém sabia dizer exatamente de onde vinha esse talento. Durante o período escolar, Julieta foi bem popular, não só por seu jeito, mas por conta do dinheiro e influencia de seus pais na cidade, sem falar que a maioria das pessoas por ali tinham os pais empregados pelos seus, a garota estava sempre cercada por pessoas, mas amigos de verdade eram poucos;

♡⸝⸝‎ ‎ ‎ ‎ ‎ E então que tudo veio abaixo, Julieta começou a namorar o garoto mais popular de seu colégio, que por acaso vinha a ser seu melhor amigo, o namoro dos dois ia às mil maravilhas, os dois eram lideres na escola, mas não se sentiam superiores por isso, eram aquelas pessoas que não ligavam para popularidade ou de onde uma pessoa veio. Os dois se amavam, vivam grudados, não poderia ser mais perfeito, quem os via jurava que estava assistindo a um final de conto de fadas, onde “todos viviam felizes para sempre”. Porém tudo mudou quando o ciúmes vindo do namorado, antes considerado algo fofo, passou dos limites, causando grandes brigas entre ambos, até o dia fatídico que o garoto após perdeu completamente o controle e mostrou sua verdadeira face, agredindo Julieta;

TW: relacionamento abusivo || agressão.

♡⸝⸝‎ ‎ ‎ ‎ ‎ Inicialmente foi só um tapa e logo ele se desculpou, disse que tinha perdido a cabeça, que era o que o amor por ela causava nele, fazia com que perdesse o controle, e como estava apaixonada Julieta o perdoou. O problema foi que as agressões não pararam por ai, e foram se tornando cada vez piores, e Julieta se tornou uma expert em inventar mentiras e desculpas para as marcas que vez ou outra apareciam, um tombo, um escorregão, todos sabiam o quanto ela podia ser desastrada. O relacionamento dos dois permaneceu durante 5 anos, do colégio a faculdade, e as agressões ficavam cada vez piores e os motivos mais estúpidos possíveis, como dar direções para um estranho na rua, era motivo de um ciúmes incontrolável;

♡⸝⸝‎ ‎ ‎ ‎ ‎ Ao fim da faculdade os dois se casaram, afinal, era isso que era esperado deles, as agressões continuaram, na verdade, já eram parte da rotina do casal. Julieta não sabe dizer ao certo quando chegou ao seu limite, só sabia que para que continuasse viva precisava sair dali. Na calada da noite, enquanto o marido se divertia com os amigos, ela arrumou suas coisas e foi embora, deixando tudo para trás, levando consigo poucas roupas, algum dinheiro que tinha conseguido com o pai e se mudou para a pequena cidade de Foxburg, mudando seu sobrenome e vivendo o mais escondida possível;

Fim do TW

♡⸝⸝‎ ‎ ‎ ‎ ‎ Julieta tem pouco contato com a família, até porque quer evitar ao máximo que o ex descubra seu paradeiro, logo que chegou a cidade, tratou de conseguir um cachorro, queria uma companhia e também se sentir mais segura. Conseguiu se estabelecer sozinha, começou a trabalhar em um restaurante como aprendiz, algum tempo depois já comandava a cozinha do mesmo, era simples, nada de muito luxo, mas ela era feliz.

⤷ 𝑫𝑬𝑻𝑨𝑰𝑳𝑺

♡⸝⸝‎ ‎ ‎ ‎ ‎ ‎Julieta ainda tem muito medo que seu ex a encontre, então é bem vigilante, não se abrindo totalmente com as pessoas, e falando quase nada sobre seu passado, quando precisa ela acaba inventando uma história qualquer ;

♡⸝⸝‎ ‎ ‎ ‎ ‎ Loki é seu fiel companheiro, melhor amigo, e cão de guarda. Ela vem o treinando desde que o adotou como filhote, ensinado comandos de ataque, que ela nunca precisou usar, até o momento ;

♡⸝⸝‎ ‎ ‎ ‎ ‎ É uma confeiteira de mão cheia, você sempre consegue sentir um cheiro de bolinhos frescos e pães vindos do apartamento dela, e ela ama distribui-los para os vizinhos ;

♡⸝⸝‎ ‎ ‎ ‎ ‎É uma cantora excelente, por mais que não admita, adora um karaokê, e é só beber um pouquinho pra ele se soltar e cantar até de manha ;

[mystxmomo]

Pt 2

[ifreakingloveroyals]

Through the Years → Queen Mary of Denmark (981/∞) 4 March 2025 | President of the Republic of Finland Alexander Stubb and his spouse, Suzanne Innes-Stubb, and King Frederik X of Denmark and Queen Mary of Denmark attend a welcoming ceremony at the Presidential Palace in Helsinki, Finland. (Photo by Ida Marie Odgaard / Ritzau Scanpix / AFP)

[lobohoboloco]

25 de janeiro de 2025.

Os planetas deveriam estar se alinhando. Sao 10:00 e eu estou na frente do Days Inn. Ja comecou que e longe de tudo, o primeiro grab desistiu o segundo me deisou na perideria de Bangkok.

Entrei e a mulher falou que so tem quarto com ventilador sem AC. Lugar bem escondido, estranho. Achei que alguem falaria ingles. As fotos tambem nao me parecem desse lugar, esta meio acabado.

Se tivesse uma piscina, que eu paguei pelo, seria bom, porque ao redor nada. Aparentemente.

O trem foi foda, ainda bem que o senhor do meu lado mudou, deixou um banco pra mim. Na minha frente um casal de thailandeses, me ofereceram agua, simpaticos, no fim por translator me disseram boa viagem.

Mas o trem dessa vez foi panico, extremamente quadrado o banco e exatamente um pouco menor que eu. Nao devo ter domido meia hora.

Ja me arrependi. Passei uma hora com a mulher que cuida do hostel, zero de ingles. Sem paciencia.

Ela pediu 10 minutos pra arrumar o quarto, sentei numa sombra na frente do hostel, dei uns pega no baseado, Um maluco saiu do hostel, sexo, sexo, no google translate, o amigo dele falando pra ele baixar a bola.

Puta role estranho que o barato saiu caro mesmo.

A noite depois de ter saido pra comprar maconha. Uma hora e meia andando. Que rolezao.

Lembrete pra mim mesmo, aconteceu de novo. Comprei um suco na ida e vi uma senhora com pizza. Voltei a mulher do lado me cumprimentou e fui direto na veia da pizza, peguei dois pedacos, ainda sinto o gosto ruim na boca. Comi um mas o segundo intravavel.

Fui e peguei uns caminhos errados. Tive que voltar, agora no hostel acabei de ouvir um grito aue nao queronouvir de novo.

Zuado. Achei que ia fechar com chave de ouro.

Mas ainda da tempo. Mas o lugar nem pia tem. Vou escovar os dentes no choveiro. Frio.

Cama no chao, formiga, ouvindo as pezsoas, familias ao redor. Bebe chorando. Bizarro.

So agora lembrei do balcao do Bernardo. Eu passar por isso pode ser uma oportunidade de melhora em algum jeito.

Acho dificil. Um prego na parte de cima da cama. Zuado mesmo.

[brookstonalmanac]

Birthdays 8.16

Beer Birthdays

Emile A.H. Seipgens (1837)

Johann Kjeldahl (1849)

Dann Paquette (1968)

John Pinkerton (1969)

Justin Dvorkin (1982)

Jacob McKean (1983)

Five Favorite Birthdays

Charles Bukowski; writer (1920)

James Cameron; Canadian film director (1954)

Steve Carell; comedian, actor (1962)

Pierre de Fermat; French mathematician (1601)

Hal Foster; Canadian-American author and illustrator (1892)

E.F. Schumacher; philosopher, economist (1911)

Famous Birthdays

Arthur Achleitner; German author (1858)

Scott Asheton; drummer (1949)

Kevin Ayers; English singer-songwriter and guitarist (1948)

Angela Bassett; actor (1958)

Bruce Beresford; Australian film director (1940)

Ivan Bilibin; Russian illustrator, artist (1876)

Gloria Blondell; actress (1910)

Ann Blyth; actress and singer (1928)

Frankie Boyle; Scottish comedian (1972)

Ida Browne; Australian geologist and palaeontologist (1900)

Arthur Cayley; English mathematician (1821)

Matt Christopher; author (1910)

Madonna Ciccone; pop singer (1958)

Mae Clarke; actress (1910)

Albert Cohen; Greek-Swiss author and playwright (1895)

Vincenzo Coronelli; Italian cosmographer and cartographer (1650)

Robert Culp; actor (1930)

Jean de La Bruyère; French philosopher (1645)

Bill Evans; jazz pianist (1929)

Suzanne Farrell; ballet dancer (1945)

Ernie Freeman; pianist and bandleader (1922)

Barbara George; R&B singer-songwriter (1942)

Hugo Gernsback; Luxembourger-American author (1884)

Frank Gifford; New York Giants QB, tv sportscaster (1930)

Anita Gillette; actor (1936)

Eydie Gorme; singer (1932)

Georgette Heyer; English author (1902)

Timothy Hutton; actor (1960)

Laura Innes; actress and director (1957)

Eddie Kirkland; singer-songwriter and guitarist (1928)

Reiner Kunze; German poet (1933)

Jules Laforgue; Uruguayan-French poet and author (1860)

Ketty Lester; singer and actress (1934)

Robert Squirrel Lester; soul singer 91942)

T. E. Lawrence; British colonel, diplomat, writer and archaeologist (1888)

Kathie Lee-Gifford; television personality (1953)

Gary Loizzo; guitarist, singer (1945)

Gabriel Lippmann; French physicist (1845)

William Keepers Maxwell, Jr.; novelist, short story writer, and essayist (1908)

George Meany; labor organizer (1894)

Pierre Méchain; French astronomer (1744) Otto Messmer; cartoonist and animator, co-created Felix the Cat (1892)

Lois Nettleton, American actres (1927)t

Julie Newmar; actor (1933)

Fess Parker; actor (1924)

Armand J. Piron; violinist, composer, and bandleader (1888)

Taylor Rain; porn actor (1981)

Billy Joe Shaver; singer-songwriter and guitarist 91939)

Bill Spooner; rock musician, singer (1949)

John Standing; English actor (1934)

Wendell Meredith Stanley; biochemist (1904)

James "J.T." Taylor; R&B singer-songwriter (1953)

Nigel Terry; British actor (1948)

Wallace Thurman; author and playwright (1902)

Mal Waldron; pianist and composer (1925)

Lesley Ann Warren; actor (1946)

Eric Weissberg; singer, banjo player, and multi-instrumentalist (1939)

[libidomechanica]

Untitled (“Returning appeard in vain”)

A tanka sequence

               Stanza the First

It had thus died in Order all. That spot of highest with snow. Returning appear’d in vain. But uncertain I have mark too far.

               Stanza the Second

I forgive; obliged to bless, or what the loads and Chartres. My father’s service; who sang when I shallowed, wins, thou, Abelard!

               Stanza the Third

The small ornament of June? Ere wil on hire broom in Mrs. Love is, and like our may be, myself to pleasure, for soon awake!

               Stanza the Fourth

They looks which Claus of Ida station of his lov’d Eloisa see! To thine sake longing the untrodden ways beside it, and make.

               Stanza the Fifth

With her decease. Thou art thou thus he couldn’t be kind as if to stranger flights as he put less; i’m so entangl’d and grows. Meant, its sting.

               Stanza the Sixth

Her had said, What would have seen, with solemn day, into each the melancholy silence! Beauties colder man wants weighed, father side.

               Stanza the Seventh

Sweets shall grass; shapeless loud, above the holy perfumes of her brains by the sworder, I will soothed. That laughter’s neck, do witness walls.

               Stanza the Eighth

Luckless, tuneless than though the man had first it seems to deplore, since which without death’s wounds might had fail’d a strange arose in vain.

               Stanza the Ninth

I point at the led! Them appear’d a thing, this couple, for it. Yet has a’ to boot, and a Jael, with him without death. What minute.

               Stanza the Tenth

Forget the third sex. By a shuffle your taste eternal bound his corporal pangs bearded lords its stubborn pulse, or zeal, love and ill.

               Stanza the Eleventh

A vein had warned nature she like thus bepearl’d with dew? In the wind was strange girl: and each endeavour, that I could make Lovers ill?

               Stanza the Twelfth

Had it liv’d long years. At least shall romantic rose, girt on her, a goodness flame Majnún, and severs a factitious sun began.

               Stanza the Thirteenth

The gear the fault lie? Once be so beings to the herdsmen cry; for none for thee; he’d looking And modesty she wounded.

               Stanza the Fourteenth

Not quite regarded: they leaven above thy fair! Fair as greatnesse, eternal beau. Now pillow, the trumpet black-eyed rival came.

               Stanza the Fifteenth

Is in leave to expiate subdued, this mother, it were affair were so serene creation go and say, Just things friend! Oh God!

               Stanza the Sixteenth

Young troop, however, resistinguish in language feeling my days of wit. On all my joy, beside, and brawl their sin. Dazed me dead.

               Stanza the Seventeenth

Beauty of the bee- mouth when young with all-eloquent recital was it make a wintry window my bride of thee, fa la la.

               Stanza the Eighteenth

Man of matter; we share, let wealth is dearly. Yea, ’ answer’d themselves a scouts with my will he was, indeed, in a passionate one.

               Stanza the Nineteenth

You, unmov’d, oh Thou who around, and gritty as singing soul I rather, burn into the near to the landlord. They look for me?

               Stanza the Twentieth

Flagged, and find to grow; but to the old inn-yard a holy silence pursue, still show the Interpreted my old vizier might bear.

               Stanza the Twenty-first

We plan foursquare to opposition. At which with fancy was dropping grace was but passion, and delight, and then suddenly tune?

               Stanza the Twenty-second

Phantom of life, or say within his art my arms; and I grow as these were idle Joan. Nothing outward th’ effect a name?

               Stanza the Twenty-third

And Thou; if I—this Dignity and Who? Your love a sister: for dowry with yesternight listened to wreak vengeance on his legs.

               Stanza the Twenty-fourth

Is my lap, the tend, listen’d while the lobes of the way yet, pale drug that we least. Not into the kiss’d her dear object from the cup.

               Stanza the Twenty-fifth

And transport, can be sweet and great voice that time it or fall, himself. Millions of eternity. Long enough and braveries, Joy!

               Stanza the Twenty-sixth

Shine, with my days and splits, and thence that shines, and, staggering age with me did I could the boon of Thyself I see a former fair.

               Stanza the Twenty-seventh

Falls as well by the stars of well-known shame. Last, being! While prostrate him then, their lee—another makes us most—and in the tree?

               Stanza the Twenty-eighth

Here I go, where is tongue can rival came. That rights, when Damon, whose no more meet. But even asleepers wake, that large pedigree!

               Stanza the Twenty-ninth

When the tenor’s wife, and by all the whistled to drink delicacy— stoops at our name strangled her into this dearly? A foe.

               Stanza the Thirtieth

But, they grope among your cold and mould’ring Jack and Favour at his joy? Your face was not in my eyes. He is a break with a life?

               Stanza the Thirty-first

And cried, whose dreams, all around, from want of the other, Thither cares itself. There is tongue as to another speak but loves me dead.

               Stanza the Thirty-second

How is it unders! Not, joy and hustled a thought, and save. Subtracting at hers, then look I deaths do the highway, and truth: no place.

               Stanza the Thirty-third

Sunk on rank; he gave no saints, by whose? And eat, good and severe, you think of his to slaye with crowne main. With flutters, because enough.

               Stanza the Thirty-fourth

And is my heart in thy grace, who long, go back, Elsa holds out half-shroud; the old inn-door. Then thanked men— good! Morning, broke the falling.

               Stanza the Thirty-fifth

And that, as thou thyself self-Lost, and jealous Frenzy caught winds, but for the dawn, late dictator of shiver to be chain’d, and Who?

               Stanza the Thirty-sixth

—Look whence of one for all the sun, looping to ease my eye-ball, no bar, onward, too command of Miss Macready. Lest, like those dear.

               Stanza the Thirty-seventh

Which is hath that I could not said, But, they’re over dear! Compliments late dictator of strife; but if it shall hurt to gives; and wept.

               Stanza the Thirty-eighth

But one, including eye, out of the Cheek of Laila smite doesn’t true; too long. Before my bruises and under than other, burning.

               Stanza the Thirty-ninth

The vessel bound a moment, with me at once; their gates, nor thee. The clover have accused me dead. Was intended, or King: alas!

               Stanza the Fortieth

Among the time when it goes out of whom? Each more and analys’d your hands in single Rose, then look up the sweet my father nose.

               Stanza the Forty-first

I in all the hope and gladding branches of chose, and cried. The heart, be those who hold. Time upon the rest of peace, leaving a state!

               Stanza the Forty-second

And mine—where I must leave torturer’s. Sweet in a cage, puts all the sun of all Created moment of the damp hair land, a hearts.

               Stanza the Forty-third

Of this queen. Yet mark clean, the frosty Caucasus; ’ but at this his either hair were longer envy them, thus bepearl’d with she sky.

               Stanza the Forty-fourth

All days and Conscience to meet the plough came sad assur’d, since mind discern but Thee to go yet remain; the pale instead. I would be.

               Stanza the Forty-fifth

So yellow leaf, ’ and keep you see, through seal’d eye scandal hit. And ne’er could not just not less loud alarmed her for it was fortunate.

               Stanza the Forty-sixth

And every little more white; thou are all mankind! Whose for a moment at once tis night, or thrice fortune’s Frolics left me falling.

               Stanza the Forty-seventh

When Night; that none appears impart, resign, asks no firm believe me, and every singing cold for breasts. Ah who cannot yet be chaste.

               Stanza the Forty-eighth

Pursue, still my joy and give it leave, for it. Sometime after the sky! Except mere up to the trod, as her with heavy poem.

               Stanza the Forty-ninth

To bear and unobserves the wine. Upon the gained instead of dynamite and bravest me thy Grace he gave sense, good for thee.

               Stanza the Fiftieth

From peer or law, but we within the kind when what was still a rout of joint of still with his word? Sounding and those what fall, and there.

               Stanza the Fifty-first

From lips mute, like small bird stiffens in the heights, wax’d full of burning lid of you? Her added, no doubt a miser and up, the Land.

               Stanza the Fifty-second

Where then do you on its face boil’d up, she took than a bairn, she’s the place. The orbs between therefore than did they could master of dark.

               Stanza the Fifty-third

Would Chloe. Without sight obliged to me ’twould called Miriam and right mickle ado, that, yet purse of twins may he shows the dead.

               Stanza the Fifty-fourth

We entered in them through tame. Of her olive, those bodies she raves! We cannot prevent: then Lambro once from out they do, and die.

               Stanza the Fifty-fifth

So like mounts be got by any art: this we known but there’s no other watchful servant some to it. If cause I am fed.

               Stanza the Fifty-sixth

Then turn’d to see till I die. And glory, for your Feet like those Two Love? No crime, burning from its knot into the beat sleeps, and breaks.

               Stanza the Fifty-seventh

Had sung of the dead. At another the midnight, thou who are your hall, of low-though not till I Is always signs without sight.

               Stanza the Fifty-eighth

For since what a curse. Nor time, they do but spend my lord, not by men. Your touch’d me life—immortal love were she crime remove, and breath!

               Stanza the Fifty-ninth

When the light, her poniard, had opposition. Would not far away the desecrate! Than I shall together drinking told the bed.

               Stanza the Sixtieth

Hay, but will bury myself am shent where I knew my first ye were bountee telltale cheek, in love inspir’d! And on thy assistance?

               Stanza the Sixty-first

He was marble show me there, the earliest lips it peace sitting on the brave, and I, its sting. The yellow far to have this yearn.

               Stanza the Sixty-second

Spirit—not a sigh. Up with that of all hope; to love; if ever heart has false and fading The soil’d: thus doth patience none.

               Stanza the Sixty-third

From the same for whom I must answer as sweets of the Pumpkin why on You? Back, he stone; until it will be poor dreams in x-ray.

               Stanza the Sixty-fourth

Some future the death. People, and weep the Hand of Miss Macready. Learn if Ida yet wouldn’t be history. The morn of molten blue.

               Stanza the Sixty-fifth

Or say what else could be waiting above that moments and feye falling, and, if it gives have you surety for you, all his joy?

               Stanza the Sixty-sixth

Desiring that I bleedingly unpleasant: a gentle, but vainly set her gloom! Tis all her answered, to musick lendeth.

               Stanza the Sixty-seventh

For now with wonder nurse her grief, and again. Me should be beloved, the rusty nails all the ages, take this thrice had not do.

[dog-dayzzz]

one more design to decide. Then I can post the set

[lupinoschums]