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theheroheart · 5 months ago

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Rogue got delivered a day early.

Gonna put a whole bunch of quotes and observations and things under the cut, very Rogue focused.

SPOILERS, OBVIOUSLY.

Also I will say, PLEASE PLEASE PLEASE buy this book, it absolutely deserves it, I adored it. It was wonderful and gave us SO MUCH.

Rogue's former partner is a he, and he's Rogue's boyfriend. His name is Art, which is indeed short for Artificer (reference to D&D). And Art is confirmed dead at this point, and has been for 5 years. Rogue and Art were together for 10 years.

Rogue jumps off a building at some point, knowing Art will save him.

Art was tall with shoulder-length curly hair and wore a sleek purple tunic, rolled up at the sleeves. On top of this was a metallic chest-piece that crackled with electrical energy. On his head he wore a pair of steampunk goggles that complemented his hazel eyes. As he pulled on the net, a long grey scar could be seen on his arm, a memory from a battle lost years before. As the net neared the ship, Rogue smiled up apologetically at Art. But judging by the icy look he got back, well - he couldn't smile his way out of this one.

Rogue doesn't like parties. Partly because he prefers "a good night in". (Though Rogue cannot cook, lmao.) And partly because while "watching the wealthy gorge themselves" he knew "most of the population was living in abject poverty." Rogue says eat the rich.

It was an odd feeling to think that nights like that wouldn't be on the cards for Rogue and hadn't been in fact for a long time. It's strange, the shape time takes when you lose someone. One morning they are next to you, on their pillow, and the next morning you realise they haven't been sleeping there for nearly five years. The five years had gone by slowly and quickly, all at once, Rogue's bounties all blending into one another. It wasn't that Rogue hadn't continued to live, or even to love a little bit. But when you felt you'd lived through the main event of your life, everything else - that extra bit of life you found yourself wandering through - was a bit like an epilogue. Rogue would walk the ship, each night, inspecting every weathered part. A fading heartbeat of a life once lived. He could no longer think about that day. That time. He felt more ghost than man at this point. That was why it was so surprising when Rogue gazed down at the ballroom below and suddenly found himself transfixed. There was a man in the middle of that dancefloor. A gorgeous man. But this wasn't just shallow attraction. There was an energy to the man. An unfiltered joy. Something Rogue instantly knew he wanted to be close to.

There's minor dialogue changes, as there usually are.

'You know, I can help you,' the man went on. 'Trouble, I am good at.' It was then that Rogue emotionally left his body and starting panicking a good 50 feet above the scene playout out below. Was this man handsome? Yes. Was there a bit of chemistry here? Yes. Did the man smell surprisingly nice for someone from 1813? Absolutely.

Instead of going outside, Rogue and the Doctor get punch and actually chat together.

Rogue recognised her as the woman the Doctor had been spinning joyfully across the dancefloor. "You okay?" the Doctor said, concerned. "Yeah. Just, avoiding engagement." She noticed Rogue. "So you found a scandal, then?" The Doctor raised an eyebrow at her as if to say - you behave! - but she just laughed and rushed off down a corridor. Rogue watched it all play out, intrigued. So his dance partner does know him then. But how well? The Doctor turned back and looked into Rogue's eyes, apparently noticing his puzzled expression. "Don't trouble yourself, love; she won't need me till there's screaming, or smoke, or both. Or Goblins. Right now, I'm all yours." Rogue nodded. Okay, Goblins - interesting - but the Doctor could just be a fan of fairytales.

Rogue imagines conversations with Art sometimes, and in this case, Art is encouraging Rogue to flirt with the Doctor. "The fantastical joy of dead boyfriend imagination theatre."

Usually, the imaginary conversations Rogue had with him were when he was alone in the ship but in moments of crisis sometimes, he would imagine him, a life raft in a sea of social interaction nightmares. "Would you let go, for a second. Flirt back. Ask him about his favourite paintings, the wonders of the universe." Rogue looked at Art. "He's from 1813." Art laughed. "Okay, well ask him about the wonders of lawn bowls then, who cares." Rogue sighed. "It was always so easy with you. Why can't it be easy with anyone else?" Art gave him a knowing smile. "You gotta be willing to let it be easy." He gestured back to the Doctor. "Now, come on, you can't just bat your pretty eyes at him." Rogue looked at Art and batted his eyes. "Oh, I absolutely can." "What are you blinking at?" the Doctor asked, intrigued, and Rogue found himself snapped out of his daydream and back into reality. Rogue apologised. "Sorry. A ghost."

The Doctor continued to sip. "You know, I think it's kiwi. No, they aren't here for another century. So what are the green bits?" Immediately, Rogue let go of his fleeting feelings of enjoyment and replaced them with cold resolve. How could the Doctor know something like that? He talked about the present and future like they were all the same to him. No, Rogue had found his bounty and it was time to get back to work. The manor was too busy, too full of guests. He needed a safer place to capture him. Somewhere he could get him alone. "Why don't we continue this conversation in the garden?" Rogue said, a flicker of mischievousness in his eyes. The Doctor laughed. "Fast mover, let's go."

The dialogue confirms again and again that they are SO FUCKING THIRSTY FOR EACH OTHER THE ENTIRE TIME. Besties, please.

He looked back at Rogue, walking, brooding (of course), and had to remind himself that this was an interrogation, not a date. "I love these old skies. Ripe with constellations being found and named." He gestured above, pointing out his favourite constellations. "The bear, the ram ... the poop-deck." "The romance of the night sky," Rogue replied sardonically as he gave the Doctor an oh really look. That stare of his. The Doctor laughed. "Don't blame me! De Lacaille chose them! Great astronomer, bad with names." Then he smiled cheekily. "But if it's romance you're after? He also named those stars there the pump, the chisel, and Norma." Okay, he was flirting now. Ruby would be furious with him if this silly side quest was what got him killed. "Not what I'm after," replied Rogue, his tone back to matter-of-fact but his face blushing a little.

Rogue made the gun himself!

"Keep moving," Rogue replied languidly. Another day at the office for this guy. The Doctor turned his head back to check on the glowing chamber of the blaster. "Is that a glo-stick?" He knew he had said something good because he got the biggest reaction from Rogue yet, hearing him grunt then look immediately offended. "Glo-stick? I made this!" Rogue bit back. Okay, we have an ego here and apparently an inventor, thought the Doctor. That's- "Cute," he said, which only spurred on Rogue. "It's not cute, it's a disseminator. It's very complicated." "Like its owner." The Doctor grinned. He figured if he was going to get killed, he might as well enjoy himself.

Their ship is named the Yossarian.

You can tell a lot about a person by the ship they fly in, thought the Doctor. It's home away from home. Which explained why he was shaken by what he say. Granted, he had made some assumptions about Rogue, but this dimly lit and cluttered space was not what he had expected. It was an absolute mishmash of tech, half-made projects, tools and strange-looking things in piles or cages. It looked and smelt like a mechanic's workshop. In the corner was a cockpit for flying, pretty much hidden behind a stack of metal toolboxes and a hammock slung in the corner, he assumed for sleeping but perhaps eating as well? Oh, Rogue, he thought. What happened, love?

The mess aside, the make of the ship did not surprise. It was an old asteroid hawk from the 50-56, often sold on the cheap in many star systems. In anyone's ship was a shed, this was the one. He looked across the console, trying to see if there might be anything useful to help him escape or at the very least steer the conversation towards suggesting Rogue should get a broom. [...] On the console was an Ood translation sphere, plugged into the ship's controls. It would allow Rogue to understand the local languages wherever he travelled, but the Doctor's attention was taken more by the can of unfinished Gurgle balanced dangerously on top. It was a dusty can. Left there a long time ago.

The spaceship scene is very similar, just tiny differences. Although it confirmed that the Doctor has played D&D, specifically with the Paternoster gang, and that Strax played a bard with a beautiful singing voice.

The Doctor also thinks about Fourteen, thinking that he likes him and hopes he's living his best life right now.

Different past selves of the Doctor, different genders and ages, all projected on top of his current form. Right now, standing in the middle of the Yossarian, he was revealing his true heart. His power. His strength. His undeniable wonder. The Doctor looked from the scan back at Rogue, right in the eye. "I am not a Chuldur. I am something much older and far more powerful. I am a Lord of Time from the lost and fallen planet of Gallifrey." He took a deep breath. "Now, let me go, Bounty Hunter. We have work to do." Rogue just started in awe, taking in the Doctor, all of them. "You're beautiful," he said.

And then you get a long lovely flashback to Art and Rogue having a romantic dinner. (And I would just like to say that I 100% called the Artificer thing.)

"You are so stubborn!" Art said, lowering his spoon. "I told you not to put more chilli powder in, yet here we are." Rogue laughed. "Look, I tried really hard to make us this terrible meal." "Now, hold the phone, I did not say this was terrible, I just said you deliberately ignored my advice." "Unwanted advice," Rogue replied. As he took another mouthful, a tear started to form in his eye. The stew was too hot, but he was never going to let Art know that. "I can see you crying," Art said. "There's a literal tear, rolling down your face." Rogue looked at him, faux dramatic. "I'm just feeling really emotional about my chair over there, that you still haven't fixed. Art laughed. "Oh it's your chair now, is it?" Rogue smiled and wiped away the tear he had pretended was not there with his sleeve. He continued to look around the ship, at the home he and Art had made together. Art had built everything on the Yossarian and nearly every gadget Rogue used on the missions. The emphasis on 'nearly' was because Rogue had foolishly attempted to build a few of his own. It was a learning curve for him. A steep one. Where Rogue had charm in spades, Art had a talent for turning a kitchen spoon into a deadly laser ray. He could do anything. The name Art had also come from Dungeons & Dragons, a shared pastime and passion between them both. Art was short for Artificer; this was a class in the game known for their invention and incredible ability to see the full potential in objects, and it suited Art to a tee. Rogue could never pin down exactly when the nicknames had started. Like so many things when you've been with someone for a very long time, it had begun as a cute reference, but then the nicknames just became everyday for them until, eventually, the old names just didn't fit any more. They were just Rogue and Art to each other. And that suited them both fine.

"You know, I could go undercover next time," Art said. "Oh yeah," Rogue said playfully. "Last time we tried that, you gave someone our actual contact details." "We got on! An alias shouldn't prevent an actual friendship." Rogue nodded. He got up, went round the console and put his arms around Art, nuzzling into his shoulder. "I guess it's how I met you," he said, and the pair of them laughed. Art smelt like a warm fire. He was taller than Rogue, only by a bit, but it meant he looked up to him slightly, which was a bit of a novelty for Rogue, who was usually the tallest in the room. He took in Art's face: every line, pore, the stubble, the striking, hazel eyes. Art looked back down at Rogue, and it looked as if he was about to say something deeply profound or romantic. "So, is this your apology for dinner?" Rogue leant in closer. "Oh, never," he murmured.

Oh also, Rogue hadn't meant to give the Doctor that name.

"Does 'not a Lord' have a name?" "Rogue." Immediately, Rogue panicked. It wasn't his actual name - Rogue was the name that Art had given him - but it would do fine. For now. [.....] "You ready for this, Rogue?" It was funny hearing someone else call him that, but his name sounded good being said by the Doctor. Rogue liked it. It fitted.

Also Rogue "immediately recalled a quite complicated winter with Houdini". Apparently him and the Doctor has an ex in common.

They explain what happened to the gun.

"Now, trap, please." Rogue handed it over but immediately regretted doing this so willingly. Sure, this man's ship was brilliant. But the trap, that was his. "And your disseminator?" "Only if you handle it carefully," said Rogue, keeping his eyes locked on the Doctor, worried what the plan could be for his precious creation. The Doctor took it calmly. Then he snapped the disseminator in half. "Hey!" Rogue shouted. "Do you want to save everyone or not? Look, watch me." And Rogue did, as the Doctor moved some parts from the disseminator into Rogue's trap, then attached it to the TARDIS, using cables. Rogue found himself fighting not to remember the hours of work that building the disseminator had taken. He had to let this go. "Okay, past me the hyperdyne link," said the Doctor. "Blue wire, under the switch, there." Rogue did as he was told, eager to see exactly what new monstrosity the Doctor had turned his favourite gadget into. The Doctor grabbed the cable and plugged it into the newly upgraded trap. It sizzled slightly. "I can't believe you broke my stuff!" Rogue complained. The Doctor stopped what he was doing and looked at him, dead serious. "Whatever the Chuldur have done, I can't let you kill them. I also can't let them kill others. So, instead, we'll send them to a random, barren dimension. No one to hurt there and no way back." "Random? So I can't trace them," Rogue protested. The Doctor just nodded as the trap continued to whirr behind them. "Don't pout too much. When we're not trying to kill each other, we're a good team."

"You know, you don't have to stay a bounty hunter. You could travel with me. Oh the worlds I could show you, Rogue." "And what if I like what I do?" Rogue got the feeling that when people met the Doctor, they would often uproot everything for him. Why should that always be the case? Rogue had just as much to offer in adventure.

"I'd like that." Rogue felt that swell in his chest, that nervous energy as he took another step towards him. He was very aware that their faces were almost touching. It would only take one of them to lean in a bit closer, and they were already so close, so close that they could almost-- Ping! The console in the TARDIS chimed. "The trap is ready," the Doctor said, and the moment was gone. He moved back to the console as Rogue stood there, recovering. He could hear the Doctor speaking down at the console, but he barely registered what he was saying. He just nodded, lost. What was he getting himself into?

And then I went ahead and typed up the entire chapter 19, because the whole thing is an imaginary letter from Art to Rogue.

Chapter 19 A Letter to Rogue Dear Rogue It feels silly, writing you this letter, but I hope it finds you. So we're clear too, I don't want this as a Please don't mourn for me or some other such nonsense. Honestly, I am quite irritated that it wasn't you that died... Would I say that? I suppose. Whatever helps your imagination. I know you've likely dreamt up and read this letter many times. I fully understand why; I was good chat. However, if only for your negotiation skills, I hope you've made at least one friend since my passing. Imaginary letters from dead boyfriends can't be your only form of communication. Of course, if the person reading this is his only friend then I gleefully warn you: Rogue is stubborn. He says he will clean that particular corner of the ship, but I promise you he won't. I spent ten years asking and I could have put that time into something actually productive. I could have learned at least five more languages in the time I would have saved. So take my advice. Give in to this reality. Admit defeat. It will never happen. A few other things to note: his snoring can and will wake up the most dangerous animals, and for some reason - despite eating pretty much everything - bread with any kind of seeds or olives in is an absolute no. I agree, it's a real failing on his part. Apart from this, however, what you will find is a great man who I loved with every part of my soul. Please give him a hug from me and do not name a child or dog in my memory when you move in together. A cactus is fine, though. And Rogue, if it is you reading this letter, don't let me worry about you. I did enough of that when I was around and oh, the time I wasted. Don't hide. And please don't go fixing up our ship for ever. I was the mechanic anyway. Live. Talk with everyone. Laugh. Dare to ask someone, 'Is this seat taken?' And, most importantly, don't forget to dance. That's the best part. Yours, Art

So anyway, after that heartbreak, it's back to more action.

"Should we be telling humans?" Rogue asked cautiously, leaning in behind him. The Doctor noticed Ruby's curious expression. "Oh! Ruby 2024 and Emily 1813, this is Rogue, he's a bounty hunter and almost incinerated me." "A mistake he said he was letting go of." Rogue held out his hand to Ruby and Emily, who both went for it at the same time and ended up shaking it together.

"But what does it all mean?" Emily gasped. "Are we all going to die?" The Doctor and Ruby exchanged a look: Who is going to take this? To their surprise, Rogue stepped up. "There's a creature from another planet at this party," he said. "Highly dangerous, it can look like anyone it's killed and if it gets you ---" He looked at her, dead serious. "It'll drain your life in a second." Emily's eyes widened and she hurriedly began to fan herself, presumably as an alternative to fainting. "We need to work on your people skills," the Doctor said as Ruby put her arm around Emily, trying to calm her. "Now, let's find our Duchess!" He looked over at Rogue, exhilarated. This was one hell of a first date.

The Doctor could already feel people starting to turn and whisper but his focus wasn't on that. All he was thinking about was Rogue. Rogue's hand on his shoulder, his chest. Rogue's eyes locked with his as the pair of them turned and twirled across the floor.

"We need to have a big fight so I can storm off alone and draw her to us," the Doctor said, spinning Rogue away from him. "Can't I storm off alone?" said Rogue. "I would rather not talk in front of this many people." "Oh, come on, Rogue," said the Doctor. "I'm sure you talk to lots of people. Your bounties for a start." He gave his hand a little squeeze and whispered, "I believe in you." "Doctor, please!" Rogue protested. He was too late. The Doctor pulled away from him and gasped. "How dare you, my Lord!" he shouted. He was incredibly pleased to hear the music stop immediately, the crowd turning to stare. It was so deliciously dramatic. "You would ask me to give up my title, my fortune -" he chewed up every word, really hamming it up - "but what future can you promise me?" Rogue didn't say a word back. He just looked at him pleadingly and stuttered slightly. "Say anything," the Doctor whispered, then raised his voice again. "Tell me what your heart wants, or I shall turn my back on you for ever." By way of illustration, he literally did turn his back on Rogue. He looked at the crowd, hearing nothing but silence behind him. Then a gasp. The Doctor turned and faced Rogue again, who was now down on one knee. He had pulled off a ring from his finger and was holding it up to him. Rogue was proposing. Fast mover indeed. The Doctor knew this was a moment of fun, for the drama. Despite that, he couldn't stop a jolt of panic. "Sorry... I can't," the Doctor said. He raced out of the ballroom, and Rogue chased after him.

The worlds I could show you. That's what the Doctor had said to him in the TARDIS. A phrase that was playing over and over in his head. Rogue looked over and saw the Doctor, waiting for him, hidden behind a hedge. He felt a rush of excitement as he tried to focus. He'd not been asking the Doctor for marriage, but for some simple commitment. A sign he could stay longer than this one adventure. To see those worlds he'd promised. At least for a little while. Now he couldn't stop wondering how much of their connection was real and how much had been for show.

To escape the Chuldur, Rogue and the Doctor dive into the lake, where Rogue finds the body of the real Lord Barton. He almost panics and has to go back up, but the Doctor takes his hand and calms him down, so they can stay hidden long enough.

They get out of the lake soaking wet, and the Doctor makes a comment about "Ruby was right, this is a bit Mr. Darcy."

Then there's a wonderful additional scene, where Rogue is initially refusing to help because it's too dangerous, and he's too scared after having lost Art.

He had expected one Chuldur, that was the contract. Not a family. He'd counted at least five. These were very bad odds. "I'm not being paid enough for this." "Paid or not, people have died." The Doctor had his sonic screwdriver out and he was fiddling with the waterlogged trap while they walked. Rogue thought he was as focused on fixing machines as Art had been. Annoyingly, both of them had the ability to do that and argue at the same time. "We go back there, we'll die," Rogue insisted. "So you'll just walk away?" Rogue stopped.

Rogue had read about family of Chuldur. One that had destroyed every place it visited, leaving no survivors. In the past, he would have dived headlong into this kind of danger without batting an eyelid. He loved the rush of adrenalin and he had that stubborn will to reach his target, whatever it took. Then he had suffered the cost. The Doctor was wrong. He wouldn't just walk away from all this. He'd run. "There's too many. It's not my problem." Rogue quickened his pace away from the manor and towards the Yossarian. This time, the Doctor did not follow him. He had stopped still, determined not to take another step. Rogue reluctantly stopped too and turned back to face him. "If it's not our problem, whose is it?" The Doctor's voice was cold, angry. "Who do you think will help these people if we don't? You're here. You've seen what they're doing. You are choosing not to care." In the dark garden, Rogue stood defiantly across from the Doctor, his breath shallow and fast. He'd hit a nerve. Rogue had had years of practice at not caring and didn't want to change now. The Doctor was calm in comparison, determined and immovable. Rogue knew that if he chose to walk away now, he would be walking away alone.

Rogue agrees to help, but is still scared and trying to convince the Doctor to leave with him, and WEEHH GUYS.

The Doctor was about to clamber through when Rogue reached for his hand. "Are you sure?" Rogue asked, his voice soft. They were facing beings that had destroyed cities, taken countless lives. How could the two of them stop such creatures? And with one shot? He felt a deep ache in his chest; he couldn't lose someone else. Rogue looked pleadingly at the Doctor. If he gave himself enough time and distance, he could learn to forget his troubles and bury his guilt. He could stop himself from caring. Rogue had done it before. He could do it again. He could show the Doctor how. "We could go anywhere," he said. "I'm going in here," replied the Doctor. Not a waver in his voice, not a second of doubt. Rogue looked into the Doctor's eyes and knew that he would never stop caring. Could never stop wanting to help, to fight, to go on. That was who he was. The Doctor let go of Rogue's hand and climbed in through the window, and Rogue did what he knew he would do for ever. Follow him.

Absolutely unhinged content, thanks Kate and Briony. Rogue wanting to leave makes his ultimate sacrifice SO MUCH MORE INTENSE.

When the Doctor finds out about Ruby, he almost lunges himself at the Chuldur, and Rogue has to pull him back so they can remain hidden.

And then, absolutely heartbreakingly, as the Doctor tries to find some other solution for maybe bringing Ruby back:

He was desperate, and Rogue's silence gave him every answer he didn't want. Rogue slowly opened his arms, and the Doctor fell into them and sobbed. "I'm sorry," Rogue said over and over.

The Doctor absolutely hams his speech up, and there's a minor change as Rogue is there to help him set up the triform trap. (Emily, like a fool, just accidentally walks straight into the trap!)

And then we reach the final sacrifice.

Seven… Rogue didn't want to push him, but they were running out of time. "They'll kill us, then everyone here. They'll destroy this world.' Six… Rogue was next to the Doctor now. He could hear him breathing hard. "And you know that, you absolutely know that." All that torment was wrapped so tight around his chest that Rogue could feel his heaviness, his dread. "So, can you do it? Can you lose your friend to save the world?" Five… The Doctor started to cry. "No." "I know." Rogue smiled at the kind, brilliant, amazing man in front of him. Four… Then he stepped forward and wrapped the Doctor in his arms and kissed him. It was a soft, passionate kiss, full of promise. The moment was tender. Romantic. It was theirs. Three… Rogue stepped back and gave the Doctor one last smile, revealing he had taken the trigger device from him. Then he turned quickly and ran full pelt into the trap. Two… It flicked on and off as the Chuldur tried to scramble to the edges. Emily moved a step towards Ruby, grabbing at her as Rogue barrelled in. He knocked Emily to the trap floor, causing Ruby to be thrown free. Only one shoe left behind. One… Rogue looked down at his feet inside the glowing triangle and back up to the Doctor. He was now trapped with the Chuldur, but he was not afraid. Rogue could not have let the Doctor say goodbye to the person he was closest to. He knew that pain too well to let the Doctor hold it, even for a second. And so he'd known the decision he had to make. He couldn't lose anyone else. But he was ready to be the one who was lost. Zero. "Find me," Rogue said as he pressed send. The patch of triangular floor turned jet black, as the Chuldur started to scream and fall. Rogue caught a last glimpse of the Doctor before he dropped down into the darkness of the Transport Gate. As he fell, his mind had one, clear thought. Worth every second.

The rest goes about as it does in the episode. We don't get the Doctor's immediate reaction to the loss. But as Ruby hugs him, "The Doctor leant into it and let himself feel what he had buried for a moment. Not all of it but just enough to carry on with the day."

And then of course he discovers the ring in his pocket and he puts it on. "A little piece of Rogue to go with him."

And you'd think that would be the end, but there is ONE MORE CHAPTER, which I'm just gonna quote in its entirety, because it's insane, you guys.

Chapter 33 The Forgotten Place A howl in the darkness. The wind growled ferociously around a barren and abandoned planet, far out in the forgotten reaches of space. Giant grey rocks covered the surface. As the wind hit them, charcoal-sand blasted up, creating sandstorms wherever it hit. This was the only movement on the surface and, at first glance, it would have seemed the only sign of life. But if you looked more closely, there was a light. From the mouth of a cave, the bright glow of a campfire burned through the grey. Inside, sat a man. Rogue. He was trying to keep warm. Rogue had been there for what felt like months. The cave had been a saviour, sheltering him from the environment but also from the enemies sent here with him. He had lost them, at least for now. As time passed in the cave, any concept of a day had folded in on itself. Rogue kept his mind busy with the simple tasks of staying alive: build the fire, watch the fire, build the fire again. Rinse, repeat. Thankfully, there was some food to be found on this planet - mainly winged dalnats and other small cave-dwelling creatures. But they were not enough. Rogue knew that if the cold didn't get him, starvation would. What this planet didn't know, however, was that Rogue could not be broken so easily. He had made a promise to himself. He had agreed that he wasn't going to be lost any more. Because Rogue had realised he was worth finding. As the fire began to die, Rogue thought of the man he had come here for. The magnificent being who was beyond any comprehension of existence. The one known to most as the Doctor. Of all the timelines they could both have inhabited, Rogue was grateful that their eyes had met on this one. What a great surprise that had been from the universe. Yes, right now, he was lonely, but time wasn't linear, and this was his favourite thing about it. Rogue was sitting in this cave, but he was also walking with the Doctor in the garden, he was laughing with Art in the Yossarian, he was falling from a building, he was running from one memory of his life to another. All at once. Rogue was in the Doctor's arms, spinning around and around, for ever.

So there it is. Absolutely gorgeous book.

There's a bunch of stuff I didn't include, a bunch of extra stuff about the Chuldur. But also the first adventure with Art, and a bunch of extra minor stuff.

So please please do get the book if you can!

#doctor who #doctor who meta #dw meta #dw rogue #rogue #rogue doctor who #hero watches doctor who #jonathan groff #fifteenth doctor #fifteen #ruby sunday #kate herron #briony redman #you both did an amazing job and i'm so grateful #we were absolutely flipping out in the TimeRogue groupchat #and it was a great journey

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timeagainreviews · 6 months ago

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Witnessing Greatness

Thinking about the most recent episode of Doctor Who, I find myself reminded of Roger Corman, who died last month. Corman was a producer and director of b-movies and television. He was also beloved by industry titans due to his work ethic and ingenuity as a filmmaker. What made Corman so unique is how he dealt with limitations. If an aspect of one of his films was lacking, he made up for it in other departments. If the effects were bad, the script had to be great. If the acting was hammy, he’d make sure the music gave it strength. Instead of spreading everything thin, he knew that giving a little bit more attention to individual elements would make for an overall better experience. If you’re not firing on all cylinders, make sure the ones that do are firing brightly.

“Rogue,” is an episode with many bright shining points, lighting up the sky of Regency Era Britain. But lost within that light are a few flickering bulbs that could stand to be turned a bit tighter. However, it’s not as though we’re poking around in the dark. Without a doubt, the brightest star in the Whoniverse at the moment is Ncuti Gatwa. In a stand-out performance from a series of stand-out performances, Gatwa has really outdone himself this week and I can’t wait to talk about it. The folks at Bad Wolf Studios have refused to spread things thin, but no story is perfect. For as much as I enjoyed this week’s episode, I didn’t have to reach far to find problems. But when I’m smiling this much, it’s harder to care.

It’s funny how a week ago I said I didn’t like fan theories and then promptly made one. Just as promptly, I am now abandoning that theory. After the trailer for next week’s episode, I no longer think Susan Twist is the Rani. I officially don’t know what I think. I kind of love that. I have seen the rumours of Susan Twist being Sutekh. Maybe the Doctor is in the Land of Fiction. The name S Triad is an anagram of the word TARDIS. Perhaps she’s the original owner of the TARDIS coming to retrieve it. The point is, she could be anyone, and I am not all that worried about it. Why that feels important is that I was often full of dread waiting for Chibnall’s next big reveal. I didn’t look forward to the ways in which he might next waste a concept by not properly exploring it. So being in a place where I am game for whatever feels zen.

Having two new writers this week was a major draw for me. I’ve seen what both Davies and Moffat can do, the good and the bad. This is the first time all season where I felt like we were truly wandering into the unknown. I did watch Loki season one, so I was familiar with Kate Herron’s work, but not as a writer. I was even less familiar with Briony Redman. But like I said, I’m game for whatever. The pair bring a metatextual reading to the Regency Era drama that fits Doctor Who’s brand of camp. I was reminded of Kate Beaton’s satirical comics from her “Hark! A Vagrant” series. “Rogue,” acts as a sort of love-letter to Jane Austen, so it’s only appropriate that they treat it with a playful touch. The Doctor and Ruby aren’t just visiting Bath in 1813, they’re cosplaying Bridgerton. But they’re not the only anachronistic party goers. This bash is about to go to the birds.

Leading up to this episode, an article in Doctor Who Magazine had given us random lines of dialogue from each story, including this one. However, the line “Psychic earrings. Choreography beamed into your motor system. Tap twice to choose your moves. It's like instant Strictly!” left me a bit nervous. We were fresh off of “The Devil’s Chord,” and part of me was wondering if they weren’t suddenly turning Doctor Who into a variety show. I’m joking a little, but I was rather relieved when the line turned out to be about dancing at the Duchess’ ball. The Doctor and Ruby are dressed to the nines in their period appropriate clothing. I love the idea of the Doctor wearing more from his wardrobe as it’s always been fun in the past. Tom Baker’s tartan tam o’ shanter in “Terror of the Zygons,” is one of his most iconic costumes. Ncuti said in an interview that he wanted his costume to make him look like he owned land. It’s a brilliant image to depict when you consider the Regency Era was merely four years away from the abolition of slavery in Britain.

The Regency Era also brought with it a change in men’s attire. Dandies like Beau Brummell popularised a look of comfort and wealth while simultaneously streamlining much of the frills from 18th century fashion. It’s funny to look at the ruffles of a dandy’s attire and consider it anything other than flamboyant, but it was a considerable shift toward more conservative styles. While women’s fashion continued to evolve, men’s fashion stagnated a bit. A standard had been established and you can still see its influence today with the basic suit and tie combo. No wonder the Doctors often dress like variations on Edwardian fashion.

The opulence of the period led to a lot of scandalising and gossip, which has given us centuries of great drama. While I’ve never read “Emma,” I have seen “Clueless.” I’ve never watched Bridgerton, but I can still get into the costuming and pomp. Basically you don’t need to be a fan of the genre to know the tropes. It was a nice change of pace that it was Ruby’s love for a tv show that puts things into motion. The Doctor and Ruby are tourists as much as the Chuldur, but with far less deadly consequences. Both groups are there to experience the emotional highs of the time, but the Chuldur don’t care who they hurt in order to do it. This of course is why Rogue, a bounty hunter, has also crashed the party.

You’ll be pleased to know I actually remembered to watch “Doctor Who Unleashed,” this week. Partly because I had some questions, but mostly because I wanted to hear them talk about the costumes and make-up effects. Davies mentioned that the season hadn’t yet had its baddie in a mask trying to take over the world, which I love that he considers. If you read my review of “The Witchfinders,” you may recall how much I appreciated the Morax being scenery chewing people in latex makeup. There’s something essentially Doctor Who about bug eyed monsters (sorry Sydney) and there’s something very RTD when those monsters have animal heads. Davies is now confirmed as a furry, I’m calling it.

The Chuldur share their appearance with birds, something we don’t often see in Doctor Who. I’m trying to recall bird villains from the show and I am coming up a bit short. There were the Shansheeth in the Sarah Jane Adventures, those bird people on Varos, that heavenly chicken from “The Time Monster,” and the Black Guardian’s hat. Considering all of the reptiles we get, I’m surprised we’ve gotten so few birds. If you also watched the Unleashed episode, you may have noticed that they digitally changed the bird version of Emily’s beak from black to orange. It’s the Vinvocci’s green faces from “The End of Time,” all over again! What’s funny is that this change in Emily’s beak gives her something of a penguin appearance. It’s not exactly the shapeshifting penguin I was hoping for, but I digress.

Speaking of shapeshifting, I rather enjoyed the Chuldur’s unique method of doing so. If you recall, when the Duchess spots her servant out in the garden, the bird form of the servant is played by the same actor as the servant. It’s not until she takes the form of the Duchess that her bird form also takes on the resemblance of Indira Varma. You don’t usually see that and I admire them for making two versions of the same makeup, if nothing else. Doctor Who has had its share of shapeshifters, so it’s nice to see them changing up the formula a bit. Unfortunately for the Duchess, this isn’t a Zygon type of body snatching where you have to keep the person you’re copying alive.

Ruby’s psychic earrings are doing a treat until they begin picking up interference from Rogue’s tech. A lot of people have mentioned that this episode seems to borrow a lot from “An Empty Child,” and so it’s only appropriate that the Doctor does a scan for alien tech. The source of the interference directs the Doctor toward the balcony where Rogue stands brooding. Meanwhile, the Chuldur version of Lord Barton has taken a liking to Ruby. The Duchess, still human at this point, attempts to introduce them, but Ruby is not impressed by the pompous dandy, referring to him as Lord Stilton. As Ruby strops away she notices a painting of Susan Twist’s character as an old matron. The Duchess refers to her as “the Duke’s late mother,” whose eyes still follow her around the room in judgement.

The Duchess takes her leave to the garden where she meets her fate with the Chuldur masquerading as her servant. We get a bit more of a look at what exactly the Chuldur do when they take over your body. What’s left of the duchess is little more than a desiccated husk. Meanwhile, in the study, Ruby has stumbled upon a rather intimate moment between Lord Barton and Emily. The bookcase obscuring her from the two frames them like a television screen. Ruby is unable to look away from the real life Bridgerton scene playing out in front of her. The Lord tells Emily that he will not marry her which would leave her ruined, but he is compelled by her nonetheless. However, before they can kiss, Ruby knocks a pile of books onto her head causing a disturbance. I rather loved this moment for Millie Gibson. It’s rare that women get to be portrayed as clumsy and that book definitely bonked her on the head. A great bit of physical comedy.

The Lord storms out of the room leaving Emily and Ruby to talk. Removed from the framing of the bookshelf, Ruby finds her compassion once more and comforts Emily. After all, Lord Barton was being a bit of an ass toward her. Emily is amused by Ruby’s modern sensibilities and lack of finery. You could tell this scene was written by two women as they actually take the time to let them have this moment. Meanwhile, the Doctor and Rogue take a stroll through the garden in order to size one another up. There’s a flirtatious energy between the two but a wary tension underlies the conversation. The Doctor muses about the stars, but on a terrestrial level. It’s not until he finds the Duchess’ shoe and then the rest of her that he gives away that he is not of this world. Rogue sees the Doctor’s sonic screwdriver and begins to suspect the Doctor is a Chuldur in disguise. The two confront one another as the culprit, but Rogue has the bigger gun.

Still comparing sizes, the Doctor and Rogue compare ships like they were Ten and Eleven comparing sonic screwdrivers. Speaking of sonic screwdrivers, it feels appropriate that the Doctor’s sonic would match his outfit. That’s so Fifteen. He’s a fashionable Doctor, so of course he would accessorise. It’s like they made his wardrobe and accessories with cosplay in mind. Rogue’s costume is also noteworthy. People have drawn comparisons between Rogue and Jack Harkness and it’s not difficult to understand. His long coat draws parallels to that of Jacks and he even mentions assembling cabinets in regards to the sonic. But what’s equally interesting is how Rogue’s gun resembles the type of handgun you would see in a Regency Era duel. Its barrel resembles that of a blunderbuss. He’s either deep undercover, or he’s got a thing for cosplay himself.

Rogue doesn’t get a lot of time for character development, but they do give him a few little moments, mostly through environmental storytelling. He has a striking birdlike ship fit for a heroic rogue, but inside it’s dirty and depressing. Possibly most telling on Rogue’s ship are the set of orange dice on his table. Rogue gets his name from Dungeons and Dragons, but beyond being a geek, these dice could tell us more about his personality. We learn that Rogue has lost someone, perhaps these dice belonged to them. Perhaps he is unable to move the dice from that spot because he didn’t leave them there. We also learn later that Rogue isn’t a very strong roleplayer. He’s quieter and more thoughtful in his improvisation. Perhaps his staged tryst was the first time anyone has asked him to roleplay since losing his partner. Either way, Jonathan Groff plays it with a vulnerable subtlety, and I loved it.

Speaking of loved it, we have now reached the portion of this article where I gush over Ncuti Gatwa. Now, I need to preface this by reminding you all that I have always been pro-Ncuti. I adored his portrayal of Eric Effiong in Sex Education. I never doubted for a second that he could pull it off. However, it wasn’t until this episode that his Doctor finally crystalised for me. We’ve seen that his Doctor could be flirtatious and fun, but we hadn’t yet seen the way in which he could use that to do Doctory things. We’ve had hot Doctors, but we’ve never had a Doctor who was so effortlessly hot. He’s hot in the same way the Second Doctor was bumbling, as in it’s almost a distraction from what he’s actually doing. It actually makes him slightly terrifying.

Even as his Doctor is standing in a trap, he’s able to use his charm to buy time. Also, once again the Doctor is stepping onto things that can kill him. An odd recurring theme. He maintains an air of authority even in the face of danger and that is so the Doctor. When the Doctor finds Rogue’s music playlist I think I may have melted. How could anyone incinerate such a beautiful person? How could you not want to dance right along with him? As much as I loved this scene and the meta reference to Astrid Perth, it does also buckle a bit under itself. First of all, wouldn’t the Doctor knowing an Earth song like “Can’t Get You Out of My Head,” make you question whether he was a Chuldur? Sure, they know Bridgerton, but it would be enough to give me pause. Furthermore, I’m not sure how seeing the Doctor’s many faces would cause you to not think he’s a shapeshifter. Kind of odd that one other face means shapeshifter but eighteen other faces don’t. Wait, did I say eighteen?

When I had first watched this episode, I didn’t immediately recognise Richard E Grant as the mysterious extra face in the lineup of past Doctors. We now have three extra faces in the form of Jodie Whittaker, Jo Martin, and David Tennant (again), but this extra Doctor wasn’t registering for me. At first I thought he was the Valeyard, and then I thought he looked a bit like Jim Broadbent, which is ironic considering “The Curse of Fatal Death.” It wasn’t until I got online afterward and saw people saying Richard E Grant that I could see it. I wasn’t even 100% convinced it was him, but I’ve heard they actually took new footage of Grant for that scene, so I guess it’s him. The more interesting question is which him is he? Is this the Shalka Doctor or the Fatal Death Doctor? Maybe he’s both. Maybe he’s neither. This wouldn’t be the first time they’ve given us retroactive Doctors. Moffat gave us the War Doctor to great effect. But despite a strong performance from Jo Martin, Chibnall did a piss poor job of establishing the Fugitive Doctor as a character. I’d love to get excited for this mystery incarnation, but I’m taking a Tim Gunn stance in the meantime- “Make it work.”

With Rogue now on his side, the Doctor takes him to his TARDIS so they can recalibrate his triform transporter to be non-lethal. Recently in an interview, Ncuti Gatwa mentioned he had gotten onto his agent about playing someone like the Doctor or Willy Wonka. It felt a bit like wish fulfilment for his Doctor to sing “Pure Imagination,” to Rogue as they entered the TARDIS. I really loved Jonathan Groff’s slow growing infatuation with the Doctor. I’m a big fan of “Mindhunter,” but it’s a very heavy show, so it was fun to see him in a more playful role. In many ways, Rogue feels like a bit of River Song and a bit of Jack Harkness. He’s something of a reboot and remix at the same time. I don’t doubt we will see him again, which would be a nice chance to give him some much needed character development, but for the time being, we’ve been given enough to work with.

The Doctor and Rogue’s plan is to draw the Chuldur to them by exploiting their love for drama and scandal. What better way to whip people into a frenzy in 1813 Britain than for two men to share a passionate dance together? Besties, I’ll be real, I was grinning from ear to ear. Watching Gatwa and Groff dance was very exciting. I’ve seen people complain that the Doctor and Rogue’s romance felt rushed compared to the “slow burn,” of Yaz and Thirteen. Slow burn is a funny way of saying “non-existent for two seasons.” And I would much rather see two men share a passionate kiss than two women share a passionate ice cream. What’s wild is that I’m not usually the kind of person who likes the Doctor to have romantic relationships. They managed without them for 26 seasons. However, due to Ncuti’s emotional availability, it works for me. I can buy that his time with Donna might have left him more open to romance. Furthermore, this is the antithesis of queerbaiting. Ice cream is not a payoff.

The Doctor ends the dance by staging an argument with Rogue and calling him a cad. But Rogue doesn’t respond in turn with the same volatile energy. There’s a hesitation on his end that feels personal. As I mentioned before, perhaps this is him working up the courage to roleplay again. Perhaps his lost partner was more the avid roleplayer between the two of them. Or perhaps Rogue simply has a softer approach. What I loved is that his marriage proposal felt equally as shocking, but in a more emotional manner. It even feels like it takes the Doctor by surprise. There’s a moment where it actually feels like a real proposal. The Doctor says he can’t and you almost believe he considered it. Or maybe the Doctor can’t even pretend to say yes because of his marriage with River song. If he undoes their wedding maybe it can revert us back to hot air balloon cars, Winston Churchill, and pterodactyls.

Not to be left out, Millie Gibson has gotten a lot of time to shine in this story as well. She does a fair bit of choreography, but there is one bit of her choreography of which I was a bit disappointed. After learning that Ruby is from the future, Emily reveals herself to be a Chuldur, and she wants to cosplay as Ruby next. However, Ruby’s psychic earrings come with a battle mode, which complicates things for the feathered fiend. My disappointment however, stems from the fact that they kind of phone in the fight choreography. They went through the trouble of hiring Bridgerton’s choreographer, Jack Murphy, for the dance sequences, but the fighting felt like a second thought. It could have been really cute to see Ruby do some “Crouching Tiger Hidden Dragon,” moves, but instead she clobbers her with a book. A bit underwhelming. Still a fun idea, though.

The Doctor and Rogue abscond to the garden where they are pursued by the Chuldur who reveal their numbers to be greater than anticipated. As baddies go, the Chuldur were little more than hand wringing monsters foaming at the mouth for a bit of mayhem, but I liked that about them. The way they speak to one another reminded me a lot of the Slitheen. The last time we saw Indira Varma in the Whoniverse, she was playing Suzie Costello, the best part of Torchwood. Here she chews scenery with a zest befitting her brilliant makeup. The only time that I felt they went a bit too far with the Chuldur is when they call what they’re doing “cosplaying,” as it felt a bit too on the nose. Otherwise, I loved the idea of evil birds going around and messing up planets all too satiate a dangerous appetite for excitement.

The Doctor sees Ruby acting as though a Chuldur has taken her form and it brings out the fury of the Time Lord. I wouldn’t be the first and I won’t be the last to point out the parallels between this and “The Family of Blood,” wherein the Doctor has some long term punishment in mind for the bad guys. Unfortunately, it also feels like a case of writers giving the Doctor weird morality again. Rogue wants to send the Chuldur to the incinerator, but the Doctor wants to send them to a dimension where they can live out the rest of their lives somewhere where they can’t hurt anyone. How is that any different from what the Weeping Angels do? It’s “Arachnids in the UK,” all over again. When the Doctor expresses happiness that the Chuldur will suffer for a long time, it begs the question- as compared to what? I’m fine with the Doctor losing his temper and going too far, but what about his plan actually changed other than his attitude about it? He was always planning on sending them into a dimension where they would suffer for 600 odd years. A line of dialogue or two could have fixed that.

The Chuldur’s big finale is a wedding between Barton and Ruby followed by a light bit of mass murder, but the Doctor has other plans. The Doctor’s objection to the marriage reminded me a lot of Tom Baker. I could easily hear Tom saying that line about it being hard to hear things through those heavy doors. Gatwa has that bizarre alien charm that feels correct. However, neither the Chuldur or the Doctor know the entire story as neither side knows Ruby is still Ruby. So when the Doctor traps the Chuldur in the triform transporter, he’s also dooming Ruby to the same fate.

I’ve seen some confusion as to how the transporter actually works, but I think I can piece together enough to understand it. They had calibrated the transporter to trap up to six humanoids. When Ruby is first trapped, there are five humanoids in the trap. Rogue throws Emily into the trap bringing the count up to six. We’ve established that the Doctor was able to throw his psychic paper from inside the trap, so things can leave its field. My thinking is that as Rogue pushes Ruby out from the field, he overloads it with seven humanoids giving Ruby just enough give to fall out of the trap. What got a bit confusing is why didn’t Ruby just step out of her shoes? If you can throw psychic paper, then it’s not trapped by the field. Therefore, her shoes would be the only thing molecularly bonded to the field. They could even say the shapeshifters can’t step out of their shoes because they’re actually part of their bodies. But then we couldn't get the big sacrifice at the end.

The aspect of this that I found harder to follow was why Rogue would sacrifice himself in the first place. Sure he and the Doctor have chemistry and there could be a romance brewing, but he barely knows the guy. Perhaps he couldn’t stomach the idea of watching what happened to him happen to someone else. It was a chance to stop the sort of thing he was previously powerless to prevent. I could buy that well enough, but it barely felt earned. However, it fits the tone of the rest of the episode which was one of over the top romance and drama, so I digress. Around here, fun is king and fun I had. It didn’t matter that I didn’t fully understand people’s motivations. There’s plenty of time for that in the future.

The episode ends with the Doctor sending Rogues ship to orbit the moon until it can be retrieved again (or until the moon hatches like an egg, whichever comes first). He wants to move on, but Ruby won't let him until he takes a moment to feel his feelings. This is classic Doctor/companion stuff. The Doctor has always benefited from having humans around and I am glad they took a moment to reestablish that. The Doctor pulls out Rogue's ring from the proposal and slides it onto his pinky finger. Fans of Amy and Rory will recall that rings can be used to find lost lovers, so there's a seed of hope there. It was a fitting end to an emotional and exciting episode. I got to watch the Doctor and Ruby do Regency Era dances to covers of Lady Gaga and Billie Eilish. I got to see Indira Varma hunt people while dressed as a bird. This wasn’t just my favourite episode of the season, it may be one of my favourite episodes ever.

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Before I go, I wanted to apologise for how long this article took me to write. I’ve been dealing with some pretty heavy depression as of late, and it’s been hard to write these last couple of reviews. Even though I enjoyed both episodes quite a bit, it’s been a struggle. Despite episodes dropping at midnight on Saturday now, I don’t usually get around to writing until Sunday or Monday. But I didn’t get any good work done on this article until Monday evening. These articles are actually very therapeutic for me. It feels like a lifeline to the outside world. You may not think it, but I read every comment and every hashtag. I appreciate them all. Thank you for taking the time to read my stuff. It means a lot.

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