#Book 2: Labyrinth

[townofslumber]

Coming Summer 2023!

[reggie-gremlin]

a single choice shall end his days

something something the choice not being percy's choice to give luke the dagger but annabeth's choice

wouldn't it make more sense? yes, percy gave luke the "cursed blade", but annabeth got through to him first. what would have happened if she didn't? maybe percy would have died instead by kronos's hand. the first time i read the last olympian i immediately connected the scythe's description to the prophecy (it's consistently described as something that affects the person's soul when injured)

there is a consistent pattern between annabeth's choices pertaining to luke and how they affect his fate. hermes is aware of this, getting angry at annabeth for not having done more to help luke when he'd gone to talk to her years prior, because he knows that she could have made a difference.

(more under the cut)

botl emphathises this point in multiple ways

it shows very clearly the duality between percy and luke and how their narrative foil can flip at any time. what happens to one can easily happen to the other and nothing is certain until it has come to pass. this is represented through the prophecy ("lose a love to worse than death"), which annabeth spends the whole book worrying about (what i would give for an annabeth pov of botl)

it shows how important annabeth is when it comes to fate:

(taken from riordan wiki)

the god of choices himself doesn't come to bother the first person he comes across. he was there for a reason, that being that he knew annabeth's importance in the grand scheme of things

furthermore, going back to the titan's curse brings a new player into the game: thalia. had she not chosen to become a huntress, she would have turned sixteen. here it get's harder to form theories as to what might have happened because, as i've just said, it's difficult to know fate before it happens, but there is one thing that we do know: thalia chose to not turn sixteen because she didn't trust herself to be able to save olympus. she had been a tree for several years, she was still getting used to life again, and the person she trusted most had hurt and betrayed her little sister.

no matter how you frame it, the prophecy is always going to come back to luke, annabeth and thalia

[xxanssie]

Fellow Percy Jackson fans, I have a question.

In 4th book, Annabeth and the others meet Janus - Roman god of the doorways, beginnings, gates… Roman god.

Wouldn’t that be weird from their perspective? I thought they didn’t know other gods beside Greek ones existed until Jason came to the camp.

[aroaessidhe]

2024 reads / storygraph

The Liar’s Knot & Labyrinth’s Heart

books 2&3 in a fantasy trilogy set in a Venetian inspired city full of political intrigue

follows a young woman who conned her way into a noble family, a masked vigilante, and a crime boss, who eventually become allies while juggling multiple identities

and trying to save their people and city by joining a secret society to find origins of a corrupting curse, to eventually destroy the powerful magical objects at the heart of it

tarot magic & sigil/geometry magic, dreamworlds, sentient magical disguises

[kazz-brekker]

if i had a nickel for every time i read a fantasy novel featuring a character loosely inspired by david bowie who was also raised by literal wolves, i would have two nickels. which isn’t a lot but it’s weird that it’s happened twice

[thelittlestspider]

when i say i could just read an entire book or listen to a podcast about someone just describing weird shit in a collection or a museum.

[danielleurbansblog]

Review: Labyrinth of Lies

Synopsis: When the daughter of a high-profile businessman disappears from an exclusive girls’ boarding school, police detective Cate Reilly is tapped for an undercover assignment. It doesn’t take her long to realize that beneath the veneer of polish and wealth, things are not as they seem at Ivy Hill Academy. But the biggest surprise of all? The only man she ever loved is also working at the…

[cecelovegood]

And this is EXACTLY the kind of teaser Rick likes to do!!! Fingers crossed!!! 🤞

At the start of season 4 of the PJO series, when Annabeth and Percy plan to go see a movie together, either one of them or Percy's mom should casually refer to it as "that new Tristan McLean movie," which would add to the continuity of the series as a whole, act as a teaser for a Heroes of Olympus spinoff, and make the fans go absolutely wild.

[lover-of-mine]

People that want Leah and Walker to dye their hair have never actually touch their hair and it shows , I love dying my hair but I understand the amount of works it is and the fact you hair never truly comes back to the way it was and these are kids ! Why would you even think about wanting to make them do one potentially damaging to their hair when we actually have stories of young kids actors that as adults say they regretted doing stuff to their hair and also walkers curls and Leah braids are so beautiful, when she had the ponytail and pigtails there wasn’t a more annabeth look than that

Honestly tho, I don't think people realize that if they dyed Walker's hair, they would've probably be dyeing it every 2 weeks because of how light his hair is and how the roots would look, and that would be so damaging to his hair in the long run. And people are arguing that since Leah already had braids in, they could've used blonde braiding hair to make her blonde, but there is no point in making that, her braids following her natural color look perfect with the character. She embodies Annabeth so beautifully, her hair color should be the least of people's worries. And the way there are people who are mad they didn't put her in grey contacts too, like, do yall not realize you're actively telling a CHILD she shouldn't look the way she does??????? I knew I would be wanting to fight strangers on the internet over the trio but OH MY GOD

[sizzlingsandwichperfection-blog]

It's still so weird to me that the guy who wrote the fault in our stars and experienced global adulation and then global reprobation from the backlash and everything from SNL skits to being soft canceled on tumblr ....

was me.

Like, that guy was me. He lived in the same house I live in. One time he walked down to the river and cried and then yelled at himself for crying because who cries about having such a ridiculously good life.

I guess my big takeaway from that whole experience is 1. past me gave current me a lot of opportunities and freedoms for which I am grateful, including the opportunity to support cool people doing cool stuff, and the freedom to write about whatever I want (a memoir in the form of five-star reviews! A book about tuberculosis and its discontents!).

And also 2. the actual experience of Proper Fame is so unpleasant that I do not know how anyone who lives with regular pop culturey fame continues to seek it after getting a good hit of it. I admire the people who do--they get to make a lot of difference in the world in many cases. I am just baffled by them.

I would like to write books that seek large audiences again someday, but I'm not sure I'll ever be able to. I may need to stay in these small happy places where I've been able to live over the last five years.

But the complicated and ever-evolving tension between on the one hand wanting to have my own life, a life that truly and fully belongs to me, and on the other hand wanting to make stuff that is beloved by people and useful to them and so on ... it's a hell of a labyrinth to navigate, and I'm nowhere near out of it.

[townofslumber]

⭐️ Coming Summer 2023 ⭐️ ♈️ ♋️ ♏️ ♓️

[m0chaminx]

Coriolanus Snow | Roses Grow Thorns

*•.¸♡Request: Pls pls pls do a part 2 too the snow x reader fix it was so amazing and I want more of them 🙏🙏🙏🙏‼️‼️🩷

*•.¸♡Prompts: none

*•.¸♡Warnings: Coriolanus, Cori isn't insane (ish), Snow is slight ooc, jealousy, hurt comfort, fluff ending

*•.¸♡Paring: Coriolanus Snow x F!reader

*•.¸♡Summary: Coriolanus learns his favourite flower grows thorns

Or

You confront Coriolanus about his relationship with Lucy Gray

*•.¸♡Words: 2k

Part 1

People danced, swaying with their partners in a circle as you stood on stage, strumming your guitar and singing to the crowd. Lucy had just finished the first half of her set, so you took the stage to fill the silence. Coriolanus sat with Sejanus at a table across the room, large glasses of some sort of liquor. Coriolanus looked up at you and smiled.

If you like your coffee hot

Let me be your coffee pot

You call the shots, babe

I just wanna be yours

Your voice trailed off slightly as Lucy raced to Coriolanus and Sejanus, throwing her arm around his shoulder and leaning between them. You shook your head and continued to play, trying to ignore Lucy Gray practically hanging from Coriolanus’s arm.

Jealousy, an unwelcome guest, clawed at the edges of your heart, leaving an ache in your chest. No words had been exchanged, and no actions had passed between you two. It overtook the corners of your mind, urging you to believe that Lucy Gray should sense the unspoken connection threading its way between you and Coriolanus.

Each shared trip to the lake, every stolen moment when Coriolanus chose to spend his fleeting free hours with you — these fragments of time saved in your mind like photos in an old book. Yet, as you observed Lucy Gray standing there, a vision of radiant smiles and hushed confidences exchanged with Coriolanus, a wave of emotion surged. It was as if the world momentarily lost its colour, and the whispers of uncertainty left an indelible mark on your heart.

You clenched your hand, trying to ease the shaking in your hands.

Secrets I have held in my heart

Are harder to hide than I thought

Maybe I just wanna be yours

Every night for the past week following that evening, Coriolanus Snow would tap gently on the glass of your window. You would turn your head and he would smile, the same bright smile that made your stomach flip and fill with butterflies. You crept across the wood floors and opened the window, looking down at the blue-eyed boy. “Are you busy?”

You would simply laugh at him. You grabbed your coat and slipped out the window, Coriolanus gripping your waist to help you down properly. He would smile, slip a scarf under the window to close it without locking it and you would slip away unnoticed, descending into the velvety embrace of the night.

In those quiet moments, Coriolanus would slip your hand in his own, his warm hand covering yours as he laced your fingers together. He guided you through the dense labyrinth of woods, you knew these woods better than he did but through the nights as he led you to the lake, you questioned if you ever knew them at all. 

The Mokingjays sang into the night as if calling to the small fireflies to light the way. “I brought matches,” Cori said, looking back at you. He tugged on your hand bringing you closer and you couldn't help but think about Lucy Gray running her hand along his shoulders. “We can light a fire. Maybe catch some fish.” You nodded and Coriolanus smiled.

You reached the lake and Coriolanus set his bag down, quickly gathering everything to start a fire. You walked to the edge of the water, your mind running faster than you could even start to comprehend. “Think we’ll catch anything?” He asked, stopping to look up at you.

You looked back over the water, looking at the fish no bigger than your palm swimming just above the sea floor. You shook your head, keeping your eyes on the moonlight dancing on the waves of the water. “Nothing big enough to eat,” You said. Coriolanus nodded and turned back to the fire.

Once the fire was made you sat on the ground beside him, leaving enough space so your shoulders didn’t touch. You both sat in silence, Coriolanus’s knee bouncing softly. 

The flames danced and flickered, the golden glow flickering in Coriolanus’s blue eyes, you settled onto the ground beside him. You shifted slightly, making sure your shoulders didn't touch. The silence stretched between you, Coriolanus's fingers drumming against a stick he held in nervousness.

Coriolanus's knee bounced softly, mirroring the unsteady rhythm of both your hearts. The mere inches that separated you felt like an unbridgeable chasm, as long and confusing as his thoughts. “Did I do something?” His voice cut through the silence like a knife and you turned towards him, your eyebrows furrowed. “You seem distracted. You’re not talking like you usually do. You’re sitting far away.” You bit your lip and shrugged softly. “What’s wrong?”

“What did I sing tonight?” You turned to face Coriolanus. “Tonight. I sang, I wore the red dress so everyone could see the white rose you gave me. But what did I sing?” Coriolanus stammered. “You don’t spare a second glance at me during our shows, you talk to Sejanus when I do perform and you let Lucy Gray hang off your arm like she was yours.”

He spoke your name softly, trying to shuffle closer but you stood quickly. “Don’t do that Cori,” You pleaded. “I’m gonna go home, I’ll see you later.” You turned on your heel. Making your way back through the woods.

Coriolanus sighed, dropping his head into his hands as you walked from his view.

The next morning you stared at the ceiling, stretched out on your small bed. You twisted a small rose between your fingers, the thrones pricking your skin occasionally. The knock at the window made you jump. You turned your head to look at Coriolanus standing on the other side, smiling ever so slightly. You sighed and set the rose aside before walking to the window and pulling it open. “Corio-”

“Don’t talk,” he said quickly. “Don’t say anything, just follow me.” 

“Cori-”

“What did I just say?”

A frustrated huff escaped you as you forcefully closed the window, shutting out the annoying sounds of crickets. Pulling the blinds closed with a swift motion covering Coriolanus’s face, but you caught his smile dropping. You donned your jacket and stepped out the front door, stopping in front of Coriolanus just as you turned the corner. He extended his hand, a warm smile playing on his lips. Suppressing the annoyance that still simmered beneath the surface, you offered a muted response, "Just lead the way," your words carrying a hint of resignation.

Coriolanus nodded and started to lead you through the woods, the sun still yet to rise properly. “You sang I Wanna Be Yours,” Coriolanus muttered. “No, I didn't ask Lucy Gray. You wrote it after you met your old girlfriend but you haven't sung it since. That’s why it was so important to you. And why you wanted me to remember it.”

You hummed and tried to hide your smile. “So you were paying attention.”

Coriolanus spoke, low and earnest, his gaze fixed on you. "I always pay attention," he assured, a sincerity etched into his words. The weight of his gaze, coupled with the firmness in his tone, sought to reassure you. "And nothing is happening between Lucy Gray and me. She was helping me with something," he explained, his words carrying the weight of truth and an unspoken plea for understanding.

“Which is?”

Coryo smiled, “Keep following me.”

You followed Coriolanus, walking in silence until the sun rose completely. He stopped at a rock wall, a small dirt trail winding around it. He reached out, slipping his hand into yours and leading you down the track. “Roses don’t grow in 12, the ground is too hard,” Coriolanus started. “Lucy Gray told me just beyond the rock wall there is ground soft enough to grow flowers. Sejanus used his father's money to get some seed and…” Coriolanus stepped aside as you reached the bottom of the track.

You smiled, Coriolanus’s hand slipping from yours as you stepped further into the growing rose field. Dozens of rose bushes had started to grow, small red and white flowers sporting. Small raindrops covered the flowers, the sun reflecting off of them like diamonds. You crouched, smiling as you ran your hand along the rose petals. 

A soft smile played on your lips, and Coriolanus's hand tenderly released yours as you ventured deeper into the growing rose field. Rows of rose bushes, adorned with tiny red and white blossoms, unfold before you, blossoming like a garden from the Capitol. Small raindrops adorned the delicate petals, capturing the sunlight in a dance that shined like diamonds. Your heart swelled. You glanced back at Coriolanus who shared the same smile.

You carefully crouched down, your smile growing as you traced the velvet texture of the rose petals with your fingertips, each delicate touch slow and careful as if the rose would fall apart. Coriolanus smiled as he watched you, his stomach filling with butterflies as he waited for you to speak. 

"Wait..." The urgency in your voice sliced through the air as you stood, swiftly pivoting to face Coriolanus. His smile disappeared, replaced by a stark seriousness mirrored in your eyes. Your heart fell to your stomach as your voice shook, "You said Sejanus got the seeds from his father. If the Peacemakers find out, they'll take you away." The gravity of your words hung heavily in the charged atmosphere. “Cori, they’ll take you to the hanging tree-”

“They won’t,” Coriolanus said quickly. He stepped forward holding your face in his hands, his thumb tracing the lines of your cheekbones. “No one is going to take me away. No one is taking you. Or Sejanus, or Lucy Gray.” You raised your hand, settling it on top of his. “This place is ours, yours and mine. No one is going to take that.”

Yours and mine.

You smiled, laughing softly as you looked up at Coriolanus, his blue eyes meeting yours. “You got me roses?” You asked.

“You said you liked the Capitol flowers more,” Coriolanus remembered. “I can’t exactly take you to the Capitol, so I thought I’d bring the best part of the Capitol here.”

“Besides yourself.”

A warm smile graced his features as he leaned in, closing the distance until his forehead gently met yours. "Do people in the Capitol kiss differently than the districts?" His inquiry, spoken in a hushed tone, carried a hint of curiosity and a touch of playfulness.

“I think…” you leaned up slightly, bumping your nose against his, “you should find out.”

The brush of his fingertips against your jawline, tracing a delicate path along your skin, igniting a shiver that danced down your spine. As he cradled your face, your breath hitched in anticipation, your eyes staring at his chapped pink lips. Drawing you closer, the final shared breath seemed to linger, suspended in the charged atmosphere, before he sealed the connection with a kiss that felt like a spark that lit a fire. Your heart echoed the rhythm of the thousands of times you had dreamed of this moment and your hands instinctively wound around the back of his neck, the embrace pulling him closer.

Your stomach twirled, filling with butterflies as one of Coryo’s hands moved to wrap around your waist and pull you impossibly closer. He pulled away, his breath coming out in small pants, your breath in sync with his. You opened your eyes, looking up at his half-closed eyes tracing over every part of your face. “I love you, Coriolanus Snow.”

He whispered it back.

ﾟ°☆Page navigation

[cassandraclare]

q&a

Alexa: Will we ever get to hear about Tessa's time in the Spiral Labyrinth? I think that would be so cool. 2) Why does Jem always say that the Carstairs owe the Herondales? I know that Jem feels that Will saved him when he was a child, but Jem saved will just as much as Will saved Jem. I'm curious if you have any more thoughts on that, like if it is just part of Jem's personality that he feels so keenly that he owes Will.

Sure, Jem saved Will just like Will saved Jem, but that isn't going to make Jem feel like he owes Will less, because indeed, that's not his personality (or Will's — Will would say the Herondales owe the Carstairs.) For Jem, this is a very pure feeling, that he will always owe this debt to Will and to the Herondales, and even though he wouldn't deny he also saved Will, he wouldn't qualify the statement — "The Carstairs owe the Herondales, though, you know, the Herondales also owe the Carstairs and so it's basically even but I'd still like to help out" because it would undercut the strength of his conviction. None of that means he doesn't know he did a lot for Will and Will's family too! As to whether there's more to Jem's belief that the Carstairs owe the Herondales than the obvious, we will have to see.

Anonymous:  THE SHADOWHUNTER CHRONICLES. I SEE YOU HAVE WICKED POWERS IN THE WORKS (NOT SOON ENOUGH).... FOLLOWING KIT HERONDALE AFTER 2012 ERA BUT HERES MY QUESTION.... YOU HAVE ALL THIS GAP BETWEEN THE LAST HOURS SET IN 1900S UNTIL THE 2000S WITH THE MORTAL INSTRUMENTS. WE, AS FANS DO NOT KNOW WHAT HAPPENED WITH THE CARSTAIRS ETC, SUCH AS AFTER CHAIN OF THORNS.... ...... YOU HAVE MANY MANY MANY GAPS HERE TO BE TRYING TO END THE SERIES..... SOOOO MANY UNANSWERED QUESTIONS WITH THE CHARACTERS. (AND YES IVE READ EVERY SINGLE BOOK).

Ack, the caps! Hello, friend. It is true that not every moment of every day of every decade has been described in a series, but that is fairly normal! We don't know exactly what transpires between Last Hours and Mortal Instruments (though we have many hints in the various short story collections, especially where it comes to the time of the Circle) — nor do we know what, for instance, was happening in the New York Institute during The Infernal Devices. With a big universe, you're never going to know what's happening in every place at every time. There will always be gaps; it's neither a bug nor a feature, more a natural consequence of the format.

I totally understand being like, "The Shadowhunter world cannot end with Wicked Powers, there are more stories to tell" but — whenever it all ended — there would always be more stories to tell.

princeash asked:

Hi Cassie!! So excited by the announcement! My question is, are we getting a Ash pov in tlkof?and could we maybe get a snippet of him 🥰🥰🥰🥰🥰 (also, I'm very happy about finally getting a release date and i dont mind waiting because i know you'll make it worth the wait!! 🤎)

Hello! We are not getting Ash's POV in TLKOF, unless something major changes. Ash is a bit of a mysterious figure for quite a while. Figuring out what makes him tick and what he's really up to is part of the fun. Also I'm working on not overwhelming people with so many POVs. :)

[helenofsparta2]

Percy did nothing wrong in Battle of the Labyrinth

Buckle up, this is going to be a very, very long post.

I’ve already made two posts about Percy getting blamed for things he had little to no control over, or some criticism just being extremely unfair towards him, but I’ve never really talked about battle of the labyrinth.

Especially on sides like tiktok, people really drag Percy for how he acted in this book, and I have never really understood why, so since Percy is my favourite RR character, I’ve finally decided to make a post trying to untangle this whole mess.

Generally I’ve seen three main criticisms against him in this book. If you know of others, please let me know.

Him & Calypso

His relationship with Annabeth

The situation with Rachel

Calypso

The criticism I’ve seen here is mostly based on these three topics:  

He didn’t immediately go back to Camp Half-blood

He forgot about Annabeth and his friends while spending time being happy with Calypso

He hesitated when Hephaestus told him he could go back & called Calypso his biggest what if

Let’s tackle these one by one.

He didn’t immediately go back to Camp Half-blood after waking up

Well, he … couldn’t.

Shortly before arriving on Ogygia, Percy had gotten burned alive with lava. A feeling he described as a pain “worse than anything he’d ever felt” (194) .  And He’d blown up a volcano, an action so powerful, the mortal authorities were forced to evacuate almost half a million people, which made ash fall as far as Lake Tahoe in Vancouver and closed off the Mount st. Helens area within a hundred-mile radius.  

Just a quick reminder of Percy’s physical state after all of that:

“I was really weak. I couldn’t stay on my feet more than a few hours. Whatever I’d done in Mount St. Helens had drained me like nothing else I’d ever experienced.” (203)

I woke up feeling like I was still on fire. My skin stung. My throat felt as dry as sand. (196)

I tried to sit up. My muscles felt like they were melting. (196)

I looked as if I’d lost ten kilos I couldn’t afford to lose.” (198)

My knees buckled, and I would’ve landed face-first in the grovel if Calypso hadn’t caught me. (200)

Maybe I was just really weak and thin (200)

Even after a few days/ weeks his legs were still stiff, and he was still getting dizzy from standing up for too long (203)

I hadn’t been in control of myself in that mountain. I’d released so much energy I’d almost vaporized myself, drained all the life out of me.

So, he was not able to physically leave, despite very much wanting to.

2. He forgot about Annabeth and his friends, while enjoying his time with Calypso

Also pretty easy to defend, because, again, he didn’t.

He never stopped thinking about Annabeth, and his other friends. Not once.

Even before waking up, Percy said their names in his sleep so often that Calypso knew them when he woke up (p. 199)

His first reaction to Calypso telling him that he could heal in safety was:  

“But my friends-“

“Annabeth”, she said. “And Grover and Tyson.”

“Yes!” I said. “I have to get back to them. They’re in danger.” (199)

He tried to use his empathy link with Grover several times on Ogygia to find out if he, Tyson and Annabeth were okay, but couldn’t make any contact (P. 203)

“I thought about Annabeth, Grover and Tyson constantly.” (P. 204)

The first thing he does after Hephaestus arrives on Ogygia is asking him about Annabeth’s well-being (207)

3. He hesitated when Hephaestut told him he could go back

This is the first time, the sentiment is somehow connected to the text, because Percy did hesitate for a little bit:

“I wanted to say yes. Of course I would. But the words were stuck in my throat. I found myself looking out at the lake, and suddenly the idea of leaving seemed very hard. (209)

Afterwards, he walked along the beach for several hours, thinking of what to do next (210)

But if you actually read the chapter, you very easily understand that Percy never really, seriously considered staying:

When Hephaestus insinuated, he might not return to camp half-blood he immediately said: “What do you mean? Of course I’m coming back.”

The first thing he says, after Calypso offered him to stay forever on Ogygia was: “But… my friends.” (211)

His immediate verbal response after Calypso admitted she was in love with him was to say: “I can’t. I would never do anything to hurt you, but my friends need me. I know how to help them now. I have to get back.” (212)

We also need to consider his reasons for hesitating in the first place. He did not hesitate because he was in love with Calypso. Yes, he thought she was cute when she laughed, thought she was more beautiful than Aphrodite, and didn’t want to make her feel sad, but she is not the reason he hesitated. His biggest what if is not Calypso herself. His biggest what if is what she represents: Peace, Happiness, and a way to avoid the responsibility of the prophecy.

Through Stolen Chariot, we know that Percy’s biggest fear is making the wrong decision and dooming everyone he cares about:  

“I stood paralyzed. This was the moment I had always dreaded: the prophecy that was supposed to come about when I was sixteen. I would make a choice that would either save or destroy Olympus. Now the moment was here, and I had no idea what to do. The camp was burning. My friends looked at me, begging for help. My heart pounded. I couldn’t move. What if I did the wrong thing? (The Stolen Chariot)

The first thing Calypso says to convince him to stay is: “You could leave the fight to others, Percy Jackson. You could escape your prophecy.”(211)

He also considered the possibility that it might be best for his friends if they believed him to be dead:

“Now I found out I’d nearly destroyed the Northwest US and almost woken the most horrible monster ever imprisoned by the gods. Maybe I was too dangerous. Maybe it was safer for my friends to think I was dead. (208)” She was cute when she laughed.

 

And even if he did develop a little crush on her, which I don’t even believe, I just think he really liked her and felt bad for her, how would that be his fault or something we could blame him for????  Since when can people control who they have or don’t have a crush on???

And the most important thing is: he left. As soon as he knew how to, as soon as he was healthy enough, he left. He went back to his friends, missing out on a peaceful and probably very happy life, shouldered the prophecy once again, and left.

His relationship with Annabeth

I can not say enough how much Percy actually supported Annabeth during the course of battle of the labyrinth

He reassured her constantly, that she would do a good job in leading this quest, when she doubted herself: (“You’re doing great. Besides, we never know what we’re doing. It always works out. Remember Circe’s Island?” She snorted. (P. 120))

He hugged her when she needed a hug: Then she did something that really surprised me. She blinked back tears and put out her arms. I stepped forward and hugged her. (Chapter 4, P. 76)

He trusted her; despite knowing she didn’t tell him the entirety of her prophecy

There are only three points in which they have some kind of conflict in. One of them is the whole thing with Calypso, but I’ve already dealt with that. The other two are the scene after Kronos overtook Luke’s body and then the whole situation with Rachel.

The scene after Kronos overtook Luke’s body

One of the main criticisms people have of Percy here is that he didn’t comfort Annabeth immediately after that scene. While that criticism is somewhat true, it's important to note that he didn’t act out of any malicious intent. After Annabeth collapsed, sobbing with her head between her knees, he didn’t rush to her side—but this was not because he meant to hurt her.

Percy himself was shocked and traumatized by the experience

After she asked him what happened, Percy was as gentle as he could be when he told her: “He gave himself over to Kronos,” I said. “I’m sorry Annabeth, but Luke is gone.” (291)

He only snaps at her, when she continues to defend Luke and accuses Percy of wanting him to be evil: “You want him to be evil, is that it?” Annabeth yelled. “You didn’t know him before, Percy. I did!”  “What is it with you?” I snapped. “Why do you keep defending him?” (292)

If we’re being honest, there is nothing Percy could have said to her, which would have helped her, and with the history he has with Luke, I personally can’t blame him for not being able to comfort her about his death or being annoyed that she still defends him after everything

As a reminder, at this point in time, Luke had tried to kill Percy multiple times, told him that he should have died in Tartarus, tortured Annabeth and was completely okay with killing every single kid in camp half-blood

He still wanted to comfort her after that, but he simply didn’t know how to: I wanted to comfort her, but I didn’t know how. I still felt stunned, like Kronos’s time-slowing effect had affected my brain. I just couldn’t comprehend what I’d seen. Kronos was alive. He was armed. And the end of the world was probably close at hand. (292)

Avoiding an argument might have actually been the smartest thing he could have done after that

When it was time to continue on their way, he still treated Annabeth gently “I knelt next to Annabeth. “Hey, I’m sorry. We need to move.” (292)

Did Annabeth need someone to talk to? Yes, obviously. Was Percy snapping back at her unnecessary and the last thing she needed in the moment? Also yes. This girl has suffered an unimaginable lot in this book and all the previous ones, especially because of Luke.  I’m not blaming her here for the way she acted. She loved Luke, and this might be one of the worst fates imaginable for a loved one. Everyone would have cracked in one way or another.

But is it also insane to criticize a 14-year-old boy, because he did not properly comfort his friend, who grieved the death of a guy, who tried to kill that 14-year old boy for the last two years? Also, yes.

They were two traumatized teenagers with the weight of the world on their shoulders, in a very shitty situation, and I think blaming either of them for how they reacted in this moment is entirely unfair.

Overtaking her quest, by asking Rachel for help

So, I hope we all realize, that this is a stupid argument, and I don’t need to elaborate on why, right? Like, they needed Rachel’s help. Obviously, it’s shitty for Annabeth that she had to rely on a mortal girl, especially a girl with a crush on Percy, but that doesn’t change the fact that they didn’t have another choice. Rachel was vital for the success of their quest,

Percy also sometimes told Annabeth to lay off Rachel, but, like, Annabeth was acting mean towards her, and Percy is a nice person, who knows that Rachel didn’t deserve this treatment.

I think these are all of the criticisms I have seen, and as a really huge fan of Percy, I’m getting so tired of seeing all of them. Please inform me if I have overlooked any!!!

[aroaessidhe]

2023 reads // twitter thread

Into The Labyrinth / Facing The Shadow

2&3 in a middle grade fantasy trilogy about a 12yo girl who discovers she has the ability to enter a magical world in her dreams, and has to save it from darkness

while also dealing with anxiety, bullying, and friendships in the real world

set in Wellington Aotearoa

dreamrealm worldbuilding reflects the MC’s Māori/Chinese/Irish/Scottish heritage

aspec questioning MC

[graceshouldwrite]

Writing Compelling Side Characters

**NOTE: Some of these tips don't really apply to ensemble casts, where there are multiple Main Characters (plural).

1) Agency - motivations, actions, effects

Technically, they ARE side characters in your MC's story, but don't base your writing on that fact.

Side characters need:

Their own REASONS for joining the story (because they want to, not because the PLOT wanted them to) Example: In Arcane, Caitlyn inadvertently gets involved with Vi due to her compassion and desire to help the undercity, not because the plot needs a love interest

A GOAL, on which they act INDEPENDENT of the plot, and actually affects your MC/the main plot (not the other way around) Example: In Loki, Sylvie's independent goal is to take down the TVA, and her actions reveal the TVA's corruption to Loki, influencing him to join her in fighting against the TVA instead of working for them

A STAKE in how things end (e.g. someone getting paid after agreeing to join a heist); they aren't just in it to be a "comic relief" or a "damsel in distress" Example: In Breaking Bad, Jesse joins Walt in cooking meth because he makes BANK from selling drugs, not because Walt needed a funny and traumatized sidekick

Their own RELATIONSHIPS with other characters, aside from the MC—they have their own friends, enemies, love interests, etc., and these relationships can completely change the plot Example: In the original Percy Jackson series, all of the side characters (e.g. Annabeth, Nico, Thalia, Luke, etc.) have their own relationships with each other that greatly affect the plot. Check it out: Annabeth's attachment to Luke, even after he became evil, completely changed the plot in several ways: kickstarting a journey to save her from Luke in The Titan's Curse, revealing his true evil identity as a vessel for Kronos (big bad!) in The Battle of the Labyrinth, and mainly contributing towards Luke's reversion away from evil in the last book due to him remembering his promise to take care of her a long time ago, etc.

Their own PAST that affects how they act, move forward, and how they treat the MC Example: In Avatar: The Last Airbender, Azula's pressure on herself and desire for perfection is greatly driven by her father's expectations of her as the fire-bending prodigy, resulting in a childhood of earning parental love and care AFTER she proves her worth to him. This created a mentality ceaselessly focused on her goals—which are usually her father's missions—causing her to be deadly, manipulative, and constantly causing problems for the main character.

The side character is not an extension or byproduct of the MC's plot; their own story happens to collide and intertwine with your MC's plot, but is ultimately independently driven.

2) Affecting the ending

The story can't have reached the same ending regardless of the side characters' existence. They must be necessary to the MC in helping them reach their goal faster, more prepared, etc. For example, in Avatar, Aang would not have been able to reach his goal of defeating the fire lord without the help of his friends, who each taught him valuable life lessons as well as combat skills.

Each character must have an independent impact on the MC—don't treat them like a group (e.g. "the side characters," who are one individual collective). Arcane does a great job with this, as each side character has a completely different impact on the MCs (e.g. Silco, Ekko, Caitlyn, and Vi—not a side character but for the purpose of this analysis, bear with me—all have a different impact on Jinx). It isn't just a literal impact. It's what the MC learns, and the theme of the story. They should help the MC realize things about themselves, and contextualize the MC by showing them in different situations with different people.

3) Avoid stereotypes Don't create characters from moulds and conform 100% to the trope: e.g. the "comic relief" can also be "the outlaw/rebel" or the "love interest," the "brooding antihero" can also be the "caregiver" or the "wise one," the "seductive girl" can also be the "science nerd" or the "broken optimist," etc. Mix and match. Everyone has more than 1 personality trait in real life, and probably fulfils more than 1 role to the other people in their lives. Give them intersecting personality traits to flesh them out.

4) Theme and Arc Especially compelling side characters have their own arc and embody their own theme.

Example 1: Mr. Darcy in Pride and Prejudice is more than the brooding love interest—he develops by being less arrogant and learning to see people beyond their social status, and opens up to new ideas, people, and situations.

Example 2: Nico di Angelo from the Percy Jackson series goes on a journey of self-acceptance and embracing his identity, instead of just being the stereotypical emo kid who is constantly in a state of angst.

Example 3: In Arcane, Silco goes from a ruthless crime lord who believes that attachment is weakness, to someone who genuinely cares about his adoptive daughter, so much so that he can't give her up even in exchange for his lifelong dream.

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instagram: @ grace_should_write

Hope this was helpful, and let me know if you have any questions by commenting, re-blogging, or DMing me on IG. Any and all engagement is appreciated :)

Happy writing, and have a great day!

- grace <3