#Bobby finds out

[according2thelore]

Submission for Day 2 of the @wincestwednesdays September Flash Event -- "Begging”

Illustration based on lizzy’s fic: the wrong way track from the good

(be aware of some content warnings listed in tags ^)

[suddenlysundayisspnj2fanlw]

Chapters: 4/4 Fandom: Supernatural Rating: Explicit Warnings: Creator Chose Not To Use Archive Warnings Relationships: Dean Winchester/Sam Winchester Characters: Dean Winchester, Sam Winchester, Bobby Singer Additional Tags: girl!Sam, Genderswap, curse, Curses, Caught in the Act, Incest, Sibling Incest, Wincest - Freeform, First Time, Loss of Virginity, sometimes a boy sam, early seasons, Cursed Summary:

Usually a girl!Sam and Dean have a complicated relationship. Chapters vary: angst, humor, romance.

[tommylovingho]

listen they both had a crush on Bobby you can't convince me otherwise

[wigglebox]

Supernatural September - Day 4 | Glitch

Canonically, Dean never said Cas’ name after the fake phone call in 15.19. Canonically, while Bobby said Cas “Helped” revamp Heaven into a Heaven that Dean “deserved,” Cas never showed up. Canonically, Dean left that heaven, which contained his family, to go “find family.”

There is a glitch that is Cas-shaped, and Dean knows it.

[toastwithahat]

I wanna take a fist full of their faces and shake them around violently/pos

doodles:

goodnight

[thebramblewood]

Friends who mold clay together stay together.

Previous / Next

Caleb: Your idea of a night on the town is crashing your former campus?

Helena: It’s my happy place, okay? The last time I remember feeling safe I was here.

-

Helena: Huh. Foxbury has gotten more creative. Still assholes, though.

-

Caleb: Are you picking the lock?

Helena: Are you an undercover cop? Relax.

Caleb: I just wouldn’t have guessed casual breaking and entering was your style.

Helena: I’ve already done worse things than the old me could even imagine. Committing a petty crime seems hilariously quaint in comparison.

-

Caleb: Tell me this isn’t about finally getting revenge on some professor who once gave you a poor grade. Clay?

Helena: Ulrike made me take a pottery class with her one summer. I was terrible at it, but for once I didn’t care. It was oddly meditative. My brain was at peace. I could really use that feeling now.

-

Helena: Caleb, look! [hisses dramatically]

Caleb: [laughing] Stop! You’re distracting me.

-

Helena: Will you show me the rest of the story now?

Caleb: Tomorrow. You should really try to get some rest first.

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[ironworked]

911 8a

The good part is that the door remains wide open, with a second episode making clear how unfinished this situation is; the bad part is that the building is on fire, so by the time they think to use said door it might not matter.

Because 8a didn't wrap storylines started in s7, it just trashed them in favor of... what, Brad? It's not that Brad had more (time, story) than Tommy, it's that it could be said he had more than Bobby! Remember Bobby, whom we saw in the tail end of s7 being rather depressed (possibly suicidal), resign, rescue his wife from a fire, and die for a few minutes? we started s8 with an implication that the 118 hadn't talked to him (in months?), and I guess that was a sign of how the next episodes would go.

Now there's Buck spiraling again (making his best impression of a Hallmark movie heroine for some reason), Eddie leaves the 118 because of Chris again, Hen and Karen pretty much disappear until their kids are threatened once more I guess, Maddie will get kidnapped again, and who knows if they'll remember Chim exists.

I think we all expected some repetition from the weewoo show by now, suspension of disbelief too. Some rushing through storylines for sure. But I certainly didn't expect it to be so joyless.

[1doesnotsimplyhavejust1fandam]

Not to beat a dead horse, but Buck and Eddie’s arcs are perfectly aligned for a love realization from both of them very very soon. Buck has just been informed textually that he has his “last” to look forward to, that he’s “ready” now that his first is no more. And the last scenes of the midseason finale (not to mention the interviews) showed us beyond a shadow of a doubt that Buck is about to crash out over Eddie. Specifically. Edmundo Diaz. Moving to Texas. And yes, this is an Eddie-centric crash out because Buck already had all of summer and into November to process missing Christopher, even if it was never meant to be a permanent separation. But now his best friend has told him that he’s going to move back to El Paso, and suddenly it’s all Buck can focus on. How strange!

And Eddie. Eddie was just told that he should allow himself joy, anything that brings specifically him joy. He danced, he teased, and then he impulsively leaped right into moving halfway across the country to be with his baby again. He’s still doing things for others, as much as moving would reunite him with Christopher, he’s doing it because he thinks it’s the right thing to do, not because it would be right for him (or even both of them). He’s contemplating leaving his found family (Buck included) behind because he is still so focused on the Chris of it all. And as a parent, he can’t bring himself to do anything less, even if actually moving to El Paso would bring him insane levels of stress and pressure from his mother (and possibly his father). He’s following Christopher’s lead even though it’s been months, and nothing about their relationship has really improved. He’s not finding his joy again, as much as he might lie to himself that reuniting with Christopher is all it will take. Eddie still doesn’t see what’s right in front of him. That his best friend and partner in nearly every way would sacrifice anything to make Eddie happy again, to bring Eddie joy. He doesn’t see that Buck makes him laugh even when he’s spiraling because all he can see right now is his son. But if they continue the thread of finding joy, then Eddie will absolutely understand after he spends a little time in El Paso, or even just planning to leave while Buck is boarding up his heart.

They’ve been so close other times, i.e. The Couch Theory, but this time it is all textual. They are the person each of them spends the most time with outside of the work scenes. The person they go to for support. The one who listens to their needs, and tries their best to help, or to be that supportive shoulder. We haven’t gotten a Buck and Maddie scene or an Eddie and Bobby scene. It has just been these two men, sitting in their kitchens, their living rooms, the hospital room, comfortably inside each other’s spaces and heads. They are glaringly obvious partners. It would absolutely insane not to tell this story all the way to it’s rightful ending.

[purrassicjet]

If Sandra Lynn found out about Bobby Dawn expelling Kristen she'd kill him on sight I think. He'd never see it coming

[hisbucky]

Athena: ... Eddie: It's not what it looks like! Buck, blushing under Eddie: It is absolutely what it looks like. Can I get some privacy, Ma? Athena, after she closes the door: I need a drink. Bobby, just got back from work: Honey, I'm home! Athena: I need two drinks.

[according2thelore]

Here's my submission for the @wincestwednesdays September Flash Event Day 2 -- "Begging"!

Excerpt:

"Bobby swings open the door.

“Hey, boys, I found the—“

The words die, putrid and rotting on his tongue. Sam is bent over Dean on the bed. Dean’s hand is curled against Sam’s head, thumb on Sam’s cheekbone. Sam’s hands are braced gently on Dean’s chest, just above the bandages. They’re kissing. On the mouth.

Or: Bobby finds out."

Read it on AO3 here!

more weechesters for today. please head the content warnings on this one! it was fun to write but i took psychic damage opening this doc everyday. charlotte's posting her art for this soon, so please go give her some love! we'll see you tomorrow!

-lizzy

[until-i-set-him-free]

Another alternative for their first meeting - drunk version. 🍻

(I've been listening to "Light My Candle" from RENT a lot recently - and naturally I had to make this exchange about BuckTommy. ❤️)

[anotherfandomtrash]

He's the only guy that makes me not lose my mental stability in this difficult time. Last 2 sketches were made on my new tablet, on ibis paint so I'm still figuring out how to render stuff

no no no no no NO NO NO NO NO

[ringosmistress]

[pansysgothgf]

Consider,,, the 118 is working on the plane crash, Eddie and Chim are teamed up together. The 133 comes to help, Captain Mehta sees Eddie and comes up to say hi.

Mehta: hey, Diaz! Where’s your partner?

Eddie: ah, he’s working with someone else today, he should be on the southwest side

Mehta: well, if you ever want to bring him on another poker date he’s more than welcome,,, just so long as he doesn’t gain anymore math superpowers

Chim drops whatever he’s holding and whips around to look at Eddie who looks like he’s just been struck dumb. Internally, Eddie is combing through all of his memories of Buck, realizing that maybe their relationship has never been quite as platonic as he thought. That maybe his feelings for Buck have never been platonic.

They’re at a disaster, though, and they can’t talk about it. They don’t say anything until they get back to the station, where Chim drags Eddie outside to talk.

Chim: Eddie…

Eddie: you can’t tell anyone, Chimney. I can’t… I won’t put Buck through any sort of conversation about all of *gestures at himself* this unless I know for sure what I want. Who I want.

Cue Chimney trying to keep a secret, Eddie being so, so fucking weird, and Buck being in his own personal hell because suddenly Eddie is avoiding him and spending all of his time with Chim of all people.