#Blog essentials
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four-bastard-bustle · 8 months ago
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back at it again with my convoluded original story wearing the skin of eddsworld
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vastrophel · 1 year ago
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★》 INTRO ! (again...)
☆》 Hello !!! I'm VASTROPHEL (all caps if alloted), but you can call me Arty, Astro, or Vast, however that last one I get called that and not asked to be but its fine it's a funny nickname and i like that!!! [He/It pronouns, please!]
★》 Below is more about myself!
☆》 I looove formatting posts to reflect how I talk IRL, but i'll be happy to tone it down if it helps the post or makes things readable! I also. do tend to have a few typing quirks that only show in messages from time to time but. Still.
★》 I'm an artist !!! However, I tend to upload more on Twitter [here]. I also write rarely when I don't feel like drawing, ramble about media I like, or try voice-acting or making songs (very, very rare.)
★》 So anyways ! Yeah ! That's me !!! Right now, always subject to change in the future—
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slothmonth · 4 months ago
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I agree that "in Germany your boss legally has to provide you with work while you're at your job" is a bit funny considering the German stereotype. But I am really annoyed at people who act like this is some horrible hypercapitalist thing on that post about pushing people out of their jobs by just not giving them anything to do. When really it's very basic worker protection (within the context of German emplyment law.) Because under most circumstances you can't just be fired from your job. Your employer has to provide a reason for firing you if they want to get rid of you. You also have a right to specifially the work you were hired to do.
So your boss having to give you appropriate work makes illegal any of the following:
a) Making you clean toilets instead of (or in addition to) the clearly defined office job you agreed to do
b) Not giving you work and then firing you for not doing your work
c) Waiting for you to crack under the intense boredom of having to stay on one place with absolutely nothing to do for eight hours a day while your coworkers are roped into it to shun you (or hate you because for some reason you're the only one who doesn't have to do any work) until you quit "voluntarily"
or d) waiting for you to crack under the aformentioned pressure until you do what the people in the notes said they'd do, like watching movies or doing a second job instead which is something you then can be reprimanded and fired for
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xxplastic-cubexx · 21 days ago
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alternate apocalypse ending or something who the hcrist knows anymore
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pinkblossomxo · 10 months ago
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The perfect Vday roses 💗🎀🎀
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anghraine · 1 month ago
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It's always been intriguing to me that, even when Elizabeth hates Darcy and thinks he's genuinely a monstrous, predatory human being, she does not ever perceive him as sexually predatory. In fact, literally no one in the novel suggests or believes he is sexually dangerous at any point. There's not the slightest hint of that as a factor in the rumors surrounding him, even though eighteenth-century fiction writers very often linked masculine villainy to a possibility of sexual predation in the subtext or just text*. Austen herself does this over and over when it comes to the true villains of her novels.
Even as a supposed villain, though, Darcy is broadly understood to be predatory and callous towards men who are weaker than him in status, power, and personality—with no real hint of sexual threat about it at all (certainly none towards women). Darcy's "villainy" is overwhelmingly about abusing his socioeconomic power over other men, like Wickham and Bingley. This can have secondhand effects on women's lives, but as collateral damage. Nobody thinks he's targeting women.
In addition, Elizabeth's interpretations of Darcy in the first half of the book tend to involve associating him with relatively prestigious women by contrast to the men in his life (he's seen as extremely dissimilar from his male friends and, as a villain, from his father). So Elizabeth understands Darcy-as-villain not in terms of the popular, often very sexualized images of masculine villainy at the time, but in terms of rich women she personally despises like Caroline Bingley and Lady Catherine de Bourgh (and even Georgiana Darcy; Elizabeth assumes a lot about Georgiana in service of her hatred of Darcy before ever meeting her).
The only people in Elizabeth's own community who side with Darcy at this time are, interestingly, both women, and likely the highest-status unmarried women in her community: Charlotte Lucas and Jane Bennet. Both have some temperamental affinities with Darcy, and while it's not clear if he recognizes this, he quietly approves of them without even knowing they've been sticking up for him behind the scenes.
This concept of Darcy-as-villain is not just Elizabeth's, either. Darcy is never seen by anyone as a sexual threat no matter how "bad" he's supposed to be. No one is concerned about any danger he might pose to their daughters or sisters. Kitty is afraid of him, but because she's easily intimidated rather than any sense of actual peril. Even another man, Mr Bennet, seems genuinely surprised to discover late in the novel that Darcy experiences attraction to anything other than his own ego.
I was thinking about this because of how often the concept of Darcy as an anti-hero before Elizabeth "fixes him" seems caught up in a hypermasculine, sexually dangerous, bad boy image of him that even people who actively hate him in the novel never subscribe to or remotely imply. Wickham doesn't suggest anything of the kind, Elizabeth doesn't, the various gossips of Meryton don't, Mr Bennet and the Gardiners don't, nobody does. If anything, he's perceived as cold and sexless.
Wickham in particular defines Darcy's villainy in opposition to the patriarchal ideal his father represented. Wickham's version of their history works to link Darcy to Lady Anne, Lady Catherine (primarily), and Georgiana rather than any kind of masculine sexuality. This version of Darcy is a villain who colludes with unsympathetic high-status women to harm men of less power than themselves, but villain!Darcy poses no direct threat to women of any kind.
It's always seemed to me that there's a very strong tendency among fans and academics to frame Darcy as this ultra-gendered figure with some kind of sexual menace going on, textually or subtextually. He's so often understood entirely in terms of masculinity and sexual desire, with his flaws closely tied to both (whether those flaws are his real ones, exaggerated, or entirely manufactured). Yet that doesn't seem to be his vibe to other characters in the story. There's a level at which he does not register to other characters as highly masculine in his affiliations, highly sexual, or in general as at all unsafe** to be around, even when they think he's a monster. And I kind of feel like this makes the revelations of his actual decency all along and his full-on heroism later easier to accept in the end.
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*The incompetently awful villain(?) in Sanditon, for instance, imagines himself another Lovelace (a reference to the famous rapist-villain of Samuel Richardson's Clarissa). Evelina's sheltered education and lack of protectors makes her vulnerable to sexual exploitation in Frances Burney's Evelina, though she ultimately manages to avoid it. There's frequently an element of sexual predation in Gothic novels even of very different kinds (e.g. Ann Radcliffe's The Mysteries of Udolpho and Matthew Lewis's The Monk both lean into this, in their wildly dissimilar styles). William Godwin's novel Caleb Williams, a book mostly about the destructive evils of class hierarchies and landowning classes specifically, depicts the mutual obsession of the genteel villain Falkland and working class hero Caleb in notoriously homoerotic terms (Godwin himself added a preface in 1832 saying, "Falkland was my Bluebeard, who had perpetrated atrocious crimes ... Caleb Williams was the wife"). This list could go on for a very long time.
**Darcy is also not usually perceived by other characters as a particularly sexual, highly masculine person in a safe way, either, even once his true character is known. Elizabeth emphasizes the resilience of Darcy's love for her more than the passionate intensity they both evidently feel; in the later book, she does sometimes makes assumptions about his true feelings or intentions based on his gender, but these assumptions are pretty much invariably shown to be wrong. In general the cast is completely oblivious to the attraction he does feel; even Charlotte, who wonders about something in that quarter, ends up doubting her own suspicions and wonders if he's just very absent-minded.
The novel emphasizes that he is physically attractive, but it goes to pains to distinguish this from Wickham's sex appeal or the charisma of a Bingley or Fitzwilliam. Mr Bennet (as mentioned above) seems to have assumed Darcy is functionally asexual, insofar as he has a concept of that. Most of the fandom-beloved moments in which Darcy is framed as highly sexual, or where he himself is sexualized for the audience, are very significantly changed in adaptation or just invented altogether for the adaptations they appear in. Darcy watching Elizabeth after his bath in the 1995 is invented for that version, him snapping at Elizabeth in their debates out of UST is a persistent change from his smiling banter with her in the book, the fencing to purge his feelings is invented, the pond swim/wet shirt is invented. In the 2005 P&P, the instant reaction to Elizabeth is invented, the hand flex of repressed passion is invented, the Netherfield Ball dance as anything but an exercise in mutual frustration is invented, the near-kiss after the proposal in invented, etc. And in those as well, he's never presented as sexually predatory, not even as a "villain."
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kettlefire · 5 months ago
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Age is but a Number (DPxDC)
Daniel Fenton was only thirteen months old when he took his first steps. Only fifteen months old when he said his first words. He was two years old when he uttered his first sentence.
Danny could walk back his whole timeline from the moment he opened his eyes into this world. Except, none of those moments counted. They held no true weight for Danny's life.
No, there were certain moments that mattered. That had a clear shift to his life. Not every moment, not every milestone mattered.
Danny was five years old when he first felt the sting of disappointment at his parents missing a school event. He was six years old when the lab door was closed in his face for the first time, but not the last time.
He was eight when his young mind realized who was the one raising him. The one feeding him, waking him up, getting him dressed, and dealing with his tantrums.
Danny was ten when he learned to love and hate his parents for the true first time. Seeing both the good and the bad in them, and still loving them despite it.
He was eleven when he watched his sister crack under the pressure. Stood teary-eyed in the doorframe of her bedroom as he watched her cry and sob. He was twelve when he got into his first real fight with his mother, hiding away at Tucker's place for a few nights.
Danny was fourteen years old when he stepped into his parents' portal. When he accidentally hit the on switch. When a combination of ectoplasm and electricity ruined his life.
He was only fourteen when he experienced death for himself. Felt his life force leave him, and flood him at the same time.
Danny was still only fourteen when his world changed. New powers and abilities appear out of thin air. When a crazed billionaire latched on to him. When Danny had taken the mantel of a hero without meaning to.
He was still just fourteen when his life was filled with constant fighting. Both ghostly and human. Things got more tense between Danny and his mother. School was a weight that Danny wasn't sure he could handle.
Danny was fifteen when he had an existential crisis. The weight of a looming crown he was meant to take on the moment he turned eighteen or died fully. Having witnessed timelines where his family was gone. Having recognized a pattern of repetition in a life that Danny didn't want.
He was still fifteen when he made an impulsive decision. It was stupid and rash. Something expected from an angsty teenage boy, and not from an heir to a throne and a town to protect.
There had been no big fight. No big showdown. His parents still didn't know his secret. Danny hadn't bothered telling Tucker, Sam, or Jazz about his great plan. One moment, Daniel Fenton was in Amity Park. The next moment, he was gone without a trace.
Danny is just a fifteen year old boy, perched on a hill miles away from home. He didn't know what he was doing or what he was going to do. He didn't even know what state he was in.
He had just flown through the sky, a bag of emergency supplies slung over his shoulder. Danny had no intentions of stopping. That was until he stumbled cross a state line, and felt it.
A strong sense of caring and love. A feeling that Danny could only compare to the love he felt from Jazz. There was a strangeness in the air, but also a feeling of home. It drew Danny in like a moth to a flame.
Danny was just fifteen, curled up on a damp hill. Staring up into the night sky, and wishing for things to be different.
Not completely different. He didn't want to get rid of Phantom. Didn't want his life to go back to how it had been. Danny wanted things to get better. He wanted to feel like a kid again, something he realized he hadn't felt in a long time. Despite Jazz's best efforts to shield him.
The first tear had left Danny before he even realized it. A shaking hand wiped the tear away, silently cursing at himself for being such a baby.
Except that wasn't the only tear. It was like a dam, he never knew was there, had broken. Tears streaked down Danny's cheeks faster than he could wipe them away. Choked muffled sounds quickly turned to harsh gasping sobs.
Danny was only fifteen when he finally broke. Curled up on a random hill in a random state in the middle of nowhere. A glowing young teenager whose glow only seemed to dull with each gut-wrenching sob. Yet the stars seemed to twinkle even brighter than ever on this countryside.
So lost in the whirlwind of emotions that Danny was too young to fully decipher, he never noticed the approaching vehicle. Didn't so much as flinch when it came to a stop near him.
Danny's pain radiated with each sound he made. With each tear that left his toxic eyes. There was seemingly no end to it all. Until a single voice managed to pierce through Danny's bubble.
"Oh, dear... It's just a boy. Quick, grab a blanket!"
A small, frail voice was all it took. A voice weathered with age, and a tremble to it. Danny's whole body froze, head lifting to look at the speaker.
Except his vision had been quickly covered for a brief moment as an old flannel blanket was suddenly wrapped around Danny's shoulders. It smelt of dirt, hay, and warmth.
A kind old woman quickly followed to take a seat beside the glowing teenager. A warm, loving smile on her lips as she brought a thermos to Danny. An equally old and warm man seemed to follow behind her.
Danny's sobbing had quieted as quickly as it had started. The teen was completely bewildered, stunned to silence. This old couple, the embodiment of the American dream, didn't so much as blink at the sight a glowing boy crying on their land.
She had called him a boy. She had called him a boy. Danny was just a boy to her. His hands trembled as he accepted the thermos, taking a drink from the still hot coco inside.
Danny's stunned silence must have spoken volumes. The old man had given out a chuckle, moving to stand beside his wife.
"Don't worry, bud. Our son is just as strange as you."
Danny was just fifteen years old when he stumbled onto the Kent farm. When John and Martha Kent stumbled upon a crying glowing boy. When a sweet old couple hadn't cowered in fear but instead embraced Danny. Offering kindness and comfort with no strings attached.
He was only fifteen when he found himself a new home. A new life. One where he didn't have to be anything more than a teenage trying his best. When his powers weren't needed, only appreciated. Never expected.
A life where a warm home-cooked meal and a mother's kiss seemed to greet him every morning and night. Where a father's touch seemed to linger in every tractor lesson, every game of catch, and every time Danny learned more about the farmer lifestyle.
Danny was fifteen when he found his family. When he met the equally kind son of an amazing couple. When he had someone willing to teach him how to handle his powers, but never expected him to.
But Danny was seventeen when his past came back. When a town and people he cared about, all came flooding back in. When the guilt and shame of abandoning them came flooding back in.
When his new picture, perfect life started to crumble around the edges. When he realized life never went well for a Fenton and Fenton-adjacent. The perfect safe bubble had to burst eventual.
And well, that's a story for another day.
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froody · 10 months ago
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melodic-haze · 6 months ago
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how do you feel about sub arlecchino in boss form?
☆ — DEMO TRACK: sub!boss form!Arlecchino x dom!Reader
☆ — TYPE: NSFW
☆ — CONTENT WARNINGS: Implied that reader has a cock/strap though it can be taken as fingering or oral, whatever's your preference 🤷‍♀️, does this count as monsterfucking, magic bondage??
☆ — NOTES: Arlecchino might be the only spider I will never be afraid of please take her away from me
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HOW DO I FEEL??? YOU SHOULD BE ASKIGN HER❗️❗️❗️❗️ Joking I'm unfit as hell so realistically I would probably die but ohhhh I am SO sure I'm gonna at least try
Idk if you guys understand (you probably do if you've seen my other Arle posts) but the thought of absolutely bringing such a powerful being to my knees SOOOO easily even though she could like kill me or reverse our positions in less than a second is so????? Top it off w the fact that she does it willingly ohhhhhhmygod hold me back or else I'll go insane
But like it's funny when!! The Traveller couldn't do ANYTHING to her and yet the moment you say jump she basically flies
Being allowed to be the closest to Arlecchino's very heart and soul meant knowing every single facet of her being and cherishing her: from her harsh duties as a Fatui Harbinger to her past and the two girls that died with it, only for just one of them—her—to come out of it reborn and alive.
Or at least, almost every single facet of her being.
"I am unsure about this, my love."
"Why's that?"
"You do realise that you are asking me to.. not hold my power back, yes?"
You nodded, "That's what I said."
You had known of her alternate form for a while now. Her unleashing even just a fraction of her true potential, manifesting into the form of a tall sillhouette akin to a spider bathed in crimson and the dangerously oppressive air of nothing but fear. She's used it to show those that oppose her just how unequal the scales are in their battles against her, she is as lethal as she is beautiful...
And you, on the other hand, are curious.
So you brought it up in the midst of your little.. téte-a-téte. A suggestion, of course, nothing demanding because you wouldn't want to pressure your dearly beloved into doing what she didn't want to do—such power did come with a great curse.
Arlecchino was vehemently against it at first, of course. And for good measure too; you KNEW it wouldn't just be a slight increase of strength. But the case you made.. admittedly had a curious appeal. And the power you had over her, the control she had submitted to you? She was willing to do whatever you asked (usually within reason). So she suggested to shelf the experimental matter for now and let her think on it, which you do.
And now, after a few days of consideration on her part, your current situation is the result of such a suggestion.
Your lover looks at you with furrowed eyebrows and narrowed eyes, not due to disappointment at your lack of concern for yourself (though actually there may be a little bit of that too) or cold anger at your insistent provocation to get your desired result (she could never be mad at her dearest). Rather, it is due to her flabberghasted state of confusion, "I have said this before but I could hurt you despite it being unnecessary. Why do you risk your life to sate such curiosities?"
"Because I trust you, Peruere."
She stills—you had dropped her title and opted to use her true name instead, a privilege only reserved for a very select few, with one of them dead. When she doesn't speak in turn, you walk up to her and hold both of her hands, dark and cursed yet so very beautiful to your eyes, just like her.
"Just like you trust yourself to me, I trust myself to you." You lifted one of her hands to tenderly kiss her knuckles, "I want to see every single side of you, including the ones you try to keep from me. I didn't run away when you revealed your status as a Harbinger, did I?"
"No."
"Exactly. Plus," you gave her a lighthearted grin, "I haven't necessarily scolded that side of you for hurting your children, have I?"
Her expression relaxes at your remark, though she does look confused—akin to a lost puppy when she tilts her head the slightest bit, "You have done so already, have you not? And it was but a light scuffle, I have taught them well enough that they aren't as injured as they would have been otherwise.. even if their attacks were pitiful."
"Arlecchino!" You chuckled out her title despite the loud bemusement of your voice, "Come on."
Her face never really shows all that much emotion, but you do see the slightly humorous glimmer in her crossed-out eyes, "I speak of the truth. They should have given a better performance."
You rolled your eyes, "That aside," and you give her a soft, reassuring look, "do you feel a little better now?"
She takes another pause.. and then nods. "Yes," she agrees, "I do. But I urge you to tell me if something feels wrong, alright?"
"Of course." You lean in to press another kiss, on her lips this time, before drawing back as fast as you came, "I wouldn't want to worry you further."
And so now you are faced to faced with this monstrous being. But that's what you've been wanting the entire time, isn't it? Lol sorry I'll get out of the weird monologue speak IT ABSOLUTELY IS THE MOMENT YOU'VE BEEN WAITING FORRR
You start off slow, obviously—caressing every inch of her. This is new, and you wouldn't want to worry your lover, do you? It's best not to rush into it even though ik you guys just wanna get into it idk 🤷‍♀️🤷‍♀️
Your hands graze her skin, your fingers trace new lines and markings.....and if you're a fashion nerd you probably inspect her clothing's transformation too, though you don't really have to be a fashion geek in order to take it off
THOUGH.......actually? Tell her to strip for you, to give you a show. Tell her you want to see her full body bare. I meant what I said when I told you she would willingly follow your every command, as if she were more devoted to you than the Tsaritsa herself, and that includes this
Just lean back and watch her as she slowly strips herself down, every inch of her body visible for you to see. You see her eyes glow crimson too, a physical manifestation of her pyro domain responding to her desire for you
Methinks that in this form specifically, she while she's a lot more strong and a lot more durable, she's also a lot more sensitive bc she'd be much more connected and hyper-aware of everything that's happening. This is my own take on how it feels to be in the form she's in btw idk how it'd work but anyway this means!! A lot of good things for you :3
If you try to put her fingers in your mouth you'll notice that she's warm. And I mean like REALLY fucking warm—her body doesn't stay at that temperature too. As you lick and suck on her digits, you'll notice that her skin, her fingers, get warmer and warmer the longer she watches you and feels you
Not just her fingers too 🥰🥰 if your touch goes down and you feel her cunt, it's HOT to the touch, though not scorching that'd be wild as hell. The shock would probably take you off guard though, and she'll probably be worried at first but like reassure her that you haven't been hurt or anything and that you're perfectly okay!!
Acc reassure her a LOT. Sure, yeah, she's the one that holds the power and she DOES have impeccable control over it, but she doesn't want to risk like yk. Accidentally killing you somehow and essentially throwing away someone so undoubtedly special to her just bc you wanted to monsterfuck out of curiosity 🤷‍♀️🤷‍♀️ like that's such a way to go
Weak domtop reassuring op subbot during sex is like a silly trope I love it can you lot tell I think you can tell
Anyway it's not like she'll leave you to do all the work either; she can't leave you all unsatisfied like that, she wants you happy too :( so her free hand goes all the way down and she returns the favour. She does it amazingly too, like she's very careful with it but the heat on her hands basically does most of the heavy lifting as well anyway, and by now she probably knows of all the different ways to get you moaning out with her 🫶
Going down on her, fucking her is all well and good......but YOU KNOW WHAT YOU CAN DO TO MAKE IT BETTER???? Yk the. When the Traveller couldn't move bc of her pyro web things. That. Except on her. Do you guys like see my vision I hope you do
Having her restrict herself as you go in and out of her in any way you like ougjfhgh.......I think it's the fact that she could just easily dispel it and even reverse it on you bc IT'S HER FUCKING ABILITY and yet she doesn't bc she wants to be all good for you. So she struggles in HER OWN WEB as you're essentially free to do whatever you want with her
Her like. Those extra appendages she has in her boss form too. Some of them are twitching and flailing about as you fuck her silly, others are simultaneously trying to hold you closer to her body, returning the favour even further by touching you everywhere she can AND trying not to hurt you by squeezing you too hard or accidentally burning you or anything
Just the whole struggle to not hurt you but her senses are getting muddled with pleasure I keep going back to this but it's just SOOOO ugh. Yo ugysdont understanddd I'm like probably malnourished so to dom someone who can snap me in half is mmmmmmmmMAN 🤤🤤🤤eys please
God she definitely has more stamina and libido than she already did before too??? Bc of like the heat and the strength increase. So holy fuck you're going to be going at it for AGESSSS.......Not like constantly though, she WILL make you take breaks and that will acc be the ONLY time she uses her web ability thing on you bc she is still concerned for your wellbeing no matter what 🥰🥰🥰
When you're acc all done though, which is. Not for a LONG time, you both kinda sit there, spent (more you than her probably) and her detransformed. Prepare yourself for GODLY aftercare by Father herself 🙏🙏 she like treats you to even more pampering than usual, not letting you lift a FINGER to do anything and her treating you personally if you got any burns at the end of your session
"I care not if you like my fire's sting, my dearest," she gently yet firmly tugged on your arm, "I will not stand for it if such an injury that I accidentally inflicted gets worse."
"Aww..." You sighed goodnaturedly, "I guess at least it makes for a good scar."
"Y/N."
"Whaaaat? I'm right!"
She shook her head, though the corners of her eyes crinkled, "Come here and let me treat you."
As risky as that was on you, not only has your curiosity has been more than sated, but Arlecchino finds herself.. wanting to repeat the experience. Shedding that extra layer of herself in such a moment felt.. much more intimate than usual. It was addicting
That won't be for a good while though—she'd agree to doing it once every few months :3
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evelyn-and-art · 29 days ago
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When The Fox Scholar is Charmed by The Peddler
My (late) submission for Week 1 of Tea’s SuoSaku MonsterFucking Month, inspired by Episode 2: Goose Mountain from the Yao-Chinese Folktales (2023).
Bonus Art + Sneak Peak for Week 2
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Bro just dubcon-ed the poor guy for his geese and ran off, leaving a very angry and confused (+ a lil turned on) vendor.
Also, I’ve had the Fox Yaoguai-Scholar! Suo thing stuck in my brain for weeks and I just decided to use the idea for Tea’s MFM na lang because why not…and it’s hot. On that note, I originally had the idea to assign the boar demon to Sakura (which if you aren’t familiar with the story; the boar demon is the lover of the fox demon’s concubine aka rabbit demon), but then I remember the chemistry between the peddler and the fox scholar so I went with that instead.
Lastly, here’s a lil preview of my piece for Week 2: Ghosts/“He Came Back Wrong”
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four-bastard-bustle · 8 months ago
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Thought about throwing Red Leader into my tordmatt breakup and ohohohohohohohohoohohoh things just got SO MUCH more fun
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prokopetz · 2 years ago
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Hm.
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mindfulstudyquest · 8 months ago
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❥﹒♡﹒☕﹒ 𝗺𝘆 𝘂𝗻𝗶 𝗯𝗮𝗴 𝗲𝘀𝘀𝗲𝗻𝘁𝗶𝗮𝗹𝘀
𝟭. my notepad ( 📱 )
i take very messy notes, especially when the professor speaks fast and i have to write in a hurry. many note-taking apps allow you to record the teacher's voice, so you can listen back to the lesson when you reorganize your notes at home. the notepad allows me to write pages and pages without wasting paper.
𝟮. charger ( 🔌 )
i often spend 9 or 10 hours at university and i can't risk one of my devices running out of battery. with a charger always in my bag i never risk finding myself unable to use my phone or notepad.
𝟯. water bottle ( 🍶 )
it is important to stay hydrated during the day, especially if you spend a lot of time at university. i recommend always having a two-liter water bottle available, especially during long lessons that require concentration.
𝟰. snacks/lunch ( 🍲 )
preparing healthy meals for lunch improves not only your health, but also your productivity and concentration during lessons. having snacks high in phosphorus and magnesium to consume throughout the day will prevent you from consuming junk food from vending machines. ( + don't forget chewing gums !! )
𝟱. hygiene bag ( 🌷 )
i'll make a specific post for this.
𝟲. umbrella ( ☂️ )
i admit i'm terrible at this because I always forget my umbrella. i'm lucky enough to live near the university, so i walk there, but it becomes a real problem when it starts raining and i have to run home in the rain. so always carry a small pocket umbrella in your bag, i suggest it from experience.
𝟳. books ( 📚 )
it may seem strange but i don't use books at university. many of the lessons in architecture are practical and we do not follow specific textbooks for the theoretical lessons (the professors prefer to provide us with materials and use powerpoints), but it depends on the faculty you attend, your study method and the teaching method of your professor.
any interaction with the post will be appreciated !! ♡
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eywaseclipse · 1 month ago
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I get so flustered from this scene because they were absolutely FUKKKKKKINNNNN that night and I am still so mad we can’t see it fully rendered
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pinkblossomxo · 5 months ago
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The prettiest bedding!🌸🎀
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anghraine · 11 months ago
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I saw a post that was like "P&P is about a man listening to the love interest and unlearning his toxicity" and it's similar enough to many others I've seen that I'm just ... aghhhh.
ffs Elizabeth is not the love interest; she is the protagonist of the damn book and P&P is primarily about her character and development and experiences. If you care more about Darcy's, okay; that doesn't mean it's what the book is about.
Yes, Darcy listens to Elizabeth's criticisms despite the circumstances and that's good. But that framing makes it sound extremely one-sided, yet Elizabeth's arc (which, again, is the main focus of the novel) is contingent on seriously considering what Darcy says and drastically overhauling her conceptions of pretty much everyone involved. The listening goes both ways!
Not going to lie, "toxic" and its variants are losing all meaning for me at this point.
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