#Because I rarely look people in the eyes so I don't know what they look like for most ppl

[mostlysignssomeportents]

Proud to be a blockhead

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/12/21/blockheads-r-us/#vocational-awe

This is my last Pluralistic post of the year, and rather than round up my most successful posts of the year, I figured I'd write a little about why it's impossible for me to do that, and why that is by design, and what that says about the arts, monopolies, and creative labor markets.

I started Pluralistic nearly five years ago, and from the outset, I was adamant that I wouldn't measure my success through quantitative measures. The canonical version of Pluralistic – the one that lives at pluralistic.net – has no metrics, no analytics, no logs, and no tracking. I don't know who visits the site. I don't know how many people visit the site. I don't know which posts are most popular, and which ones are the least popular. I can't know any of that.

The other versions of Pluralistic are less ascetic, but only because there's no way for me to turn off some metrics on those channels. The Mailman service that delivers the (tracker-free) email version of Pluralistic necessarily has a system for telling me how many subscribers I have, but I have never looked at that number, and have no intention of doing so. I have turned off notifications when someone signs up for the list, or resigns from it.

The commercial, surveillance-heavy channels for Pluralistic – Tumblr, Twitter – have a lot of metrics, but again, I don't consult them. Medium and Mastodon have some metrics, and again, I just pretend they don't exist.

What do I pay attention to? The qualitative impacts of my writing. Comments. Replies. Emails. Other bloggers who discuss it, or discussions on Metafilter, Slashdot, Reddit and Hacker News. That stuff matters to me a lot because I write for two reasons, which are, in order: to work out my own thinking, and; to influence other peoples' thinking.

Writing is a cognitive prosthesis for me. Working things out on the page helps me work things out in my life. And, of course, working things out on the page helps me work more things out on the page. Writing begets writing:

https://pluralistic.net/2021/05/09/the-memex-method/

Honestly, that is sufficient. Not in the sense that writing, without being read, would make me happy or fulfilled. Being read and being part of a community and a conversation matters a lot to me. But the very act of writing is so important to me that even if no one read me, I would still write.

This is a thing that writers aren't supposed to admit. As I wrote on this blog's fourth anniversary, the most laughably false statement about writing ever uttered is Samuel Johnson's notorious "No man but a blockhead ever wrote but for money":

https://pluralistic.net/2024/02/20/fore/#synthesis

Making art is not an "economically rational" activity. Neither is attempting to persuade other people to your point of view. These activities are not merely intrinsically satisfying, they are also necessary, at least for many of us. The long, stupid fight about copyright that started in the Napster era has rarely acknowledged this, nor has it grappled with the implications of it. On the one hand, you have copyright maximalists who say totally absurd things like, "If you don't pay for art, no one will make art, and art will disappear." This is one of those radioactively false statements whose falsity is so glaring that it can be seen from orbit.

But on the other hand, you know who knows this fact very well? The corporations that pay creative workers. Movie studios, record labels, publishers, games studios: they all know that they are in possession of a workforce that has to make art, and will continue to do so, paycheck or not, until someone pokes their eyes out or breaks their fingers. People make art because it matters to them, and this trait makes workers terribly exploitable. As Fobazi Ettarh writes in her seminal paper on "vocational awe," workers who care about their jobs are at a huge disadvantage in labor markets. Teachers, librarians, nurses, and yes, artists, are all motivated by a sense of mission that often trumps their own self-interest and well-being and their bosses know it:

https://www.inthelibrarywiththeleadpipe.org/2018/vocational-awe/

One of the most important ideas in David Graeber's magisterial book Bullshit Jobs is that the ground state of labor is to do a job that you are proud of and that matters to you, but late-stage capitalist alienation has gotten so grotesque that some people will actually sneer at the idea that, say, teachers should be well compensated: "Why should you get a living wage – isn't the satisfaction of helping children payment enough?"

https://memex.craphound.com/2018/06/20/david-graebers-bullshit-jobs-why-does-the-economy-sustain-jobs-that-no-one-values/

These are the most salient facts of the copyright fight: creativity is a non-economic activity, and this makes creative workers extremely vulnerable to exploitation. People make art because they have to. As Marx was finishing Kapital, he was often stuck working from home, having pawned his trousers so he could keep writing. The fact that artists don't respond rationally to economic incentives doesn't mean they should starve to death. Art – like nursing, teaching and librarianship – is necessary for human thriving.

No, the implication of the economic irrationality of vocational awe is this: the only tool that can secure economic justice for workers who truly can't help but do their jobs is solidarity. Creative workers need to be in solidarity with one another, and with our audiences – and, often, with the other workers at the corporations who bring our work to market. We are all class allies locked in struggle with the owners of both the entertainment companies and the technology companies that sit between us and our audiences (this is the thesis of Rebecca Giblin's and my 2022 book Chokepoint Capitalism):

https://chokepointcapitalism.com/

The idea of artistic solidarity is an old and important one. Victor Hugo, creator of the first copyright treaty – the Berne Convention – wrote movingly about how the point of securing rights for creators wasn't to allow their biological children to exploit their work after their death, but rather, to ensure that the creative successors of artists could build on their forebears' accomplishments. Hugo – like any other artist who has a shred of honesty and has thought about the subject for more than ten seconds – knew that he was part of a creative community and tradition, one composed of readers and writers and critics and publishing workers, and that this was a community and a tradition worth fighting for and protecting.

One of the most important and memorable interviews Rebecca and I did for our book was with Liz Pelly, one of the sharpest critics of Spotify (our chapter about how Spotify steals from musicians is the only part of the audiobook available on Spotify itself – a "Spotify Exclusive"!):

https://open.spotify.com/show/7oLW9ANweI01CVbZUyH4Xg

Pelly has just published a major, important new book about Spotify's ripoffs, called Mood Machine:

https://www.simonandschuster.com/books/Mood-Machine/Liz-Pelly/9781668083505

A long article in Harper's unpacks one of the core mechanics at the heart of Spotify's systematic theft from creative workers: the use of "ghost artists," whose generic music is cheaper than real music, which is why Spotify crams it into their playlists:

https://harpers.org/archive/2025/01/the-ghosts-in-the-machine-liz-pelly-spotify-musicians/

The subject of Ghost Artists has long been shrouded in mystery and ardent – but highly selective – denials from Spotify itself. In her article – which features leaked internal chats from Spotify – Pelly gets to the heart of the matter. Ghost artists are musicians who are recruited by shadowy companies that offer flat fees for composing and performing inoffensive muzak that can fade into the background. This is wholesaled to Spotify, which crams it into wildly popular playlists of music that people put on while they're doing something else ("Deep Focus," "100% Lounge," "Bossa Nova Dinner," "Cocktail Jazz," "Deep Sleep," "Morning Stretch") and might therefore settle for an inferior product.

Spotify calls this "Perfect Fit Music" and it's the pink slime of music, an extruded, musiclike content that plugs a music-shaped hole in your life, without performing the communicative and aesthetic job that real music exists for.

After many dead-end leads with people involved in the musical pink slime industry, Pelly finally locates a musician who's willing to speak anonymously about his work (he asks for anonymity because he relies on the pittances he receives for making pink slime to survive). This jazz musician knows very little about where the music he's commissioned to produce ends up, which is by design. The musical pink slime industry, like all sleaze industries, is shrouded in the secrecy sought by bosses who know that they're running a racket they should be ashamed of.

The anonymous musician composes a stack of compositions on his couch, then goes into a studio for a series of one-take recordings. There's usually a rep from the PFC pink slime industry there, and the rep's feedback is always "play simpler." As the anonymous musician explains:

That’s definitely the thing: nothing that could be even remotely challenging or offensive, really. The goal, for sure, is to be as milquetoast as possible.

This source calls the arrangement "shameful." Another musician Pelly spoke to said "it felt unethical, like some kind of money-laundering scheme." The PFC companies say that these composers and performers are just making music, the way anyone might, and releasing it under pseudonyms in a way that "has been popular across mediums for decades." But Pelly's interview subjects told her that they don't consider their work to be art:

It feels like someone is giving you a prompt or a question, and you’re just answering it, whether it’s actually your conviction or not. Nobody I know would ever go into the studio and record music this way.

Artists who are recruited to make new pink slime are given reference links to existing pink slime and ordered to replicate it as closely as possible. The tracks produced this way that do the best are then fed to the next group of musicians to replicate, and so on. It's the musical equivalent of feeding slaughterhouse sweepings to the next generation of livestock, a version of the gag from Catch 22 where a patient in a body-cast has a catheter bag and an IV drip, and once a day a nurse comes and swaps them around.

Pelly reminds us that Spotify was supposed to be an answer to the painful question of the Napster era: how do we pay musicians for their labor? Spotify was sold as a way to bypass the "gatekeepers": the big three labels who own 70% of all recorded music, whose financial maltreatment of artists was seen as moral justification for file sharing ("Why buy the CD if the musician won't see any of the money from it?").

But the way that Spotify secured rights to all the popular music in the world was by handing over big equity stakes in its business to the Big Three labels, and giving them wildly preferential terms that made it impossible for independent musicians and labels to earn more than homeopathic fractions of a penny for each stream, even as Spotify became the one essential conduit for reaching an audience:

https://pluralistic.net/2021/03/16/wage-theft/#excessive-buyer-power

It turns out that getting fans to pay for music has no necessary connection to getting musicians paid. Vocational awe means that the fact that someone has induced a musician to make music doesn't mean that the musician is getting a fair share of what you pay for music. The same goes for every kind of art, and every field where vocational awe plays a role, from nursing to librarianship.

Chokepoint Capitalism tries very hard to grapple with this conundrum; the second half of the book is a series of detailed, shovel-ready policy prescriptions for labor, contract, and copyright reforms that will immediately and profoundly shift the share of income generated by creative labor from bosses to workers.

Which brings me back to this little publishing enterprise of mine, and the fact that I do it for free, and not only that, give it away under a Creative Commons Attribution license that allows you to share and republish it, for money, if you choose:

https://creativecommons.org/licenses/by/4.0/

I am lucky enough that I make a good living from my writing, but I'm also honest enough with myself to know just how much luck was involved with that fact, and insecure enough to live in a state of constant near-terror about what happens when my luck runs out. I came up in science fiction, and I vividly remember the writers I admired whose careers popped like soap-bubbles when Reagan deregulated the retail sector, precipitating a collapse in the grocery stores and pharmacies where "midlist" mass-market paperbacks were sold by the millions across the country:

https://pluralistic.net/2021/07/04/self-publishing/

These writers – the ones who are still alive – are living proof of the fact that you have to break our fingers to get us to stop writing. Some of them haven't had a mainstream publisher in decades, but they're still writing, and self-publishing, or publishing with small presses, and often they're doing the best work of their careers, and almost no one is seeing it, and they're still doing it.

Because we aren't engaged in economically rational activity. We're doing something essential – essential to us, first and foremost, and essential to the audiences and peers our work reaches and changes and challenges.

Pluralistic is, in part, a way for me too face the fear I wake up with every day, that some day, my luck will run out, as it has for nearly all the writers I've ever admired, and to reassure myself that the writing will go on doing what I need it to do for my psyche and my heart even if – when – my career regresses to the mean.

It's a way for me to reaffirm the solidaristic nature of artistic activity, the connection with other writers and other readers (because I am, of course, an avid, constant reader). Commercial fortunes change. Monopolies lay waste to whole sectors and swallow up the livelihoods of people who believe in what they do like a whale straining tons of plankton through its baleen. But solidarity endures. Solidarietatis longa, vita brevis.

Happy New Year folks. See you in 2025.

[doja365]

Crybaby(Prologue)

All on your own. Masterlist TW- Mentions of bullying, neglect

Alone.

If I had to describe myself in one way it would always be alone. If I ask a million people the same question every day the answer will always be the same.

My parents never wanted me, but who would? I enjoy the quietness for a while until I received a letter that I would now be the daughter of Bruce Wayne. I had to change my name for this.

'Eurus Pirate Wayne.'

I got the middle name 'Pirate', because the last thing I remember from the orphanage was playing with pirates. I hated princesses, yet I always wanted to be them. They are perfect, always smiling, and has a picture-perfect family.

But look at me. I always cry, my body is as flat as a pancake, and I don't even have anything remotely close to a family. I only had Alfred as a father figure in my life and as a mother-figure I had Selina, but she rarely comes here. And when she does, she'd always bring me my favourite fruit snacks.

I have it much worse in school. The first day I was in school, I had to present myself to the classroom. But when some one said, "Gosh, she's so ugly eww.", I ran to the bathroom and cried. A few years after that I always get bullied for being a nerd, I mean, I enjoy history what's wrong with that?

Wayne doesn't even try to acknowledge my existence, every time I get home with a black eye, or a bloody nose, I always had Alfred tend to my wounds. I had been named, the schools 'Crybaby'. There is nothing wrong with being emotional.

Every year for the past 13 years I've stayed there, I had the worst birthdays, Christmases, New Years, and recitals only giving me awards but not a family.

I had always wanted to give them gifts but they either crush it or ignore it. I always cry myself to sleep knowing that they didn't appreciate my effort, and they don't try to give me a gift.

Once I bought Dick a sweater that he always wanted. For Jason it was a leather jacket, for Damian, a chain necklace with a robin charm on it. For Tim, it was the Sherlock Holmes book, first edition. I had fixed the necklace Cassandra broke, bought dresses for Barbara and Stephanie. And for Bruce, I fixed his father's broken watch.

What did I do wrong?

Am I a bad person?

Am I not special?

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

A/N: I finally started it yayyyyy

Taglist

@lunayaps, @not-aya, @iluvcatzz, @vanessa-boo, @ivyrose9194,@thesehandsarerated-e

[sirxlla]

Military Corners

--------------------------------------------------

warnings: none besides fluff and use of L/N (Last Name)

notes: Gender neutral reader, any batboy fits into this. italics are actions. i'm a new writer, so i'm trying to do what might be good layout? pls Imk what you think of the story or anything really in the comments, i'd really appreciate it.

prompt: he's tired after a long week of back to back crime

-With that said it's under the cut-

There's something so lovely about sleeping in his room it was hard to pinpoint...Maybe the smell of his cologne that lingered in the air? You loved it, it's something that's sophisticated and manly yet so sweet and smokey? Could it be it how tight his bed was from the military style corners that were so neatly and carefully done the way Alfred taught him? Possibly the safety of the dog that sat on guard at the end of the bed on his bed on the floor? Or is it the man laying beside you with a few bruises from the night before a long night of crime fighting and Gotham?

To see him like this is very rare his soft petal like lips slightly parted as he dreamed so deeply, his beautiful eyes hidden by his eyelids, the exhaustion showed so deeply under his eyes... he almost never slept like this but it's been about a week of exhausting crimes back to back to back, Joker broke out of Arkham, Man-Bat was on the loose, Pyg was leaving a trail of bodies, Penguin and Two Face had joined an alliance together and thats not even mentioning the fact that Riddler was being an annoying little twit and kept kidnapping people for his riddles. Every night Gotham was full of chaos and the whole city needed all hands on deck which meant the whole Bat-Family.

He practically fell into bed this morning, your hands having done the same actions a thousand times in removing every little bit of his armor and his tight boots, gently wiping the grease paint from around his eyes... He was usually never soft, not with most but it was nights like this that the only thing he craved was sleep and maybe a handful of ibuprofen. His hair was completely awry sprawled along the pillow. He looked so calm, he looks so carefree as if he didn't have a stress in the world.

After sleeping in for a few extra hours snuggled into his side, you snuck out of bed even knowing that it might wake him up and probably would but he knew he was home so he would go right back to sleep. Alfred was up doing a few things around the house.

"Hey, do you mind if I make him breakfast this morning?" You had asked quietly considering not a single member of the family was up except for Alfred because of how chaotic the last week had been.

"I certainly don't mind Miss/Mister (L/N). How is he?" He says with a kind voice, something you always admired about him is how polite and kind he was to everyone.

"He's out like a light which is to be expected I can't even begin to imagine what they go through everytime that this stuff happens." A smile crossing your lips remembering the man in the bed that you just left with his lips slightly parted and his hair messy against the pillow beneath his head.

"Well, they certainly are gluttons for punishment I suppose." He says in a joking fashion with a smile on his face you knew how every man and his family was and how dedicated they were to keeping people safe. Alfred goes on about his business as he does leaving you in the kitchen to make breakfast (it was closer to lunch cause you knew he wasnt gonna get out of bed for quite some time) for your beloved man.

Masterlist

[child0feden]

Rare pictures? Maybe? That's the only other Bård court picture I've seen aside from the one where his back is fully turned showing off that cunty sweater lol I'd kill for a photo of him in court showing his face. Especially since he was described as cowardly and squeamish 😭

And I don't see enough people talking about this one of Vegard and Tomas (?). Vegard usually looks pretty nerdy in the early 90s pics without corpse paint but here I think I might be scared of him a bit. He looks like a 90s degrassi bully lolol

i have seen both of these before but i am very pleased to see them again because they are both really great pictures so either way, thank you for sending them in to me!

yesss, his little court sweater is super cute! i bet he was real comfy in that court room! is it just me or are places like that always super cold inside? but bård was probably quite warm and cozy as hell in his cunty little sweater lolol… i would have loved to see a front facing picture of him in court too, really just to examine his face i suppose? a persons emotions can often be so well shown in their face and deep in their eyes… or not, i just wonder what his facial expressions did show in court and what his eyes held… descriptions of ones attitude and demeanour are nice but unfortunately pictures are much nicer…

i can definitely understand your point there about the picture of vegard! i think the angle may be making vegard look a little different in comparison to many other pictures of him but i do not think i could ever be scared of him lolol! his cute curly hair takes all of the fear away, curly hair is just absolutely adorable to me and washes away any fear at all, you know?

he was cute in the early 90s with his curly hair, hot in the late 90s with his buzz cut, cute again in the early 2000s with his curly and now he is hot again as an older man with curly hair! i think he was especially super cute in the early 2000s because he was kind of chubby? i do not know if chubby is really the right word for it though! he just had a bit more of a well rounded face, a bit of pudge or something and it made his cheeks ( or really his entire face ) look so damn kissable hehe

his early 2000s chubbiness ( ? ) is especially prominent in video interviews, like the one he did for metal: a headbangers journey which i rewatch far too often just to see his handsome face and head his gorgeous soft voice

i just think damn near everyone in the black metal scene is so fucking gorgeous in general, wether they be cute or hot! i loveee seeing pictures of them so thanks once again for sending these in to me <3

[alfreyes]

Happy Korrasami 10th anniversary to the one and only @thewillowtree3 thanks so much for making this secret santa possible and I hope You like this.

Korra's Gift

Asami groaned frustrated as she threw yet another paper ball to the pile in the garbage can, she closed her eyes and covered her face with her hands.

If anyone were to walk into her office right now, they would assume the bright CEO was having trouble with her company or maybe struggling with one of her latest inventions but that wasn't the case. What had Asami so angry was none other than Christmas, more specifically, The fact that Christmas was one week away and she hadn't figured out what to get for korra.

This wasn't like the previous gifts, this was Asami and Korra's First Christmas together, The Avatar, who usually liked to spent it with her family since it was one of the few days she didn't had to be in the Air Temple or Republic City, had decided to stay and spent the holidays with her and they were even gonna be completely alone since Mako and Bolin were taking their Family to Zaofu to see If their grandma would like to live there until they could return to Ba Sing Se, even though the lady had made it crystal clear that she was very comfortable at Sato Estate.

So Asami was determined to get something really meaningful for Korra this year, something that proved how much the woman meant to her, something no one else could give her...

But what?

'This shouldn't be nearly as difficult as it's proving to be' thought annoyed the woman as she removed her hands from her face and started pacing around her office once again 'You're the owner of Future Industries, you Can literally buy anything and everything Korra wants on the spot' but of course one of the many things Asami loved about Korra was that, unlike many people before, she wasn't with her because of her money, everytime the business woman pulled over with an expensive car she designed or flexing The Future Industries airship it was never because Korra asked her to so this was a problem she couldn't buy her way out of.

Maybe she could make something for Korra? No, she had done that before and Korra rarely used her inventions.

"It's quicker to use my glider, less traffic, you know?" she had told her with a wink when Asami asked why she never used the car she got her.

So no, those weren't an option either and besides what could you invent for the woman who Can control the four freaking elements? Maybe she could just buy another park and make a statue of her? No, she had already done that.

"Alright, lets see" she told herself as she kept walking. "Korra is a more practical giri, so maybe it doesn't have to be a material gift, maybe I could take her somewhere special" she stopped and considered it for a moment with a smile "YES! That's it! and we could do something special too! Something we don't usually do like dancing or star gazing or..."

She remembered a few weeks ago during one of their dates where Korra complained that Republic City didn't have a proper place to Ice skate, something she used to do with her father and Naga during the winters.

Ice skating

'I could do that' she thought excitedly. Granted, she had never even tried it in her entire life but how hard could it be? She had flied a hummingbird mecha suit, that she invented herself, a little bit of Ice skating shouldn't be a problem, right?

But soon a little bit of doubt grew in her, what If she tripped? What If the Ice beneath her broke and she fell to a cold and horrible death? Or worse... What If she made a fool of herself infront of Korra?

She looked at the clock and at the calendar on the wall. She had exactly 6 days and about 12 hours to learn how to Ice skate gracefully enough to flabbergast her girlfriend from the southern water tribe.

Senna, Korra's mother, had once told her that If she ever needed anything all she had to do was ask her, she could ask her and Tonraq for skating lessons. But what about work she couldn't just leave everything on a whim... Again.

...Or could she?...

Maybe this was indeed a problem the CEO could buy her way out of after all.

It was Christmas Eve and Korra waited patiently, or as patient as she could at least, at the empty Sato Estate.

About a week ago Asami had hurriedly told her she had to go due to an emergency meeting with some importante clients from the fire nation and assure her that she would be back for christmas eve but ever since she had no news from her, The Avatar was getting worried when finally yesterday she received a letter from Asami telling her to be at her house in the morning. It was almost noon now and there was no sign from the raven hair girl.

Finally a few minutes later a familiar blue car pulled over and Asami came out of it.

"Hey there, sorry for the waiting, the trip Back took longer than I expected" she explained as she hugged Korra.

"Don't worry about it" said Korra nonchalant "so what's the big plan?"

Asami smiled but didn't answer instead she went for a backpack in the car and grabbed Korra's hand as she guide her to one of the many planes she had in her hangar, Korra couldn't help but smirk at her girlfriend, even though Asami had never told her, Korra knew how proud The woman was of her little collection.

During the fly everytime Korra asked where they were going Asami gave her vague answers until finally Korra recognized the surroundings

"The southern water tribe?" Korra asked not used to watching her home from up there since she usually arrived by boat.

"Yep, I figured we could come here without Avatar duties or business meetings for a change."

They landed in a spot slightly far from the town, with a huge Iced lake where they could perfectly see the start of the sunset between the mountains.

While Korra was busy admiring her landscape Asami open the bag and put on a pair of red Ice skates and handed Korra a blue pair, who took them rather surprised

"I didn't know you could skate," she said as she saw the industrialist slide around her with ease.

"There are a lot of things you don't know about me, Korra," Asami answered in what could have been a very smooth way If it weren't for the fact that she almost immediately stumbled a bit and had to wave her arms to recover.

Korra tried to suppress a chuckle at how adorable Asami looked as she cleared her throat and gently took Korra's hand.

The two girls slid around and through the lake for hours, completely oblivious to the peaceful World around them, the only things that mattered at that moment were each other.

All things considered Asami was a pretty decent skater, Tonraq had done the best he could in the little time they had so the woman was never even close to fall as she feared so much and she was able to keep up with Korra even when they weren't holding hands, but that didn't stop the perfectionist inventor to frown and scoff every Time she falter or stumble slightly.

Korra on the other hand didn't really minded that, on the contrary, she found it cute and even looked forward to those moments because she could use them as an excuse to sweep Asami of her feet and hold her close for longer than it was truly necessary, not that any of them complaint about it really.

They kept skating a little longer, talking about everything and nothing, remembering old times and sharing stories of their previous holidays until it was too dark and they had to start a bonfire a few feet away from the lake where they sat comfortably in silence looking at the stars.

"I know it's not Christmas yet but this seems like a pretty good moment to give you this" said Korra cuddling Asami while handing her a small red velvet box, the woman took it and opened it to find a golden necklace with a green gem that matched Asami's eyes.

"I... Uh asked Pema to help me pick it up" said the Avatar nervously after a bit of silence "I know it's not much but well I saw it and it remind me of you and well I swear I spent days wondering what to get you I think I almost drove Tenzin insane with how much I bother him about it but can you really blame me? I mean What do you get for a woman who could buy anything? Anyway listen it's fine If you don't like it, I could always get you something else and..."

Asami stopped Korra's rambling with a loving kiss "I love it, Thank you" she said honestly she then smirked and playfully smacked Korra's shoulder "And you aren't exactly easy to buy gifts either, 'Avatar'. I spent and entire week in this lake trying to learn how to ice skate for you since you would have just throw any gift I make for you"

Korra gasped with fake offense. "How dare you Miss Sato, I use everything you have ever gave me"

"Mention one thing"

"Well uh... You know that um... Thing for the hair you gave me for my birthday"

"A hair dryer, and I've never seen you use it"

"... It's just easier to use Air bend, you know?" Said Korra with a shrug and putting her hand behind her neck "And hey that doesn't mean I don't cherish everything you get me. But you made your point. I guess we're both complicated when it comes to gifts" she admitted as she cuddled Asami again.

"Yes but that's one of the reasons we work so well together, we understand each other, and at the end we always figure it out" Asami said with a smile "Like this, I really loved the necklace" she said looking at it again"

"And I really loved Ice skating with you" answered Korra "I like that we match each other's craziness but sometimes it nice to do this sort of quiet stuff, without explosions and fights"

"Look at you growing up" teased Asami with a smile "Wait until I tell Tenzin you said you enjoy quiet now"

"Shut up" groans Korra while hiding her face on Asami's hair making the raven hair girl laugh..

"Come on, help me put this on," She said, handing Korra the necklace and putting her hair aside.

Korra gently put the necklace on and turned Asami around to face her, "Beautiful" she said without really looking at the gem, too lost in Asami's eyes.

The two shared another kiss as the fireworks from the water tribe illuminated the sky.

"Merry Christmas" whispered Korra with closed eyes as their forehead touched

"Merry Christmas, Korra," said Asami enjoying the peaceful moment.

"...So an entire Week learning huh. Who helped you? Kya?"

"Oh uh actually it was your Dad, but Kya did suggest this lake, apparently she used to bring her partners here but we're not allowed to tell Lin about that" whispered Asami with a giggle.

Once Korra stopped laughing she looked at Asami with a smug face "So it was Dad, he's a good teacher but surely you must have fall a few times anyway"

"Don't even" warned Asami but it was too late.

"Did you faceplant?"

"..."

"OH MY GOD!!!" The Avatar start laughing like never before as she hugged a flustered Asami

"QUIT IT, KORRA"

So much for peaceful and quiet moments.

[canisalbus]

Hi hello, I was struggling with my Spooktober challenge, but wanted to draw something today, so I ended up with this:

He is Very Shape, so I had to lmao (I don't draw animals much, so it was a bit tricky, but hope it came out okay!)

Also, terkkuja toiselta suomalaiselta, meikäläisiin törmää niin harvoin :D

.

[thatuselesshuman]

My special flavor of autism is that I remember people based off of their mouth, hair, and the halo that their personality gives them

[lock-my-feelings-in-a-jar]

[narcissusneverknewme]

a very select portion of personalities trigger my latent tsundere traits.

In reverse of the usual order, this feels all the worse if they are fictional.

[retiredteabag]

Sukuna assimilating to you

Synopsis: After discovering that Sukuna has been wide awake every time you nap together, you become embarrassed around him.

〰・♡・〰〰・♡・〰〰・♡・〰〰・♡・〰〰・♡・〰

It is a scientific fact that when we are around people we love and trust, while in a healthy relationship, the release of oxytocin makes us sleepy.

Sukuna does not need sleep. He is the king of curses, able to continuously use his technique without ever becoming exhausted. When you first suggested that his chambers were "perfect for napping", he had simply raised a brow and considered what that could possibly mean.

You are like a weak creature to him. A kitten or perhaps a rabbit. And since you are never safer than when you are in his presence, you frequently find yourself growing sleepy when you are around him.

Throughout your strange relationship with the king, something that you loved most, is that there never needs to be words exchanged between the two of you. You were both contented to sit in silence. Frequently dozing off together, or so you thought.

You caught on eventually, that he was always awake before you. That his breathing pattern never really changed. That his face never relaxed more than it would if he had simply been sitting with his eyes closed.

One morning, after having stayed the night sleeping, you mumbled to him, "How is it you're always awake before I?"

He rose a brow at you, his upper set of eyes were looking into yours, the lower staring at how you lay across his bed sheets.

"I do not know your meaning." He grumbled out.

You huffed, rolling your eyes. "You never sleep in longer than I do, one day I would like to wake up before you."

"I never sleep at all." He stated before you had even really finished your sentace.

"What?" Your breathy outburst echoed slightly in his bed chamber, "What do you mean you don't sleep?"

"I do not require such things." He turned his torso now toward you, all four eyes studying your face, you had quickly sprung up, seemingly miffed.

"So... so all this time, you've just been... laying there while I've been sleeping?"

"I suppose I have, I do not see how this matters in the slightest." "It matters because I've been... It's just been a big waste of time for you. Sukuna you should have said something." You're upset, he can tell. Your face is scrunched up, your blood is pounding in your veins. Sukuna, however, does not know what to say in this situation.

In all honesty, he figured you knew and were just including him. Did you really think he was that weak? Or could you simply not conceive of a restless existence? Whatever the answer, he had no response for you, expecting a shrug of the shoulders- you he would discover, would not so easily let go of things.

And how humiliated you were. How many HOURS had you spent sleeping with him, within his grasp, in his space for him to have been conscious the whole time? You tried thinking back, attempting to recall a time you had requested a nap when he was uninterested.

He had never uttered a word about it. Never turned you down. Sukuna was not a kind king, he rarely ever did things that were not out of necessity, and he certainly did not do things he didn't like. That, at least, was consolation. You knew he had not been suffering for your sake, but even so, it was embarrassing.

Sukuna, still, could not understand your sheepishness about the subject. He did not care to explain that time works differently for him, that his mind is not so simple as yours and does not require entertainment all the time, that he could sit still for years and not be bothered, and frequently did before you came along.

He assumed you would get over it quickly. In your time as well as his. But days passed and he rarely saw you. You took your dinner with other people of the palace and spoke with him in the most cordial manner. One night, he informed Uraume that they needed to prepare a dish suited for you, something that would entice you, and serve it to him.

He figured this would bring you crawling back to him, tail between your legs. Yet, you did not budge.

Odd.

You were wallowing. You knew it. He did not care to spend time, what? Watching you sleep? Of course, he wouldn't, but it hurt your pride, to know you had been taking up such huge chunks of time lazing about in his presence. Well, not anymore. You slept in your chamber and your chamber alone. Gone were the days of blankets on the engawa, gone were the days of resting beneath the kotatsu while laying your head in his lap, gone were the days of sharing his bed.

If ever he wished for someone to share his bed, he had a whole cast of concubines, though you knew they were never of any use to him, they were mostly just house staff with a fancy title.

The evening he finally decided enough was enough, you were in the washhouse doing laundry.

Your back was arched over a bin full of soapy water. Your hands working tirelessly on some cloth.

"Have you not circumvented me enough?" He spoke in a low and slow tone.

"Lord Sukuna." You bowed, clothing in your hands, suds up your forearms, you bent your neck as to not look at him.

"You will reply now." He raised a brow, watching your hands quietly splash in the washbin.

"Was there something you would like me to assist to?" You questioned. Your head was full of possible reasons for what the king meant by seeking you out personally.

"Do you believe that by not sleeping in my presence I would come to believe you do not require rest?" He spoke in an unserious tone, eyes unblinking.

"No, my lord." Now what was he playing at? Of course that wasn't your intention.

"Then you hide yourself from me because you no longer have time for your king, I suppose." He mused.

Oh, for heaven's sake, "No, my lord."

"I see," He bent down to look you dead in the eyes, "So, you must no longer crave my occupancy of your space. You must not desire my hand running through your hair? I suppose you have tired of staying in my chambers?" His tone remained deep but his eyes were dead serious now.

"I-" You began, but suddenly you felt the urge to cough, swallowing you tried again, "I wished not to preoccupy so much of your time."

"And you made this decision without enlightening your king."

You said nothing.

"You will eat with me tonight, you shall stay in my chambers henceforth." He rose in record speed, turning without a second glance your way, maids were staring wide-eyed at the king of curses as he halted at the entrance of the washhouse. You could not see, but there was finality in his voice.

"I wish not to waste-" You were cut off by Sukunas voice, his broad back still facing you.

"Your wishes do not interest me now, so it seems. It is my wish for you to spend your time with me." His steps resounded through the compound, your face slack.

The maids smirked, and with shocked faces, side-eyed one another. A couple entered the washhouse giving you big open-mouthed smiles, and patted your shoulder as they passed.

That night Uraume made something you would go on to beg them to make for years to come. And when Sukuna pulled you prone from your seated position on his bed, he took a firm fingertip and stroked the space between your eyes, one of his enormous hands encircling your skull and massaging your temples with his thumb and ring fingers. He traced the bridge of your nose to your forehead, the way you would stroke a cat.

Perhaps he thought this would induce drowsiness but all it did was make you feel all floaty inside at his silliness.

And for the first time since that night, you slept alongside him. Within his embrace, and when you awoke, Sukuna's eyes were closed.

[dykepuffs]

How Do I Make My Fictional Gypsies Not Racist?

(Or, "You can't, sorry, but…")

You want to include some Gypsies in your fantasy setting. Or, you need someone for your main characters to meet, who is an outsider in the eyes of the locals, but who already lives here. Or you need a culture in conflict with your settled people, or who have just arrived out of nowhere. Or, you just like the idea of campfires in the forest and voices raised in song. And you’re about to step straight into a muckpile of cliches and, accidentally, write something racist.

(In this, I am mostly using Gypsy as an endonym of Romany people, who are a subset of the Romani people, alongside Roma, Sinti, Gitano, Romanisael, Kale, etc, but also in the theory of "Gypsying" as proposed by Lex and Percy H, where Romani people are treated with a particular mix of orientalism, criminalisation, racialisation, and othering, that creates "The Gypsy" out of both nomadic peoples as a whole and people with Romani heritage and racialised physical features, languages, and cultural markers)

Enough of my friends play TTRPGs or write fantasy stories that this question comes up a lot - They mention Dungeons and Dragons’ Curse Of Strahd, World Of Darkness’s Gypsies, World Of Darkness’s Ravnos, World of Darkness’s Silent Striders… And they roll their eyes and say “These are all terrible! But how can I do it, you know, without it being racist?”

And their eyes are big and sad and ever so hopeful that I will tell them the secret of how to take the Roma of the real world and place them in a fictional one, whilst both appealing to gorjer stereotypes of Gypsies and not adding to the weight of stereotyping that already crushes us. So, disappointingly, there is no secret.

Gypsies, like every other real-world culture, exist as we do today because of interactions with cultures and geography around us: The living waggon, probably the archetypal thing which gorjer writers want to include in their portrayals of nomads, is a relatively modern invention - Most likely French, and adopted from French Showmen by Romanies, who brought it to Britain. So already, that’s a tradition that only spans a small amount of the time that Gypsies have existed, and only a small number of the full breadth of Romani ways of living. But the reasons that the waggon is what it is are based on the real world - The wheels are tall and iron-rimmed, because although you expect to travel on cobbled, tarmac, or packed-earth roads and for comparatively short distances, it wasn’t rare to have to ford a river in Britain in the late nineteenth century, on country roads. They were drawn by a single horse, and the shape of that horse was determined by a mixture of local breeds - Welsh cobs, fell ponies, various draft breeds - as well as by the aesthetic tastes of the breeders. The stove inside is on the left, so that as you move down a British road, the chimney sticks up into the part where there will be the least overhanging branches, to reduce the chance of hitting it.

So taking a fictional setting that looks like (for example) thirteenth century China (with dragons), and placing a nineteenth century Romanichal family in it will inevitably result in some racist assumptions being made, as the answer to “Why does this culture do this?” becomes “They just do it because I want them to” rather than having a consistent internal logic.

Some stereotypes will always follow nomads - They appear in different forms in different cultures, but they always arise from the settled people's same fears: That the nomads don't share their values, and are fundamentally strangers. Common ones are that we have a secret language to fool outsiders with, that we steal children and disguise them as our own, that our sexual morals are shocking (This one has flipped in the last half century - From the Gypsy Lore Society's talk of the lascivious Romni seductress who will lie with a strange man for a night after a 'gypsy wedding', to today's frenzied talk of 'grabbing' and sexually-conservative early marriages to ensure virginity), that we are supernatural in some way, and that we are more like animals than humans. These are tropes where if you want to address them, you will have to address them as libels - there is no way to casually write a baby-stealing, magical succubus nomad without it backfiring onto real life Roma. (The kind of person who has the skills to write these tropes well, is not the kind of person who is reading this guide.)

It’s too easy to say a list of prescriptive “Do nots”, which might stop you from making the most common pitfalls, but which can end up with your nomads being slightly flat as you dance around the topics that you’re trying to avoid, rather than being a rich culture that feels real in your world.

So, here are some questions to ask, to create your nomadic people, so that they will have a distinctive culture of their own that may (or may not) look anything like real-world Romani people: These aren't the only questions, but they're good starting points to think about before you make anything concrete, and they will hopefully inspire you to ask MORE questions.

First - Why are they nomadic? Nobody moves just to feel the wind in their hair and see a new horizon every morning, no matter what the inspirational poster says. Are they transhumant herders who pay a small rent to graze their flock on the local lord’s land? Are they following migratory herds across common land, being moved on by the cycle of the seasons and the movement of their animals? Are they seasonal workers who follow man-made cycles of labour: Harvests, fairs, religious festivals? Are they refugees fleeing a recent conflict, who will pass through this area and never return? Are they on a regular pilgrimage? Do they travel within the same area predictably, or is their movement governed by something that is hard to predict? How do they see their own movements - Do they think of themselves as being pushed along by some external force, or as choosing to travel? Will they work for and with outsiders, either as employees or as partners, or do they aim to be fully self-sufficient? What other jobs do they do - Their whole society won’t all be involved in one industry, what do their children, elderly, disabled people do with their time, and is it “work”?

If they are totally isolationist - How do they produce the things which need a complex supply chain or large facilities to make? How do they view artefacts from outsiders which come into their possession - Things which have been made with technology that they can’t produce for themselves? (This doesn’t need to be anything about quality of goods, only about complexity - A violin can be made by one artisan working with hand tools, wood, gut and shellac, but an accordion needs presses to make reeds, metal lathes to make screws, complex organic chemistry to make celluloid lacquer, vulcanised rubber, and a thousand other components)

How do they feel about outsiders? How do they buy and sell to outsiders? If it’s seen as taboo, do they do it anyway? Do they speak the same language as the nearby settled people (With what kind of fluency, or bilingualism, or dialect)? Do they intermarry, and how is that viewed when it happens? What stories does this culture tell about why they are a separate people to the nearby settled people? Are those stories true? Do they have a notional “homeland” and do they intend to go there? If so, is it a real place?

What gorjers think of as classic "Gipsy music" is a product of our real-world situation. Guitar from Spain, accordions from the Soviet Union (Which needed modern machining and factories to produce and make accessible to people who weren't rich- and which were in turn encouraged by Soviet authorities preferring the standardised and modern accordion to the folk traditions of the indigenous peoples within the bloc), brass from Western classical traditions, via Balkan folk music, influences from klezmer and jazz and bhangra and polka and our own music traditions (And we influence them too). What are your people's musical influences? Do they make their own instruments or buy them from settled people? How many musical traditions do they have, and what are they all for (Weddings, funerals, storytelling, campfire songs, entertainment...)? Do they have professional musicians, and if so, how do those musicians earn money? Are instrument makers professionals, or do they use improvised and easy-to-make instruments like willow whistles, spoons, washtubs, etc? (Of course the answer can be "A bit of both")

If you're thinking about jobs - How do they work? Are they employed by settled people (How do they feel about them?) Are they self employed but providing services/goods to the settled people? Are they mostly avoidant of settled people other than to buy things that they can't produce themselves? Are they totally isolationist? Is their work mostly subsistence, or do they create a surplus to sell to outsiders? How do they interact with other workers nearby? Who works, and how- Are there 'family businesses', apprentices, children with part time work? Is it considered 'a job' or just part of their way of life? How do they educate their children, and is that considered 'work'? How old are children when they are considered adult, and what markers confer adulthood? What is considered a rite of passage?

When they travel, how do they do it? Do they share ownership of beasts of burden, or each individually have "their horse"? Do families stick together or try to spread out? How does a child begin to live apart from their family, or start their own family? Are their dwellings something that they take with them, or do they find places to stay or build temporary shelter with disposable material? Who shares a dwelling and why? What do they do for privacy, and what do they think privacy is for?

If you're thinking about food - Do they hunt? Herd? Forage? Buy or trade from settled people? Do they travel between places where they've sown crops or managed wildstock in previous years, so that when they arrive there is food already seeded in the landscape? How do they feel about buying food from settled people, and is that common? If it's frowned upon - How much do people do it anyway? How do they preserve food for winter? How much food do they carry with them, compared to how much they plan to buy or forage at their destinations? How is food shared- Communal stores, personal ownership?

Why are they a "separate people" to the settled people? What is their creation myth? Why do they believe that they are nomadic and the other people are settled, and is it correct? Do they look different? Are there legal restrictions on them settling? Are there legal restrictions on them intermixing? Are there cultural reasons why they are a separate people? Where did those reasons come from? How long have they been travelling? How long do they think they've been travelling? Where did they come from? Do they travel mostly within one area and return to the same sites predictably, or are they going to move on again soon and never come back?

And then within that - What about the members of their society who are "unusual" in some way: How does their society treat disabled people? (are they considered disabled, do they have that distinction and how is it applied?) How does their society treat LGBT+ people? What happens to someone who doesn't get married and has no children? What happens to someone who 'leaves'? What happens to young widows and widowers? What happens if someone just 'can't fit in'? What happens to someone who is adopted or married in? What happens to people who are mixed race, and in a fantasy setting to people who are mixed species? What is taboo to them and what will they find shocking if they leave? What is society's attitude to 'difference' of various kinds?

Basically, if you build your nomads from the ground-up, rather than starting from the idea of "I want Gypsies/Buryats/Berbers/Minceiri but with the numbers filed off and not offensive" you can end up with a rich, unique nomadic culture who make sense in your world and don't end up making a rod for the back of real-world cultures.

[sunsburns]

imagine asking wade if he still likes you when he’s literally inside you LMAOOO I just know he’d be so flabbergasted

i know a normal people fan when i see one (18+, fluff)

but jokes aside, and dicks inside, wade would likely get whiplash; his head turning so fast he can hear a crack in his neck, staring at you like you're crazy because just seconds ago you'd been running your gentle hands over his skin. your fingers brush against the divots of his scarred skin, your cheek pressed to his chest, humming softly, close enough that your lashes tickle whenever you blink.

wade's a little out of breath, sticky with sweat, and miraculously, rendered speechless. to others, a rarity, but with you, while still rare, is more frequent, especially after sex.

sure, he drops a joke or two, but there is a window where wade likes to sit there, holding you, skin against skin, in silence; listening to the sounds of your shaky breaths as you come down from your high, the sounds of the bedsheets ruffling with slow movements from the both of you, even the sounds of the old crackly fan on his ceiling.

and so, in that small window of silence, the two of you lay there in a warm embrace, listening to each other's heartbeats as wade's dick slowly softens inside you.

but then that small window starts to close, the silence breaking with you. you shift, turning to press your chin against wade's chest while looking up at him, "hey," you whisper, a smile growing against your lips.

"hi," he whispers back to you, but he continues to stare at the window, watching the soft light of the rising sun peeking in through the white lace curtains you picked out, a part of you in the dingy apartment he shared with blind al.

"we've officially gone at it all night. fucking like rabbits. and i can't believe i'm saying this but, i'm fucking spent. i might need a few weeks to recover. i asked for a bone and you threw a whole skeleton at me, peanut."

you snort, rolling your eyes, "yeah, right."

"okay, fine, a week is too long." wade hums, he finds your hair and runs his hand over it, twirling a strand around his finger, "i'll be good as new by tonight or at least by the time you scroll to read another fic of me, of course."

you're still staring at him, and wade, ever the observant, notices. he shifts, sits up, holds onto your waist, and brings you up with him. you have to bite your tongue to hold back a moan, sensitive to the way he's touching you, the way his dick keeps you full.

wade raises his brows (or at least, where his brows would be), "what? is there something on my face? i know i'm ugly but i thought we were past that. your staring is making me a little self conscious, sweetbuns."

"wade?"

"yes, cupcake?"

"do you like me?"

"what-?" he stares at you, eyes wide and nearly popping out of his head. "do i- what? what the fuck kind of stupid ass fuck ass question is that? you think i don't like you? we literally fucked all night. literally did every position in the book. i let you peg me! you might be the only person on earth that matches my freak-"

"yeah, i know but-"

"bitch, i'm literally still inside you."

that's when you can't help but laugh, grinning against his neck when he wraps his arms around you and pulls you closer. you love the way his body emits warmth, and you wrap your legs around his waist, pulling him even closer like you want to live inside his skin.

wade holds you, his cheek pressing against the top of your head. and he groans loudly when you say, "you never answered my question."

"oh my god," he huffs dramatically, "of course i fucking like you. like no shit."

"okay, great. i was just making sure."

[not-neverland06]

the newlyweds

Pairing ˏˋ°•*⁀➷ Logan Howlett x fem!reader (Flux)

a/n: I wrote this at 3 AM and I'm also pretty sure I'm sick, so bare with me. Based on this: ask

You know Logan can't stand you, but it doesn't stop the way you feel about him. Your mind recognizes the hate in his eyes whenever you're in the same room, but your heart can't. Finally, you come to terms with the truth: it's never gonna happen. However, your newfound resolve is flipped on its head when you're forced to go undercover with him as newlyweds. Your new wedding ring is a noose and you don't know how you'll survive it or him.

You stumble forward as someone knocks into you from behind. Their shoulder jams painfully into your ribcage and you trip into the wall in front of you. “Shit,” you hiss, rubbing your back and turning around to glare at whoever it was. You figure it's a kid skipping class, imagine your surprise when it’s a fully grown man practically growling at you. 

“Where the hell am I?” He darts forward, grabbing you by the arms and jerking you towards him. “Who are you people?” You’re stunned into silence, eyes wide with shock as he pushes your spine into the wall behind you. 

You recognize him now. This is the man who was with Rogue in the truck you, Ororo, and Summers rescued. The only reason you don’t toss him across the room and rip his spine out through his throat is because you know how disoriented he is. Though, with the way his claws threaten to pierce your skin, you are tempted to. 

“Ah,” a familiar and welcomed voice sounds out from beside you both. “I see you’ve met Flux.” Charles rarely ever uses your actual name, mainly introducing you through your X-Men persona. It’s a preference of yours. 

The man’s eyes dart between you and Charles, and your own turn into slits the longer he keeps his tight grip on you. “Wanna let me go now?” You demand voice practically a growl. Your patience has never been wonderful, but he’s really working on your last nerve. 

He blinks, seemingly coming back to himself. With an almost regretful look, he lets you go. You sigh in irritation, straightening your shirt out and shoving past the corner he’s pushed you into. “Who the hell is this?” You snap, moving to stand behind Charles. 

He gives you an apologetic look, “I’m not sure. He hasn’t introduced himself yet.” He gives the man an expectant look. Instead of answering he glances around, and scoffs. 

“What is this, summer camp? You people don’t need to know me, I don’t need to know you. Just show me how to get the fuck out, alright?” Finding Charles’ school had been heaven on earth. He’d provided you with a home and a haven you never thought you would have the privilege of. You’d never shown anger in the face of his guidance or generosity. But many have. 

You can tell, as much as the man in front of you might believe otherwise, he’s going to be enjoying the comfort of Charles’ protection soon. You move to the side, leaving them to their conversation. Instead, you focus on keeping the kids away from the newest form of entertainment. You usher them towards their classes, despite their reluctance. 

The other members of the team soon join you all, introducing themselves. “Storm, Cyclops,” he scoffs a little at Scott’s name and you feel a reluctant smile tugging at your lips. He turns towards you, brows furrowed inquisitively, “Flux?”

“Matter manipulation,” you explain bluntly. He shrugs his shoulders giving you a blank look. Sighing you hold out your hand and gesture to Charles’ desk. With a flick of your wrist, it melts into an unnatural form of liquid wood. Logan’s eyes widen and you can’t help but finally let the full smile form on your lips. “Flux was just what fourteen-year-old me thought fit best.”

He nods, turning back towards Charles with a smarmy grin. “And what do they call you, wheels?” Your eyes widen with shock and an unbidden laugh surges forth. Charles sends you a playful glare and you have to turn around to keep from laughing more. 

You’d thought you wouldn’t like this one. It’s always bad when there’s a member on the team you don’t get along with. It’s not common, but it has happened. They simply keep you separated if they can. The school is wonderful, but it’s not perfect. Not everyone will like each other. You think you and Logan will get along just fine, though.

It started slow, barely noticeable at first. You didn’t know him well enough to understand that the way he treats you is completely different from how he treats everyone else. Where your greetings are brushed off with cold shoulders or the occasional glare, others at the very least get a brief mumble of hello. When you speak, you can practically feel the irritation wafting off of him in waves. You taste his hatred in every interaction. 

There’s no exact moment you can pinpoint where you went wrong. Sure, your introduction to one another was rocky at best. But he’d nearly thrown Jean across the room when they first met and they got along just fine. 

You’ve thought about it, for far too long, about what makes you different than the others. Is it your smile? The pitch of your voice? Of course, you understand that sometimes there are just people that you meet and something inside you hates them. There’s never a true explanation behind the feeling, just instinct. 

But you can’t place what about you would make someone so guarded, so mean. It feels like such a childish word, like too simple of a way to explain Logan. The very least you know about him is that he can never be summed up with the word simple. There are secrets buried deep within him, some he knows, others he doesn’t. You can’t just slap a label on him and walk away. 

More often than not, though, you feel like you’re talking to one of your childhood bullies and not a team member. Because, despite your own feelings towards him, at the end of the day you are team members. There’s no getting around it. From that connection comes, what should be, a base level of respect. 

You’re both in charge of protecting one another and looking out for each other on the field. That means when you put on the suit, you’re putting aside petty grievances. But he seems incapable of that as well. 

You’ve spent mornings practicing your greetings, trying to tone down your cheeriness or inflect your voice with a more welcoming timbre. You’ve changed how you dress, how you do your hair, even your makeup. And at the end of it all, you still got the same miserable look and distinct feeling of worthlessness. All of the change has been temporary, you are a creature of habit. Inevitably, you slide back into the same habits and styles that make you, you. 

You feel stupid, trying to change yourself to better fit someone else's tastes. Especially when it’s someone who so clearly despises you. It’s not how you carry yourself, how you look, it’s the mere fact you exist that bothers him. At least, that’s the conclusion you’ve come to in all your months of experimenting. 

It truly shouldn’t bother you so much. There’s always going to be people who don’t like you. There’s nothing you can do about it. And you’ve never had that desire to change other's opinions on you. But something about Logan has dug its claws under your skin and has refused to let go. You can’t get him out of your head, even when you feel like you hate him, he’s all you think about. You’ve considered asking Jean to use her abilities to somehow dig him out of your brain and keep him out. But you don’t think that would work either. 

You step into the kitchen and nearly freeze in the doorway. Logan sits at the island, back to you as he reads the newspaper. You find yourself lightening your steps, quieting your breath. You make yourself as inconspicuous and convenient as possible. Every time you catch yourself doing something like this, you hate yourself just a little bit more. 

You shouldn’t have to alter parts of yourself to better fit someone else’s needs. You slip along the tiles, your socked feet slamming into the corner of the counter as you pass it. “Shit!” You shout, doubling over as you clutch your throbbing toes. 

So much for being inconspicuous. 

Logan’s head shoots up in shock as he glares over his paper at you. You let out a strained whimper, reluctantly releasing your foot and hobbling towards the coffee pot. You’ve taken more bullets than you count, and somehow that still hurt worse. 

You can’t just ignore him, you feel his stare burning into your back, and it feels too dickish-too much like him, to not say anything. “Morning,” you mutter over your shoulder, barely looking at him. You pour your coffee, trying to ignore how daunting the silence seems. You might as well be alone in the room for all the attention he’ll grant you. 

You feel like a beggar, on hands and knees just for a simple hello. Ever since his first night here, he’s been so aloof with you. It’s only devolved since then. You sigh, slamming the mug onto the counter. Something in you has snapped this morning and it’s not just the bones in your foot. You’re sick of this. 

You shouldn’t have to walk on eggshells around him. He’s not a toddler, he doesn’t deserve to be coddled and catered to. He’s a grown man, an X-Men for fuck’s sake. What he needs, is to learn a little emotional regulation. 

You turn, mouth open and sucking in a deep breath as you prepare your speech. The island is empty as you face it, his stool in the same place it had been while he was on it. The paper lies abandoned, even his nearly full mug is still on the granite. 

You scoff, snapping your jaw shut and rolling your eyes. “Jesus,” you mutter to yourself. Wonderful, even the same room is too much for him now. Something bitter has been forming in your mind. A rage building from weeks of unprompted cruel behavior. 

Yet, somehow, the thing that pushes you over the edge from interest to resentment is the fact that he didn’t say good morning back. 

You teach history at the school, but the majority of your role at the mansion is to train children with powers similar to yours. You’ve never met a mutant who had such a broad scope with their abilities as you do. Some can turn water to ice, control the blood running through someone’s veins, or make the air around them a solid block. But you’ve yet to meet one who manipulates anything with matter the way you do. 

Still, for training, you deal with the unreliable, untameable, and generally more dangerous abilities. And sometimes for training, you work with other teachers and let your kids practice on each other. It’s a rotating schedule, and unfortunately, the week you’ve decided you hate him, you’re partnered with Logan for training. 

You’ve got the entirety of Charles’ backyard, which is essentially the size of a football field. It’s a lot of room for accidents and accidental misfires. You stand in front of the pond, admittedly a risky choice with these kids, and direct them all to their partners. 

“Remember, the goal of this isn’t to maim each other,” you give a particularly pointed glare towards Billy. He’s caused a lot of problems lately with his fires. “It’s just to learn how to wield your abilities to your advantage, to protect yourself and your team.”

You look to Logan, seeing if he wants to add anything or contribute to the class in some way. He just keeps his arms crossed, glowering at all the children like he’s imagining skewering them on his claws. Rolling your eyes, you turn back to the kids. “Let's start with the hand-to-hand maneuvers we went over yesterday before we practice with our abilities.”

“Why don’t you show us?” Your head whips towards Billy and you can’t help the sneer on your lips. He’s sat on the ground, legs crossed leisurely over each other. He doesn’t have a care in the world as he taunts you. 

“What?” You grit out, glaring at him.

“Show us what a balanced fight should look like between mutants. You and Logan,” he nods to the aforementioned man. Logan just quirks a brow, glancing at you before turning back to Billy. 

“I don’t think-”

“Fine.” You gape at Logan as he tugs his jacket off. He shrugs as he looks at you, moving towards the middle of the field. Of course, he wouldn’t pass up the opportunity to try and pummel you. You’re sure that he’s just been waiting for an excuse to fight you. 

“If that’s what you want,” you mutter bitterly. You pull off your sweatshirt and start walking towards him. 

“Your cuffs,” Billy calls out from behind you. The other students all watch the interaction with rapt attention. They’re practically salivating at the chance to see you two fight each other. Meanwhile, Billy just seems like he wants to see someone bleed. 

The metal cuffs around your wrists are the only thing that stops you from leveling the entire school. Your abilities are so tightly entwined with your emotions that one unlucky bout of anger can lead you to vaporizing everyone around you. They dull your abilities just enough to still be useful but not deadly. You haven’t taken them off in years. And perhaps it’s wrong to lean so heavily on them for protection, but you have. That’s your cross to bear. You don’t even want to picture what will happen if you open that dam. 

“What?” Billy shrugs, sending you a sharp smirk. “How are we supposed to trust you, if you can’t even use your own damn abilities?” He snorts and narrows his eyes at you, “How the hell did you even become an X-Men, Flux?” His name rolls off your tongue with a sharpened venom. 

He oozes hatred and a burning resentment that catches you off guard. It’s too much to process the insults he’s hurling at you and the sudden one-eighty in his personality. You don’t even hear Logan coming until his fist is wrapped in Billy’s collar and he’s yanking him off his feet. 

He dangles him, just a couple of inches, off the ground, teeth practically bared at the kid. “Wanna keep talking, mouth?” 

“Log-” You’re cut off as a fireball shoots out of Billy’s palm and explodes against Logan’s gut. You gasp, throwing up a wall in front of the other kids so it can’t hurt them. “All right,” you call out sternly. “Everyone inside,” you demand, pointing the other kids back towards the manor. 

You linger with Logan, who still has Billy dangling from his fist, only he looks even more pissed off now. Anyone else, and they’d be dust at Billy’s feet. But Logan isn’t anyone else and the only collateral seems to be his shirt. 

Not that you mind the view. 

Billy hasn’t been here long enough to know what Logan’s abilities are, though. You don’t think he actually knew he could heal. The thought alone is worrying enough that you don’t force Logan to let him go. “We need to get him to Charles,” when Logan doesn’t move you put more force behind your voice, “now.”

Logan lets out a low huff before placing Billy back on his own two feet. He doesn’t let him go far, though, keeping his hand around the back of his neck and dragging him forward. You follow behind them, making sure he doesn’t rip him to pieces before Charles can speak with him. 

You sit outside Charles’ office, fingers tapping restlessly against your thigh as you stare at the mahogany walls in front of you. The red velvet of the seat is too soft and you find yourself slipping to the edge every few seconds. It’s too soft, too luxurious, your back aches the longer you wait. 

Charles had instructed both you and Logan to wait for him to finish up with Billy. It’s been nearly an hour, though, and you’re growing restless. You can tell Logan feels the same way. He’s pacing the hall like a caged lion about to rip the arm off its keeper. 

“How are you?” You blurt out, desperate for something to fill the silence. He stops abruptly, whipping around to face you. You flinch back slightly at the intense glare he’s sporting. “Your stomach, I mean,” you gesture towards the scorch marks on his shirt, the soot on his abs. 

It’s been a practice in self-control to not just be staring at his wonderfully sculpted muscles flexing this whole time. You’re pleasantly surprised with how well you’ve been doing so far. Though, now with him facing you, you’re finding it incredibly hard to meet his eye. He’s such an imposing figure, especially when he’s standing over you like this. 

“Fine,” he barks out, turning back around and effectively ending the conversation. Your eyes narrow and you scoff, god, why do you try?

The door swings open and you expect Billy to come running out crying with his tail tucked between his legs. Instead, you hear the familiar whirl of Charles wheels as he rolls into the hall. He faces you and Logan, a strained smile on his face. 

“Where’s Billy?” You slowly get to your feet, peering into his office. Your confusion only grows when you find it empty. 

“He’s away from the other children for now. He’ll need private lessons before we allow him near them again. And if that doesn’t work, we have no choice but to expel him.” You can tell it hurts Charles to say that. 

He does genuinely want the best for these kids. He wants mutants to have a home, a place where they can be themselves without fear of retaliation. Sometimes, though, it doesn’t work out. There’s nothing wrong with that, you all try your best to help the kids. But some of them have been so twisted by the world around them that there’s no undoing the damage. When they pose a risk the way Billy does, the other kids come first. 

Logan scoffs with distaste, stalking closer to Charles. “He tried to kill me, fucking tried to get Flux to take her cuffs off.” He gestures towards you, for once, though, you don’t feel like you’re being attacked. Even he can understand the dangers of that demand is idiotic. It’s clear Billy only wanted to watch everyone around him get hurt, he didn’t care about the consequences. 

Charles holds up a pacifying hand, nodding his head and dismissing Logan’s concerns. “I’m quite aware of what happened, Logan. But Billy is my responsibility and he’s not the reason I needed to talk to you both.”

He rolls back into his office, expecting you both to follow him. You fall in line behind him, taking a seat at his desk. Logan takes another minute to join you both, a reluctant scowl on his face as he sits beside you. Charles waves his hand, the door closing and providing you all with a little bit more privacy. 

He reaches into a drawer on his desk, pulling out a thin manilla folder. He pushes it towards both you and Logan. You share a confused look with Logan before flipping the file open. There are a few pictures of a stereotypical suburban neighborhood. Bright green laws, uniform driveways, each house looks the same as the last. 

There are a few more pictures, all of them taken from an awkward distance that makes it hard to determine what you’re looking at. You pass the pictures to Logan and shake your head at Charles. “I don’t understand, what is all this?”

“Your next mission,” he informs you both with a strained smile. 

Logan’s head shoots up, eyes narrowing in on Charles. “Excuse me?” He demands, his voice a growl more than anything. 

“There have been some disturbing rumors about this neighborhood. Mentions of a possible mutant trafficking ring being conducted behind closed doors. Normally, I would dismiss such claims. Oftentimes these are just ways to bait and snatch mutants. However, my own attempts at telepathic investigation have been thwarted. Even with Cerebro, I can’t seem to breach the neighborhood.”

“Something’s blocking you?” You ask, snatching the pictures back from Logan to get a better look. He tosses the folder back on the desk, muttering something you can’t hear. 

“Or someone. I’m worried there might be some truth to these rumors. And since I can’t find a safe way in, I need your help. You only need to do some reconnaissance. The only problem is how gated the community is. They’re not going to let anyone in unless they live there.”

Charles gives you both a cheekily expectant look. The truth is so hard to swallow that you almost can’t process it. “No,” you mutter, shaking your head and smiling, waiting for the punchline. When one doesn’t come you get up from your seat and give him a disbelieving look. “You want us undercover?”

Charles pulls out a key and smiles widely, “Congratulations on your new home, newlyweds.”

Logan shoots up from his seat, it wobbles precariously, nearly toppling to the ground.  “You want me to move into a house with her?” He spits out the sentence like it pains him to even have it in his mouth. A disbelieving smile spread across your cheeks, sardonic laughter slipping through parted lips. “Why can’t I do it with Jean? Or better yet you just get some other asshole to play her husband?”

Your heart stutters to a stop and you quickly rip your eyes off the pair. The stung worse than you think it should. Your heart aches, each beat painful. You feel like someone’s punched through your chest and ripped at all the tender bits. 

“I have chosen you,” Charles loses all humor from his voice. He is stern, like a father scolding his child, as he speaks to Logan. “And that’s the end of it. Besides, I don’t suppose that Jean’s fiance would appreciate her playing house with another man.” He places heavy emphasis on fiance, enough to get Logan to purse his lips and look away from him.

You speak up, your voice a surprise to them both. You claw through the lump in your throat, ignoring the hot burn behind your eyes. “I’m not doing this. Especially not with him,” you force the words out, wiping roughly at your cheeks. “Shit,” you hiss, looking down and trying to hide the tears that have slowly trickled down. 

You don’t allow either of them to argue, running out of the door and ignoring the calls of your name behind you. You can’t do this. Can’t pretend to be in love with Logan, not when he hates you. Not when it’s so close to the truth. 

Evidently, Charles didn't feel like giving either of you a choice.

You drum your fingers along the door handle. The cab of the truck rattles as the trailer drags along behind you. The trees have begun to thin out on the road, and more shopping centers pop up than you’ve seen this whole trip. It’s the how you know you’re getting closer, that and the map on Logan’s thigh. You steal glances at it because he refused to let you help him navigate. 

Besides the occasional ask for a bathroom break and refuted offer of switching drivers, the four-hour road trip has been quiet. You tried to turn the radio on earlier but he’d shut it off nearly immediately. He claimed that the pop shit they play makes his ears ring. 

You were almost tempted to turn it up to full volume if only to torture him a little bit. 

Logan’s rough voice jars you out of your head, “I’m going to need to know your real name.”

You frown, brows furrowed in confusion. Had you still not given him your actual name? He’s always referred to you as Flux, but you just assumed that’s because he didn’t want you to be an actual person in his eyes. It’s easier to hate someone if you can distance yourself from the idea of them having actual feelings. Still, you can’t believe he never asked someone for it. 

It just shows you how little he cares for you. Reluctantly, you give it to him. He hums, something pensive pinching at his face. “What?” You snap, waiting for him to insult you. 

He just shrugs, “It’s pretty,” he mutters, so quiet you almost don’t hear him. You don’t even know how to respond to that, so caught off guard by a genuine compliment that you just choose to ignore it. You doubt he meant it, anyway. He might think the name is pretty, but he doesn’t hold the same opinion of the person connected to it. 

You sink back into the silence, finding it more comforting than jarring now. You’d prefer the familiar feeling of him ignoring you than the abrupt turn in character. He glances over at you, something like regret on his face as he sighs. 

Thankfully, he doesn’t say anything else. Instead, in what feels like an extension of an olive branch, he turns the radio back on. He keeps the volume low, so it doesn’t bother him so much. But at least there’s something to listen to besides your breathing. 

You turn back towards the window, a white sign surrounded by daises coming up as Logan slows the truck down. He flicks on his turn signal, pulling up to Storybrook Walk. He stops in front of a large wrought iron gate and jumps out of the truck. He runs up to a black metal box, flipping the lid open and typing in the code Charles gave you both. As he gets back in the truck, the gate swings open widely. 

You pull your rings out of your pocket and slip yours on. “Here,” you urge, holding Logan’s ring out to him. He huffs, glaring down at it before snatching it out of your hand. He balances his hands atop the wheel, slipping the ring on his left hand. 

The neighborhood is picture-perfect suburbia. The lawns are bright green and manicured to perfection. You can hear children laughing as they play in their backyards and draw out a hopscotch grid on the sidewalk. Women and men who look like they’re straight from the fifties stop on the sidewalk and wave as you drive through the gated community. 

You mouth the numbers on the mailboxes to yourself, sitting up straighter when you’re one house away from your new home for the next few weeks. “Hey,” you frown, noticing a large congregation of people in the driveway of 1220. “This is our house isn’t it?”

Logan frowns, stopping the truck just before pulling in so he doesn’t hit anyway. “Supposed to be.” He glares at the people suspiciously, “Stay here, alright?”

You nod, watching him as he jumps out and rounds the front of the truck. You roll your window down, fingers dancing along the metal of your cuffs. There’s no way you’ve been found out before you’ve even gotten a chance to investigate. 

“Hey!” Logan’s voice is scary on a good day, but when he feels threatened, it’s enough to frighten a grown man. You can see the people flinch slightly away from him. That’s when you spot the wrapped cookies in a blonde woman’s hand and see children hiding with balloons on the porch. 

“Oh, fuck,” you mutter. You throw the door open, racing after Logan before he does something stupid. “Howdy neighbors!” You shout, speaking over him before he gets a chance to say anything else. You rush up to Logan’s side, nearly out of breath in your haste to get to him. “Is this our welcoming committee?”

You glare up at him and his eyes narrow as he sees the same thing you did. “Shit,” he mutters under his breath. 

“Smile and wave,” you whisper through gritted teeth. His lips peel up into something terrifying and it takes everything in you not to flinch back. “What the fuck is that?” You mutter.

“A smile,” he hisses, glaring down at you in irritation. 

A blonde woman steps forward before you can continue your hushed argument. “Welcome!” She calls out in a heavy southern accent, throwing her arms open with a bright smile. She walks as fast as she can in her tight skirt and kitten heels, coming over to embrace you, the casserole in her hand balancing precariously behind you. 

She tugs Logan down into a hug, pressing a kiss to his cheek and staining the skin red. “Surprise!” The kids on the porch jump out with balloons and flowers and she winces. 

“A bit late on the delivery,” she waves it off with a faux chuckle. “But we don’t mind ‘cause they’re so darn cute.” She is very… loud. There’s something about her that is meant to be charming but puts you on edge. She’s got all the familiar characteristics of a woman you’d love to be around, but she’s executing it like someone playing a character. “Shiela,” she holds out her hand, perfectly manicured nails shining bright red. 

You take her hand introducing yourself, “And this is my husband, Logan. Forgive him for his tone, we had an accident on the highway earlier. We’re still a little on edge.”

“Oh no,” she gasps, pressing her nails to her chest and even that seems plastic. “What happened?”

Years of bullshitting your way through school presentations are finally coming in handy.  You think quickly on your feet, something these people would despise. You need something that endears you to them, “Tire blew out and someone tried to raid the trailer while we were fixing it.”

She lets out a disapproving hum and the throng of people behind her echoes it with disturbing harmony.  You find yourself leaning closer towards Logan, feeling like you need to defend yourself against them. You know they’re only an overzealous HOA committee, but there is something uncanny about them. 

Sensing your discomfort, Logan wraps his arm around your shoulder, tugging you into his side. You have to school your features into one of neutrality. You’re supposed to be newlyweds, this is normal behavior for you. His touch feels like ice water being tossed over you, though. His willing embrace makes your head swim with distaste and skepticism. 

“Well,” a man steps forward. He’s conventionally handsome, with brown hair cropped short, slight stubble on his cheeks, slacks, and a button-up that he fills out nicely. His smile, however, stretches too wide and shows too many teeth. A shiver crawls up your spine as he places his hand on Shiela’s shoulder. “You won’t have to worry about people like that here, that’s for sure. John,” he offers his hand to Logan, bypassing you completely. “Head of the HOA here at Storybrook.”

“Nice to meet you, John” Logan falls just short of sincere. He towers slightly over John and you can see that he’s squeezing his hand just a bit too tight by the wince of Jouhn’s face. You dig your elbow into his side and he drops his hand immediately. 

Your gaze drifts over their shoulders and your stomach drops. The people behind them all hold dishes full of food and gift baskets. Their smiles are pinned to their faces, never once flinching out of place. There’s no joy in their eyes, though. They’re glazed over like they’re a million miles away. You would think they were mannequins before you even considered them human. 

“Long drive?” Shiela asks, your eyes dart back to hers only to find her intense stare already wholly focused on you. 

“Yeah,” you answer, clearing your throat of the panic rising in it. “We’re gonna have a fun time unloading this,” you laugh humorlessly, motioning towards the trailer.

She waves her hands in dismissal. “Don’t you worry about that, hun. That’s what neighbors are for after all.” She looks behind her, snapping her fingers a few times. The other’s start going towards the trailer and you feel Logan tense under your touch. 

A kid reaches it first, they manage to unlock it before you shout, “No!” It’s too loud, echoing through the street and making you clench your eyes shut in embarrassment. You turn back towards Shiela and John, both of them wearing shocked expressions. You chuckle awkwardly, “There’s just a lot of family heirlooms. I don’t want to risk them being damaged.” There are no heirlooms, just empty boxes and surveillance equipment that you'll have no chance of explaining away.

Shiela purses her lips into a tight smile, eyes turned to slits as she nods. “Of course,” you know she doesn’t believe you for a second. “Well then, we’ll just take all this inside.” She snaps and the others take their casseroles and gifts and begin flooding towards your front door. Shiela and John walk behind them, herding them all into a straight line. 

You let go of Logan immediately, glaring at the door of your home. Shiela holds a key in her hand, unlocking it and letting everyone inside. You scoff and shake your head in disbelief. “What the actual fuck?” You hiss. 

Logan just shakes his head. “Fucking bizarre, what the hell is wrong with these people?” He starts back towards the truck and you follow him. “I almost prefer the welcoming committee at the manor.”

You roll your eyes, “I was your welcoming committee,” you grouse. 

He shrugs, “I know.” You swat lightly at his shoulder and relatch the trailer’s lock. You linger by the mailbox as Logan pulls the truck into the driveway. He’s getting out just as the others finally leave your house. 

Shiela walks back towards you and you gesture towards the keyring in her hand. “Got a key to my house?” You play it off as a joke but it’s incredibly disturbing to know she could walk in at any minute. 

“Of course,” she smiles and shrugs it off like it’s the simplest thing in the world. “For the safety of everyone here.” Her smile drops and she takes an imposing step towards you, “Inspections are every Wednesday at noon.” Your jaw drops in astonishment and you choke on your words. She cackles loudly, face breaking out into a smile once more. “I’m just kidding, honey! God, your face, you’re too gullible, sweetheart.”

You force out a chuckle, smiling as much as you can force. “Of course, silly me,” you barely make it sound believable. This is going to be much harder than you thought. 

“Well,” John comes up behind her, guiding her away from you. “We’ll get out of your hair now. Welcome, neighbors!” The others around them all call out a Welcome as they drift across your lawn and head back to their own homes. 

Logan walks up to your side, the both of you keeping stilted smiles on your faces, waiting for them to just go away. But they pause at their doors, in almost perfect synchronization they turn and wave at you both. You back further into Logan’s chest and his grip on you tightens. 

“What. The. Fuck.” They step through their homes at the same moment and you feel sick to your stomach. There is something seriously wrong here, you’re not sure you want to find out the truth of it. 

You leave Logan to unload the trailer while you unpack the boxes. You’re forced to do it all by hand while the front door is open. You can’t risk someone stopping by for a visit and seeing you float the couch through the middle of the living room. You’re stumped on how to set up the surveillance equipment. Shiela doesn’t seem like the type to understand boundaries when it comes to popping by for a visit. 

You’re just going to have to keep most of it upstairs and set up some cameras on the porch. You don’t doubt that she’ll abuse that key of hers as she sees fit. You can’t imagine how anyone could stand living in this neighborhood. Having no privacy seems like a nightmare. Especially when the commander of the HOA is John and Shiela. They seem like the type to fine you over a rosebush. 

Logan grunts, dragging in the couch. He pushes it through the doorway and kicks the door closed behind him. The second it’s closed he drops the act and picks the couch up with one hand. “Where do you want it?” 

You point towards the back wall of the living room and he drops it with a small groan. “We’re going to need to put cameras out on the porch,” you inform him, still digging through the box. He walks behind you, heading for the fridge and digging around in it. 

“Fuck,” he mutters. You look up, watching as he tosses aside casserole after casserole. “They didn’t bring any beer?”

You laugh a little and get up, heading towards the cooler you’d packed. “They don’t seem the type.” You lean over, digging around through the melted ice until your fingers brush against cool glass. You straighten up, sending him a coquettish smile. “Want a beer after all that hard work, darling?” You taunt, playing the perfect housewife. 

He scoffs and holds his hand out, snatching it from the air as you toss it at him. He pulls the cap off with his teeth, spitting it out into the sink. “And a sandwich while you’re at it,” he demands roughly. 

If you weren’t a connoisseur of dry humor, you wouldn’t have recognized the joke for what it was. Still, you’re almost too shocked he even bothered to play along with you to laugh. Almost, you can’t help the slight chuckle that slips out.  

He throws himself on the couch, taking a deep swig from the bottle, and the moment feels remarkably domestic. You suppose that it should. That is the whole reason you’re here after all. But you hadn’t expected even a singular pleasant moment with Logan. 

This, playful banter and a shared joke, that’s all you could ever want from him. You would settle for this if it was all he was willing to give you. But he can’t even grant you that. This is one outlier in a long list of rude remarks and dismissive behavior. You can’t let yourself be so easily swayed. 

“I might try and get some cameras on the other houses,” Logan remarks from the couch. He kicks his feet on the coffee table and you click your tongue at him, motioning towards his shoes. With an aggrieved sigh, he undoes the laces of his boots and kicks them off. You glare at the dirt that flings across the carpet but a quick wave of your hand makes it disappear. 

“Don’t bother with the cameras. They’ve all got security.” You turn away from the box you’re unpacking with a pensive frown. “They’re all covered by the same company, too. All of them. Isn’t that weird?”

He scoffs and shrugs. “Anywhere else, yeah. But I’m pretty sure they piss at the same time here.” Your nose wrinkles at his crude words and you roll your eyes. 

“Take this seriously.”

He huffs out a laugh, “I am. Didn’t you see them earlier? They only breathe because Shiela lets them.” You take a seat at the kitchen table, uncomfortable attempting to take a spot on the couch. He sighs when he sees the expression on your face, finally dropping the dismissive attitude. “I’ll just be smart about how I set up our cameras, alright?”

You just nod, reaching for the box of your essentials on the table. It’s strange to be sitting beside him, talking to him. You’ve never gotten more than two words out of him. This is so far out of your normal comfort zone that you feel like you’re crawling out of your skin trying to escape. 

“I’m going to go to bed,” you announce awkwardly, shooting up from your seat at the table. 

The beer pauses halfway to his lips and he gives you an odd look. “Okay?” He responds slowly, not sure why you’re telling him this. You open your mouth, and almost tell him to have a good night, but change your mind at the last second. 

You move towards the bedroom near the front door, “Flux,” you turn slightly and he shakes his head. “Take the one upstairs.”

Your brows furrow, “Why?” You demand, an attitude edging its way into your voice. 

“So if Shiela busts down our door I can protect us,” you know he’s teasing, but the sentiment is nice. “And so I don’t have to set up the surveillance shit upstairs,” your face drops and you roll your eyes. There it is. 

“Dick,” you mutter, storming towards the stairs, your boxes hovering along behind you. His laughter follows you up the stairs, even when you slam the door shut. Although, when you take in the room, you can’t find it in yourself to complain for a second about it. 

While Logan is screwed with the teeny guest room downstairs, you get the largest bedroom you’ve ever been in all to yourself. The closet could practically be another bedroom. The bath is more like a jacuzzi than it is a tub.

A four-poster bed sits against the wall, the fluffiest comforter ever becoming you forth like a siren. There’s even a table in the middle of the room, with a chair, perfect for setting up as your desk. 

You scoff in astonishment, “Oh, I could get used to this.” You place your boxes on the table and start pulling out your clothes. You toss yourself on the bed, bouncing against the sheets, and throw pillows go flying everywhere. You flick your wrist, all your essentials flying out of the boxes and sorting themselves out. 

After a luxurious soak in the tub, you’re spread out along the bed, the limited information from Charles's file spread out before you. There are only a few blurry pictures of the neighborhood and a typed-up page of everything he’s heard about Sotrybrook. There’s nothing even remotely useful here. 

You sigh, tossing the file to the floor and looking out the large window of your room. You’ve got a camera placed on the sill, programmed to take a picture anytime there’s movement. You doubt you’re going to get much from that. The secrets of this place seem to be buried deep. You’re gonna have to get real friendly with your neighbors if you want to get out of here fast. 

Logan is on the computer, trying to sync all of the cameras up. You clean up the dishes from breakfast and tidy up the kitchen. You’re trying to decide how you should start investigating when there’s a dainty knock on the door. 

Your brows furrow and you peer around the cupboards to look at the door. Logan’s head lifts and he shares an odd look with you. He gets up from the couch and glances through the peephole. 

You drop the towel on the counter and frown as his shoulders slump forward. Something pinched appears on his face and he sighs. “What?” You hiss at him.

He turns and glares at you, “You’ll see.” You shake your head in confusion as he throws the door open. 

His attitude makes a lot more sense when you hear a very happy, “Howdy!” Shiela stands in your doorframe, three women hovering behind her. At least they look awake, unlike the people from last night. A redhead with the most gorgeous waves you’ve ever seen holds beach towels in her arms. A brunette with flawless brown skin carries a jug of lemonade. And a woman with black hair and a perfect figure is carrying a plate of cookies. 

All of these women are wearing bathing suits that look like they’ve been snatched out of a fashion magazine from the sixties. Each of them is gorgeous, alarmingly so. They’re beautiful to the point of being flawless. As you walk out of the kitchen and take a step closer, Shiela welcomes herself into your home. 

You don’t even think you see pores on their faces. Each of them offers you the same practiced smile that you force yourself to return. “How are you settling in?” Shiela demands, not asks. 

“Um,” you look to Logan for help but he’s just as perplexed as you are. “Just fine, Shiela, thanks. What are you all doing?”

The redhead rolls her eyes playfully, “Tanning, sweetheart.” She glances at Logan expectantly and he grabs his duffel from by the couch. 

“I think that’s my cue,” he falls easily into the role of a playful husband. But you don’t need him to play along right now. You need him to stay where the fuck he is so you’re not alone with the barbies. 

“Ha ha, don’t go,” you whisper, trying to grab at his sleeve. “Logan,” you hiss, making sure the others can’t hear you as they look around your home. “Don’t do this.”

He dips his head down, and for one stupid moment, you think he might kiss you. “Good luck,” he whispers in your ear, backing off with a smug smirk and letting himself out of the house. 

Oh, you’re going to fucking kill him. 

“Finally,” the brunette breathes out a relieved breath, “I thought he’d never leave.”

Shiela chuckles, “You’re lucky honey. It took us a long while to have ours so well trained.” She motions to the other girls, “This is Madge,” the redhead smiles and gives a cute wave. She introduces the rest quickly and you file the information away for later when you’re writing your report. 

Madge- husband is the vendor consultant for the HOA. 

Sierra - brunette - husband is secretary of the HOA. 

Kimiko - black hair - no husband. 

Your brows furrow in confusion as Kimiko nods in greeting. You return it, suspicions running thick in your blood. It’s odd, that their husbands are in charge of the HOA, you figured they would be. Beyond that, the emphasis they put on it is astonishing. You really didn’t think the HOA was so important but it’s practically the government here. And the women only seem to hold importance if their husbands do. Shiela is essentially their leader, she’s the one you need to impress.

This whole thing seems incredibly backward and like a blast from the past. The way they style their hair, do their makeup, dress- it's all fashioned after the fifties and sixties. You feel incredibly out of place in your worn-down pajamas and frizzy braids. 

“We’re not really tanning,” Madge tells you. “This is just a way for us ladies to get to know the new kid in the neighborhood and tell you everything you need to know,” she leans in, smiling like she’s sharing a conspiratorial secret with you. 

“Don’t let Madge scare you,” Sierra shoots her a glare. “It’s not that big of a deal, it’s just a way for us to escape our husbands for an hour.”

“Well,” you chuckle awkwardly, crossing your arms over your chest as you grow uncomfortable under their tense stares. It feels like their eyes are peeling back your skin, exposing everything underneath as they judge every nook and cranny of your soul. “I haven’t reached that stage yet.”

Shiela’s smile loses some of its humor and she scoffs. “You will,” she assures you, acrid bitterness coating her words. “Give it a few years,” she gives you a bitchy and all-knowing smirk. Your hackles raise, the urge to defend your sham of a marriage rising quickly in you. You bite your tongue, swallowing down your smart retort before you say something you regret. 

You’re not even married to Logan, but you don’t like her butting her nose so far into your business. “Sadly, I don’t have a bathing suit.”

“Oh,” Kimiko gives you a blank smile, “We brought you one.” Madge moves the towels aside to reveal a two-piece that matches their own. In your size. 

Your cheeks ache with a forced smile as you take the bathing suit from them. “We’ll just set up out back,” Shiela lets you know. She turns to the others with a beaming smile, “Come on ladies.” They follow after her like ducklings, and when you look down you see each of their steps are in sync. 

You wait until the back door closes to rush to the front. You throw the door open and Logan jumps from where he’s drilling the camera into the side of the house. “I’m gonna fucking kill you,” you warn.

He chuckles and smirks, “Don’t keep ‘em waiting too long, sweetheart,” he mocks and you slam the door closed with a loud scoff. He was enjoying your suffering far too much, but you shouldn’t be surprised. You’re sure he’s just been waiting for a moment like this. 

You change into the bathing suit and take a deep calming breath. You can do this. You can play pretend for a few hours. 

You wished you’d known being an actor was a part of the job description before you joined the X-Men.

You lay on your stomach along the soft beach towel that Madge brought. The sun isn’t too hot on you, but you also bent the tree behind you to provide a bit more shade when the others weren’t looking. So far, you’ve collected nothing but mindless gossip. 

Sam never takes in his trash cans on time. Alicia has been getting a little too cozy with the gardener. Some couple you didn’t pay attention to is expecting a kid. You’re struggling to pay attention to all the mindless drivel. 

Usually, you wouldn’t mind a little gossip, but none of this feels real. Their words are hollow, smiles empty. Everything they say sounds like they’re reading it from a script. The only person you actually believe cares about any of this bullshit is Shiela. The rest of them seem to just play along, not meaning a word they say. 

You’re gaining nothing useful from this. There’s no information you’ve gotten during this conversation that could remotely help you. All you want to do is go out front and strangle Logan for abandoning you. 

The only good thing about all this is the lemonade and cookies. Which, you admit, you may have indulged yourself a little too much. But at this point, you’re just eating to stay awake. You reach for another cookie and Shiela lets out a dainty huff. 

“I wish I could eat like you,” she laughs and you prepare yourself for the most backhanded insult you’ve ever heard. “But I have to be so careful about watching my figure. Wouldn’t want to lose my waist,” she titters and the other women giggle. 

You toss the cookie back on the plate, rolling your eyes. It feels like you’re right back in high school. You love this, this is great. At this point, you’re just trying to stop yourself from tossing them all out. 

The backdoor slides open and Logan peeks his head out. The women wave and Shiela calls out a sultry, “Hey, Lo.”

Your jaw drops and you can’t help but scoff as you tilt your head to give her an astonished stare. This woman has absolutely zero shame. She’s not even hiding the way she’s ogling him. She’s literally biting her lip. 

You clench your eyes shut, taking a deep breath. There it is, the end of your rope. “Sweetheart, you gonna be done soon?” Logan calls out and you can’t help but smile at the immense satisfaction you feel when Shiela’s face falls. You shouldn’t take so much joy in Logan ignoring her, you know that’s just how he is. But she doesn’t. 

“I think so, hon.” You sit up on your knees, clapping your hands and pretending to be upset. “Sorry, girls, I think I’m needed back in the house.” You get to your feet and pick your towel up. As you do, you flick your fingers, and the lemonade tumbles over, spilling all over Shiela’s pristine white bathing suit. 

She jumps up with a shrill scream, shaking her arms off at the ice-cold liquid and desperately trying to wipe off her bathing suit. Madge and Sierra flock to her and you roll your eyes at how dramatic she’s being. 

Out of the side of your eye, you see someone watching you. You turn slightly, startling when you see the intense glare Kimiko’s sporting. It’s the first genuine emotion you’ve seen from her, but even this seems cold. Her dark eyes are bottomless pits of frigid rage. You find that you can’t look away from her, swaying slightly as her eyes beckon you forward. 

You need to go to her, speak with her, be with her. You need-

Your mind falls short of what you need. But you know Kimko will give it to you. Sierra and Madge both straighten up, both blank-faced as you take a step forward. 

Logan hollers your name again and you jump, shaking your head and breaking whatever trance you’d fallen in. When you look back, all three of them are still fussing over Shiela. You glance to Logan, to see if he saw what had happened. 

His brows are furrowed, face pinched in concern as he looks at you. You think you might have just found Charles’ interference. 

“I think we should look into Kimiko,” you scroll through the list of residents you’d managed to hack into. You’ve been on the computer for hours, trying to find any information bout her at all. Even when you ran a background check, nothing came up. If that doesn’t scream mutant, you don’t know what does. 

Logan walks over to the table with a steaming pan in his hand. You tug your computer glasses off and slide the laptop to the side. He pours some pasta onto your plate and hands you a glass of water. “Thank you,” he gives you a tense almost-smile and nods. 

“Figure out where she lives?” He asks, bringing his own plate to the table. You shake your head and rub your temples, trying to fend off the headache you can already feel forming. You should have taken a break from the research. You can’t stand staring at screens for as long as you did. 

“She’s not even a registered resident.”

“Well,” he sighs and shrugs, “at least we know this wasn’t a waste of time.” You nod in acquiesce and take a bite of your food. Your eyes widen in shock and he laughs at the look on your face. “Didn’t think I could cook?”

You shake your head and smile. “I took you as the type to pour beer in your cereal. But this is,” you stumble over your word. You’re afraid of being too nice to him. You’ve reached a sort of impasse, where you’re not openly hostile, but you’re not exactly friendly. You feel like if you do too much, too fast, he’s gonna be closed off again. “It’s really good.”

He purses his lips and nods, dragging his fork along the porcelain plate. The noise grates on you and only further aggravates the growing headache but you don’t snap at him. You swallow down the frustration and just shovel more pasta into your mouth. 

“This, uh,” Logan takes in a deep breath and lets all out in one gravely exhale. You give him an expectant look and he shrugs. “It hasn’t been as bad as I thought.” He tells you flippantly. 

You narrow your eyes at him, “Is that supposed to be a compliment?” You demand with a firm tone, placing your fork down and leaning back in your chair. 

He lets out an annoyed sigh, “It was just an observation.”

You scoff and roll your eyes. He’s fucking ridiculous. “You know, maybe if you ever tried to get to know me, you wouldn’t have had such a horrible opinion about me.” You try and eat more but the food just tastes like ash in your mouth. You grow antsy, not wanting to sit near him anymore. 

You’re surprised that he’s the one who fucked up the peace. You really thought it would be you. But something about what he said is rubbing you the wrong way. Of course, it hasn’t been bad, you’re not a bad person. He just decided he hated you one day and he’s so goddamned stubborn he never considered anything else being the truth. 

“I didn’t mean anything by it,” he defends, watching with a confused expression as you get up and drop your plate loudly in the sink. 

“You know,” you ignore his weak defense, leaning on the sink. You grip the rim of it tightly, sucking in a deep breath to try and keep yourself calm. “You didn’t even know my fucking name,” you mutter under your breath, shaking your head to yourself. Why are you even bothering with him? You’ll never win and you don’t even know if you want him to change his opinion about you. 

He’s been a dick for so long that you’re not sure you’re even interested in being friends, let alone anything beyond that. 

“Well,” he takes an angered tone as you continue to deflect his attempts at restoring the peace. “It’s not like you told me. You just go by your X-Men name, how was I supposed to know better?”

“By fucking asking!” You shout, whirling around on him, nearly ramming into his chest. You hadn’t realized how close he’d gotten while you’d had your back to him. “If you had, ever, at any fucking point tried to get to know me, you wouldn’t be so surprised that I’m nice. I’m a nice person to be around, Logan. And for some reason I tried to change myself, to make you happy. And it never even worked!” You scoff, a hysterical laugh bubbling up in your throat that you quickly swallow down. You shove past him, escaping the corner he’s backed you into. “Your head is so far up your ass that you didn’t even try to know me before you decided you hated me.”

“What?” He scoffs and glares at you. “I don’t fucking hate you. When have I ever said that? And I never wanted you to change.” He keeps focusing on the wrong things. How he feels about you doesn’t matter, it’s how he treated you. 

“Never, you’ve never said that because you’ve never said more than two words to me. This,” you motion between the two of you, “is the longest conversation we’ve ever had.” A sudden exhaustion settles over you, it weighs heavy on your bones and drapes across you like a blanket. 

You don’t have the energy for this. For him. You don’t want to keep defending yourself to someone who couldn’t care less. There’s no winning with him. He will never listen to you, he’ll just offer half-assed excuses that he thinks absolve him of how horribly he’s treated you. 

He calls your name as you slump into the dining room chair. Your real name, not your X-Men name. “I never hated you,” he tells you, voice soft, but the conviction is strong. 

You stand up, unable to make eye contact with him. “Goodnight, Logan.” You walk up the stairs quietly, never once looking at him. You can’t stand to face him. As much as you’ve tried to bury how you feel about him, it’s still there. 

Being with him like this, having his ring on your finger, it’s a stab in the gut over and over and over. Someone’s taken your most ridiculous and romantic fantasies and turned them into a waking nightmare. You wake up to him every day, eat at the same table, share the same house, and you two couldn’t be further apart. 

You have to keep up appearances, Logan is sure that’s the only reason you’ve joined him this morning. He’s working on the truck while you kneel on a foam pad, planting a rose bush by the mailbox. But the way you’re stabbing the shovel into the ground it looks more like murder than it does gardening. You slam the little trowel into the dirt, lips pulled back like a wild animal as dirt flies up around your hair. 

Logan turns back to the truck, letting out a low whistle under his breath. Besides the insane display of shrubbery abuse, you blend into the neighborhood better than he ever could. You fit that perfect suburban aesthetic, sun hat, cat-eye sunglasses, and a pretty dress. 

You’re good at blending in, better than he ever was. He’s heard you joking about it before. Telling Jean your hidden mutant ability is learning to be a chameleon, fitting yourself wherever you are. He thinks it’s a cute idea, and not too far from the truth. 

He only wishes he were a little more like that. He sticks out like a sore thumb with his wifebeater, fraying jeans, and general countenance of misery. He can’t force a smile when John walks by with a shitty joke. He’s not like you. You stomach all of the women’s vapid nonsense with a smile and manage to seem so unaffected by it all. 

The only time he’s seen you break was last night. And that, of course, had been his fault. He wishes he was better with his words. He’s always been an action man, but clearly, he’s fucked that up with you too. He really did mean it as a compliment. 

He’s just incapable of talking without his foot in his mouth when it comes to you. It’s why he tends to just avoid you and stay quiet. He knows he’ll mess up with you eventually. In the rare chance you ever actually give him a second look, he’d be a shitty boyfriend. And even if you were just friends, he’d still fuck up somehow. He always does. 

He’s learned it’s better to just keep a distance between himself and others. Especially you. He’s always just wanted to keep you away from his bullshit. The haunted past he still knows so little about, all the mental baggage he carries, he never wanted to burden you with it. Even though it seems like he still managed to screw up somehow. 

Even when he’s trying to be good he’s still the bad guy. 

You let out a heavy sigh and his gaze drifts back towards you. The way it always seems to do. You’re his sun, bright, beaming, a golden beacon of hope. But he’s always just too far, eclipsing the light you might bring him with his own stupidity. 

You toss the trowel to the ground and stand up. You frown, brushing off all the dirt you’re absolutely caked in. When he peers around you and glances at the spot where the rose bush is supposed to be all he sees is a crater of earth and ripped up grass. He figures it's better not to mention it. 

You walk over to him, the same scowl you’ve had for the past few days ever-present on your face. “I’m going to take a shower,” you look at him expectantly and he shrugs. You let out a loud sigh and he can’t possibly imagine how he’s messed up now. “You need one too, the barbecues in an hour.”

He’d forgotten about the fucking barbecue. Some annual thing Shiela and John threw that the whole neighborhood went to. “It doesn’t take me an hour to get ready,” he tells you, intending a little bit of playfulness. 

Instead, you just let out an exasperated breath and storm back into the house. How did he keep fucking up with you so badly?

He’s gotten a taste of your personality, your company. He’s tried for so long to avoid getting to know you. He knows that if he truly did, he’d never get over you. He was right. Just one taste of you and he wants more, he wants to consume everything about you that he can. He’s screwed up in so many ways but he can’t just go back to normal after this and act like strangers. 

You smooth the wrinkles out of your cotton dress and let out a low breath. “You need another minute?” Logan grumps from beside you, his stare boring into the door. He didn’t want to come to this. Frankly, neither did you, but he needs to suck it up and be a big boy. You two are here for a purpose greater than yourselves. 

Maybe if you repeat that enough times you’ll start to believe it. 

Kimiko was everywhere that Shiela was. She was her shadow, her loyalist servant. And the only person in this neighborhood who’s shown a sliver of consciousness. You don’t know where she lives, or if she even owns a house here. But you do know she’ll be at this barbecue tonight. 

The only reason you’re bothering to bring Logan along is because you need him to distract Shiela. She drools every time she sees him, practically licking her maw at the sight of him in a tight t-shirt. You can’t really blame her, but she’s a married woman and he’s technically a married man. The lack of shame and compassion is genuinely astonishing to you. 

“No. Let’s just get this over with.” He needs no further prompting as he knocks heavily on the door. Each pound of his fist sounds like a bell tolling your doom. The intense feeling of nausea and eyes on the back of your head has developed and grown increasingly worse the longer you’re here. 

You feel like someone’s pressing against your mind, wiggling their fingers in and squeezing until mush slips through their knuckles. You keep a tight grip on Logan so you don’t tip over. Playing it off as the love-sick newlyweds you’re meant to be. 

Even though the feeling of his skin against yours makes you angrier than you can even begin to fathom. You’ve held onto built-up resentment and anger ever since your little tiff. You’ve heard that tumultuous times are common in the beginnings of marriages. Luckily, you’re getting a divorce the second this fucking mission is over. 

You resent Charles for ever sending you here. Any minuscule hopes you’ve had of finally building a relationship with Logan have been dashed across your front yard. There’s no hope for him. He’ll never change, and how he treats you will never change. 

The door swings open and the music from the backyard drifts through to the front. Shiela smiles widely, greeting you both with a drawn-out Hi! She reaches forward and grabs Logan, tugging him away from you and dragging him into a hug. 

You stumble forward as your support is ripped out from under you. She briefly glances over his shoulder at you and you offer her a sardonic smile. Every bit of you wants to dig your nails into her and rip until chunks of her start flying off. The post beside you warps slightly, bending like it’s melting. 

You dig your nails into your palm, swallowing down your anger, and force the post upright once more. Logan grabs Shiela by the waist, practically yanking her off of him. He steps back towards you, wrapping his arm around your waist. 

You can’t help the smug smile that lifts your lips as you face her. You almost want to rub her face in it. He chose you and he can’t stand you, that says a lot about how he feels about her. You stop yourself, though, it’d be beyond idiotic to let that be the reason your cover is blown. 

“Thanks for inviting us,” you tell Shiela, playing oblivious instead of walking into her trap. You pass her the casserole you half-assed and baked in her dish. “We’re so excited to finally have a home to call our own, and with such wonderful neighbors,” you gasp dreamily. “Oh, it’s just a dream come true.”

Shiela runs a manicured nail along the side of her lip, looking wholly unimpressed. “Mhm,” she hums, “I’m sure.” You share a look with Logan, both of you caught off guard by her sudden dip in personality. Her face is blank, devoid of the usual overwrought happiness and charm. It’s like something’s taken control and drained the life from her. 

Either Kimiko’s here and you’re right about her, or, Shiela is just a depressed housewife who can’t always control when she smiles. You’re hoping it’s Kimiko and you can just end this once and for all. 

“Alright,” she’s back in a second like nothing ever happened. The boom of her voice echoing through the foyer makes you jump. “Let’s get you two outside. And thank you so much for this,” she gestures to the casserole. “You’re just such a sweet little thing aren’t you?”

Everything she says to you feels just a tad patronizing. She’s incapable of complimenting you without minimizing you in some way. You dismiss it, shaking off the funk she always seems to put you in. 

Shiela leads you to the backdoor of her porch where the rest of the neighborhood is. She certainly got the best square footage, that’s for sure. She doesn’t just have the biggest house, she’s also got the biggest yard you’ve ever stepped foot on. 

People are milling about, John’s flipping hamburgers on the grill, and children are playing happily with one another. It feels like an advert for the Fourth of July.

You scan the yard for the only person you’re looking for. You spot her, pushed back towards the shadow of Shiela’s oak tree. Shiela follows your gaze with a frown and scoffs. “I know, hideous isn’t it?”

You jump, startled out of your stupor. “Sorry?”

She points towards the tree. “I wanted to get rid of it, but apparently it’s historic,” she throws up air quotes, inflecting her voice lazily, “or something stupid.”

“Oh, right,” you nod dismissively and she shrugs, hands slapping against her thighs as she nods to her yard. 

“Well, go on, socialize, make yourself at home y’all.” She walks back into the house and you glance back at the yard. 

“Shit,” you hiss, “Kimiko’s gone.” You move away from Logan and take a step down the stairs, he begins to follow you but you stop him with a firm hand to his chest. He frowns down at you and you nod towards Shiela. “I need you playing interception. Those two are attached at the hip. The only thing that’s going to distract her is the hunk of meat she’s been drooling over.” 

Logan frowns and takes a step back. He sets his face and crosses his arms and you sigh, knowing exactly what he’s about to say. “No.” He tells you firmly, not even bothering to hear you out. 

“Well,” you shrug. “Too bad, I need you to do this or we’re never getting out of here.”

He mocks your shrug and nods, “Alright. Fine.” He leans into your space and you feel like you’re being scolded, “I’m not leaving you on your own, okay? And I’m not letting you go after Kimiko alone.”

“I’m not going after her,” you glance around, making sure no one is listening to you talk about their neighbor like she’s on a hit list. “I just need one interrupted conversation with her. Just one,” you’re practically pleading with him at this point. 

You feel pathetic. You’re a grown woman and an X-Men. You shouldn’t have to be bartering with Logan. He should just have some faith in your abilities to not only protect yourself but conduct yourself appropriately on a mission. 

His face screws up in irritation and you know he’s about to really cause a scene. He’ll start arguing with you, and blow your spot up just to get you out of here. You give him a placating smile, a real one because he’s somehow learned to tell the difference. “Logan, it’s only for an hour. I’m sure you can fend Shiela off,” you joke to try and lighten the mood.

He sucks in a deep breath and you know you’ve got him when his shoulders sink in defeat. “Fine. I’m only agreeing to this because you’re practically a chameleon with this shit,” he gestures vaguely to the barbecue and your face pinches with confusion. 

“What?” 

“I heard you talking about it with Jean one day. How you’re a chameleon when it comes to blending in with people.”

“Well, that wasn’t exactly a brag. It’s a method of survival, a way to make people like me. It gives me a fighting chance when they find out I’m a mutant.” God, why are you even talking about this? Why had he even been listening to your conversation with Jean?

He opens his mouth like he wants to say something but you don’t have time for that. “Look, Logan, just go find Shiela.” You walk away from him before he can drudge up more uncomfortable memories of high school. 

You manage to slip through the party relatively unnoticed. You didn’t see where Kimiko had disappeared to. You’re hoping there might be some sort of hint left where she had been. You rush towards the oak tree, using it as a way to scan the party for her again. From here you can’t see anything except the kitchen.  

You’ve got a perfect view of Logan trudging towards Shiela. You can’t help but laugh when she wraps her hand around his bicep, eagerly telling him something. You smile and shake your head, the audacity of this woman is amazing. 

Something catches your eye, right by your foot. Glancing down you see something silver glinting through the grass. Frowning, you kneel and scoop it up. It’s an oblong device, small, and fits in the palm of your hand. It’s curved oddly, and the lights on it start flashing bright red as you hold it.

“What the hell?” You flip it over, a warped mirrored reflection on the back of it. You just barely spot Kimiko’s twisted face in the reflection before the world goes black. 

You groan, slowly blinking the fog of a forced sleep out of your eyes. You reach to swipe at your face, but something is holding your wrists down. You jerk your arms a few times, struggling against whatever restraints are wrapped around you. When nothing happens, you instead focus on the feeling of it against your wrist, trying to get it to dissolve. 

“Don’t bother,” a cool voice calls out from the shadows. There’s one bright light shining down on you, like the type you might see above an operating table. The entire room feels sterile. And it’s cold, you can barely feel the tips of your toes or fingers. 

“What’d you do?” You demand, trying to sound intimidating but your words come out as a slur. The back of your head radiates pain and it takes everything in you just to keep your eyes open. 

“I developed a gas,” the voice circles the room, echoing across the curved walls. You hear footsteps but you can’t tell where they’re coming from. “It halts the neurons in a mutant’s brain that fire when they use their abilities. Temporary, but quite handy when I’m dealing with a mentalist like you.”

Kimiko steps out of the shadows like a bad comic book villain. Her face is blank, no expression on it, somehow, it’s the realest she’s ever looked before. Here, you can see her humanity. Pores across her nose, frizz and oil along her hair, her nose just a little bit crooked. Whatever she’d been doing to herself has been wiped away. And the human woman lurking beneath is finally revealed. 

“There you are,” you mutter, your speech slowly coming back to you. “I knew that plastic face wasn’t real.”

“Everything was going just fine until you and Wolverine got here,” she gives you a sharp look, “Flux.”

You sarcastically gasp, “Wow, you know my X-Men name. It’s not like I haven’t been interviewed before. What’s the plan here, Kimiko? Where are the others?”

Her brows pinch, “Others?”

“The mutants you’re trafficking.”

“Oh,” she laughs and it’s so jarring you nearly jump. “Is that what people think?” Hesitantly, you nod, but you’re beginning to feel like you might have gotten something very wrong. “No, that’s not what we’re doing here.”

“We?”

“Shiela and I. We have much simpler plans, much more peaceful. You see, Shiela’s the only person to ever stand beside me after she found out I was a mutant. She gave me a home, a friend, and a sense of belonging.” There’s something devout in her words, like a humble follower kneeling at the feet of their god. “Everything I have, everything I am, I owe to her.”

You’ve seen Shiela’s manipulation firsthand. You have no doubt that she’s never actually done anything for Kimiko. She’s just made her think she had and instilled in her this sense of owing her something. 

Then again, Kimiko’s getting this look on her face. She’s like a rabid dog staring down the barrel of their owner’s shotgun. Perhaps she hadn’t needed much prompting to develop such an unhealthy attachment. “Shiela’s parents never loved her the way they should have. They never gave her the perfect life she deserved. So I created one for her.”

She rolls a tray of surgical tools over and a sense of panic finally starts to rouse within you. Yet, for the first time in years, your powers aren’t here to help you. You have nothing to rely on but yourself. But you’ve been trained so intensively in using your abilities as a protector rather than an inhibitor that you’re practically useless without them. 

“All these people,” you rush the words out as she picks up a syringe. You don’t know what the yellow liquid inside is, but from the look on her face, you don’t want to. “You’re controlling them?”

Kimiko nods and you’d be staggering if you weren’t strapped down. Not even Charles could control this many people at once. Not without Cerebro. “Kimiko, that’s,” you gasp, flinching away as she brings the needle towards your arms. “It’s incredible!” Your quick rise in volume makes her jolt and the syringe tumbles out of her hands. 

She grumbles to herself, leaning over to pick it up. “Does Shiela know?” She pauses at the mention of Shiela’s name, brushing her hair over her shoulder and glaring at you. 

“Yes. Of course she does, this is my greatest gift to her.”

“Really?” Your voice drips with contrived empathy. “Then I’m sure she’s done something incredible for you back.” You were hoping a simple manipulation tactic might work, that you could turn Kimiko against an ungrateful Shiela. But this type of obsession isn’t one that can’t be destabilized with a few jumbled words. 

No, you only make her angrier. “Back? Back?” she practically screams, her voice raw and feral as she leaps into your face. You flinch as far back as you can as her face hovers over yours, screaming right at you. “I owe her everything! I should thank her for letting me breathe the same air as hers!”

Your jaw drops, a silent scream tripping out of your mouth as you gasp for air. Something squeezes against your brain, the pulsing from before returns with a vengeance. You can feel your mind pulsing and swelling, pushing against your skull. 

“Don’t fucking say her name again,” Kimiko glares down at you, her eyes devoid of any remorse or compassion as she makes your brain swell until blood leaks down your ears. Whatever plan she had before has been abandoned, she’s going to just kill you now. 

You’re going to die in her basement, no one will ever see you again. Your eyes throb and you feel your brain push to its fullest limits. The pressure builds, builds, and builds until it explodes. 

“Then you just pour a little sugar in.” Logan watches as Shiela tips nearly an entire bag of cane sugar into her jug of sweet tea. His stomach shrivels at the sight and he fights down bile. A little bit of sugar drops over the edge. She catches it on her finger and looks over her shoulder, licking the sugar off and practically deepthroating her own finger. All while maintaining a disturbing amount of eye contact with Logan. 

“Well,” he knows that he promised you a while with Kimiko, but he can’t handle much more of this. “Thank you so much for this,” he struggles with the word, landing weakly on, “lesson.” He’s not even sure what the point of watching her prepare all this food was. 

He’s pretty sure she just wanted him to see her leave a rim of red lipstick at the bottom of her finger as many times as possible. The entire time he’s just wanted to go back to you. There’s a nasty feeling gnawing at him and he knows he needs to get back to you soon. 

“Oh,” she seems genuinely disappointed and Logan sighs awkwardly. “Leaving already, huh?”

He points to his ring pointedly reminding her of the reality of their situation. “Gotta get back to the wife.”

She doesn’t even try to hide her sneer as he mentions you. “Of course, just the perfect husband aren’t you?”

Logan doesn’t dignify that with a response, too distracted by what’s happening outside the window. People have begun to wander around aimlessly, some of them stumbling into the fencing. They just keep walking forward, knocking into the wood repeatedly, not once stopping. John’s got a stuck smile on his face as he leans against the grill, Logan can see smoke rising from where the flesh of his palm is melting onto the metal. A few people all run into each other, collapsing on the ground and just lying there. 

They’re like robots, suddenly without command and unsure what to do. They’re following their programming without anyone putting a stop to it. Shiela follows his gaze and gasps. “Excuse me,” she mutters, practically running out of the room. 

Logan tries to find you amongst all the mess but you’re nowhere to be seen. “Fuck,” he growls out, looking back to where Shiela had run. He should have fucking known not to leave you on your own. 

He stalks after Shiela, listening to her racing heart and the slam of a downstairs door. He follows her down the steps leading to her basement. It looks the same as every other one he’s ever been in. Except, for the metal door hidden behind a few shelving units. The only reason he spots it is because Shiela knocked over a can of paint in her rush toward it. 

Anger brews hot and putrid in his gut. The claws come out unbidden, and the thought of you being locked away in that room pushes him forward. If you’re not in there, he’ll get an answer from Shiela one way or another. But he’s not going to let you get hurt because he didn’t have your back. 

“What the hell are you doing?” A shrill voice interrupts. Your head sinks back against the cool material of the table, brain surging back into place. Your teeth ache, white-hot pain rushing through your bones as Kimiko finally releases her grasp on you. 

Kimiko gives Shiela the look of a dog who just got in trouble. “She found my amplifying device. I have to get rid of her.” She holds the device you found earlier out to Shiela. 

So, she wasn’t as powerful as she pretended. She did need help. It explains why the entire neighborhood is always in the same area, she needs them close to keep control. “Whatever you’re doing is making my toys malfunction.”

Shiela hisses at Kimiko, she darts forward and slaps her hard across the back of the head. If you weren’t in excruciating and paralyzing pain, you’d flinch at the sound. Being as if your brain was just about to explode, though, you could give less of a shit if she beats her rabid dog up. 

These two crazy bitches deserve each other. You just want a Tylenol and a nap at this point. “Well, aren’t you two twisted sisters?” Logan slips through the door, his claws glinting under the light of the room. “Toys?” He demands, eyes roaming the room desperately. 

The second he sees you, strapped down and with blood pouring from your orifices, something slips over his face. It’s like a mask being ripped off. The man he pretends to be is ripped apart by the animal truly lurking within him. Neither women have time to even defend themselves. He goes for Kimiko first and all you see his claws plunging down before arterial blood sprays across your face. 

You groan, tilting your chin the other way and spitting the metallic liquid out of your mouth. There are a long few minutes of screaming, clothes shredding, and blood splashing against every surface of the room. By the time he’s completely calmed down, you’re drenched in it. 

You suck on your teeth, rolling your head limply and finally getting a good look at him. He’s panting, standing over their mutilated corpses with blood dripping down his claws. There’s a wrath on his face you’re happy to have never been on the other end of. But the second he looks at you, you see nothing but stark relief. 

He breathes out your name, your real one, and surges towards you. “Claws!” You shout, hurting your head again. But he was a second away from accidentally skewering you. They’re put away in an instant as he undoes the straps holding you down. 

You groan in relief as the pressure around your head and limbs is released. He perches himself on the edge of the table and scoops you into his chest.

You’re still loopy from Kimiko messing around in the grooves of your brain. The best you can manage is weakly draping your arms along his sides. He pulls you back and brushes the hair out of your face, laughing a little at the blood covering you. “They do anything to you?”

You shrug, “Besides turn my brain into a pressure cooker? No.”

The smile drops from his face and he glares down at the remains of the women. If you weren’t so tired, you’d think he wants to kill them again. “I should have been here.”

“Logan-” You want to tell him not to be ridiculous. You had insisted you could take care of yourself. Told him it would only be a conversation when you knew that was never going to be true. You’d gotten yourself into this, you were lucky he was there to get you out. But you don’t say anything because he interrupts you as he so often does. 

“I can’t keep acting like this is all okay. Like I’m happy with how we treat each other. I thought I was going to lose you, I’m not going to keep pretending I don’t care about you.”

Your face screws up in confusion and you’re not sure you want to hear where he’s going with this. You’ve been used to this dynamic between the two of you for so long. You’re used to him treating you like he can't stand to breathe the same air as you. If this is going where you think it is, you’re not sure you can handle it. 

“Logan,” you’re regaining some feeling in your limbs now. You use the returning strength to push away from him, shaking your head in disbelief. “No, you can’t do this. You can’t just change your-”

He’s incapable of letting you finish a single sentence. His hands wrap around your cheeks tugging you forward until your lips are brushing together. It’s enough of a shock to get you to stop talking. You don’t reciprocate, too stunned to even think about moving. 

He brushes his lips against yours again, firmer this time. Under the layers of blood coating you both, you’re wholly enveloped by him. His scent, his arms, everything about him drapes over you like a warm blanket. Against your better judgment, you find yourself returning the kiss. 

You move further into his lap, one hand holding his face and the other clutching at his hair, needing something to hold to keep you steady in this moment. Logan smiles against your lips, deepening the kiss without wasting another beat. His tongue moves gently across yours at first. A curious caress to see how well you two fit together. He groans when he gets a taste of you, pushing further in and kissing you like he wants to devour you.  

There’s warmth blooming in your stomach and spreading all along your body. You’re buzzing with adrenaline and pain and this unidentifiable feeling that Logan is evoking from you. It’s not the sweet mushy, romantic kiss you always imagined with him. 

This is desperate. Like a dying man’s last attempt at redemption. He’s tasting you like you’re rare, something to be savored. You feel like you’re the only thing left in existence. The only person left for him to admire. You forget the gore behind you, the tumultuous experiences you’ve had with him. 

You let yourself fall into the moment, a blind leap of faith into a pool of all your hopes and desires. He’s better than you ever could have imagined. More desperate than your wildest fantasies. He makes no move to stop, even as the air becomes scarce and you both have to part longer. He just grips you tighter, hands wrapped around you like he’s worried if he lets go he’ll lose you. 

He could, he could lose you. This kiss of his is putting you into a trance, distracting you from all he’s trying to make up for. Perhaps if he stops kissing you, you’ll remember it all and want nothing to do with him. But you don’t see that happening, you just see yourself craving more and more for him., You feel the addiction forming already. A deep-seated need in your bones is finally being sated, it will always need more from him. 

When you can no longer survive on the shared oxygen between you both, you’re forced to part. Your cheeks tingle from the stubble of his beard and you know your lips are pink and swollen because his are too. You’re both still coated in blood and you share a familiar glean in your eyes. 

“I never hated you,” he sounds breathless and you love that you’re the cause of it. “I just didn’t want to lose you.”

You scoff, but there are no cruel intentions behind it. “So you push me away before you ever get a chance to have me?”

He gives you a crooked smile, “I never said I was smart.” You can’t help but laugh at that. Slowly, he helps you to your feet, ignoring the puddles of blood and bits. “We'll have to call Charles. He needs to help the people out there.”

“We also need to let him know there’s no trafficking ring. Just one fucked psyche.” You shoot another glare at the pile that was Kimiko, still bitter about her experiment with your brain. As Logan helps you up the stairs of the basement, you stop him just before you reach the door. 

He gives you a concerned look, like he thinks you’ve hurt something somehow. “I want to talk to you. Really talk to you about everything.” Concern gives way to dread and you can’t help but smile at the regretful look on his face. “But first,” his head perks in interest at your tone, “maybe we can finally enjoy that master bed together?”

“You know,” he leans down, swiping his arms under your knees and lifting you. You gasp, through your arms around his neck and squeezing until you worry you might suffocate him. “You really are the smart one of us, aren’t you?”

“Clearly.”

You’re not sure how well this transition to married couple to tentatively something else is going to go. But you have hope and it's kept you going for all these years. What's wrong with letting it linger a little longer?

a/n: Guess who's back, back again? Hint, it's Flux. I missed writing for them, so I hope you enjoyed this as much as I did. Although, I worry the ending was too cheesy.

Reblogs, comments, likes, and requests are always appreciated !!

end. — I do not own the characters or the comics/movies X-Men, but this writing is my own all rights reserved © not-neverland06 2024. do not copy, repost, translate & recommend elsewhere.

General Taglist: @evasmlp ♡ 

Logan Taglist:  @nonamevenus @smexy-bucky-waifu @wh1sp @peony-always @corvusmorte

@mrs-ephemeral  @wolviesgirl @insomniachox @izbelross @spktrlvr ♡

[chaussetteblanche]

and they were roommates

pairing : Spencer Reid x fem!student!roommate!reader summary : you are Spencer Reid's roommate, the team finds out about you when a case brings them to the university you study at word count : 2.5k warning : canon-typical violence A/N : the university is a random one I picked in Virginia, bear with me because I don't know how US university systems work, thanks :) I think this is a part one, there may be a part two or even more, idk, but tell me what you think !

part 2, part 3, part 4

"I- I'm sorry, what university did you say?" Spencer's frantic tone was immediately noticed by his colleagues. Suddenly, he seemed hyperaware of everything in the room. The loud AC, Derek's pen-clicking and the overwhelming smell of Emily's coffee. "Mary Washington University," JJ answered swiftly, eyes narrowed as she sent Reid a confused glance. The man in question mumbled a few words under his breath and shot up, grabbing his coat and scarf. "We need to go." His tone, unusually urgent, left no space for debate or questioning. He was out the door within seconds, followed closely by Morgan and the others.

When you'd applied for Mary Washington University, you had known you would have to get an apartment. You lived too far away to even consider taking the numerous trains and buses and subways to get there. So, when you had been accepted into your first choice of universities, you'd started apartment hunting. Or roommate-hunting, to be more precise.

To say you had been unlucky would have been quite the understatement. You'd visited four apartments so far and could not even consider living in one of them for a second. The first had been full of frat boys who made your skin crawl, the second was with an old, far right-wing couple, the third had been two sisters who'd yelled at each other for the whole time you were there and the fourth had been so crowded your were certain it was neither sanitary not legal for another person to live there. With the deadline of university starting and having to move all your things, you were starting to get quite anxious. But call it chance or fate, one day you stumbled upon an advertisement for an apartment in a nice neighbourhood with one person who seemed quite normal. This person was a state-employee (which meant a stable salary and that meant you wouldn't have to compensate for rent) who travelled often for work and liked to keep mostly to themselves. Not one for big parties, they preferred a night-in and rarely had people over.

So you'd put on your big-girl pants and had walked over to what you hoped would be your last apartment visit. You hadn't been expecting such a young person to open the door because of the way the advert had been written and because of what it said. "Hi, I'm Dr. Spencer Reid." You noticed he didn't hold his hand out and mirrored his behaviour. "Hi! I'm here for a visit!" You introduced yourself somewhat shyly, feeling intimidated. This man was at the most five years older than you and he was already a doctor?

He showed you around the apartment, which you liked very much. The rooms smelled like books and tea and everything was kept very clean. On the whole, it was tidy, even if a few books or articles were stacked in some odd places. The bedroom you'd stay in was large and luminous. After the tour, he made you a cup of tea as you discussed formalities.

"Uh, so, you’re a student, right?" he'd asked politely as he added a worrying amount of sugar in his earl grey. You bit back a teasing jest. You hoped maybe one day you'd get to place where you could comment on his daily sugar intake. "Yeah, um, I'm studying English Literature and Cinema." You stirred your tea, looking around the kitchen. Even though it was painted a dark, forest green, it still seemed luminous in the afternoon sun. "Oh, that's super interesting! I’ve always found texts in Middle English particularly insightful! I- I read the Canterbury Tales when I was about 10 years old. It’s fascinating the way in which issues which were already current then are still very present today, like in the Wife of Bath’s tale, for example-“

He cut himself off, leaning back into the couch. He rubbed the back of his neck, cheeks dusted pink. “Sorry, you probably don’t want me to ramble about what you already know.” “No, I think it’s amazing that you would know that, actually. What else did you like in the Wife of Bath’s tale?” Spencer seemed to brighten up at your words and thus ensued a lengthy discussion of the avant-garde themes evoked by Geoffrey Chaucer. You were fascinated by his knowledge and found his passion especially endearing. Lots of your professors weren’t even that passionate when talking of late 14th century literature.

After discussing rent, which you would afford by waitressing at a local bar, lightly touching upon political subjects (on which you seemed to agree on), he finally told you that he was an FBI agent. "Excuse me?" you spluttered, leaning backwards in shock. "I'm a profiler with the BAU, the Behavioural Analysis Unit. I can show you my badge if you want." He stood up and reached for his bag, but you stopped him in his tracks. "No, no, that's okay, I believe you. I'm just surprised, that's all, sorry." His expansive knowledge of so many things seemed fitting for an agent of the BAU. After realising you were the first person who didn't demand his badge as proof of his profession, Spencer granted you a small smile. "You don't need to apologise. I- I know it can be a bit... off-putting." He sat back down and looked you in the eye. "Is that a problem for you, living with a federal agent?"

You thought about it for a second. As a general rule, you weren't a big fan of cops. Even more generally, you didn't believe in the structure of today's society. But that was a big topic. Plus, a profiler wasn't really a cop, was he? "No, that's not a problem for me."

You'd moved in a month and a half later. Things had been slightly awkward at first and you'd had to figure out what kind of dynamic Spencer and you had. But eventually, you’d found your rhythm.

When Spencer left for work, you took care of his plants and sent him pictures of Geoffrey. Geoffrey was the cat you’d found on the street and taken in. He was named after Geoffrey Chaucer, author of the Canterbury Tales, your first common point of interest. Spencer had been reluctant at first, but you’d taken him to the vet, where he was tested and vaccinated, and the man had finally accepted him into your shared space. Now, he loved the little creature. Sometimes, you’d call him to ask how he was doing and whether he was safe. He’d always reply that yes, he was doing fine and no, he wasn’t in any danger, don’t you worry. He’d ask how you were doing and if you were staying on top of uni work and if you’d eaten and if Geoffrey wasn't being too annoying. As an orange cat, he had his particular tendencies.

When Spencer was at home, you'd always look forward to getting back from class. There was always that sense of comfort and ease when he was around. You had found a lovely routine quite easily. You'd both work or study, then cook, eat together and afterwards maybe you'd watch a movie or something. You were at a point where you could comment on his daily sugar intake, which he's started correcting since meeting you. He loved the Big Bang Theory and though you weren't such a fan, you loved the little laughs he let out and all the corrections he'd make. In general, you liked when he talked. Even more generally, you liked him. You also liked Friends and though Ross got on Spencer's nerves, he enjoyed being able to discuss it with you afterwards. The two of you got very close without even noticing.

Sometimes, you'd remember he wasn't just your roommate, but also a man. He'd make you a cup of tea and you'd stare at his hands a little too long while he stirred the honey in. Or he'd help you reach for a cup with his impressive height, his front just skimming your back with a shiver. He'd tell you to breathe and sit down when you were upset about something. A few times, he drove you home from a night out with your friends and laid his hand on your knee. He was the only one who remembered how you'd told him you wanted to kiss him.

With you, Spencer discovered many things he had never experienced before. A healthy, comforting and peaceful routine. A supporting, non-judgemental, healthy friendship. Easy laughter in the middle of the night and tired "good morning"s at dawn. Butterflies in his stomach whenever you touched him. A budding romance which kept him awake at night.

So when that was threatened, he just about lost it.

"Oh my God." "I can't believe this." "Is this a prank?" "Did someone call 911?" "What about her parents?" "Oh, that's sick."

Voices swarmed around your head, making you dizzy. Your hand rested over your mouth as you stared at the body strewn on the lawn. Much of the student body stood next to you, just as shocked. Mary Goldman had been her name. You'd crossed her just this morning in the main hall and had exchanged small smiles. You had thought that she looked really pretty today, but hadn't told her. You regretted that now. At the moment, her mascara had run down her cheeks and dried and her lipstick and been smudged. Bruises and cuts decorated her bare arms and legs and a big red stain sat on the side of her stomach. The contrast between her dead body and the green, thriving grass beneath her was haunting.

You turned away, feeling sick. You felt your friend's hand on your shoulder, a small source of comfort anchoring you to reality. Facing the road as you turned, you were surprised to see three big black SUVs speeding towards the crowd. You'd been expecting an ambulance, or cops. Not whoever these guys were. They screeched to a stop, drawing everyone's attention. A small dozen of people stormed out, all dressed differently though they all held the same aura of importance, knowledge and authority. You turned back to your friends. "Who are these-"

You stopped mid-sentence when you heard your name being called out urgently. You'd have recognised his voice amidst a thousand others. He spoke your name like no other. You frantically looked around, pushing your way to the large vehicles. When you finally spotted him, tears started pricking your eyes. "Spencer," you breathed in a half-sob. His eyes ran you over once, twice, assessing any damage. When he saw there was no physical wound, his shoulders sank in relief. He opened his arms and you rushed inside his warm embrace almost reflexively. Neither of you noticed the numerous pair of curious eyes observing your intimate exchange.

"Oh my God, Spence- What- What are you doing here?" you'd cried into his cardigan. You buried your face into his neck, inhaling the comforting scent he always bore. He wrapped an arm around your waist and another around your shoulders, holding the back of your head in a consoling manner. "We're- We're taking this on as a case, sweets. Are you all right?" He knew it was a stupid question but all the emotions and tension were barely wearing off and he didn't know what else to say. You pulled away but he kept you at arm's length, holding your cold, shaking hands in his warm, steady ones. "I- Yeah, it's just- I- I saw her this morning! How could she- Why would someone do this to her? To- to anyone?!" Spencer cooed and pulled you into another tight hug as you continued to ramble through your tears. When you'd eventually calmed down thanks to his words of reassurance, he pulled away softly.

Spencer understood what you meant perhaps more than anyone. The sadness, the shock, the anger, the need to understand. He gently wiped away the mascara under your eyes with his thumb. "I know, I- It's- Even I don't always understand, sweetheart, so don't- Why don't you go home? I'd come with you but-" You nodded, biting your lower lip. He gave you a sad smile. "I promise I'll join you as soon as this is over. You- you can make yourself a cup of tea and process all this and pet Geoffrey, okay? Classes are going to be cancelled either way." "I don't want to-" The look in his eyes kept you from arguing further. You nodded, giving him another hug. Before you left, an older man came over to you.

"I'm sorry to bother you, miss. I'm Agent David Rossi. I just had a question-" "Rossi," interrupted Spencer with a stern tone you'd never heard before. The older Agent raised an eyebrow at him. "Just one question." He turned back to you. "At what time did you say you saw the victim?" You inhaled shakily, running a hand over your face. "Uh, it must have been around quarter to eleven. I think- Yeah, somewhere between ten thirty and eleven." "Thank you, miss." You didn't miss the glance shared between the two men before Rossi retreated.

"Who was that?" asked Emily as soon as you'd left and Spencer had joined them behind the police tape. "No one," Spencer brushed her off as he kneeled next to the victim. Strangely, he hated the idea of someone who knew you dying. It felt too close to home. "C'mon, man, you lost your shit this morning, a girl you clearly know very well runs into your arms, you snap at Rossi and you expect us to believe you?" Derek raised an eyebrow, crossing his arms over his chest. Spencer sighed, pinching the bridge of his nose before looking up at the rest of the team. All were staring at him patiently. He stood up, swallowing.

"That was my roommate." He informed the team of your name and of how you'd been living together for a few years now. "Spencer, you've been living with a woman for years and you've never told us?!" Derek was all but hysteric. Hotch reminded him that everyone was entitled to a private life. "So, are you dating or something?" Emily prodded again. Spencer hesitated a second before answering. "No." Derek scoffed, appalled. "You mean to tell me you've been living with a beautiful woman like that for years and nothing's ever happened?!" "Not everyone is like you, Morgan," Emily reminded with a teasing smirk. Derek sent her an unimpressed look. "Look, let's all grill Spencer later, we have a case to focus on right now." Rossi, ever the voice of reason, directed everyone's attention back to the corpse laying next to them.

Needless to say, the BAU team did not need to interrogate Spencer or attack him with incessant questions to find much out. They'd seen by his behaviour that very morning how much he cared about you. They'd seen how relieved he had been when he'd seen you safe and sound. They'd noticed you'd only started crying when you'd seen him, a big sign of trust. They had never heard him call another by pet names such as "sweets" or "sweetheart". They'd read both of your body languages like a children's book and translated it easily.

Love. Comfort. Peace. Ease.

[anantaru]

⚝ DAY 2 — POWER IMBALANCE

kinktober 2024. — masterlist | ao3

— including. — blade, jing yuan, aventurine

— warnings. — fem! reader, power imbalance, oral (fem! receiving), toxic & manipulation, hard syx, dom/sub

⚝ — BLADE

blade feels to you like a storm, his grip on you endlessly overwhelming yet not because he's forcing it on you, no, but because his dependence on you was suffocating.

the stellaron hunter was dangerous, you were very much aware of it, although never pondering on the fact that you were playing with fire here.

his cock slides in between your folds before slipping to your hole, right then, you can feel the hot push of his tip, slow at first, but persistent, burning and stretching you. blade opens you up as you clutch at his shoulders each time, you're certain you can take him, you can't— it won't fit—such always crosses your mind but, you see, your skin was burning and hungry, submitting to him, to his cock sliding in fully— so smooth on your walls, thick inside, searing.

blade clings to you like you’re the only thing tethering him to sanity, and well— maybe you were, he certainly looks at you with an intensity that borders on desperation, a string he needed to hold on to if he wanted to keep at least a little bit of humanity inside himself or else, he’d fall apart.

"you ground me," he murmurs, voice low, his hand searching for your own as he grips it a little too tightly— his neediness haunting as he slumps forward, still thrusting hungry shoves of his cock into you as the rhythm changes just a little, but the pressure was increasing, becoming more meaningful.

in this rare moments, the way his hands tremble slightly when he brushes your hair behind your ear, there’s a tenderness, yes, but you cannot shake off the feeling of being scared of him— were his words the truth? did he mean what he said? would he hurt you in the end or are you really the one to put a light in his dark, twisted world?

⚝ — JING YUAN

jing yuan was always in control, his charm making each and every friend or foe bend to his will effortlessly— and well, you’re no exception. 

frankly, he's used to people following his lead without question, without turning on their own brains, his words were so fittingly persuasive that you barely even notice when you started agreeing with everything he said.

you whine out a breathy, "fuck, more—" as he laps at your clit, the vibrations of his hums and groans making you arch your back into him— you're so sensitive, jing yuan makes you feel all of it with his tongue, all the nerves down there and how muscle slurped and licked a stripe along your slit to tease you, shamelessly moaning against your pussy right after.

"i’m only looking out for you," he lazily mumbles into your cunt, "I know what's ugh—, what's best for you," his fucked out grin disarms you completely as you look down, admiring the view of his hands, big hands, clutching at your trembling thighs before he gives your stomach an anticipatory twist.

he's not forceful though, don't misunderstand, yeah? because simply, jing yuan doesn’t need to be, his self assured confidence made it feel like any resistance would be literally ridiculous. 

after all, his charisma pulls you in, his beauty and face being chocolate box pretty, ethereal and powerful, leaving you wanting to please him too, so badly yeah, to stay on his good side.

⚝ — AVENTURINE

from the outside, aventurine was unable to be read— and even once you got close to him, you found yourself having more difficulties reading him.

his standards were impossibly high, that's for sure, and he never hesitates to point out when you fall short. for some reason he critiques everything you do, from the way you handle the tasks he's given you to your smallest habits, never failing in exhaustedly rolling his eyes with an edge of frustration.

however, wasn't it just amazing how he was always there to clean up the "mess" you made in getting all the tasks wrong, or anything really.

something unmistakable random could happen in your life, even just a favorite item you suddenly lost and aventurine would always be there to help you— like a white knight.

of course, you cannot question him on anything, he was your superior and losing your job would be the last thing you wanted, next to losing the little relationship you've built over the last couple of months with him.

you feels it in your legs, your stomach, your hands, your soul when he touches you— pleasures you.

it's the desire overtaking you first, making you give yourself up entirely to the harsh rhythm of his hips displaying no mercy. aventurine hisses as you squeeze him, the faintness in his head almost making him swoon as your leg tremble and his cock throbs hard in you, the tremulous thrill inside your belly building to a merciless dance.

"i’ll be here, buried right here—" he hums and grinds his hips, his fingers drawing a line on your stomach, up and down, "feel that? you feel me there?"

"not that you, fuck— deserve it," he grunts, cupping your cheeks and brushing a thumb over your lips, "you made so many mistakes today," he breathes while staring down at his cock splitting your puffy cunt.

he adds, "you should be thankful i was there,"

an embarrassed, little sorry was all you managed to get out in return and ugh— the friction of him rubbing against your walls felt absolutely sickening, like you're about to cum and scream any second now.

©2024 anantaru do not repost, copy, translate, modify

[capslocked]

PASCAL

male reader x karina & irene

part 1 of two roses, by every other name

28k words

It goes without saying that Karina’s reputation is flawless. 

Irene’s is remarkably not.

You're not even staunchly a romantic or anything. You just can’t be assed to manage the distinction between desire and distance. So when the dust settles, the best case scenario is the three of you going around telling people, "all of this is actually a true story by the way."

-

You don't need the extra helping of moody and foreboding, but the wind picks up enough to chill you to the spot.

It blows some of the longer, darker strands of Irene's hair into her eyes and she shivers, too, against the cold as she tucks it behind her ears. You’ve got both hands balled into your coat pockets, watching her pretend like she isn't about to say something you absolutely do not want to hear. Then, a sigh - the length of which is probably unwarranted. You can feel the frost on the air burning through your teeth as you face back out toward the taxi stand. 

It’s gotten late and you're still waiting on an empty cab - you’re realizing there was never a conversation to be had in the first place.

“For what it’s worth,” Irene says, and there’s an indecent proposal just in the way she glances at you. “I had my eyes on her first.”

It’s all on account of some sort of moral quandary, or whatever nonsense Irene pretends to believe every time it comes up. A gross power imbalance; an issue of innocence and entitlement; a threat of abuse. Something, another thing, patriarchal expectations, blah, blah - she fudges around the details, but never ever cares who gets hurt. Not really.

And it’s doubtful Irene believes what she says, not to mention she’s skeptical anyone is even capable of zipping their way down Karina’s denim, working a pair of hands up the contour of her long legs, and making her pant and gasp hard enough that she forgets to breathe.

Well, supposedly - that is anyone, save the two of you. Nevermind the fact she’s always, always been off-limits.

The bottom line is she's a whole decade younger than either of you. This just for starters - only legal for alcohol by some narrow margin. Because between you and your fiancée there are all these rules: no coworkers, no labelmates, no close mutual friends, no personal assistants, no jealous ex-lovers, and absolutely none of her juniors. It’s in poor taste, among other things.

Also, just as straightforward: crossing any number of those lines has its own kind of appeal.

"Okay,” you say, “then maybe you should be the one to tell her we’re taking her home."

Irene's arching her eyebrows at you like a silent rebuttal. She smiles after a laugh, quick and easy, because it's what she's good at. It's what she knows. “Like you weren’t hoping she’d be here, too."

The ash Irene taps off the end of her cigarette falls to the ground like snow. Hitting the pavement as if it might punctuate the thought. That's a rare first mistake from someone like you, and then a second one from her: she thinks she’ll need to defend herself with an explanation, like she’d ever need to justify anything to you.

“Besides, she’s not waiting for me to ask.” There’s a curl to her mouth - and then, she adds, for your benefit, "she'd follow you anywhere."

The twisted irony is that the two of you could pick up any woman, anyone at all.

"I think it’s a discussion for another day," you tell her, serious. She laughs out loud.

"Which one? Who Karina wants, or that you're aching every bit as much as I am to spread her out on our bed and fuck her? Because I'm pretty sure we can both agree that at this point-"

Your palm curls around the nape of her neck with a touch of on-your-feet-thinking: one of these moments that lets Irene sit with the knowledge of how small she really is against you, her head against the collar of your coat, chin angled just so to look up at your face. And there's only a beat that passes between your fingers in her hair, tugging gently as her hand releases to your waist, her teeth clipping against the press of your lips, before a cab pulls up right next to you. You kiss her hard. It probably looks cinematic.

If for nothing other than to give Karina one less thing to overhear when she comes back outside to join you.

"Really not the time," you whisper right into the subtle twist of her grin. Her cigarette's gone out in the snowy mess, but Irene smirks deeper in response before throwing it onto the wet concrete. She grinds it beneath her boot like a reminder, her hand still firm on your hip.

"What, you don't think it’d make her day? Don’t think she'd want to hear all those kinds of thoughts running together through our heads?"

You pull Irene in closer. “She’s not you.”

-

For context - only so you’re aware how it all starts - it wasn’t actually New Year’s Eve, even though everyone had been drinking like it were.

Also for context, it’s not something you were strictly invited to either. Irene’s company holds this holiday party at the end of every year where all of their employees show up (read: idols; Irene likes to argue about work sometimes - to which you have never contested the value of her labor - but your brain tends to fuzz out in the middle, and instead you mostly just watch her pretty mouth in motion). All of the high-up executives and department heads bring their uptight wives and girlfriends to some restaurant ballroom for a cocktail reception that only really functions for name dropping, or influencing the media, or placing side bets on who is sleeping with the CFO - or whose mistress might show up unexpectedly and meet someone's wife face-to-face for the very first time.

It happens to someone Irene knows, once. You pray every year it will happen again.

Be that as it may, there are a plethora of other terrible ways to spend an evening and a half, but it’s all laid bare in Irene's contract - attendance being mandatory; enjoyment excessively optional.

And sure, it’s taken time, but you have gotten used to it: the industry, all of its excess, the inevitable display, the million and one things required of Irene that you, on the other hand, will simply never be able to relate to.

The machine’s so fine-tuned and tightly wound, like clockwork.

"Yeah, whatever," she had said, leaning her hip against your bathroom sink earlier in the day. Her dress laid out neatly across your bed, already pressed, set with her heels and jewelry, everything set on schedule to the point of absurdity.

And so it goes.

You can hear her brushing her teeth through the open door - and see her profile through the hand-swiped-fog on the mirror. She drags the toothbrush to the corner of her mouth: "And before you even ask, yes, you have to come. That's the deal. That's always been the deal - bored, or busy, or trapped talking to some social climbing board member who’s realized the liquor flows fast and free - I don’t wanna hear about it. You’ll be there."

"Uh-huh," you say, eyes fixed on her reflection in the mirror.

"Look, I hate to be the bearer of bad news,” she adds, spits, and lets the faucet run, “but this one’s shaping up to be a really long night.” 

You watch the meticulous effort to pull her dark hair back into a low, neat bun as she turns and comes back into the bedroom, tossing her hair clip onto the bed to reclaim later. 

“So I guess, pace yourself or something.”

"Ever the salesman, Irene," you say, facetious.

"Um, saleswoman, thank you." Her words are slightly muffled by a silk tank top pulled on over her head, then down the flat length of her body until it hits the tops of her thighs. 

It’s not a matter of opinion that she'll look gorgeous in the stilettos, the dress - those earrings that catch light wherever it dares touch her. She'll smile her practiced grin. It'll probably taste sour after the hundredth person asks how long it's been and she tells them she can't remember. But then look - Irene here, still perfectly disheveled: her damp-darkened hair sticking to the porcelain skin of her neck, skin washed free of makeup. She’s beautiful. In a plain and simple way, simple-but-good. Even with the tight little scowl she shoots your direction. It’s a look she has to know could launch a thousand ships; could start a real, actual war; though you're far too charming to know how to fight - you’ve never seen the appeal.

Irene's teeth tug at the corner of her lip like she knows you'd probably end up dying in it. She puts forward this unassuming, nonchalant, “hey.”

She muses it right into a laugh. Covers her genuine smile with her fingers.

"Hey," is how you answer, always.

You’re noticing, now, the strap of her top has fallen just down the petite slope of her shoulder. You want to get your fingers beneath it. Maybe get her back in the shower. You’re never too picky.

And here: an unspoken demand, the thing that always gets you about her - while Irene stands in front of you, her finger looped between the top buttons of your shirt to draw you close. The bow of her lip perked ever-so-slightly, this soft pucker - all pretty in pink. "Before I slip into this dress, you’re going to push me against something sturdy and kiss me until I'm dizzy," she instructs, calm and methodical.

"A lot," you continue for her. You nod seriously, for a moment. "Dizzying."

She closes her eyes and leans in, and you lean into her, too. "Yeah, exactly," she ends up murmuring under a hot breath. "So, get to it.”

And so it goes, and so it goes.

-

"Have a drink," someone keeps saying.

As a matter of fact, they all do: four shots together - or one old-fashioned, or two vodka seltzers, or three of these mystery concoctions that come in a tall-stemmed glass you didn’t actually catch the name of, and jesus, it fucking reeks of prosecco. You pace yourself, within reason. You really do.

Irene gets elusive under the surface, which is to say, she doesn't change at all - not even at the edges.

And though everyone is here to be seen, only a few actually do any of the talking. Irene has it covered - you do your time.

Happy New Year, sorta. You wait it out.

-

She tastes like everything sweet, strong on her heels and sharper on her tongue - and sometimes, it’s not the best mix, given all you can manage is the touch and scent of Irene without actually getting at the insides of her thighs or that tempting stretch of skin under her ear, her neck, down to her chest.

This much, and she has no complaint - hardly seems surprised or inconvenienced - to you stepping her into the wall like it's a matter of instinct.

She just sighs, a short huff. "Don't miss these kinds of parties," she then confesses, right into your mouth, her warm exhale filling you whole. The sounds of people laughing and champagne glasses clicking nearby, a new song starting up, it's all an unnecessary backdrop, and Irene isn't distracted by a single bit of it.

Character, setting, scene; it’s all rather textbook, no? 

You know what the sounds mean, the soft hums, the lingering touches, the firm press of your palm into the dip of her waist or the slender line of her back. She knows where all the cameras are because she knows everything that anyone could possibly ever want to know, such as the fact that this empty stairwell is a perfect place to start, that there isn't a real plan as to where this might go - or when it should end.

And you should know where not to press - or bite or grab or leave a mark - not in some liminal space, nor some vacant practice-room, not beneath a desk, not behind a curtain. No, not here, cloaked in shadow and secrecy, another scandal in the making. Not that the knowledge stops you from testing out the lines, from drawing little patterns up Irene's waist, slipping one hand along the barest skin where her dress has hitched up along her thigh. To a boundary, the low pitch of her voice, some suggestion like, "not here, are you serious?" mumbled across your lips like it really doesn't matter what gets said or does not.

She’s pinned so properly, so precisely, that the discord between her gentle coaxing, and your hard, bruising edge - that sheer incongruity between what you should do and what you should not - can make the adrenaline spike.

She kisses you harder - and harder, and harder. She catches the small sigh you let out. She kisses you breathless.

You can’t shake the feeling that you’re wasting an opportunity, given that you’re both dressed to the nines and are usually more homebody than anything else. Isn’t that the irony of fame? You sign up for an escape, and spend your life running away.

Irene eventually sinks back into the soles of her heels, wiping her mouth with the back of her wrist, and she smiles so easy. She tugs at the cuffs of your jacket, sets your collar flat and proper.

"I'm thinking," you hear her say, taking stock for herself, the flush high in her cheeks, the tousled sort-of-curls now bared, "in half an hour, if you feel like leaving early, we could, oh, I don't know - escape?"

Escape to a bed with a door that locks, you assume she means. Irene wants; you deliver - however she'd like.

“Sounds tempting,” you tell her. She laughs against your shoulder. "Are you waiting on someone else to sweep you off your feet, maybe? Another offer?"

"Uh, always," she scoffs. It's the little things, confidence, and certainty, the honest-in-practice; how her palms sit soft and secure, cupping the angle of your jaw, one hand, now, toying with the knot of your tie like she's contemplating just how it might fall off of you later. Irene shrugs, leaning her weight back against the wall.

She taps a finger to her lips. Ends up saying, very solemn: "Thirty minutes."

As if you had any intention of absconding without her.

-

Irene holds true to her word - she catches you on the second to last pass around the banquet room. Some executive with a slack mouth is just launching into what sounds to be a spiel about a merger - it's unimportant, not well-versed, so Irene sidles up to you, and immediately steals your attention. It doesn't bother you in the least. She curls her finger into the cuff of your jacket sleeve, and without really being prompted or asked - and only, probably, due to the clear discomfort she has being there with anyone else - she begins dragging you out of the room; you, her ticket out of hell.

"I'm so sorry," Irene dons the industry smile and is probably charming. It's difficult for you to tell. You follow her blindly. "So sorry," she tells someone else as you exit, just before you both disappear entirely, "We're leaving. But, we'll see you next year, promise!"

A real celebrity.

The two of you suddenly a duo - and for everyone’s safety, the way it should probably always ought to be - here’s how it’s all supposed to go:

You, standing almost amidst a bank of snow gathered at the curb, your coat fanned out around Irene, shivers racking up her slight frame. All hidden just enough that if anyone were to notice where your hand ends up arriving at the narrow of her waist, they might think: 'it's not really any of my business,' and look away.

Her, curled beneath your touch - even the single press of your fingers over the small of her back as a stranger pulls a car up to the curb; or, the pull of you that ensures the driver can't actually see what you're both up to, what you're hiding; the little reach she makes into your pocket for a lighter, smiling appreciatively as she presses her cold face to the crook of your arm, your jaw, the juncture of your neck; a safe space.

“So.” Irene will look up at you, pale moonlight gathered in her lashes. She’ll make another face: this thousand kilowatt grin or her brow raising - sharp, quick, there-then-gone. She'll turn the lighter over in her hand once, twice, and say, “how long has it been since we’ve done anything social?”

You’ll know it’s not what she means, but you’ll offer her the out anyway: "could go downtown - there's a place you've probably never been to. Might even play your style of music, if you're really lucky."

Irene will arch her eyebrow as she raises the cigarette to her mouth, lit up before you know it.

"Is that right?" she'll say, dismissive, a smoky tendril curling up over city neon and catching starlight.

You're no stranger to what’s actually being suggested - an unspoken sort of arrangement. All because Irene sees herself as being above, hiding her intentions in euphemism, tact; in long, slow drags; in lilting lashes - while she's fully and shamelessly aware there's nothing virtuous about it.

Who the hell else could make it sound dignified, pretty even: ménage à trois.

Then, you’ll do your part. You’ll help interpret: another girl, gorgeous and probably unclothed, another bad decision, or two, the three of you finding yourselves back in your apartment where Irene will not hesitate to run her tongue up the side of a sweat-glistened neck, to tilt her head and whisper out a mantra of, honey, sweetie, anybody ever tell you how good you look between a woman’s legs? Or, fuck, let’s get you out of those jeans, let me take you all in, how the fuck have we not gotten our hands on you before?

Which means the question you really ought to be asking sounds more like, “maybe we can invite someone over?”

You’ll meet her eyes as they flick up - a lazy expression, easy to read. "Bingo," she’ll say, blowing smoke and even more caution to the wind.

Almost to a fault, everything she does draws attention. Every fool with a blog and a camera posted outside of an event will have her labeled on-sight. You can already see the headline - because the only thing worse than everyone thinking you're the antagonist is looking the part. The imagery, red carpet, sexy evening dress, sultry, regal. The caption, Bae Joohyun - they use her government name like they really know her - sulking in smoke, or thirty flirty and thriving? below a thumbnail of her holding the cigarette, with your suit jacket draped over her shoulders. She's a total tabloid darling. Irene the temptress, or Irene, ice in her veins, or Irene - "How does she look so fucking gorgeous without makeup?!" or "Do I wanna hate her, or wanna be her? @RedFlavor_ROYAL," or "In every shot I feel like Irene has me staring into her soul."

Add that to the fact the girl’s utterly shrouded in myth.

Everyone running amuck with speculation; she's the girl-next-door, she’s the fantasy-in-real-life, she's someone everyone could see themselves fucking - she’s the heroine they say, the villain, the perfect wife, the one-that-got-away. They never do decide.

Though there’s only one opinion she’ll concern herself with, and only on occasion: yours.

Her fingers will come in the dark to trail feather-light from your collarbone, between the rise and fall of your shirt buttons, before pressing open palmed to your chest to still right there, and she's such a pretty thing in the plain black dress, all yours and very much in the mood - which you'll already have reason to know, in part from having felt your way around her no more than a hour prior, but also just the way Irene's been looking at you from beneath her dark lashes all evening, that subtle predatory gleam in her eyes.

You’ll hold her close. Irene will have the audacity to comment, “love you,” in this delicate little whisper, quiet like it could go either way - affection or gratitude. Maybe a touch of both.

A car will shortly arrive, pulling up to the curb with snow melting under its tires, headlights in your eyes, and then finally, in no particular order, your heart hammering: the click of the lighter, the falling ash, the sweet easy laugh, the crunch of ice under foot as she steps down beside you, the soft sweep of your arm.

You have no complaints about the proposal. A lack of argument or dispute is basically the same thing as consent, isn't it? For all intents and purposes, as a whole, it's really kind of a win-win:

Irene needs variety, which you're well aware of. It's only natural for someone who can have anything they want. And, sure, you happen to be a willing participant when it comes to satisfying the occasional whim.

So - the conversation will follow you right into the backseat of the cab, simply to iron out the details. 

“Tall. Beautiful. Soft, soft, soft - like cashmere, a luxury brand," Irene will have one heel off and her knee braced up into the back seat while the other leg extends across your thighs, fingers running along your coat collar to make idle circles against the exposed skin there. "Or, at the very least, someone with a little more bend to their character - you know how those prim and proper types always get a bit lost in you.”

"And wouldn’t you know."

It’ll sound smooth, probably. Irene will roll her eyes.

“So, okay,” you'll return to her, right after instructing the cabbie how to get to Irene's place. None of the implications here are lost on you. “You have anyone particular in mind?”

"Hm, I’m thinking."

You can picture it, roughly: Irene's whole body sunk into the dark corner of the seat - one leg idling over the other. Her foot bouncing at your thigh. She has her heels in one hand, earrings in the other.

She’ll look wistfully out the window; the intermittent flashes of city lights casting her face in different hues. The curve of her jaw; the stately line of her nose; her thick black lashes - composition and subject. It's this kind of attention to detail that the cameras scramble to pick up. It’d be better if they got it for the right reasons.

You’ll pull out your phone. Start the usual scroll from the top of your contacts. The girls you know, the girls you don't, the ones who might be awake or who definitely are, regardless of time of day or night.

Irene will finally perk up, gleaming.

Someone cute, she might say, only because she'd rather not admit, someone like me. There's limits to her vanity insofar as her taste - in all sorts of things.

But she does like the idea of it. Someone young and pretty and impressionable; someone naive, or tiny and helpless; it's never difficult to find the girl who will fawn over her - all wide-eyed and doe-faced the instant Irene floats her fingers across her collarbone, smirking - when she starts at the zipper at the back of her neckline and says, "we’re going to see how wet I can get you," without missing a beat. Someone who will eventually say please when Irene gets a little stern and tells her, "ask me what I'm gonna do to you," in a rasp so smoky that it would make the cigarette seem blasé.

But that, you suppose, is the nature of Irene. A touch domineering. A little more than just a pretty face.

She always takes, but she takes gently - a push here, a pull there, she knows people will give her anything.

It will be more obvious when there's a small voice trembling between the two of you, twisted up in your sheets and simpering with the gentle sort of affection that Irene deals so expertly: two fingers sliding up, pressing down. Curling, beckoning. Slow and tender, without giving up that she's looking for any soft spot; a weak point. Some vulnerability to exploit.

It'll be right after whichever plaything of the hour pulls her lips off yours, off the length of your fingers - or when she unfastens her mouth from the hard shape of your cock with an obnoxiously loud pop: "do you guys do this kind of thing often?"

And Irene, without even an ounce of hesitation, will rip right into the sheer of her stockings, letting out an aggressively casual laugh. She’ll plant a kiss somewhere deep. Say, "oh, honey," as she nuzzles into the crease of her thigh. "We're pretty new to this too."

Everyone, just - believes her. For the same reason you suppose they believe she's perfect. She’s good, really good at all this.

In the taxi, Irene's foot will continue to tap against your leg, until you're stopping her by covering her knee with your hand. As for now, the evening will remain all but written in stone. You'll run a hand through your hair, you’ll lean an elbow against the window - the whole while, ignoring the sudden itch between your shoulder blades at the thought of something else. At the thought of all the other girls who'll take an instant liking to her. Who wouldn't. 

The light will change. The intersection will empty. The radio will turn to static.

You'll eventually offer up a name like, "Jennie Kim," among others. Moving alphabetically down your contacts list. Taking you a long while to make it through the 'K's.

"Hm." Irene's soft hum of disapproval, non-committal. "Are you asking, or telling?"

The difference won't matter. "I'm suggesting," you'll say.

You’ll watch how Irene turns the name over in her mouth a few times before smiling - how she knows, there's the smallest part of you that has her held in a certain light. "Maybe," she'll say, tapping her phone against her cheek in the contemplation of whether or not this is a tentative no or a provisional yes - when really what she'll avoid an answer with is, "aren’t we a little tired of Jen?"

Tough to say.

Good, sweet, and just naive enough to get twisted up between you, in her case. Oh, Jennie’s the type of girl - you'll stuff your cock in her pretty little cunt while leaning into her, taking her arms and pinning them to the base of her spine, so she can't reach and can't claw and can't make an utter fucking wreck of herself. The two of you have known Jennie for too long, is what will strike you then. And a moment later, the idea of sinking into her ass from behind with your palm flat and warm against her hip and your voice husky and deep in the way she likes, and saying, god, fuck, Jen, you’d let me do anything wouldn’t you, you’d let me cum in here too.

And - she would, really.

She wouldn't even complain. Her face would be pressed so firmly against Irene's thighs, and she would whimper, not beg. Even though you know it’s what Irene might prefer; how it makes her look real cute - cheeks stained crimson as the syllables roll around her tongue before being forced out into the open.

"I think she's great," you might say out loud, lowkey.

And in a voice that is louder than strictly necessary, Irene will cut in: "she lets you finish in her ass, and then not even three minutes later she'll say it was the best lay of her life, of course you do."

It’ll make the cab driver clear his throat.

"What you’re saying is ‘no.’"

Irene will frown, thoughtful, but not conceding anything - perhaps she means hold onto that thought for now. If nothing else sounds particularly enticing, we'll call it a maybe. "I’m saying: Jennie is. I don't know."

You can hear the end of her sentence: not quite good enough. Not this time around, but someday, sure, someday soon.

"And for the record," Irene will follow, casual, with a dismissive hand wave. "Just because you got to her first doesn't mean she's ever liked you more."

The few that fall afterwards will never make the cut. Irene will turn them all down. Jisoo - no, sorry, look, she's so, so pretty, Irene will be trying to explain, gesturing in a way that's hard to interpret. "But a little too stuck up for my tastes."

You've been speaking in code for years. She means: way, way, way too straight.

"The blonde though," Irene will try right after that. “Daisy, or Lily, oh god something or another, what was her name-”

"Um, do you mean Rosé?”

“Yeah.” Irene will sink back into the leather, sipping down a memory or two and shifting her skirt up the top of her thighs.

You'll consider the angle. Your options: Rosé on her knees right inside the foyer of your apartment, Irene's hands wrapped tightly in her hair, controlling the rhythm. The way she gets her fingers spread under Irene's knees and draws her forward, pushing up with her eager, prying mouth - licks and licks, nosing against the heat of Irene's pussy until she’s gasping and locking her hands around the younger girl's head to steady the jerk of her hips.

Then, you'll laugh out loud. Because you know, Rosie isn’t anywhere close to straight enough. 

And the back-and-forth of what-ifs and could-bes will follow. An endless string, a laundry list. Where Irene makes a face for every name, every suggestion: too messy, or too innocent, or too sweet, or too boring, or not nearly shy or gullible enough, or whatever other bizarre caveat she finds to slot between all of her impassioned criticisms. The cabbie will be shaking his head at some point too, because the question hangs over the taxi at large: 

What exact criteria could possibly be good enough for the distinguished tastes and sensibilities of Bae Irene?

-

(The truth is: it doesn’t go like that at all.)

-

Enter then, Yu Jimin.

The run-in starts there, downstairs, out standing in a pool of warm, yellow light. The snow flurrying about in the glow of a street lamp - melting into where her smoothed curtain of jet-black hair spills over her shoulder and trickles down her sleeve. She looks a little cold, but not noticeably shivering. There's a red flush to the exposed length of her legs, between a pair of knee-high boots and the short hem of the coat itself. The stockings underneath offer little in the way of wintery protection - nor do the little bows that rest at the the bands of elastic around her soft, pale thighs - though it's obvious to anyone who's looking why she'd choose to wear them.

An assay into form over function. She's never cared for pragmatism.

But the lines around her are pristine, a clean-cut of shadow and substance; you take a step onto the curb, feeling yourself fall right into the foreground.

Look: you know Karina. You both do. Enough to recognize where it’s calmest before a storm.

Irene eventually calls out her name into the silence, and there is a split-second where her fingers reflexively wrap around the crook of your elbow. Almost possessive.

A car rushes by. Karina turns with her ungloved hand holding her cellphone to her ear and she's fucking gorgeous as can be, always pinning you with these big, unapologetic eyes - strikingly and somewhat deceptively innocent beneath her sharp brows. A breathy huff in response; she's otherwise unaffected.

Her shoulders shrug in easy dismissal; a quirk of the corners of her mouth. She slips her phone back in the pocket of her pea-coat. "Oh, how we all doing?"

Not for long, the question lingers.

"Fine," Irene finally replies, though her voice doesn't rise above a disinterested murmur.

"Easier, right? To fight for breath down here than it is up there," she says, pointing her gaze up high into the rafters of the building, and in a lot of ways, you realize, she's just like Irene - sweet, charming, this uncanny ability to make you think she's close, when she isn't actually looking to share anything. When she hasn't exactly decided that she likes you or anything at all.

You squint slightly. Take in where her silhouette appears darker against the backdrop of city lights, blending with the velvety black, bleeding into the ink-smudged night sky.

"There's certainly something to be said for flying under the radar at these things," she continues, taking one step closer towards you as if for comfort. Or privacy - to guard against anyone who might walk by.

"You've still got it easy," Irene says, "that, and everyone thinks you're too pretty to go after. No one even seems to consider the idea, it’s insufferable."

"Jealous?" Her tone is playful. There’s a smirk she’s suppressing - until she can’t hold it in: an unexpected, stunning smile, dimple and all. This incongruously kind face.

Oh, and listen, no one gets it better than Irene.

"No," Irene exhales, hot. “Not at all.” You can see where the thin plume of her breath hangs over her like a cloud for a moment, thinking, before dissipating against the harshness of a frigid December breeze.

"Really." She smiles at you again. Makes a sound that could be a laugh, you don’t know, the wind takes it, far away.

"Are you out here waiting for someone?" you have to ask. 

"Loaded question." Karina purses her lips for a moment. Her long eyelashes blink once, twice. "Because, I dunno, aren't we all?"

"Some of us more than others." Irene speaks quietly, moreso to herself than anyone else - but somehow her voice carries.

"Cheeky," Karina says, and this time she does laugh. "No. I'm waiting for a cab. I've had one hell of a night, and no interest in spending the rest of it in some rising socialite's bed, doubters excluded, because - look, I'm happy for you guys, I guess? You're gonna get married," she claps slowly, slow and mocking, slow enough that Irene rolls her eyes, "-or, the two of you will make a statement saying that you are - either way it sounds fucking exhausting - congratulations to you both. But seriously, congrats."

This is sorta how you've always known her. 

Faintly-hinted secrets, flirty half-truths. Her love life is an utter wreck, but that’s not something you’re supposed to know. So that's all she gives, which is more or less how everyone knows her. It's the only way to survive, probably, in a world of glitter and glamour, when everyone's vying to look, to feel, to take, and take, and take. Irene knows how suffocating it can be - she doesn’t lie about it, not to you, which is the only reason you're so well-versed.

Point being, no one wants to admit to any cracks in the fantasy; the gold too shiny, the surface too slick, the mirror too smooth for that illusion to slip.

"So go grab a guy with a half-decent smile and get him to buy you a drink about it," Irene suggests, derisive, "arch your back, push your tits out, get creative. I doubt it'll be much trouble at all."

Karina looks down, back up - with a slight chew of her lip, saying, "you just have me beat in all the important ways, I suppose. You got it in the bag, no real competition."

Irene is smiling, but her expression is unimpressed; it doesn’t mean much, really, to be her friend, her colleague, or worse, her opponent. Irene is calm like an evening in July, a low, cool, languid feeling. "I don't mean to be a prick, but, aren't you a little young to be so jaded?"

"Gosh," Karina’s grin doesn’t change, but does turn a touch wicked, like she's biting back. "I'd hate to be around when you do mean to be a prick, but maybe we'll find out - you know, down the line, someday.”

Irene tuts softly. It sounds patronizing. "Please, you'll have to forgive me - for mistaking you for someone more aware of how the rest of us work."

“You're one to talk, Irene."

“Careful,” Irene warns.

"What, you gonna set me straight?"

"Right." The way the word rolls off Irene's tongue, slow, thick, bitter, like molasses; like the coffee she has when she's tired, like the cigarette she swears left and right she’s cutting out and the vodka she needs you to reach for in the upper cabinets, like the person she is after midnight when you've let her keep drinking to find the limits to her inhibition. You understand Irene too well. And no matter what anyone says, you will not have the facts wrong.

There's no kindness to the way she laughs. None.

She tilts her head to you, grinning: an honest grin, her favorite thing - inimitable, unique, and hers alone; her version of cruelty is what will always have them doubting. You hold her gaze as she adds, "of all things, right now - wouldn’t you just love to set her straight?"

-

Depending on who you ask, you’ll get different results.

Irene insists you kissed Karina first, probably out there in the snow - god knows how cliche would that be.

She also insists that it was you who suggested that “there’s a lot more sense in splitting a cab,” and then minutes later, “please, it'd be no trouble, just let us pay. Our place is five blocks that way," and Irene - being Irene - mentioning it's actually quite a bit further, but hey, it isn’t worth splitting hairs over. And it's not worth explaining - she shuts you up with another kiss, pressing her weight hard up against you, the arm she slings around your neck.

Then in a sort of mythologized version of the timeline, it's you who makes the proposition - invites Karina upstairs, with the charm that Irene knows is usually reserved for her benefit alone: that slight tick of the brow, the delicate slant of your mouth, the confidence you seem to have in thinking no one will ever say no, no matter how brusque the invitation-

"You two are unbelievable. Is this really your standard procedure?" Karina asks, once you're through the door, or maybe during a bout of smalltalk in the kitchen. Something flirtatious; and suggestive, and maybe a little offhand. A pointed glance downwards, back up. All it really will take. "You get some girl into your home and they're just so overwhelmed and dazzled and in love, they can't even make eye contact for longer than a second? Because that's quite a line," a soft huff, the exhale that seems to carry the faintest note of a sigh. You could call it wistful. Just this side of romantic; very attractive.

“That’s more or less the gist of it,” you offer.

“You’d be surprised.” Irene is lingering on it, back against the counter beside you, laughing. "Some people are more than happy to be swept off their feet."

"Imagine that. If that's how this is meant to go, then tell me," and Karina lifts her chin, a breath drawn slow and deliberate, "what exactly do prince and princess charming do next?"

Consider that Karina’s interpretation of events is closer to reality: no pretense. She is not drunk, and in this story, she never will be.

But it's the slow-burn thing, the rivals-to-lovers thing, the sexual-tension-through-conflict thing, the white-hot-blistering-rage matter gone awry. Not a series of happy accidents, but a result of intentional circumstance - this slow arc of descent. She knows exactly how Irene is tightly wound, and which thread to pull to make everything start to unravel. She'd flirt with you right under her nose - say things in this obnoxiously girlish tone, pout a lot, lean into so much innuendo it becomes impossible to miss the meaning, or the sincerity behind it.

If you had to guess - Karina’s been pining since forever, since Irene accidentally etched her DNA into the girl upon saying, carelessly, that she’d always seen some part of herself in Karina. Probably around the time Irene wrapped a palm over an expanse of bare thigh, just beneath the hem of her skirt, telling her, you're getting way too pretty for your own good.

Doesn’t matter who you are, that’ll fuck you up for real.

And it's not just how she looks at Irene when she thinks no one is watching either; swings and roundabouts, Karina probably can’t keep the thought of you sprawled out over Irene’s petite little frame, or Irene kissing you hard while wrapped around you tight. Your hand, her hand, intertwined and picturesque, sliding down Irene's stomach. Together - and so very without her - fingertips stroking lightly over Irene’s clit, gently dipping inside her.

Irene is not stupid. She picks up on everything, and there's a lot to unpack:

"Can you believe it? Minjeong just asked me if I've ever kissed a girl before," Karina had said to you once, ages ago, between a workout or dance practice, something or another - she was wearing a loose-fit tank top and very intent on showing off. She seemed then to be taking mental note of the face Irene put on, the look of someone trying to hold in an aneurysm.

“Well,” you played along, because you’re not really without blame here either. "Have you?"

"Oh my god." Karina knew what she awas doing, the playful slap to the chest, the lingering touches she’d have on you every chance she could get - total fucking coquette - anything to get a rise out of you, your fiancée. She hushed her voice down to this strategic whisper that Irene could just overhear: "of course not."

You better believe Irene broke her composure not soon afterwards, after Karina made her exit. 

"Do not fuck her," she demanded, firm, "I don't care how good you think she might be in bed, or what she would probably let you get away with."

You remember the knit of her brow.

“Do not.”

You’re sighing, profoundly. The memory - not to mention its shocking clarity - has put a smug sort of satisfaction into your bones, indulging. The nip to Karina's jaw, a hot, open-mouthed kiss to her shoulder. A hand tracing down the curve of her hips, under the guise of helping her settle between the cushions of the couch. You feel like you catch the color flooding her cheeks. Then, Irene, her pretty little shadow: the steady presence over her other shoulder.

"What." Karina sounds defensive when Irene pulls her lips away, but the hand she has buried in Irene's hair doesn’t appear to be going anywhere. "Are we going to pretend for a minute I don't see the way you're both looking at me right now?"

"Don't be stupid, darling, of course not." Irene leans up close again. Kisses up her neck, behind her ear, and coos, "the two of us, you just seemed like you were needing someone, that's all," and then whispers the words, barely audible: "I mean look, who wouldn't want the three of us right now?"

Karina hums. "Ah, so - you think I deserve to have a little fun."

"Maybe," she draws it out a little longer.

Your hands dip below her knees, running over the silk-slick surface, tugging at the frills lining her thighs - feeling up over the outline of where her body curves under her dress. Over the dark pattern printed across the front.

Karina swallows visibly, her head dropping back against the armrest, the couch cushion; by the way she shudders slightly and starts breathing, you realize that it's probably been a while since she's had much experience being in a position this helpless. You draw your fingers lightly across the bareness of her skin, right as Irene finds that sensitive spot just where her neck slopes to her collarbone. You trace along the fabric until you have her squirming beneath you both.

She sucks in a breath as Irene drags a touch right over the obvious seam, across the expanse of her hip, and despite your fiancée being a tad forward -

"Both of you should know I'm not that type of girl. Who puts out so easily-"

"Likewise," Irene practically sneers, not missing a beat and threading her fingers beneath her jaw, feeling her pulse against the pad of her thumb.

"Yeah, well. If this isn't a setup, then, what-"

“A setup.” Irene breathes the word out, contemptuous, which is almost as if she says yes, you figured it out, and she starts to lean in closer - the distance between the two of them now negligible as her mouth tightens with her derision. "That is awfully conceited of you."

"Ha."

You choose right there to run your palm between her thighs and cup at the front of her pussy through the skirt of her dress, squeezing tightly. There has to be an element of good cop, bad cop to this whole routine, and you'd be remiss not to participate in the former. Irene's glare is starting to become pretty intimidating.

"The way I see it," you begin, and it's so gentle. Easy to slip through, but easy enough to grip - no threat, or indication that she should stop rocking forward to the motion of your fingers, toying idly. "There's no catch. Only: Irene calls the shots. If you end up with a crush, or worse, think you're in love," a light squeeze to illustrate the point, the dig of nails, not too rough, but definitely drawing attention. "You've gotta walk it off.”

Karina just runs her tongue across her lips, sighing.

“No strings attached, no special treatment. Or anything."

"Oh." Karina is looking straight at you, dazed - as your fingers work harder, picking up where her hips started rolling a second before. She licks her lips. "You're telling me that I'm going to get fucked so thoroughly here, that it's gonna be a problem."

"Actually," you pull away, pushing her dress up so you can touch up ever higher this time. Rooting between her soft thighs. "I can't make any guarantees. You'll need to convince us first."

There's a laugh, from a spot inside her diaphragm - and yeah, there's no denying the reality here. She's nervous; or excited; or nervous-excited. Karina just lets it pass, an exaggerated sound in her throat, before gasping on an exhale of breath: "convince you to fuck me?"

"Between us, we've kissed our fair share of pretty girls in the heat of the moment," Irene supplies.

Karina laughs. Starts saying, "in that case, can I start by confessing that this whole exchange has left me pretty fucking wet-" 

You slip one finger down the rise of her panties, this lacy little number she probably picked out with sordid fantasy in mind. 

"Oh god," she says, voice drowned in her throat, husky, and sultry - it’s really hard not to appreciate the girl, like this - and then she closes her eyes, saying it again, "oh, yeah, like - like that. Okay, thank you."

Irene puts a hot kiss into her lips, and a subjugating silence stills over the living room, softening around her small voice, her breathing. Everything comes together so seamlessly, so effortlessly: 

The click of Irene’s heels against hardwood, these soft sounds of wet tongues twisting and bodies grinding, Karina's face, buried somewhere under Irene's chin, letting out the cutest moan. Irene's helping the rest of the dress up over Karina's ass, then up past her waist, pulling down the scalloped elastic of her stockings. She grabs hold of her hips, feeling the draw of her curves there - you watch how your other half does the thing she does best, the thing where she strips a girl down to nothing like she's doing them a favor.

"Pretty," Irene appraises her naked body - not her face, not her mind, not her ambition or the strength of her determination, or god forbid, something banal like her personality, but, "fuck, look at you, look at this figure," her palm skates along the plane of her stomach, "so pretty."

It could be the insinuation: Irene is ready to reduce the girl down to a heap of jumbled nerves; to tears, probably - given half the chance. Like she's telling her a body as flawless and well-manicured and sweetly receptive to being toyed with as hers needs to get absolutely wrecked, among other things.

(Fucked so deeply, and to the point of utter exhaustion - the point is that she forgets her own name.) 

Irene knows just by looking, her eyes tracing down each and every one of Karina’s curves like they’re taking inventory. It could be as simple as a handprint seared into her ass, a stinging red stain etched into her soft, creamy white skin, marking the insides of her thighs, her beautiful fucking tits - oh, the things the two of you could do.

"How do you want it, exactly?" Irene's eyes are dancing around her face, in her stare, darting down, then back up. "How, baby."

Karina smiles against Irene’s lips like she knows the answer, the perfect one. She must already have the script prepared. It's no stretch of the imagination: "anything, as long as it means you both keep looking at me."

Because maybe it's down to the pure physicality of it all. Something Karina's been waiting to feel, desperate to have, for some time - as you set into action, dismantling any pretense that you weren’t about to devour the heat of her aching cunt, from running touches all over her slick pussy. It’s a strong theory, you figure, from the visceral response you get when you get start to fuck her, when you slide a finger inside: tight and snug, and so unbelievably wet. 

“Oh,” she breathes out, and it sounds sated and needy all at once.

You make sure to glance at her face before pressing another into her. All the way past the knuckles. She looks lost to the feeling, the pleasure; her expression gone hazy-eyed as you start fucking into her with a few steady pumps of your wrist - slow and then faster, then faster again - fucking into her with increasing urgency.

Just to keep her gasping, panting.

Like a woman starved for it.

"God," Irene kisses softly into her mouth. Her hand tangled in Karina's hair, twisting strands between her fingers and tugging just shy of something painful, "you're really sensitive, aren't you?"

Karina nods, slightly. It’s all she can manage.

You have a soft spot for girls who will spread themselves open like they can't wait, but still end up flustered over how your lips ghost across aching flesh. Who can't even form the words - asking for this, and that, and a million little things; and look at Karina - blushing, her eyes fluttering closed, and digging her nails into the couch the moment you finally put your hot mouth on her. Her entire body is drawn taut like a live wire.

"Relax," you coax, speaking more to the muscle - her legs tensed, and knees pulled tightly together. You know just where to place your lips to make her go to pieces, but it's worth suspending pleasure - your own, and Irene's, who won't admit that this sorta turns her on too - so Karina's face might open up, so the tilt of her brow can slack, and the twist of her expression can soften. Like it's the only chance she'll ever get.

When you place your palm across Karina's stomach to steady her and look up, Irene has started peeling off her own clothes, down to nothing but the little panties underneath. That garter-belt thing that makes her ass look like she was sculpted straight out of clay - a reminder she's always worth your time, no matter what mood she's in, or whether or not she'll eventually let you take the lead. She's lifting herself on the couch to throw off the little slip of a dress, the high heels. “Baby," she purrs, teasing, maybe to distract from how she’s gone from dragging circles with her fingernails across Karina’s collarbones to kneading roughly at her tits. And she might even insert something she's never actually had a chance to confess out loud, or even consider much, like: she's been dying to know what Karina's face will scrunch up into, or what her eyes will look like, tears stained across her lashes while you fuck her within an inch of her life. The image you’ll find when you find all those spots that drive a girl wild.

Your mouth drags over the slick, her lips, her clit, and down again - as if to illustrate the point.

"That feels - so," she starts, and bites off the rest of the words.

Irene grabs hold of Karina's hands. Presses their mouths back together, and bites Karina's bottom lip. Kissing the words out of her, the sentences that start in half measures and stifled gasps:

"- so, good, oh. Do - ah, fuck. Oh, god-"

-and vanish somewhere in Irene's mouth.

"-oh, do that again. Oh my god. There. Just - lick- please, keep fucking, exactly that-"

And pay close attention, because here now is how she slips: from the image she maintains for the cameras, the audiences, her admirers, her competition, her detractors, the ones who mean it, the ones who don't mean a damn thing; the girl who shies away from anything overtly sexual, or sensual, or remotely hedonistic; and doesn't act as though she too, just as much as anyone else, needs someone to fuck her stupid - as if it's an eventuality of her own humanity, instead of a concept she's learned to scorn.

Irene picks up on the distinction, all too familiar with the look filling out across Karina’s angelic features.

She ghosts her thumbnail across Karina’s nipple. Tries out: "why don't you make her cum, baby, right here, on the couch.” A look at you, a quick tilt of the chin. Then, her tongue peeking from behind her teeth, and her voice dropping, "just so you can tell Minjeong, or whoever ends up asking - 'you have no idea how good they fuck.'"

And just like that - with Karina’s body laid out beneath Irene’s hands, your mouth - you simply fucking ruin her. 

You both do. 

Until it's only a mess of whines and shuddering limbs and that lovely look: pure agony. So helpless. So utterly exposed.

Karina hiccups something incoherent - you’re doubling down. You’re working your touches through the torrid mess between her legs. Her pussy is shimmering wet and hot and every bit as pretty as she is. Then, the motion of your tongue, the slow, heavy flick back and forth, relentless and constant - dragging back and forth, keeping her right up, riding the wave. Back and forth, back and forth. 

"Oh my fucking god." Karina can only gasp, jaw-slacked open. 

Overwhelmed and blissed-out and suddenly awash in this searing and wondrous sensation that the only real way she's able to make sense of is by twisting her hands in your hair and pulling you flush against her cunt while she cums on your lips.

"Ah - you're fucking kidding me. Please, don't stop, please don't-" Karina has her head turned. Voice pitched right into Irene's shoulder. You fuck her on two fingers until she’s got the heel of her palm pressed firm into her forehead, and she’s starting to jerk her hips into your face. Stutter her breathing, her words: “I, I, I- fucking - what the fuck, you’re making me - jesus fucking christ."

Like some delicate and intricate piece of her had just been irreparably snapped. Broken. You hear her expletive-laden screams - and think, better her, than either of you.

And all the way through every last part of it, cresting, waning, quivering, the tremble of her thighs snapped shut against your ears, the grind of her teeth, and each little choked out gasp-

“I'm… fucking cumming.”

Karina spends the entirety of her first orgasm between the two of you, heaving.

The look on her face alone, just from what parts you can see, has your lower gut clenched - it goes from anguished pleasure, mouth pulled wide and brows wound high and tight, all the way to calm and cathartic, the pretty bow of her lips settling into something manic. Eyes softening with a luster, half-closed. A mask, the afterglow: blissed-out and smiling dreamily.

How anyone could say no to a picture like this, you're unsure. Though not particularly willing to test the theory, naturally.

"That was mean," Karina finally huffs, letting a moment pass to even out her breaths. "Both of you, so mean."

"You said to," is all Irene says, amused. 

Karina looks down; lifts her head just slightly - as you bring your own mouth off her, catching her glance. Not even your palm and your fingers covered with the evidence - it's her lips that give her away, the swollen, pouting, bright pink lips of her pussy, still radiant with her climax.

She breathes, "god. Irene."

It sounds an awful lot like she's begging for mercy.

Irene hums softly. Leans in for a kiss, with her slender hands cupping Karina's face. Manages to say: "you just look so fucking hot when you're struggling. Can’t fault us for that." She reaches down, and digs her fingernail into the line of Karina's cheek - near the center, just short of the outer curve where her dimple naturally settles. She works her lips to a very soft, "ow."

"Listen," Irene says, "is there anywhere else you've been considering going? Because in the event you're looking to stay for the night-"

Karina replies, "only everywhere I still haven't gone."

Her smile looks honest. Her cunt seeping and slick - there's abundant honesty there, too. And you manage to catch the wicked glint in Irene's eye, like she's a bit obsessed with all that glisten, and what it means - that Karina hasn't felt a real, good dicking in ages. Maybe, probably, never. That she's slept with everyone and filled her quota of playing pretend: of someone just going through the motions, dragging their mouth or tongue or cunt along the most obvious, conventional routes.

It’s written all over her face: the girl between you needs to be touched everywhere, and by someone who knows how. Needs it deeper, more. Has to feel the pressure everywhere all over.

Irene asks her, plainly, “how might we get you moaning like that again, hm? We're both dying to know."

She puts her hand under Karina’s chin, tilts her face towards hers, and kisses her long and deep. Until the both of them are having trouble catching any breath. Until they have to break, only so one can take another in: inhale, exhale, and back in her mouth.

"Maybe." Karina lets go of Irene's lower lip. She sounds almost bashful, "you'll need to let me get my hands on that cock of his. Let me get it inside, want it real fucking deep inside. Tell you if I'm just, you know. Really fucking horny. Or maybe I have some hangups about sex I've never told anyone - and we have to work past that," she takes Irene's mouth into her own again.

It's the short consideration of sure, mm, why not? until the next suggestion is: "he should be on his knees, in bed, those hands around my waist, behind the small of my back and pulling me into every stroke."

“Oh,” Irene agrees, “I love that. Should I play with myself while I watch him fuck you senseless? So hard and rough - you'll start seeing stars. I wanna see him completely railing into your dripping pussy from behind, fucking you so goddamn well until you're screaming so loud it’ll wake the neighbors."

Karina sighs. “Well I’d hate to get all the way here and half-ass it.”

You barely catch it, but there's a lovely note in Karina's voice. It’s saying, and don't you dare treat me like glass, like I’m fragile.

All in all, a filthy, filthy way for a girl with virtually no ill-reputation or ill-gotten gains - no record whatsoever - to describe how she wants you to fuck her, until she’s biting down on the consonants in your name, moaning loud and unmistakably clear, and-

“-sorry, whose cock?” Irene has no intention of letting her off easy.

You draw away from the meat of her thigh, licking your lips clean, and insert mid-conversation with a husky-voiced, "hmm?"

Karina just shoots you a sharp-eyed look. "You heard."

"Only," you play dumb. You run a hand between her legs, using your palm as you go, so you can pull more sound out of her throat; the pleased sighs, a hum. Another. "The part where you want it 'real fucking deep inside,' I think I heard."

"I mean, wouldn't you?" Karina looks satisfied with that. Lets out an easy laugh and turns to Irene. "Besides, I need to know if it’s more than just pretty eyes and a handsome smile that you’ve gotten yourself so hung up on."

The tilt of your fiancée’s brow above her is noticeable and apparent. Not a twinge of surprise; more like recognition. It's Irene looking haughty - beyond the usual - wrapped up in the afterglow. It's the confidence, and not at all humbled by the reality that she is no stranger to fucking a girl this downright gorgeous, knowing the danger inherent in allowing that kind of damage, but if Irene has you figured - she's figured Karina even better: someone willing to push through the burn. Someone, she’s betting, with the capacity to handle pain like it's an artform.

“Karina,” Irene says, and she's really leaning into it, "you really ought to be more careful with that smart-mouth of yours.”

It's the absolute worst way to proposition someone; maybe second only to what Irene whispers straight into her ear:

"If I had to guess, it’s your sweet, pretty face that has everyone bending over backward just to let you fuck them, hmm?” 

You’d anticipated this much. You watch how your beautiful wife-to-be eases forward and leaves a slow kiss into Karina's throat, before adding the worst, most awful thing she can manage, “they're eating up this adorable, innocent facade of yours just as soon as you let it slip - letting you straddle their waist, and slide right on, and chase some clout out of oh, she must have this tight little cunt, or how good it would fucking feel to ruin a load just slamming these perfect tits, or. The best of the best, when it comes to pretty things with brains and mouths on 'em: 'fuck, I bet Karina has a face like an angel, she's the kind of girl who probably really, really loves taking it raw - filled and fucked as deep as she can manage'."

“She’s insinuating you’re a slut,” you offer on the next beat, down from between Karina’s knees. “Or something.”

"I put that much together." Karina has that teasingly pragmatic tone in her voice, matching Irene's level. "Your point?"

The joke is that even Irene - after she has the chance to drag her thumb across Karina's lips - looks mildly impressed.

"Sweetheart," the corner of Irene's mouth quips, as if the reason is so, so very obvious, "let’s say you’re just like me, total hypothetical. You're going to have to let us know which part feels better: the praise, or the degradation. I know it’s what makes you tick: all the attention. I know you need it. The same way I know that I could eat this perfect pussy out for hours just to get it slick, and wet, and wanting, and the thing I’m still not sure you’d be ready to learn," she tells her, a light in her stare that flicks upwards, eyes going from Karina's cunt and back to her eyes, her own mouth, and then hers, "the really good sex? Isn’t always pretty."

There isn't room for misunderstanding, let alone any mercy in it. Irene's face is dark; dangerous. Like, seriously. Karina knows better. Everyone does. You know exactly what she's doing. You know what comes next, but this time, you can't shake the feeling like-

Like Karina wants you to look.

She has her fingers on her cunt, spread, presenting - and a small shrug; her response is so fucking coy: "I guess I can't really help it. Besides, it’s common knowledge, isn’t it? The brattiest girls always turn out to be the best fucks. Honest, I get so wet sometimes, you know and then god, I can't think straight.” 

She laughs at the premise. 

“I dunno, what's a girl to do?"

You can feel the room starting to tighten up, just barely: Karina’s breath still heavy, her chest heaving, the way Irene holds her still, how her arm curls across her stomach, palm flat under her tits; that pose in particular, the power to entice.

And maybe it's the fact Irene is still making eyes at you from Karina's shoulder, the cruel bite to her upper-lip, showing how she's working at the soft skin of her neck - a smirk, before pressing into another kiss there. Your insides are running hot, a shudder racing up your spine. There’s no mistaking what she's getting off on, not just some pretty-as-paint newcomer. There’s your Irene, your fiancée - and her beautiful, adorable, awful little shadow.

-

So what if, by some pure hypothetical, this all spirals out of control?

You don't know the consequences of taking home what amounts to a coworker and screwing her with a certain reckless abandon. There’s power harassment, a toxic workplace environment, boundary issues, sexual-fraternization. So on, so forth. It's all relative, but watching Irene and Karina make their way up the stairs and admiring the things that only a woman's hips can do, swaying this way, and that - and, following the path from one tight little ass, the other, all the way up their spines - there are no such qualms to contend with, because there's absolutely zero chance that’s the thing that’ll be keeping you up all night.

Irene laments and hopes in the same breath. 

She has two pairs of panties in one hand, Karina’s fingers laced into the other, explaining with a quick squeeze, "don't tell me, baby, I already know," a wink, a laugh. She’s such a sweetheart when she means to be; charming, wooing, the coy girl Karina seems to have gotten so drunk off the idea of getting mixed up with. And yeah, when she drops them on the floor, and pushes Karina gently against the wall. Traces her finger up her jaw, then her cheek, and leans into the crook of her neck, into that same spot from earlier; yes, Karina can count herself lucky, or whatever.

"So, don't stop now, baby-" Karina's huffing - the line of her throat so taut and exposed. "You should really fucking try harder if you want me to beg."

"Honey," is how Irene responds, leisurely.

There will come a point in their intimacy, in all things considered, where this act no longer plays itself: Irene, the seductress, and Karina, a deft and innocent prey; of course you, the hammer to a nail, pushed and pulled in one direction, the next. The moments in which her lips leave the crescent of Karina's mouth - hot, hazy, and half-wet with their own spit, their tongues twisting, the muted click, and the telltale wet drag of a body pushing and straining up against her own-

Maybe in her bones, she is begging for it. Maybe, Irene hopes, she'll have to: eyes turned up, watering, tears coming hot, streaming down her flushed cheeks as she cries it from her lungs.

"I wouldn't have you beg for anything."

It's true that Irene is ninety-nine percent grace, one percent child-like wonder; she's easy to read when the mood hits her. The lines of their bodies tousling, twisting and tangling in moon-lit-darkness. There's some irony to it, only a few steps away from the bedroom. At the base of the staircase. In front of the tall windows covered with frost that serve, now, primarily to remind Karina that she's in a part of town she could never afford, in an ostentatious apartment she could only dream of; but most importantly, that the woman in front of her - with her fingers dipping down between her thighs and up again, tracing over her navel and the rise of her hip and her cleavage - can have anyone she likes, without limitation.

Karina can't deny it's everything she wants.

"Karina, I'm curious." You're easing into that spot, where the two of them have coiled themselves up - you’ve got your cock in your hand and you’re stepping out of your pants - in the hallway, the frame of the door, a heavy, long shadow cast: Karina has Irene pinned now, a wrist over her head, against the other side of the wall where the white paintwork is starting to run thin. "Didn't you say something before about how hard you wanted it? Raw, deep, I believe was how you put it."

Irene smirks. It's just the slightest sneer, until she has her hands reaching over the curves of Karina's hips and pulling her fingers into her soft ass. Spreading her cheeks. Touching up, then down, back in the same groove, this slow rhythm that builds - like they were both expecting this exact sequence of events.

You watch Irene whisper something into the girl's ear, and - fuck - the light catches her expression at just the right moment, head lolled to the side.

"Hey," Karina drawls. She lets it come out breathy - on the note, the middle and upper registers of her voice, hitting something near a perfect alto. "How about instead of having some heart-to-heart, and making me out to be some naive-ass kid, you stop asking questions and get to fucking the life out of my little pussy."

She ends it so charming.

“Oh,” you tell her, feeling how fucking drenched she is right at the end of your cock - sliding her slick up and down the length of her cunt, and knowing the feeling will likely stick to your skin and drip to the floor, all of it - "well. If that's all."

Your hand arrives on the lithe stretch of muscle between her waist, right along the ridge of her hip bone, your cock pressing onto the heat of her cunt. Karina turns her head over her shoulder so you can see it all in profile: that pout. That look. That everything.

"There you have it." Irene squeezes the flesh she's got cupped in her palms, drawing circles. "If only everyone else got to hear that sweet, sharp edge you've got underneath, hm?"

Karina opens her mouth with some clear quip to needle, but stops herself, a catch in the center of her throat, her brows shooting up. The pull of her voice is somewhere out and over.

“God, fuck-” she can just manage to sputter. “You’re- ah, ah - your fucking cock-”

Oh, it has you cursing too. You're pushing so far into her tight little cunt - the soft airy moan, that pretty sound, riding back on every last stroke until you've filled her right to the hilt.

“I know, I know - that feels so good, right?” Irene coos.

You just pull her all the way back onto your cock, thrusting deep. Base to tip. So goddamn fucking deep.

Karina probably doesn’t even mean to whimper, but the press of your hips, slowly snapping in and in, has her lungs constricted, as the pressure slides through every hot, slippery inch inside of her - this glide of agonizing intensity.

“I bet you want to just cream all over that cock,” Irene says, fine eyebrows knitting into something like contentment. “All filled up and feeling full, and just fucking letting it go - he’ll take such good care of you. He’ll fuck you so good you won’t ever get that warm, hazy, blissed-out feeling out of your veins ever, ever again, if he has his way-”

All while the head of your cock works over every fucking sensitive part of her, dragging out to thrust all the way into her soft cunt, the round of her ass bouncing back to meet each stroke. Again, and again, until you've worked through that wet stretch of muscle. And the motion isn't exactly elegant. Karina's mouth hangs wide open, catching short breaths that curl inwards when you reach the line of her waist.

“It’s so fucking good,” Karina’s sighing out. She’s all fluster, no bite.

There’s no lack for juxtaposition in the way Irene dotes on her either - these small beguiling bits of praise like, baby, you’re doing so good, these tits of yours are just, you are - just gorgeous. Mouth quirked into a tight grin as her fingers pull and twist around her nipple. The sharp yelp that comes after. The fact that she's kissing the words into her mouth on the very next whimper: “a girl like you needs the time, and patience, and opportunity to have her insides completely, totally, catastrophically ruined.”

Irene had it exactly right on the first read. She’ll say, “I told you so,” when Karina’s washing the cum off her chest or out of her eyelashes in the shower. It’s the praise; it’s the degradation; it’s you leaning down, your hands finding her hair, curling in, and getting her right up against your lips to say it quiet, low, intimate - like a lover, like she hasn't already heard it before, “such a good little slut for me.”

And the girl absolutely fucking keens.

You grip onto her hips. You pull her hair tight. Her throat bobs under your thumb and you can feel the anxiety start to throb, her pulse hot and heavy in her cunt. How it soaks the base of your cock. Jesus, you’ll fuck a load right into her. So easily. Her pussy is so snug, so unbelievably wet. Perfect enough to know if you fuck into her any faster, any harder - it’ll be just that: you'll paint right up to her cervix; you'll fill her to the fucking brim.

"Fuck, Karina, this pussy is such a fucking dream," is what you're making sure she knows, and at that, Karina just finds that bend. Arches more of herself to you, until her ass is slotted into the plane of your stomach, the head of your cock prodding, testing the limit where her cunt is hottest and wettest. "God, this has to feel incredible. Your ass bouncing on my cock" - Karina goes slack on the force, leaning forward - "as I rail your tight little cunt."

If anything, Irene is there to catch Karina's tearful, thankful gaze when she finally starts fucking crying, a litany of yes, fuck yes, yes-yes-right-there, please fuck, and a wet, dazed little "you're goddamn - you're ruining, fucking - fucking, ruining me," every other syllable broken by her shuddering breaths.

"Aw, you're going to cum again, huh? Baby-" Irene's got her head at an angle - their gazes locked, watching - and maybe Irene really gets it: how much of a big, bad crush this gorgeous fucking woman's had on the pair of you all this whole time, with all that faux-romance, and lust, and envy wrapped up inside her - but if she wasn't so obsessed with the shape of Irene's mouth, the contour of her jaw, the lean and sleek lines of her frame and the soft, round swell of her ass - she’d still be left with the shape of your cock, where it’s pounding her apart. Fucking her and fucking her up.

It's more than worth the breath to remind Karina what she came here for. Irene's fingertips brush the line of her lips, part them just so. 

“All over him, baby, let him make a mess of you. Just a total fucking mess. We'll fill you up, and fill you up, until your poor, aching pussy is full of cum," and it's probably as well: Karina does what comes most natural to her - with you three, the whole number. Her eyes flutter and go dreamy. There's not even a moment of hesitation:

"-until it's leaking down these fucking thighs-"

"You're doing so good, babe," is your supporting role in all this, murmuring encouragement straight into her ear as you fuck her to pieces. Your breath fans out against her cheek. And then, your hands make a grip under her thighs, holding her steady, making her mouth fall open - this keen, wobbly, vulnerable thing that exposes the naked girl she is, behind all the makeup, and the heels, and her seductive and all-consuming appeal, everything.

“Just so you know: it’s the best fucking part, Karina. I mean, the look on his face.” Irene laughs with her whole body, until the rich, raspy sound of it fills the hall. “The way he bites his lip when he's close, his eyes clenched - and god, I fucking love when he finally cums. It's so good, watching him. Letting him have his way. Feeling his cock throb and spill into you - hot, and still, and just pumping inside you - just so, so good.”

"Fuck, ah-" the little gasp is like she's starting to hyperventilate. 

"Because baby,” is the final nail in the coffin, hammering home, “he’s fucking you just like he’d fuck me.”

"Fucking, please, god-."

Irene's hands have her breasts in their grasp and are playing at where she’s sensitive, then pushing into the soft, delicate space beneath, thumbing the indents. "He's so fucking good, isn't he? Are you going to cream and cream all over his hard fucking cock?"

Then - and because it comes so instinctually to her. Because, actually, your Irene has a slight propensity for evil:

She slaps Karina, right across her tits. "Fucking cum on it."

One.

Tugs hard on a nipple. "I swear, every single bit of you is so goddamn beautiful-"

Two.

"That body is built, perfect. So easy to ruin. And god - what a perfect little pussy you've got-"

Three.

Karina struggles to breathe. Her voice is torn, frayed. She barely manages to utter out a very shaky, very desperate, "harder, fuck- you’re fucking making me so- you can, harder-"

Four.

The cruel contact of Irene’s palm pulls this deliciously hedonistic sound in Karina's throat, a loud moan; like she just hit the sweet spot inside that's all her nerves coming alight. Irene plants a quick peck in Karina's hair. Her temples, the ridge of her brows. Slides her thumb across her eyelashes, brushing them clean from whatever tears had sprung free. You don't even want to try, not at that moment, to try and endure the quiver of slippery muscle all over your cock as she shudders into her orgasm. It's simply too fucking much. She's too fucking tight.

"Aw, shh shh, shh," and then Irene's soft hushes are coming down from the other side of her head. Irene kisses her full, straight on her mouth. Karina is shaking, convulsing and caught and fucked from head to toe - and what she needed was someone like the two of you - to watch her cunt swallow your cock like some magnificent and unbelievable sight, taking the whole damn thing. Irene is telling her, "it's okay. You can let it go."

The silhouettes alone. From the end of the hall, and where the afterimage lingers: the smoke-frosted windows, the dim lights, their bare, beautiful forms - this picture that will stick in the center of your head, will probably haunt you-

"God, I can’t, just- ah.”

“Breathe,” Irene says.

"I'll cum again, it's too- I'm so-" Karina can only plead and sigh.

Irene shushes her one more time. "It's a lot. It's alright, baby. He's going to keep fucking you until he's ready to pull out, until he has a whole mess just painted onto your ass, and thighs, and I'm going to make sure that little pussy gets so wrecked, fucked, stretched on every last inch- until the thought of sex hurts, and then we're going to make you cum again, and again- over, and over-"

You're leaning over her, nose buried into the waves of Irene's hair, the curve of Karina's back, and the flush of skin in contrast. That's when you feel the coil in your chest come loose - unspooling, and bursting - when Karina's lids roll into the back of her head and her lips fall open with a pleasured gasp and a stammer, "y-you're, ah, both, you're so, both- oh god."

You're about to just pull her down and absolutely cream her, stuff her full - a mess.

And she wants you to-

"That feels so fucking good," she lets slip out on the cusp of a shiver, just as her inner muscles are spasming, milking your cock with the pressure from one pulse through the next, squeezing.

She’s right. It does. Her, coming undone. You, at wit’s end. 

Another breath, and Karina is managing out between these small hiccups - not as much out of breath, just dumbstruck - simply muttering, "I’m cumming, I- oh my god." 

You barely manage it; you unbury your cock from her cunt; you’re cumming all over her ass. 

A shot of white that streaks right down to her bare-slicked skin, before it gets painted down into the crease of her pussy, all swollen - wrecked and raw.

Just the way it feels on her skin is enough to earn another hushed moan from her, this sweet little whimper as she can hardly stand up straight. She lets her knees buckle, but Irene is right there, to catch. Her eyes are closed, eyelids clenching, as Irene tilts Karina's face her way, to lay one, two, three soft, adoring kisses on her mouth, the angle all wrong. 

“Mmm.” The smack of her lips. The pull of whatever breath she still has to give - right out of her heaving chest. "Sore, that, ahhh- um, thank you."

You fiancée wraps a slender hand right around Karina's wrist, and starts whispering to her, unbridled, "just had to. Had to see how you look-"

It’s wicked, for one thing. More than that, it's seamless:

While Irene still has the girl's voice caught in her throat, she reaches around the curve of Karina's hips and drags two fingertips through the puddle of warm cum that sits right at the base of her spine, glistening all over her ass cheeks and inner thighs, slipping and rolling off her cunt, down the center, running in rivulets. Your cum between her fingers is so filthy, so obscene - dripping hot - right off her reddened skin, and Irene can't possibly help it; not after a display as indulgent as that. The trembling that remains in Karina’s thighs does nothing to hide how her legs now jitter and shake under Irene's touch.

“That’s my good girl,” she whispers as her fingertips hover across the apex of her puffy lips. Over and over again, with more force, and more, until you're almost positive it's Karina that leans in a moment later, kissing the rest of her soft assurances right off her tongue.

Listen to her: this incoherent string of words pouring from her mouth, like they can't move fast enough, tripping over each consonant, "are you, oh, oh - oh, fuck."

No one else could make that kind of overstimulation feel so heavenly, you figure, the way she just properly melts. You take a step back, just to let Irene work. Just to watch. To appreciate the craft.

You absolutely get it. 

How to touch, how to tease. Firsthand experience has you know she'll ride your cock until you're throbbing and spilling cum and she'll just shh-shh, let you have it - it's okay, sweetie, just let go - until she's rolling her hips just right, or reaching a hand back to massage your balls, or stroking your inner thigh in that exact kind of spot; some method that keeps her all the way on the end of your cock, but not quite off the edge, and your cum leaking down your shaft, spent.

She’ll bite into her smirk. She’ll tie up her hair. She’ll get that serious look on her face because she knows: you’re all hers for the taking.

So she'll sink onto it, again and again, until she's fucking you with the slippery friction only your own spill might provide. "Just a little more," she'll tell you, which is absolutely a lie, "come on, just a bit harder, I'm so close." Irene does this thing - she's had years to refine and perfect - and her voice gets a husky edge to it as her teeth graze the shell of your ear; she makes a small, pained groan into the curl of your hair and breathily hums it: 'I'm almost there.'

Who stands any chance to resist?

And she's always asking you - the same way she's coaxing and promising Karina the world with just the movement of her fingers, this delectable in and out, in and out, pushing that filth up into the red-soaked lips of her pussy - "now, what did I ever do to deserve someone like you?"

Karina blinks, once - a sleepy-lidded draw that leaves her lashes, lush and long, and fanning her flushed cheeks. 

The sound between her legs is wet, squelching with your cum, with hers, the barest hint of slapping her tender skin. The beat of Irene's wrist against her thighs - like that's where she needs it most - a deep, primal rhythm, like the last thing she wants is to take a breath. It's fucking hot; her head is tilted, her jaw clenched, and Irene has the tips of her fingers twisted between Karina's legs, swirling your cum right back around in her slick cunt - those plump pussy lips that you've watched stretch out on the first press, the first and the second and the third, as Karina finds what gets her there fast, fast-fast-fastest-

"You can cum for me too, baby."

It’s not a suggestion. There’s nothing but expectation in Irene’s voice. 

“Just cum.”

You watch it knock the architecture right out of Karina's legs.

-

Indulgent, just isn’t quite the right word for it. Careless, reckless, clumsy even-

Look - the tumultuous tangle you three make is all over the fucking place.

One moment, you're at an angle, moreover twisted-limbed with Irene bent over her dresser, then propped up on top of yours the next, your forehead landing against hers, feeling the soft cradle of her shoulders, her legs around you. She has her hands wrapped in Karina's, in that muddled in between: it's a collision of sorts.

There's the chair in the corner of your bedroom that really has only ever known one purpose, a plush rug, all these surfaces, horizontal and vertical for you to take the two most breathtakingly beautiful people in the world on and let your bodies settle into the shape they've needed to ever since your fingertips met Irene's in the cab, ever since she blinked her heavy lashes at you with Karina in-tow, just shy of smiling.

And boy, do you learn that Karina likes to watch herself get fucked in front a mirror. Specifically, the tall one beside Irene’s closet. It's hard to blame her. When you hold her hips tight, and really, truly fuck her, you can’t keep your eyes off how her face twists with the pleasure; or, when you drill the length of your cock into her sopping wet cunt: the wide, glossy rim of her pretty lips pulling back into a wince - and your eyes dropping past the reflection of her shoulders, her collarbones, down to her perfect tits.

The back and forth, the up and down, the way they fucking wobble in their beautifully buxom blur.

Though the eventuality remains unchanged, spread out across your bed. Karina takes a moment, hand pressed to the mattress experimentally like it's all running through her head - this is where Irene gets all that fairy-tale-inspired romance from, really - a quick pause where your future-bride is up on her elbows and staring, watching - your finger sinks in slowly, between where she's soft and warm and wet. She's thinking, you can just read it off her face, 'oh. So that's what you'd do, huh?'

Just for demonstration’s sake, you fingerfuck her in all kinds of ways - show-off and performance and dirty and mind-blowing. Because even better than the whiny, gut-wrenching moan it gets out of Irene, Karina can't get enough of how it’s all presented.

"Ugh," she slides up next to you at the foot of the bed, helping you turn Irene on her side, "why does she have to be so pretty, it's annoying, she's- she's like, made it so fucking far by playing the girl everyone wants to wife, huh?" She's talking directly to you, even while Irene rolls her neck to press her head against the pillow. "Inspirational."

You're drawing circles into her clit. Thumbing the dip, circling in the opposite direction. Karina has her nails biting right into the crease where your knees touch. In tandem, you’ll help your fiancée reach the top of that first wave. 

Karina presses, all cheek - a very dry, "cute."

It’s so simple: you eat Irene’s cunt. You hold her down. And Karina slides her tongue lazily against the tight pucker of her ass.

The three of you know she deserves nothing less.

“Oh, christ, you have no idea,” Irene is murmuring into the pillowcase, head tilted at an awkward angle, looking at the wall, almost distant; but her legs are split wide and her hands are reaching forward to rub a circle into your cheek, "you know how sensitive-? Yeah. Like, really, super. Super, super fucking sensitive, okay? So - if you'd keep doing, uh, oh- oh…”

Simultaneous, then slow, and easy - kisses landing right onto Irene's clit. So much so, you can't help but turn a little, smiling right up at your girl as she digs her toes into the duvet and threads a hand into Karina's hair.

The thing is, with Irene: facades fade fast.

Karina gets to measure that fact up close - where the details of Irene's composure are not only sharp, but also readily and openly and emphatically pound to dust by the time the last loose curl of Irene’s hair falls over her collarbone; she ends up on all fours, spread out over Karina - pressed along the length of her stomach, spread over your duvet and fitted sheets, your hand at the base of Irene's waist and tightening into the divots. She’s so small beneath you that when you bury your dick inside her- 

“Fuck.” Her cunt is so wet. Her breath uneven - and her words are starting to slur. There’s the gooseflesh on her back that lets you know it’s all already over for her. “Okay,” she tries to steady the ache in her stomach, “okay, okay, just- right there.” 

The drag through her pussy is fucking extraordinary. It knocks the wind out of both of you; so soft to the touch, like velvet - she’s unbelievably tight. You pull her hips into you and it opens her right up. Then when you end up balls deep inside your girl a second, third, fourth time:

She simply shudders apart.

Even though you fuck her so slow, so easy - her cunt clenches and squeezes on you like Irene detests the very idea of letting you go. You don’t even need to rail her lithe body to complete and utter ruin just to feel the familiar pent-up tremor starting to build in her muscles, how she rolls her hips back just so-so. How your hands fit that round and pert little ass of hers so well, and when your fingers finally sink in, you’re pulling it all apart to get a good look where your cock shimmers with her slick before disappearing right into her tiny cunt.

Karina mutters something in her ear. It pulls on some thread, somewhere - you feel her wind like a spring, further, and further; your cock edging her so close. The smirk Karina saves for you over your fiancée’s shoulder makes you think she’s figured her out- 

“Irene, look-” 

Well, at least she’s tuning in on all the right frequencies.

"Aren’t we all about being thorough?" Karina raises a perfectly trimmed brow. She drapes her arm across Irene's neck, their lips sliding together again, and that kiss is drawn-out and languid, albeit needy. "So, say," it gets muffled against the seam of their lips, and comes up, and comes out like a slurry, "are we gonna use everything else too? Your mouth, your perfectly tight ass?"

Irene can hardly muster out, "fuck- fuck- yes, fucking, god," as she takes it, so deep. There’s enough there to make both of you cum, you’re sure.

“Who could’ve guessed - like there’s ever been a more perfect cocktease than bae-fucking-Irene," Karina coos, all lips. She plants a row of kisses along Irene's exposed throat. The tilt of her hips, as she pushes closer - as you press the head of your cock as deep as it can go. "Go on. Cum, baby. Be a good girl, a good hole to fuck, just do it. All over his big fucking cock. Let him fucking have you."

Which is probably about the same time you realize that you, Irene and Karina are all well enroute - becoming this one mind, a single unit. This plurality you know there’s no coming back from.

You look down, with a little more focus, and Irene is being pulled apart in every which way - your cock stretching her out, over and over - Karina’s fingers right under her clit, every circle making her whimper. She’s all sharp edges and delicate angles, but manages to be soft for you in just the right places.

“God, you’re so fucking tight,” you tell her, shifting your hips; pulling her ass flush and filling her completely. Your grip tightens on her waist and she doesn’t flinch a bit. "It's so goddamn easy to cum in this needy little pussy of yours. All wet and slick, and, hah- just pulsing-"

Irene lets out this wanton sound, desperate.

“Oh, right there, huh?” Karina asks. It’s not quite mean, but it’s getting there, fast. “Is that how he’s going to make you cum?”

You thrust on the same angle again, the same depth - you’re hitting all her nerve endings, all her sensitive spots. There isn't even room, now, for some imaginary head-to-head, some verbal volley, the banter; what comes forward is her tiny, broken moan.

How many times had Irene done the exact same, after all. Fucked you without holding back? Fucked you over? The flood of sweet-nothings as you started to approach: honey, you're so perfect, we can go slow, you just have to ask, and if you feel uncomfortable at any point, if you want me to stop-

“Just say please, doll,” Karina tells her.

If Irene told you a quarter of what made it out of the side of Karina’s mouth, you’d have never believed it. "I can't wait to feel what that arrogant mouth of yours will do when he cums inside this cute ass-"

You watch Karina spank her. Hard. There’s a red stain in the round of Irene’s cheek, and her skin is so pale that the imprint of all five fingertips looks stark, glaring.

"Just," Karina presses the rest of herself against Irene's skin and steals a quick glance at you - this half-coy smile pulling on one corner of her lips, "thought I'd do that in the name of-"

"Mmph," Irene’s groan is long, loud, "yes. Fuck, yes- please-"

Karina immediately looks away. An effort to hide the smug satisfaction. She fiddles with the auburn locks behind Irene's shoulder.

You’ll finish the sentiment: "-being thorough," and drive your cock to the hilt. Irene collapses forward onto Karina’s lap.

The sound she makes you swear is a sob. See - for Irene, it’s only about getting control in so far as it is about getting off; she’ll take whatever comes her way so long as it’s directly to her benefit - the theatrics of being pinned, the willingness for surrender, for subjugation, for the sake of telling you, yes, push my knees, spread me apart, hold me there; look at the things you do to me - it's the Irene everyone imagines, when they see the dresses, the gltiz, the glamour, just the brief flash of her grin, or the way she holds her fingernail between her teeth. Everyone wants to put her on her heel and feel a bit powerful. To have you watch the supple arc of her neckline bend, to hear the humility slip off her lips: the notion goes beyond simple kink-

It steps out into pure necessity.

She really, really needs it, and it's written into every muscle and tendon - it's on her breath as it shudders through her whole body. The beautiful, harrowing sound. "I love the way you two fuck me," she murmurs, head buried into the crook of Karina's neck. It's the sort of line, coming from someone like her, you know could raise a few blushes - if either of you was still in the business of such things.

"Honey," her voice wavers. Then, it falters: "please."

The desperation is thick, husky, almost. Karina seems like she's breathing her in, nose tucked against Irene's forehead.

You watch how she runs her nails up Irene's sides, a hot whisper sliding over her skin. You feel it, and so does Irene, this white hot pleasure singing up from the tip of her clit and spreading throughout the soft curves, the sensual lines of her body, this tangible current, a hum, a whine. You see her strain the lean stretch of muscle connecting her neck to her shoulder.

Until her face is tucked under Karina’s jaw, with a hand reaching back and hooked around your wrist and keeping you fucking, filling her, your hips drawn tight against hers, like a second home.

In and in and in.

Fucked-out and outright to the extent she goes completely silent. Almost completely still. The moment she cums all over your waist. Mouth hung open, like she’s in pure disbelief.

It doesn’t really matter, how often or how precisely Karina has imagined the whole thing. It's still a fucking revelation the first time she gets to watch Irene cum.

“No way,” she’s almost laughing, holding Irene’s jaw with both hands. “No fucking way. All the times you- what? No. Nuh-uh. You better fucking explain why this face, you- it’s not fair, the perfect face- I swear, even mid-fucking-orgasm, you are such a fucking doll-"

There's the sheer intimacy - Karina holding Irene's lips open, dragging her thumb down along the center. Quiet and sordid curses slipping from her mouth. And the obvious, her free hand already running down the curve of Irene's spine, her ass: all this sensitive-touching, admiring, appreciating-

"Hey," Karina says, voice raspy and drunk on the sex, the premise, "do me a favor, and tell me this feels as amazing as it looks. Or maybe, for once - just for the sake of fucking argument, is it actually better for the both of us, hm?

Her eyes are half-lidded, heavy, sultry. She's arching up into Irene's warmth - until her palms are spread out against her chest, thumb sliding right over everything sensitive, and she leans right to pull the other breast to her lips, and start all over again. It's clear what she means, spreading her legs as far as she can, pinned beneath the orgasm you're still fucking into Irene. As much as her petite frame will allow.

And in case you missed the point:

"So. What are we waiting for," is what she says a breath later, matter-of-fact, not at all expecting denial. “Or am I not as fuckable as our princess here?"

There's so much wet spill around the base of your cock, and the sound Irene's pussy makes when you finally draw free - all her creamy slick mixed into your mess just fucking leaking around your shaft. Karina holds herself open for you like that, spread wide. All your attention to her pink, raw cunt; you slip right inside. 

Karina lets her arms go slack on the mattress, her chest shivering, lips locked around Irene’s panting breath.

And so it goes, and so it goes, and so it goes.

-

(To anyone taking notes - chemistry, by definition, is the sum total of a certain process; where and when energy becomes matter becomes another.

More relevantly perhaps, it is that race and rise you feel inside your chest. 

Nothing about the sensation, it seems, is too exclusive either - Irene, and now Karina, the pair of them equally devastating, all over and again. It has you in communication with a different kind of contentment: to fall apart inside their embrace in particular, and kiss them with enough breath and time to waste until the morning.)

-

“Jesus,” Karina laughs out loud, “you really believe that? You corrupting me?" she makes another scoff, both hands buried somewhere in the pockets of the sweatshirt you've lent her. "At least do me a favor and cut it out with the solemn tone."

You're leaning over your apartment’s balcony, watching an emergency plow make the slowest grind of progress up the road. It's late. And cold. Or actually - it’s early. The sky is the kind of dark midnight navy you see after all the snow and stars have run through the horizon. Time ticks on, and Irene’s inside sound asleep. A woman that small has no right to snore like heavy machinery.

So,

You and Karina happen to be two things at once: very tired, and very awake.

"What I mean is: I'm sure your manager, or your parents - fuck, someone - would fly off the handle," you say, pulling a cigarette from the pack and offer it begrudgingly. She takes the end and slips it between her lips, a little unsure. You then draw a lighter and offer it, too, and Karina puffs with all her strength. She's no expert, but it looks like the end catches and turns bright. 

A bit of color.

"My parents?" Karina flouts, sucking at it, pulling deeply from her chest - smoke pours from her nose.

She finishes with a cough. And says again:

"Um. Your girlfriend had her fingers in my ass - your cock down my throat - and we're worrying what my parents might think?"

Well. She's got you on that count.

"Not to mention: who the fuck thinks they're so virtuous-" a small chuckle as she passes it back. The cigarette is lit, bright. You take a drag. Watch her tap her feet on the snow. "That they need to do that to begin with. It's more trouble, telling me what to think and feel, as if that hasn't just the opposite effect."

“Irene’s protective, albeit in her own sorta peculiar way. So, you know, by extension, she worries-" you pull, and exhale, the smoke blowing past Karina. It gets caught in her fringe, in the wisps. You offer it back when you see her shiver. "That some shit happens, after."

"Your concern is heartwarming, truly - if you want to let me think on it, I might go and write a nice little diary entry tonight. It'll have sparkles and glitter - if you're that worried." 

Karina reaches in. Lets her fingers graze yours. Her skin is cool. 

“Besides, I don’t need a lesson in image from Irene of all people. She’s her; I’m me.”

She holds onto the cigarette between two long acrylic fingernails, tapping the end so the ash flits out onto the ice. You're caught staring, probably - the dark hair framing her face, all messy and soft, falling about her cheekbones. How that pretty pink blush in her skin seems to never go away.

Your eyes drop to where her mouth is red, a bit swollen - well-kissed; it is snowing again, after all. And it’s easy to be kind of transfixed.

"You're not, I dunno, say embarrassed?" you ask, after a beat.

"Nope." Karina swallows. Brings the cigarette to the pucker of her lips again. You watch how she holds the inhale, holds her wrist up and slacked, head tilted back a little. This exaggerated fashion-model exhale follows, all smooth.

“Because I'm not the type.”

The heavy stream of smoke then blown right into your face.

"Really, I think - sorry, I have always wanted to do that. It felt like a movie. Look," she coughs on the next breath. "I get your dilemma. But also, um-"

There are some quiet moments too, here and there: the heat between your thighs, her pressed up close. She smells like Irene's shampoo and bodywash and that just confuses your head some.

"Who’s to say I’m not just looking out for you," you offer. Every good lie is rooted somewhere in the truth.

"Don't bother," her words hit you square on. "It's about getting off right? You invite me to your bed; I’m so starstruck and enchanted by the very concept of it - Irene and her charming, intoxicating husband. Fuck, I dunno - the way the two of you kiss, look, feel: the experience that you will let me be a part of," she stops and makes another face of amusement, so fucking confident, "you let me play, too, just once, and we're all just a little happier. My version."

“We’re not married,” you correct.

“That’s the part you’re hung up on?” Karina leans over, her upper half across the balcony, staring right up at the sky. “Same difference.”

The moon finds her smile bright like nothing else. It's something infectious. Immediately, it reminds you: of Irene.

"Trust me," she goes on to say. The cigarette slips back into the space where you are connected - the lines of her fingers, her knuckles. "I had a wonderful time, but the sun will rise here, and I'm not gonna stick around to blow you while Irene burns three omelets and finds a spot for me in her fucked up game of house or whatever."

She makes you laugh, free and easy, like a gust of cold air. Something genuine and natural. And as the laugh shakes, Karina makes it impossible not to crumble farther. Not to fucking simper there like an idiot.

“I really thought she was going to make me call her mommy or something, I swear-”

"Hey, I'm sure if you had asked." A spark catches you. The flash of her canine, and those eyelashes. “She’d have done you the favor.”

"Oh, shush." The touch of Karina's fingertip against your hand is delicate, careful - unassuming. But, god, everything with her is just the right amount of heat - it melts you; and when it stops, her touch: that feeling is so cold that you just chase her out of impulse.

"What about New Year's?" you ask. There are still boundaries you really shouldn't be crossing, but here you are, straddling yet one more.

Karina's grin cracks like an old fault line. "You're not allowed to ask me out like that," she insists, batting you away - trying her hardest not to lead with the obvious. You look out on the view, watching a guy in a parka trudge over to a garbage can, a handful of newspaper bundles, then a glance back-

The slightest flush has bloomed up Karina’s face, right underneath where the makeup's been rubbed bare. It's utterly irresistible. "Go wake up your fiancée and ask what her New Year's Eve looks like. Doubt it involves me and my dumb friends."

She’s probably right.

"Karina," you start, watching her push open the balcony door with her foot and walk slowly, lazily, back into the apartment. The window rattles, and she looks back over her shoulder. The bob of her ponytail, the sweeping lashes, that perfect slow-burn smile. That’s how you end up with a title as ridiculous and reductive as ‘original visual’ or ‘the human cg’.

"You’re really going to let them in on what we all got up to?"

"Oh," she makes this low, delighted hum - it sounds so dreamy, how her voice gets the richest sort of rasp, "every last detail."

-

On Monday: the holidays are officially over.

There's a bunch of stuff on the to-do pile. A lot of loose ends you have to clean up, a ton to catch up on. Irene is judiciously ignoring all of it. She's wearing her glasses - the ones with the big round frames that should look entirely obnoxious - which means she's already decided she's not leaving the apartment; Karina's still wrapping the world at large around her finger and has everyone convinced that she's all femme, no fatale; and you - well, you're back to thinking about how to climb the ladder and maybe how to stay there.

You head downtown with a cup of coffee in one hand and a musing mood in the other.

On your phone, some more choice text messages arrive in the late AM: had a great time by the way, stay out of trouble, this sweatshirt is actually just mine now, duh. 

The selfie alongside it is pretty suggestive, but just vague enough to flirt with indecency.

She sends one more at lunch where she's gotten out of the shower, or a hot pool, or maybe a long workout - her breasts squeezed between a towel and an arm - she has the camera all zoomed in and framed tight, almost full body. If her intention is to mess with you, that's what she gets. The texts: ah, fuck off and did you have a nice date with your left hand then, thanks for reminding me, the hotel wifi is shit lmao.

The messages just keep on coming and there's really no better descriptor.

And Irene, later, in a way that's neither diplomatic nor nuanced: jesus, don't let her catch you by yourself. For simplicity’s sake. She interprets being alone with a handsome boy as carte blanche to do absolutely whatever she wants and she's vapid that way.

There’s a chance it fizzles out into nothing. An even greater chance it all goes sideways. You'll have to see what becomes of you three.

-

Okay, right - new year, new you. The resolution for the past couple remains unchanged, and unfulfilled - less takeaways and eating out; more meal prep, less calories, healthier decisions.

Irene has this cute little apron over her sweater that is fixed extra tight, the belt trailing down the tops of her jeans to accentuate her nice round hips and slim waist. She knows the nature of her charm, her sex appeal. How it occurs, almost, as if by accident.

You say something that will get right under her skin like, “looking real domestic, Joohyun,” as she slides a chopped onion from a cutting board to a bowl.

She presses her hips out just a smidge, just enough. Turns a bit as she opens up the fridge, and the smirk she has for you, that sidelong glance-

“Don’t you Joohyun me,” is her lightest rebuke. 

She twists her way onto her tiptoes to fetch at the highest shelf. The crochet corner of her sweater rides up a couple of inches, flashing a hint of the fair, bare curve of her lower back. "You can help me by grating the parmesan, hm? Into that," she gestures back at the table, pointing with the bottle of olive oil.

And so you're ten, fifteen minutes into helping with dishes, with the grunt work - with the realization that Irene is going to chop her fucking fingers off if you leave her to it unchecked.

"Actually, here," you say, "can I?"

She tilts her head, skeptical - still, a quick nod of permission - and her slender fingers surrender the knife and wooden chopping board to you. She's tapping away at her phone, finding the playlist you're both always secretly listening to.

"Wow," Irene says, low, as you start dicing mushrooms, a stalk of celery. "So brave. There’s no way I could do that. Is it safe? Are we, like, in nuptial bliss now, do you think? I fancy you, I fancy you-"

It's always this sorta-delicate dance with her: how much should you step up; how much should you put out of hand; how much she accepts versus how she pushes you aside and gets through you all the same. You're too proud, really - both of you - but fuck. She's adorable; the apron adds insult to injury; and it makes the switch in your head simple.

“I always forget how much I love this song,” she’s saying; the rolling pin she’s grabbed is a reasonable surrogate for a mic. When she’s through singing a verse, she shoves it in your face. You don’t know any of the lyrics. 

She doesn’t really care.

You have to laugh at everyone who's ever wasted the effort to theorycraft who she is behind the smoky lashes, the lowered chin, the downturned glance. All the characters and archetypes she'll wear and cast off as she needs.

"Here." She sidles up and tucks her hair behind her ear, the side of her hip grinding into your thigh until she’s pressed firm into the line of your leg. Because she needs to tell you that's way too much garlic, and she's not going to kiss you if your breath is trying to kill her first. She uses the word "pungent" a number of times, just for good measure. Go on - she’s murmuring - taste; right off her finger. If anyone caught this you’d be embarrassed for weeks

“I think, definitely, should open a bottle of wine-”

That’s how you earn all the responsibility for getting the both of you fed; she gets distracted looking through the recipe book.

But there's the way she looks up at you from the opposite of the kitchen island, face held up between her hands, fingers folded underneath her chin. "What?" she asks. 

She’s totally caught you staring.

The truth is: Irene only looks this gorgeous when it's just her. When she forgets that she's supposed to stick to a script.

You tell her as much when you end up fucking her right there on the counter.

It's so slow, atleast at the onset. Her panties pushed aside, jeans spilling off an ankle - the fucking apron managed to make it to the floor but her sweater got kinda stuck on the way up. So you're reaching through some overpriced fabric blend to pull down the wire of her bra and get your palm where she most prefers it.

"Say it again," Irene sighs into your neck, clutching to the back of your shirt - white-knuckled at the seam. "Come on, you can be so charming when you want something."

"I wouldn’t push your luck," is all you choose to tell her. 

You're hitting all the spots she wants you to hit anyway: her pretty pink cunt, slick, all wet for you already. Everything clenching as she arches her back, until she's hanging off the edge of the marble. You find it’s just enough leverage to fill her completely with your cock - stretching her out and open until her thighs bracket around your waist at the perfect angle.

"Or what?" Irene is out of breath, but hardly at a loss for words. "I know. You'll have to remind me how much smaller I am than you, right? So easy to keep pinned."

Well, if you really wanted: "Hah, ah - right." You get right next to her ear, muttering the words as deep as your chest can go - then take hold of her waist to put her in a spot she can't escape. And, by Irene's usual logic, once that happens, that's as much a victory for her as it is for you. You're being compliant, aren't you? The in and out: fucking her, filling her up, pulling your messy cock out of her pussy and slapping her clit just so she can hear how fucking soaked you make her, merely as a reminder-

"I wonder if she was even half as desperate," she moans against your jaw. "Her heart probably stopped the second you, ah - told her, what? About all of this?"

You stop fucking her, halfway.

"I’m sure you wouldn't be referring to Karina, right?" is where you glance at her. “I remember us both agreeing to chalk that up as a total absolute mistake. That was that.”

Irene just swallows, looks off somewhere over your shoulder. No one wears a blush better than her.

But she won't say it. Her honesty is such a privilege. The prodigy-type. Or at least, that's the word Irene chose. Then again, there’s you and your uncanny ability to turn a blind eye. 

To the vice, the virtue, and everything in-between.

"So, can I ask," you press your lips together, finding the point of her chin with a gentle tap - you have her looking you straight back at you. The moment could let you drive back inside and fuck her brains right out, right there, like that - right through, instead: you watch her try not to squirm. 

The tension in her upper chest, the rising heat that settles between her thighs, her weight struggling where you spread her knees, as far open as her body can allow. “How long exactly," you choose your words, careful and pointed, "are we going to pretend that she isn't texting both of us?"

You bury the question deep where she’s practically molten - hot and wet and so incredibly needy.

You do, again, and again. You pull her against you, watching that pretty brow scrunch and un-scrunch as your cock bathes in that soak. And hell, Karina had sent her a selfie today, is what she's explaining when you slow down enough - a bit of red, on her cheeks and her lips, and a lot of black, all the rest - the part about a midnight flight that's on hold until tomorrow morning. And then another, an hour later. To you both: her tits, the lace lingerie - so heavy, and soft, and easy to see yourself getting lost in-

Irene gasps at how fast you find all her favorite spots, then repeats - twice and again - hey, Karina said you're "such a cutie," and she sees her as the perfect mistress-material, don't you think? Wouldn’t it be ideal? The perfect fantasy? The perfect toy-

Obviously, that is morally bankrupt, even for the two of you. And you’re making sure she hears about it.

You ask her, point-blank: "are you really so selfish? So callous." It's ground out, slowly, against her hip, into her cunt. You've got Irene dripping wet, she's running everywhere, and you're telling her, "and this is your roundabout way of asking me to validate your twisted little ego?"

Don’t get it too confused: Irene lives for this shit; that sharp, hard-hitting tone - it drives her up the fucking wall. 

"Duh. Tell me - just a guess," she presses her hands further back, arching into each push. The slim curves of her chest are bouncing, just under her sweater. "You like to feel so guilty and morose but I bet-" she chokes off mid-sentence, you know exactly how, the exact motion that has her wanting. She gets a leg over your shoulder with no effort at all, and your fingers find their place, digging into her hips as she locks into your thrusts. 

Like fucking her is the only thing the two of you ever do.

Your whole body buzzes, it hums in resonance with where her gasps conflagrate to moans - you're pulling her slender frame down into every sloppy thrust and she takes you so fucking well.

"I bet it all sounds like, ah, the prettiest fucking music - in your head-"

“Fucking god, Irene-”

“Mhmm?” she fucking coos.

Because the things she wants to hear never actually leave your lips - your girl, fucking relentless.

Because the line between you fucking her and her fucking you becomes less distinct every time she rocks back and takes you deeper. Or when her mouth catches your next kiss a bit lazily. She takes over to swivel and slide her cunt up and around your length. So good that you have to keep her there. Hand locked onto her throat, digging a bruise or two in her collarbones, fucking her senseless against the countertop-

"Irene, fuck.” Your voice comes out thick, like gravel, and practically as an aside, “you’re going to make me-.”

Irene cuts you off, nodding, shh-shh’ing you into silence. “I know, baby. I know.” This total sigh of agreement - a hushed yes, or maybe uttering something she knows will sink right into your core, two words that sound a lot like “good boy.”

What, is that tacit approval? Probably. It’s hard to think straight.

So you bury yourself inside her, instinctually. Irene tips her chin up when she feels you paint her fucking womb. Every throb - with a fistful of her ass and your face pressed against her chest, sucking and biting and marking her anywhere, everywhere - right through her sweater. Fucking her so full that your mess is dribbling out all over the fucking floor, drip, drip, drip, and-

"Hey, I want you to know that I" - she sounds so amused as she cards through your hair, pressing a kiss to your forehead - "really couldn’t ever ask anyone except you."

(All is fair in love and war, is an adage Irene takes to its logical extreme, tangled in your sheets or with a dress puddled at her ankles. A silk stocking rolling down her leg, the crochet thrown into some dark corner.

You never say yes. You never really have to.)

This all before setting her down, off the edge, back onto her feet and taking another half-step forward and having the awareness not to completely flatten her under the full weight of your body, so she can run a hand down between the two of you and her fingertips can start gathering up all the cum you've pumped inside her. Irene tells you in her sweetest lilt to pay attention as she leans back up against the counter and gathers as much into her mouth as it will allow-

The sight alone.

When her head tips back, tongue passing over her knuckles, and she swallows-

"You are so," you sigh into her temple. Her cheek. You've settled the rest to the space in between. “Absolutely unbelievable."

She reaches out and trails the tips of her fingers lightly along the rise of your cock - her softness up against your hard lines. Her eyes flash when you twitch on the fucking spot. It's so tender all coming from her.

And there, a moment or two more. You can see it in the way she has her lips tilting, dreamy. You've always known what you were signing up for - how she's thumbing the nape of your neck - what her ideal outcome was, is. There's nothing and no one in front of either of you to bar the way.

You’ll make your vows like any other.

"Well, hey," she finally says, slow and husky and curling toward you with a smug self-satisfaction.

You push her hair behind her ears, the dark brown locks. Some part of you understands, unequivocally, that she is the absolute limit of how far you would go for any other person on the planet. No questions. In a heartbeat, without hesitation.

The kiss to the corner of your jaw is unironically chaste - before she’s telling you, "shouldn’t we get a move on it, chef? There’s food to eat, recipes to ignore; aren’t you fucking famished?"

-

The bolognese reduces down to a scorch in the cast iron. Too much heat, or too long, you got too preoccupied, who knows - there's a moral lesson to ignore here if you're so inclined. So it ends up being over a tray of sushi delivery that Irene explains to you her working theory like it's high-stakes political intrigue.

"Listen," she's got her chopsticks pointed at you, "for one, Karina, to her core, is a total seductress; and she's told me already, more or less to my face - she gets off on the chase, and hates the other shit. To be involved, or invested."

“Okay then why all the go-around; the wait-and-see; what’s her endgame?”

“What’s anyone’s endgame?” Irene shrugs. “Validation." She slips a tuna roll into her mouth.

"I think you might be projecting."

"Or, I'm simply an extremely empathetic person," her sarcasm hits harder through chewing - she almost gets you, and finishes swallowing to say, "look, she's like us if we were pretending to care, okay? Just more, like - explicit about her lack of intention. So. Doesn’t matter if it's to piss her manager off. Or it's like a revenge-slash-extortion-thing against someone she either had or is having an affair with."

"An affair," you repeat, skeptical.

"It's not like it’s an unheard-of workplace hazard, come on," and then the final confirmation: "she’s just into it because it sounds dirty and sexy, okay, like everything else-"

"And you figure we should be the ones to dole it out."

"What I figure," Irene says, doing that same mental calculus she did the first time: how, where, why - it's clear. A dozen different kinds of naked are an old, tired song by now. "I want us to fuck her. However she likes, whenever she likes, for however long she likes. Let her think she’s won something, or think she has you totally fucking hooked - I don't really care. Because it would be so much more satisfying to hear you tell me about it - because the idea of you two being like that for me. It's," her words pitch up a touch. 

"That's the fantasy."

And Irene dives into the details. She explains what it could look like, all the more raunchy and ridiculous. This very specific arrangement. It makes no real sense, the conversation alone, and that, you decide - what can't be rationalized - is how she'll take it: by fucking both of you. That's the objective fact. That's the demand.

You listen until it feels less and less like the decisions have already been made.

“Okay, babe,” she’s presenting her case. “Hear me out.”

And she keeps going until you both can see it materialize: "if Karina thinks she can handle both of us, then both of us it'll be." It’s how her fingers end up buried in your boxers and around the throb of your cock. You hear the gentlest laugh Irene has as you start fucking softly into her grip, and she runs her thumb over your weeping slit until she finds you that much more malleable to the suggestion. Effortless almost, she lures the primal part of you from its confines and teases and prods at its wants and desires. Which is also how some charged vocabulary gets thrown in for good measure. Because no, no, no - she's murmuring into your mouth, tipped back, plush lips right above yours - it's not a cuckquean situation, or an open relationship, or anything like freeuse or whatever else might justify the concern. It's not even cheating, Irene’s explaining, strictly speaking, because who said you and I wouldn’t be doing it together?

(Lying by omission is the story you both live - and the difference: she's pathological. You’re just now getting the hang of it.)

"Fuck," is what you exhale out as she opens her fingers, offering. Her thumb glides across the expanse of your head, a trail of pre-cum drawn underneath a nail. And you know all the things her nails can do - can rip your heartstrings. "I mean. God damn. There has to be, like, terms."

There's still sushi sitting on the coffee table, and Irene is placing these kisses into the slope of your shoulder, your sternum, making a show of the movement, how she's traveling down, downward - to her knees. Where she finds the seat between your thighs and tugs your shorts, the fabric gathered down your leg-

"Let me handle it," she tells you, and there goes the cut of your t-shirt, shoved up to your chest. Her grip runs flat, down from the rise of your hip, fingers wrapping around, touching - the flat of her tongue laving across the tip of your cock until she decides to lower her jaw.

"Just think right now. How I want to fuck her and how I'd want you to fuck her, too-" 

Right in her warm, wet little mouth.

Jesus, her tongue too-

She has it gliding up, around and against the swell of the underside. Rolling to where you need it, the places she knows you’ve died before. Lapping up the mess she's already gotten out of you-

Like this, Irene's looking at the way that the idea strikes: you and you and you; the only person in the whole goddamn world that can handle her; you fucking know it too - it's the most perfect, hopeless kind of thing. Like the feeling that catches at the apex of your lungs. It burns in your stomach and grips in your gut. She's gone and cut out the nerves - there's the crown of your cock caught in a velvet grip between those pretty pink lips and her fingers twisting at the bottom. 

She breathes deep. Sinks her lips so slowly to the base. Anything, everything you want: to put your hands to the side of her head, to weave your fingers through her hair, and coax her, fuck her mouth like it belongs to you, all slow and hard and measured.

To hear all those wet sounds she makes as she chokes on the end of it. The gags as you force your cock into the back of her throat, holding her head tight, her hair pulled up into a fist, to have that mouth hanging around the length of you, tongue stuck to the bottom of her chin as you move her, your fiancée, your toy. To be looking her in the eye and watching her look the fuck back while she revels in every filthy second of it, not a single damn drop of hesitation or doubt.

"Really think," Irene urges, and she's all innocent when she tips her head to kiss her way up your cock.

She’s trying for some grace or finesse, or both - trying, you think, to make a point; instead, you end up watching her gulp and spit into her palm, just to obscure the sensual curl of her tongue with the sloppy-hard rhythmic stroke of her fist. "How hot it would be if you watched us both choke on your cum. Her face fucked stupid - the perfect little fuckdoll, is that not an image for the ages-"

You get a glimmer of that catlike grin - the one you would kill for a picture of. Something for the wallpaper, or the wallet; you've never met a boundary she hasn't challenged. The most depraved ideas in her head are just, as she is, a masterpiece. And so the answer has never changed - there has never been anything she's not been allowed-

"Trust me baby," she presses her cheek against your shaft. You feel her turn and run that mouth all over. The tip of her nose. Her eyelashes. The wet heat of her breath as she nuzzles the length. "Karina's all ours to share."

Her pout, right there, waiting.

You can't stop yourself from grabbing her face, the crook of her jaw, her neck and the tips of her shoulders. Until it all comes with a good, hard pull. The sound of her mouth on your cock, the blowjob she's been perfecting for years. It's starting to fill up the room, her lips wrapping your shaft - the sound of her being so obedient, the most receptive, sweet, pretty thing: letting you guide her pace until she has a steady motion going. Taking the thick base in her hands and working it over between her fingers. There's only enough room for that before you’re all the way inside her, in and out, again: the tip of your cock brushing over the softest curve of her throat.

When you take her at face value, it's fucking wild: your fiancée kneeling before you. Her chin and neck wet with her effort, lips wrapped so pretty, stuffed, used-

There are no questions. This is simply Irene, doing what she loves.

She pushes a hand between her legs and holds herself together as your hips tilt forward, meeting her halfway-

Just letting you get yourself off in her mouth like it's no big deal. It's her throat - it's her goddamn cunt and ass, and whatever else - because you fucking asked, right? Because you gave her the permission, the choice, the agency.

"Hey, where should I?" you’re muttering as you push the hair out of her face, already half-drunk on her slick lips and realistically only a few seconds away from doing some real damage.

There isn't a need; but you want her to tell you, to use her words. In her mouth, on her face, in her palm, you’ll go without thinking. You’ll cum straight onto your own stomach if it’s what Irene says. Even if she’s acting like you already have.

"Make sure you give her,” is what she garbles out around the hard line of your cock, and it’d be impossible to understand if you didn’t know every nuance to her, if you didn’t - you know - fucking love her. To have and to hold - to hold on tight and for better or worse, and this is pretty much as bad as it gets. 

The syllables come in-between hollow breaths, all wet and sticky. When Irene wrenches the fuck out of it, the base of your cock- “hm, that same sort of courtesy when, agh, I'm not around-"

Because the image alone is what matters. There, getting your cock sucked like you've earned the privilege - it doesn't have to be real, it just has to look like it's a new truth to believe in. The little motions in her wrist are just - hah, fucking unreal - and the way she sinks down lower on her knees for each stroke, from base to tip - lips pressing over the knuckles she has wet, and squelching, and twisting up and down and up-

She places a hand under your balls, the gentlest cradle, and something of your restraint finally breaks - it snaps - her insistence is ruthless.

"Yeah, god, okay- I’m just gonna go ahead-" 

There are these images in your head, of Irene: the upturned brows, the hollowed cheeks, and that slutty-as-shit smirk - and then of Karina: doing the exact same thing. Fuck, your cock is heavy, absolutely leaking cum: you can feel yourself leaking into the press of her mouth. It fills up her cheeks as she blushes into the fuck. Her lips become flush and go soft against the ridge of your shaft - her jaw slack in anticipation. 

"Your fucking mouth, Irene" you breathe out, “I'm going to cum-” 

Just at half the sentence, you're there, sunk into your fiancée's throat. Fingers across her ears and into her hair and watching her own hands pulling you, guiding you-

It’s all flexed in your back. Every muscle. Every fiber.

Irene hums onto a simple, satiated note. She always does, when she tastes it. When you dump a hot load of cum all over her tongue and straight into her throat.

(And yes, some might claim this is the death knell for all kinds of reasoning, but you’ll go ahead and admit it’s so, so worth it.)

"How thoughtful," she says, low and slow, once she's through swallowing the entire fucking thing.

The corner of her mouth tilts up. Because you're finished: two steps left in the brain from falling out of consciousness, a mess on the couch. You get to watch as she pulls you into sorts and slots each piece back to where it's meant to sit. The underwear, your pants. It's with such careful attention. Your soft cock gets cleaned with a tissue and wiped dry. A tiny parting kiss for the tip, her mouth full-on puckered, like she's kissing out anything you have left.

Though it's a pleasant daze. She prefers you soft like this, really.

All you have left to say is: "fuck me, baby." It sounds sloppy and open-ended as hell. "I guess I'll leave everything to you."

If that's a cue or sign for the evening, the only right thing: it isn't exactly misinterpreted.

-

The actual logistics don’t arrive for a handful more weeks. You find it surprising they ever happen at all.

// Karina 10:41 pm > i'm bored.

// Karina 10:42 pm > suggestions?

// 10:49 pm > have you tried looking into an incognito tab?

// Karina 10:58 pm > lol, and what is it i'm supposed to be finding?

// Karina 10:58 pm > help a girl out here.

"Send her a picture of your cock," Irene says, like it isn’t a joke. She looks up from the smutty-dash-of-romance-porn novel she's got herself wrapped in, with her best faux-serious expression. The pair of readers that usually are in her top desk drawer have made a new home perched low on her nose. "God knows she hasn't stopped leering since she found out what I'm marrying into."

"Please," you tell her, because she's full of shit. "I'm not sending her a dick pic."

Your laptop is warm on your thighs as you huddle on your side of the bed. That's the point of balance where it feels like Irene isn't trying to look. Though she clearly is. You flick up through a couple tabs just to drive the point home.

// 11:01 pm > sorry. i'm not in the business of just handing out freebies

// Karina 11:07 pm > really

// Karina 11:07 pm > thought we were making progress here

// 11:11 pm > you're funny

"Ask her if anyone's home with her." Irene dogears the page she’s reading and sets her book down. "Or ask if she's, like, tied up or something. Something edgy."

"Something edgy," you deadpan.

"Do you want me to put the readers away," Irene offers. She's wearing the sort-of smirk you always need to be wary of.

"No," you say. “God, no.”

"Ask her where she keeps her lingerie. Tell her she should be thinking about what it'd look like: all naked except a thong. With the straps digging into her. Tied up all nice and pretty-like."

// 11:13 pm > u alone right now?

"What the fuck?" Irene slugs a pillow at you. "That is the creepiest way you could've sent-"

// Karina 11:13 pm > yeah. i am :/

You and Irene are both struck a little dumb by that. 

“Sheesh, she must have had her finger hovering over the reply button.”

"Yeah," you say, eloquent. “Who could blame her, though.”

"Uh-huh." Irene exhales, staring a bit pointedly.

// 11:16 pm > cool if I come over?

// Karina 11:17 pm > and… do what?

Irene nudges you with her heel, a questioning glance: the window has just been left there wide open and hanging. She whispers like Karina can somehow hear her through the phone, "you are terrible at sexting."

“Can you fucking leave it-”

Irene rolls her eyes.

// 11:18 pm > do you need ideas

// Karina 11:19 pm > got a couple. i wouldn't be against hearing something that lets my imagination fill in the gaps though

"Text her that you're into her throat and want her to show you her tits," and Irene actually cracks a laugh as she has the audacity to make the request. She's in good form this evening; in nothing but her favorite silk camisole - the navy blue one, which pairs great with all 5’2” of the rest of her. Like the soft curves she wears and everything else isn't bad for your heart. "Seriously, I want you to-"

"How am I supposed to end it?" You ask. The tone is purely sardonic. "Babe. Baby. My future wife. Tell me. You do realize you're basically asking me to bait her, right?"

Someone will eventually put their cards on the table, and Karina, Irene, and ostensibly you will realize you’re all currently having a mental break from reality. Or something along those lines. "I mean. Could that really be a negative," she wonders with an eyebrow quirked and another gesture of her arm like she wants to showcase the night sky beyond the bedroom windows.

"How, what - babe."

"You could promise to let her sit on it."

"Is the cockslut routine an act? Like," you lower your volume, "do you really have a playbook, here?"

"So mean." Irene reaches a hand over. She has her head propped on an elbow, the rest of her sprawled and comfortably positioned on the bed. And you wonder why the fuck you feel compelled to argue a point that so obviously has already been lost. "Just go fuck her already, god damn, I dunno."

Right. So. This was the part that was kind of inevitable - and Irene's impatience aside, you probably were about to win a lottery when you showed up at her door - that golden little interaction: "hey it's me, your rival at work's future ex-husband, I guess - I'm so horny and I think you're so beautiful and wouldn't it be so crazy if we, like, boned, haha, what?"

"Just- have sex. Tell me about it after."

The novel beckons Irene back toward it. She makes herself the picture of someone perfectly comfortable with you walking right into the next most uncomfortable predicament.

The sigh. That long, heavy thing. A leadup you do so often.

The simple idea of sending Karina that sort of message sends heat, low - just under the band of your sweatpants, and right where you've got yourself in the palm of your hand and you're already wondering how this is the result, why your cock is coming to a rise already - god damn - why every thought of Karina's face, and Karina's ass, and Karina's everything, every moment her lip is caught in between those teeth is becoming impossible not to touch. "Okay," you huff, "fine. I'm getting up, I'm going now- I mean it, right now, just give me a minute, I am putting my clothes on."

"Wait," and she's saying, "wait. Wait."

And when you turn around, Irene has this cat-that-ate-the-canary grin all stretched on the canvas of her face. She takes off her readers - her elbows thrown into her lap as she goes to the very edge of the mattress, pulling your shoulders for balance. "Babe-"

"Mm."

Irene likes to get you at a low simmer. The way she runs her thumb pad along your bottom lip. And all those questions - a look into her eyes - it's hard not to fold or break - when she's holding onto that sort of expression, unwavering; no matter how her mouth seems to get soft and curious.

Her lips move onto yours, asking - a push. And your eyes - a brush against a shoulder and you've already gone a whole mile from anywhere decent. There's the touch of her tongue between your parted mouths.

"You'll be good right?"

"I mean, sure," is what you manage, watching her lips close.

"You'll fucking wreck her, and do it exactly how she needs it done." And her brow, knit. She can tell your brain is busy jumping ahead to a hundred different scenarios. "Stop worrying."

There's a brief nod of reassurance. Her fingertips dust down your chest and the rest of the way. You hear Irene tell you to-

"And give her an extra hello from me."

"Okay, I love you, but also you're insane, like certifiable."

"Shush, I know you," and Irene gives your hair a little tousle before pushing you out the door.

-

You're standing there at the front door of Karina's apartment a little after midnight, bathed in dim, orange wicked fluorescence. Like it knows your sins - past, present and future. There's no obvious answer when you go knocking, and for a half-moment, you're thinking, okay, it's alright, this is how I let someone down easy-

Until she answers and leans out, pulling open the door. It takes you by surprise-

"Well, I'd normally let you in," you hear Karina say, and a smug smile starts to cross her face, "but..."

It's about the degree to which she looks hot and a little off kilter in this tight t-shirt - a snug pair of panties around the sway of her hips - that almost sends you spinning. There's not an ounce of self-consciousness; it's like a punch to the gut.

"Aeri's date went south and she's drunk. She's passed out on her bed, like, right now, I don't think-"

There's no bra. It's hard not to get fixated on every detail. Like her nipples, practically standing out. You have an irrational desire for her to take a step back, further into the room, further out of your vision's reach-

"Uhh," you croak. And you do have the mental faculties for, uh. For telling her. "Maybe, you know, later, could be better, yeah, maybe call me."

Though, unfortunately, the suggestion falls short on delivery.

"No, no." Karina has her hands searching up and underneath your sweater. Her fingers dance flat up, right over your stomach - teasing as she hikes you back inside. Right past the threshold. Your mouth is half-caught and stupid under her, the gentle hum and pressure on her lips. "It means we need to be quiet."

She drags you another step forward, with just the hot flash of her gaze. 

"Shut the door behind you?"

"Locking it too," you tell her.

The laugh she makes into it, this one little scoff - it's an acknowledgment: an agreement. It's one of the worst fucking sounds, and the whole damn thing gets to you. Like her ass wasn't the perfect fit for the palm of your hands- like you don't want to trace your fingers under the elastic of her panties.

As if it wasn't fucking clear enough. It's the tongue in your mouth and the hands in her hair. She's kissing you soft, she's kissing you deep; her weight rests and pulls back with each swell of your ribs, pushing her fingertips down until they're skating, slow, low into the grooves of your spine. Like she's getting familiar with you again.

"Okay," you breathe. She laughs on your lips and presses forward - pulls you back, farther- "uhh. Okay."

She must see the confliction you're in-

"Hey." Karina keeps going until you've got her backed against a wall, until your thigh has pressed into the crux of hers and your hand is in her shirt. You don't miss how she lets her head tilt back when her eyes shut. It's her. There's no disputing the reality. "Whatever you want to do to me. That is all I've been thinking about. Do it."

"I- don't really-"

She makes a decent show of crossing her wrists and tugging her shirt right over her head. Tosses it someplace safe enough. "So are you just gonna leave me in suspense, or do you need my explicit, enthusiastic permission?"

Your lips draw themselves a blank on anything useful, while your heart rate accelerates.

"Here try this: you’re going to fuck me until I beg you to stop. Then you’re going to fuck me some more. Or whatever- then we can go somewhere, I don't care," she offers with a half-whisper. In all her goddamned glory - barefoot, almost bare chested - it's not like it could be any other thing.

-

You’re not exactly supposed to end up on your knees for this.

This isn't quite how you pictured-

Okay, fuck, Karina's making the prettiest noises where her spine is curling up against the wall; those sounds you couldn't even make up. How it feels like the easiest damn thing, because there isn't a question to why. Every inch of you is pressed to every inch of her. You know what you'll taste on your tongue, which of these breasts belongs in your palm and the fingerprints in the dips of her waist - her lips on the curve of your jaw - every mark and bruise on her skin, every hint of it is real; it's fucking you up because you're kissing the woman that Irene picked, the woman you met - it's how you pull yourself away-

Karina, for the longest few seconds, is shocked into stillness.

Because you could, of course, decide to give this one last shot, your head between her thighs and eat her out until she was so fucking wet your cock wouldn’t even enter the equation. This is not actually a new idea; the possibility has run through her mind enough times already.

"Yeah. That would work."

Like it's no big deal-

"Do you need instructions? I can get a bit graphic."

"Actually, you know what?" you choke a little, and - "trust me."

You stand straight up for a moment, a second, an extra fraction. You slip your cock inside her hot cunt, and, yeah. She collapses right into you. You’re holding up her just enough to fuck into - she's starting to breathe deeper, harder; you've got her pinned like that - a hand on her neck, fingers sinking into everywhere she's softest: her tits, her ass, her waist, her throat, and there is nothing that isn't some version of fucking glorious about Karina's weight grinding, heavy onto the tip and onto the ridge and down the thickest length of you-

And her face, jesus christ, her fine brows upturned, the tears heavy in her dark lashes, the little gasping-sobbing sounds that spill across her wobbling lips - this is the both the easiest and the hardest part: seeing her get absolutely fucking ruined-

(You know, god help you.)

-

Irene doesn't even have to ask. There are hickies and bruises shadowing in on your neck, your chest - these marks you never remember Karina giving you, and a ton of scratches all up your back.

"You know I was going to offer to make you breakfast," Irene says, smug, "but I'm wondering if Karina got to you first."

"What the hell do you think?" you say, dumb.

There are eggs burning on a skillet that are never going to be salvageable, no matter what Irene says. She has no respect for the process. And her voice is full of that infuriating smile: "was it everything you hoped?"

"God," you mutter, trying to mask the embarrassed laughter in your words. You can hardly move an inch on her behalf.

"At least tell me something fun, you insufferable tease," she presses her nose into your hair and tickles the spot on your side, just to be a pest.

You lay it all out for her. Everything she wants to hear.

-

Surprisingly, there’s still plenty to learn about each other; days to weeks to months. The first real thaw of the year comes, and you’re quick to fall into this odd rhythm.

Karina won't actually join Irene on set or production very often - too much heat. It shouldn’t have taken so long to figure out the two don’t belong in the same room together, and if they’d asked you, they’d know - but no one ever really does ask you. However she does spend more and more time around the apartment. In and out of your personal spaces. And maybe a bit in between, or a little underneath too: how she seems to slot herself right into every possible fold whenever Irene’s away.

Always traveling for this reason or that.

And god, the perfect powder keg Karina is - ticking, short-fused, all ready to explode. It’s ironic, you think, she’s drawn to scandal the way Irene will do anything to avoid it, and here, she's found her ultimate indulgence.

The quick lay, the time and place you know you can be patient in pulling her apart, the everything in between. 

In fact, you’ve taken to calling her "babe" just so she doesn’t think twice when she gets your cum pooling deep in her cunt, all hot and sopping. Looking like the picture-perfect centerfold. The fucked-dumb face - all twisted in your grip, flushed-red; and the musky scent of sex; the noises and her presence alone. You fuck her, and fuck her, and fuck her, rubbing a thumb across where the mascara runs thick.

To be the gorgeous girl, cock-drunk and fucked-out in your lap - so simple - so natural: Karina finds her way over more often than not.

After your shower, after your nap; your work, the bar - Karina’s never more than a text away. And you'll keep a hand around her waist as she stands around in the kitchen, stealing Irene’s leftovers out of the fridge. Karina ends up straddling your thigh right there at the breakfast table, holding onto the wood for support as she cums all over you.

The long and short of it is: 

She's fucking you. She's fucking your fiancée. She sees no problem in having her cake and eating it too. The only caveat is: Karina thinks neither of you know what's actually going on.

“You gonna say hi to Irene for me?" she's teasing one day, snapping her bra back into place. The t-shirt pulled over all that glossy-dark hair, the shimmy of her hips just to get back into the world's tightest jeans. She presses a fleeting kiss to the corner of your mouth. It's such a stark, clinical goodbye - ending with a flick of a thumb across a screen. "And oh, let her know if she ever wants me to teach her a trick or two. Anytime."

“Yeah, I’m sure she’d love that.”

Karina does the most insipid thing. She fucking winks. “I’m sure she would.”

-

"Uh, are you kidding me?" you ask Irene. 

It's late one night, and Irene is standing in the kitchen in her pajamas with a welt the shape of Karina’s lips kissed right into her jaw. A couple drinks in your system have given you both a false sense of clarity, and also an ill-timed desire to solve all your goddamn problems. You lower your voice. "In her ass?"

Irene has that all-triumphant and dopey grin that makes your heart ache for her. There's a soft curl of her hair loose, thrown across a shoulder. "I’m serious, pull her hair right, hold her wrists until her back has to be arched. Pin her to the bed," she continues to illustrate, "it's all in the finer points of how much. Tell her to count, even. I'm not joking-"

She takes another spoonful of yogurt between her lips.

"-she'll let you do anything, promise."

“That’s fucked up.”

“I know.” Irene wags the spoon at you. “It’s great.”

-

It's not only the hypothetical-homewrecking that gets Karina so torridly wet for the whole affair; when she's pinned beneath you with her legs spread and her toes pointed skyward, or perhaps later - the same day even - riding Irene's face in a locked dressing room and crying out - "ah, hah, jesus, please-"

In her head, she has you both at her beck and call. Forget semantics - Karina is a fool to her own illusion. Because in her head, not only has she managed to go toe to toe with the industry's reigning monarch, she’s managed to win.

-

You don’t exactly know how Karina ever intends to keep it casual. Because things are damn near constant:

It’s a weeknight, and the moon is high above the windows, casting a crisp rectangle onto the hardwood; it doesn’t actually matter, as far as Karina is concerned.

Irene’s on television again, the sequin in her dress clinging tight, and she’s found the gaze that never breaks for the cameras. Found the flash of her most practiced smile - that little chime of laughter she has that sounds like striking pure gold.

Then Karina: sitting cross-legged at the very end of the sofa. One leg thrown over your thigh, she’s got these nylons on her feet and she’s poking a toe into your ribs. "Isn't she stunning," you hear her muttering, "honestly. Doesn't it, like, turn you the fuck on?"

Her foot grazes your lap, all casual at first; the impossibly soft-curved heel of her sole. There are so many ways she'd prefer to pass the time and they almost all involve getting under your skin, if not just outright getting into your pants.

“Elaborate.”

"I mean listen, in your case, just knowing your fiancée is up there looking like a total angel and at the same time, thinking about you; how she’s got to be considering every which way she’ll unwind just after the showcase - at least, that’s what I’d be doing." She licks her lips, teeth. "Hell, I’m only imagining how pretty her eyes are when she can barely keep them open, and that’s enough to ruin my panties."

"Are you really."

She shifts her weight. Puts that ankle to good use. Rubbing it into the crease between your legs. "Tell me," her lips curl. She’s looking at you dead-on. "How does she usually prefer it, hm?”

Like a wildcat, you suppose, your Irene - a pretty, little predator. You could tell Karina everything, but you don’t. Instead you let her wander into the lair of her own making. Her eyes: light and curious; it’s written in the lines of her face how she's picturing it all so plainly.

“I’d guess she lets you go slow. Or hard. Or maybe a little rough and then you make her cum, and then maybe, just maybe, after the teasing; after the edging, I guess, that's when she comes in hot. I would hope."

Karina twists her foot around, swings her weight onto your lap, and sucks in a sharp breath when you reach out and grip the lean lines of her hips. It’s as easy to hold her still as it'd be to drag her across the couch and under the rest of your body, fuck the goddamn tension until there was no longer any room left for the pretty smirk in her lips. And her gasp would probably sound a hell of a lot better - than all the needling quips - a much louder and much less-pretend whine when you could throw those thighs open and really pound her wet, aching little cunt-

“Easy,” she chides when you end up taking two handfuls of her chest. "Shouldn’t you be more supportive? For god’s sake, it’s your fiancée’s moment in the spotlight, you know-"

There’s nothing stopping you from popping off the buttons of her dress, one by one by one - and kiss right there, into the swell. Your voice feels all the rougher when you respond, "and what a moment."

Her fingertips skim over the places she's been kissing you, where she's been marking and claiming and trying to, at least, to stamp you like her personal property - when the look is that serious. All cold-burn. Right through to the bone.

“So.”

You can feel her touching into your pants. The heat in her soft, silky thighs; she sits above you, keeping a leg on each side. A part of you feels trapped; another is confused why you aren't turning the tables right now - flip her and ride out her cunt on the couch. Some passing thought, or just a fraction, the only one that matters in that particular instant, wonders what Irene would do, will do - has done - in your situation. How her hips would roll. How Karina’s moan might sound when she dug a nail right into a sweet spot.

You push Karina's skirt a little farther up her body and try to gauge the moment she's finally decided she doesn't mind.

“How about you keep your eyes on her, and I'll suck your cock while you do," ends up being the short and not-so-sweet of it all. “-or maybe you can get off between my tits.”

She wraps those fingers around your base and pulls gently. It's not a decision, but merely a continuation, a culmination: a gesture made entirely to pull the response: the hitch to the throat. Her nails skim that ridgeline as her eyes track across the cut of your features. It makes you groan into her next kiss, to say, "if you wanted it so bad, babe, you could’ve just said. Would save us a lot time-"

"Are you complaining?" she husks, pulling your pants down your thighs. Your cock is in her hands and she smiles like a cat - licks her teeth when it twitches at just the slightest touch. "Yeah, I didn't think so," is how the breathless laugh leaves her lips.

You catch the quirk of her brows, her tone: straight-up, like nothing. You’re almost buying into that until she's got your shirt on the floor, those lips of hers in the divot of your collarbone, and her tits wrapped around the base of your cock, and, well, fuck-

She actually wastes no time - none at all. A couple feet away, Irene covers her laugh with one hand. There's a brass award in her other. And the television casts this soft, pale glow.

Karina tips her head, and a curtain of her dark, silken hair spills across the ridge of her breast. She runs those big eyes over you, all wide and round and vaguely-deviant. There's the perfect amount of motion, of squeeze, just a light-bit of pressure, and she's got a face smug-arrogant in an instant, knowing. Fuck, her hands on either side start pushing into the line of her cleavage as she bounces and rocks and draws every inch of your cock up through her soft tits and back down again.

"Fuck," is the harshest exhale she's ever dragged out from you.

She hums a low sound, all self-satisfied when it's her own namesake: your body wants her, like you know the full weight of her needs, your touch, how badly she's fucking craving to get off and still not admitting to anyone it might be more than sex. Like it's really as easy as her next breath, the flutter of her lashes: Karina wants your eyes, the weight of your attention and she's not going to beg for a fucking thing. The feeling, you think, is mutual.

"Irene," she says, her smile as open as it could ever get. "She's just so gorgeous, right?"

On one hand, she’s speaking between the lines. A perfect tincture of deceit - the bawdiness-by-nature: watch me, look at me - is what she might as well say - look what I can fucking do, the whole lewd display. And, god, how she knows every way to make a guy want it, like she wants you to remember it.

Because on the other, the movement is so, so direct. 

Karina twists herself in an upward tilt, just an easy, practiced thing; she lets her tits spill around your cock and through her fingers, full and soft - and her lips part, mouth slacking alongside yours, matching the sounds out your chest with her own. Like she knows exactly which slide of slippery friction will make you moan, or which pull and drag will send your teeth straight into your lip.

"Isn't it crazy," she lolls her head a little, letting her own saliva drip down the center, onto your weeping slit. "How much I want your cum filling my cunt, even knowing she's the one you'd rather put the ring on," the drag and drag and drag - her tits are fucking incredible, and she knows it. She pushes up with her fingers and gives you a long draw right through the press, right where the nerve endings run electric, right where she keeps moving, up and down, and up and down- 

“-it must be hard, I mean, jesus christ. Here I am, needy and hot. Begging you to wreck me and my only sin, hm - the sin of being second best, right-"

"Holy fuck, you're-"

"Obsessed," she says, and drops her tits against your waist again. "I know, I know. How could I not be?"

You're left muttering into the titfuck alone, watching her rub your precum up between their soft shape, feeling the slight give, how her skin goes warm. The act itself: such a simple-thing-bordering-on-the-absurd that you notice how you coil and flex beneath her curves, how she feels so soft and warm. The slight pucker of her lips every time your cock escapes her cleavage does little to help. It's probably the fault of the brain-fuck but the wet of her mouth is practically everywhere you look. You could eat her alive right here, spread her legs on the coffee table and finish with a bit of screaming, groaning and tearing, and no one would ever stop you.

But instead,

"-it's a good color on her, really; but then every color is a good color on her, isn't it so unfair?" She's taking your cock into her tits, deeper on every rock forward and back, holding them close - a gentle lock of those long manicured fingers keeping it all together. "Even wearing no color at all; you must just love how all the freckles are so easy to see," she murmurs, squeezing tight. The sound is wet, messy. A filthy chorus between her dirty words and the dirtier action, and just that glimpse of friction when she strokes down again is maddening. You're all slippery. So sticky-slick, so tight.

Of course there's not a fucking inch of a reaction out of her; you want to get off so bad-

"You could close your eyes," she tells you. "She would still be there. The sound of her laughter. The image. In that dress or not," and her mouth furls into a half-smile before she pauses. Reaches down, pulls her tits around you impossibly tight. "Just so damn pretty-"

You cum just like that: 

"Babe," is what you let her have. The soft, undercurrent hiss. "Fuck."

You shoot clean up, all thick, hot splatter.

Well, mostly up - along the expanse of her neck and throat, coating where her breasts sit so pretty against the lines of your thighs. Across her sternum and the hollow of her neck - her body's covered in your shared mess: slick-filthy-hot, all strewn across her perfect tits.

"Jesus, Karina, baby you’re-"

"Completely covered in you." She's still smiling. That deep-cut and perfectly symmetrical curl of her lips. The gorgeous fucking shade, and her chin, how her cheeks flush, just a little - they've always turned pink in the most specific places when she gets fucking cum-soaked. “I know, just look.”

And her hands slide across her chest, trailing a path through the thick of your release, spreading the glaze all down her front. Making it messy, making the exact look a guy sees once and is driven to the ends of his sanity - just to spill his load out onto her. To get her all used, and trussed up: just how she likes.

(Sanity is being generous, considering.)

You can't do anything other than what's expected: take her up in a kiss, breathe into the mess you've made on her skin. The gasp is full, surprised - just enough, maybe, to count as genuine.

Such a mess - she murmurs - um, come on then, you can do a girl a favor. Bath bomb, bath towel, bath robe - and really it doesn't have to be a suggestion.

You’ll pin her down and fuck her right over the lip of the tub if that’s what she really wants. Just being in her company is indulgent and excessive and begging you to make a terrible habit of it. Have some self–restraint, she has this tone in her voice sounding more and more like a dare. There's just enough there in her hands: one reaching for you and the other reaching into the porcelain, swirling up the lather - and that look on her face, as if to say, can't believe you have me waiting, like some desperate, depraved pervert - only it’s more explicit than that. Only it feels worse - and her mouth is moving again, speaking into the air that already feels stifling hot, words cutting through the steam: you're not very nice, I mean really, it should come as no surprise how she turns out, having this jerk for a fucking boyfriend- 

Nevermind. Not a dare, it's a challenge. She was right the first day you undressed her, the brattiest girls always have the worst kinds of fantasies, the darkest little tendrils of self-destruction. How she's laying there, asking and telling, pushing and pulling; and how she thinks she's so clever too.

Though that is no reason, she laughs, for you to think she won't love having her pretty cunt cockwarmed and spoiled for an evening or more. - And so it goes, and so it goes, and so it goes, and so it goes.

-

(Really, to Irene’s credit, she had Karina pegged right from the jump. A character study in, well, herself.

She's seen as an ingénue by the press, and an outright savant to the executives. They know her as the obvious successor. They give her the runway, they watch the leggy-girl-turn, the model-posture, chin held high and aloof, looking down at the gathered throngs of photographers.

The protégé, the goddamn heir-apparent:  

But her favorite game - that bit of innocence served on a platter, ingenuous when it comes to spinning a flaw to gold, and the deception too - Karina loves and loathes every second she spends upstage from Irene's own, hectic, international production. Because if anyone asks her, that girl would claim it's never been a competition in the first place. 

So you see, if you and yours have both decided to ruin her-

It is a disaster-in-the-making, isn’t it.)