#Bar-f-Out!

[anamon-book]

Bar-f-Out! Volume 16 August, September 1996 27 to 28 – END OF BOYSHOOD Featuring Tokyo No.1 Soul Set 特集「27 to 28 ～ END OF BOYSHOOD」 Part 1：トーキョー・ナンバーワン・ソウル・セット／Part 2：グレイト3／Part 3：エル・マロ、プレイグス、かせきさいだぁ、ホフディラン、シアター・ブルック、加地秀基 etc.

[poorly-drawn-mdzs]

Ooh, you want to know what happens at the gay bar run by ex-pirates, ooh...You'll just have to read Tiger Tiger to find out...

(Inspired by this Disco Elysium comic)

[my-darling-boy]

And it hurts to miss you, but it’s worse to know

That I’m the reason you won’t come home

Photos by keltikfilm, editing by me

[corpusdiem-seizethedead]

Angel: *gazing lovingly at Husk* He could kill me, and I'd thank him.

Cherri: *who has heard this for the millionth time* I'd thank him too

[limeartichoke]

RAHHH I LOVE THEM

[jchorsky]

Main theme of ISAT music analysis yaaayyyy yippieeee

big thanks to @ asterythm on discord for the music sheets i am forever endebted to you. here's their post with their stuff! GO GIVE THEM SOME LOVE DICTATION IS HORRIFIC. https://www.tumblr.com/starsalive/755820156323774464/isat-title-theme-piano-sheet-music-for-solo [somebody who actually knows what they're doing @cocoisindecisive responded with corrections, so the edits are gonna be in these brackets!! i couldn't leave this unedited because it felt wrong] Since they've only done the main theme, i'm just gonna pick apart that. Big fuckin text post + absolute raving and ranting!! please tell me there is a functional line break here PLEA

ISAT's OST is very economical in that it constantly reuses one central motif. I want to go on a very brief tangent to cover this motif because I feel like that's worth doing. ---What the fuck is a motif?--- i want you to repeat something with me, okay? deep breaths. A MOTIF AND A LIETMOTIF ARE NOT THE SAME. A MOTIF AND A LIETMOTIF ARE NOT THE SAME !!! PLEASE DONT USE THEM INTERCHANGEABLY MY HEART HURTS EVERY TIME !!!!!! thank you. so, a motif is a little piece of music information - usually a melody, but not always, i think? - that is reused and changed. It doesn't represent anything, really. That's the difference between it and a lietmotif - a lietmotif represents a person place or thing, and a motif just doesn't. ---Great, So what's the motif?--- it has two parts, this first part:

(this is repeated with the last 3 notes moved down a tone.) *[this is a LIE how did i think this, i literally just had to LOOK]*

this is the second part:

(which has the last part change a little bit when repeated in order to resolve.) There's some nice rythmn made with the dotted crotchet and the quaver, but nothing crazy like syncopation. It's mostly conjunct, but there's one or two little leaps in the melody. It's a fairly basic melody -- perfect for changing and adjusting to the needs of each piece.

this is used in every single track in the game! I'm not kidding, it's in every single one, try and listen for it! it's a very smart use of a motif. Onto the actual piece of music!

[to quote directly - "you dont mention that the "second part" of the motif is very similar to the first statement but with it's first measure having it's intervals being inverted (and the final eighth note keeping the pitch of the dotted quarter note). or that the second measure is again similar just that the missing C from the first measure is now the downbeat of this measure, and the B that used to be the downbeat is now and 8th note preceding the new downbeat. (plus the first statement of this second iteration changing the final three pitches so that its a stepwise walkdown from G to E)" - i knew something was different, just not what exactly, thank you for correcting me] --Main Theme--

It uses the motif as it's melody (see above), and while I won't cover that again, I will cover the harmony! The instruments are fairly simple, there's a chiptune piano and some kind of strings (?) helping with the harmony in the background. The two play together throughout.

While the key will obviously change between pieces and songs, harmony is a very important and sneaky way to hide meaning in a piece. Harmonies are also very hard and hurt my brain, so if i'm wrong feel free to tell me. (Also i hate reading bass clef)

[Dsus -> Esus4 -> G (kindanotreally) -> A sus4 -> A // ii -> iii -> V -> VI] A lot of suspended chords - suspended chords don't really hold on major or minor, so this leaves it feeling a bit unstable + airy. But, each suspended chord eventually resolves onto the major of each chord, so it still feels major. The thing that decides if a chord is major or minor is generally the second note in that chord - 3 semitones away from the first note on a major chord, and 2 on a minor chord. Suspended chords have the second note be either 1 (BUT IT'S NAMED SUS2????) or 4 semitones away (sus2 / sus4). This lets it dance around either, and it keeps tension until it resolves into either one. [ to quote directly again - "and then the chord progression you outline seems like gobbeldygook to me. measure 1's downbeat is not a Dsus chord, it's pretty clearly a power chord, and it leads into an F not an Esus4. measure 2 is mostly fine though, only think is that it is definitelly a G chord! if you wanted to be pedantic you could say it's a Gomit5 but i really wouldnt bother specifiying that and whoops your roman numerals are wrong! the big issue is that this 2 bar phrase DOES contain a tonic chord. in fact its the first of the measure! this is pretty clearly in D dorian, but i think you've confused it for C major since they share a key signature. but nope! given that correction and the ones above the roman numerals looks more like a [I -> III -> IV -> V]." YEAH IM REALLY BAD AT THIS I DON'T HAVE ANYTHING ELSE TO SAY 😭😭]

[Dsus -> F -> G -> Gsus -> Asus4 (kind of???????) // ii -> IV -> V -> ii -> ii] this little countermelody continues (i'm not sure if it's because i'm looking at the piano version and OOPS it's too late now, or because there is just a countermelody. what am i saying this would be countermelody either way????) and layers quavers over a crochet and minim harmony. The harmony itself mirrors the same as before - loads of sus chords with occasional, brief resolutions to major chords. But, what's weird is that I haven't seen a single I / Tonic chord yet? there's not a single chord that's just the first note of the key. That's kinda weird - most pieces even start with that. There's something there - technically, we're not at the start of the journey, we're at the very end of it, the very end of this year-long journey that all of the character's have been taking. [ corrections: "closer with measures 3-4 its just that measure 4 is an an Asus4 to A and that adjusting for you being in the wrong key the chord progression is still that same [I -> III -> IV -> V]" ]

[Esus -> Gsus2 -> C -> Esus -> Gsus2 -> C // iii -> V -> I -> iii -> V -> I] WHOOPS I LIED. there's the tonic chord! there's C! There's a good reason for a tonic to appear here, though - we have a perfect cadence, and that is very interesting. Those roman numerals are about the placement of a chord within a key. kind of - it's important for stuff. A cadence is the harmonic ending to a phrase - in this case, a perfect cadence, from V -> I. This sounds "complete" to our ears, it feels like the piece could end there. what's weird is that it repeats twice, and keeps going on the second one. Furthermore, the melodic phrase is ending here, the motif is ending. This would be a far more "complete" ending if it stopped here. But it doesn't.

It changes from block chords to ostinatos (MIGHT BE THE WRONG NAME.), but each of these semi quaver / demi semi quaver progressions return back to one note while playing out a countermelody at the same time, still allowing for some kind of harmony. This change also builds up the pace in the piece, letting it build to the ending - this is the only thing that really drives the piece beyond this point, this building rythmn. Even then, it stops on this little crotchet chord! And then keeps going, into what is probably the most interesting part. [corrections - "a couple of things wrong with this one. first of all i analyzed the chords for measures 5-8 as [Fmaj7 -> Gadd9 -> Amin7 -> Cmaj7-> Fmaj7 -> Gadd9 -> E -> A] with roman numerals: [III-> IV -> V -> V/III -> III -> IV -> V/V -> V]. no PAC here! also, even if this was actually in the key of C major there is no V -> I in the bass and none of the soprano movement need to be an actual PAC. just a bunch of movements by fifth :]. you say the rythym is the only thing pushing the piece forward, and while it sure is definitely a fun effect that's building some nice tension the constant movement by fifth's is definitely also contributing to the tone. be wary of blaming an entire piece's success on one element!"]

[Asus -> Gsus -> G -> Esus4 // VI -> V -> V -> iii] In terms of intrumentation, something weird happens here - the chiptune piano falls away into a far more real-sounding one, while the strings stay the same within this section. in terms of harmony, again! tons of suspended chords, with one or two resolutions that keeps the piece feeling major. This cadence is. Weird. [V -> iii] isn't really a resolution at all, and as far as i could find it doesn't have a formal name the way some others do. some parts resolve (the E notes) but others don't, (the A notes), so it ends up feeling only half-satisfying. This makes sense - the music is gonna loop, because this is game music, so it does make sense to have it not resolve. But. It resolved perfectly eariler - we did have a perfect cadence. So then, why break into this tiny little two bar ending, that doesn't even resolve? That can smoothly go back onto itself, and also back into the beginning of the piece? This part is quieter, the demi semi quavers have rested back into minims, and it feels a little bit like an anti-climax to the build from earlier - it doesn't feel like a dramatic ending that the build was maybe working towards, more like a quiet moment. Despite that, the texture in this two bar section never thins - the piano is never left behind by the strings - the strings don't get quieter either, just the piano. Why is this two bar section here, then? Why end on this, and not on the part before? Two bars, huh. What a strange number to choose. [corrections - "chord progession is: [A -> G -> E -> A]. i'd argue that the previous secondary dominant to the A tonicized the A, placing us in the key of the domimant (A minor). so because of that i''d say the roman numerals are [I -> VII -> V -> I].

maybe pedantic but i dont think its actually that weird or bizzare of a choice for the chiptune melody to be replaced by an acoustic(-sounding) piano. the isat soundtrack consistently uses both acoustic and virtual instruments! this is just establishing that and letting the listener know to expect more of this specific element of the soundtrack. as title themes tend to do!

and the piece is quite resolved by the end actually. if i believed what you believed about the sheet music and never listened to the track i could see how i could think that, but giving the track a listen and using your ear to sus out details reveals how resolved it actually is!" thank you for the corrections im real bad at this]

[number1villainstan]

idk. personally i think it would be funny if chisaki and fuyumi meet sometime just post-arrest, maybe while he's in the processing system but hasn't been imprisoned yet, and they recognize each other because they made out in a gay bar once

[maddymoreau]

Grant Turner commission by @redswaberkez

[norgeant]

hey!! idk if u have posted this clip of max calling logan logie but it is So Cute

https://www.tumblr.com/formula1forfishsticks/740730555477426176/max-f-called-logan-logie-nodboy-talk-to-me-im

Link

I have not seen or posted this :0

Someone told me max called him logie but I was too lazy to go searching for it, ITS LITERALLY SO CUTE !

More propaganda that logan should be in a quadrant video :3

[anamon-book]

Bar-f-Out! Volume 11 October, November 1995 Featuring United Future Organization The Cool Resistants Council カヴァー・ストーリー��ユナイテッド・フューチャー・オーガニゼーション」

[hanzajesthanza]

the mishmash of clothing that geralt’s company wear during their journey is delightfully piecemeal. it’s like half-brokilonian, half-stolen from banditry, half-clothes which actually belong to them. ik i made this post as a joke but i actually really love the outfits of the company

geralt and dandelion are dressed in hooden grey elven mantels. later in chapter 4, they’ve exchanged them for homespun cloaks stolen from the guards, which they used to escape the camp. from though he still has his recognizable headband and medallion, geralt is seemingly almost incognito as he wears a leafy-patterned elven jerkin from the dryads. (and for even more brokilon influence, before zoltan gives him the dwarven sihill, he has a sword from col serrai).

speaking of dwarven fashions, dandelion receives a quilted jacket and a ‘swashbuckling’ marten-fur kalpak from zoltan and his company. he replaced his plum hat with the heron’s feather with this marten kalpak, so he as well is almost incognito. as far as accessories go, he has a brass-studded belt and the cruel-looking knife from the dwarves, too; although he immediately lost the knife. after the events of chapter 4 and in the middle of 5, his head is wounded and bandaged.

zoltan tells milva that she “looks too much like a squirrel” to approach humans alone — which is probably a result of her dress and her bow, of course. asides from her mahogany bow with whalebone risers, measuring 5 foot with a 24 inch draw length, shooting grey-fletched arrows… and one silver arrow… she’s likely dressed in some brokilonian or elven garb, owing to her work as an agent for brokilon. but she also wears “human” clothing, a blouse and woolen leggings. her belt is described, with a pouch and a hunting knife with a bone handle hanging off of it (and in the next book, she gives this knife to angoulême as a gift). perhaps most curiously, milva’s not mentioned to be wearing her iconic braid or plait during this book, rather her long hair is described as falling into geralt’s face when she leans over him in tense conversation in chapter 1, tossing her hair with a sudden movement when offended in chapter 5…

cahir is almost unrecognizable as nothing he wears betrays him as nilfgaardian, instead he’s dressed in a hauberk, leather tunic and cloak from the men who were transporting him. but this hauberk becomes ever-so iconic in its own right as it plays such a role in the fish soup… as a strainer.

regis, of course, dresses modestly and is perhaps the only one of the company dressed in his own clothes not signalling affiliation to a larger faction or taken from some roving banditry. black robes, something like an apron tied around the waist. when they meet him, he has a linen bag, but when they leave, he’s exchanged it for a leather one. and also, a walking stick, which is never mentioned again by the writing... he also has his nigh-iconic black, woolen cloak-cape, which he wraps himself up in…

and the horses! do not forget the horses. geralt’s elven roach, a bay mare who rides as if bitted by horseflies. the lazy and docile bay gelding pegasus, of course, remains dandelion’s steed. cahir rides on a chestnut colt, which he loses but later recovers. milva’s black horse, which she tells geralt not to touch in chapter 1, which also becomes the subject of debate in chapter 4. regis rides on a nilfgaardian bay near the end of the novel, by which point they’ve also obtained a riderless grey horse which carries their modest belongings.

these small little details are all just described so wonderfully across the course of the book, the picture is painted for you eventually, over time, your attention is rewarded with an intricate picture at the end…

[nice-bright-colors]

How’s this for a stress dream:

I was back working in an architectural office setting. However, we weren’t using computers, it was back to manual drafting on tables.

I had a project deadline approaching in the next 36 hours. I had yet to start drafting any of the plans. The project was for a 15-story mixed-used building with a below grade parking garage.

I was the only person available to work on this project.

Coffee and cocaine became my closest companions.

[r3dships]

I started this in March... it's finally done!! It's @/rosesloveletters' F/O comparison meme template with everybody's favourite tragic couple Mason C. and Johnathan!

This is actually my first time drawing either of them, but I think I did pretty good!

I'd very much prefer if no Johnathan / Spot doubles interact!! Thank you!

[butch-bakugo]

Although I have a million reasons why I hate Amazon, viziepop, hazbin hotel and helluva boss, one thing I think is fucking hilarious is that even now, long after the show's popularity rose and promptly died (cause even though I love a good series of fucks, shits and asses, swearing every sentence and saying slurs is only funny to 13 yr old boys), it still leads these fuckwads to realize that if you dont specify to google that you mean angel dust the character, they all get digitally blasted with the reality that he was named after fucking cocaine.

As if the assertion that him being a victim of Sa, a prostitute, have stds/aids, ignore others boundaries, sexually harass every man in the damn show and hyper sexualized hyper flamboyant gay person wasn't already horrifically homophobic, that can add drug addict to the list of gay man stereotypes he litterally leaks at this point.

[prettydumbmutt]

.post hookup yapping in tags.

[anamon-book]

https://page.auctions.yahoo.co.jp/jp/auction/l1139649300

Bar-f-Out! バァフアウト!　Volume 014 Volume 014. Issue : April, May 1996 Featuring Pizzicato Five 表紙：野宮真貴（Pizzicato Five）