#BUT MAYBE ILL CHANGE MY MIND AS I READ WHO KNOWS

[hisredvelvetqueen]

Written by the 18 year old me on a P.F. Chang's Napkin

Falling in love is deadly. One of lives biggest mistakes because the heart and mind will become confused. The mind will tell it's not okay while your heart will scream that this is it! "Don't miss out!" you heart will say. Yet your mind knows better. People say not to trust other people. When the truth is NEVER trust your heart. It lies, deceives, misleads, and cheats you out of true happiness. Think hard about how many times the mind and heart have competed and caused the question of who is right to arise.

Comforted by the possibility that your heart could be right this one time. Family and friends give no comfort or answers in great times of confusion. In fact, it becomes worse once you receive opinions and input from them. Then your mind becomes even more unfocused and confused. This often pushes people to side with their heart and make the tragic mistake of letting someone in. The first step to losing your innocence. True words written now for the world to read. Many may misunderstand, not comprehend, even just not care. Then they will be faced with the great ordeal of having to decide who is right. The greatest battle in the world is the one within yourself.

Truth be told that is where world peace begins, within one's self. Still because of people's confusion, insecurities, selfish thoughts, and beliefs, we are stuck in a cycle. Fly into the past and realize that times are not very different.

Fighting, hate, death, crime, natural disasters, and illness are still alive and just as bad as before. Some places much worse than others.

Still it makes sense once you take the time to think. When love does not exist, or at least allowed to bloom within your mind, how could love blossom around the world.

Can money buy true love? What really decides if what you are feeling is true love?

Toss and turn while your mind continuously wonders what is okay and if changes should be made.

People say that dreams do and can come true. So than why are mine not coming true?

Maybe its because man-kind as a whole is not capable or worthy of such a large task. To love and be loved. Be respectful and kind. Knowing that things will improve.

Now that I truly think about it maybe evil makes the world go round. Then again if I am the one to start another great movement would this time before to change the world? Only time will tell and only my ancestors know.

One thing I know I am 100% positive of is that I want to and am more than willing to ensure it happens.

PEACE OF THE WORLD!!

33 years of life experience reflection......the 18 year old me was fucking right!! When I finally found true love, I was afraid and broken and made so many mistakes. I love this many with ALL OF ME, because of that I had to learn to love ALL OF ME, so I could give to our goals and desires endlessly.

[starlooove]

I feel like Joey and Damian would get along

[phagodyke]

the masculine urge to take a saucepan off thr draining board and bash myself repeatedly over the head with it until I pass out and no longer have to experience feeling Bad 😍

[vaugarde]

tbh i expected going back into pokespe would be sorta rough bc im not a kid anymore and i was worried bc i didnt care for dp adventure toooo much (or at least enough to revisit it), but man it was honestly a delight to revisit the kanto arc. gen 1 is oversaturated these days, sure, but there’s a reason it stuck out, and there’s something really nice about engaging with a long running franchise’s early content before i assume they had to crack down on mandates and make everything on model and closer to the original canon or however that works.

it’s simple but it’s charming

[coldresolve]

So I've read a lot of your posts and replies about torture apologia and I wanted to ask you what you think the best way to educate people is without throwing books at their faces and how best to signal to readers that you're writing unrealistic torture.

I'm asking this as someone who is moderately educated on torture and its effects. But I do enjoy reading and writing some of the more outlandish tropes like brainwashing in over-the-top settings for a variety of reasons I'm not going to mention here because explaining that would take ages and risk my anonymity.

Because there is a way to tell people that you're writing erotica that shouldn't be used as educational material for safe sex or bdsm etiquette (because its purpose is to be fantastical and unrealistic) and while it's going to be way harder with torture since people are less educated on it, there should be a way to go about it, right?

for the record i'd prefer the torture discussion sorts of questions to go over to @dark-audit, but im too tired to copy this over rn lol

i'll say this: if you're going to knowingly perpetuate myths and/or make themes that inadvertantly justify the use of torture, a good handful of which are so accepted in public discourse and fiction, a good portion of your audience believes they're factual long before they read a single thing you've written - you better make sure you signal that that's exactly what you're doing, and systematically shut down any suggestion that treats your depiction of torture as realistic, or, yknow, thematically moral in the context of real world politics. one thing is disclaimers, another is having regular conversations with your readers about how torture actually functions, which means you're gonna have to dip your toes into reading up on the topic. this is the bare minimum for handling this sort of thing responsibly imo. the current conventions for depictions of torture are misinformation and justifications. if you want to change that status quo while sticking to harmful narratives "for a variety of reasons I'm not going to mention", you're gonna have to put some serious effort in out-of-text. apologies but you dont get the good boy points for free lol

the better option would be to maybe perhaps not indulge the myths, no matter how compelling they are to you? it requires a bit of effort but if the alternative is turning a blind eye to apologia, maybe it's worth that effort. imo torture is an interesting and cathartic thing to write about even if you stick to depictions that are in line with reality. there are so many facets to it you could dive into, i don't really see the point in engaging with war on terror/reeducation rhetoric. but maybe thats just me

[nostalgia-tblr]

I had another fic idea and the brain was like "no, that's too fluffy and romantic and YOU ARE NOT ALLOWED TO WRITE NICE THINGS, PEOPLE WOULD JUDGE YOU" but then I went "but what if it was kind of... comedy fluff?" and brain went "...yeah, okay, if you really must." Which I fucking HATE! Why can't I write nice things, brain?! Everyone else is allowed to! FFS, it's fanfiction, it doesn't have to be ~deep~ or any of that shit!

This has actually been a bit of an issue when I'm trying to write The WIP because while I told myself yeah sure go ahead and write the massively self-indulgent epically long (by my own odd standards) fic but still sometimes I get stuck because I'm not "allowed" to write something that appeals to me and my own sometimes niche interests??

Like angst I can do because that's "proper" somehow? WTF is that about? It's not proper! It's still daft! And comedy I'm allowed because I dunno apparently if it will make someone laugh that means it has "value"? It's very annoying, I don't like it.

Do other people have this? How do you deal with it? You'd think after all this time I'd be okay with writing any old shit that I want to. If anything it might be worse now. I remember years ago I could tell myself "Look, if you've spelled most of it correctly then it's already in like the better half of all the fanfic on the internet" which isn't really TRUE but I could go along with that and let myself write whatever-the-fuck I wanted to.

You know how many of us go "I'll write this fucked up thing... but I'll post it as Anon"? I get that with fluffy fic ideas as well. Or with things that are "too shippy" (WTF?) It's just such a stupid and weird form of self-criticism and it bothers me a lot.

[wind-becomes-lightning]

Congratulations! 🫶🏻 for the 600 followers I’d like to request a story with one of kkps oc pairings- yuuta x hanabi; prompt: “do you think of me when you touch yourself?” Make it as spicy as you wish hehe

hello anon if you still exist after so many months! If you request third party oc's from me you have to accept that I put my own OCs all over it too. So here goes.

my au, blank period. yuuta is @kankuroplease's baby and setsuko belongs to @foolishk and ko is all mine baby.

Rated M, also a lot of alcohol is being consumed

2039 words

Yuuta is persuaded into a night out with some younger friends, but is mostly bored until Hanabi shows up.

Yuuta found himself in what he could only call the worst mixer that anyone, ever, had ever gone to. At least he could not imagine that there was a worse fate than his right now, sitting and staring at other people without having anyone else to chat with, even the jug of beer on the table didn’t help from the boredom he felt. He truly regretted having gone here with all these people that were younger than him and caught up in their own little worlds. 

And it was not like he disliked any of the people present. Separately he had hung out with all of them several times since they had come of age, especially to go out for a drink. On his opposite side sat Udon, who now that he had grown had actually turned into a rather handsome and cute man. He was smart, yes, maybe smarter than anyone else present tonight and Yuuta enjoyed their occasional chats, but he was completely occupied by the woman sitting next to him now.

Ko had her head constantly turned to him and spoke to him, but Yuuta knew that she wasn’t really interested in Udon. On Ko’s left sat Konohamaru, the reason she had agreed to come in the first place. Ko hadn’t been in the village for long, just about half a year and it was clear that she very much wanted Konohamaru, and he probably wanted her too, guessing from the way he acted when she was around, but some sense of fake responsibility to Naruto kept him from just going for it. So they sat side by side, their legs under the table touching and while they were both leaning away from each other, they very much were together.

Yuuta had also chatted a bit with the girls to his own left, but Moegi and Setsuko had just recently officially gotten together and as cute as that was, a new and in love couple always all over each other could become bothersome. Happy relationships and people publicly making love declarations just made him feel nauseous with memories he’d rather forget.

Unfortunately sitting here and feeling as bored as he was meant that he had enough time to wonder and worry about why he was here on a Saturday night with people who were at least four years younger than him, while most of the friends his age, especially Ino, had settled down and were starting a family. Yuuta liked his free life without anything holding him back, at least as long as he didn’t think too hard about it.

He was just about to give up and down his beer to finally leave and go home, to just continue drinking on his own, when the door to the bar opened and he only needed to take one look to recognise who had entered. Hyuuga Hanabi didn’t have much to offer in body height, in fact, she could barely reach Yuuta's chest, but her presence could fill a room easily. She often smiled brightly, spoke her mind freely and spread an aura of hard work and dedication. 

Most important of all: Hanabi and Yuuta were currently in a relationship, or better said, they had a friends with benefits thing going on. They’d been hooking up occasionally, mostly when either of them felt stress and needed an outlet. Hanabi’s cousin Neji was reworking their clan and while she wasn’t directly involved, as a potential clan heir (a role that, according to her, she wasn’t planning on taking anyway), Neji tried to keep her in the loop at all times. Which was nice and supportive, but also incredibly exhausting. 

Hanabi found them with her skilled eyes among the crowd and returned the little wave that Konohamaru gave her. She circled around the other tables and then pressed herself onto a pillow right next to Yuuta, who suddenly felt his mood greatly improved by her presence alone. “Sorry, I’m late”, she said and smiled, because of course she did, “I was held up at home.”

A short round of hello’s and exchanged pleasantries followed and Hanabi got her glass filled with beer, then everyone returned to the way it had been before. Hanabi finished her first beer almost in one go. 

“Slow down,” Yuuta said and pushed his elbow lightly into her side. “You don’t want to get drunk in an hour do you?”

Hanabi had a quick mind, which was one of the things Yuuta liked about her. “I have to catch up, don’t I?” She reached for the jug again to refill her glass. He just shrugged. 

She exchanged some words across the table with Konohamaru and then quickly realised just like Yuuta had previously, that while Konohamaru was physically present and trying to listen, he was mentally somewhere completely different. She turned back to Yuuta. “So they are still not hooking up huh.”

“Not everyone is as open as we are,” he replied and it satisfied him that what he said made her grin. 

The last time they had been together had been about a week ago, but then Yuuta had been on a mission and afterwards Hanabi had been busy with Neji and the clan issues. They had exchanged a short exchange over the new short messaging system Konoha had implemented and decided to meet again next week. And while he had sort of suspected she might have been invited to this mixer tonight too, he was still pleasantly surprised now that she was here.

It was easy to make conversation with Hanabi. It felt like with her he never ran out of things to talk about. When she pulled her shoulders up and made a face while talking about her sister as a newlywed and how exhausting that was. How she could laugh when she talked about missions she was doing and how she really wanted to train her own Genin someday and how attentive she would listen when he would talk. About his parents, about his own work, about his heritage. They were good friends, the occasional hookup didn’t change that.

They downed a few more beers and kept on chatting away, only broken up by Moegi and Setsuko who needed to push past them to go home. Both girls were still grinning ear to ear, hands wrapped up around each other and Yuuta wondered for a moment if they had ever let go of one another for even one second that evening. 

“Must be great being so in love, huh?” Hanabi murmured to herself as the two left. 

“Has its ups and downs.” Yuuta shuddered. Better not to think too much about it.

Hanabi turned to him and narrowed her eyes a little, but she did not ask, she never asked. That was another thing he liked a lot about her, the fact that she wasn’t pushing him to tell her things or do things with her or be her boyfriend in general. Normally, in relationships, Yuuta was the one that needed to hit the breaks with a partner because they wanted it all, but with Hanabi it was all alright the way it was.

Now that their deep conversation had been broken up she let her eyes wander over the rest of the table. “Udon,” she gestured to the boy opposite Yuuta. “When did those two go?” 

Right, Ko and Konohamaru were both no longer there. Yuuta hadn’t seen them leave either.

“Uh, about an hour I think.” Udon seemed a little embarrassed. “I think I should leave too, if you guys don’t mind.” He asked it as if he needed their permission, as if he didn’t exactly know that they didn’t mind being left alone. Yuuta suddenly felt a little bad for him, this evening Udon was possibly the only one going home alone. He made a mental note to take him out alone sometime. It wasn’T like he wasn’t a cute guy anyway.

They didn’t stop Udon leaving, not only because it would have made no difference anyway, because he would have not been persuaded, but also because both of them looked forward to being alone, at least that was how Yuuta felt.

“So, Ko finally won that war..?” Hanabi said. She had just emptied another beer. “I never thought Konoahmaru would give in ever, but tonight she really laid it on heavily on him.”

Yuuta laughed. “If they don’t go home together, he will definitely need some self love tonight after everything she did.” 

“You think he does stuff like that? Think of her while he touches himself?” Hanabi made a face as if the image in her mind felt disgusting.

“Most people think of someone they find attractive. Guys, especially.”

Hanabi’s eyes flickered up to him and the cheeky grin was back on her face. “Do you think of me when you are touching yourself?”

Yuuta didn’t know if it was the amount of alcohol, the heat in the bar or the direct approach but he could feel himself blush, actually blush. This was not something he was used to, the other way around actually. Yuuta was the one who made others blush. He was good at flirting, very good, in fact, he was so good at it that his mother had forbidden him to talk to friends her age out of fear he would hook up with them. He was just a charming guy and he knew how to use that correctly.

That someone made him flustered to the point that it made him speechless even if it was just for a second, was unheard of. He grabbed the glass on the table tightly and then winked back at Hanabi: “Sometimes.” It was his way of taking back control.

“Oh so there are other people you think about?” She put her chin onto the top of her fingers and watched him closely.

Somehow he couldn’t shake the feeling that she was somehow testing him. “I mean, you have to admit there is quite a big number of hot people in this village. It’s like there is something in the water.”

“Ah, you just say that because you haven’t been much in other villages.”

“Possibly,” Yuuta winked.

A moment where none of them talked then Yuuta asked: “And you? Do you think of me?”

The cheeky grin she had been wearing turned into her signature full on smile. “Most of the time.”

For the second time in a matter of minutes Hanabi had taken out the wind of sails in a way that had rarely happened before. He blinked a little unsure how to proceed from this point, but found his stride again almost as quickly as last time. “Well, if you want we could make your fantasy reality. You know where I live.”

She turned the glass under her fingers. “To be honest, that was why I came tonight. I knew you’d be here. Otherwise I might have just gone straight to your apartment.” She winked. “Though I have to admit it was nice drinking a little. I really did have the most stressful day.”

“Well, I think a little relaxing time is in order then,” Yuuta said. He took his last beer and emptied it in one breath. “So shall we go? I swear I’ll make it worth your while.”

They both got up and he offered the half-swaying Hanabi his arm so she could clutch to it. He refrained from telling her that he had told her at the beginning that she shouldn’t overdo it too much, mostly because she was too cute in this tipsy state to make fun of her now.

For that at least.

It was quiet and cold outside, so they huddled closer together for warmth. Hanabi barely reached Yuuta’s shoulders and so he watched from above how her ponytail was swaying while walking. It got him thinking about their conversation at the bar.

“I would love to see it by the way,” Yuuta said, leaning close down to her ear. “How you are touching yourself, I mean.”

She giggled a little and then knocked her head into his lower shoulder: “Shut up.”

He was happy to have the control back. Being left speechless twice in one night was enough.

[real-life-cloud]

😰😰

[pathologicalreid]

wavelength | s.r.

in which your son ends up in the hospital on one of the BAUs busiest nights of the year

margotober masterlist

who? spencer reid x fem!reader category: angst (hurt/comfort) content warnings: child in hospital with unnamed illness, seizures, pregnant!reader, boy dad!spencer, MRIs, head injury word count: 1.96k a/n: this is my little reid family from three's a family, but as usual, you don't have to read that one to understand this one. (it's one of the cryptic pregnancy ones so maybe keep that in mind lmao) - welcome back to the spencer reid dilf agenda, i missed it

You take a deep breath, trying to steady your thumbs enough to press the call button, tapping the green icon, you press your phone to your ear, listening to the rings as you keep your other hand on the bed in front of you.

Sniffling, Leo holds your hand in his much smaller one, “Mama?” His voice is little more than a whine, and you find yourself wishing he’d fall asleep while you wait for his turn in radiology.

“Yeah, lovey?” You whisper, squeezing his fingers gently as he looks at you with sad eyes.

His eyes were sad in a way that only a three-year-old’s could be, not quite understanding why he had to stay in the hospital, and continuously asking for his parents. “I don’t feel good,” he mumbles, his voice soft as he shifts on his side in the hospital bed.

Your shoulders slouch ever so slightly, trying not to show him how much of his displeasure you shared, “I know. I’m so sorry.” They were holding off on giving him more medication, but it just made him miserable.

Starting to wonder if they could just give him something to help him rest, you distantly hear your name being called, taking a moment to be confused before you remember that you called Spencer.

“Hey,” you greet a little breathlessly, “Are you working?” You move your hand, smoothing back Leo’s hair in an attempt to coax him to sleep.

You hear a shuffling of papers on the other end of the call, answering your question well enough before he responds verbally, “We’re just trying to finish a few things up before calling it a night.”

Bowing your head, you sigh, “Right, you have that senate review next week.”

Spencer groans at the reminder of the meeting, “And finding some of these files is proving to be difficult. I think Garcia’s just about had it, but we’re all starting to get to that point. Why the call? Not that I’m unhappy to hear your voice,” he clarifies. “Did Leo get to sleep alright?”

You falter slightly knowing that Spencer is already stressing about work, “Honey,” you start softly, “Leo’s alright, but I had to call an ambulance for him about an hour ago.”

“What happened? You said he’s alright?” He asks, fear changing the pitch of his voice.

Swallowing thickly, you watch Leo continue to fight sleep, his brown eyes watching you while you’re on the phone. “They think he had a seizure,” you whisper, keeping your voice down so that your son doesn’t catch onto your anxiety.

There’s a shuffle of papers on the other end, “Is he sick? Was it a febrile seizure?”

“Uh, no, hold on,” you flip through the pamphlet, “They called it a drop seizure when we were in the emergency room, and they did an EEG.” You explain, reading over the papers in front of you for the nth time.

Spencer talks to someone else in the room, hopefully letting them know that he has to leave, “What happened?”

Tears prick your eyes, and you look up into the fluorescent light to will them away, “I was just getting him ready for bed, and he went to go potty, and he just fell. He hit his head on the tub and I just… I panicked,” you admit the last part. “I was not very collected, and the 911 operator knew that,” you tell him, watching Leo’s eyes finally fall shut.

“I wouldn’t have been either,” Spencer assures you, “What hospital did they bring you to?”

Rattling off the name of the hospital, you risk assuming that Leo’s asleep enough for you to step back, enabling you to speak at a higher volume, “Can you leave work?” You weren’t even thinking about how busy the BAU was when you called, you were just thinking about getting Leo his dad. “They want to do an MRI, and he’s allowed to have someone in there with him, so he doesn’t get scared,” you explain.

“But you can’t,” Spencer needlessly reminds you.

A huff of frustration escapes your lips as you look down, eyes focusing on where your shirt catches on the soft swell of your lower belly. “No, I can’t,” you say miserably.

A nurse walks through the door, sparing a pitying glance at you, the pregnant mom whose toddler was in the PICU, before checking on Leo’s vitals. Spencer clears his throat, “I’m already on my way.”

You lose track of time, sitting in the reclining chair that lives in the corner of the PICU room, and memories of Leo’s first month of life start to flash in front of your eyes. He was a thirty-two-weeker, and he spent twenty-nine days in the NICU before coming home for the first time.

You felt like a failure then, and you feel like a failure now.

Tapping your fingers on your belly, you watch Leo sleep, his body curled up on the hospital bed and collodion stuck to his forehead. You remember finding out you were pregnant again, the overwhelming joy that mixed with the stunned fear like oil and water—Spencer had to remind you to breathe.

Something caught your attention, a small, high-pitched beep from one of Leo’s monitors sent a group of people flying into the room, standing around your son and listing off things that your fear-addled brain couldn’t comprehend.

He’s there when you stand up, Spencer stays at your side for all twenty-one seconds of Leo’s second seizure, watching as strength returns to his tiny body and his eyes open, “Mama?” His small voice calls out for you, afraid of being surrounded by doctors and nurses that he doesn’t know.

Slipping away from Spencer, you make your way back to the hospital bed, hovering over your son as you cup his cheeks affectionately, “I’m here, baby.” Hiding your face to wipe tears away, your fear that he still feels ill is only exacerbated by the fact that he doesn’t insist that he’s not a baby—he’ll always be yours, though.

Sitting on the edge of the bed, you let him see past you, the way his eyes light up at the sight of his father, “Daddy!” He chirps, trying to reach out for Spencer.

“Hey, buddy,” Spencer says, his voice tight while he crouches in front of Leo, “Mama says you don’t feel good.”

Leo shakes his head, “I hit my head,” he recounts mournfully, “then we had to go in the loud car.”

Your husband frowns for a moment before he realizes Leo’s talking about the ambulance, “Did they tell you I get to go with you to get your tests done?” He warps the narrative to make the MRI seem like a fun activity—something they get to do.

“Can mama go?” Leo asks, tilting his head to the side slightly, leaning into you as he does so.

Gently, you wrap an arm around him, dressed in a pediatric hospital gown with all kinds of wires and electrodes attached to him. “Mama has to stay up here,” Spencer breaks the news to him, sparing you a sympathetic glance, “but she’ll be here when we get back. Then, we can tell her and the baby all about it.”

The baby won’t be able to hear outside voices until you’re much further along, but when Spencer tried to explain that to your toddler, the only response he’d gotten was Why?

As it turns out, even Spencer Reid has a limit to the number of questions he can answer, so you let Leo talk to the baby. “I’ll be right here when you get back,” you reassure Leo, taking a shaky breath when he wraps his arms around you.

He’s in tears by the time they come to get him, only willing to go to radiology if they let his daddy carry him there.

You’ve let go of the hope that this was all just a freak incident, but the looks that the nurses have started exchanging squashed that optimism immediately. Taking the opportunity to lie on the hospital bed, you try to reassure yourself—if Spencer didn’t seem worried, you shouldn’t be worried.

Though Spencer wouldn’t show his concern to you, he certainly wouldn’t do it with Leo in the room.

You don’t know when you fell asleep, but you’re woken up by something being set on your side, your eyes cracking open just enough to watch Spencer lay Leo down on the bed next to you. “Hey,” Spencer whispers, pressing a soft kiss to your forehead, “I was trying not to wake you up.”

Cringing at the brightness of the room, you watch Leo as he curls into your side, “How did he do?”

“He was great,” Spencer says, gently ruffling the sleeping boy’s hair. “He fell asleep about halfway through,” he informs you, carefully pulling a chair up to the bedside.

You hum, making sure Leo is snug in his blanket before turning back to Spencer, “I’m sorry I didn’t call you sooner.”

Spencer shakes his head dismissively, “It’s okay,” he whispers, mindful of the hour—it’s nearing midnight now.

Reaching a hand up to cover your mouth, you hiccup a sob, “I’m a bad mom.”

“You are not a bad mom,” Spencer responds quickly, peeling your hand from your mouth and taking it in his hand.

Your lower lip quivers, “This wouldn’t have happened if he hadn’t been born so early.”

Spencer’s face softens, squeezing your hand comfortingly, “That wasn’t your fault. That was a situation that you didn’t have any control over.”

Deep down, you know he’s right, but your mom guilt that was on the surface level made the truth hard to see. “I couldn’t even hold his hand while he got an MRI,” you cry, small tears falling from your eyes.

“Honey,” Spencer murmurs, carefully wiping the tears from your cheeks, “You’re pregnant. Even more, you’re high risk,” Spencer reminds you as if it’s something you’re soon to forget. “There’s no way I would’ve let you in that room. You can blame that on me if you’d like.”

Leo shifts next to you, garnering your attention for just a moment before you turn back to Spencer, “I thought an MRI was better for pregnant women.”

Sighing, Spencer looks at you fondly, “Compared to a CT, an MRI is the better option if it’s medically necessary. Logically, I’m well aware of this, but I do find myself more protective over you these days,” he admits, eyes flickering down to your bump.

You bite the inside of your cheek, “I should’ve been watching him before he hit his head.”

Your husband dismisses your concern immediately, “We’ve been teaching him privacy, he’s proud that he gets to go potty on his own.”

“Why won’t you let me feel guilty?” You ask, frowning at him.

He hums in response, “Because you aren’t guilty. Your baby is in the hospital, and you might have some unresolved issues from when he was in the NICU.” He takes a deep breath, “and as much as you hate to admit it, you’re tired, and you have a lot of conflicting emotions and hormones that you’re struggling with.”

Leaning your head back on the pillow, you sigh loudly, “You know me too well.”

“I also know that our son loves you, and what happened tonight was not your fault,” he reiterates. “Whatever is going on with him, we’ll figure it out, okay? The four of us are going to be just fine.”

Pressing your lips into a thin line, you nod in understanding and listen to the soft whistle of Leo’s nose as he exhales. “We’ll be just fine,” you echo, intertwining your fingers with Spencer’s and preparing yourself for what’s bound to be a long night.

[thatonefreemanversefic]

I CANT BELIEVE IM LATE TO THIS!! AHHHHH!! IT COMPLETELY ESCAPED MY RADAR!! GGRGRGRSHJGHRGRS Anyways wow what a happy chappy with no sad or bad things whatsoever!

Everyone is doing So Great right now and there's absolutely Nothing Wrong!! Surely everything will stay Perfectly Okay and not Get Worse :)

Me when I laugh me when I cry OUT OF CONTEXT DOODLES FOR CHAPTER 6 OF @thatonefreemanversefic

Martinis fine btw he just had a bad salad and now his tummy hurts :)

Believe me when I say that this chappy was smooth sailing :))))

(VERSION WITH SPOILERS/NOTES UNDER CUT)

JUST KIDDING THE ECONOMY IS IN SHAMBLES LIFE IS OVER HAPPINESS IS OVER I LOVE IT ALL SO MUCH

[pascaloverx]

DANDELIONS

Summary: You are the new guest of the Bridgertons. Your mother, an old friend of Lady Violet Bridgerton, has requested that you spend a season at the Bridgerton house in hopes that you will change your perspective on true love and marriage. You are convinced that love is a fictional construct and that a marriage without love will be your downfall; but some time with the Bridgerton siblings might change your mind.

Author's Note: The characters belong to the Bridgerton universe and Julia Quinn. However, the story will have some changes from what happens in the Bridgerton series (2020-). Dear readers, this story may contain strong language and steamy romance scenes. It may even feature a love triangle. Be warned and enjoy the reading.

AO3 LINK TWO

ONE

"A great idea," you grumbled the entire way from your house to the Bridgerton house. Your mother had told you it would be an excellent idea for you to venture into society. "An independent mission," she said. Your father is so ill and trapped in his own world that he didn't mind letting his only daughter go to a stranger's house. Your mother has given up on arranging a conventional marriage for you. She doesn't respect the fact that you don't want a marriage like hers. You wonder if it's so wrong to want a marriage filled with tenderness, passion, love, or any feeling other than indifference. You basically grew up knowing you were the product of an obligation. The only child your parents managed to conceive before your father became too ill to have more children. Or rather, before your mother gave up trying to love him. When you were born, at least she had shed the moral burden of having to provide your father with an heir. Obviously, both she and he had hoped you would be a boy. But you think that over the years they have grown accustomed to you. This year, for some reason, your mother wants you to get married. Perhaps it's because your father is on the brink of death. If you find a husband who can manage your father's properties and investments, maybe you will become something useful to your family. Your father only mutters about wanting a male grandchild to carry on his legacy, and your mother wants you married. After Lady Violet Bridgerton successfully married off her daughter Daphne, your mother began to think that perhaps she could help you. So, after exchanging a few letters, you are now on your way to the Bridgerton house to be introduced to society's marriage system.

"I need to step out of this carriage for a moment," you say as you stop murmuring your mother's words. Your companion gives you a look that says, "She's lost her mind," but you know she will eventually let you get out of the carriage.

"Actually, we are already in front of the Bridgerton house entrance. I must remind you that your mother recommended I stay by your side most of the time," Mrs. Lydia says, as if you didn't know that, as your companion, she is supposed to always be nearby.

"I know your job is to protect my honor, but believe me, if I enter the Bridgerton house in my current mood, they will expel me before midnight. I need a moment to think," you say, nervously adjusting the hem of your dress. Your companion gently nods as if she understands. Lydia is the closest thing to true family that you have. So it's no surprise that she understands you.

"Enter the house for a moment and be polite. There's a stable on the Bridgerton property; I'll see what I can do. Ask Lady Bridgerton or the Viscount Bridgerton if you can go for a ride. And try not to get into trouble. I'll pretend to accompany you but give you some time alone," Lydia says, and you hug her tightly. A good horse ride after meeting the Bridgertons is just what you need. Not that you know much about them. You can only imagine. They are several siblings, and you are an only child. It's not hard to imagine there will be some incompatibilities. Minutes later, you step out of the carriage with Lydia, observing several people standing around you two.

"Dear Miss Y/L/N, it's a pleasure to welcome you here. I must confess that when your mother informed me of your arrival, we all looked forward to it," Lady Violet Bridgerton says as she approaches you. She seems so friendly that you feel inclined to hug her.

"I would like to thank you, Lady Bridgerton, and your lovely family for your hospitality. Unfortunately, my mother couldn't come with me, but my companion Lydia is here," you say awkwardly. The truth is, you're feeling that this season at Aubrey Hall with all the Bridgertons might be more challenging than you imagine.

"Let's not waste time exchanging pleasantries and let's go inside so you can see your quarters. I believe it will be the perfect time for you to get to know my children better," she says as she guides you into the house. The place is spectacular. As soon as you enter, you see some people approaching.

"Miss Y/L/N, I must warn you that this family can be a bit lively, but we will try our best to welcome you with courtesy," says a girl who must be a little younger than you. She has a book in her hands and is the first to approach you as you enter.

"Eloise, don't scare off our guest. Welcome to our abode, Miss Y/L/N. My name is Colin Bridgerton, and if you need someone to talk to, I'll be available. But I know that after a journey, the best thing is a good night's rest," Colin says to you, who smiles, finding it amusing how many Bridgertons are showing up.

"I believe I should thank Miss Eloise for the warning and Mr. Bridgerton for his kindness. Although I believe I still have a long way to go until my restful moment," you say, looking at the two who seem pleased with your gratitude.

"Your dress is beautiful, Miss Y/L/N. By the way, unlike my older brothers, I know how to introduce myself. My name is Hyacinth Bridgerton." A girl who seemed not to be at the entrance of the house just moments ago suddenly appears, saying this as she walks quickly toward you.

"You're mistaking knowing how to introduce yourself with flattery, Hyacinth. I'm Gregory Bridgerton, but you can call me Gregory," says a young boy who appears to be almost the same age as Hyacinth, while the girl taps him on the shoulder. You find it cute and funny how they behave. Having siblings seems to be at least entertaining.

"The younger ones are so noisy. I wish you a pleasant stay with us, Miss Y/L/N. You'll need it. If you need some peace, just look for me. My name is Francesca," a young woman says kindly as she moves away from the confusion that this introduction session is becoming.

"Now that Miss Y/L/N has met most of the Bridgertons who reside in this house, how about having some tea in the garden of the property?" Lady Violet speaks gently, touching your arm. You nod in agreement.

"I would just like to go to the quarters where I will be staying for a change of clothing. I hope you understand, Lady Violet." You were already starting to feel pain in your back from the corset that was too tight on you.

"My dear, you can call me Violet, and you may go. I'll ask them to take you to the room where you'll be staying, and your companion will join you shortly to assist. Once you're done, I'll be in the garden waiting for you." Lady Bridgerton speaks, and you follow the servant she assigns to show you where you'll be staying. Knowing that Lydia will be with you shortly, as soon as you enter the room, you lock the door.

"What are you doing here, Miss?" A male voice speaks as soon as you lock the door, and you startle as you turn around to find a man, his shirt slightly unbuttoned, staring at you.

"I'm almost certain that I should be the one saying that, sir. I must warn you that if I were to scream, you'd be in trouble," you say, composing yourself as you observe the man looking at you curiously. Perhaps he knows that you wouldn't scream because it would ruin your reputation, or maybe he is part of the Bridgerton family, considering your mother warned you that there were three older adult brothers.

"Do you really want my family to know that I'm inappropriately dressed near you? Let me guess, you're desperate for a marriage and want to make your life easier by tying me to you?" The man speaks as he straightens up, buttoning the rest of his shirt.

"How dare you accuse me of such a strategy, considering that it is you who is in the quarters assigned to me, improperly dressed, and with an attitude worthy of pity. Honestly, my last thought at the moment would be to force a scandal so that you would have to become my husband," you reply, holding yourself near the door, keeping yourself away from whoever this Mr. Bridgerton is in front of you.

"Forgive me, Miss, but I don't trust a word coming out of your mouth at the moment. However, I assure you that this type of situation is not customary. I was trying to enter through the window of my room or one of my brothers' rooms, but I ended up in here. I had no idea that you would be arriving today. In fact, I'm being rude at this moment. I am Viscount Anthony Bridgerton," he says, approaching you cautiously as if analyzing you. Perhaps he is trying to figure out if you are an opportunist or not.

"Without intending to be rude, but already being so, whether you are a Viscount, Prince, or Duke, I don't care. What matters now is that no one finds out that we are alone here," you say, looking him squarely in the eyes, as if to firmly convey that you absolutely do not want them to be discovered.

"If you can draw the attention of the people in the house to yourself for a couple of minutes, I can leave the way I came in. Do you think that would be possible?" Anthony says with a certain petulance. However, a bold idea occurs to you. You give him a determined look and then step closer to him, bringing you both very near to each other.

"I'll simulate a small fall down the stairs. You'll have the time it takes for me to miraculously recover. Be efficient, Viscount Bridgerton," you say briefly and storm out of the room, aware that spending more time in the Viscount's presence would be a real test of your self-control. The room was starting to feel quite warm.

You descend the stairs, doing your best to appear slightly unsteady. You kick the last step with all your strength before reaching the bottom of the stairs and let out a loud groan of pain, loud enough to be heard from afar. You even manage to tear up a bit, waiting for everyone to come and check on you. Just as you are lightly sprawled on the floor, a man walks through the door. You don't remember being introduced to him before, but he is certainly a Bridgerton. He sees you and immediately rushes towards you.

"Miss, are you alright? Can I help you up?" The man asks with a concerned and caring expression. Knowing that Anthony needs more time, you let out a cry of complaint as if in fake pain when the Bridgerton in front of you tries to help you up. At that moment, you start to be surrounded by several people.

"Oh, I think I twisted my ankle, but there's no need to worry. I just need a moment," you say, uncertain if you can keep up the pretense much longer.

"My dear, don't strain yourself. Benedict will help you to a room where we can call for Dr. Lewis to examine you," Lady Violet Bridgerton says as she lightly touches the arm of who you presume to be Benedict.

"May I?" Benedict asks seconds before you nod your head in agreement. But to be honest, you're not even sure what you're agreeing to. Until Benedict lifts you, asking you to put your arms around his neck. You hold on tight to him, somewhat afraid he might drop you.

"Mr. Bridgerton, you are very kind. I believe you didn't need to lift me. But I am grateful for your help," you say as you are leaned close to Benedict's chest, which you now notice is slightly exposed. What's with the Bridgertons today that everyone is showing more than they should?

"I must admit, before my family enters here, that it was amusing to take part in your charade. It was quite artistic of you. I hope you'll call on me if you want to star in another theatrical piece to get my brother out of trouble. Have a good afternoon, Miss Y/L/N," he says all this as he gently releases you onto a sofa. He doesn't seem angry or anything like that; genuinely, he seems to be enjoying himself. As soon as he leaves the room where he left you, the rest of the Bridgerton family and some servants surround you. Now you'll have to pretend to be in pain for a little while longer while you're intrigued not only by one but by two Bridgerton brothers.

[ask-whitepearl-and-steven]

Is shattering permanent in the comic (especially with the force fusions and cluster) or can it be fixed down the line like future did? Asking for your opinion on this too bc I found out about it in Future and it makes me feel weird (bc now it feels like any SU stuff and shattering has no consequence or tension, so haven’t been able to read or write stories). Maybe I’m seeing this wrong? Would love your thoughts

Hmm...

So to answer your first question: The comic for WDAU works on the same rules as canon does. I have no intention to over-write anything canon clearly stated to be true.

The ability to put back together shattered gems is definitely a part of that.

So yes, theoretically, even in WDAU, gems being shattered is not 'the end' because they can be eventually re-instated through the work of the diamonds, IF they someday decide to Change Their Minds like they did in the original series.

That being said...

I want to talk a little bit about something you said, because it tickles my brain in an interesting way:

"now it feels like any SU stuff and shattering has no consequence or tension"

And the best way to talk about stuff, I've found, is to ask questions about our underlying assumptions. So my questions for you (all) today are:

For us humans, death certainly IS a constant that remains ever-permanent, and thus it's easy to compare it to shattering and draw that parallel... but is that a fair comparison?

In fiction, death is often circumvented and there still remains reasonable tension in things like magic-heavy worlds, vampire novels, sci-fi where almost any sickness is eradicated, etc. Is this not quite similar to what shattering is for gems?

Is the perceived permanency of shattering the only reason it feels like a heavy consequence?

Are there OTHER consequences of being shattered that make it just as interesting, if not more than, to be explored as a plot device?

Must there be an ever-looming threat of something horrible and permanent happening to make a story good?

There isn't a right or wrong answer to these questions, necessarily. I'm not posing these in order to lead you to a singular, 'absolutely correct' conclusion or way of writing.

For some stories, death DOES need to be permanent in order not to make light of what the characters go through! In some forms of writing, there IS no other way around that consequence.

But I daresay SU is not one of those stories.

Let me put it this way - 100 years ago, medicine had only BEGUN to develop into the thing we know it as today. Sure, there were therapies and treatments for diseases, broken limbs, poisonings, etc. Some of them were quite good, even! But overall, the death tolls back then from basic illness were MUCH higher than they were today.

Pnumonia, Malaria, Syphillis, Smallpox, Bubonic Plague, AIDS.

These were things that people died from, with near CERTAINTY, for the LONGEST time. They were considered the road to a permanent black screen.

And today? Even though they are still, without proper intervention, JUST as deadly, we now have new tools and vaccines to combat them. Hell, if you get vaccinated fast enough you can get bit by a rabid dog and live to tell the tale, unscathed! Rabies used to be a one-stop-shop to the afterlife.

Despite this, we still view these diseases with appropriate fear. They are still dangerous - in the right conditions.

In the right conditions, the consequences for a LOT of things can be permanent. If permanency is what you're looking for.

So alright, the Diamonds can heal shattered gems now. Booooring. How easy it is to fix any shattered gem! What a simple solution to anything tragic.

But................... will they ALWAYS do so?

In fact...will the Diamonds ALWAYS be around?

Will the gems who got shattered always be picked up, piece by piece, and be brought back to them, perfectly preserved? Or will they lose pieces of themselves along the way - literally?

And what NEW consequences can we think of, when we stop thinking of the permanency of death, and start thinking of the Impermanence of those tools that keep us here longer and longer?

Just food for thought. 👀

[writingwithcolor]

My alternate universe fantasy colonial Hong Kong is more authoritarian and just as racist but less homophobic than in real life, should I change that?

@floatyhands asked:

I’m a Hongkonger working on a magical alternate universe dystopia set in what is basically British colonial Hong Kong in the late 1920s. My main character is a young upper middle-class Eurasian bisexual man.  I plan to keep the colony’s historical racial hierarchy in this universe, but I also want the fantasy quirks to mean that unlike in real life history, homosexuality was either recently decriminalized, or that the laws are barely enforced, because my boy deserves a break. Still, the institutions are quite homophobic, and this relative tolerance might not last. Meanwhile, due to other divergences (e.g. eldritch horrors, also the government’s even worse mishandling of the 1922 Seamen's Strike and the 1925 Canton-Hong Kong Strike), the colonial administration is a lot more authoritarian than it was in real history. This growing authoritarianism is not exclusive to the colony, and is part of a larger global trend in this universe.  I realize these worldbuilding decisions above may whitewash colonialism, or come off as choosing to ignore one colonial oppression in favor of exaggerating another. Is there any advice as to how I can address this issue? (Maybe I could have my character get away by bribing the cops, though institutional corruption is more associated with the 1960s?) Thank you!

Historical Precedent for Imperialistic Gay Rights

There is a recently-published book about this topic that might actually interest you: Racism And The Making of Gay Rights by Laurie Marhoefer (note: I have yet to read it, it’s on my list). It essentially describes how the modern gay rights movement was built from colonialism and imperialism. 

The book covers Magnus Hirschfeld, a German sexologist in the early 1900s, and (one of) his lover(s), Li Shiu Tong, who he met in British Shanghai. Magnus is generally considered to have laid the groundwork for a lot of gay rights, and his research via the Institut für Sexualwissenschaft was a target of Nazi book-burnings, but he was working with imperial governments in an era where the British Empire was still everywhere. 

Considering they both ended up speaking to multiple world leaders about natural human sexual variation both in terms of intersex issues and sexual attraction, your time period really isn’t that far off for people beginning to be slightly more open-minded—while also being deeply imperialist in other ways.

The thing about this particular time period is homosexuality as we know it was recently coming into play, starting with the trial of Oscar Wilde and the rise of Nazism. But between those two is a pretty wildly fluctuating gap of attitudes.

Oscar Wilde’s trial is generally considered the period where gay people, specifically men who loved men, started becoming a group to be disliked for disrupting social order. It was very public, very scandalous, and his fall from grace is one of the things that drove so many gay and/or queer men underground. It also helped produce some of the extremely queercoded classical literature of the Victorian and Edwardian eras (ex: Dracula), because so many writers were exploring what it meant to be seen as such negative forces. A lot of people hated Oscar Wilde for bringing the concept to such a public discussion point, when being discreet had been so important.

But come the 1920s, people were beginning to wonder if being gay was that bad, and Mangus Hirschfeld managed to do a world tour of speaking come the 1930s, before all of that was derailed by wwii. He (and/or Li Shiu Tong) were writing papers that were getting published and sent to various health departments about how being gay wasn’t an illness, and more just an “alternative” way of loving others. 

This was also the era of Boston Marriages where wealthy single women lived together as partners (I’m sure there’s an mlm-equivalent but I cannot remember or find it). People were a lot less likely to care if you kept things discreet, so there might be less day to day homophobia than one would expect. Romantic friendships were everywhere, and were considered the ideal—the amount of affection you could express to your same-sex best friend was far above what is socially tolerable now.

Kaz Rowe has a lot of videos with cited bibliographies about various queer disasters [affectionate] of the late 1800s/early 1900s, not to mention a lot of other cultural oddities of the Victorian era (and how many of those attitudes have carried into modern day) so you can start to get the proper terms to look it up for yourself.

I know there’s a certain… mistrust of specifically queer media analysts on YouTube in the current. Well. Plagiarism/fact-creation scandal (if you don’t know about the fact-creation, check out Todd in the Shadows). I recommend Kaz because they have citations on screen and in the description that aren’t whole-cloth ripped off from wikipedia’s citation list (they’ve also been published via Getty Publications, a museum press). 

For audio-preferring people (hi), a video is more accessible than text, and sometimes the exposure to stuff that’s able to pull exact terms can finally get you the resources you need. If text is more accessible, just jump to the description box/transcript and have fun. Consider them and their work a starting place, not a professor. 

There is always a vulnerability in learning things, because we can never outrun our own confirmation bias and we always have limited time to chase down facts and sources—we can only do our best and be open to finding facts that disprove what we researched prior.

Colonialism’s Popularity Problem

Something about colonialism that I’ve rarely discussed is how some colonial empires actually “allow” certain types of “deviance” if that deviance will temporarily serve its ends. Namely, when colonialism needs to expand its territory, either from landing in a new area or having recently messed up and needing to re-charm the population.

By that I mean: if a fascist group is struggling to maintain popularity, it will often conditionally open its doors to all walks of life in order to capture a greater market. It will also pay its spokespeople for the privilege of serving their ends, often very well. Authoritarians know the power of having the token supporter from a marginalized group on payroll: it both opens you up directly to that person’s identity, and sways the moderates towards going “well they allow [person/group] so they can’t be that bad, and I prefer them.”

Like it or not, any marginalized group can have its fascist members, sometimes even masquerading as the progressives. Being marginalized does not automatically equate to not wanting fascism, because people tend to want fascist leaders they agree with instead of democracy and coalition building. People can also think that certain people are exaggerating the horrors of colonialism, because it doesn’t happen to good people, and look, they accept their friends who are good people, so they’re fine. 

A dominant fascist group can absolutely use this to their advantage in order to gain more foot soldiers, which then increases their raw numbers, which puts them in enough power they can stop caring about opening their ranks, and only then do they turn on their “deviant” members. By the time they turn, it’s usually too late, and there’s often a lot of feelings of betrayal because the spokesperson (and those who liked them) thought they were accepted, instead of just used.

You said it yourself that this colonial government is even stricter than the historical equivalent—which could mean it needs some sort of leverage to maintain its popularity. “Allowing” gay people to be some variation of themselves would be an ideal solution to this, but it would come with a bunch of conditions. What those conditions are I couldn’t tell you—that’s for your own imagination, based off what this group’s ideal is, but some suggestions are “follow the traditional dating/friendship norms”, “have their own gender identity slightly to the left of the cis ideal”, and/or “pretend to never actually be dating but everyone knows and pretends to not care so long as they don’t out themselves”—that would signal to the reader that this is deeply conditional and about to all come apart. 

It would, however, mean your poor boy is less likely to get a break, because he would be policed to be the “acceptable kind of gay” that the colonial government is currently tolerating (not unlike the way the States claims to support white cis same-sex couples in the suburbs but not bipoc queer-trans people in polycules). It also provides a more salient angle for this colonial government to come crashing down, if that’s the way this narrative goes.

Colonial governments are often looking for scapegoats; if gay people aren’t the current one, then they’d be offered a lot more freedom just to improve the public image of those in power. You have the opportunity to have the strikers be the current scapegoats, which would take the heat off many other groups—including those hit by homophobia.

In Conclusion

Personally, I’d take a more “gays for Trump” attitude about the colonialism and their apparent “lack” of homophobia—they’re just trying to regain popularity after mishandling a major scandal, and the gay people will be on the outs soon enough.

You could also take the more nuanced approach and see how imperialism shaped modern gay rights and just fast-track that in your time period, to give it the right flavour of imperialism. A lot of BIPOC lgbtqa+ people will tell you the modern gay rights movement is assimilationalist, colonialist, and other flavours of ick, so that angle is viable.

You can also make something that looks more accepting to the modern eye by leaning heavily on romantic friendships that encouraged people waxing poetic for their “best friends”, keeping the “lovers” part deeply on the down low, but is still restrictive and people just don’t talk about it in public unless it’s in euphemisms or among other same-sex-attracted people because there’s nothing wrong with loving your best friend, you just can’t go off and claim you’re a couple like a heterosexual couple is.

Either way, you’re not sanitizing colonialism inherently by having there be less modern-recognized homophobia in this deeply authoritarian setting. You just need to add some guard rails on it so that, sure, your character might be fine if he behaves, but there are still “deviants” that the government will not accept. 

Because that’s, in the end, one of the core tenants that makes a government colonial: its acceptance of groups is frequently based on how closely you follow the rules and police others for not following them, and anyone who isn’t their ideal person will be on the outs eventually. But that doesn’t mean they can’t have a facade of pretending those rules are totally going to include people who are to the left of those ideals, if those people fit in every other ideal, or you’re safe only if you keep it quiet.

~ Leigh

[sarahreesbrennan]

I remember reading in one of your blog entries (years ago??) that in the new book you were writing, the main character's *sister* had cancer. Does that mean that Alice was originally the main character of Long Live Evil? Was she going to go into the book to save Rae, instead of Rae going in to save herself?

How extremely kind of you to remember!

No, that was actually a YA murder mystery that I wrote while ill, revised while recovering, and sent out into the world where it died on submission. (Which means we sent it out to about 12 editors and the editor either said no, or said yes and took it to acquisitions - a group of people at the publisher including sales and marketing - and acquisitions said no.)

One editor told me she really wanted and really tried to buy it. Another person who worked in publishing (and has since changed jobs, or I wouldn’t share this) said the response at her acquisitions was - if you like this writer, find the next her (implications about health and youth were made).

I was terrified my agent was going to ditch me too, but she said ‘We’ll sell that one day, for now let’s write the next thing.’

I remember another writer telling me she missed my work that wasn’t a tie-in, and I felt ashamed to tell her it wasn’t that I wasn’t writing other things - it was that I couldn’t publish them.

The tie-ins meanwhile were paying the bills (they still are tbh!) and I was and remain so grateful for them. But I also really loved writing them - especially my Sabrina tie-ins, you don’t forget the first, and it reminded me I want to write horror and poly one day - and how they got me to love and sympathise with so many fandoms.

I see the burnout of caregivers all around me, and I wanted to write the story of one. But maybe I also wanted to take a step back from cancer. I didn’t think I did, at the time. I had a whole lot of things I tried writing before Long Live Evil, and I think some of them were really good. One of my critique partners gave me a lipstick with the same name as someone in the murder mystery. There was a romance novel another critique partner said was her favourite thing I’d ever written. But none had someone with cancer at the heart of the story.

And even though Rae isn’t much like me, maybe I had to start there. You can’t make real magic using someone else’s liver. Maybe I had to wait to be brave enough to use my own liver.

I do get requests for advice on how to cope with rejection of your writing, and I always worried I didn’t have anything else to say, but I suppose my example says - if you can, (and I know it’s hard, you feel so terrible at writing and so useless) (and you love the work you’ve done so much and you don’t see a way forward to loving the next thing) (but still, if you possibly can) write the next thing.

Even if the first thing sells, you’ll want the next thing one day. Writing the next thing is more writing practise, so it’ll make you better. Write the next thing.

Ultimately I’m really glad Long Live Evil was my comeback book. I think it needed to be. It took the time it took.

But maybe it was a shade of that past book (where the heroine’s sister with cancer was six, so not much like any of the Time of Iron characters) that made me think of the YA version of this book, which I always had in my mind as something I was intentionally hewing away from - a more straightforward book, a book that might have sold better - in which shy reader Alice was the hero. She’s the one with the suggestive hero name - Alice through the looking glass - the heroine looks, and the more projectable-upon personality. She’d get called annoying less often (though still some, because she’s a girl), partly because she is (with love, Rae knows I’m right) a genuinely less annoying person. Much kinder, much sweeter, and much better at in-depth reading! Her sister being in trouble would’ve been a backstory, a catalyst point, and - you’re totally right - a great motivation for her to get the Flower. Saving a family member is a much more sympathetic and heroic motivation than saving yourself and one I do love (the Hunger Games, Labyrinth, Mahy’s the Changeover, and I write it a lot!). I think Snarky While Tragically Dying Rae would’ve been a pretty popular side character, too. I think it would’ve been a good book! Just not mine.

I love your question because I love thinking about POV, and all the decisions that are the building blocks of a story. To me, the Alice centric Time of Iron is a version that exists. As are several versions of the Lia centric Time of Iron. And versions centring other characters exist to me, too. (Eric, absolutely.)

Speaking of POV musing, I think Rahela the wicked stepsister featured more in the musical than the book. If the Time of Iron series ever became a TV show (and at this point in time I think I’d rather a movie because it wouldn’t… get cancelled…) and I got to write it (don’t know why I would…) I would start with the beginnings for three characters about to go on a journey to somewhere strange to them: Key in the Cauldron, Rae in the hospital, and Vasilisa in the icelands. There are so many possibilities! And I really wanted the sense that there were so many possibilities, too.

But I wanted the chronically ill one to be the centre of the story, and for it to be her villain origin story, and to ask a lot of questions (hence a lot of villains!) about who gets villainised and why. And I thought hers, to my mind, would be the most fun of all the possible stories.

So that’s the one I made. But Long Live Evil has a lot of origins. Thank you for remembering one of them! I don’t think I would’ve dared tell the story, if things hadn’t worked out for me (so far, fingers crossed).

And I also tell it to be clear my publisher was taking a RISK with me and Long Live Evil, and I really appreciate that, and I’m so happy it’s worked out for them (again so far, early days, fingers crossed, etc).

I hope some writers - whether in the process of submission, rejection or making the choices that are the building blocks of story - find this helpful, and some readers find it interesting.

Let this be one of the universes in which your story is told.

[jeonscatalyst]

So something I have been thinking since the beginning of AYS. I think JM and JK give themselves away. How someone can look at their behavior and not realize these two have more than a friendship/brotherly vibe. Before I go on a tangent, what I am I trying to say again 🤔. Ohh right. In the previews, we see JK and JM have a pillow in-between them as they sit on the couch while watching TV. Why the damn pillow in-between like it's so obvious! That hug when JM wanted JK to feel how cold he was, I mean. Just go ahead and proper. They crack me up. It's too late. We already know you are together. If they just acted normal 😅. To be honest, I don't blame them it's hard faking not being in a relationship.

Ah I have found my person!

Anon, I have been in this fandom for over 7 years and spent about 5 out of those 7 years being a Jikooker and all through my years in this fandom, I have seen many jikookers give different reasons why they believe Jikook are a together but not many people started seeing them as more for the same reason I did.

I have mentioned before that for me, it was never about the GCFs, the soft looks, the touches or any moments that could be described as soft or romantic or beautiful. For me it was always those moments that many Jikookers don’t like to look at or even talk about. The first thing that made me do a double take on Jikook was fetus Jikook. You see, I wasn’t always a shipper and I was one of those people who actually thought it was silly as hell that people could even believe that any of the members could be in a romantic relationship especially because of things like skinship which is the most common thing among korean men but one day I watched a long compilation on Youtube of fetus Jikook and my mind began to change. You see, when I watched that video and read comments many people were either mad at Jk for being an asshole to Jimin while others felt sorry for Jimin and some were mad that Jimin had to put up with all of that from Jungkook but one look at it and I knew that wasn’t normal at all especially because when I joined the fandom at the beginning of 2017, I spent alot of time reading their interviews and catching up on old content (somehow I didn’t really notice the fetus Jikook bickering or push and pull alot) but one opinion I remember having was that Jk kinda liked being around Jimin and hovering. So when I watched that compilation showing Jk basically being an ass to Jimin, that was the first time I thought “maybe shippers are unto something” because what I was seeing Jk do in the compilation was very conflicting with everything I had learned about Jikook and the opinion I had about them as a duo. I didn’t necessarily think they were the closest but I didn’t think Jk had any ill feelings towards Jimin.

You see anon, one thing I understood while being in this fandom is that, how people interpret or perceive other’s actions and words depends more on them than the people whose actions they are interpreting. Without certain experiences, it is almost impossible for one to understand certain things. Your culture, environment, people around, personal experiences and basically what you are used to, shapes the way you see the world and that is why one person could see a 9 while another person sees a 6. Some people have grown up believing that couples are always soft with each other or with couples it is always smiles and rainbows and roses, you know watching a lot of romance movies or fantasy will do that to you or even only experiencing those first stages of normal romantic relationships will trick you into believing such things. Some people don’t understand context and nuances at all and so they could never understand Jikook even if they wanted to.

It never made any sense to me that we saw Jungkook pushing Jimin away or shoving him in walls or ranking him last in looks yet this same person would choose to put blankets outside to sleep with Jimin at night, or this same person’s would go to cuddle Jimin in his sleep or this same person would be seen hovering around Jimin alottt and wanting to touch him or feel him up (fetus Jk was not subtle). Jungkook already knew that he got his comfort mostly from Jimin. He already understood that the reason he teased Jimin alot was because he really liked him and I think Jungkook’s occasional “bitchy” behaviour towards Jimin was him panicking and not knowing how to deal with Jimin who was obnoxiously loud about how he felt for Jungkook. Jungkook never hated being around Jimin or being touched by Jimin like many people would like to believe because if he did, he would never choose to go spend his nights with Jimin. If he did, he would never go to hug Jimin in his sleep or pile clothes on his bed to go sleep in Jimin’s bed. He clearly loved being around Jimin so how else could anyone explain his behaviour infront of the cameras?

Watching Bangtan, anyone would quickly understand that these boys don’t understand the concept of personal space when it comes to each other. I saw this video on X the other day and it made me laugh…

This is not even the most accurate example I can use but you see how glued they are to each other? Like no care in world. They shower together, sleep together, eat after each other, that is normal for them so explain to me why on earth Jimin and Jungkook would have to put a pillow inbetween them when they sit even though we know for a fact that being glued is literally like second nature to the members?

This is how Jimin and Jungkook give themselves away everytime because you can literally see that sometimes they get overly cautious in a bid to not give too much away but they don’t realize that by doing this, they are actually giving too much away because we know that the members usually don’t have any issues sitting even untop of each other. It’s just like I had once said that when you have nothing to hide, you feel as free as a bird but when you do, you start doing even unnecessary things not to come off suspicious. Why would they need a pillow inbetween them to just sit on a damn couch? If these two are just friends or bros why on earth do they need a pillow? If it was normal to see the members respecting each other’s personal space then we could just see this too as normal but we know that these same people seated right here are the same ones who have had their mouths on various erogenous parts of each other’s bodies so why?

Like you said, if jikook acted normal then I wouldn’t have ever suspected or thought that they are more than friends but the truth is that they don’t act normal at all and this is something everyone can agree on, regardless of whether they see things in a negative or positive way, everyone can agree that Jikook don’t act normal at all and it’s been like this since they were younger.

I have mentioned before that I could never see what taekookers see in Taekook because there is just way too much comfort in their interaction for them to be closeted idols in a romantic relationship. You never see any panic, you never see them acting as if they have something to hide. I have seen some taekookers say that they know that Jikook are not together because their skinship is usually very short or abrupt while taekook’s take longer and I was like ofcourse theirs would take longer because those two have nothing to hide the same way Jk’s skinship with any other member who isn’t Jimin takes longer and they seem more comfortable doing it because they are not worried about how they would come off because those actions are completely innocent. With Jikook, there is a panic and when they start going on at, it doesn’t take long for them to snap out of it and then you see them immediately stopping which sometime makes their interactions come off as awkward.

Imagine yourself in a secret romantic relationship where you are almost always infront of dozens of cameras and staff, who would feel 100% at ease in situations like this? That is why Jikook’s interactions sometimes come off clunky or awkward because of this while you never really sense this with any of the other members interactions. I can sit through any other duo’s interactions without feeling second hand embarrassment, shy or slightly awkward but with Jikook, I go through about 20 different emotions while watching them and that is how I know they are….different. So because not everyone understands the contexts or nuances, they would immediately see this as something bad while someone who understands the context and nuances in this situation expects to see this kinds of interactions. Many people unfortunately are not very smart because if they were, they would really ask themselves why Jk seems to hate Jimin’s touches so much (according to them) or hates being around Jimin so much (according to them) yet this same Jk is the one who voluntarily goes to knock on Jimin’s door everynight at 1am. Why did this same Jk choose to sleep on the floors outside their rooms with Jimin instead of sleeping with Tae or some other member? Why did this same Jk choose to spend majority of his nights and downtime with this person? Why did this same Jk pile clothes on his bed to go sleep in Jimin’s bed? Why did Jk keep going to sleep in Jihope’s room everynight? What was he doing with Jimin at 4am on his birthday after they had already moved out of the dorm and were living in personal apartments? Which one of you knows anyone who would do this if they really didn’t like someone and literally loved being around them? Also, notice how each and everytime we “caught” Jikook in positions where they never expected cameras or weren’t aware of cameras they were always glued to each other and Jungkook especially had no issues being in Jimin’s personal space?

This is one of those cases where someone either gets it or they don’t because it is kinda hard to explain and the truth is, to really understand these kinds of things, you probably need to have experienced something like this or atleast know someone very close who has.

Jikook as a romantic pair was never meant to make sense to alot of people because not very many people have critical thinking skills, not very people know how to piece tiny details together to really understand a situation. So often, people form opinions after watching one single piece of content without caring to look at the history of things. I saw a taekooker say that Jk hated Jimin’s music style because Jk said their show will fail if Jimin sang the OST he joked about singing and you could clearly tell this person is one of those who literally don’t care about context or history because everyone and their mama knows how much Jk enjoys and has always enjoyed Jimin as an artist and a performer and he has made it clear on several occasions just how much he loves the music Jimin makes.

Like I said, Jikook is not meant to be understood by everyone. If everyone understood them then that would mean they weren’t doing something right.

[edges-of-night]

Hii! <3

I wanted to request imagines for reader taking care of the lotr characters (preferably all, but if that’s too much then at least the women and maybe Aragorn and Faramir too) when they’re sick/injured for whatever reason

(I love your imagines so much, the way you characterize them all is so perfectly amazing💜)

Thank you for your kind words! I did all of my usual characters because I love hurt/comfort and sick!fic scenarios that much haha! I hope you will enjoy your post ♡

Have a great weekend everybody!

CW: injuries and illnesses, mention of blood

･ﾟ✧ Aragorn.

While Aragorn’s heroic sacrifice didn’t cost him his life, it took a heavy toll on him. Lucky for him, you’ve spoken often enough about medicinal herbs and healing practices – you are able to take great care of him, bedded on his white linens. Even when he is still too weak to speak, Aragorn will hold your gentle hand.

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･ﾟ✧ Arwen.

You return so often to Arwen’s bedside that you wonder if it would be easier to just stay – but you know that privacy and rest are just as important as her wish to hold your hand. Whenever you’re with her, you tend to her wounds or read her passages from her favourite book to make her smile, which Arwen appreciates immensely. As she rests, she plans on properly kissing you as soon as she’s healthy.

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･ﾟ✧ Boromir.

Boromir hates that a common cold has him chained to the bed for over a week now. But he’d lie if he said he didn’t enjoy you taking care of him – even though you do tease him and his constantly red nose from time to time. It’s all in good fun though, and he cannot wait to hold and kiss you again!

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･ﾟ✧ Elrond.

When Lord Elrond returned to Rivendell injured, your heart skipped a beat – he is the most skilled Elvish healer around – who else could treat the gaping, magical wound in his side? The honour is bestowed on you, and you master it despite your nervous mind. Nothing is greater encouragement than finally seeing Elrond’s summer eyes greet you again ♡

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･ﾟ✧ Éomer.

The Rohirrim have all kinds of names for the strange fever that has befallen their dear Éomer – but no methods of healing. They consider it an impossible challenge for you to tame his feverish, sweaty body and nonsense mumblings. But, somehow, the horse lord calms whenever you reach his bedside, sighing when you change the wet cloths on his forehead and rest your hand on his chest.

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･ﾟ✧ Éowyn.

Initially, Éowyn thinks nothing of the cut she got during sword lessons. But days of ignoring the wound on her hand could put her in grave danger, you know that – and thus offer to take a look and do what you can. At first, Éowyn protests, but she falls silent as soon as you turn her hand in yours, unaware of how soft her expression grows… She admires your medical knowledge, too! “Is there at all something you cannot do, you marvellous creature?”

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･ﾟ✧ Faramir.

It takes days for Faramir to wake up. Many others believe him doomed and have given up on sitting by his side, trying new herbs and waters, only to see his crystal blue eyes open once more. But you have the matter-of-factly patience of a boat pushing its way through a deadly ocean. And indeed, on a moonlit night, Faramir’s gentle gaze awaits when you return to his side, whispering, “Thank you for believing in me, my love.”

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･ﾟ✧ Frodo.

Sometimes you wonder if you are the only person to have consideration for both the physical and the mental wounds Frodo has endured. You always make sure he’s fine and support him when thoughts of the big scar on his chest sends him to dark places inside his mind. You both know that those wounds take much more time to heal than the cut itself, and Frodo is more than glad to have you by his side. To soothe him, you caress the scar.

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･ﾟ✧ Galadriel.

Ever since a mysterious malady has befallen Lady Galadriel, Lothlórien is in turmoil. No one would even let you near her – until she ordered her guards away, to allow you to treat her with your medical and arcane knowledge. In fact, you become the only one she wishes to see in her elegant rooms at all. Despite her current weakness, her ethereal beauty and soft smiles make it hard for you to concentrate…

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･ﾟ✧ Gandalf.

Out of breath, you hurry to Gandalf’s beside with that one legendary flower needed to cure him. He insists you be the one to prepare the potion, too. Day and night, you try to perfect his medicine, always worried his state might get worse. When Gandalf finally drinks your potion, the wound on his chest closes magically. But it’s nothing to Gandalf, who has trusted you entirely: “I never doubted you for a moment, my dear.”

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･ﾟ✧ Gimli.

After Gimli’s accident in the mine, you were right by his side to ensure his head injury wouldn’t get much worse. His headache is hurting badly though, and your proud Dwarf is but a shadow of himself. He knows rest would be best for him, but it’s hard for him to stay away from work and banquets alike. Still, he appreciates that you pamper him with his favourite baked goods and healing kisses on his head ♡

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･ﾟ✧ Haldir.

Haldir is not an easy patient, but that doesn’t stop you from treating his catastrophic shoulder, which he has ignored for days on his way through the woods of Lórien. Spread onto linen sheets beneath you, he grunts and cringes – as much as his half-dead stone face can, that is – under both your touch and your harsh words. But deep down, he knows you were simply worried – and honestly, he doesn’t quite know how to deal with that!

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･ﾟ✧ Legolas.

It seemed inevitable that Legolas would someday break a leg because of his acrobatic archery skills, and yet you are surprised. Elves heal quickly, but Legolas suffers greatly under his involuntary immobility. You help him by recounting his favourite quest stories and eventually by supporting his first tentative steps outside, which he thanks you for with the stormiest embraces ♡

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･ﾟ✧ Merry.

Merry thinks he can walk of anything – even an injured knee. He doesn’t want you to think of him as weak or unable to take care of himself. But even Merry can only play down a limp for so long. Truth be told, he is actually relieved that he no longer has to hide the pain, and that you spreading balm on his knee is no ordeal but in fact a very sweet gesture.

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･ﾟ✧ Pippin.

Pippin has been sneezing and stumbling for days, eventually falling into bed with the biggest groan you have ever heard come out of him. He is a “suffering” patient and you know it. But while Pippin greatly enjoys you pampering him with food, tea and blankets, he secretly cannot wait to take care of you in return – no matter if you’re sick or not! “It’s you’re not actually sick, or else I couldn’ave kissed you!”

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･ﾟ✧ Sam.

Gardening involves many dangers, and although Sam has been practising it since childhood, he eventually hurts himself on his gardening knife. The cut is deep and won’t stop bleeding, but you are quick to bandage it and remind him to change the fabric once a day. But Sam has trouble keeping his thoughts straight, when all he can think about is you holding his hand in yours, all close…