#BUT HE ISN’T HER GOD???

[ar-ghilas-vir-banal]

Solas never claims to be a god. In fact, he seems disgusted by it. Takes the time to explain that any being having to prove itself a god, isn’t, and that the elven gods were in fact twisted and corrupt mages.

And then people still demand that he be a god and to do things he isn’t capable of. And then act like he’s a villain because he isn’t what he’s never claimed to be? Or wanted to be?

Heck what no one should ever want to be???

[bruciemilf]

Alfred honestly can’t say shit about Bruce bringing in strays, because what if the Waynes got him the same way?

I genuinely can’t recall HOW Alfred, British special forces extraordinaire, ended up working for Gotham’s (scary) sweethearts.

In my mind, he came to them bleeding.

There’s a tang of bitterness pooling in his gut. Soldiers don’t have friends. They have guns. And he’s all out.

Just when Alfred thought all is in peril, a tiny little hand gently covers a nasty bullet hole on his abdomen.

The first thing Alfred thinks about is: ‘Jesus, this kid has scary eyes.’

“Hi, Alfred.”

“…How do you—“

“Bruce! Jesus FUCKING Christ, I swear, I’m not paying for your ransom next time you run o—…What the fuck is that?”

If there’s one thing about Thomas that Alfred will never forget is his voice; The bass , so chasmic and powerful it could shake the whole world, and the burning care in his eyes despite his vulgarity.

Bruce, — who’s the tiniest bundle of a boy Alfred witnessed, is yanked up by his father’s strong hands, squeezed to his chest carefully. “Hurt,” he says. There’s a tiny, red handprint on Thomas’ shirt.

“Yeah, I didn’t notice,” Thomas mumbling, looking around.

Maybe local gangs? The bullet point is too precise, too calculated. “Who the hell are you?”

Alfred, with his raspy breath, says, “I’m the terribly rude bloke dying on your doorstep, I’m afraid. Alfred Pennyworth. At your service.”

For a guy who’s about to bleed his last, he sounds awfully sarcastic.

“Yeah, wise guy, no one’s dying on my kid’s birthday. Bruce, tell Dotty to prep up the basement. And tell your mama to get my Budlight out of the cooler. Jesus Christ.”

Alfred ends up hoisted on this man’s back. Thomas asks if he has anyone he wants to call? Anyone that’ll come pick him up? Anyone to bury him, if it comes to it.

Alfred whispers he does not.

Thomas sighs. “Well. Kid‘a been asking for a playmate.”

[chloesimaginationthings]

FNAF Circus baby or not, she’s still Michael’s little sister,,

[angelofthe2000s]

Spuffy is great because it’s so predator/prey but working out who is actually the predator and who’s the prey will give you a headache

[apollos-boyfriend]

my favorite part about the dsmp as it currently stands is that since the creators are done they’re over it you can just say whatever the fuck you want. there’s no possible future canon to dispute it. there’s no creator who’s going to step out of the woodworks because they’re not touching that again with a 30 foot pole. i can say the most insane bullshit never be proven wrong and i think that’s beautiful

[fernhelm]

jegulus is more fun for me when james is at least a little bit of the cocky asshole he is in canon. i think him being a tad mean-spirited would make him much more relatable to regulus. he’s a prankster! he’s puck! i think he trusts his own interpretations of how others feel more than their own words. he’s a hopeless romantic and he’s writing a script for the love confession before the convo even happens. so good thing regulus is a grade-A bullshit detector and can knock james off balance in an instant. he’s goofy and charming but he will also push and push until he gets what he wants from you. and this would of course work on regulus (attention starved), but i truly believe it would piss lily off soooo bad. there is an element of performance to his behavior. he is always doing it for the studio audience. he’s throwing out cliché lines like he’s a romcom lead. he knows he’s hot. he does that thing where he lifts his shirt up to wipe his forehead and show off his abs. it’s the guy you want to hate but also begrudgingly respect in high school, and then could actually become friends with once you’re out. he’s a jock, yknow? that’s Sir Robin of Loxley. he’s never thinking about the power differential between him and severus, he sees himself as the knight in shining armor saving lily. insane levels of self-righteousness. this is why jegulus is the type of couple to have a big blowout fight and “go on a break” every couple of months, but ultimately be together forever. it’s what james wants— a relationship where they can break up and make up a thousand times and never doubt their love for each other. he lives for the dramaaa

[shima-draws]

Catching up on more recent FT stuff and um

EDO LUCY HAS A KID?

EDO LUCY AND EDO NATSU ARE MARRIED??? AND HAVE A DAUGHTER?? NALU CANON???

Also oh my FUCKING god look at him. He’s such a proud dad I’m going to throw up I love him so much

And the fact that Natsu gets attached to her IMMEDIATELY and goes into overprotective Dad Mode when she’s not even his daughter, technically (and Gray too over his own Edo kid 🤧)

Natsu: I’ve decided I’m taking her home with me. No objections

HOMIE DEADASS IS SIGNING THE ADOPTION PAPERS ALREADY. It was love at first sight. Natsu loves her so much he wants to kidnap her. Shut UP,

[dykedvonte]

Curly not immediately punishing Jimmy for assaulting Anya is something I don’t think a lot of people are viewing in the complex context for Curly as the superior to both of them and closest confidante they had.

Like I am in no way saying he didn’t under react or fail Anya by not being harsh or direct with Jimmy but it really is the case that he really couldn’t. Imagine being stuck in such a confined space with very little areas to genuinely hold someone if they commit a crime. It’s not like this was an event that occurred before they departed or that they have easy communication with The Pony Express to ask for how to proceed when something like this arises. Not to mention, Jimmy’s relative power in relation to Anya as the co-pilot and second in command, he has the knowledge and access to do something to her had Curly directly punished him in this setting.

They were also Curly’s friends. It’s not just the case of him mediating something between his subordinates but people he is personally invested in don’t want to see spiral further in Anya’s case while also not wanting believe his friend go that bad in Jimmy’s actions. They were both suicidal and Curly putting Jimmy’s stability first is both out of bias but also the fact he’s aware at some level Jimmy is a danger to himself and others if not constantly placated. Combined with the fact he was in denial or just not piecing together what Anya said it’s hard to say what he buying time for and what he had treat as urgent. This isn’t even saying he doesn’t care about Anya but he’s not going jump to the worst conclusions about his friends even if part of him acknowledges the evidence saying so. It’s a complicated thing but he’s still human and needed to process it on top of trying to keep a ship that already took on a lot of water from further sinking, metaphorically.

I just personally think that while Curly failed Anya, it was a scenario where there wasn’t much he could do to the best thing by her safely and like Jimmy, we are underestimating what a good leader would do in a very fragile and tense situation like he was in. By the time he may have been ready and had a plan, things were much too late.

[o3o-lapd-o3o]

okay! here's the first poseidon 'snippet' . this takes place before and during this scene!

second snippet

there's a masterlist now!

hope you guys enjoy! ദ്ദി(˵ •̀ ᴗ - ˵ ) ✧

*a few months after poseidon had left apollo’s infirmary finally all free of holes all healed up*

*up on olympus*

zeus: *bored outta his godly mind after 20 years of entertainment (especially those last 10 years)*

zeus: *suddenly struck with an idea*

zeus: *to no one in particular* i think i’m going to go pay my brother a visit… just to check on how he is…

zeus: *disappears in a flash of lightning*

hera: *entering the room*

hera: *stares at the scorch marks on the ground where zeus just was*

hera: *to herself* as long as its nothing to do with a woman or illegitimate child… then i don’t care.

*below the sea in poseidon’s palace*

*poseidon enjoying some peace and quiet; when in a flash, zeus on one of his very rare visits, appears in front of him*

zeus: *looking around the room* so… how are things?

poseidon:

poseidon: *sighs and pinches the bridge of his nose*

poseidon: what do you want zeus?

zeus: *ignoring poseidon’s question* where’s your queen?

poseidon: amphitrite is out visiting her sisters…wait never mind that-

poseidon: what do you want?

zeus: *now looking at poseidon* can’t i come see my big brother?

poseidon: you never bother, unless you want something.

poseidon: *anger now in his voice* so out with it.

zeus: *putting his hands up in front of him* whoa! no need to get angry…

zeus: *putting his hands down and a smirk appears* ...remember how that ended for you last time?

zeus: *smirk gets bigger* how you let odysseus beat you like that, i have no idea…

poseidon: *glaring at zeus* do not speak that name in my home

zeus: why my dear brother? are you perhaps… scared?

poseidon: *falling right into zeus provocations*

poseidon: i am NOT scared of that mons- mortal!

poseidon: he merely took advantage of my state after using a lot of my power!

zeus: *under his breath to himself* that power still didn’t kill him though, did it?

zeus: *to poseidon this time* but you’re not in that state now, are you? nor have you been since you left olympus… so what’s holding you back now?

poseidon: *raising an eyebrow at zeus* holding me back from what?

zeus: *knows he has poseidon hook, line and sinker*

zeus: i understand you can no longer hurt him or his family; unless you want to incur the wrath of my daughter… and i suppose even my wife

zeus: but you can make trouble for him still, can’t you?

poseidon:

zeus: *notices the slight hesitation*

zeus: or maybe you are truly fearful of him now? the mighty god of the seas, terrified of a mortal king.

poseidon: *blinks and then goes back to glaring at zeus*

poseidon: i told you i am not sca-

zeus: -then what’s stopping you?

poseidon: NOTH- *coughs* nothing.

poseidon: *crosses his arms and looks away from zeus*

zeus: *laughs knowing he’s done what he came here to do*

zeus: well, i shouldn’t stay too long away from olympus... enjoy the rest of your day brother.

zeus: *disappears in another flash of lightning*

poseidon: *looks at the scorch marks on his floor*

poseidon: he always leaves a mess…

poseidon: *thinking over the conversation again*

poseidon: i’ll show him who’s scared.

*outside the shores of ithaca*

poseidon: *looking the nice clear weather and seeing the merchant ships coming to and from ithaca*

poseidon: it would be a shame if something disrupted this...

poseidon: *smirks* *summons his trident & lifts it to the sky*

*the wind picks up and storm clouds quickly start forming*

poseidon: *can hear distant shouts of mortals reacting to the sudden storm*

poseidon: *laughs to himself* perfect.

poseidon: well, i guess i’ll leave this to brew. i’ll check back later to see what damage has happe-

poseidon: *a full body shiver comes over him out of nowhere*

poseidon: *turns to look at the ithacan docks where he can see..a mortal?*

poseidon: why i am i bothered by that mo-

poseidon: *sees deep red eyes and realises who the mortal is*

poseidon: -oh no.

*the king of ithaca odysseus stands there, glaring into the storm*

odysseus: *in a cold voice* I am going sailing with my son. There will be no issues, is that understood?

poseidon: *even though he knows odysseus can’t hear him* aye aye captain!

poseidon: *with a whimper calls off the storm immediately and quickly dives back under the water*

poseidon: *before he can completely leave, he can hear the voice of odysseus saying “good.”*

poseidon: *about to head straight back home but pauses*

poseidon: *remembers odysseus said he was going sailing with his son*

poseidon: *knows he may be god of the sea, but he can’t always be there to control what the residents of said sea get up too*

poseidon: maybe i should just make sure there’s nothing to make him angrier at me

poseidon: *secretly follows & stays near odysseus’ and telemachus’ ship*

[saysflora]

SAS: Rouge Heroes as Textposts - Trailer Edition!

[achingly-shy]

ALSO the end of the episode when jemma is telling fitz that he’s the real hero because he was beside her the whole damn time in the lab and was giving her hope when she had none and then she kisses his cheek and walks away and he sits there smiling and then that smile slowly turns into more of a thinking contemplating oh shit face AND THEN HE KNOWS HE NEVER GOT OVER IT HE NEVER GOT OVER HER

[fujii-draws]

I think there’s something extremely entertaining abt two kids who aren’t child prodigies, but infact;

-Constantly cheating death over and over again, even when they should’ve absolutely perished ages ago.

-Continue their streak through gaining the Grim Reaper as their father, who keeps cheating them out of death even more as atonement for trying to kill/harm them once himself.

<<< Simultaneously the luckiest and unluckiest god damn teens/young adults

[dykesynthezoid]

I think the funniest thing about scogan to me is that if you try to imagine it in practice it actually ends up much more compellingly fulfilling some of the tropes that the comics have seemingly always been trying to push with Jean/Logan. Which is just. Hilarious. Like the supposed (very old, tired, romance novel ass) dynamic they’ve often tried to push w Jean/Logan (esp in the new xmen era) is that of Logan representing some sort of… wildness or freedom to Jean’s restraint. That her “giving in” (yuck) to him is also her embracing… idk? Some sort of more natural, unrestrained version of herself and her power.

But it falls really flat with Jean not just bc of the misogyny inherent in the trope but also bc. She’s literally already done that. Like several times in fact. It’s sort of her whole thing. She doesn’t need to fuck Logan to step into her unrestrained power. She already, as a character, is supposed to be a vibrant, impossible, wild manifestation of pure creative/destructive will. (And really it’s kind of everyone else— and the writers’ latent misogyny— that keep fucking that up for her).

Scott on the other hand. Well. He kind of is the high powered female romantic lead obsessed with her job who gets sent on a work trip to a rural town where she’s forced to loosen up a little. Like for better or worse that’s kind of exactly him. He would fit alarmingly well in that sort of push and pull storyline. Which is so… good to me. That Scott, of all people, makes more sense on the cover of a Johanna Lindsey novel than Jean does. That him having that kind of dynamic with Logan actually feels way more interesting bc Scott is restrained to a fault, he is an insufferable, neurotic little headcase who would rather die than tell a waiter they got his order wrong. And yet he’s also the guy who’s admitted to actively enjoying riling Logan up bc part of him just wants to see what will happen. Which I’m pretty sure is called chemistry

[discard-celestia]

lestat de lioncourt - on the deer which runs faster than itself. Hélène Cixous, Stigmata / Anne Rice, The Vampire Lestat / Interview with a Vampire (2022) / Catherine Malabou, Ontology of the Accident / Czeslaw Milosz, New and Collected Poems: 1931-2001 / Louis Moe, Allegory / Ovid, Metamorphoses / Ethel Cain, Ptolomea / The Company of Wolves (1984) / Lingua Ignota, I WHO BEND THE TALL GRASSES / Hugh Parry, Ovid's Metamorphoses: Violence in a Pastoral Landscape.

[valewritessss]

For Percy saying Annabeth is his girlfriend is everything and for Annabeth saying Percy is her boyfriend isn’t enough

[fruitageoforanges]

thinking about how the greens are so conquerors-coded. obviously aegon ii has those parallels to aegon i, a terrible legacy and expectation of fire and blood, but helaena also has parallels with rhaenys as a queen who’s considered a softer counterpart to her husband and beloved by the smallfolk.

then there’s aemond. possibly the most visenya-coded targ since the woman herself. he has her dragon, her penchant for war crimes, her commitment to her duty, potentially also her black magic depending on what the truth of his relationship with alys is — but i think the way he’s most like visenya is in his relationship with his siblings, especially aegon. he really is aegon’s visenya — his sullen, sometimes disagreeable protector. his sword will always fall on aegon’s side. he saves him at rook’s rest, rules the country in his stead and doesn’t try to take it, eventually dies trying to secure his crown. say what you will about aegon and aemond’s relationship, i think at the heart of it he has visenya-like devotion and duty.