#BROKE? GOOD.

[sga-owns-my-soul]

tumblr i'm BEGGING you to let us reblog ads

[fly-chicken]

A Pragmatic and surprisingly comforting perspective about the Trump 2nd Presidency from the ACLU

***Apologies if this is how you found out the 2024 election results***

Blacked out part is my name.

I’m not going to let this make me give up. It’s disheartening, and today I will wallow, probably tomorrow too

AND

I will continue to do my part in my community to spread the activism and promote change for the world I want to live in. I want to change the world AND help with the dishes.

And I won’t let an orange pit stain be what stops me from trying to be better.

A link to donate to the ACLU if able and inclined. I know I am

[hinamie]

I don't want to regret the way I lived

[vanyamire]

Someone has to leave first. This is a very old story. There is no other version of this story.

[talesfromthecrypts]

I get so frustrated by "yeah make vampires scary again" stuff every time a vampire movie has a "monster" vampire (Nosferatu, Voyage of the Demeter, etc). It reeks of an attitude that thinks all horror is about something being ugly and horrifying on the outside. If you can't see the horror in Interview With the Vampire, or a Jean Rollin film, or The Hunger, or Carmilla, or the vampire sections of Baldur's Gate because they are attractive that is absolutely an issue on your end. There is such a rich well of themes to dig into with horror and vampires, especially where sex and romance are concerned, but people are so desperate to separate romance and horror. The despair of being frozen as a child even while your mind matures, the loneliness of an eternity alone, the terror of eternal hunger that can't be sated, the awful seduction by something beautiful but monstrous. Trying to turn vampires into just any other monster doesn't make them more horrifying, its just a more kind of overt horror that can only be done so many times and is often covered better by other monsters.

[soldrawss]

*holds face tenderly*

[lorehappy83]

"Grant me your wrath, my dear. For I've become unworthy of your forgiveness"

[uchihasavior]

!!

[gleafer]

Twitter today:

[kitamars]

hhhnhhghgjjghgugujgutuutghn piskin……..

[divineandmajesticinone]

THE HEART KILLERS (2024) I EP. 3 "I want you. Nothing more than that."

[shutbhubs]

drawing of aziraphale made by me to cope with the ending of season 2 :)

[sharkylad]

Thinking about the fact that Mabel and Dipper didn't know they had two great uncles.

Yeah they are 12 and at 12 I had a shotty understanding of my family tree- But really? Nobody brought up their great uncle? Stanley? Especially since they'll be staying with his twin brother, Stanford?

Shermie never went to Stan's fake funeral, which to me means the twos relationship was strained on some level. If Shermie is older that means his view of Stan was poisoned in some way, that even as kids they weren't close. If the Shermie is younger then he never even got to meet Stan and all he knew about him was how he failed his family. Hell, people probably barely mentioned Stanley TO Shermie.

The fact that Stan had become a black stain upon the Pines family name makes me so vividly upset. Stanley faked his death and the family just- seemingly decided to strike him from the record. To pretend he didn't existed to spare themselves the sadness and shame.

Stanford and Shermie Pines. The only children worth mentioning of Filbrick and Caryn Pines.

It was never Stanford that was lost to the world. It was Stanley, ever since he had to leave New Jersy- it was always him that had to be struck from the record. Change his name, change his state, change his affiliations, destroy the remains of ghost that was Stanley Pines. Kill him so the family doesn't bring him up, doesn't ask questions, stops asking "Stanford" about his twin.

I just keep thinking about the fact that since the day he made one single mistake all the way up until Ford walks out of that machine- Stanley Pines was killed and did not exist. And Stan himself had no one to blame, he had to play the part in his own demise- He is the only one who ever knew Stanley was alive and has been for decades.

He lives in the multitudes of every personality he's ever taken, all in the hope that he himself can stop being Stanley Pines.

[gentlebeard]

And I would like to spend... [the rest of my existence with you]

David Tennant, the man that you are. Killing millions with that line delivery.

[yujateaandpi]

So anyways I think the worst part about Emma May is that she was so so loved. Fidds almost destroyed a city because she left him. Can you imagine loving someone that much? To the point of wanton destruction? She just couldn’t give him what he truly wanted so she lost her place in his list of priorities. He got carried away in Ford’s dazzling world and forgot that she was a person who needed companionship and attention, that she wasn’t just a concept to yearn for from a distance. Fiddleford forgot that she was a person a PERSON and all we see is this negative space, a garage in Palo Alto, an imprint left in their marriage bed, half a face on his desk, this forensic scattering left in her son’s existence and a crazed lunatic missing a Family, a Wife. She once existed. And he dug such a deep well of sadness within her that she quite literally disappeared completely from the narrative. Something something there’s a particularly cruel pain left by the selfishness of kindhearted men. Emma May, was it worth it?

[solmesia]

sex is nice and all but have you considered just laying there... holding your vampire lover... and talking about the first time you broke your oath...........