#BECAUSE NONE OF US CAN FUCKING READ!!!

[eeveelvl37]

spent two hours trying to figure out how to add custom sounds to the wowozela in gmod. turns out i can’t fucking read, which is funny because i also have a joke literacy mod installed as well!!

[backpackingspace]

I am once again thinking about how odysseus who witnessed the horrors that the captured women went through (one of his main duties in the iliad was taking the women back home and making sure they were as comfortable as possible and safe because he was the only one trusted not to violate them further due to his devotion to penelope. And in the odyssey part of the reason circe sent him to the underworld was so that he'd have to listen to all these women's stories (before he could talk to the prophet) ). Who was one of the few that saw women as people and respected their space and opinions. And was then put in those exact same situations. I don't have the motivation right now to do a full literary analysis of this (I'll site the sources too) but oh man one day I'm going to write a full essay on this.

[necrotic-nephilim]

there is not enough femslash in batcest circles. the girls deserve to be just as weird about each other as the boys are. if BruDick gets to be weird father/son/brothers/lovers/friends/rivals/soulmates then it is only fair that Babs/Cass get to be mother/daughter/sisters/lovers too. Something about that deep intrinsic but undefinable love that is born out of trauma, especially if you consider Cass not knowing what healthy love looks like in the first place. i think it's fun and deserves just as much fandom content.

besides that, you can get even more niche with rarepairs like Helena/Steph. Huntress/Spoiler: Blunt Trauma is already a fantastic comic and even though it's their only real canon interaction it has so much potential. very comparable to TimJay in how Helena tries to get Steph to understand her morals and the corruption you could play with it.

batman: huntress/spoiler: blunt trauma (1998)

that comic also highlights on how both Steph and Helena are outcasts of the Batfamily and don't have the approval of Bruce to be doing what they do in "his city". I think there's so much Potential in Helena taking Steph under her wing because Bruce won't let her in and it becomes a weird codependent toxic sapphic mess. I think the protectiveness Helena feels over Steph from the get-go is so clear and the way she wants to look out for Steph, wants to make sure Steph understands the real world? I love them. Helena should be allowed to steal Steph, actually. I think it'd be fun.

there are a lot of other possibilities too like Babs/Steph or even getting weird with Helena Bertinelli/Helena Wayne and the existential question of "is it selfcest or not." But these two specifically live in my head rent-free, especially Helena/Steph and one day I'll convince everyone else to ship it too.

[demigod-of-the-agni]

Spider-Man India, but... where from India?

A SUPER long post featuring talks of: cultural identity, characterisation, the caste system, and what makes Spider-Man Spider-Man.

I’m prefacing this by saying that I am a second-generation immigrant. I was born in Australia, but my cultural background is from South India. My experiences with what it means to be “Indian” is going to be very different from the experiences of those who are born and brought up in India.

If you, reader, want to add anything, please reblog and add your thoughts. This is meant to be a post open for discussion — the more interaction we get, the better we become aware of these nuances.

So I made this poll asking folks to pick a region of India where I would draw Pavitr Prabhakar in their cultural wear. This idea had been on my mind for a long while now, as I had been inspired by Annie Hazarika’s Northeastern Spidey artwork in the wake of ATSV’s release, but never got the time to actually do it until now. I wanted to get a little interactive and made the poll so I could have people choose which of the different regions — North, Northeast, Central, East, West, South — to do first.

The outcome was not what I expected. As you can see, out of 83 votes:

THE RESULTS

South India takes up almost half of all votes (44.6%), followed by Northeast and Central (both 14.5%) and then East (13.3%). In all my life growing up, support towards or even just the awareness of South India was pretty low. Despite this being a very contained poll, why would nearly half of all voters pick South India in favour of other popular choices like Central or North India?

Then I thought about the layout of the poll: Title, Options, Context.

Title: "Tell us who you want to see…"

Options: North, Northeast, Central, East, West, South

Context: I want to make art of the boy again

At first I thought: ah geez. this is my fault. I didn't make the poll clear enough. do they think I want them to figure out where Pavitr came from? That's not what I wanted, maybe I should have added the context before the options.

Then I thought: ah geez. is it my fault for people not reading the entire damn thing before clicking a button? That's pretty stupid.

But regardless, the thought did prompt a line of thinking I know many of us desi folk have been considering since Spider-Man India was first conceived — or, at least, since the announcement that he was going to appear in ATSV. Hell, even I thought of it:

Where did Spider-Man India come from?

FROM A CULTURALLY DIVERSE INDIA

As we know, India is so culturally diverse, and no doubt ATSV creators had to take that into account. Because the ORIGINAL Spider-Man India came from Mumbai — most likely because Mumbai and Manhattan both started with the same letter.

But going beyond that, it’s also because Mumbai is one of the most recognisable cities in India - it’s also known as Bombay. It’s where Bollywood films are shot. It’s where superstar Hindi actors and actresses show up. Mumbai is synonymous with India in that regard, because the easiest way Western countries can interact with Indian culture is through BOLLYWOOD, through HINDI FILMS, through MUMBAI. Suddenly, India is Mumbai, India is a Hindi-only country, India is just this isolated thing we see through an infinitely narrow lens.

We’ve gotten a little better in recent years, but boy I will tell you how uncomfortable I’ve gotten when people (yes, even desi people) come up to me and tell me, Oh, you’re Indian right? Can you speak Hindi? Why don’t you speak Hindi? You’re not Indian if you don’t speak Hindi, that’s India’s national language!

I have been — still am — so afraid of telling people that I don’t speak Hindi, that I’m Tamil, that I don’t care that Hindi is India’s “national” language (it’s an administrative language, Kavin, get your fucking facts right). It’s weird, it’s isolating, and it has made me feel like I wasn’t “Indian” enough to be accepted into the group of “Indian” people.

So I am thankful that ATSV went out of their way to integrate as much variety of Indian culture into the Mumbattan sequence. Maybe that way, the younger generation of desi folk won’t feel so isolated, and that younger Western people will be more open to learning about all these cultural differences within such a vast country.

BUT WHAT DOES THIS HAVE TO DO WITH SPIDER-MAN INDIA?

Everything, actually. There’s a thing called supremacy. You might have heard of it. We all engaged with it at some point, and if you are Indian, no matter where you live, it is inescapable.

It happens the moment you are born — who your family is, where you are born, the language you speak, the colour of your skin; these will be bound to you for life, and it is nigh impossible to break down the stereotypes associated with them.

Certain ethnic groups will be more favourable than others (Centrals, and thus their cultures, will always be favoured over than Souths, as an example) and the same can be said for social groups (Brahmins are more likely to secure influential roles in politics or other areas like priesthood, while the lowers castes, especially Dalits, aren’t even given the decency of respect). Don’t even get me started on colourism, where obviously those of fairer skin will win the lottery while those of darker skin aren’t given the time of day. It’s even worse when morality ties into it — “lighter skinned Indians, like Brahmins, embody good qualities like justice and wisdom”, “dark skinned Indians are cunning and poor, they are untrustworthy”. It’s fucking nuts.

This means, of course, you have a billion people trying to make themselves heard in a system that tries to crush everyone who is not privileged. It only makes sense that people want to elevate themselves and break free from a society that refuses to acknowledge them. These frustrations manifest outwardly, like in protests, but other times — most times — it goes unheard, quietly shaping your way of life, your way of thinking. It becomes a fundamental part of you, and it can go unacknowledged for generations.

So when you have a character like Pavitr Prabhakar enter the scene, people immediately latch onto him and start asking questions many Western audiences don’t even consider. Who is he? What food does he eat? What does he do on Fridays? What’s his family like, his community? All these questions pop up, because, amidst all this turmoil going on in the background, you want a mainstream popular character to be like you, who knows your way of life so intimately, that he may as well be a part of your community.

BUT THAT'S THE THING — HE'S FICTIONAL

I am guilty of this. In fact, I’ve flaunted in numerous posts how I think he’s the perfect Tamil boy, how he dances bharatanatyam, how he does all these Tamil things that no one will understand except myself. All these niche things that only I, and maybe a few others, will understand.

I’ve seen other people do it, too. I’ve seen people geek out over his dark brown skin, his kalari dhoti, how he fights so effortlessly in the kalaripayattu martial arts style. I’ve seen people write him as Malayali, as Hindi, as every kind of Indian person imaginable.

I’ve also seen him be written where he’s subjected to typical Indian and broader Asian stereotypes. You know the ones I’m so fond of calling out. The thing is, I’ve seen so much of Pavitr being presented in so many different ways, and I worry how the rest of the desi folk will take it. 

You finally have a character who could be you, but now he’s someone else’s plaything. Your entire life is shaped by what you can and can’t do simply because you were born to an Indian family, and here’s the one person who could represent you now at the mercy of someone else’s whims. He’s off living a life that is so distant from yours, you can hardly recognise him.

It shouldn’t hurt as much as it does, yeah? But, again, you’re looking at it from that infinitely narrow lens Westerners use to look at India from Bollywood.

AND PAVITR PRABHAKAR DOESN'T LIVE IN INDIA

He lives in Mumbattan. He lives in a made-up, fictional world that doesn’t follow the way of life of our world. He lives in a city where Mumbai and Manhattan got fucking squashed together. There are so many memes about colonialism right there. Mumbattan isn’t real! Spider-Man India isn’t real!! He’s just a dude!! The logic of our world doesn’t apply to him!!!

“But his surname originates from ______” okay but does that matter?

“But he’s wearing a kalari dhoti so surely he’s ______” okay but does that matter?

“But his skin colour is darker so he must be ______” okay but does that matter?

“But he lives in Mumbai so he must be ______” okay but does that matter?

I sound insensitive and brash and annoying and it looks like I’m yapping just for the sake of riling you up, so direct that little burst of anger you got there at me, and keep reading.

Listen. I’m going to ask you a question that I’ve asked myself a million times over. I want you to answer honestly. I want you to ask this question to yourself and answer honestly:

Are you trying to convince me on who Pavitr Prabhakar should be?

... but why shouldn't i?

I’ll tell you this again — I did the same thing. You’re not at fault for this, but I want you to just...have a little think over. Just a little moment of self-reflection, to think about why you are so intent on boxing this guy.

It took me a while to reorganise my thinking and how to best approach a character like Pavitr, so I will give you all the time you need as well as a little springboard to focus your thoughts on.

SPIDER-MAN (INDIA) IS JUST A MASK

“What I like about the costume is that anybody reading Spider-Man in any part of the world can imagine that they themselves are under the costume. And that’s a good thing.”

Stan Lee said that. Remember how he was so intent on making sure that everybody got the idea that Spider-Man as an entity is fundamentally broken without Peter Parker there to put on the suit and save the day? That ultimately it was the person beneath the mask, no matter who they were, that mattered most?

Spider-Man India is no less different. You can argue with me that Peter Parker!Spidey is supposed to represent working class struggles in the face of leering corporate entities who endanger the regular folk like us, and so Pavitr Prabhakar should also function the same way. Pavitr should also be a working class guy of this specific social standing fighting people of this other social standing.

But that takes away the authenticity of Spider-Man India. Looking at him through the Peter Parker lens forces you to look at him through the Western lens, and it significantly lessens what you can do with the character — suddenly, it’s a fight to be heard, to be seen, to be recognised. It’s yelling over each other that Pavitr Prabhakar is this ethnicity, is that caste, this or that, this or that, this or that.

There’s a reason why he’s called Spider-Man India, infuriatingly vague as it is. And that’s the point — the vagueness of his identity fulfils Lee’s purpose for a character that could theoretically be embodied by anyone. If he had been called “Spider-Man Mumbai”, you cut out a majority of the population (and in capitalist terms, you cut out a good chunk of the market).

And in the case of Spider-Man India? Whew — you’ve got about a billion people imagining a billion different versions of him.

Whoever you are, whatever you see in Pavitr, that is what is personal to you, and there is nothing wrong with that, and I will not fault you for it. I will not fault you for saying Pavitr is from Central due to the origins of his last name. I also will not fault you for saying Pavitr is from South due to him practising kalaripayattu. I also will not fault you for saying he is not Hindu. I also will not fault you for saying he is a particular ethnicity without any proof.

What I will fault you for is trying to convince me and the others around you that Pavitr Prabhakar should be this particular ethnicity/have this cultural background because of some specific reason. I literally don’t care and it is fundamentally going against his character, going against the “anyone can wear the mask” sentiment of Spider-Man. By doing this, you are strengthening the walls that first divided us. You’re feeding the stratification and segmentation of our cultures — something that is actually not present in the fictional world of Mumbattan.

Like I said before: Mumbattan isn’t real, so the divides between ethnicities and cultural backgrounds are practically nonexistent. The best thing is that it is visually there for all to see. My favourite piece of evidence is this:

It’s a marquee for a cinema in the Mumbattan sequence, in the “Quick tour: this is where the traffic is” section. It has four titles; the first two are written in Hindi. The third title is written in Bengali*, and the fourth title is written in Tamil. You go to Mumbai and you won’t see a single shred of Bengali nor Tamil there, much less any other language that's not common in Maharashtra (Western India). Seeing this for the first time, you know what went through my head?

Wow, the numerous cultures of India are so intermingled here in Mumbattan! Everyone and everything is welcome!

I was happy, not just because of Tamil representation, but because of the fact that the plethora of Indian cultures are showcased coexisting in such a short sequence. This is India embracing all the little parts that make up its grander identity. This scene literally opened my eyes seeing such beauty in all the diverse cultures thriving together. In a place where language and cultural backgrounds blend so easily, each one complementing one another.

It is so easy to believe that, from this colourful palette of a setting, Pavitr Prabhakar truly is Spider-Man India, no matter where he comes from.

It’s easy to believe that Pavitr can come from any part of India, and I won’t call you out if the origin you have for him is different from the origin I have. You don’t need to stake out territory and stand your ground — you’re entitled to that opinion, and I respect it. In fact, I encourage it!!!

Because there’s only so much you can show in a ten minute segment of a film about a country that has such a vast history and even greater number of cultures. I want to see all of it — I want him to be a Malayali boy, a Hindi boy, a Bengali boy, a Telugu boy, an Urdu boy, whatever!! I want you to write him or draw him immersed in your culture, so that I can see the beauty of your background, the wonderful little things that make your culture unique and different from mine!

And, as many friends have said, it’s so common for Indian folks to be migrating around within our own country. A person with a Maharashtrian surname might end up living in Punjab, and no one really minds that. I’m actually from Karnataka, my family speaks Kannada, but somewhere down the line my ancestors moved to Tamil Nadu and settled down and lived very fulfilling lives. So I don’t actually have the “pure Tamil” upbringing, contrary to popular belief; I’ve gotten a mix of both Kannada and Tamil lifestyles, and it’s made my life that much richer. 

So it’s common for people to “not” look like their surname, if that’s what you’re really afraid about. In fact, it just adds to that layer of nuance, that even despite these rigid identities between ethnicities we as Indian people still intermingle with one another, bringing slivers of our cultures to share with others. Pavitr could just as well have been born in one state and moved around the country, and he happens to live in Mumbattan now. It’s entirely possible and there’s nothing to disprove that.

We don’t need to clamber over one another declaring that only one ethnicity is the “right” ethnicity, because, again, you will be looking at Pavitr and the rest of India in that narrow Western lens — a country with such rich cultural variety reduced to a homogenous restrictive way of life.

THE POLL: REINTERPRETED

This whole thing started because I was wondering why my little poll was so skewed — I thought people assumed I was asking them where he came from, then paired his physical appearance with the most logical options available. I thought it was my fault, that I had somehow influenced this outcome without knowing.

Truth is, I will never really know. But I will be thankful for it, because it gave me the opportunity to finally broach this topic, something that many of us desi folk are hesitant to talk about. I hope you have learned something from this, whether you are desi or a casual Spider-Man fan or someone who just so happened to stumble upon this. 

So just…be a little more open. Recognise that India, like many many countries and nations, is made up of a plethora of smaller cultures. And remember, if you’re trying to convince Pavitr that he’s a particular ethnicity, he’s going to wave his hand at you and say, “Ha, me? No, I’m one of the people that live here in the best Indian city! I’m Spider-Man India, dost!”

(Regardless, he still considers you a friend, because to him, the people matter more to him than you trying to box him into something he’s not.)

*Note: thank you dear anon for letting me know that the third title was Bengali, twas my mistake for literally completely forgetting

[ettadunham]

sometimes i remember the hunger games and how nobody actually paid attention to what was in those books

[imminent-danger-came]

tbh you are so real for talking about the misogyny targeted to mei & other women in the lmk fandom. in general its like people only value mei as: a: the wingman to some basic mlm ship or b: macaque 2.0. its honestly crazy how so many male side characters overshadow her in the fanbase despite not even having a FRACTION of her screen time. idk chat i feel like the reason people dont care about mei but care about some random male side/background character is less because they're inherently more likeable but because some of you view women as inherently less likable. and everyone is always like "mei is so girlboss pussy cunt slay shes the only reason theyre still alive because she keeps them safe from their silly boy shennanigans shes their ultimate wingman shes so badass shes their lesbian best friend i totally paid attention to her when i watched this show LOL" and even ignoring the obvious misogyny here (ie. how people reduce her to being the male characters babysitter) its like... okay... i know mei is cool & badass already... could you name literally ANY other character trait she has. like people just value her as being "the braincell" who can get red son and mk together or something stupid and its like are we having fun still is this still fun. literally every day i go into the mei tag its like "look at mei shes red sons wifey and shes vaguely in the background of this drawing of red son and mk staring into each others eyes #trafficlighttrio am i right oh look shes macaques niece now this post is about ao lie why is it in the mei tag"

and thats literally JUST talking about mei and it doesnt even begin to cover the other female characters. chang'e constantly gets reduced to being red sons aunt/mom/big sister despite them like. not having any actual interactions in the show. lady bone demon constantly gets overshadowed by her minion who has like 2 seconds of screen time, or she gets made into a cartoonishly abusive madwoman who people call lady bitch demon. just in general people act like shes a horrible person for like. being a villain. liks yeah the trying to destroy everything was bad but also she was an antagonist and thats what antagonists do LOL. spider queen gets completely ignored. princess iron fan gets made into a cartoonishly abusive mother so that way red son can have a poor angsty backstory and some male character (usually nezha, macaque, swk) can take care of him.

(also theres just a great deal of ethnocentrism in the lmk fanbase? like im white so take what İ say here with a grain of salt but so many people will misconstrue aspects of chinese culture for their own personal hcs. people will say male characters are transfem or nonbinary while completely ignoring the time period/culture their from where thats the norm. like yippee youve implied that an east asian man is feminine/emasculine because he has long hair. how do you not see the negative connotations with this. people also turn pif (& lbd to an extent) into a dragon lady which obviously has negative racial connotations lol.)

anyway this is where my unhinged rambling ends have a good day have a good night İ had more to say here but İ reached the text limit. İ dont see a lot of people talk about the misogyny thats prevalent in the lmk fanbase so İm glad youre pointing it out lol.

Yeah, I totally hear you. The lmk fandom has plenty of issues with misogyny and, like you said, ethnocentrism. It's definitely something worth having a discussion about, along with these issues in fandom as a whole.

[capinejghafa]

they made five into a clingy bitch which kind of makes sense given that he was the same way with delores s1. but given that he knew that it probably wasn't gonna last in that little bubble because he gave himself a way out. why tf would he have the right to be mad at diego.. what rights does this cheater have to be upset. be so serious writers?

[catscidr]

will never understand authors' obsession with yelling plagiarism for the most tame things..... like aren't we all just in the same bubble, reading and writing fanfiction alike, taking inspiration from one another to write our own fanfics? how do u come out and say that this person copied you because they used one of your headcanons, or a pet name you used in one of your works. how do u do that without feeling like a fool. a bonehead. a person that Isn't Nice. like..... im sure you, unconsciously, also took inspiration from some works you've read. if people aren't copying what you're writing word-for-word, or taking your Very Original Au without crediting it then...... why are you mad? stop being mad. relax. take a breather. genuinely, go outside. find the beauty in the world surrounding you. come to the realization that malding because people are so inspired by you that they create their own work is Baloney. let authors, especially new authors and authors that don't write often, live. if you have a problem with something they wrote. dm them. don't be a dick about it

[amalg-em]

The thing about the lateral aggression I see in trans communities is that it's everywhere. All the time I see people parroting this idea that trans woman = most oppressed, trans man = spoiled manchild that never has any problems ever. And it's pretty disturbing how many people I've seen regurgitating it. People I cared for. People I trusted.

Did you know that transmasculine people have the highest chance of being a sexual assault victim? Higher than cis women, trans women, or cis men? But certainly that's nothing, right? Certainly that sort of trauma isn't the thing that irreversibly damages you, makes it harder to make life worth living?

Do you really think invisibility is a privilege? That being forgotten and ignored is beneficial? The last 12 months have been the worst of my life, and I've had the least support that I've ever had. Even my biological family has fucked off. The only thing keeping me from offing myself is the knowledge that it would leave my partner abandoned and unsupported. But surely I'm just being dramatic, right? Somewhere out there is a trans woman who has it harder than me, so how dare I complain.

The thing about suffering is that it's not readily quantifiable. It all sucks. It literally all sucks, all the time, and people can have the exact same amount and kind of suffering and be affected by it completely differently. It's utterly pointless to try to create some sort of hierarchy of most oppressed and we know this. We've known this forever. We literally have a term for it (oppression Olympics). We know that it's counterproductive and pointless to lash out at people on the same sinking ship as us because, well, MY end is lower in the water than YOURS so YOU don't get to talk about your problems. In fact HOW DARE YOU coin a term for the problems facing you, that makes you exactly the same as a TERF.

It's so fucking bleak out here. We could ALL be talking about our problems without demanding silence from others while we do it. We could be building solidarity with people who have different experiences, acknowledging those differences without trying to rank them, and give everyone space to be heard. There shouldn't be imposed scarcity of compassion - but there is, from people who claim to be compassionate, who claim to care about the struggles of people not like them. Not really though. Not unless you're the Right Kind of oppressed.

Today my social circle gets a little smaller. The world gets that much more hostile. And the noose of isolation tightens around my neck that much more. And somewhere, someone will find a vent post that I made while trying not to be another trans su|c|de statistic, and use that as proof that transmasculine people are a Lesser Breed of trans and don't deserve support, acknowledgement, or the ability to name & talk about our problems.

[iwoulddieforienzo]

Something that makes reading TOA so devastating is how fucking much Apollo feels about Everything. There’s so MUCH. Like I don’t even know how to describe it to you if you haven’t read the books yourself. He has so many complicated thoughts and emotions about just about everything and he cares about everything so much and there is just SO MUCH going on in his head. And yet none of it ever reaches his mouth!!

He almost never says what he’s feeling. What little comes out of his mouth about his thoughts barely even scratches the surface of what he actually means. Like he’ll be having a long ass monologue about how incredible someone is, showing a deep understanding of them as a person and empathizing with them so hard you’d almost think it’s projection but it’s not he’s legitimately just mind melding with this random person he met like a week ago and he’s thinking the softest, kindest thoughts about them like he knows they’re fucking incredible - and what comes out of his mouth is just like, “you’re a wonderful friend :)” AND ITS LIKE. THERES SO MUCH MORE UNDER THE SURFACE. the sheer admiration and adoration he has for everyone around him……… UGHHH!!! But he never VOICES ANY OF IT!!!!!! He never tells anyone about what Zeus did to him……. He never tells anyone except the reader about his realization that Zeus is abusive…. He never even tells commodus about how much he adored him, not then and not now… he refuses to tell anyone when he’s in pain or tries to justify the things he does when he actually had Decent Reasons for why he did something… I’m. I’M. AUGH. AHHHHH

HE DOESN’T EVEN TELL US ALL OF HIS THOUGHTS IS THE THING. THERES EVEN MORE THAT HE IS NOT TELLING US!!!!! THE FUCKING OCEAN OF FEELINGS AND THOUGHTS HE HAS ABOUT EVERYTHING IS THE CLIFF NOTES VERSION. I AM IN DISTRESS.

And YET…. Even what slips out of his mouth is so fucking devastating it is SO devastating. He’s so fucking kind and gentle with Harley and Meg and and other younger Demis and his kids… he’ll act like an obstinate idiot and then turn around say something that drags the core of the person he’s talking to into the light like nail on the fucking HEAD like he reached into their soul and gave them the words to express something that they were struggling to say aloud or that they didn’t even realize about themself. Around the 2nd book he starts putting voice to some of his feelings and thoughts about others and even that tiny fucking sliver is overwhelming to the people he’s talking to bc he’s SO. AUGHHHH

[widevibratobitch]

nothing sad but i need to bitch and im tired and need to frow up

[electricpurrs]

hakita also explained that the reason gabriel is on the fucking moon in the act 2 cutscene is because the moon is the first layer of heaven in dante's inferno which makes a lot of sense and idk why none of us thought of that

[magstorrn]

about to leave a scathing review for a historical fiction book on goodreads (felt so strongly about it i made an account for the first time) then chickening out once i realised i'd put down my full name and i dont want to offend the author TOO much in case we end up working in the same field as historians

[olymphianblood]

ok guys its not funny anymore when is d&p hard lauching im starting to getting anxious /hj

[normalcannibalism]

i feel weird and self conscious about my art again. sigh

the entire post ended up in thw tags ohb my god

[edwinisms]

ohhhh how the urge to write fanfic compels me……..but the dread of writing two very distinct english voices with very distinct slang and patterns of speech repels me