#BANANA FISH AND NEVER HAVE I EVER???

[in-a-faith-forgottenn-land]

WHAT THE FUCK WHAT THE FUCKKKKK SHE DID NOT

[nopeleavemealoone]

so i just saw a video by Danny Motta on instagram where he says he agrees to react to Epic the Musical if he gets to 1million followers BUT if he gets there BEFORE 2025 he will react to ALIEN STAGE. It has been 2 weeks and he has gone from 850K followers to 900K, potentially because of this video. If you there are an alien stage enjoyer, GO FOLLOW HIM JUST FOR THIS MAYBE :D

Link to insta reel: https://www.instagram.com/reel/DB66790Kjwm/?igsh=N3B0ZDI5NHpyNTZj

[kikuism]

i need to read a book that will make me bawl my eyes out

[leavemetoexist]

Healing is making a pinterest board full of pictures and memes about the show that literally broke your heart.

[gadriezmannsgirl]

Hello, is it me you looking for?

Girlieeeee!!! I want to make a very important request ✨😋✨ I need you to do a Pedri fic with the song ✨we can't be friends✨ I need to read something like that from you 😌❤️

Love you very much girlie ❤️❤️❤️

Wait until you like me again. I'll wait for your love... MY LOVE!🎶 I'm so deeply in love with that song, you wouldn't believe it😭

Warnings: I don't think there will be second part to this, full angst, Pedri is somehow clueless, reader is hurting and italics are memories

Can't Pretend -P.G8

Summary: You don't know how long you can keep your act up.

Your best friend, the guy you've known ever since you were two years old. The one who you could rely on, rant to and cry with, has just broken your heart once again. You stood there watching him kiss her as if his life depends on it, hugging her close to him as if he's afraid to lose her.

You wish you were her

It's then when you realise he was looking at you, you tight smiled and walked slowly over to him, your friendship wasn't the same since that day but right now you pushed it aside he had just won the EURO's with Spain, you felt happy for him and his achievement.

"Congratulations, platanito" You said softly maintaning some distance in between the two of you

"Gracias, corazón" The nickname had your chest tighten and you felt like crying, soon you felt his arms around you and you took a deep breath.

You had already made up your mind so you let yourself hug him tightly, some tears escaping your eyes; these being misinterpreted by tears of happiness.

"But don't you cry, I just cried enough for the two of us" He said as you crack a small smile

"Eres campeón de Europa" (You're champion of Europe) You said "How could I not cry if this is something you've always wanted? I feel so proud of you" You caress his cheek lovingly

"You've helped me through all of this too" You shook your head and was about to speak but no words came out, so you just wrapped your arms around him again and let go of the breath you were holding.

"Te quiero muchisimo, mi platanito" (I love you so much, banana boy) Your voice shook lightly

"Y yo a ti, mi corazón" (Love you too)

"Never forget it, please"

"You're my best friend until the day I die, I will never" He gets away for a bit before joining both of your foreheads "Why are you crying so much?"

"I'm just happy, that's all" You sniffed getting away from him, if you stayed one more second you will not be able to do it. "I'll go congratulate the others and then we will take a pic with the throphy, sounds good?" He nods

"See you in a few then" He said "Leila, vamos" He called his six months girlfriend over to congratulate other players and have some pictures of themselves with the throphy.

You dried your tears and walked over to the shark, who was watching you with a small smile

"Mi tiburón" (My shark)

"Mi pececita" (My little fish) He hugs you swinging you side to side

"Congrats, you deserve this win so much" Your voice was shaky

"We all did" He said and you nod "Will you be back?"

"I don't know" You whisper "But I'll try my best to keep in touch"

"I still don't think it's the best option" You shake your head

"Ferran..."

"But I know you need this" You nod thanking him "I'll always be one phone call away" You smile

"So will I"

"You won't stay for the celebrations?" You shook your head

"I can't" He nods

"See you later, then?" You nod hugging him once again

"See you later, my shark" You kiss his cheek "Love you"

"Love you too, little fish. Take care"

You go over to Gavi, Fermín, Lamine and Nico who are dancing and congratulate them with smile on your face and tight hugs. The first two also knew about your decision, they didn't question, they didn't cry, they just hugged you and wished you the best.

You then walked over the González López, Rosy and Fernando didn't know but Fer did, that's why he had this sad and melancholic look on his face as he watched you arrive

"Can't you reconsider it?" You shook your head

"This was a mistake" Pedri says standing up from the bed quicly searching for his clothes

"Pedri"

"We're best friends, we shouldn't have done this"

"You started it"

"And I don't know why I did it! But this can't happen again, we're just friends and that's it"

"Are you serious?"

"Yes, I am! We can forget about this and be friends, like we've always been"

"I have sat in silence for a long time, I can't wait for thim to suddenly like me again and then pretend nothing happened" You looked to the side watching Pedri goof around with Leila "He's happy now"

"What he did was wrong but I can't pay for his mistakes"

"You won't"

"I will be if I'm losing my sister"

"You'll not lose me Fer. I'll always be here for you but I need time for myself"

"I feel like I will, you don't even want to tell me where you are going to"

You sigh "You remember me saying of this famous program in this collegue I really wanted to go?" He nods "They let me in"

"In fucking Australia?! That's so far"

"You can still visit me anytime you want to, I'll keep in touch with you, I promise"

"Promises can be broken"

"I'm not like that and you know it" He sighs fighting the tears

"You want me to go with you to the airport?" You shook your head

"Spain just won the EURO's, your brother's a champion. You need to celebrate with him. I'll let you know whenever I land"

"Please, don't be a stranger" Fer whispers hugging you once again

"I won't, promise" You whisper kissing Fer's cheek.

You start walking before you turn around to watch Pedri laughing and smiling with his girlfriend by his side, he turns around and waves you over. You nod telling him you'll be there in a few minutes, he winks at you and you wink back at him. Soon, he turns around once more paying attention to the story his cousin is telling while you hurry to get out of the stadium.

You open your apartment watching all the packed boxes, his clothes laid on a box that Fer is meant to take later, your sister's helping you with everything and you know you shouldn't go there but you do. In there, lays the pink small bear he gave you at the feria, the small Barce shirt with the 8 fitting the bear in such an adorable way, you smile softly.

"This is ours"

"You won it for me so it's mine"

"I won it but I'm letting you have it everyday so it's ours"

You dig a bit more into the box and find the crystal sphere he gave you in Christmas, you shook it and watched the snow fall slowly

"You're a football player, of course you'll be faster than me!"

"Come on, mi corazón. I gotta give you your christmas present and if you're not fast enough santa's reindeer will take it away!"

You sigh moving your legs faster, running behind him "Liar!"

"So you don't believe in Rudolph, Dasher, Dancer, Vixen, Prancer, Cupid, Comet, Blitzen y Donner?"

"No?"

"Too bad they got me this for you" He lifts a bag

"You asshole making me run for it!" He laughs hard as you try to catch your breath "Did you seriously learned the whole 9 reindeer's names?"

"I did, for you. Yes"

You felt a tear coming down your eye, then you grabbed his 2002 hoodie, you were the first one to ever try a piece of clothing from his collection. You smiled remembering he gave it to you so you could fell asleep in his arms because of the thunderstorm

"Stop" The hoodie was ripped from your hands, you turned around to find your sister, Amelia. "You're only hurting yourself more"

"I can't help it, Meli" Your tears came out

"And that's why we're moving out. So you can pursue your dreams and forget about him"

"What if I don't?"

"You will, Y/N. I know you will"

You leaned down to pick your one year old dog, Zeus into your arms, he licked your tears away "Will I?"

"You will, now stop looking at those. We need to catch a flight"

"When is Fer picking these up?"

"Probably after the celebrations"

"Do you think he'll be mad at me?"

"Maybe he will, maybe he won't. But I know that you need to put yourself first from now on"

"Can I at least have something?"

"It wouldn't be ideal"

"Please, just one little thing and we'll go right away" Amelia sighs but either way nods. You turn around and grab a small bracelet he gave you a few years ago from his box; he's supposed to have the other half but he left it in your apartment some weeks ago before he left for Germany.

You looked at the pictures of you both from babies all the way to teenagers and to the young adults you were now. You sighed before turning around to face Amelia.

"We're ready" You grabbed your suitcases, Zeus's bag, leash and with one more look at your apartment you left, ready to stop hurting, ready to forget about an unrequited love and ready to start your new life.

°°° °°° °°° °°°

Taglist: @gaviymarcsbride @stuckinaf4nfiction @elijahslover @azzpenswrld @http-isabela

[inkluvs]

babes idk what i’m going through but it’s not a slay and your little finnick blurb thingys bring me so much joyyy 😭😭😭 i don’t even know what im requesting but just more finnick thoughts

stop it ily tysm <3 here r some hcs / thoughts andd if something doesn’t make sense for the universe just assume its modern! skfjsjf

>> finnick runs warm and during the summer he sleeps without a shirt on so he’s basically like ur own heater <3 a plus is that if ur cold especially during the colder months he’d hold u flush against human at some point during the night he’d end up half on top of u <3

>> he also defo needs white noise or something to fall asleep because he’s so used to having the waves crashing onto the shore in the background? maybe just a fan or something just for the noise <3 but i think when the fan doesn’t work or just when both of u r too tired to turn it on, u breathing has the same affect as white noise for him <3

>> this is oddly out of place but like. a vision of watching the sunrise with him is coming to me right now <3 maybe he woke up from a nightmare or maybe he just intended to go out fishing n he ended up sitting on the steps of ur porch overlooking the beach a little too long. so u join him. half asleep and searching for his body heat with a blanket splayed over your shoulders and you lay on him, watching the sky burst with red and orange and shift until only the sun is reflecting off of the waves <3

>> i will never ever ever get over finnick and his knit sweater imagine him and his closet full of knit sweaters that only really make an appearance during the colder months but he just looks so soft in them u can’t help but want to squeeze him <3

>> i don’t think finnick is a coffee guy in the sense that he doesn’t like the way it makes him feel? he’s definitely more of a tea person n he’d make u a mug whenever he wants one n he’d put a little honey in yours to make it sweet <3 he’d defo make u coffee if u wanted some though

>> he’d get u a little sweet treat or present every time he stops by the market <3 a bag of candy or some banana bread or a danish or some earrings really whatever reminds him of u in the moment <3 i think it’d get to a point where even the storekeepers would know it’s for u like “this is for that partner of yours yeah? i have this pastry that i saved for them”

ok that’s it thank u for this babe i hope this is ok <3 ps i’m writing this right before i go to bed so none of it is proof read sorry LMAO <3

[darkficsyouneveraskedfor]

the girl next door 29

Warnings: this fic will include elements, some dark, such as age gap, manipulation, chronic illness, noncon/dubcon, coercion, and other untagged triggers. Please take this into account before proceeding. It is up to curate your online consumption safely.

Summary: A new neighbour moves in and upends your already disarrayed life.

Author’s Note: Please feel free to leave some feedback, reblog, and jump into my asks. I’m always happy to discuss with you and riff on idea. As always, you are cherished and adored! Stay safe, be kind, and treat yourself.

This lewk but silverfox

You peel off the suit and wring it out. You leave it in the bathroom to dry, but more so you don't need to look at it. You've never been so humiliated in all your life. 

Worse than your mother's bitter grumbles, or the way your grandmother used to nitpick at every part of you was that look in Steve's eyes. It was like nothing you've ever seen before. Not angry, not judging, but something mysterious that unsettled you. 

Ugh. You sneer at the wall as you pull on the baggiest tee shirt you have. You hate yourself. No, you hate your body. No matter what you do, it's clumsy and somehow you get in the way of yourself. 

You shimmy into a pair of pajama shorts and flop onto your bed. You could read but your head won't let you focus. Drawing isn't an option either, you're still shaking from the exposure. 

Sleep. Well, that won't come. Every time you close your eyes, you just see Steve and the water, and your nakedness. You can't imagine what your mother would've said if she'd saw. 

She hadn't, had she? 

You roll over and hide your head under your arm. You just lay there, desperate to escape somehow. The hours wear on, the day shifting around your unmoving form, the stagnant house dampening your skin with sweat.  

When you finally get the strength to flip onto your back, you realise you've been crying. You sniffle and mop your cheeks. You don't know why you're crying. Humiliation, sure, but don't be such a baby. 

You sit up cradle your head until it's a little less fragile. You get to your feet and shuffle out to use the bathroom. You pointedly ignore the pink checkered fabric. 

When you're done, you go to the kitchen. You look in the fridge. Not much there. You take out an old cup of pudding and fish out a spoon. You sit at the table and stir it but don't eat.  

You remember when you were a kid, your grandma would give you tapioca. Your mother only ever got banana. You hate banana pudding. It tastes so artificial. 

You're not a kid anymore. You're realising that now. It's time to be an adult. You don't have a place here anymore. Your mom has Steve and you have... nothing. 

The front door whines on its ungreased hinges. You wince and look up, shove a spoonful into your mouth. 

Steve appears. He has a tee on but still wears his swim shorts. You look at him dully and swallow, scooping up more of the pudding. 

"You hungry? You could have come over for lunch." 

You shrug and keep eating. Your stomach sickens at the overly sweet treat. You want to spit it out. 

"You're still mad?" He asks. 

You shrug again. 

He sighs. He crosses the room and pulls out the chair across from you, "look, sweetie," he twines his fingers through each other as he rests his arms on the table, "I'm real sorry. I was trying to have some fun. I made a mistake. We all do, right?" 

You stare at the table and nod. 

"Right, so can we move past it? Forget it ever happened?" 

"Forget?" You echo in a croak. "Erm." 

"Wiped clean," he unweaves his fingers and makes a smooth motion over the table top. "How about it? Can you forgive me?" 

You let the spoon go and slide the cup aside. You can't look up. It's more than the embarrassment of what happened. It's the constant shame that follows you around. You're just a hanger-on. He doesn't have to keep pretending because of your mom. She deserves to have a life after all the years she wasted on you. A life without you. 

"I'm sorry. I'm... I'm going to find a job and I'll do my best and..." you ramble as you trace your fingers on the table and tilt your head back and forth, "and you won't have to worry about me." 

"Sweetie?" He reaches over to still your hand, "what are you talking about?" 

"I shouldn't be... I shouldn't be living with you. Or mom. You two... I'm in the way--" 

"In the way? Sweetie," he squeezes your hand, "I promise you that's not true." 

"It has to be." 

"Why? Why does that have to be true?" 

"Because no one wants me," you turn your face down but he won't let go of your hand so you can hide. 

"I know that's not true," he insists.  

"It is. You see it. My mom..." you shudder and hold back a sob, "hates me." 

He's quiet. He clings to you even as you try to pull free. "I don't hate you." 

"You barely know me." 

"Sweetie, I know enough. Just enough to know you're a sweet girl. A good girl. All this time you've been taking care of your mom. Not anyone does that, you know? Most people would just leave her behind," he brings his other hand up to pet your knuckles, "and you're considerate and kind and gentle." 

"Please," you wisp and tug on your hand again, "you don't have to--" 

"I want you," he interjects as he tightens his grip, "sweetie, look at me." 

Your eyes flick up, startled by his hold and his tone. 

"You said no one wants you? I do. I shouldn't. I know it. I... I saw the way you take care of Holly, I saw how hard you try, I saw it all and I--" 

He finally lets you go. You recoil, shocked. Your hand tingles and your heart races. He doesn't mean it like that. He can't. You blink and lean back, making yourself as small as you can. 

"I'm sorry," he drops his head into his hands, "I'm sorry, sweetie. I'm trying not to feel like this. I've been fighting myself but..." he looks up, fingers stretched up his cheeks as his eyes glimmer, "I... don't love your mom. I only married her so... so..." he closes his eyes and trembles, "I shouldn't say it." His lashes flick open and he sits up straight, "so I could take care of you. That's why. But I couldn't... be honest. Because I didn't want to scare you or lose you. Just having you close is enough so I lied." He sniffs and a tear rolls out, "worse, I couldn't even be honest with myself. Not until now. Until it's too late." 

You gape at him. He just watches you. His expression is pained and sheepish.  

"Please, sweetie, say something." 

"You can't mean it," you breathe, "please take it back." 

"I can't," he utters. 

You sit in silence. You don't know what to say. You can't think. It's all too much. Why can't today just be over? 

He inhales and lets it out as he fixes his posture. He gulps thickly and you look up. He stares at you. The same look as before. The one you don't understand. 

"Sweetie," his voice is firmer and his tears are evaporated, "I have one question." You lower your brow, confused, "do you want your mom to be taken care of?" 

"What?" You squeak. 

"Your mom? You want her to be comfortable? Supported? Get the proper treatment?" He's staunch as he speaks, "you can't do it yourself. We both know you were struggling. Do you got the money for her next hospital stay? For the nurse?" 

You whimper and shake your head, "what do you mean?" 

"Sweetie, your mom needs me. You need me. Don't play dumb," he intones, "I will do anything. I will make sure mom is nice and cozy. She has her meds and everything she needs. There's only one thing I want in return." He clicks his tongue and inclines his head, "it's too bad it's the only thing you got." 

You stare at him. Through him. The whole world narrows in on you as your chest caves in. You close your eyes, wishing against everything, that it can make him go away. 

[queerfables]

A dash of nutmeg...

Look I feel a bit like I'm throwing soup at a dart board and calling it analysis, but I have some thoughts about Aziraphale's magic words in episode 4, and it's going to kill me if I don't share.

The thing is, these words have been nagging at me since I heard them. They sounded familiar, and I've been trying to figure out why. Today, it finally clicked.

Banana. Fish. Gorilla.

Those initial three words are all key words from Crowley and Aziraphale's drunken conversation about Armageddon. It's right at the start of things, when Crowley convinces Aziraphale to help him stop the world from ending.

We'll start with the fish, because they come up first.

"The point I'm trying to make," [Crowley] said, brightening, "is the dolphins. That's my point." "Kind of fish," said Aziraphale.

Their entire exchange here is hilarious and iconic but I'll try to keep this to the point. After some banter about the difference between fish and mammals, Crowley argues that dolphins don't deserve to be caught in the crossfire when the kraken rises and the seas boil. Which conveniently brings us to:

"Same with gorillas. Whoops, they say, sky gone all red, stars crashing to ground, what they putting in the bananas these days?"

Banana. Fish. Gorilla. It got me curious, so I searched for other places these words show up in the book. There's nothing I think is really significant: a couple of things are described as banana flavoured, fish show up in rains that herald the impending doomsday, gorillas aren't ever mentioned again. If I'm on the right track at all, I think this part is here to signpost a connection between this string of words from the show and the specific moments in the book.

If that's true, it must be pointing to something. What's left? Shoe lace and nutmeg.

Shoe lace.

The word "shoelace" isn't actually in Good Omens. Neither is "shoe lace" with a space in between. There's a couple of unremarkable descriptions involving shoes, and one miraculously conjured lace handkerchief, and then - and then. Right at the very end of the story, we have Adam, grounded by his parents, being described as "a scruffy Napoleon with his laces trailing, exiled to a rose-trellissed Elba". It's tenuous. I could dismiss that as nothing. Except Adam's laces show up again, and it's the very last passage of the book.

If you want to imagine the future, imagine a boy and his dog and his friends. And a summer that never ends. And if you want to imagine the future, imagine a boot . . . no, imagine a sneaker, laces trailing, kicking a pebble; imagine a stick, to poke at interesting things, and throw for a dog that may or may not decide to retrieve it; imagine a tuneless whistle, pounding some luckless popular song into insensibility; imagine a figure, half angel, half devil, all human . . . Slouching hopefully towards Tadfield . . . . . . forever.

I'm not ready to say much about what I think the significance of this passage might be. But an allusion to the book's ending does feel significant, doesn't it?

The one thing I will say, for people who may not know, is that this passage is riffing on a line from Orwell's 1984. The line it's playing on is a lot darker: "If you want a picture of the future, imagine a boot stamping on a human face – for ever." I think it's probably relevant that this is referencing a book about a totalitarian regime. I also think it's probably relevant that it's taking that reference and twisting it into something much sweeter, more optimistic and empowered.

I'm still thinking through all the connections and implications, though.

Nutmeg.

And that brings us to "nutmeg". I have to be honest, I wasn't hopeful. I didn't remember any references to it and if I were betting, I wouldn't have put money on it appearing in the book at all. But the word does show up, and it shows up exactly once. Crowley is reminiscing about a cocktail he had once, made out of fermented date-palms. It's part of a conversation with Aziraphale, where they discuss losing the Antichrist. And here's the really interesting part:

"You said it was him!" moaned Aziraphale, abstractedly picking the final lump of cream-cake from his lapel. He licked his fingers clean. "It was him," said Crowley. "I mean, I should know, shouldn't I?" "Then someone else must be interfering." "There isn't anyone else! There's just us, right? Good and Evil. One side or the other." He thumped the steering wheel. "You'll be amazed at the kind of things they can do to you, down there," he said. "I imagine they're very similar to the sort of things they can do to one up there," said Aziraphale. "Come off it. Your lot get ineffable mercy," said Crowley sourly. "Yes? Did you ever visit Gomorrah?" "Sure," said the demon. "There was this great little tavern where you could get these terrific fermented date-palm cocktails with nutmeg and crushed lemongrass-" "I meant afterwards." "Oh."

Book Aziraphale differs from his characterisation in the show in a few ways, and this is the big one. In the book, Aziraphale is much more cynical about his own side, and much more aware of heaven's flaws. Here, he's convincing Crowley that the threat heaven poses is just as serious as any threat from hell.

If I'm right about any of this, if these nonsense words mean anything at all, I think they are saying that heaven and hell are two sides of the same very nasty coin, and more to the point, that maybe Aziraphale is more aware of it than he seems.

I need to think about this more, still. I'm not sure if I really think this connection is something, and if it is, I'm still figuring out what sorts of conclusions we might draw from it. But if the script is trying to point us to these three sections of the book, maybe there's a deeper analysis to be had here.

I do think it's interesting that the last two words each only show up in one section of the book. It's not like I'm skipping around trying to decide which passage involving shoe laces is most relevant - it shows up twice, only in the last few pages of the book and only in relation to Adam (and in particular, humanising Adam. He's Napoleon in exile, but he's a kid with trailing laces. His future isn't a boot stamping on a human face, it's a sneaker with those same trailing laces - and a stick that his dog can choose whether or not to chase).

I could talk myself in circles on this point, so I guess I've got to open it up to the floor. Am I making something out of nothing with this? Or do you think there could be something here?

[ghost-bxrd]

Hihihihihiiii can i ask for more headcanons of selkie jason?? I read in a fanfic that they go banana when their happy??:000

They do! Have you seen videos of happy/excited seals and the little dances and adorable warbling sounds they make!? Because that’s literally one of the most delightful things ever! Cutie patooties 🦭

Dick and Bruce both refuse to allow Jason to go anywhere in the cave while in his seal form. Not because the think he’s a work space hazard, but because they’re perpetually terrified he’ll hurt himself on the rough stone

Jason is a happy little chonk in his seal form thanks to Alfred’s wonderful food, and the day Leslie declared him “perfectly healthy” for a baby seal his age (tho she’d like to point out once again that she’s no veterinarian!!!) they went to the theaters to watch Pride and Prejudice

While swimming in the ocean Jason once caught his fin in a stray fishing hook and he cried for days over the tiny nick in his seal skin. Bruce was so mad he had his lawyers sue the fishing company they traced the hook back to and then promptly bought the entire beach.

Dick regularly brags about cuddling a seal puppy to the Titans, but never elaborates on how that’s possible when seals aren’t even native to Gotham. Garth has his suspicions but trusts Dick enough not to dig any deeper

It is not unusual to see either Dick or Bruce walking around the manor with a fluffy white seal pup in their arms

Jason hates warm baths in seal form, but loves them in his human form

The first time Bruce found Jason napping in the shallows at a nice temperature of -2°C during winter he scared Jason shitless by jumping in right alongside him and wrestling the poor pup out of the water and right into a nice and crisply heated room

[inthedayswhenlandswerefew]

Napoleonville [Chapter 6: The House Of Salt And Scales]

Series Summary: The year is 1988. The town is Napoleonville, Louisiana. You are a small business owner in need of some stress relief. Aemond is a stranger with a taste for domination. But as his secrets are revealed, this casual arrangement becomes something more volatile than either of you could have ever imagined.

Chapter Warnings: Language, references to sexual content (18+ readers only), dom/sub dynamics, smoking, infidelity, Evangelical Christians, kids, parenthood, Willis Warning, (Mis)Adventures With Aegon, Targ family dysfunction, bodily injury, blood, alligators, ANGST!!!

Word Count: 7.5k.

Link to chapter list (and all my writing): HERE.

Taglist: @marvelescvpe @toodlesxcuddles @era127 @at-a-rax-ia @0eessirk8 @arcielee @dd122004dd @humanpurposes @taredhunter @tinykryptonitewerewolf @partnerincrime0 @dr-aegon @persephonerinyes @namelesslosers @burningcoffeetimetravel-fics @daenysx @gemini-mama @chattylurker @moonlightfoxx @huramuna @britt-mf @myspotofcraziness @padfooteyes @trifoliumviridi @joliettes @darkenchantress @florent1s @babyblue711 @minttea07 @libroparaiso @bluerskiees @herfantasyworldd @elizarbell @urmomsgirlfriend1 @fudge13 @strangersunghoon

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“Did you hear that Willis is single again?”

Ugh. “Yes, Mama. I heard. You told me already.” You linger in the doorway with a white bakery box in your hands: your mother’s favorite, grasshopper pie, straight out of the 1960s. She allegedly ate through two a week when she was pregnant with you. Cadi has already dashed inside and made herself at home; she’s probably jamming the movie she got from Blockbuster—Predator, Arnold Schwarzenegger, Amir recommended it—into the VHS player. “You told me, Willis told me, all his deputies told me, Cadi told me, my mailman told me, the checkout ladies at the Piggly Wiggly told me, literally every resident of Napoleonville has informed me in no uncertain terms that Willis is single again. And I could not possibly care less.”

Your mother sighs and presses a hand to her forehead, wounded and incredulous, like she’s just watched a 60 Minutes segments about a tsunami or a genocide. “I just don’t understand it. In my day, people married for life.”

You glance back longingly at your Chevy Celebrity. “Yeah. I know they did.”

“When your father, and God rest his soul, when he was young, he was a hellion,” your mother says, as if you don’t remember it, as if you weren’t there. “He’d get his paycheck every Friday and stay out all night with his buddies, sometimes he didn’t come home the whole weekend. I’d lay into him when he finally showed, I’d say, ‘Rene, how on earth am I supposed to put dinner on the table if I don’t have any fish in the icebox?!’ Once he punched a hole in the kitchen wall and I had to cover it up with a picture of President Eisenhower! And I never even thought about leaving. How could I have done that to you? Forcing you to grow up in a broken home? Mothers and fathers living apart, whoever heard of such a thing? It’s unnatural.”

You’re brainstorming recipes to distract yourself. Caramel pretzel cookies. Banana chiffon pie. Cheese Danish cupcakes with diced cherries and a hint of vanilla. “Everyone draws their own lines, Mama.”

“But it’s not just about you,” she implores, her eyes shimmering with sympathy she never had for other women. You remember what she said on the rare occasions you confided in her about your frustrations with Willis: Of course a man isn’t going to want you bothering him with your feelings when he’s had a hard day at work. Of course a man—after you’ve had his baby, after you almost died to do it—is going to be crossing off days on the calendar until you can have sex again. He keeps a roof over your head and he never hits you, what more could you ask for? “What about Cadi? What if she grows up thinking that her marriage vows don’t mean anything? It’s the foundation of society, marriage. If that goes, everything goes.”

It’s the foundation of a lot of coercion and unfairness and misery, that’s for sure. “I wouldn’t want Cadi to stay in a situation that makes her unhappy. Would you?”

Your mother throws her hands up, like you’ve told her you’re converting to communism and catching the next flight to the USSR. “Life isn’t just about happiness, sweetheart! It’s about commitment, it’s about responsibility! If everyone did what they wanted all the time, no one would stay married!”

“Maybe that speaks to the value of marriage as an institution.”

“And morality is already falling apart in this country,” your mother continues, ignoring you. That’s what she does when she can’t refute facts, logic, evidence. “Young people living together, women having babies with two or three different men, people doing drugs, people on Welfare, people shooting and stabbing each other, sex shops everywhere, naughty magazines at gas stations, men wanting to marry other men—”

“Okay, Mama. I really have to go now.”

“Alright, I’ll shut up. I will, I will, I swear.” She makes peace with a brisk kiss to your cheek like a stamp on an envelope. “Enjoy a nice quiet night to yourself. Do you have any plans?”

Well, Mama, I’m trying to resist the temptation to call my engaged dominant oil tycoon not-boyfriend and tell him to come over for kinky adulterous sex. “Not really. I’ll probably take a bubble bath and then watch something Cadi would think is boring, like 20/20.” You hand over the bakery box, and your mother’s face lights up.

“Grasshopper pie?!”

“Of course.”

“Thank you, sweetheart. You know it’s hard for me to make it myself anymore. This rheumatoid arthritis, it’s got me all twisted up.” She nods down to where her fingers grip the box, knobby and increasingly useless.

“When’s your next appointment?”

“I’ve got one in…oh…about three weeks, I think. I’d have to check my daybook. All the way over in New Orleans with some specialist that Dr. Cormier recommended.”

“Okay. Want me to go with you?”

“Yes, that’d be fine.” It would be more than fine; she wants you to go, though she won’t say it. You aren’t sure if she doesn’t want to impose or doesn’t want to admit how reliant she’s becoming upon you, like growing up in reverse.

“Mawmaw!” Cadi shouts from inside the house. “Hurry up! I want to watch Predator!”

“You quit your hollering, I’ll be right there!” Then your mother looks to you and offers one last piece of very unsolicited advice. “Just be kind to Willis, alright? Give him a chance. I don’t think he’ll ever find a woman he likes as much as you. That’s what everyone says.”

“Mama, he has no idea who I am.” And he’s not interested either.

“Sure he does. You’re the mother of his child, and you always will be. Maybe you’ll find your way back to each other.”

“I’ll think about it.” You definitely won’t. “Goodnight, Mama.”

“So long.” She shuffles into the house, and once she’s shut the door you hear her muffled voice: “Arcadia, come on over here and help me slice up this pie…”

You drive home with the windows down and blasting St. Elmo’s Fire. There’s still an hour or two of sunlight left; the world is painted in gold and blood orange, the soybeans, the sugarcane, the grass growing tall and wild, the Spanish moss swinging from the trees, the earth ripening as its revolution hurtles towards the apex of summer. Cadi is out of school until August. Amir will be announcing his looming departure to San Francisco. Aemond will be getting married.

The adolescent alligator that Aemond is so afraid of is in the far corner of the front yard, basking in the last of the daylight. You walk into your room, flop down on the bed, lie there staring longingly at the pink phone on your nightstand. You reach to pick it up, then stop yourself. Aemond hasn’t fucked you, hasn’t kissed you, has rarely touched you at all since you found out about Christabel. But he stops by your house and invites you to his; he stitches himself into your life like someone somewhere once sutured his face back together.

I can’t. It’s wrong. He’s engaged.

Aemond doesn’t know you’re home alone. It’s Friday, and usually Cadi would be here with you until tomorrow morning.

Maybe it’s not really cheating until he’s married. I mean, if Aemond and Christabel aren’t sleeping together, if they almost never see each other…is it even a real relationship?

Wistful thinking, yes, denial, yes; but with each passing minute your resolve not to pick up the phone weakens.

We don’t have much longer until the wedding. Our time is slipping away.

He’s a robber baron. He’s arrogant, he’s delusional.

And I want him. I still do, and I can’t stop.

The phone rings. You sit up, startled. It’s not Aemond, you tell yourself so you won’t be disappointed when it isn’t him. But it is.

“Hi,” Aemond says; he sounds out of breath. “I’m really sorry to bother you.”

“No, it’s okay, Cadi is actually having a sleepover with my mom. They’re watching Predator. My mom has no idea what it’s about, she’ll be clutching that Bible she got signed by Jerry Falwell a little extra hard tonight. What’s up?”

“This is going to sound random, but…you haven’t seen Aegon, have you? He hasn’t shown up at your house, he hasn’t called? You don’t know where he is?”

Aegon? Why would I know anything about what Aegon’s doing right now? “Um, no…?”

A long exhale, a lull that’s full of dread.

“Aemond, what’s going on?”

“He and my father got into it a few hours ago. They were screaming at each other, kicking furniture over, which isn’t all that unusual, honestly. But then Aegon ran away.”

“Wait, like, he’s gone…?”

“He stormed out the back door, went down to the lake, and then headed north into the trees. And I assumed he’d be back by now, but it’s getting dark and he’s not here. He never came home. His Porsche is still sitting in the driveway.” There is a pause. “I think he’s out there.”

“Out where?”

“In the woods,” Aemond says, shellshocked, terrified. “In the bayou.”

Your eyes dart to the window; the golden daylight is dwindling. “Aemond, he can’t be alone in the bayou. It’s dangerous. He could die. There aren’t just alligators, there are wild boars, cottonmouths, copperheads, snapping turtles, brown recluses, fire ants, I don’t think there are any black bears this far south but it’s always possible, he could drown, he could get trapped in quicksand, you cannot let Aegon spend the night out there.”

“I don’t know what to do.” You’re not used to hearing this in Aemond’s voice: the panic, the vulnerability. “No one else seems worried. They said he disappears all the time, and that’s true. They’re convinced he’s found his way to a strip club or a Waffle House or something and will drag himself home eventually. No one will listen to me. My father has forbidden me from getting anyone else involved. He doesn’t want gossip getting around town and overshadowing the new rig project or…you know. The wedding thing. My wedding. And I can go over his head, sure, I can make calls, but when investigators show up here to start searching my father is just going to tell them to leave. How is it even possible to find Aegon? At night in a fucking swamp? Is anyone going to be willing to go out there before morning? Do I need people with bloodhounds or a helicopter?”

No way, you think as soon as the idea hits you. But it’s the right thing to do. It’s the only thing to do. “I can think of someone who knows their way around the bayou.”

~~~~~~~~~~

It’s just after 7 p.m. when Willis arrives to pick you up: grinning smugly, mullet fluffed, Plymouth Gran Fury hauling his brand new 20-foot jon boat. He’s dressed for night fishing in boots, camo-colored waders, and a grey hoodie with SHERIFF printed across the front in black letters. You climb into the passenger seat wearing sneakers, denim shorts, and a blue raincoat over your Pepsi t-shirt. You haven’t been fishing since you were married to Willis, and you’ve never missed it. It’s a grisly business: hooks through lips, hooks through eyeballs, hooks swallowed and tangled up in some doomed creature’s guts.

Aemond is waiting at the mouth of the Targaryens’ driveway, just out of sight of the mansion they call The Last Desire. He gets in the back seat and sits there testily with his arms crossed, lips pressed into a thin line, glaring out the window as an indistinct blur of primeval vegetation passes by outside. He has on his Marlboro jacket, light-wash jeans, and Adidas sneakers. You hope he doesn’t ruin them; although you suppose he can always buy more. He could buy a hundred more, a thousand more, and it wouldn’t make a difference. You can’t fathom what it’s like to live that way. It seems to conflict with all the laws of man and nature.

Aemond speaks grudgingly to Willis, a quick flat statement that invites no conversation. He didn’t call Willis to explain the situation, you did. You’re afraid to leave them alone with each other. You aren’t sure who would be more likely to end up a corpse decomposing in the muddy silt at the bottom of Lake Verret. “Thank you for agreeing to help with this.”

Willis chuckles warmly, either oblivious to Aemond’s prickliness or unbothered by it. “Bien sur! It’s my job, son. We’ll hunt your brother down.” Then he glances over at you, smirking, prying. “So, sugar…how’d you two make each other’s acquaintance?”

“Amir and I baked the cakes for his engagement party.”

“Engagement party, huh?” Willis looks at Aemond in the rearview mirror. “You gettin’ married?”

Aemond is still staring out the window. “Obviously.”

“So you ain’t single?”

“Legally, I am in fact single until the day the marriage license is signed.”

Willis returns his attention to you. “So he ain’t the petit ami you’ve been so secretive about.”

“I don’t have a boyfriend, Willis. I really can’t be more clear than that.”

“Oh, I know you got one. I know all your looks, sugar. Some days you come ‘round my office lookin’ lovesick, like you’re just a-floatin’ on a cloud. Other days you’re real mean, like you don’t want me takin’ none of your time, like you got somebody more important to spend it on. And then sometimes you just look…” He smiles, mischievous. “Well, how can I put it? Satisfied. The cat who ate the canary. And I recall exactly what that looks like on you. It’s been a while, sure. But I remember.”

From the back seat, Aemond sighs irritably. You say to Willis: “Can we please focus on finding Aegon?”

“Sois calme, sois calme. That’s why I’m here. We’ll be in the water in ten minutes.”

There is no more discussion; the only sound is the radio, Holding Out For A Hero by Bonnie Tyler. Willis turns onto a winding dirt road that leads to a boat launch about a mile from the Targaryens’ property. He spins his Plymouth Gran Fury around and backs it down the concrete ramp towards the rippling, slow-moving currents of Lake Verret. It’s difficult to see from the driver’s seat—most people would have someone get out to guide them—but Willis knows the way by heart. He’s been on boats since before he could walk; Willis’ daddy knew the bayou, and his daddy knew the bayou, and his daddy did too, all the way back to before the Louisiana Purchase. Your family are newer arrivals (relatively speaking), having only been in Napoleonville for about 100 years and keeping mostly to the town. You remember your 11th grade science teacher saying once that alligators have been around since before the dinosaurs went extinct. Maybe that’s what Willis is: a relic of a distant time and species, afflicted with a cunning ruggedness that won’t allow his kind to go extinct.

When the trailer is mostly underwater, Willis gets out of the car to unhook the straps that keep the boat moored to it. You go outside to help and Aemond follows, though he doesn’t know what to do. He’s never handled a boat this size and it shows; perhaps a yacht would be more his speed. He stands aside and watches, frowning, hands buried in the pockets of his Marlboro jacket. His lack of expertise riles him. He’s not used to being the incapable one. He hates not having control.

Willis already has a tow rope tied to a metal handle at the bow of the jon boat; he lifts it out and gives the free end to Aemond. “Hold onto that, will ya? Don’t let her get away.”

“Sure,” Aemond replies ungenerously. Willis returns to his Plymouth Gran Fury to finish backing the trailer into the lake until the boat floats. Standing on the shore together, you and Aemond stare at each other, unable to speak honestly, unable to decide what you’d say even if you could.

The jon boat bobs in the water, and you show Aemond how to pull it away from the trailer using the tow rope. Willis drives the trailer back onto dry land, parks his car in a flat area near the boat launch, and then joins you and Aemond by the water’s edge. He walks to where the boat is floating just to the right side of the concrete ramp and, with some difficulty, clambers inside as the boat rocks under his weight. Then he stands in the middle of it and gestures for you to approach. “Let’s get goin’, sugar.”

You take Willis’ hands when he reaches for you and let him help you into the jon boat. When you stumble over a bench seat, he steadies you with a hand on your waist, familiar but in no way erotic; not for you, at least. Still, from where he is standing on the lakeshore with the tow rope, Aemond glowers venomously.

“Your turn, son,” Willis calls to him, winking. “And I promise not to get too sweet with ya.”

But Aemond doesn’t need any assistance to board the vessel. He has long limbs, good balance, and an ironclad determination not to let Willis see him falter. Aemond sits at the bow of the boat. You claim a spot in the middle. Willis takes a seat at the stern, starts the outboard motor, and guides the boat into the treacherous swampland that lurks like a stalking animal at the edges of Lake Verret.

In the bayou, the water is sluggish, currentless, thick with vivid green salvinia and duckweed. Towering bald cypress trees grow out of the opaque depths and are adorned with greyish, anemic bundles of Spanish moss like spiderwebs. Mangrove trees with their myriad of semi-submerged roots are sanctuaries for catfish, turtles, baby alligators. Larger gators—as big as the female that lives in your yard, and some up to seven or eight feet—prowl with only their nostrils and ancient yellow eyes peeking out from under the water. Great blue herons tiptoe along the shallow shoreline and stab at fish that unknowingly flit between their long skeletal legs. Cicadas shriek in the trees so loudly they almost drown out the hum of the boat’s motor. When the last of the daylight vanishes, Willis tells Aemond to turn on the spotlight mounted to the bow, and the water becomes a soupy, greenish, primordial witch’s brew beneath its glow. Aemond lights a cigarette and puffs on it as he ponders this alien corner of the world that he’s found himself in.

Willis has a number of items stowed on the flat aluminum floor of the boat, you notice now: nets, paddles in case the motor fails, bottles of water, ropes, fishing poles, flashlights, hunting knives, a few sturdy wooden walking sticks. He’s wearing his sheriff’s pistol on a belt fastened over his waders. This makes you uneasy, though you can’t recall ever seeing him use it. It seems wrong to be able to end a life with so little effort.

“Aegon!” Aemond shouts from the bow, using a flashlight to look to the sides of the boat where the spotlight’s luminescence doesn’t shine so brightly. You grab your own flashlight to help him search. “Aegon! Where are you?!”

There’s something burning in your nose and throat as you lean over the side of the boat to peer into the shadowy wilderness. Salt, you realize, but that doesn’t make any sense. Lake Verret is a freshwater lake. You turn towards where Willis is steering the boat with the rumbling gas-powered motor. “Do you smell that?”

“Yup. Sure do.”

“But…how…?”

“One of the rigs mighta hit a salt dome while they were drillin’, I figure,” Willis says. “There’s been talk for years that we got salt domes under the lake. But that don’t stop these oil companies.” He stares meaningfully at Aemond. Aemond glances back, rather abashed. “And ya know what that means. If the water turns brackish, most of the fish’ll die. And who’s got to live with that for generations to come? Not the Targaryens or the Rockefellers, that’s for sure.”

Aemond resumes shouting for his wayward eldest brother. A dark snake, perhaps six feet long, slithers down the length of the boat through the murky water. “Aegon! Aegon!”

“What did he and Viserys argue about?” you ask.

Aemond is cagy. “It’s…kind of personal.”

“Personal like he got a stripper pregnant or personal like he murdered someone in a drunken hit-and-run?”

“Neither. But closer to the first option.” Then he roars into the darkness: “Aegon!”

“Maybe the bon a rien already found his way back home,” Willis says. “Maybe—”

And then there is an echo through the bayou, faint but vaguely human, a ghost, a phantom. “Aegon!” Aemond shouts back. “Where are you?!” Willis cuts the boat engine so you can hear the reply.

Faintly, very faintly, his disembodied voice drifts out of the trees. “Over here! Help me! Quickly! Seriously, really really quickly!!”

“Keep talking!” Aemond yells. Willis is listening intently, trying to pinpoint a direction. His thick, dark eyebrows are knit together in concentration that is rare for him.

Barely audible over the screams of the cicadas: “What the fuck am I supposed to say?! Just get over here and save me!”

“We’re trying to figure out where your voice is coming from, so don’t stop talking!”

“Help me! Come help me!! Right now!! My arms are getting tired!!”

“What? What are you doing with your arms?!”

“I got him,” Willis says. He restarts the motor and steers the boat down a narrow corridor of the swamp. The path is only about ten yards wide and bordered by mangrove trees with nests of exposed, labyrinthian roots. The water is probably relatively shallow: five feet, ten feet, just deep enough for secrets. The breeze is cool and wet, almost chilly. On the shore, you spy a snapping turtle the size of a golden retriever. Its long prehistoric claws are coated with mud and green blades of marsh grass. It ogles you as if to say: What are you doing here? You don’t belong here. This is where the dinosaurs that survived the asteroid live.

“Aegon?” Aemond calls.

“Here! Over here! I can see you, I see the lights! Oh my God, I’m not gonna die! Thank you Jesus!”

Aemond laughs in relief. “I didn’t think you two knew each other.”

“Shut up and save me, you muppet!”

And then you see Aegon—the spotlight hits him, he is illuminated in a stark white glow—and your stomach plummets, your blood goes cold. In an alcove of the bayou, right where the water meets the shore, Aegon is up in a bald cypress tree. He’s about five feet off the ground and standing on top of a branch just thick enough to hold his weight. It’s too narrow to balance comfortably on; he is hugging the trunk to ensure he doesn’t fall, and a fall would be catastrophic. Sprawled on the muck surrounding the base of the tree are a plethora of alligators, all approximately ten feet in length. That’s big enough to be lethal humans. That would be big enough to kill a bear, a horse, a shark. When the spotlight shines on them, the gators begin to squirm and hiss, glaring with soulless reptilian wrath at the boat. Willis shuts off the motor, and the boat bobs placidly.

“Oh, fuck,” Aemond says.

“Yeah, exactly!” Aegon pitches back. He’s wearing an unbuttoned Hawaiian shirt and tiny turquoise blue shorts. He is barefoot. “So what’s the plan?! By the way, hey, cake lady.”

“Hi, Aegon.”

Aemond says: “How the hell did you get up there?”

“I was pissed off about the dad thing and I was walking for a long time, then I realized I was probably in the wrong neighborhood for someone with two legs and no desire to get eaten. I tried to find my way back but then these pig-looking things started chasing me and I freaked out and climbed up here to hide until they left. But as the sun went down, alligators started showing up. And the more time went by, the more alligators there were. And that’s the whole story, can you get me down now?!”

Aemond asks Willis, petrified: “How do we get him down?”

Willis surveys the scene for a moment, thinking. “Alright. Here’s what I reckon. We can toss him one end of a rope and he can tie it to the branch above him, right at the base where it’s real thick. Then we’ll hold the other end of the rope, and he can kinda shimmy on down it into the boat.”

Aegon says: “But what if right before I get to the boat, when I’m like four feet above the water, an alligator jumps out and bites me?”

“They don’t usually do that,” Willis replies.

“Usually?!”

“Look, we don’t have a lot of options,” Aemond tells his brother. “We can do the rope plan now, or we can leave you here, backtrack all the way to the boat launch, get the car, get some help, and hope they magically have a better solution for you. Or you can wait up there until morning to see if the alligators leave. You pick.”

“Isn’t that the hick sheriff guy? Can’t he shoot them?”

“Gators got brains ‘bout the size of a walnut, son,” Willis says. “And if I don’t hit ‘em where it counts, I’m just gonna make them angrier. That ain’t good for any of us.”

“Okay,” Aegon concedes. “Throw me a rope.”

Willis grabs one from the bottom of the jon boat, hands an end to Aemond, and tosses the other to Aegon. It takes the eldest Targaryen boy four attempts to catch it; the rope keeps falling and smacking the hissing alligators in the face before Willis lugs it back to the boat to try again. Once he finally obtains the rope, Aegon knots it—double, triple, quadruple—around where the branch above him, just barely within reach if he stretches as far as he can, meets the massive trunk of the bald cypress tree. Willis tells Aemond: “Now ya gotta hold the rope real tight. No slack at all, or it’ll dip and he’ll end up in a gator’s lap.”

“Yeah, Aemond!” Aegon says, his voice shaky. “No slack!”

“Got it.” Aemond loops his end of the rope around his waist, makes a knot, and then grips it with both hands and tugs it until it forms a straight diagonal line from the tree to the boat.

“Ya sure you wanna do that?” Willia says softly, nodding to Aemond’s waist. “If somethin’ goes wrong and he ends up in the water, you’ll be goin’ in with him.”

“I’m sure.”

“Alrighty.” Willis grabs one of the heavy wooden walking sticks from the aluminum floor of the boat. “If a gator tries to cause a problem, I’ll whack ‘em good. Don’t let ‘em get their jaws ‘round ya, not an arm or a leg or nothin’. If they get ahold of ya, they’ll roll and rip your bones right outta the sockets.”

“Awesome,” Aegon says from the tree. “I’m so glad you told me that. Yeah. Great. Any more super helpful alligator trivia, Sasquatch?”

“Yes sir. If one chomps down on ya, poke it in the eye with your fingers. A whack to the snout or a poke to the eye is the best way outta a gator’s mouth.”

Aegon gulps and clutches the rope, steeling himself.

“What should I do?” you ask Willis. “Should I get a stick too—?”

“Nothin’. You don’t do nothin’. You just sit down right in the middle and keep the boat steady. And if your petit ami starts goin’ overboard, maybe try to snatch him. But don’t ya fall in. Ya don’t want to be in that water. If there are gators above the water, there are gators below too. I guarantee it.”

You sit in the precise middle of the boat, using your weight to reinforce the vessel’s center of gravity as Aemond and Willis stand at opposing ends. Right before Aegon begins his descent, Aemond snags your attention. He makes a motion with one hand, a slicing, a prohibition. Don’t do anything insane, he means. Don’t risk trying to drag me back into the boat if I start going over.

“Whenever ya ready, bon a rien,” Willis says. And no one else but you knows that what he’s calling Aegon is a good-for-nothing.

Aegon begins scurrying down the length of the rope, rapidly closing the distance between himself and the bobbing jon boat. He passes above the hissing gators congregating at the base of the bald cypress tree and then over the water, where there are ripples that multiply out from epicenters and flashes of movement just beneath the surface but no homicidal alligator activity. When Aegon nears the boat, Willis seizes him and helps him into it; and then Aegon ruptures into hysterical giggles.

“I almost died, can you believe that?” he asks Aemond, who is untying the rope from his waist and beaming, the first real smile you’ve seen from him tonight. “Because I ran away from Viserys?! What an idiotic way to go. I’ll never let that bastard convince me to off myself. I gotta outlive him. I gotta do Jello shots on that motherfucker’s grave someday.”

“Yeah, you do,” Aemond agrees, squeezing Aegon’s shoulder.

“Goddammit,” Willis grumbles. He’s using his walking stick to jab at the water near the rear of the boat. “We’re hooked on a mangrove root or something.”

“Do you need help?” Aemond asks, headed towards him.

“Yes sir, if you’d be so kind. I don’t…I can’t see…what the hell is it stuck to?”

“The motor…? The blades of the motor?”

“Oh, Jesus Christ, you’re right. Yup. There it is. We musta drifted into it while we were preoccupied. Okay, we gotta push the boat off the root and then we can get movin’ again. Grab a stick, let’s start pushin’.”

“Should I get a stick too?” Aegon says, joining them. “I can hit stuff with sticks. I really want to get out of here…”

There’s a bit of a commotion at the back of the boat as the men try to propel it away from the mangrove tree. Willis is complaining that the water is too deep to touch the bottom with his stick. Aemond’s stick keeps slipping off the mangrove roots when he tries to get leverage. You aren’t sure what Aegon is contributing, if anything. The boat has begun to rock.

You look to the tree where Aegon had been imprisoned. The alligators are fully awake now; they are headed into the water and disappearing there, unseen, unheard, and yet all around you.

“I think we need to go now,” you say, but no one is listening to you. They’re still wrestling with the mangrove root. You rise, taking a few steps to the left to offset the boat’s listing towards the right. “Guys, we need to—”

The boat is freed from its organic jailor and lurches sharply towards the left. As the men cheer triumphantly—completely unaware of what’s happening—you are jolted off your feet and tumble backwards over the side of the boat.

The shock of hitting the water stuns you. It is cold and impossibly dark; when you open your eyes to try to find the surface, the boat, you can’t see anything. You paddle blindly. Something brushes your leg, and you scream bubbles of mute terror. You can’t breathe, you can’t think, you are picturing those ten-foot gators slinking into the water that you’re now thrashing wildly through. You swim towards what you think is the surface and strike unyielding metal—the underbelly of the boat—hard enough to put stars in your skull like the flashes of lightning bugs. You get turned around and don’t know where you are again. Something glides past your arm, and you gasp before remembering that there’s no air. Dark water—salt and silt and decomposition—surges into your lungs, your stomach, sinking you like an anchor from within. There is a whirlpool of motion around you and muffled shouting. Then something closes around your wrist.

The eyes! you think frantically. I have to poke out its eyes!

But the vice around your flesh has no teeth. It’s not a reptilian jaw, you realize now, but a human hand. It leads you and you obey.

When you break the surface, you cough bayou water from your throat and blink it out of your eyes. Willis is leaning over the side of the boat and stabbing at gators with his stick, shrieking at them in French. One lunges at him from the water, jaws snapping. Willis whips the pistol off his belt, aims it squarely between the creature’s eyes, and fires. The boom is deafening; the bleeding gator sinks into the water. Aegon is kneeling in the boat and offering his arms to help you climb up.

You look beside you. Aemond is barely keeping his head above water. “Go!” he orders you. “Get in the boat!”

With Aegon’s help, you heave yourself over the side and collapse to the aluminum floor, lungs aching, skull pounding, heart thudding mercilessly, soaked to the skin. Then you force yourself to your hands and knees to see where Aemond is.

“Aemond?!” Aegon is yelling. “Aemond, where are you?!”

He’s gone; you don’t see him in the water. You try to scream for him too, but the water still in your throat strangles you. Your hands close around the edge of the boat, and Willis grabs your raincoat to yank you backwards. “Other side!” says, pointing. “We’re gonna capsize, we need weight on the other side, go there!”

You scramble to the opposite end of the boat, sobbing now, still hacking up muddy water. Where’s Aemond?? Where is he??

Both Willis and Aegon are grasping for something. They’re shouting and stabbing into the water with their walking sticks. And then they’re hauling him into the boat: Aemond, blood pouring down the left side of his face, a gash by his temple, another on his forehead; something bit him or clawed him. He’s wearing only his jeans and a white tank top; he ripped off his Marlboro jacket before diving in after you. You don’t see his Adidas sneakers anywhere. They must have been kicked off in the water. His glass eye has been knocked out and lost in the muck. What’s left in its place is a void, gaping, pink; it’s difficult to look at, you’d be lying if you said it wasn’t. It has the visceral, gory quality of organs never meant to be seen. His fingertips go to the socket to feel for his prosthetic. When he confirms it isn’t there, he covers his face with his hands and moans.

He saved me. He jumped in after me.

You crawl to him. “Aemond—”

“No!” He pushes you away, and you see that there’s blood and ancient silt from the bayou in his empty eye socket. It will have to be cleaned out. Willis watches, astonished, bewildered. For once, he is at a loss for words.

“Aemond, please…” You’d do anything to help him. You don’t know how to help him.

He saved me.

Aegon reaches for Aemond. “Hey, hey. It’s not that bad. Hey…” He drops to his knees, presses his forehead against Aemond’s, stains himself with his brother’s blood. And when Aemond tries to pull away, Aegon doesn’t let him; he’s got his fingers tangled in Aemond’s wet hair. “Thank you for saving me. I’m always almost getting myself killed and you’re always saving me. What would I do without you, huh? None of us would be okay without you. Thank you, Aemond. You hear me? You’re not gonna get this again anytime soon, so listen up. Thank you. Thank you.”

“I’m just so—”

“I know.”

“I hate that I’m like this.”

“It’s not a big deal. You’ll order a new one.”

“You know what he’s going to say.”

“Fuck him. Why do you care what he thinks? Because you think he’s the one who gets to decide what you’re worth? He isn’t. He’s not qualified.”

Aemond nods, but he doesn’t seem to be convinced. He still doesn’t look at you. He turns so the left side of his face—bloodied, eyeless—is angled towards the water and out of your view. Willis goes to the motor, starts it, and begins guiding the boat back towards the launch where he parked his Plymouth Gran Fury.

Aegon glances over at you. “You okay, cake lady?”

“Yeah.” But your voice shakes. The rest of you is shaking too; now that the adrenaline is wearing off, you can feel that you’re shivering in your wet clothes.

“Put it on,” Aemond says softly, and at first you don’t understand. Then you see that he’s pointing to his Marlboro jacket, left hurriedly flung on the floor of the boat. You unzip your dripping raincoat and don Aemond’s Marlboro jacket instead. It smells like him: smoke, cologne, effort, secrets.

“Thank you,” you tell him, wanting to say more. Aemond doesn’t answer. He stares into the murky water, greenish under the glare of the spotlight, and says nothing to anyone all the way back to the boat launch. Wordlessly, he helps Willis re-hitch the jon boat to the trailer. He remembers the steps. He’s a fast learner. The blood on his face is drying; his right eye won’t allow itself to look at you. The only sound on the drive to the Targaryens’ mansion is the radio of the Plymouth Gran Fury, which Willis turns up to cover the silence: In A Big Country.

At the end of the cobblestone driveway, lights are on in the vast house called The Last Desire. Everyone gets out of the car. Willis shakes a rather puzzled Aegon’s hand, then turns to Aemond, who ignores him. Willis chuckles, more curious than offended.

“So ya are the man who’s been givin’ her that satisfied look. I knew it. Yes, I knew what I saw. What’s your secret, son? Ya must really know your way around a woman if ya got her so mad about ya with a face like that. Ya look like the Rougarou got ahold of ya—”

Aemond grabs Willis by his hoodie, yanks him off his feet, jacks him up against the side of the sheriff’s vehicle. Immediately, you and Aegon are shouting and trying to break them apart.

You plead: “Aemond, don’t!”

“Aemond, he’s got a gun!” Aegon screeches.

Fortunately, Willis isn’t grappling for his pistol. He holds both palms in the air, open and empty, like he’s surrendering; but there’s still a smile on his face. Aemond doesn’t act like he’s heard anyone. He leans in close to Willis, his voice low and dark and snarling, his sole blue eye glinting. “You had so much in your filthy fucking hands and you just threw it away.” Then he slams Willis against the car one more time, tears away from him, and strides up the porch steps and into the house.

Aegon hurries after him, casting you a quick glance and a beckoning wave. It’s an invitation. You coming? Aegon mouths, and then vanishes inside.

Willis peers up at the house: stained glass windows, immense white columns. You don’t see any signs of Vhagar the Great Dane. Willis speaks calmly and without looking at you. “I think he’s in love with you, sugar.”

Improbable. Impossible. If he was, he couldn’t marry someone else. “He’s not.”

Now Willis’ eyes flick to you. “All I’m sayin’ is that I’ve been fishin’ on that lake since as long as I can remember, day, night, sun, storms, and nothin’ on earth would have gotten me to jump into that water. Not even Heather Locklear herself.”

“Just go, Willis,” you say, exhausted, heartsick. “Thank you for what you did tonight. But please go now.”

“How ya gonna get home?”

“I’ll figure it out. Don’t worry about me.”

“Of that, I am incapable,” Willis drawls. Then he climbs into his Plymouth Gran Fury and is gone. You sprint up the porch steps in your soggy sneakers, searching for Aemond.

In the white-and-gold foyer, Viserys is just arriving. He struts across the marble floor until he is close enough to his two oldest sons to embrace them, to hit them, to extract their teeth with his knuckles. The others pour through the doorways—Alicent, Criston, Helaena, Daeron, Otto—but while they gape in horror and fascination, they don’t speak in anything more than murmurs amongst themselves. Viserys steals only a glimpse of Aegon, swift and disinterested, then examines Aemond: wet clothes, no shoes, grime and blood, dazed fury. When his cool, pale gaze reaches Aemond’s empty eye socket, Viserys flinches and looks away.

“So you lost another prosthetic,” is all he says. His face twists into a grimace. And you expect Aemond to do something, to jab back, but he doesn’t. He’s frozen, he’s paralyzed. His right eye is misty. He’s biting his lips so they don’t tremble. And suddenly you hate Viserys Targaryen, you hate him more than you can imagine hating anyone. You think that you could watch his entrails unspooled from his body without feeling a thing. The Targaryen family patriarch hasn’t spoken to you; you don’t register to him at all. You might as well be an oriental vase or a house plant.

“You’re the one who did it, Viserys,” Aegon says, stepping in front of Aemond seething and sharp like a blade. “You remember that part? I do. I remember. The North Sea, 1968. I remember him trotting around after you, always so desperate to prove himself, always doing anything you asked, anything you could dream up, worshipping you like you were God. And where were you when he was getting his eye socket debrided at Moorfields Hospital? In fact, where were you when he got his hands caught in a winch when he was eleven? Where were you when he fell off a pipe deck and broke six ribs because one of your idiot employees forgot to close a safety gate and he couldn’t see it? Where were you then? Where are you now?”

Viserys scowls down at him—revolted, repelled—but he doesn’t reply. He feels no instinct to defend himself. He is unable to internalize shame; it rolls off him like raindrops.

“You’d love me so much if I was dead,” Aegon says, grinning, baring his teeth like an animal. “How sick is that? You can love bones in a box, but not someone standing right in front of you. You love Aemma, a ghost. You love Baelon, and you never even knew him. You’ve got nothing for me. That’s fine, I don’t care, I’ll be alright without you.” He points to Aemond. “But you’ve got nothing for him either, and he’s everything you always wanted. You’re disgusting, you’re broken. You belong in a box too. The part of you that was human is gone. I don’t give a fuck about what’s left.”

Aegon shoves Viserys, hard, and then storms past him. As he crosses into the kitchen, Helaena grabs for his wrist. You can hear her whisper: “What the hell happened?!”

Then Aegon remembers one last thing. He whirls around and bellows at Viserys, his voice reverberating off the vaulted ceilings: “And I’m not getting my vasectomy reversed! You can’t make me! It’s bioethics! I asked the lawyer!” He stomps off and disappears, Helaena in tow.

Alicent shoots Viserys a hateful glare and then flees from the foyer, her long auburn ringlets streaming out behind her. Viserys goes in the opposite direction. Daeron and Otto share an awkward glance and then depart as well. Only you, Criston, and Aemond remain in the room, surrounded by treasures that might as well be handfuls of earth, flour, swamp water, salt.

Cautiously, Criston lays a hand on Aemond’s shoulder, on his right side where he can see it. “Aemond…”

“Don’t touch me,” Aemond says as he wrenches away. He leaves like a hurricane, like a flood, receding until there remains only wreckage and memory.

Criston sighs deeply, and then he asks you: “Do you need a ride home?”

You don’t respond. You haven’t decided how to yet. You stare at the place where Aemond stood, a void like a star that died out. Do I follow him upstairs? you think.

Do I?

[miasmaghoul]

whos the best ghoul cook? do you think they have any weird eating quirks (like water ghouls eating raw fish, mountain chewin on his terra cotta plant pots, fire ghouls needing to eat more bc of higher body temp, anything like that)?

Did I ever tell you guys that I earned a scholarship to culinary school? I couldn't go, but cooking and baking remain passions of mine that I do NOT get to talk about enough.

But now you've given me an excuse >:)

So here, a BUNCH of my cooking (and favorite food) headcanons for the ghouls and Papas alike!

(There's some murder ghoul content here, mostly in Alpha's section - couldn't help myself 😌)

Aeon isn't one for cooking. Loves eating food, certainly, but not making it. He's more of a snacker, partly because it's more convenient but mostly because he doesn't have the attention span to do much more than microwave instant noodles. He's not picky though, will eat whatever is put in front of him as long as someone else has prepared it. Also doesn't have much of a sweet tooth, more of a salty/savory guy. Favorite foods include hot cheetos, thick cut beef jerky (good to gnaw), and whatever appears on his plate at meal times.

Aether is a ghoul of simple tastes. He'll cook when he has the time, but it's going to be one of his four go-to recipes every time. Always some format of protein + starch + veg, with a complementary sauce. He meal preps every weekend after his retirement so he can have easy meals to microwave and eat in the infirmary. Isn't the biggest fan of cooking with company, unless they're willing to stay out of the kitchen and not interrupt his routine. Has a weak spot for bananas. Favorite meal is one-pan roasted chicken, potatoes and asparagus with rosemary and garlic from Mountain’s garden.

Alpha does not cook, wouldn't dream of it. He doesn't even deign to eat human food most of the time, turns his nose up at it when offered. He likes his meat raw, and wants to hunt it himself so he can feel the blood run down his chin. Any prey is fair game - if he finds you in the woods, you'd better hope you can outrun him. (You cannot.) Favorite foods include the flesh and organs of anything with a pulse.

Aurora likes the idea of cooking, but in practice...well, she tries. She's impatient, is the problem - what do you mean simmer for 20 minutes? She's hungry now! She inevitably rushes everything she makes, no matter how much input she gets from the others, and has yet to learn her lesson. She also has a MASSIVE sweet tooth, they can't keep enough sugary snacks in the pantry as far as she's concerned. Favorite foods include spaghetti with butter and cheese (one of the only things she can always get right), boxed brownies and any kind of fruity candy she can get her paws on.

Cirrus can cook pretty well, if she says so herself, but it's rare that she does it for anyone but herself. She has very particular tastes, and doesn't want to have to adapt them for others. She loves organ meat and bitter vegetables, enjoys the intensity of those flavors while the smell alone keeps most of the others away. Oh well, more for her! She'll eat anything thats made for her though, especially if its served on a silver platter by someone on their knees. Favorite foods (aside from the aforementioned organs) mostly include healthy things like fresh fruit and veggies, steamed shellfish and lean meat.

Cumulus is more of a baker than a cook, but enjoys any time spent in the kitchen either way. She's the type to make a day of it, in her comfiest clothes with music playing while she dances in front of the stove. Her food is never the prettiest, but it's made with love and tastes so much better for it. Her favorite things to bake are cookies and pies, but she doesn't eat many sweets herself. Prefers seeing the others enjoy them. Favorite foods include homemade bread (she has a sourdough starter named Breadly) with lots of butter and flaky salt, anything citrus-forward and wants her proteins heavily spiced (not spicy, she has a low tolerance, but loves the fragrant flavors of herbs and spices).

Dewdrop doesn't advertise it, but he's one of the best ghouls to have in the kitchen. His precision and attention to detail are second to none, and while it doesn't make him particularly fun to share a kitchen with it does make him an outstanding cook. He likes very intricate, involved recipes because he can use them to showcase his skills (and earn a whole bunch of praise at the dining table as a bonus). Loves spicy food, which everyone assumes is due to him now being a fire ghoul, but he's actually always enjoyed a good burn. Favorite foods include any meat served on the bone, fermented foods (kimchi and sour pickles especially) and anything smoked.

Ifrit does not know how the stove works. He survives on protein bars and any leftovers he can pilfer from the abbey kitchens. Food is not a thing he's super interested in, just takes what he needs to fuel himself, and would rather follow in Alpha's footsteps anyway. He likes to hang out at the lake every now and then with Mist, though - she'll pop up from the water every now and then with a nice plump trout to toss his way, which he will roast with his bare hands. Doesn't really have a favorite food, but does like crunchy things.

Mist, if she isn't sharing her spoils with Ifrit, will keep her catch for herself. She's small enough that one good-sized lake fish will tide her over for the day. She does prefer them raw and whole, always a bit on the feral side, but she can be convinced to join the others for sushi if the offer arises. Favorite foods include anything alive and not poisonous in the lake, and cookie dough ice cream (don't tell anyone).

Mountain is overall considered to be the best cook amongst the ghouls, and definitely has the goofy apron to prove it. Naturally skilled and adaptable, he enjoys preparing meals for his pack and will do so with anyone that wishes to lend a hand. Usually it's Cumulus or Sunshine, but they all keep him company at one point or another. He grows much of the produce used in their kitchen himself, all of it fresh and delicious, but Mountain does not eat a bite of it. He's a total carnivore - the closest he gets to eating his homegrown goodies is including them in a stew but avoiding them in his own bowl. Favorite foods include rabbit, venison and this one Vietnamese style grilled beef and rice noodle dish that Dew makes.

Omega learned to cook by osmosis, if you ask him. Time spent under three Papas will do thay to a ghoul. He doesn't cook much, but he's excellent at crafting simple, filling pasta dishes that are good for the soul (so to speak). Also treats it as an excuse to drink plenty of the good wine stashed away in the abbey's cellars - blame Terzo for that habit. Favorite meal is fresh pappardelle served with roasted tomatoes, basil and spicy sausage.

Rain doesn't cook if it involves more than the microwave, not because he can't but because he prefers to be waited on. Breakfast in bed, charcuterie plates in the afternoon, specially prepared dinners to make sure he's kept happy - none of it is necessary, but Rain can't help how much he loves being served. Good thing no one minds giving him the royal treatment. He will also indulge in the odd raw fish during a swim, but only does it beneath the surface, away from prying eyes. Favorite good is soup, any kind, but he prefers brothy ones over thick or creamy styles. If he had to pick a single favorite varitey, it would be miso.

Swiss is only allowed in the kitchen because he's good with a knife. He can burn through prep work like nobody's business, but that's where his skill set ends. He's caused one too many greasefires to he trusted at the stove, and every time he's put something in the oven he's forgotten about it until smoke filled the room and the ghoulettes had to magickally air it out. But he can chop like a food processor, so he gets the knife pass. He's another one that'll eat anything put in front of him, with one exception: eggs. Can't stand them. Favorite foods include red meat served rare, really dark, bitter chocolate and anything with hideous amounts of garlic.

Sunshine is chaos personified in the kitchen. She loves to experiment with flavors and techniques, but has yet to have anything close to a success. Pasta with pesto and pineapple (alliteration is fun), chocolate covered avocado balls (with bacon, because why not), a tuna sandwich made with coconut yogurt instead of mayo (it's healthy!) - these are but a few of the food crimes that have lost her solo access to the kitchens. This girl could burn cereal, and no one wants to see that. She does love to eat though, and will frequently hang out when someone else is cooking so she can sneak bites whatever they're making. Favorite foods include cheese (all kinds), sour candy and all the orchard fresh peaches she can get her hands on.

And for the Papas:

Primo had to learn his way around the kitchen from an early age, thanks to the responsibility of raising his younger brothers falling onto his shoulders. He learned by watching the kitchen staff - a pair of elderly Sisters with so much skill in their gnarled hands that Primo couldn't look away. He never got very good at it, mostly sticking to a handful of reliable dishes that could be made cheap and easily for the three of them. His favorite of the bunch was also the one thing he was best at making - a simple mushroom risotto.

Secondo took to the kitchen like it was second nature, once Primo could trust him to not chop a finger off. Would spend hours poring over cookbooks and learning by doing, eating his own failures so his brothers wouldn't have to. He really enjoyed making simple but hearty comfort foods, lots of rib-sticking braises and stews filled with herbs and veggies from Primo's modest garden. He even cooked the last meal they ever shared together, on that fateful Uno night. It was his favorite, a lasagna constructed from fresh sheets of pasta, homemade ricotta, spinach and a simple tomato sauce, served with roasted garlic focaccia.

Terzo did not get the cooking gene, aside from being able to boil water for his tea. It wasn't a big deal since his brothers picked up the slack, and he decided there were other things that took priority - like music, history and how to retain a full head of hair after age 30. He preferred drinking over eating anyway, mostly saw food as something to put in his stomach to cushion the wine. He was a man of simple tastes, and his favorite thing was a humble sandwich of mortadella, provolone and spicy pickled peppers.

Copia never had to learn to cook, raised by the Clergy and doted on thanks to a not-so-subtle suggestion from Sister Imperator. More than a little spoiled in that sense, he would also go on to be the most worldly Papa in terms of his tastes. So much time spent traveling the world helped to expand his palate, and he got into the habit of sending pictures and descriptions of his favorites back to the abbey so the kitchen staff could figure out how to replicate them. It's impossible for him to pick a favorite, but thanks to so much time spent in LA he does have a real soft spot for Mexican food. Tacos al pastor in particular, but without the cilantro (he has the soap gene).

[1-800-kami]

margaret - lana del rey | nanami kento

.. just when you thought nanami left behind nothing, you discover a letter on the top of his closet... addressed to you.

content: 0.9k words, anime spoilers, fem!reader, small banana fish allusion at the end because i hate my life

author's note: i'm not okay.

it’s october 31st, 2019, and you think you’ve finally gained enough courage to clean out kento’s closet.

one year. that’s exactly how long it’s been since his death. ever since you found out that your fiance was a part of the thousands who fell victim to the shibuya incident, the days have blurred into one another. each day seems monotonous and devoid of life without the man who promised to spend the rest of his life with you.

each day, you just dream of the day that you’ll be able to see him again.

still, no one was using the clothes from his closet. you knew your fiance would’ve preferred it if you donated his clothes to someone who could actually use them. you’ve been putting it off, since you knew that the smell of his clothes would just fill your heart with yet another round of painful memories. despite that, you knew you had to do it one day.

you haven’t touched his closet since the day he died. his clothes still smell like his perfume, and everything is neatly folded. you take one of his shirts with a shaky breath and revel in his scent, eyes watering knowing that even though his scent is still there, he isn’t.

and that makes you feel alone. fuck, you feel so awfully alone. 

your eyes scan through the entire closet, wondering where you’re gonna start with the cleaning. then, something sticking out of the top of your closet catches your eye. it seems so deliberately placed- wait, is that an envelope?

standing on your tiptoes and taking the envelope, you gasp–realizing that it's a letter addressed to you. from kento.

as far as you knew, your fiance didn’t leave anything behind for you other than a few broken promises. your engagement ring still rests on your ring finger, and it breaks your heart knowing that your wedding day will never come. he promised to marry you, that your honeymoon would be in kuantan, malaysia; and eventually–you’d buy a small house there just for the two of you, where sorcerers and curses are finally alien words and the rest of your days are spent out on the beach.

of course, none of that would ever happen now. you live knowing that your engagement ring will never be replaced with a wedding ring.

still, you thought that you’d live the rest of your life knowing that nanami never left anything behind for you... but this letter was new. you open it up, finding words scrawled in the handwriting that you knew all too well.

“to y/n—my love,

if you’re reading this, then it means that i’m dead, and i’m sorry.

i’m writing this letter because i know that as a jujutsu sorcerer, coming back home is never guaranteed. and yet, if i ever die, i don’t want you to be left behind with nothing. so one day, you’re going to have to clean out my closet, and you’re eventually going to find this letter.

i’m writing this hoping that you’re never going to have to read this, and i’ll throw this letter away eventually because i lived to come back home to you. 

but we both know that there’s a chance i might not come home.

living to see the next day isn’t guaranteed for any of us. not for me, and not even for people like gojo. so if it ever comes to this, i want you to live for the both of us, love. it’s difficult but i truly don’t want to hold you back from being happy just because i’m gone. fall in love again and live your life. then, when i see you again, you can tell me everything, and i’ll be excited to hear all about it.

i can hear you outside right now humming while making dinner. i want the rest of our life to be domestic like that—but sometimes, life isn’t always fair.

i remember getting photos of us printed out, because whenever i would be out on a mission, i found myself missing you all the time… so i always kept photos of you and me in my phone case. i want you to have these photos because they kept me going whenever i wasn’t able to be with you. i hope you can eventually learn to do the same, love.

just know that i love you. i love you so, so much, dear. you’re my reason to live. you’re the reason why i love coming home every day—you’re the reason i work as hard as i can so you’ll never have to read this letter. and i really do hope that you’ll never, ever read this.

i love you and i’ll repeat it until the entire world knows it. i’m sorry that i never got to marry you. i’m sorry that we never got to go to kuantan together. i’m sorry that i never got to do the things that i promised i would. 

even though i’m sorry for everything, you might’ve noticed that i haven’t said goodbye. that’s because i won’t say goodbye, because eventually, there’ll come a time when the stars align and we’ll meet again, no matter how far apart we are. and i can’t wait to see you again…

…because then, i’ll make everything up to you.

love, 

kento.”

[pyuppy]

˗ˏˋ ꒰ a fruitful legacy challenge ꒱ ˎˊ˗

Hey there, I'm finally finding more time to play the Sims again, and I wanted to make myself a legacy challenge to keep me engaged in a long-term save.

I wanted to publicize these ideas so that others who are interested can have a new legacy challenge to try out for themselves! ♡

This legacy was inspired by the not so berry challenge and sims in bloom legacy ♡ You'll have 10 generations of fruit-based heirs to play with.

Sorry, but this legacy is going to be VERY PACK HEAVY. (If you'd like I will take into consideration making a base game legacy)

General Rules:

normal or long lifespan (aging on)

you can only cheat money for the first-generation house, and it should be no more than 40k. (keep the idea of a starter)

you must complete all generations' goals before their death.

you can have sims move around to different worlds and lots. you do not have to live with your entire family all the time (unless stated otherwise).

infants and toddler traits should be randomized and only once.

you can use as many mods as you want to add events and other gameplay elements to your game.

-ˋˏ✄┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈

Generation One: Banana

You've come a long way. You just turned twenty-one and saved every cent you earned from part-time work in your teens. It's finally time to reset and start a new life in a new city/town. Unfortunately, you can only afford the smallest, oldest house in the area. You're still grateful, and don't let it affect your enthusiasm. You are determined to make the most of what you have.

Aspiration: Big Happy Family

Traits: Cheerful, Childish, Loyal

Career: Part-time Worker -> Educator

Goals:

Max the Fishing, Cooking, & Parenting Skill

Work part-time while going to college to become an educator (professor or admin path)

Upgrade and renovate your house overtime to facilitate your lifestyle and family.

Have your first child while in college

Marry as an Adult in your backyard

Take your family out at least once a week until your eldest moves out.

-ˋˏ✄┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈

Generation Two: Pineberry

You watched your parents work pretty hard in life yet still found time to raise you actively. You have always been quiet and always enjoyed your alone time. During those times, you'd isolate in your room and play games. Soon enough, you taught yourself a bit about coding, and ever since, your curiosity has been boundless.

Aspiration: Computer Whiz

Traits: Socially Awkward, Geek, Loner

Career: Freelancer

Goals:

Max the Programming, Guitar & Gaming Skills

Program for money as a teenager to adulthood

Go to college but, drop out after the first semester

Maintain one friendship and marry them

Only live in apartments and decorate them monochromatic

Adopt one child (never have a biological child)

Play games with your child often

-ˋˏ✄┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈

Generation Three: Grape

After being adopted, there weren't many rules in your home. You used that freedom to skip school and travel to new places. In Del Sol Valley you became obsessed with the idea of fame and desperately wanted to act on screen! After barely passing high school, you move to Del Sol Valley with the little money allowed by your parents to seek fame, fortune, and maybe notoriety.

Aspiration: World Famous Celebrity

Traits: Self-Absorbed, Materialistic, Ambitious

Career: Actor

Goals:

Max the Acting, Mischief, & Fitness Skill

Date multiple celebrities to increase your fame

Only marry when you date a 5 star celebrity

Become a 5 star celebrity and win an award

Purchase a mansion

Have 3 children and name them after luxury cars

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Generation Four: Cherry

Being born into wealth and fame is hard on a child. Having the world's eyes on you at all times didn't allow you to have a normal childhood. Especially when your parents were more concerned about chasing money. The one thing you're grateful for is the huge kitchen your parents owned. You spent a lot of your time cooking and trying new recipes. Feeding your siblings and experiencing new cultures has inspired you to pocket some of your parent's money and move to a new city to open your own restaurant.

Aspiration: Appliance Whiz

Traits: Foodie, Creative, Perfectionist

Career: Restaurant Owner/Chef

Goals:

Max the Cooking, Gourmet Cooking and Baking Skill

Be at least lvl 5 cooking skill before moving out

Start your business through a food stand in your yard.

Start a restaurant with a consistent menu (Japanese, Seafood, Italian, Soul Food)

Marry one of your employees and have a child with them.

Have your child cook dinner with you every night.

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Generation Five: Peach

You loved animals all your life. You begged for multiple pets and fed strays with leftovers from your parent's cooking. Wasn't too long until you wanted become a veterinarian. You seek to learn how to care for all animals and own them all! Making your house a sanctuary for animals has become your new life's purpose. Soon enough, you take in a child as well.

Aspiration: Friend of the Animals

Traits: Animal Enthusiast, Cat/Dog Lover (choose one), Outgoing

Career: Veterinarian

Goals:

Max the Veterinarian, Horse Riding, & Pet Training Skills

Buy a large plot of land to grow into your Ranch

Adopt a horse and dog in the same day.

Take one of your pets to work everyday.

Own a horse, a dog or cat, fish and other farm animals.

Never marry and adopt all of your children.

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Generation Six: Lime

As your parent was working the Ranch and a veterinary clinic full time, you surrounded yourself with books during your time alone. You were gifted a computer for your 14th birthday and immediately started writing your own fanfictions about book series you adored. After some online traction you decided to make writing your full-time job!

Aspiration: Best Selling Author

Traits: Bookworm, Romantic, Slob

Career: Writer -> Freelance Author

Goals:

Max out the Writing, Handiness, Logic Skills

Live in a tiny messy apartment

Get a degree in Literature and Language

Create an ongoing book series about a supervillain.

Make friends within your career/degree

Date 4 men before finding "the one" (the 5th)

Continue to have children until you have a girl

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Generation Seven: Blackberry

Of course, you've read your parent's works. You have been heavily inspired by their main drama series. You want to be a "Ultra Mega Super Villain" just like they wrote about. The idea of having the world under your control is exciting enough! Can't be too hard!

Aspiration: Public Enemy

Traits: Mean, Kleptomaniac, Jealous

Career: Secret Agent (Villain)

Goals:

Max the Logic, Charisma & Photography Skill

Get a degree in Villainy

Live in campus for college

Steal to afford college

Marry an Evil sim

The basement of your house has to be used for your villainous activities

Have 3 children and name them after famous villains

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Generation Eight: Orange

Your parents were complete assholes; if anything, you don't even like them? As a teenager, you spend a lot of nights at friend's houses and don't like to socialize much with your parents. You grow an interest in the military and "secretive" government agencies. You quickly join the military after college for a chance to work in covert operations. Maybe even taking down your parents in the process?

Aspiration: Academic

Traits: Hot-Headed, Ambitious, Active

Career: Military (Covert Ops)

Goals:

Max the Logic, Fitness, & Programming Skills

Get a degree in Psychology

Play piano as a hobby

Become enemies with your parents

Uphold multiple relationships but, eventually be caught cheating

Have one child and raise them alone

Be a strict parent

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Generation Nine: Coconut

You hated your insanely strict one-parent household. You became a delinquent seeking trouble wherever you went. Always sneaking out, cycling through partners and even clubbing on the weekends. Immediately after graduating you couldn't help your extroverted partying nature. You quickly drop out of college and have to make a decision. Nightlife, or a successful career? Who said you can't do both?

Aspiration: Party Animal

Traits: Non-Committal, Lazy, Party Animal

Career: Mixologist

Goals:

Max out the Mixology, Mischief and Charisma Skills

Get all F's in your first semester of college

Visit the same bar/club you "work at" on your off days

Date one of the regulars and have a child with them

Rush into marriage a week after their birth

Live in a duplex/townhouse and have a bad relationship with your neighbors

Raise your child to be an A student

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Generation Ten: Blueberry

After You worked VERY HARD to get where you are now, You're in the position of going to any university you choose and on scholarship. You plan to make the most of it by becoming a doctor. Finally, you can help support your family back home and also have a self-fulfilling career to keep yourself inspired. The problem is that you've never had time to "live" until now? Can you juggle school and a social life?

Aspiration: Academic

Traits: Socially Awkward, Clumsy, Squeamish

Career: Doctor

Goals:

Max the Logic & Fitness Skills

Get your degree in Biology and then another (of your choice)

Maintain 2 good friends

Marry someone in a non-STEM career/degree

Participate in all university parties

Max the Doctor Career

Have all your children in the hospital

Have at least 2 children

[charlidos]

THE CHRONICLES OF THE CUNTYBAGO

I love the lore of the Fellowship, I can't get enough of it. And it's really turned into a kind of myth, hasn't it? The stories have been established, from being told again and again. Regardless if it's not the whole truth, or even not true at all. The lore has a life of its own. And it changes, depedning on who's talking, and over time.

The lore of the (inappropriately named) Cuntybago is a favourite; that famed make-up trailer bus where Orlando spent so much time with Viggo (hours and hours for years and years if you listen to Orlando) absorbing everything Viggo did.

So here's the Ultimate (very long) Cuntybago Post.

The Cuntybago is apparently where all the after-work parties happened. Most of what actually happened on it is still secret, private events not to be shared; after hours, after some wine/whisky drinking. What kind of special stuff was in the drawers? What did they really smoke? And, most intriguingly, who exactly was left onboard when everyone were ordered to get out... (Erm, V&O, perhaps?)I'm sure there are many more photos from the bus. Like a photo of Viggo & Orlando - which has yet to be seen. Oh, to have been a fly on that wall!

(A clip from the last day of the reshoots, in 2003. Because it's the time the bus has been talked about the most. Even if I'm unsure if this is the actual Cuntybago or not. Since it doesn't look green...)

Mortensen and Orlando Bloom spent much of their off-time on a green bus they named the "Cunty-Bago." Instead of the standard luxury lodging demanded by most stars on set, Viggo and co-star Orlando Bloom shared a converted bus while filming Rings. Viggo stocked the bus with a wine cellar and wallpapered the inside with candid behind-the-scenes photos. A source on the set said the bus was the site of frequent cast parties, with the motto, "Everyone is welcome, but when it's time to go, get out!" Indeed, they formed a club — The Cunty-Bago Club. [Viggo, Sean and Orlando] shared a make-up Winnebago, and through hours of beard and pointy-ear application formulated the rules of their society — most of which boil down to getting gossip and posting it on. [on what? I think the text is cut?]

There are very few quotes from Viggo. If you read his old interviews about life on set it sounds like he mostly worked 6 days a week, 14 hours a day. And in his free time, he went camping and fishing by himself and just drove around to get some me-time. That's it. It all sounds like mostly work and no play for Viggo. Cementing this image of him being ever serene, wise and a hard working method actor who never stopped being Aragorn. But then, we have the stories of this bus, which shows his wilder side...

(Viggo in ponytails, with a glass of wine and banana, in front of that mirror covered in photographs. They both took a lot of photos on set, so I guess a bunch of those photos are Orlando's.)

All Viggo's said is this:

"It was a crazy small bus." "Everything had cunt. It was 'cunt this' and 'cunt that'. We had a cuntmas tree, and we had cuntmas angels."

(Orlando on the makeup bus. )

Orlando has mostly mentioned the bus in passing, as he loves on Viggo, his great hero. And in his words, it always sounds like it was just the two of them... (when in fact it was from time to time also shared with Sean B, Bernard and Liv - but only Viggo & Orlando were there the whole time).

[Me and Viggo would] sit next to each other for a couple or hours each morning in a make-up truck. You get to know someone that way, more than by being in scenes with them. I used to sit next to him on the make-up bus, and find myself just staring at him while he was having his make-up done and drawing in his book or writing his notes. I would find myself fascinated. When I went back for re-shoots, I was on my own and he wasn't sitting there, and I suddenly was sitting in the makeup bus that we'd been driving around in for 18 months in New Zealand and got really emotional and felt that it was kind of weird to be there without him there and sort of reflected on all of the happy conversations and chats and glasses of wine and talks that we would have at the end of the day or whatever. He really had a huge impact on my life as an actor.

But he did say a few specific things too:

"Ahhh yes, the bus. It was mine, all mine. It was my precious." Bloom christened the bus the "C-word" when the makeup artist was fuming about someone and asked Bloom's advice. "You should kick him in the cunt and tell him to fuck off!" Viggo just lost it for half an hour. He kept saying, 'What did you say?' [The bus] became all about "the word. We took that word and took all of its power away. We made it the most loving word in the world. If you were a true cunt, you were the most amazing person in the world. It was a very free-spirited bus. It came about because me and Viggo kept being moved around, and we ended up on this bus one day. And the actors were fed up and we said, "This is it. This is our home and we are not moving. If they come, tell them to go away."

And finally from Orlando's IG in 2019 (obviously, to this day, a very important part of his life):

Our fondly named makeup bus, christened by Noreen my makeup artist and Viggo Mortensen, was, and remains in my heart and memory the most female and male empowered, joyful, disreputable and yet totally respectful place of work and creativity ever. Hours spent in the the makeup chair to apply ear’s and wigs and contacts." (They can't even agree who named it, Noreen never got any credit back then...)

(From the reshoots in 2003, Viggo gives Orlando some love and points out the photo message from Orlando on the mirror. But I want to know, who put up the pic of O with Brad Pitt? From this clip.)

The comments from everyone else in the cast about life on the Cuntybago are actually more enlightening. The rowdy gang reveal another side of life on set and of Viggo: as a drinking, partying prankster who loves crude language. It's definitely part of the fascination with Viggo. He's never one to talk about these things himself.

(I think they're wearing the special cuntebago t-shirts here. No idea from whence.)

Bernard Hill:

You are not supposed to know about it!" "There were five or six of us - Viggo, Orlando and Sean [Bean]. Liv came in and out [of the group]. Viggo has this special kind of crudeness that he is capable of. We were in the same make up bus [along with Bloom]. When I came back [from a break] it was called the Cuntybago. It was our private club. We had wine tasting sessions and had lots of parties. We also kept lots of food in there. Anything that was out [on the table], you could have. You could drink it, eat it, borrow it, smoke it… but don´t go looking in any drawers. That´s where we kept our 'special stuff'! [The Cuntybago bar would on occasion open very early] like 6:30am. There were days that we needed it. [I've made life-long friends with] everybody who was in the Cuntybago. Leaving the first time was such a huge wrench. Especially because of the Cuntybago, it was like our club. Fortunately we managed to get it back for Return of the king reshoots, so ROTK was the Return of the Cuntybago. We actually drove it out onto the streets for Viggo’s farewell. Viggo didn’t know we were going to do it, and when it started moving, you should have seen his face. I kept shouting, “Cunty libre! Cunty libre!” And the bus start leaving—we were breaking free. For propriety’s sake it was called the C-Bago Club, because you couldn’t put Cunty on the call sheet. Sean Bean came in, Liv was also a part of it. As soon as I get back to England I’m going to start the C-Bago web site: Orlando will do fashion and Viggo will do current affairs. I’ll probably do gossip — you know, the social calendar. Liv will do Hollywood and Sean Bean will do the art of war. It’ll be our little corner of the world.

(Bernard & Orlando Bloom getting make-up done. Here's the green bus again.)

Elijah:

Cuntybago is an amalgamation of 'Winnebago' and Viggo Mortensen´s cuss word of choice. I've gained an appreciation of the word cunt. Negative words - the best thing is to diffuse them by using and taking the meaning away. Cunt! Cunt! It's a great, great word. Very forceful. [Viggo] became utterly fascinated with it and it became the word of the film. Their Winnebago for makeup was called the Cuntybago. I was not a part of the Cuntybago unfortunately - it was the makeup room of Orlando, Viggo and Sean Bean - but it was a lovely place to visit. Cuntybago T-shirts were made up. There was a Cunty Christmas and we had a Cunty Christmas tree, all this stuff. Cate Blanchett [who plays the elf queen Galadriel] was deemed Her Cuntliness. I think we were all secretly jealous of the Cuntybago. I was anyway. I loved the atmosphere. Any place that had Viggo in the centre was always an interesting place to be… And that was where all the alcohol was. It was just spending all of that time with brits and Aussies. The word ‘Cunt’ came up quite a lot. I was fascinated by that and how it could become not so dirty. It’s one of the few swear words that still shock people." Is that why you called Cate Blanchett “Her Cuntliness? “Not my creation. She was called that by Viggo Mortensen. I put the blame on him. It was used during the making of the movie and seems a bit silly now. Wood says that his Cuntybago T-shirt is home in a drawer. "It's too big for me. I'm a small guy."

(A few photos up on the mirror in front of Viggo. I'm guessing it's Henry on the toilet (aww!), and Viggo and Orlando doing something something... Sharing a cigarette? Extinguishing a cigarette on Viggo's tongue? It looks kind of erotic. And who's the other dude?)

Billy:

"On Lord of the rings we'd go to Viggo and Orlando's trailer which was called The Cuntybago. Viggo was good for getting Irish whiskey, which was great but I keep trying to educate him on malt whisky. (To Billy it was just V&O's trailer. Like it's where they lived together...) Hobbits, an elf, a King of Men, maybe a dwarf. And quite a few times a wizard, sometimes a princess. Ha ha! That's enough to make anyone feel pissed. We had some good times on that one, some great times."

Peter Jackson:

"The actors had a spiritual connection to it. I liked the way they had photographs [Mortensen and Bloom] taken behind-the-scenes, plastered all over the walls."

(From the reshoots, I think. Beautifully blurry.)

Liv Tyler:

I can't believe he [Mortensen] talked about that. That was our private world. There was a lot of liquor on that bus. But the funniest thing about this bus is that this thing was a beast. It was so tiny; nothing worked. If they ever washed our hair it would go from scalding hot to freezing cold. There was no heat. Our makeup trailer became the center of things. It was given a really bad name that I cannot repeat. There were pranks, most of them also too dirty to tell. I love them all, all my costars. We would hang out mostly in the hair-and-makeup trailer, and after work at dinner. We would eat all the time and drink wine and laugh.  I think that a lot of that was the friendships that we made with each other and the fact that we all needed each other. It was vital that we all had each other to survive and to be able to laugh. Everybody had a really good sense of humor, thank God. We'd be constantly making jokes and decorating the trailer with ridiculous things and being rude and that was our sort of little bubble of escape in our makeup trailer.

(Photo by Liv, in the bus. You can see all the polaroids and stuff behind the unicorn elf.)

Cate Blanchett:

Viggo is the funkiest person I've ever met. I am far too polite to . . . he had this thing he called "the cunty-bago" . . . no, I guess I shouldn't go into that. So, yeah, he's incredible, very funny.

So, I can't quite figure out which bus The Cuntybago actually is: the green one Orlando is seen exiting? Or the yellow-ish one seen in the vids from the reshoots? Because they aren't the same. And in the vid from the final day, Bernard says the bus he drove on that last day was the same they'd had "for years" and which never moved before. While Orlando said they drove The Cuntybago around "for 18 months". So which bus was it? And did they drive the bus around or not? Or was it stationary? It's a mystery.

(This is the green bus - but is it the make-up trailer? Same as in the vid with Bernard.)

(Here in the reshoots, the bus is yellow-ish? And completely different. Looks more like a Winnebago than the green one really... So which one is The Cuntybago?)

ETA: it's the green striped one! Here's it's on the Cuntybago shirt:

ETA 2:

All my memories from that time is filtered through our bus, the famous C-bago. That was our haven, our social club and our home: it was our special place. We christened it the Cuntebago, but it had to be shortened to C-bago because Cuntebago couldn't go on the call sheets. It was a big make-up bus, and in one of its previous existences it obviously took people to and from places on a commercial basis, so it had the little place in the front that said where it was going, and we wanted Cuntebago on there: "Cuntebago - everywhere!" That was me, Viggo and Orlando. We were the cunts in the Cuntebago.

-Bernard Hill in Empire Magazine 2011.

That's all I have found about this infamous, mythical place, where all the magic happened, as they say. If anyone has info to add, please do! I want this post to be comprehensive!

[chaotic-banana-fish]

ASH LYNX & RELIGION

The other day, like many others, I found myself thinking about religion and religous imagery in Banana Fish, something which I find fascinating. And I found myself asking the question of wether Ash ever believed in God. We see him pray once for Eiji's safety, as he leans and falls against the window, light pouring from it, the image itself religious. Yet, there doesn't seem to be any other instance of Ash being religious in any way, so I wonder if his prayer came from a moment of complete desperation or if something in him truly believed there could be a higher power able to keep Eiji safe. I've seen people offer both perspectives, saying he's never believed in god at all but will do anything to try and save Eiji, or that he maybe once believed in god but stopped believing after everything that happened to him. However, as far as I know, we're never given a definite answer.

So, I began to question, if Ash were to be religious, where and how did that begin? His up-bringing was almost certainly not religious at all, as his father is the furthest away from Christian as one can be, and the town itself doesn't show any indication of being especially religious. Plus Massachusetts is (according to google at least) one of the least religious states in the US. After running away from home his life obviously changed drastically and he was enduring an incredible amount of abuse and would not exactly have time to think about religion.

So, as I calmly wondered about all of this, suddenly an obvious revelation hit me like a truck. Aslan. His name, given by his mother meaning "day-break" is an ancient prayer word. * If there was anyone religious around Ash it was his mother. Now, even though Ash was given this name because he was born with the dawn, and his mother was a hippie drug addict, this doesn't necessarily mean that this word or religion didn't hold importance for her. Furthermore, Ash doesn't know anything about his mother other than she left, I doubt he even knew she was just a teenager. So, in his mind, given the origin of his name, his mother may have been religious, and that belief, God, and his name is the only thing that ties him to her. When Ash prays to God, it's the same as praying to his mother. He's praying to that figure that should have been there, taking care of him, loving him, keeping him away from danger, that person that he tries to reach out for when looking at the sky only to find nothing. Both are blurry and without a shape or name.

He's shown to grieve the loss of his mother whom he never knew, he wants to believe she loved him but wonders why then, she abandoned him. His faith in that love is as unreachable and otherworldly as belief in god, and yet he clings to both in times of desperation. It is then a twisted fate that the only thing we see him ask of God is to die in place of Eiji, which he does, and after which he is buried next to his mother.

(* I want to note that this etymology isn't actually correct, but I assume it was just a mistake from Akimi Yoshida's part.)

[pro-sipper]

I find it rather hilarious that antis act like blocking or filtering is the epitome of slighting someone so badly it’s comparable to piercing their heart irl or something.

(Doxxing the same people apparently are less problematic because something something crime, but bear with me)

At the time I wrote this message, I fell in love with a certain character. Unfortunately, her name is VERY common. Typing (character) x reader gave me results from at least TWO DOZEN different fandoms. Among others, I remember Undertale, Evil Dead, Pokemon, Slashers, Banana Fish, Sally Face, Planet of the Apes, and Brawl Stars. None of which are the results I want.

I went on a blocking spree, filter and hide all contents of all the undesired fandoms, scrolling through the entire (character) x reader tag to scour for the character I want while opening the filtering option on another tab to add each new undesired fandom and blocking the writer/artist if they use fancy tags.

At the end of that 30minute spree, I have like 4 posts left. I am happy, and those authors are happy not knowing my existence at all.

Tldr: antis’ whole crusade against stuff they dislike just baffle me. Where did that time and energy come from.

I really don't know. But the way some people talk about blocking on here like it's the most offensive crime in the world you could ever commit against a person. And like you said, doxxing? Totally chill to them. Go figure

But yeah, I've put sooo many tags on my xkit block list thing, and when that doesn't work, I just start blocking blogs that post the stuff. Not even anything like squicky or bad to me, just shit from fandoms that I have absolutely zero interest in. And they'll most likely never even know because why would they?? They don't know me, I don't know them, and it's nothing personal

If you can't curate your own online space then literally leave. We don't want you here bitching about shit you could avoid with about 10 seconds of effort