#Aurélia de Souza

[pintoras]

Aurélia de Souza (Chilean/Portuguese, 1866-1922): Portrait of a little boy (via Wikimedia Commons)

[ilustracaoportuguesa]

Porto by jaime.silva

Museu Soares dos Reis Exposição "Aurélia de Souza 1866-1922 - Vida e Segredo"

Aurélia de Souza, "Visitação", s.d.

[momo-de-avis]

Do you have any favourite (PT) paintings?

Yes several

Cinco Artistas em Sintra (five artists in Sintra), João Cristino da Silva. Notice Pena in the far left corner, before the forest of Sintra was planted.

Santo António (Saint Anthony, above) and Auto Retrato (Self Portrait, below) by Aurélia de Souza

Celebrando o São Martinho (Celebrating Saint Martin, or the Drunkards, above) and Concerto de Amadores (Amateur Concert, below) by Columbano Bordalo Pinheiro (the second one is impressive to see live)

A Blusa Azul (the blue shirt), Adriano de Sousa Lopes

A Vida (Life) and Nocturno (nocturne), António Carneiro. First one is a massive triptych

Colheita - Ceifeiras (Lumiar) (harvest - reapers), de Silva Porto

One of my absolute favourites, I cannot describe the impact this painting had on me when I first saw it live. Mártir Cristão (Christian Martyr), by Joaquim Vitorino Ribeiro

As Promessas (Promises, above) and Leonor de Viseu (Leonor of Viseu, below), by José Malhoa

Nu (nude), Eduardo Viana

À Espera dos Barcos (waiting for fishingboats), Marques de Oliveira

Coty, Amadeu de Souza Cardoso, literally one of my favourite paintings in the entire world

Barco Desaparecido (missing ship), Sousa Pinto. You can tell I'm a slut for Realism by now, I hope

Just the ones at the top of my head tbh

[lecrimeparfait]

aurélia de souza.

[catarinacochinilha]

fotógrafas na viragem do século

tive o prazer de ouvir hoje alguns painéis do congresso internacional Aurélia de Souza: mulheres artistas em 1900 no Museu Nacional Soares dos Reis. foi especial o painel intitulado mulheres fotógrafas, com as comunicações de: Nuno Resende (FLUP) «Génio Altivo»: uma fotógrafa em Trás-os-Montes, Portugal, no início do Século XXSusana Lourenço Marques (i2ADS) Mulheres Fotógrafas Amadoras no…

[leitoracomcompanhia]

Convencida

“No seu silêncio, Idalina transigia, lentamente. Depois das últimas palavras de Horácio, aquela ideia acamava-se, com mais facilidade, no seu espírito. Agora, ele parecia-lhe sincero.  — Talvez seja melhor como tu dizes — murmurou ela, por fim. — Pensando bem, talvez seja melhor. Custa-me muito, mas faz-se assim, como tu queres…”

Ferreira de Castro, “A Lã e a Neve”; pintura de Aurélia de Souza.

[milkywayrollercoaster]

Aurélia de Sousa by her

(1866-1922)

Portuguese painter

[oacasodaspalavras]

Aurélia de Souza, Visitação, séc XIX.XX https://pt.wikipedia.org/wiki/Aurélia_de_Sousa

[jbrasseul]

au musée Soares dos Reis, à Porto. La toile ci-dessus est de José Malhoa (1855-1933), elle s’appelle O Remédio (le médicament), le peintre représente des scènes de la vie quotidienne, ici une jeune femme qui apporte un remède urgent, on sent toute la hâte, l’inquiétude, la longue marche à faire, dont on ne sait si elle aboutira à temps…

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Ilha dos amores, 1908

O Ciume (la jalousie), 1923

Vou ser mãe, 1923

Silva Porto (1850-1893) :

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Canal à Venise, 1877

Champ de blé, près de Paris, 1879

Réparation des filets, Italie, 1877

Moissonneurs, 1893

Povoa de Varzim, 1888

Berger, 1893

Henrique Pousão (1859-1884) :

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Maisons blanches de Capri, 1882

St Sauves, 1881

Lady in black, 1882

Roses trémières, 1882

Fille se reposant dans un arbre, 1883

Marques de Oliveira (1853-1927) :

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Couturières, 1884

Céphale et Procris, 1879

Rio Douro, Lugar do Ouro

Portrait d’Antonio Soares dos Reis, le sculpteur qui a donné son nom au musée, 1881

La triste histoire de Céphale et Procris.

Auguste Roquemont (1804-1852) :

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Portrait de femme

Femme âgée

Portrait de Carlos Gomes Monteiro, 1849

João Vaz (1859-1931), le rio Sado, bateaux sur le fleuve, 1887 :

Artur Loureiro (1853-1932) :

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Roi aborigène, Australie, 1900

Portrait de la femme du peintre, 1882

Le professeur sans argent, autoportrait, 1930

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Rue de Porto, Dominguez Alvarez, 1928

Portrait de Pedro Vitorino, Armando de Basto

Aurélia de Souza, Jezabel dévorée par les chiens sur l’ordre de Jehu

Martyr chrétienne, Joaquim Ribeiro, 1879

Vicomte de Meneses, autoportrait, 1869

Détail

Portrait de Manuel José Carneiro, par João Antonio Correia

Homme noir, João Antonio Correia, 1869

Francisco José Rezende, autoportrait, 1860

Bateau déchargeant à Porto, Joaquim Lopes, 1927

Dordio Gomes, Le pont Luis Ier à Porto, 1935

Portalegre, Miguel de Carvalho Barrias, 1947

Souza Pinto, 1886, Voyageur, chemin de Brolles

On pense à Jean Valjean, sortant de Digne, après que Mgr Myriel lui ait donné les chandeliers…

Reconnaissance du cadavre de Sébastien Ier après la bataille d’Alcacer Kébir, Costa Lima, 1886

Hall du musée

Peintres brésiliens

Peintres portugais au musée Soares dos Reis, à Porto. La toile ci-dessus est de José Malhoa (1855-1933), elle s'appelle O Remédio (le médicament), le peintre représente des scènes de la vie quotidienne, ici une jeune femme qui apporte un remède urgent, on sent toute la hâte, l'inquiétude, la longue marche à faire, dont on ne sait si elle aboutira à temps...

[maldita-geni]

Aurélia de Sousa, Auto-retrato de Aurélia de Souza (1900)

[pintoras]

Aurélia de Souza (Chilean/Portuguese, 1866-1922): Saint Anthony (Self-portrait as Saint Anthony) (1902) (via Wikimedia Commons)

[ilustracaoportuguesa]

Porto by jaime.silva

Museu Soares dos Reis Exposição "Aurélia de Souza 1866-1922 - Vida e Segredo"

António Carneiro (1872-1939), "Praia da Figueira da Foz", 1921

[kaofeather]

GulHub - GULBENKIAN fOUNDATION

NEW EXHIBITION Everything I want - Portuguese artists from 1900 to 2020 01 Jun - 23 Aug 2021, Headquarters and Museum Building Aurélia de Souza's iconic self-portrait, painted in 1900, is the starting point for a reflection on a context of creation that for centuries was almost exclusively male. The exhibition Everything I Want, curated by Helena de Freitas and Bruno Marchand, will bring together two hundred works of painting, sculpture, drawing, object, book, installation, film and video, produced by 40 Portuguese women artists from the beginning of the 20th century. An initiative of the Ministry of Culture, included in the cultural program of the Portuguese Presidency of the Council of the EU.

[luminous-lu]

• 12/52 • • recreate a painting • For this challenge, I chose a painter who wasn't born in Porto but who lived here for most of her life; her work fills the walls of one of my favorite museums (Museu Nacional Soares dos Reis), and I've lived with this specific painting since I was a teenager. The painter is Aurélia de Souza, and the work is 'self-portrait'. I find it pretty self explanatory, pun intended. My first impulse, when I started to conceptualize the week's photo, was to go for my bad boy Caravaggio, and the chiaroscuro that I'm so ridiculously obsessed with. But the more I thought, the more I leaned towards choosing a self-portrait artist. Wouldn't it be wonderfully meta? I joked around with Frida Kahlo, my favorite self-portrait artist, and then with the likes of Helena Almeida and even with Velásquez and the sly appearances behind canvases, or in forgotten reflections. But the more I worked on this, the more I kept coming back to Aurélia. Aurélia, who filled my high school painting fantasies, for whom I wrote fanfiction when I was 16, whose sister, also an unbelievable painter, I idolized. So I picked her. And here's the result -- [ somos seis, amigas e fotógrafas, a fazer um '52 semanas' em conjunto. publicaremos semanalmente nas nossas redes sociais, e podem seguir-nos através da hashtag #52sisterhood. caso se queiram juntar a nós, podem usar a hashtag #52sisterhoodchallenge! contamos convosco desse lado, nesta aventura! vamos lá! - there’s six of us, friends and photographers, doing a '52 weeks’ project together. we’ll publish every week, and you can keep up with us through the hashtag #52sisterhood. If you’d like to join us, you can use the #52sisterhoodchallenge! we’re counting on you to join us on this journey! come along! ] (em Porto, Portugal)

[leitoracomcompanhia]

Enterro

“Agora era uma questão de fossa e despejo - ninguém quis, eu fiquei. Na tarde abandonada de frio e aridez. A terra cai fofa às pazadas, o homem afadigado. Estou eu e ele e eu que já não estou. Na tarde grande, raiada imensa de horizonte. Na terra final dos mortos. Minha vocação humana.”

Vergílio Ferreia, “Para Sempre”; Aurélia de Souza, “Dia de Finados”.

[simena]

Aurélia de Souza