#Auditory Perception and Consciousness

[omegaphilosophia]

The Philosophy of the Ears

The philosophy of the ears examines the role of hearing and sound in human experience, perception, and understanding. It explores the auditory sense as a way of engaging with the world, particularly in relation to communication, music, language, and consciousness. The ears, as the organs of hearing, play a critical role not only in sensory perception but also in how we understand time, space, and meaning.

Key Themes in the Philosophy of the Ears:

Auditory Perception and Reality:

Hearing provides a unique way of perceiving the world, distinct from vision or touch. Sound is temporal and dynamic, and the philosophy of hearing explores how this shapes our experience of time, movement, and change.

Unlike sight, which is oriented around spatial dimensions, hearing is immersive, with sound surrounding us. This leads to philosophical questions about how sound contributes to our sense of place, environment, and presence in the world.

Hearing and Language:

The ears are crucial for understanding language. Spoken language depends on the ability to hear, and through hearing, we comprehend meaning, tone, and context.

Philosophers of language have explored how sound influences the structure of communication, including the emotional, symbolic, and practical aspects of spoken words. Ludwig Wittgenstein, for example, explored how meaning is conveyed through the sounds of language, while J.L. Austin focused on how spoken utterances perform actions in the world.

Music and Aesthetic Experience:

The philosophy of the ears is deeply connected to the philosophy of music. Music, as an auditory art form, engages the ears in profound ways, evoking emotion, memory, and reflection.

Philosophers such as Schopenhauer and Nietzsche have examined music as a form of non-linguistic expression that communicates deep truths about existence and human emotion, offering an aesthetic experience that is uniquely accessible through hearing.

Sound and Memory:

Hearing plays a key role in memory. Sounds can evoke strong emotional responses and memories, often more intensely than visual stimuli. Familiar sounds, such as a loved one’s voice or a piece of music, can trigger recollections, suggesting that auditory experiences are deeply tied to personal and collective memory.

This ties into phenomenology, where the experience of hearing is explored as part of how we relate to and recall the past, shaping our understanding of identity and lived experience.

Hearing and Consciousness:

The experience of hearing is closely tied to consciousness. Sound can shift our awareness and attention, sometimes affecting our emotions and thoughts on a subconscious level.

The phenomenology of hearing looks at how auditory experiences contribute to the flow of consciousness. Sound is immediate and often cannot be ignored, meaning it can shape attention and awareness in ways that other senses do not.

Sound, Silence, and Meditation:

Silence is as important as sound in the philosophy of the ears. Philosophers like John Cage have explored the relationship between sound and silence, emphasizing how silence is not merely the absence of sound but a space for reflection and deeper awareness.

In Buddhism and Zen, the practice of deep listening and silence is often used in meditation to focus the mind and cultivate inner peace. Hearing becomes a means of connecting to the present moment, highlighting the ear’s role in spiritual and contemplative practices.

Hearing and the Ethical Dimension:

Hearing has an ethical dimension, particularly in the context of listening. To truly listen to someone involves not just the mechanical process of hearing sounds but being open to understanding and empathizing with the speaker.

Emmanuel Levinas argued that ethical responsibility involves "listening" to the Other—being receptive to their needs, suffering, and presence. The ears are thus not just passive receivers but active participants in interpersonal ethics and moral responsibility.

Hearing and Social Interaction:

Hearing plays a fundamental role in social interactions. The act of listening is essential to communication, collaboration, and understanding within societies. The ear is the organ that allows us to engage with others, participate in dialogue, and form communities.

In this sense, the ears are key to the philosophy of communication, where listening is as important as speaking. Martin Buber's philosophy of dialogue emphasizes the importance of genuine listening in establishing meaningful relationships between individuals.

Ears and the Body-Mind Connection:

The ears serve as a gateway to both intellectual and emotional experiences, illustrating the connection between body and mind. Auditory stimuli can provoke both cognitive processing and visceral emotional reactions, reinforcing the idea that the mind and body are interconnected through sensory perception.

Embodied cognition theories suggest that hearing influences not just our mental states but also our physical interactions with the world, shaping how we navigate and interpret our environment.

Hearing and Power:

Hearing can be associated with issues of power and control, especially in the context of surveillance and modern technology. Sounds can be used to influence or manipulate, whether through propaganda, advertising, or sonic warfare, raising ethical questions about the role of auditory perception in power dynamics.

The politics of hearing also involve issues of accessibility, as people with hearing impairments may experience the world differently, leading to discussions on the societal importance of hearing and the right to access information and communication.

The philosophy of the ears emphasizes the importance of hearing in shaping our perceptions, experiences, and interactions with the world. Hearing is not just a sensory process but a way of engaging with time, language, music, ethics, and consciousness. Whether through the experience of sound, silence, or listening to others, the ears connect us deeply to both the external world and our inner lives.

[sluttish-armchair]

I swear to god “Gelatinous” is fucking possessed. Some days it sounds completely normal, and then all of a sudden it starts sounding detuned — like the pitch is warping down and glitching (in ways it isn’t supposed to) — right in the middle of listening to it and it gets creepier and creepier with each subsequent listen. But if I take a long pause from the song before listening to it again, it goes back to normal. It never distorts when I’m waiting for it to distort; it only does it when I’m not prepared for it.

It could be a sensory processing thing (I have some auditory stuff ~going on~ but uh… I’ve never experienced anything quite like this before.) If I listen to it enough I begin to feel as if I’m getting high and literally turning gelatinous myself. What the fuck.

[housederiva]

Lucanis lovers I wanna talk about the human brain in regard to sleep for a moment.

Sleep's one of the fundamental aspects about being alive, our bodies shut down without it. The longest recorded time somebody could survive without sleep was 11 days. Once the timer was up, his brain force quit his body and he collapsed. He would stop mid-sentence because he couldn't remember what he was saying

If you’re up for just 24 hours straight, you begin to experience the effects of sleep deprivation which is kind of like being drunk. Your inhibitions get lowered, you lose coordination, speech gets slurred and sentence (spoken and heard) don’t quite make sense. The longer the hours go, the more your mood will swing back and forth. Eventually you'll have auditory and visual hallucinations of varying degrees, your vision'll blur and everything'll feels heavy. Your head gets dizzy when you move it even the slightest bit and memory turns into sludge to the point you can’t recall what you were doing three seconds prior.

While we don’t know the severity of how long Lucanis stays awake or how or short the burst of sleep he gets are, but he’s nothing like what I just described

Lucanis is hyper perceptive, his speech is just like anyone else's and he’s extremely well-coordinated. That’s because he was raised as a Crow from a major house who was sleep deprived constantly from a young age.

But if you go too long at a time your brain gets to a certain threshold, an absolute extreme waaay past where any average person would ever get. Our brains become programmed with this sort of fall-back mechanism. It used to be that when we reached that level of exhaustion all the time because we were being chased by something that would kill us if we slowed or we needed to defend our young from wild animals or other dangerous humans.

A baseline survival instinct kick in. We go on autopilot in the most hyperaware way possible. Our sensory processing goes into overdrive and we start reacting to any and all stimuli as if it is actively trying to kill us. The 4 F’s (fight, fear, freeze, fawn) are all at max capacity at the same time.

Our brain becomes a deer that darts out in front of a car’s headlights, bobbing and weaving wildly before it bolts back into the bushes. In this instance the bobbing and weaving doesn’t stop. Until you get to the crashing point, you’re a vegetable with cognitive functions shutting down one by one to conserve energy. One of these functions is the ability to separate things that have happened from things that haven’t or the system that catalogs short term memory into long term storage, that's not great for someone in Lucanis' situation

Eventually you start going through microbursts of REM sleep, the deepest stage of sleep there is. When someone gets that far into sleep deprivation, these bursts can happen and the person affected will look completely awake. You wouldn’t even realize you were going through one. There might be comments about how you’re spacing out or just kind of staring off in the distance. Your brain is essentially power cycling so you don’t die. This is how people can 'sleep standing up' but in reality, you’re mentally clocking out and leaving your nervous system to hold down the fort. This disassociates you and your body to the point where you could laugh at the face of danger because your brain is over on stage left tap dancing along the line between sleep and consciousness and it can no longer differentiate between the two. You can feel unstoppable, like you could kill a god.

Or even doing this for a short period put you at risk for a lot of long-term health issues. Stroke or heart attacks, your nervous system rewrites itself. Mental disorders like memory loss or depression or anxiety follow... t’s a big old list of symptoms and at the very end is death.

Our brain’s core mechanic is being lazy, which is an incredibly good thing. Evolution's allowed our minds to be able to do incredible things in short bursts of activity before settling back down - we all know what burnout is but think of that times eleven.

I’ve lost where I’m going with this, but I just think the nights after Lucanis and Spite reach a level of understanding would lead to him sleeping for long periods at a time and that aspect of what he’s been through with Zara would never fully leave him regardless of how much time passes.

[coolearistrashcollection]

Chapter One: A Ghost from the Past

Characters: cult leader!Geto, cursed spirit!Reader TW: isolation

part 1 (prologue) here, next part (3) here!

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See. 

There are no objects, no features to provide orientation or break the monotony of the vast, uncharted emptiness. There is nothing surrounding you, complete emptiness. Nothing, no objects surrounding you. The space that surrounds you is an unbroken expanse of absolute emptiness, an infinite canvas devoid of form or substance. It is as though you are suspended in a boundless void, where the very concept of matter seems to have dissolved. The ambiance you find yourself in is neither black nor white– there are no colours here, no gradients of light or shadow. The atmosphere desperately wants to be something –anything– and fails to do so, boring your eyesight for eternity. It remains stubbornly abstract, this relentless lack of definition, has no hint of shape or pattern. This prison will forever bore your perception, rendering it numb and disoriented.

Touch. 

Your silk robe was once a soft caress on your skin, smooth, luxurious, delicate, yet with time they resulted to feel like sandpaper. As a result, your skin is overly sensitive and raw from the constant abrasion, left in a state of perpetual discomfort. The robe was once a symbol of opulence and comfort which currently feels like a cruel irony. Irritated, overstimulated, every gentle brush of the silk against your skin feels like a grating scrape, an unending assault on your nerves. The repetitive friction is maddening, a cruel paradox forced on you, where something once so intimately comforting has become a source of ceaseless agitation. 

Taste.

At first, saliva has no taste. Slowly, you hallucinate that it does have a taste, probably due to your mouth being dry. This taste, if it can even be called that, seems to materialise purely out of the deprivation of your senses. It is a taste that defies description, perhaps born from the emptiness of your environment rather than any actual flavour. Then, after centuries, you start noticing every time you swallow. The once-unremarkable act of swallowing begins to assert itself with an unsettling presence. Your tongue begins to assert its own significance in a disquieting manner. Once a largely unnoticed organ, it became a constant presence in your mind. You can feel it resting against the roof of your mouth, lightly touching your teeth. This once-ordinary sensation now feels exaggerated, an intrusive reminder of its own existence. The tongue took on a disquieting role, with its purpose to keep you perpetually aware of its position—a constant, uncomfortable thought that intrudes upon your otherwise vacant consciousness.

Smell.

Scents of flowers were a distant memory. At this time, the very concept of fragrances and aromas seem alien, a distant reminiscence that no longer holds any meaning. The camellias, plum blossoms and lilies that once brought such joy, relegated to recollections, their essence lost in the chasm of your current existence. Slowly, you forget how many things smelled, slipping through your grasp like wisps of smoke.

Listen.

The horrible sound of the void, which has caused your ears to beg –almost scream– for a ring or a chime. The horrific stillness of this place has left your ears yearning for any sort of sound—a distant ring, a faint chime, anything to break the relentless monotony of the silence. The contrast between what you wished for and what you now endure is stark and painful: the once-desired quiet is a form of torture, even greater torment. The silence is almost sentient, aware of your suffering and savouring every moment of it. Your mind, starved for auditory stimuli, clings desperately to the memories of sounds you took for granted. The faint echo of birdsong, people talking, the hiss of a fireplace. It is as if your brain is etched with an indelible craving for those sounds, a yearning so intense that it overshadows your persistent buzz of tinnitus. 

Suddenly, you heard a crack. Looking around, you also can see it. The crack, thin and jagged, cuts through the nothingness with an undeniable presence. Its edges are uneven like a flaw in a vast void. The very presence of this crack is jarring, a visual aberration in a space where nothing had ever shifted or moved. The contrast between it and the surroundings is sharp, the dark lines slicing through the uniform emptiness with violent clarity. Closely, you can see how it affects the limbo itself. The surrounding space, which had previously seemed to stretch into infinity without deviation, now shows signs of deterioration. It ripples and wraps around the fissure revealing glimpses of instability.

And then, there was motivation. 

You extend your arm into the rift to nudge it, causing it to expand. Its jagged lines grow longer and more erratic. Your prison is beginning to show signs of wear. This means that the strength of the seal became obsolete with time. It was finally compromised. Perhaps it was your time to leave this prison: you forgot why you were there in the first place, but you wanted revenge on the person who locked you away. A nudge became a push, which then became a shove; and without any notice, you could use your senses again. The seal broke, you were free. 

Well, almost free. You feel the presence of two strong sorcerers approaching the forest. No, it is your forest, your territory. However, your fight or flight reflex decides to go for the window, after all, you are still recovering from being dormant for so long. Something takes over you, a trance, a hidden memory that tells you exactly where to flee for safety. Not far away was a peaceful mount. Now it is called Mount Wakakusa, but you remember it wasn't always like that.

The view from the mountaintop changed too: the charming village of Nara became a touristic city, the plague of a new architecture, brutalism, infecting it. Groups of people feed the local deer and the lake fish, some pointing a strange object at the people posing. Watching people from above gives everyone a sense of power: the bird's eye view from the mountaintop makes you essentially omnipresent, you can observe even the smallest of details this way; one of those, two people, a white dot and a black dot walking side by side, leaving the forest and going into the city. Their cursed energy is different from the rest of the people, that's when you realise, they are sorcerers, and they are looking for you. Hunting you, and probably meeting with other sorcerers to warn about your escape. 

You need a plan. And fast. You would not stand a chance against many sorcerers in your current state.

“I need to learn the city and make a map.” So you observe. Some people might find staying in the same spot for hours boring, but you’re used to that anyway. This time it was not a prison, but survival, you could not afford to stop watching like a hawk. Night time arrives in a swift motion and you watch attentively how the city changes, and with curiosity, decide to investigate it.

As you step into the city you find yourself confused. The once-familiar landscape is now adorned with artificial stone-like masses that resemble cuboids, their surfaces glowing in a spectrum of colours through expansive sheets of glass. These structures illuminate the night with a vivid array of hues, creating an almost surreal ambiance that is both captivating and extremely foreign. Modern buildings stand in comparison to the few remaining traditional houses, which retain their historical charm with their black roof tiles and white exterior walls. 

Wandering through the streets, you encounter an array of metal beams and thick cables crisscrossing above you, their presence an intriguing feature of this new era's architecture. The once-dominant wooden structures and pagodas are overshadowed by these sleek, industrial elements, which seem to define the city's current skyline. It paints a vivid picture of a city that has transformed over time while still holding onto its glorious past. Nara now represents an intersection of history and the present whilst offering a unique glimpse into how an ancient culture has adapted to the demands of the present era.

Another noticeable change is the way people dress. The elegant robes and overskirts that once characterised traditional attire have been replaced by a new form of clothing. The “hakama” are now referred to as “trousers” and appear to be unusually tight. Indigo became accessible too, blue colours adorn people’s outfits. However, trousers are now paired with a simple upper garment, its name being a “T-Shirt”. You see that these modern garments have a practical appearance, clothes are no longer elaborate and layered.

Through the shops you see a stack of paper, in fact, it was a pile of stacks of paper. Was paper now a commodity? It is much thinner than what you remember, too. Fascinating how much these pathetic humans have advanced. That’s when you see the date in the newspaper: 3rd of February, 2006. Roughly 1300 years have passed since you were sealed. 

Your body relaxed, it started to settle that you are free. “Tengen…” The name rolled off your tongue, feeling bitter quickly after. Was that the person who sealed you? You could feel rage fuelling your brain, the urge to kill starting to creep up. But you know you can't kill a person that easily, that will surely put a target on your back, and they already were trying to find you. Moreover, this would leave significant remnants of your cursed energy, more than enough to track you easily. Causing a scene would surely result in a death sentence.

So instead, you decide to find an alleyway infested with smaller curses. It is pathetic how your species devolved, curses were once powerful forces to be reckoned with. A simple touch of your hand makes them explode instantly and a giggle leaves your lips. Maybe that’s why sorcerers keep hunting curses, these deaths are funny, deserved even. Those lowly beings give you a bad reputation in some way, you had to be sealed, unlike these. As you keep exterminating them, you feel your strength replenishing. 

Your mind goes to the two sorcerers from earlier. “If I were to kill them, then I’ll probably regain all my strength back…” After all, their energy was unmatched. Once you got all your strength then you could challenge Tengen… or at least find more sorcerers to punish as revenge. 

Oh, right. The plan. You almost forgot about the plan. Using an old newspaper and a pen would be a great way to record the city, or at least draw what you think will be important for later. Plus, a benefit of being a curse is that no one can see you, so you can go to restricted areas like sewers. A map of the sewers could also be useful to set up traps– no, focus. First the city, then the sewers if you have time, and exterminate small curses in the meantime. You’re sure the sorcerers will be back tomorrow, and you will also need a new hiding spot.

[lyssophobiaa]

Misc. Design Notes and Ideas; Piers Nivans

Synchronization Between Prosthesis and Senses

Augmented Reflexes: His bionic arm could have a feedback system connected to his heightened senses, allowing it to respond to auditory or visual cues faster than he can consciously react. For instance, if he hears a sudden change in someone’s heartbeat behind him (indicating they’re approaching or tensing up), his arm could twitch or adjust as if ready to defend or counter.

Haptic Feedback in the Arm: The prosthesis could have sensors that translate environmental data into subtle vibrations or pressure signals, which Piers can feel. For example, in low-light or when he’s using his thermal vision, his arm might subtly vibrate in response to nearby heat sources, giving him a “sixth sense” of people around him without needing to look.

Sensory Overload Thresholds and Control Mechanism

Virus-Triggered Sensory Intensity: When the Virus exerts more control, his senses might intensify to the point where every heartbeat, heat signature, or movement becomes sharply defined and almost overwhelming. This state would enhance his perception but at the cost of mental strain, making it harder for him to focus or maintain rational thought.

Adaptive Mutation in His Arm

Augmented Physical Connection: The prosthetic side of his arm might integrate more closely with the mutating side over time. This would create a unique “fusion” effect where the prosthetic adapts, mirroring changes in the mutation, like absorbing textures or contours that appear on his mutated tissue. This would blur the line between machine and biology even further, reflecting his struggle to retain his humanity.

Predator-Like Instinct Mode

Automatic Threat Detection: If his hearing detects an elevated heartbeat or his eye picks up sudden movement, it could trigger an “instinct mode” where his sensory focus shifts fully onto the target—heightening his reaction time and awareness of that individual’s actions. This would make him hyper-focused on potential threats, though it risks distracting him from other surroundings.

Animalistic Responses to Stress: When the Virus exerts control, Piers’ responses could become more instinctual. For instance, if his mutated eye detects an unexpected heat signature, his body might involuntarily tense, his senses heighten, and his arm adopt a defensive posture. He might also develop reflexes that resemble predatory behavior, like tracking movement without moving his head.

Tags: (Let me know if you’d like to be added or removed!) @astertaster @fonulyn @theyproblyhadsomethingtodowithit @mangoflavouredkisses @mmosscatmoss @essanocollagen @menacing-manicotti @sxnicgoesfast

[creepingwaves]

Is dancing synesthesia?

You're aware of the neurological phenomenon called synesthesia, right? It's a blending of different senses, hearing colors or tasting textures, etc. You might be turning a piece of clay on a wheel and hear specific frequencies when you create certain shapes or textures. You might hear specific notes on a piano as specific colors. And different individuals will very likely hear different colors for the same note: one person's bright yellow B-flat might be dark blue for someone else. It seems to vary quite a bit from person to person, even for individuals with similar types of synesthetic overlap.

We're not entirely sure what causes it, but psychedelic drugs and certain brain injuries can sometimes induce these experiences. It also just happens naturally in about 2-4% of humans (which is roughly in line with the percentage for a lot of other neurodivergences btw). If there's a specific genetic marker for synesthetic experience, we haven't found it yet. As far as I can tell from a cursory internet browse, we don't really know the root cause of synesthetic experience, but it offers an interesting avenue of research because it can help us map out a lot of the edge cases of human consciousness: What exactly is happening in our brains when our senses are pushing against their usual boundaries?

What I'm proposing here is that (maybe) a rather large subset of the human population experiences a form of synesthesia when they hear music and then feel the impulse to dance. This kind of synesthesia takes rhythmic auditory inputs and processes them through proprioception (the sensation of the position of your body and limbs, the amount of force you're using when you open a jar, the weirdly intuitive feeling of squeezing through a tight space just barely wide enough to accommodate your body, etc.)

It happens on such a widespread scale that we typically just call this synesthetic experience "having rhythm". Some people can feel the music and naturally move along to the beat, but a big chunk of humanity just doesn't seem to be able to do it. Like, if you can dance or play the drums, then you probably have the mutation that causes the rhythm synesthesia experience. Or maybe the actual mutation is the people who can't feel rhythm?

I'm assuming that it's pretty difficult to get fMRI scans of somebody's brain while they're dancing, but there's probably a ton of research using fMRI scans while people listen to music. Hopefully there are some brilliant neuroscientists out there who can explain to me why my synesthesia theory is completely wrong or point me to some cool research about human perception of rhythm or somesuch. Anyway, thanks for reading, and please be peaceful.

[thesillyguyy]

Please explain therians

OKAY

So the definition of a therian is someone who spiritually identifies as an animal, but STILL PHYSICALLY IDENTIFIES AS A HUMAN!!!

This is not by choice. People who are therians feel connected to the animal in some way, whether that's because they had dreams or shifts of a past life, or they can can connect their behavior to an animal

Shifts are basically little episodes where they feel like and/or act like the animal in which their theriotype is.

There are two kinds of main shifts:

Voluntary Shift

A shift that occurs due to being consciously induced.

Involuntary Shift

A shift that occurs without will or conscious control.

Then, these are split into multiple other kinds of shifts, like the following

Mental Shift (MS or m-shift)

A change in mindset, thinking more like the theriotype.

Phantom Shift (Ph-shift)

Feeling supernumerary phantom limbs or a full phantom body of the theriotype.

Sensory Shift (SE or Se-Shift)

One's senses temporarily become more like that of the theriotype.

Perception Shift (PE-shift)

Perceiving things in a way which is more associated with the theriotype.

Auditory Shift

Experiencing a shift by sounds they notice around them. This can be linked to a sensory shift if oneself's theriotype has a strong hearing ability.

Emotional Shift

Shifting occurs during a certain emotional state, e.g. stress or anger; usually with another type of shift.

Dream Shift (DS or d-shift)

Becoming an animal within a dream, either partially or entirely.

Cameo Shift (C)

Feeling like an animal that is not a known theriotype.

These next ones are more rare ones? I'll be 100% honest. A few of these are new to me.

Aura Shift (A)

The shape or form of an auric field or life energy field changes to that of the theriotype.

Astral Shift (As)

The astral body separates from the physical body, travels to the astral plane, and shifts to the form of a nonhuman animal.

Berserker Shift

Strong emotions push away the human side, including empathy and logical decision-making; can be voluntary and involuntary

Bilocation Shift (Bi)

Therian appears in two locations simultaneously, with the double appearing in the form of the theriotype in the physical plane.

Shadow Shift (SW) / Ghost Shift

Therian sees the animal form around themself as a transparent apparition, or when the appearance seems to change.

Spiritual Shift (S or S-shift)

The spirit takes on the form or shape of the theriotype, while the physical body remains unchanged/

Physical Shift

Human body transforms into the physical shape of another creature; agreed to be impossible.

Envisage / Self-image Shift

Therian's mental image/awareness of themselves changes to closer reflect that of their kintype; similar to a phantom shift, but lacks actual phantom sensation.

Koita Shift

Therian experiences a cameo shift when they look at an animal. An example of this goes as followed: A therian would look at a deer(or other animal) and experiences a phantom shift, mental shift, etc shift, of that deer(or other animal) meaning they feel the appendages of that deer(or animal) like antlers, ears, tail, hooves, etc. This is similar to Cameo shifting.

I know this is a lot(?) Lol

Some therians experience little to no shifts, while some have some every day. Nobody can choose to be a therian, and nobody can choose what animal their theriotype is.

Some therians experience species dysphoria, where they hate what they are and they just want to be their theriotype. But it's different for everyone!

It's very important to research therians and what they are if you're curious, but please, PLEASE stay away from any "am I a therian" quizzes, they are always inaccurate. Everyone experiences being a therian differently, and it sometimes it takes longer for someone to find out if they are one(I've heard of a person that took 2 years to find their theriotype). A quiz will never help you, I learned that the hard way.

Some therians do something called quadrobics or quads for short. It's an actual sport, and here's a video as an example

It's good to keep in mind that a large majority of the people in this community are minors who discovered the term and really connected to it!

And, fun fact, the term "therianthropy" has been used since 1901! The term is first used in the book "The Religious Systems of China" by J.J.M De Groot.

The term has been really popular recently, especially in 2020! There are tons of therians over tiktok, youtube, and probably hundreds of other social media platforms.

I recommend the YouTube channel "Therian Territory" which is ran by an amazing person who goes by Thorn which basically explains what therianthropy is and other stuff!! They really helped me figure out what my theriotype was :).

Hope this helped! Make sure to do lots of research if you can, because I may have gotten some facts wrong. :3

Stay safe and drink water!

All information in bold and italics are copy and pasted from this page.

[cyberpunkonline]

Exploring the Enigmatic Realm of Cyberpunk: Unraveling the Questions It Poses

Introduction

Cyberpunk, a genre that seamlessly melds the gritty elements of punk culture with futuristic, cybernetic advancements, is more than just a form of entertainment; it's a profound commentary on the human condition. This genre, emerging in the late 20th century, has since infiltrated various forms of media, each contributing uniquely to the cyberpunk ethos. From the neon-lit streets in movies like "Blade Runner" to the intricate narratives of video games like "Cyberpunk 2077", cyberpunk challenges us with existential and ethical quandaries that resonate deeply with contemporary societal issues.

Literary Beginnings: Setting the Foundation

The roots of cyberpunk are firmly planted in literature. William Gibson’s "Neuromancer", a seminal work, poses questions about the nature of consciousness and the relationship between humans and technology. Gibson’s world, where the line between reality and virtual space blurs, makes us ponder if our perception of reality is as concrete as we believe. Similarly, Philip K. Dick’s "Do Androids Dream of Electric Sheep?", adapted into the iconic film "Blade Runner", questions the essence of humanity and empathy, challenging us to consider what truly makes us human.

Cinematic Ventures: Visualizing Dystopia

In cinema, cyberpunk takes a more visceral form. "Blade Runner" (1982) and its sequel "Blade Runner 2049" depict a future where synthetic humans question their creators, raising ethical issues about creation and the rights of artificial beings. Meanwhile, "The Matrix" trilogy delves into the concept of simulated reality, pushing us to question the very nature of our existence and the possibility of a reality controlled by AI.

Television and Anime: Expanding Narratives

Television series and anime have significantly contributed to the cyberpunk genre. "Altered Carbon" explores themes of identity and morality in a world where consciousness can be transferred to different bodies. Anime like "Ghost in the Shell" interrogate the boundaries between human and machine, while "Akira" exposes the consequences of unbridled technological advancement and societal decay.

Gaming Worlds: Interactive Exploration

Video games offer an interactive dimension to cyberpunk themes. "Cyberpunk 2077", despite its rocky start, immerses players in a world where cybernetic enhancements are the norm, confronting issues of corporatism, identity, and the augmentation of the human body. Similarly, "Deus Ex" series allows players to navigate a future rife with conspiracy, ethical dilemmas, and the consequences of human augmentation.

Music and Art: Auditory and Visual Symbolism

Cyberpunk's influence extends into music and art, where it adopts an auditory and visual language that communicates its themes. Bands like Perturbator and Carpenter Brut, through their synthwave music, encapsulate the neon-drenched, dystopian essence of cyberpunk. Art, particularly in the digital and graphic novel realms, often depicts sprawling, neon-lit cityscapes and cybernetically enhanced characters, visually representing the genre’s core themes.

Conclusion: Reflecting Our Current Realities

Cyberpunk is more than a speculative fiction genre; it's a mirror reflecting our current realities and anxieties. It questions the unchecked growth of technology, the ethical implications of artificial intelligence, and the socio-political consequences of corporate dominance. In every medium it touches, cyberpunk compels us to ponder our future, our humanity, and the increasingly blurred line between the two. Whether through the pages of a novel, the scenes of a movie, the episodes of an anime, or the interactive realms of video games, cyberpunk continues to challenge, provoke, and inspire.

- REV1

[compneuropapers]

Interesting Papers for Week 45, 2023

Interplay between external inputs and recurrent dynamics during movement preparation and execution in a network model of motor cortex. Bachschmid-Romano, L., Hatsopoulos, N. G., & Brunel, N. (2023). eLife, 12, e77690.

Distinct neural activations correlate with maximization of reward magnitude versus frequency. Balasubramani, P. P., Diaz-Delgado, J., Grennan, G., Alim, F., Zafar-Khan, M., Maric, V., … Mishra, J. (2023). Cerebral Cortex, 33(10), 6038–6050.

Modulation of ventromedial orbitofrontal cortical glutamatergic activity affects the explore-exploit balance and influences value-based decision-making. Barnes, S. A., Dillon, D. G., Young, J. W., Thomas, M. L., Faget, L., Yoo, J. H., … Ramanathan, D. S. (2023). Cerebral Cortex, 33(10), 5783–5796.

Long-range inhibition synchronizes and updates prefrontal task activity. Cho, K. K. A., Shi, J., Phensy, A. J., Turner, M. L., & Sohal, V. S. (2023). Nature, 617(7961), 548–554.

Accelerating Maturation of Spatial Memory Systems by Experience: Evidence from Sleep Oscillation Signatures of Memory Processing. Contreras, M. P., Fechner, J., Born, J., & Inostroza, M. (2023). Journal of Neuroscience, 43(19), 3509–3519.

Intrinsic Neural Timescales in the Temporal Lobe Support an Auditory Processing Hierarchy. Cusinato, R., Alnes, S. L., van Maren, E., Boccalaro, I., Ledergerber, D., Adamantidis, A., … Tzovara, A. (2023). Journal of Neuroscience, 43(20), 3696–3707.

Humans plan for the near future to walk economically on uneven terrain. Darici, O., & Kuo, A. D. (2023). Proceedings of the National Academy of Sciences, 120(19), e2211405120.

Bistability of prefrontal states gates access to consciousness. Dwarakanath, A., Kapoor, V., Werner, J., Safavi, S., Fedorov, L. A., Logothetis, N. K., & Panagiotaropoulos, T. I. (2023). Neuron, 111(10), 1666-1683.e4.

Schema formation in a neural population subspace underlies learning-to-learn in flexible sensorimotor problem-solving. Goudar, V., Peysakhovich, B., Freedman, D. J., Buffalo, E. A., & Wang, X.-J. (2023). Nature Neuroscience, 26(5), 879–890.

A Learned Map for Places and Concepts in the Human Medial Temporal Lobe. Herweg, N. A., Kunz, L., Schonhaut, D., Brandt, A., Wanda, P. A., Sharan, A. D., … Kahana, M. J. (2023). Journal of Neuroscience, 43(19), 3538–3547.

Counterconditioning reduces contextual renewal in a novel context but not in the acquisition context. Keller, N. E., Cooper, S. E., McClay, M., & Dunsmoor, J. E. (2023). Neurobiology of Learning and Memory, 201, 107749.

The human cerebellum in reward anticipation and outcome processing: An activation likelihood estimation meta-analysis. Kruithof, E. S., Klaus, J., & Schutter, D. J. L. G. (2023). Neuroscience & Biobehavioral Reviews, 149, 105171.

The Representational Similarity between Visual Perception and Recent Perceptual History. Luo, J., & Collins, T. (2023). Journal of Neuroscience, 43(20), 3658–3665.

Age-related differences in prefrontal glutamate are associated with increased working memory decay that gives the appearance of learning deficits. Rmus, M., He, M., Baribault, B., Walsh, E. G., Festa, E. K., Collins, A. G., & Nassar, M. R. (2023). eLife, 12, e85243.

Functional brain networks reflect spatial and temporal autocorrelation. Shinn, M., Hu, A., Turner, L., Noble, S., Preller, K. H., Ji, J. L., … Murray, J. D. (2023). Nature Neuroscience, 26(5), 867–878.

Peripheral targets attenuate miniature eye movements during fixation. Watamaniuk, S. N. J., Badler, J. B., & Heinen, S. J. (2023). Scientific Reports, 13, 7418.

Emergence of time persistence in a data-driven neural network model. Wolf, S., Le Goc, G., Debrégeas, G., Cocco, S., & Monasson, R. (2023). eLife, 12, e79541.

Intrinsic excitability of human right parietal cortex shapes the experienced visual size illusions. Wu, B., Feng, B., Han, X., Chen, L., & Luo, W. (2023). Cerebral Cortex, 33(10), 6345–6353.

Neurocomputational mechanisms of young children’s observational learning of delayed gratification. Zhao, H., Zhang, T., Cheng, T., Chen, C., Zhai, Y., Liang, X., … Lu, C. (2023). Cerebral Cortex, 33(10), 6063–6076.

Do needs always come first? Children’s allocation decisions in a necessary resource distribution task. Zhou, S., Peng, Q., Liu, T., & Zhang, J. (2023). Current Psychology, 42(11), 9372–9381.

[unwelcome-ozian]

What audio programs are used in programming? such as binaural beats or other audio files? can these files be found and listened to online in any way?

The goal of audio sounds in programming is to induce brain wave states in the individual.

The five main brain waves are:

Delta (0-4 Hz) Theta (4-8 Hz) Alpha (8-12 Hz) Beta (12-40 Hz) Gamma (40-100 Hz)

There is also Epsilon and Lambda

For example: Beta: ~ 15 – 38 Hz Focused, analytical, rational, wide awake, alert awareness; concentrated, focused mind, heightened sensory perception, emotional stability, visual acuity, cognitive control of motor activity

In Programming:

Quiet Wind-The audio hallucination of a quiet wind is used to convince the subject that the Holy Spirit is visiting them. (spiritual programming)

Subliminal Programming-Hidden suggestions that only the subject’s subconscious perceives. They can be audio, hidden behind music, or visual, airbrushed into a picture, flashed on a screen so fast that they aren’t consciously seen, or incorporated into a picture or design.

Programming uses various audio frequencies/tones. Some of them are:

Isochronic tones-are made to sync with the frequency that is being listened to. It’s believed that syncing your brain waves to a certain frequency might be able to induce various mental states.

Binaural beats-Binaural beats are considered auditory illusions. For a binaural beat to work, the two tones have to have frequencies less than 1000 HzTrusted Source, and the difference between the two tones can’t be more than 30 Hz. The tones also have to be listened to separately, one through each ear.

Neurofeedback-A form of treatment wherein brain waves are retrained through auditory or visual stimuli, such as listening to music or watching videos, to influence brain waves.

Sonogenetics-The use of genetically encoded, ultrasound-responsive mediators for noninvasive and selective control of neural activity.

Music-Changes in the bioelectrical brainwave activity that occur while listening to music.

You could find sites that have the frequencies that induce the brain waves on line.

Oz

[maaarine]

A Phenomenology of Attention and the Unfamiliar: Encounters with the Unknown (Antony Fredriksson, 2022)

“There are aspects of our perceptual experience that are not reducible to perceptual qualities at all.

If something is familiar in relation to foreign or alien, if something is conceived as near in opposition to far away, if I think of a person without remembering her face or name, if I perceive an object as dangerous in opposition to safe, there are no necessary perceptual (optical, auditory, haptic, etc.) qualities that represent these aspects.

I can look for the scissors that are within my visual field without noticing them.

In all these cases, our experience consists of aspects far beyond what is present for us as sense data.

We can call these aspects “phenomenal qualities” (quale, qualia), but then we have to acknowledge that they are not reducible to perceptual qualities (sense data).

In phenomenology, this richness of the structures of experience is acknowledged.

This does not mean that there are two categories—phenomenal qualities (quality of our experience: affects, emotions, etc.), and perceptual qualities (sense data)—that somehow interact with each other.

Rather, it means that perceptual qualities (sense data) are also part of phenomenal qualities, among others.

Our phenomenal experience is infinitely richer than the aspects that are made available for us as sense data.

Inspired by Köhler, Merleau-Ponty notes that the whole notion of sense data is misleading, since they can never appear as isolated entities: “The notion of a sensation independent from its environment is unsustainable. It is interdependent with the notions of judgment and attention. (…)

The real objective world is then not to be found in some form of perception, pure from all the judgments that our mind has added to it, as the positivistic tradition hypostatized; rather, the empirical world is co-created by the workings of our consciousness, in dialogue with the objects.

We cannot stop this dialogue and isolate how the objects in the world actually are, rather how the world is, always is, a result of our engagements with it.”

[blueskyscribeupdates]

Secure Own Oxygen Mask

Chapter 21: Symbiote

You have little memory of the trip home the day Rumble died; only the thrum of engines around you and your hand pressed to your chest.  Perhaps the remaining cassettes were quiet or perhaps you were deaf to their cries.  In the med bay Hook gave you medical clearance—and two more cubes of energon.  Then, at last, you allowed the cassettes to eject.

You have not hosted them since.  It seemed too soon.  It still seems too soon, yet there is a comfort in the way Buzzsaw clicks into her usual place, compressing the metal prongs at the bottom of your tape bay.  

A human tape deck merely reads data off cassettes, a one-way transfer of information. Although your alt mode mimics this device (albeit on a larger scale), your relationship with the cassette-bots is infinitely more complex, a symbiotic sharing of information, emotions, and senses. Filaments of Buzzsaw's consciousness entwine with yours.  Her presence is as sharp as her name, astringent without the others to provide balance.  Still, you have missed it.  A wave of melancholy washes over you.

There! She jumps on the stray emotion.  What does that mean?  There's something wrong with you, I knew it!

No, no, you convey.  You are well.  You are strong.  You are . . . you are sad.  (The sadness swells in you like a tide and somewhere under the surface joins Buzzsaw's, like two underground streams merging.)  How could you not be?  But such feelings can be utilized.

You sample a clip of Megatron:  "Decepticons!  Let these raw emotions be your fuel! They shall not drag you down, but lift you up!"

I remember that speech, Buzzsaw thinks / speaks / answers .  But he was talking about anger, not grief. And I didn't need his tutelage for that. Her memory flashes through your mind:  Flames leaping in an atrium filled with delicate crystals, golden perches. Gilt peeling from titanium bars. A dark window out of reach. Pouring out one last song, in judgment of the world.  No more deflection, Soundwave.  You say you're fine; I want proof.

Her senses probe at your firewalls, fierce but clumsy.  She is no hacker.  It would be easy to brush off the attempt.

Instead you share your datafiles, running a medical self-diagnostic in front of her skeptical presence. Your chassis has fully recovered from prior energon starvation and your spark is strong.  You let the specifics scroll by on your HUD, inviting Buzzsaw to examine them.

[[Chassis integrity: 89%]]

[[Circuitry conductivity: 90%]]

[[Spark rotation: 70 rotations / minute]]

[[Auditory perception: 150%]]

[[Visual perception: 80%]]

And on and on. You feel her begin to relax, satisfied with your upkeep.

But there is one number you would prefer to keep to yourself;  you wait for just the right moment before interrupting the report, replacing it with a clip of Hook dated a few days ago:

"Well, you're in excellent physical condition, Soundwave—"

Tension buzzes unpleasantly across your circuits as Buzzsaw's suspicions return threefold.  No! Show me!   

Her force of will pecks at the vid of Hook until it cracks and falls away. The medical report returns, rows of metrics scrolling impassively past.  They are merely objective descriptions of your parameters. Yet one of them fills you with shame.

[[Energon level: 80%]]

Buzzsaw is the most acerbic of your cassettes.  You await her judgment. Her anger.  Her sense of betrayal, that you have been indulging yourself so greedily while the cassette-bots suffer on bare-bones rations.  You wait . . .

Soundwave. Her thoughts are soft and oh so careful, though tinged with incredulity.  Did you really think we'd be upset? Over that?

This kindness is harder to bear than wrath, yet you sink into it.  You press your hand to your chest, grateful to embrace this symbiosis, if only once more.

[peculiarhungarians]

Bela Julesz, 1928-2003, visual neuroscientist and experimental psychologist 

[1] Béla Julesz was a Hungarian-born American visual neuroscientist and experimental psychologist in the fields of visual and auditory perception. Julesz was the originator of random dot stereograms which led to the creation of autostereograms. He also was the first to study texture discrimination by constraining second-order statistics.

[2] "I particularly liked Julesz's one-line epigraph for behaviourist psychology: "Psychology without consciousness is like math without infinity" (p. 146)- possible, but not very interesting. Take this book in dialogue sized bites. Endeavour to hear it in a rich Hungarian accent. It is the next best thing to dinner with Bela."

[ab-blake]

How Much is a Half Oz of Shrooms: Everything You Need to Know

If you're planning on trying magic mushrooms for the first time, or just want to know how much is a half oz of shrooms, then you're in the right place. Magic mushrooms, also known as shrooms, are a type of psychedelic drug that can alter your perception and consciousness. It's important to know how much you're taking, as different doses can have different effects.

In this article, we'll go over everything you need to know about how much is a half oz of shrooms, including how to measure it, the effects of different doses, and some frequently asked questions about shrooms.

Introduction

Magic mushrooms have been used for centuries for their psychedelic effects. They contain a compound called psilocybin, which can cause visual and auditory hallucinations, as well as altered perception of time and space. The effects of shrooms can vary depending on the dose, the person taking them, and the setting in which they're taken.

If you're interested in trying shrooms, it's important to know how much is a half oz of shrooms, as this can affect the intensity and duration of the trip. Here's everything you need to know.

How Much is a Half Oz of Shrooms?

A half oz of shrooms is equivalent to 14 grams. This may not sound like a lot, but it's actually quite a large dose of psilocybin. It's important to note that different strains of mushrooms can have varying levels of psilocybin, so the effects of a half oz of shrooms can vary.

To put it in perspective, here are some common doses of shrooms:

Microdose: 0.1-0.5 grams

Mini-dose: 0.5-1 gram

Moderate dose: 2-3.5 grams

High dose: 3.5-5 grams or more

A half oz of shrooms is considered a high dose and is not recommended for beginners. It's best to start with a lower dose and work your way up to a higher dose over time.

How to Measure a Half Oz of Shrooms

Measuring shrooms can be tricky, as they can vary in size and shape. Here are some tips for measuring a half oz of shrooms:

Use a scale: The most accurate way to measure shrooms is by using a digital scale. Make sure the scale is calibrated correctly and place the shrooms on the scale to get an accurate measurement.

Use a quarter: A quarter of an oz is equivalent to 7 grams, so you can use this as a guide and weigh out two quarters to get a half oz.

Eyeball it: This is not the most accurate method, but it can work in a pinch. Try to estimate the amount of shrooms you need based on their size and weight.

Effects of a Half Oz of Shrooms

The effects of a half oz of shrooms can be intense and long-lasting. Here are some of the effects you may experience:

Visual and auditory hallucinations

Euphoria

Altered perception of time and space

Increased creativity

Spiritual or mystical experiences

Anxiety or paranoia

Nausea or vomiting

Difficulty sleeping

It's important to note that the effects of shrooms can vary depending on the person taking them and the setting in which they're taken. It's best to start with a lower dose and work your way up to a higher dose over time.

[riverrose523]

What Is Psychedelic Light Therapy and How Can It Help You?

In recent years, there has been a surge of interest in alternative therapies for mental health and well-being, with one of the most intriguing emerging modalities being psychedelic light therapy. Combining elements of psychedelic art, light therapy, and neuroplasticity, psychedelic light therapy (PLT) offers a unique and immersive experience that promises to enhance mental clarity, emotional healing, and even creativity. This innovative treatment is gaining traction among those seeking holistic approaches to mental health, as well as individuals curious about the potential therapeutic benefits of light and sensory stimulation.

But what exactly is psychedelic light therapy near me Fulton, MS, and how does it work? Can it help with conditions like anxiety, depression, PTSD, or stress? In this post, we’ll explore the ins and outs of psychedelic light therapy, its potential benefits, and why people are turning to this novel treatment.

What Is Psychedelic Light Therapy?

Psychedelic light therapy is a form of therapy that uses light patterns, colors, and visual stimuli to induce altered states of consciousness. By combining visually stimulating, often kaleidoscopic light displays with therapeutic techniques, PLT aims to enhance the brain's natural healing abilities, support emotional processing, and promote a sense of mental clarity and emotional well-being.

While psychedelic light therapy draws inspiration from the visual effects and heightened perceptions associated with psychedelic substances (such as LSD or psilocybin), it does not involve any chemical substances. Instead, the therapy relies solely on the power of light and visual stimulation to stimulate brain activity and create a therapeutic experience.

PLT sessions typically take place in a comfortable setting, with participants lying down or sitting while exposed to a series of dynamic light patterns. The light may be projected onto the walls or ceiling, or participants may wear special glasses or headsets designed to deliver light patterns directly to the eyes.

The visual experience is often paired with soothing music or soundscapes, further enhancing the effect. The combination of visual stimuli and audio cues can help to engage both the visual and auditory senses, promoting relaxation, focus, and mindfulness.

The Science Behind Psychedelic Light Therapy

Psychedelic light therapy works by stimulating the brain in ways that enhance neural plasticity and promote emotional and psychological healing. Light has long been known to have a profound effect on the brain, influencing everything from circadian rhythms to mood regulation.

Light exposure is known to stimulate the pineal gland, which is responsible for producing melatonin, a hormone that regulates sleep and wake cycles. This effect on the pineal gland is one of the reasons light therapy is so effective in treating conditions like seasonal affective disorder (SAD), insomnia, and jet lag.

In the case of psychedelic light therapy, the goal is to use specific patterns and colors of light to activate different brain regions, encourage deep relaxation, and stimulate the release of feel-good neurotransmitters like serotonin and dopamine. These neurotransmitters play key roles in mood regulation, motivation, and emotional well-being.

Additionally, the immersive nature of the light experience can help quiet the mind, promote mindfulness, and foster a sense of emotional openness. Similar to the effects of meditation, PLT can help participants gain a new perspective on their emotions and thought patterns, potentially facilitating emotional breakthroughs and healing.

The Benefits of Psychedelic Light Therapy

1. Enhanced Mood and Emotional Well-Being

One of the most significant benefits of psychedelic light therapy is its potential to improve mood and emotional well-being. The sensory stimulation provided by the light patterns can trigger the release of neurotransmitters like serotonin and dopamine, which are known to boost mood, reduce anxiety, and alleviate depression. By promoting the release of these "feel-good" chemicals, PLT offers a natural and non-invasive way to elevate mood and support emotional regulation.

For people experiencing conditions like depression, generalized anxiety, or stress, the ability to regulate their emotions through a non-pharmaceutical method can be a game-changer.

2. Relieving Stress and Anxiety

PLT is especially helpful for individuals dealing with high levels of stress and anxiety. The gentle, rhythmic patterns of light have a calming effect on the nervous system, helping to lower heart rates, reduce muscle tension, and promote relaxation. Just as meditation and mindfulness practices have been shown to reduce stress and anxiety, the immersive nature of PLT provides a similar experience, guiding the individual into a state of calm and emotional release.

By quieting the mind and encouraging deep relaxation, PLT can create a mental environment conducive to healing and inner peace.

3. Improving Sleep Quality

Because light exposure has such a strong impact on the brain's sleep-wake cycle, psychedelic light therapy can be an effective way to improve sleep quality. The calming and relaxing effects of the therapy help regulate melatonin production, which is essential for maintaining a healthy sleep cycle.

For those who struggle with insomnia or disrupted sleep patterns, PLT could help reset the body’s internal clock, allowing individuals to experience more restorative sleep. Additionally, the stress-relieving effects of PLT can help ease the anxiety that often prevents people from falling asleep or staying asleep.

4. Boosting Creativity and Cognitive Function

The immersive, altered states of consciousness facilitated by psychedelic light therapy can also enhance creativity and cognitive function. The novel light patterns stimulate the brain, leading to heightened neural activity and greater connection between different regions of the brain. This can result in improved problem-solving skills, increased creativity, and enhanced mental clarity.

For artists, writers, or anyone seeking a creative boost, PLT can provide a fresh perspective and a unique way to access deeper parts of the subconscious mind. The experience can help overcome mental blocks, inspire new ideas, and encourage novel thinking.

5. Assisting with Emotional Trauma and Healing

Psychedelic light therapy near me Fulton, MS may also support the healing of emotional trauma. Just as certain psychedelic experiences have been shown to promote emotional breakthroughs, PLT uses light to stimulate parts of the brain associated with emotional processing. This can help individuals confront past trauma, release repressed emotions, and gain new insights into their experiences.

By creating a safe and controlled environment for emotional exploration, PLT can provide an opportunity for deep healing, allowing individuals to move forward with a sense of release and renewal.

6. Improving Mental Clarity and Focus

Psychedelic light therapy helps individuals enter a meditative, deeply focused state. This heightened focus not only calms the mind but can also improve mental clarity and attention. For individuals dealing with mental fog, distraction, or lack of focus, PLT can help sharpen the mind and encourage greater mental acuity. This benefit is especially helpful for those working in high-pressure environments or individuals seeking improved performance in creative or academic fields.

7. Supporting Personal Growth and Self-Discovery

Beyond its emotional and cognitive benefits, psychedelic light therapy offers a space for self-exploration and personal growth. The altered states of consciousness induced by the light patterns can help individuals access deeper parts of their psyche, fostering greater self-awareness and personal insight. This can be a transformative experience, especially for those on a journey of self-discovery or looking to make positive changes in their lives.

How to Experience Psychedelic Light Therapy Near You

If you’re interested in experiencing psychedelic light therapy, it’s important to find a qualified practitioner or facility that offers this type of treatment. Many wellness centers, holistic healing centers, and even some meditation studios are beginning to offer PLT as part of their services. Typically, these sessions are offered in a controlled environment with trained facilitators who guide participants through the process.

When looking for psychedelic light therapy near me, make sure to do thorough research into the background and qualifications of the practitioners or centers. Reading reviews, asking about the types of equipment used, and confirming the therapist’s experience in light-based therapies can help you find a provider that meets your needs.

Is Psychedelic Light Therapy Right for You?

While psychedelic light therapy has shown promise for a variety of conditions, it’s essential to remember that it may not be suitable for everyone. If you have a history of certain mental health conditions (such as severe anxiety, psychosis, or bipolar disorder), it’s important to consult with a healthcare professional before exploring PLT. In some cases, altered states of consciousness can trigger intense emotions or unwanted side effects.

That being said, for most people, PLT is a safe and effective way to experience emotional healing, mental clarity, and relaxation. Whether you're looking to reduce stress, improve your mood, enhance creativity, or heal emotional trauma, psychedelic light therapy offers a unique and powerful approach to well-being.

Conclusion

Psychedelic light therapy is an exciting and innovative treatment that harnesses the power of light and visual stimulation to promote emotional healing, mental clarity, and overall well-being. By combining therapeutic light patterns with a relaxing, immersive experience, PLT offers a new way to achieve deeper self-awareness, alleviate stress, and even unlock creativity.

As more people seek alternative therapies for mental health and personal growth, psychedelic light therapy is becoming a popular option for those looking to enhance their lives and achieve greater emotional balance. If you're interested in exploring this novel therapy, seek out a qualified provider near you and take the first step toward experiencing its transformative benefits.

Reference: Awakening Workshops Fulton

Reference: Bio Mat relaxation sessions Fulton

[k2spicespray]

Effect 5F-AKB48 C Liquid

5F-AKB48 C Liquid is a potent synthetic cannabinoid that mimics the effects of natural cannabinoids like THC. However, because it is chemically engineered and often more potent, the effects can be stronger, more unpredictable, and potentially dangerous. Here’s a detailed breakdown of the effects:

1. Psychoactive Effects:

Euphoria and Relaxation: Like THC, 5F-AKB48 can produce feelings of intense euphoria and relaxation. This is one of the primary reasons some users are drawn to it.

Altered Perception: Users may experience changes in how they perceive time, colors, sounds, and other sensory inputs, similar to the effects of cannabis but often more intense.

Dissociation: At higher doses, 5F-AKB48 can cause dissociation, where users feel disconnected from their bodies or surroundings, leading to a sense of detachment from reality.

2. Cognitive and Emotional Effects:

Heightened Anxiety or Paranoia: Synthetic cannabinoids are known for causing extreme anxiety, fear, and paranoia, especially when consumed in larger doses. These effects can be severe and may even result in panic attacks.

Confusion and Cognitive Impairment: Users often experience difficulty thinking clearly, problems with memory, and impaired decision-making abilities. This cognitive cloudiness can last for several hours after the effects subside.

Agitation or Irritability: In some cases, instead of relaxation, users may become highly irritable or agitated, leading to erratic behavior.

3. Physical Effects:

Tachycardia (Rapid Heart Rate): A common side effect of 5F-AKB48 is an elevated heart rate. This can be uncomfortable or dangerous, especially for people with pre-existing heart conditions.

Hypertension (Increased Blood Pressure): Along with a fast heart rate, users may experience heightened blood pressure, which can lead to cardiovascular stress.

Dry Mouth: As with many cannabinoids, users often report dry mouth, also known as cottonmouth.

Dizziness and Lightheadedness: Users may feel dizzy or lightheaded, which can lead to balance issues and falls, particularly when standing up quickly.

Nausea and Vomiting: Some users experience nausea, which can sometimes lead to vomiting, especially if the dose is high.

4. Psychological and Neurological Effects:

Hallucinations and Delusions: Synthetic cannabinoids like 5F-AKB48 have been linked to both auditory and visual hallucinations. These hallucinations can be very vivid and frightening, often leading to a state of confusion or distress.

Psychosis: In some cases, particularly after prolonged use or higher doses, synthetic cannabinoids can induce psychosis. This can include delusions, loss of touch with reality, and violent or erratic behavior.

Seizures: 5F-AKB48 has been associated with seizures, especially in users who are susceptible or when combined with other substances.

5. After-Effects and Long-Term Risks:

Lethargy and Fatigue: After the initial effects wear off, users often report feeling extremely tired or mentally drained, which can persist for several hours.

Depression and Mood Swings: Regular use of synthetic cannabinoids like 5F-AKB48 can negatively impact mood, leading to depression, irritability, and mood swings even when not actively using the substance.

Addiction and Dependence: Synthetic cannabinoids are known to be habit-forming. Users can develop a tolerance, requiring higher doses to achieve the same effects, and may experience withdrawal symptoms such as irritability, anxiety, insomnia, and cravings when trying to stop.

6. Overdose and Toxicity Risks:

Because synthetic cannabinoids like 5F-AKB48 are often much more potent than natural cannabis, even a small increase in dosage can lead to an overdose. Some potential overdose symptoms include:

Severe Agitation or Psychosis: A mental breakdown characterized by intense confusion, panic, and sometimes violent or erratic behavior.

Loss of Consciousness: In severe cases, users may pass out or fall into a coma.

Respiratory Problems: Some users experience breathing difficulties, particularly when the liquid is vaporized or inhaled, leading to potential respiratory failure in extreme cases.

Severe Cardiovascular Issues: Sudden spikes in heart rate or blood pressure can lead to heart attacks or strokes, particularly in vulnerable individuals.