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Mutated Eye; Piers Nivans
Thermal Vision Activation: The mutated eye can toggle between normal vision and thermal vision, either consciously or automatically in low-light settings.
Enhanced Detection Range: It has a heightened sensitivity to heat, allowing Piers to detect temperature variations at greater distances than typical human sight.
Animalistic Heat Tracking: When focusing on specific targets, the eye can lock onto a heat signature, similar to a predator tracking prey, enhancing Piersâ ability to track movement and body warmth.
Pupil Adjustment: In thermal mode, the pupil may dilate or change shape, resembling a slit-like predatorâs eye to help focus on heat rather than visible light.
Environmental Heat Mapping: The eye can perceive heat differentials in the environment, offering a general âmapâ of recent warmth, like detecting where someone was standing moments before by the residual heat.
Limitations and Overload: Extreme heat (such as fire) may overwhelm the eyeâs sensory range, causing discomfort or temporary blindness.
Dim Light Advantage: The mutated eye excels in near-darkness, where typical vision is weak but body heat stands out clearly, giving Piers an edge in low-light stealth scenarios.
Color Perception in Thermal Mode: In thermal vision, the eye interprets temperature differences as a gradient of colors. Warm objects may appear in intense reds, oranges, and yellows, while cooler ones might show as greens, blues, or even dark purples.
Subdued Colors in Normal Vision: Even when not in thermal mode, Piersâ mutated eye has a muted color perception. Colors appear slightly less vivid, as the eye prioritizes detecting movement and heat cues over vibrant color differentiation.
Predatory Color Shift: When the Virus has more control, the eyeâs color vision shifts further, tuning down saturation and emphasizing contrasts (similar to how a predatorâs eyesight might work). This makes it easier for Piers to detect changes in his surroundings, almost like a built-in âhuntâ mode.
Pupil Slitting and Virus Control: When the Virus starts taking over, the eyeâs pupil begins to narrow into a vertical slit, resembling that of a predatory animal. This shift signals an increase in Virus influence and a decrease in Piersâ conscious control over his actions.
Automatic vs. Controlled Pupil Changes: If Piers is calm and in control, he can keep his pupil in a regular, human-like shape even when using the mutated eyeâs abilities. But in moments of high stress, anger, or when the Virus is trying to assert dominance, the pupil slits involuntarily, reflecting the Virusâs increased control.
Vision Focus During Virus Influence: When the Virus asserts dominance and the pupil slits, Piersâ depth perception sharpens, narrowing his field of view to focus on potential threats or âprey.â His peripheral vision dims slightly, forcing a tunnel vision effect that aids the Virusâs instinct-driven behavior.
Heat Intensity Flare: In cases of extreme Virus influence, the eye may highlight intense heat sources more aggressively, causing them to âflareâ in Piersâ visionâalmost as if theyâre pulsing or glowing. This can heighten his predatory response but risks overwhelming his senses.
Subtle Visual Indicators for Others: The slitting pupil and dimmed colors provide a subtle, outward indicator to others around Piers, showing that heâs in a state of diminished control and that the Virus is actively exerting influence.
Dual Vision Complexity: Piersâ normal eye functions like a typical human eye, processing visible light and color, while his mutated eye prioritizes thermal readings and has limited color sensitivity. When using both eyes together, his brain has to integrate two different types of visual input, which can cause sensory conflict or strain if he doesnât focus.
Selective Thermal Overlay: In moments of focus, Piers can actively âoverlayâ the thermal information from his mutated eye onto the visual feed from his normal eye. This creates a combined image that highlights heat signatures within his regular field of vision, allowing him to detect hidden heat sources while maintaining color and detail from his normal eye.
Rapid Information Switching: Piers can switch quickly between normal vision and thermal mode in his mutated eye, allowing him to scan for heat without sacrificing his normal vision entirely. However, this rapid switching can cause momentary disorientation, especially in highly dynamic environments.
Conscious or Reflexive Shift: When heâs fully in control, Piers can consciously decide whether to rely on his mutated eyeâs thermal capabilities or stick to normal vision. However, under stress or heightened emotion, his brain may reflexively prioritize thermal cues over visible light, shifting his attention to heat sources rather than color or detail.
Strain and Fatigue: Balancing the two types of vision is tiring. Extended use of the mutated eye in thermal mode can lead to eye strain, headaches, or even temporary blurring in his normal eye due to the effort of integrating both feeds.
#đđŽđđŁđđđ đđ#đđŽđŹđ; đđ˘đđŤđŹ đđ˘đŻđđ§đŹ#OOC:#Cant draw eyes for shit gang#or veins for that matter wtf#resident evil#piers nivans re6#piers nivans#Resident evil 6
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Quick sketch for Piersâ bionic arm.
Design Features
â˘Aesthetics: Streamlined, ergonomic design with a minimalist look, often featuring a matte or metallic finish.
â˘Materials: Lightweight composites like carbon fiber and titanium, providing durability without sacrificing mobility.
â˘Color Options: Customizable colors or finishes, including options for skin-like textures or futuristic metallics.
Technology
â˘Actuation: Advanced motors and actuators that enable precise, fluid movement mimicking natural limb motion.
â˘Sensors: Integrated sensors (e.g., myoelectric sensors) to detect muscle signals for intuitive control and movement.
â˘Feedback Systems: Haptic feedback mechanisms to provide users with sensory information about grip strength and object texture.
Safety and Durability
â˘Water and Dust Resistance: High IP ratings to protect against environmental factors.
â˘Emergency Features: Manual override systems or fail-safes in case of technology malfunction.
Advanced Technological Interface
â˘Integrated Biosensors: Built-in biosensors that can analyze blood or interstitial fluid samples to measure viral load in real time.
â˘Data Analytics: Utilizes algorithms to process biosensor data, providing insights on viral dynamics and trends.
â˘Alerts and Notifications: Real-time alerts sent to the user or healthcare provider when viral load exceeds predetermined thresholds.
â˘Communication System: Integrated with a communicator on the wrist, the arm serves as a reliable device for maintaining contact with his team. This system includes encrypted channels for secure communication during high-stakes operations.
â˘Objective Management Display: The arm features a holographic display that provides a detailed version of the communicatorâs data, allowing Piers to view mission objectives and tactical data in real-time. This feature minimizes the need for external devices and keeps critical information accessible.
Augmented Reality (AR) Compatibility
â˘Enhanced Visualization: The armâs display projects augmented reality overlays, allowing Piers to see additional information, such as enemy positions, weapon stats, or tactical directions, directly in his line of sight.
â˘Environmental Scanning: The arm can analyze the surroundings for potential threats, detect biological or chemical hazards, and provide alerts for safer navigation through hostile environments.
Electricity Conduction and Control
â˘Energy Conduit Design: The bionic arm acts as a conductor for the constant electrical energy generated by Piersâ mutation. It includes specialized channels and circuits designed to manage this energy flow, allowing Piers to use his mutationâs electrical pulse without it spiraling out of control.
â˘Dielectric Structures: The armâs design incorporates materials that mimic the dielectric properties of his mutated tissue, particularly in the finger joints and bones. These dielectric components help regulate and contain the high voltage his body produces, diffusing excess energy safely throughout the arm.
â˘Controlled Release Mechanism: To avoid overload, the arm features a controlled release system that allows Piers to release pulses of energy strategically, whether in combat or to alleviate the internal buildup. This system prevents the arm from overheating or sustaining damage from prolonged electrical activity.
Containment and Compression of the Mutation
â˘Compression Framework: The prosthetic was specially designed by UMBRELLA engineers to act as a containment ânetâ around his mutation. It includes a flexible, reinforced framework that compresses the mutated tissue, keeping it in check and preventing further growth or erratic shifts in form.
â˘Adaptive Pressure System: As the mutation strains against the arm, sensors detect any changes in size or energy output, triggering adaptive responses. The arm tightens or loosens as necessary to hold the mutation back, functioning almost like a high-tech brace that adjusts in real-time to maintain Piersâ arm in a stable form.
â˘Automatic Safety Lock: In the event of a significant spike in mutation activity or electrical output, the arm engages an emergency lock to keep the mutation from expanding. This feature is a safeguard against sudden bursts of energy that could cause the arm to revert to its mutated state.
Dependency and Risks of Removal
â˘Rapid Mutation Onset: Without the prosthetic in place, Piersâ arm begins to mutate almost immediately, returning to its original, unstable form. The electrical pulse that his body generates becomes unrestrained, emitting a continuous, breath-like rhythm that is both painful and dangerous, with energy leaking through protruding bones and exposed tissue.
â˘Uncontrollable Pulse: When uncontained, the electrical pulse from his mutation surges in intensity, lacking any natural âclosureâ or stopping point. This pulse causes rapid fluctuations in his vital signs and risks systemic overload, leading to loss of control over his mutation and putting him at severe physical risk.
Miscellaneous Details
â˘The arm has a unique serial code engraved on an inner plate, serving as an identifier for UMBRELLA technicians. This code also links to Piersâ personal health records, mutation data, and arm specifications for quick access during maintenance or in emergencies.
â˘Due to the intense electrical pulses generated by his mutation, the arm is equipped with an internal cooling system. Micro-fans and heat-dissipating channels prevent overheating during extended use, keeping the arm at a safe, comfortable temperature. If the arm overheats, an internal alarm alerts Piers to prevent any potential damage.
â˘The outer layer is treated with a UV-resistant coating to protect it from environmental damage and exposure. This ensures that prolonged exposure to sunlight or harsh conditions doesnât wear down the armâs exterior, making it more durable in diverse climates and situations.
â˘Designed for various operational environments, the arm is fully waterproof and corrosion-resistant. It functions normally underwater, which is crucial for aquatic missions or when exposed to rain, mud, or corrosive substances.
â˘The holographic display can be customized to show additional details, such as weather, GPS navigation, or tactical maps. Piers can also set personal preferences, like color schemes or alert tones, for a more intuitive user experience. This flexibility lets him prioritize the information he finds most critical during missions.
â˘The communicator has an onboard language translator, enabling Piers to communicate with individuals across different languages. The armâs display shows translated text, and a subtle earpiece can even relay audio translations, making it easier for him to gather intel and negotiate in multilingual environments.
#đđŽđđŁđđđ đđ#đđŽđŹđ; đđ˘đđŤđŹ đđ˘đŻđđ§đŹ#I think I very severely fucked up my lefts and rights Ngl but oh well#resident evil#resident evil 6#piers nivans#long post
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Misc. Design Notes and Ideas; Piers Nivans
Synchronization Between Prosthesis and Senses
Augmented Reflexes: His bionic arm could have a feedback system connected to his heightened senses, allowing it to respond to auditory or visual cues faster than he can consciously react. For instance, if he hears a sudden change in someoneâs heartbeat behind him (indicating theyâre approaching or tensing up), his arm could twitch or adjust as if ready to defend or counter.
Haptic Feedback in the Arm: The prosthesis could have sensors that translate environmental data into subtle vibrations or pressure signals, which Piers can feel. For example, in low-light or when heâs using his thermal vision, his arm might subtly vibrate in response to nearby heat sources, giving him a âsixth senseâ of people around him without needing to look.
Sensory Overload Thresholds and Control Mechanism
Virus-Triggered Sensory Intensity: When the Virus exerts more control, his senses might intensify to the point where every heartbeat, heat signature, or movement becomes sharply defined and almost overwhelming. This state would enhance his perception but at the cost of mental strain, making it harder for him to focus or maintain rational thought.
Adaptive Mutation in His Arm
Augmented Physical Connection: The prosthetic side of his arm might integrate more closely with the mutating side over time. This would create a unique âfusionâ effect where the prosthetic adapts, mirroring changes in the mutation, like absorbing textures or contours that appear on his mutated tissue. This would blur the line between machine and biology even further, reflecting his struggle to retain his humanity.
Predator-Like Instinct Mode
Automatic Threat Detection: If his hearing detects an elevated heartbeat or his eye picks up sudden movement, it could trigger an âinstinct modeâ where his sensory focus shifts fully onto the targetâheightening his reaction time and awareness of that individualâs actions. This would make him hyper-focused on potential threats, though it risks distracting him from other surroundings.
Animalistic Responses to Stress: When the Virus exerts control, Piersâ responses could become more instinctual. For instance, if his mutated eye detects an unexpected heat signature, his body might involuntarily tense, his senses heighten, and his arm adopt a defensive posture. He might also develop reflexes that resemble predatory behavior, like tracking movement without moving his head.
Tags: (Let me know if youâd like to be added or removed!) @astertaster @fonulyn @theyproblyhadsomethingtodowithit @mangoflavouredkisses @mmosscatmoss @essanocollagen @menacing-manicotti @sxnicgoesfast
#đđŽđđŁđđđ đđ#đđŽđŹđ; đđ˘đđŤđŹ đđ˘đŻđđ§đŹ#resident evil#Resident evil 6#piers nivans re6#piers nivans
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đđđđđ đđđŁđđđ
đđđđđ đđđŁđđđ đŹđđđŤđđ đđĽđđ§đ¤đĽđ˛ đ˘đ§đđ¨ đđĄđ đđ¨đĽđ, đŚđđđđĽđĽđ˘đ đŚđ˘đŤđŤđ¨đŤ đ¨đ§ đđĄđ đ°đđĽđĽ, đđĄđ¨đŽđ đĄ đĄđ đđ¨đŽđĽđđ§âđ đŞđŽđ˘đđ đŤđđđ¨đ đ§đ˘đłđ đđĄđ đŠđđŤđŹđ¨đ§ đŹđđđŤđ˘đ§đ đđđđ¤. đ đŚđđ§, đĄđ đŹđŽđŠđŠđ¨đŹđđâđ đŹđ¨đĽđđ˘đđŤ, đŚđđ˛đđ, đ°đ˘đđĄ đđđŤđ¤ đĄđđ˘đŤ, đĄđ¨đĽđĽđ¨đ° đđ˛đđŹ, đđ§đ đ đđđđ đĽđ˘đ§đđ đ°đ˘đđĄ đŹđđđŤđŹ đđĄđđ đŹđđđŚđđ đđ¨ đĄđ¨đĽđ đŹđđ¨đŤđ˘đđŹ đĄđ đđ¨đŽđĽđđ§âđ đŤđđŚđđŚđđđŤ. đđĄđđŤđ đ°đđŹ đŹđ¨đŚđđđĄđ˘đ§đ đđĽđ˘đđ§ đđĄđđŤđ, đŹđ¨đŚđđđĄđ˘đ§đ đđđŤđ¤ đđĄđđ đŠđŽđĽđŹđđ đđđ§đđđđĄ đĄđ˘đŹ đŹđ¤đ˘đ§, đĽđ˘đ¤đ đ đ°đ¨đŽđ§đ đđĄđđ đĄđđđ§âđ đĄđđđĽđđ.
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đđ đŤđđ˘đŹđđ đĄđ˘đŹ đ°đđđŠđ¨đ§, đĄđ˘đŹ đŚđŽđđđđđ đđŤđŚ, đđđđĄ đŚđ¨đŻđđŚđđ§đ đŠđŤđđđ˘đŹđ, đŠđŤđđđđ˘đđđ, đđŹ đđĄđ¨đŽđ đĄ đ˘đ đĄđđ đđđđ§ đđŤđ˘đĽđĽđđ đ˘đ§đđ¨ đĄđ˘đŚ đđ¨đŤ đ˛đđđŤđŹ đĄđ đđ¨đŽđĽđđ§âđ đŤđđŚđđŚđđđŤ.
đđĄđđđ đ¨đ đĄđ˘đŚ, đđđŤđ đđđŹ đđŚđđŤđ đđâđŚđđ§đ§đđŞđŽđ˘đ§đŹ đđŤđđŹđŹđđ đ˘đ§ đ°đ¨đŤđ§ đđđđ˘đ đŽđđŹ, đđĄđđ˘đŤ đ¨đŽđđĽđ˘đ§đđŹ đđđŤđđĽđ˛ đŻđ˘đŹđ˘đđĽđ đ˘đ§ đđĄđ đ đĽđ¨đ¨đŚ. đđ˘đŹ đ đŤđ˘đŠ đđ˘đ đĄđđđ§đđ, đđĄđ đŚđŽđđđđđ đđŤđŚ đđ°đ˘đđđĄđ˘đ§đ , đŠđŽđĽđŹđ˘đ§đ đ°đ˘đđĄ đđ§ đŽđ§đ§đđđŽđŤđđĽ đđ§đđŤđ đ˛ đđĄđđ đŤđđđ˘đđđđ đđŤđ¨đŚ đđĄđ đđ°đ˘đŹđđđ đđĽđđŹđĄ. đđ đđđĽđ⌠đ°đŤđ¨đ§đ .
đ
đ¨đŤđđ˘đ đ§. đđ§đ đ˛đđ, đ˘đ đ°đđŹ đđĽđĽ đĄđ đĄđđ. đđ đđ˘đŚđđ, đĄđ˘đŹ đđ˘đ§đ đđŤđŹ, đđ¨đ§đđŹ, đ°đĄđđđđŻđđŤ đ°đđŹ đĽđđđ đ¨đ đĄđ˘đŚ, đđĽđđ§đđĄđđ đđ§đ đđđ§đŹđ.
đđŽđ đđŹ đĄđ đŹđđ¨đ¨đ đđĄđđŤđ, đŹđ¨đŚđđđĄđ˘đ§đ đŹđđ˘đŤđŤđđ đđđđŠ đ°đ˘đđĄđ˘đ§ đĄđ˘đŚ, đ đŹđđ§đŹđđđ˘đ¨đ§ đđĄđđ đ°đđŹ đ§đđ˘đđĄđđŤ đŚđđŚđ¨đŤđ˛ đ§đ¨đŤ đđĄđ¨đŽđ đĄđ, đŁđŽđŹđ đ đŤđđ°, đŻđ˘đŹđđđŤđđĽ đđđđĽđ˘đ§đ . đ đđĽđđŹđĄ đ¨đ đđ¨đĽđ¨đŤâđ¨đ đĽđ˘đ đĄđ, đŚđđ˛đđ? đđ đđ¨đŽđĽđđ§âđ đđđĽđĽ. đđ đ°đđŹ đĽđ˘đ¤đ đŹđ¨đŚđđđĄđ˘đ§đ đ°đđŹ đđŤđ˛đ˘đ§đ đđ¨ đđĽđđ° đ˘đđŹ đ°đđ˛ đ¨đŽđ đ¨đ đđĄđ đđ¨đ đ˘đ§ đĄđ˘đŹ đŚđ˘đ§đ, đŹđ¨đŚđđđĄđ˘đ§đ đđđ˘đ§đ, đđ§ đđđĄđ¨ đ¨đ đ đĽđ˘đđ đĄđ đđ¨đŽđĽđđ§âđ đ đŤđđŹđŠ.
đđ˘đŹ đđ˛đđŹ đđŽđŤđ§đđ, đđ§đ đĄđ˘đŹ đđ˘đŚ đđđĽđĽ đŹđĽđđđ¤.
âđđŽđđŁđđđ đđ.â đđĄđ đŻđ¨đ˘đđ đđŤđ¨đŚ đđĄđ đ˘đ§đđđŤđđ¨đŚ đŤđđ§đ đ¨đŽđ, đĄđđŤđŹđĄđđŤ đ§đ¨đ°, đŹđĄđđŤđŠ đđ§đ đđ˘đđ˘đ§đ . âđđĽđ˘đŚđ˘đ§đđđ đđĄđ đđđŤđ đđđŹ. đđ¨đŚđŠđĽđ˛ đ°đ˘đđĄ đ˛đ¨đŽđŤ đŠđŤđ¨đ đŤđđŚđŚđ˘đ§đ .â
đđĄđ đđ¨đŚđŚđđ§đ đĄđ˘đ đĄđ˘đŚ đĽđ˘đ¤đ đ đŁđ¨đĽđ, đđ§đ đđĄđ đđĽđ˘đđ¤đđŤ đ¨đ đŤđđŹđ˘đŹđđđ§đđ đŻđđ§đ˘đŹđĄđđ, đŤđđŠđĽđđđđ đđ˛ đđĄđđ đ đ§đđ°đ˘đ§đ đđđĄđ, đđĄđđ đŻđ¨đ˘đ đ˘đ§đŹđ˘đđ đĄđ˘đŚ.
đđ đđđĽđ đđĄđ đ˘đŚđŠđĽđđ§đ đđ đđĄđ đđđŹđ đ¨đ đĄđ˘đŹ đŹđ¤đŽđĽđĽ đđĄđŤđ¨đ, đđ§đ đđĄđ đŠđđ˘đ§ đŹđĄđ¨đ đđĄđŤđ¨đŽđ đĄ đĄđ˘đŹ đĄđđđ, đ°đ˘đŠđ˘đ§đ đ¨đŽđ đ°đĄđđđđŻđđŤ đđŤđ˘đđ đđĄđ¨đŽđ đĄđ đĄđđ đŹđŽđŤđđđđđ.
đđ đđ˘đŤđđ.
đđ§đđŤđ đ˛ đŹđŽđŤđ đđ đđŤđ¨đŚ đĄđ˘đŹ đŚđŽđđđđđ đđŤđŚ, đ đŹđ˘đđ¤đđ§đ˘đ§đ đđŤđđđ¤đĽđ đđĄđđ đđ¨đŤđ đđĄđŤđ¨đŽđ đĄ đđĄđ đđ˘đŤ, đŹđđđŤđ˘đ§đ đ˘đ§đđ¨ đđĄđ đđđŤđ đđđŹ. đđĄđ đŚđđ§đ§đđŞđŽđ˘đ§đŹ đŹđĄđđđđđŤđđ đ˘đ§ đđ§ đ˘đ§đŹđđđ§đ, đŠđ˘đđđđŹ đ¨đ đđĄđđŚ đŹđđđđđđŤđ˘đ§đ đđđŤđ¨đŹđŹ đđĄđ đđĽđ¨đ¨đŤ đ˘đ§ đđŤđ¨đ¤đđ§, đŹđŚđ¨đ¤đ˘đ§đ đđŤđđ đŚđđ§đđŹ.
đđ˘đŹ đŚđŽđđđđđ đđŤđŚ đđ°đ˘đđđĄđđ đ˘đ§ đŹđđđ˘đŹđđđđđ˘đ¨đ§, đ˘đđŹ đđ°đ˘đŹđđđ đŻđđ˘đ§đŹ đŠđŽđĽđŹđ˘đ§đ , đđŹ đđĄđ¨đŽđ đĄ đŠđĽđđđŹđđ đđ˛ đđĄđ đŻđ˘đ¨đĽđđ§đđ.
đđ đŹđđ¨đ¨đ đđĄđđŤđ, đ°đđđđĄđ˘đ§đ đđĄđ đŤđđŚđ§đđ§đđŹ đ¨đ đđĄđ đđđŤđ đđđŹ đŹđŚđ¨đĽđđđŤ, đđĄđ đđŚđŠđđ˘đ§đđŹđŹ đŹđđđđĽđ˘đ§đ đđđđ¤ đ¨đŻđđŤ đĄđ˘đŚ, đĄđ¨đĽđĽđ¨đ° đđ§đ đđ¨đ§đŹđŽđŚđ˘đ§đ . đđĄđ đ˘đ§đđđŤđđ¨đŚ đđŤđđđ¤đĽđđ đđ đđ˘đ§.
âđđŽđđŁđđđ đđ, đŠđđŤđđ¨đŤđŚđđ§đđ đŹđđđ˘đŹđđđđđ¨đŤđ˛. đđ¨đŽ đĄđđŻđ đđ¨đŚđŠđĽđđđđ đđĄđ đ¨đđŁđđđđ˘đŻđ.â
đđ đĽđ¨đ°đđŤđđ đĄđ˘đŹ đđŤđŚ, đđđđĽđ˘đ§đ đ§đ¨đđĄđ˘đ§đ . đđ¨ đŹđđđ˘đŹđđđđđ˘đ¨đ§, đ§đ¨ đŹđđ§đŹđ đ¨đ đŠđŽđŤđŠđ¨đŹđ. đđŽđŹđ đ đđŽđĽđĽ, đ§đŽđŚđđ˘đ§đ đđŚđŠđđ˘đ§đđŹđŹ đ°đĄđđŤđ đŹđ¨đŚđđđĄđ˘đ§đ âđŹđ¨đŚđđ¨đ§đâđŹđĄđ¨đŽđĽđ đĄđđŻđ đđđđ§.
đđ§ đđĄđ đđđŤđ¤đ§đđŹđŹ, đĄđ đ°đđŹ đ¨đ§đĽđ˛ đ đ°đđđŠđ¨đ§, đ đŹđ¨đĽđđ˘đđŤ đ°đ˘đđĄ đ§đ¨ đŠđđŹđ, đ§đ¨ đ§đđŚđ, đđ§đ đ§đ¨ đđŽđđŽđŤđ.
đđĄđđđđŻđđŤ đĄđâđ đ¨đ§đđ đđđđ§, đ°đĄđđđđŻđđŤ đĄđŽđŚđđ§đ˘đđ˛ đĄđâđ đĄđđ, đ°đđŹ đ đ¨đ§đ, đŹđ°đđĽđĽđ¨đ°đđ đđ˛ đđĄđ đŠđŤđ¨đ đŤđđŚđŚđ˘đ§đ , đđĄđ đŠđđ˘đ§, đđĄđ đŹđ˘đĽđđ§đđ. đđ§đ đđŹ đĄđ đŹđđ¨đ¨đ đđĽđ¨đ§đ đ˘đ§ đđĄđ đđŚđŠđđ˛ đŤđ¨đ¨đŚ, đđĄđđŤđ đ°đđŹ đ¨đ§đĽđ˛ đ¨đ§đ đđĄđ¨đŽđ đĄđ, đđ˘đŤđđĽđ˘đ§đ đđĄđŤđ¨đŽđ đĄ đđĄđ đŻđ¨đ˘đ đ˘đ§ đĄđ˘đŹ đŚđ˘đ§đ:
đđđđ˛. đđĽđ˘đŚđ˘đ§đđđ. đđ¨đŚđŠđĽđ˛.
#đđŽđđŁđđđ đđ#đđŽđŹđ; đđ˘đđŤđŹ đđ˘đŻđđ§đŹ#resident evil 6#resident evil
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đđ§đđđŠđđ§đđđ§đ đŤđ¨đĽđđŠđĽđđ˛ đđĽđ¨đ , đŚđŽđĽđđ˘-đđđ§đđ¨đŚ đđ§đ đŚđŽđĽđđ˘-đŚđŽđŹđ.
đđ˘đđđŤđđđ đđ¨ đđ¨đŻđđĽđĽđ đŤđ¨đĽđđŠđĽđđ˛ đŹđđ˛đĽđ. đđŽđ§ đ˘đŹ đđ, đŚđ˘đ§đ¨đŤđŹ đđđ.
đđŽđ§ đ đ¨đđŹ đđ˛ đđ¨đĽđđ˛, đŹđĄđ/đĄđđŤ đŠđŤđ¨đ§đ¨đŽđ§đŹ, đđđđđ.
đđđŹđ˘đ đđđ đđŤđ˘đđđŤđ˘đ.
đđ đđ¨đŤ đŚđ˛ đđ˘đŹđđ¨đŤđ đ¨đŤ đđ§ đ˘đ§đŻđ˘đđ đđ¨ đŚđ˘đ§đ đđ§đ đŚđ˛ đđŤđ˘đđ§đđŹ đŹđđŤđŻđđŤ (đđ¨đĽđđŠđĽđđ˛ & đđđŹđŽđđĽ)
đđŤđđđđ˛ đŹđđĽđđđđ˘đŻđ đ°đ˘đđĄ đ°đĄđ¨ đ đđ đ°đ˘đđĄ đđ§đ đŤđđŠđĽđ˘đđŹ đ°đ¨đ§âđ đđ đ˘đ§đŹđđđ§đ đđŹ đđĄđ˘đŹ đ˘đŹ đ¨đ§đĽđ˛ đ đĄđ¨đđđ˛ đđ¨đŤ đŚđ đđ§đ đ đ°đ¨đŽđĽđ đŠđŤđđđđŤ đđ¨ đ¤đđđŠ đ˘đ đđŽđ§ đ˘đ§đŹđđđđ đ¨đ đđđđĽđ˘đ§đ đĽđ˘đ¤đ đ˘đâđŹ đ đđĄđ¨đŤđ.
đđĄđđŤđđđđđŤđŹ đ đŚđđ˘đ§đĽđ˛ đ°đŤđ˘đđ đđ¨đŤ; đđ˘đđŤđŹ đđ˘đŻđđ§đŹ & đđŽđđđŹ đđđ¤đđŤ.
đđđĄđđŤ đđĄđđŤđđđđđŤđŹ
â˘đđđ˛đĽđ¨đ§ đđđŤđ¤ {đđŽđđĽđđŹđ}
â˘đđđŤđđŚđ˛ đđĽđđ˘đŤđ {đđŽđđĽđđŹđ}
â˘đđ˘đŚ đđŤđ˘đ đĄđ/đđđŹđ¤đ˛ {đđ}
â˘đđŽđ˘đŹ đđđŤđŤđ {đđđŹđ˘đđđ§đ đđŻđ˘đĽ}
â˘đđ˘đđĽ đđĄđđ§đđ¨đŚđĄđ˘đŻđ {đđĽđđđ¤ đđŽđđĽđđŤ}
â˘đđđŤđŽđđ¨ đđłđŽđŚđđ¤đ˘ {đđđŤđŽđđ¨}
â˘đđ¨đ§đ˘đ {đđ¨đ§đ˘đ đđĄđ đđđđ đđĄđ¨đ }
â˘đđđŹđđ˘đđĽ {đđŽđŠđđŤđ§đđđŽđŤđđĽ}
â˘đđđđŤđ˘đđĽ {đđŽđŠđđŤđ§đđđŽđŤđđĽ}
Piers:
#đđŽđđŁđđđ đđ
#đđŽđŹđ; đđ˘đđŤđŹ đđ˘đŻđđ§đŹ
Jeremy:
#đđŽđŤđ¤đ¨đđ đđąđđ
#đđŽđŹđ; đđđŤđđŚđ˛ đđĽđđ˘đŤđ
Lucas:
#đđ¨đ đ¨đ đđĄđ˘đŹ đ°đ¨đŤđĽđ
#đđŽđŹđ; đđŽđđđŹ đđđ¤đđŤ
Waylon:
#đđ¨đ§đđŤđđđ đđđđ
#đđŽđŹđ; đđđ˛đĽđ¨đ§ đđđŤđ¤
Tim:
#đđđđ˘đđ§đ đđđđ
#đđŽđŹđ; đđ˘đŚ đđŤđ˘đ đĄđ
Luis:
#đđ¨đ§ đđŽđ˘đąđ¨đđ
#đđŽđŹđ; đđŽđ˘đŹ đđđŤđŤđ
Ciel:
#đđĄđ đđŽđđđ§âđŹ đ đŽđđŤđ đđ¨đ
#đđŽđŹđ; đđ˘đđĽ đđĄđđ§đđ¨đŚđĄđ˘đŻđ
Naruto:
#đđĄđ˘đĽđ đ¨đ đđŤđ¨đŠđĄđđđ˛
#đđŽđŹđ; đđđŤđŽđđ¨ đđłđŽđŚđđ¤đ˘
Sonic:
#đ
đđŹđđđŹđ đđĄđ˘đ§đ đđĽđ˘đŻđ
#đđŽđŹđ; đđ¨đ§đ˘đ
Castiel
#đđ§đ đđĽ đ¨đ đđđŚđŠđđŤđđ§đđ
#đđŽđŹđ; đđđŹđđ˘đđĽ
Gabriel
#đđĄđ đđ˘đĽđĽ đ¨đ đđ¨đ
#đđŽđŹđ; đđđđŤđ˘đđĽ
#OOC#I donât get around to writing much anymore so replies/post will be slow#đđŽđđŁđđđ đđ#đđŽđŹđ; đđ˘đđŤđŹ đđ˘đŻđđ§đŹ#đđŽđŤđ¤đ¨đđ đđąđđ#đđŽđŹđ; đđđŤđđŚđ˛ đđĽđđ˘đŤđ#đđ¨đ đ¨đ đđĄđ˘đŹ đ°đ¨đŤđĽđ#đđŽđŹđ; đđŽđđđŹ đđđ¤đđŤ#đđ¨đ§đđŤđđđ đđđđ#đđŽđŹđ; đđđ˛đĽđ¨đ§ đđđŤđ¤#đđđđ˘đđ§đ đđđđ#đđŽđŹđ; đđ˘đŚ đđŤđ˘đ đĄđ#đđ¨đ§ đđŽđ˘đąđ¨đđ#đđŽđŹđ; đđŽđ˘đŹ đđđŤđŤđ#đđĄđ đđŽđđđ§âđŹ đ đŽđđŤđ đđ¨đ #đđŽđŹđ; đđ˘đđĽ đđĄđđ§đđ¨đŚđĄđ˘đŻđ#đđĄđ˘đĽđ đ¨đ đđŤđ¨đŠđĄđđđ˛#đđŽđŹđ; đđđŤđŽđđ¨ đđłđŽđŚđđ¤đ˘#đ
đđŹđđđŹđ đđĄđ˘đ§đ đđĽđ˘đŻđ#đđŽđŹđ; đđ¨đ§đ˘đ
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Chris and piers with do you remember why you hate me
đđĄđ đđ˘đŤ đ°đđŹ đđĄđ˘đđ¤ đ°đ˘đđĄ đŹđŚđ¨đ¤đ đđ§đ đ đŽđ§đđ˘đŤđ, đđĄđ đđđđđŤđŚđđđĄ đ¨đ đđąđŠđĽđ¨đŹđ˘đ¨đ§đŹ đŹđđ˘đĽđĽ đđŤđđđ¤đĽđ˘đ§đ đ˘đ§ đđĄđ đđ˘đŹđđđ§đđ.
đđĄđ đđđđđĽđđđ˘đđĽđ đŹđđŤđđđđĄđđ đ¨đŽđ đđŤđ¨đŽđ§đ đđĄđđŚ, đđ˘đĽđĽđđ đ°đ˘đđĄ đđ°đ˘đŹđđđ đŚđđđđĽ, đđđđŤđ˘đŹ, đđ§đ đđĄđ đŹđđđ§đđĄ đ¨đ đđŽđŤđ§đ˘đ§đ . đđĄđŤđ˘đŹâđŹ đĄđđđŤđ đŠđ¨đŽđ§đđđ đđŹ đĄđ đĽđ¨đđ¤đđ đđ˛đđŹ đ°đ˘đđĄ đđĄđ đŚđđ§ đŹđđđ§đđ˘đ§đ đđđŤđ¨đŹđŹ đđŤđ¨đŚ đĄđ˘đŚâđđĄđ đŹđ¨đĽđđ˘đđŤ đĄđâđ đ¨đ§đđ đđŤđŽđŹđđđ, đđĄđ đđŤđ˘đđ§đ đĄđâđ đđĄđ¨đŽđ đĄđ đĄđâđ đĽđ¨đŹđ. đđŽđ đđĄđ˘đŹ đ°đđŹđ§âđ đđĄđ đŹđđŚđ đđ˘đđŤđŹ đđ˘đŻđđ§đŹ.
đđ¨đ§đ đ°đđŹ đđĄđ đĽđ¨đ˛đđĽ đĽđ˘đđŽđđđ§đđ§đ đĄđâđ đ¤đ§đ¨đ°đ§.
đđ¨đ°, đđ˘đđŤđŹ đŹđđ¨đ¨đ đđđđ¨đŤđ đĄđ˘đŚ, đĄđ˘đŹ đđ¨đđ˛ đđđ§đŹđ, đđ˛đđŹ đĽđ˘đ¤đ đđŽđŤđ§đ˘đ§đ đđŚđđđŤđŹ đŽđ§đđđŤ đđĄđ đđ˘đŚ, đ°đđŤ-đđ¨đŤđ§ đŹđ¤đ˛. đđ˘đŹ đŹđ¤đ˘đ§ đĽđ¨đ¨đ¤đđ đđ˘đđđđŤđđ§đ, đđ˘đ§đ đđ đđĽđŽđ đđ§đ đĄđđŤđđđ§đđ đđ˛ đŚđŽđđđđ˘đ¨đ§đŹ đđĄđđ đŠđŽđĽđŹđđ đŽđ§đđđŤ đđĄđ đŹđŽđŤđđđđ, đđđŤđđĽđ˛ đŤđđŹđđŤđđ˘đ§đđ.
đđĄđ đđ˘đŤ đđŤđđđ¤đĽđđ đđŤđ¨đŽđ§đ đĄđ˘đŚ, đđĄđ đŽđ§đ§đđđŽđŤđđĽ đđ§đđŤđ đ˛ đŤđđđ˘đđđ˘đ§đ đ°đ˘đđĄ đĽđđđĄđđĽ đ˘đ§đđđ§đ. đđĄđ˘đŹ đ°đđŹđ§âđ đđĄđđ˘đŤ đđ˘đŤđŹđ đđ§đđ¨đŽđ§đđđŤ, đđ§đ đ˘đ đ°đđŹ đđ˛ đđđŤ đđŤđ¨đŚ đđĄđđ˘đŤ đĽđđŹđ.
đđĄđŤđ˘đŹ đŤđđ˘đŹđđ đĄđ˘đŹ đ°đđđŠđ¨đ§, đđŽđ đĄđ˘đŹ đŻđ¨đ˘đđ đŹđ¨đđđđ§đđ, đđđŹđŠđđŤđđđ. âđđ˘đđŤđŹâŚ đđ¨ đ˛đ¨đŽ đŤđđŚđđŚđđđŤ đ°đĄđ˛ đ˛đ¨đŽ đĄđđđ đŚđ?â
đđ˘đđŤđŹ đđ˘đĽđđđ đĄđ˘đŹ đĄđđđ, đ đđ°đ˘đŹđđđ đŹđŚđ˘đŤđ¤ đŠđŽđĽđĽđ˘đ§đ đđ đĄđ˘đŹ đĽđ˘đŠđŹ, đđŽđ đĄđ˘đŹ đđ˛đđŹ đ°đđŤđ đđ¨đĽđ đđ§đ đđđŻđ¨đ˘đ đ¨đ đŤđđđ¨đ đ§đ˘đđ˘đ¨đ§. âđ đ¤đ§đ¨đ° đđąđđđđĽđ˛ đ°đĄđ˛ đ đĄđđđ đ˛đ¨đŽ,â đĄđ đ đŤđ¨đ°đĽđđ, đŻđ¨đ˘đđ đĽđđđđ đ°đ˘đđĄ đŻđđ§đ¨đŚ. âđđ¨đŽ đđđđŤđđ˛đđ đŚđ. đđđđ đŚđ đđ¨ đŤđ¨đ, đđ¨ đđ˘đ đ˘đ§ đđĄđ đđđŠđđĄđŹ đ¨đ đĄđđĽđĽ đŹđ¨ đ˛đ¨đŽ đđ¨đŽđĽđ đĽđ˘đŻđ.â
đđĄđŤđ˘đŹ đđđĽđ đ đŠđđ§đ đ¨đ đŹđ¨đŤđŤđ¨đ° đđŽđ đđĄđŤđ¨đŽđ đĄ đĄđ˘đŚ, đŹđĄđđŤđŠđđŤ đđĄđđ§ đđ§đ˛ đđŽđĽđĽđđ đ°đ¨đŽđ§đ. âđđ˘đđŤđŹ, đđĄđđ˛ đđ°đ˘đŹđđđ đđŻđđŤđ˛đđĄđ˘đ§đ đ˘đ§đŹđ˘đđ đ˛đ¨đŽđŤ đĄđđđ. đđĄđđ˛ đ°đđ§đ đ˛đ¨đŽ đđ¨ đđđĽđ˘đđŻđ đđĄđđâđ°đđ§đ đ˛đ¨đŽ đđ¨ đĄđđđ đŚđ.â
đđ˘đđŤđŹâđŹ đŹđŚđ˘đŤđ¤ đđŤđ¨đŠđŠđđ, đŤđđŠđĽđđđđ đđ˛ đ đđđ§đ đđŤđ¨đŽđŹ đ đĽđ˘đ§đ, đĄđ˘đŹ đ đŤđ˘đŠ đ¨đ§ đĄđ˘đŹ đ°đđđŠđ¨đ§ đđ˘đ đĄđđđ§đ˘đ§đ . âđđ¨đ§âđ đ˘đ§đŹđŽđĽđ đŚđ đ°đ˘đđĄ đ˛đ¨đŽđŤ đĽđ˘đđŹ, đđĄđŤđ˘đŹ. đ đđ¨đ§âđ đ§đđđ đđĄđđŚ đđ¨ đđđĽđĽ đŚđ đ°đĄđđ đ đđĽđŤđđđđ˛ đ¤đ§đ¨đ°. đđ¨đŽ đĽđđđ đŚđ đđđĄđ˘đ§đ đ°đ˘đđĄđ¨đŽđ đ đŹđđđ¨đ§đ đđĄđ¨đŽđ đĄđ.â đđ˘đŹ đ°đ¨đŤđđŹ đ°đđŤđ đĽđ˘đ¤đ đ đ¤đ§đ˘đđ, đđđđĄ đ¨đ§đ đĽđđđđ đ°đ˘đđĄ đđŽđŤđ˛ đđ§đ đŠđđ˘đ§, đđĄđ đŤđđ°đ§đđŹđŹ đ¨đ đđđđŤđđ˛đđĽ đ˘đ§ đđŻđđŤđ˛ đŹđ˛đĽđĽđđđĽđ.
đđĄđŤđ˘đŹâđŹ đĄđđ§đđŹ đđŤđđŚđđĽđđ đŹđĽđ˘đ đĄđđĽđ˛, đĄđ˘đŹ đ°đđđŠđ¨đ§ đŹđđ˘đĽđĽ đŤđđ˘đŹđđ đđŽđ đĄđ˘đŹ đŤđđŹđ¨đĽđŻđ đđđĽđđđŤđ˘đ§đ . âđ đ°đ¨đŽđĽđ đ§đđŻđđŤ đĽđđđŻđ đ˛đ¨đŽ,â đĄđ đŹđđ˘đ, đđĄđ đ°đ¨đŤđđŹ đđđŤđđĽđ˛ đ đ°đĄđ˘đŹđŠđđŤ đđ đđ˘đ§đŹđ đđĄđ đŤđ¨đđŤ đ¨đ đđ˘đŹđđđ§đ đ đŽđ§đđ˘đŤđ. âđđ¨đŽ đ°đđŤđ đŚđ¨đŤđ đđĄđđ§ đŁđŽđŹđ đŚđ˛ đŹđđđ¨đ§đ-đ˘đ§-đđ¨đŚđŚđđ§đ, đđ˘đđŤđŹ. đđ¨đŽ đ°đđŤđ đŚđ˛ đđŤđ˘đđ§đ. đ đ°đ¨đŽđĽđ đĄđđŻđ đđ¨đ§đ đđ§đ˛đđĄđ˘đ§đ đđ¨ đŹđđŻđ đ˛đ¨đŽ.â
âđđĄđđ§ đ°đĄđđŤđ đ°đđŤđ đ˛đ¨đŽ đ°đĄđđ§ đđĄđđ˛ đđŤđđ đ đđ đŚđ đ¨đŽđ?â đđ˘đđŤđŹ đŹđ§đđŠđŠđđ, đĄđ˘đŹ đŻđ¨đ˘đđ đ đđđ§đ đđŤđ¨đŽđŹ đŚđ˘đą đ¨đ đđ§đ đđŤ đđ§đ đđđŹđŠđđ˘đŤ. âđđĄđđŤđ đ°đđŤđ đ˛đ¨đŽ đ°đĄđđ§ đđĄđđ˛ đđŽđŤđ§đđ đŚđ đ˘đ§đđ¨âŚ đ˘đ§đđ¨ đđĄđ˘đŹ?â đđ đŹđŠđŤđđđ đĄđ˘đŹ đđŤđŚđŹ, đđĄđ đŚđŽđđđđ˘đ¨đ§đŹ đŠđŽđĽđŹđ˘đ§đ đđđ§đđđđĄ đĄđ˘đŹ đŹđ¤đ˘đ§ đđŹ đđĄđ¨đŽđ đĄ đ˘đ§ đđđđ˘đđ§đđ đ¨đ đđŻđđŤđ˛đđĄđ˘đ§đ đĄđŽđŚđđ§.
đđĄđŤđ˘đŹ đđĽđđ§đđĄđđ đĄđ˘đŹ đŁđđ°, đđĄđ đ đŽđ˘đĽđ đđŤđđŹđĄđ˘đ§đ đ¨đŻđđŤ đĄđ˘đŚ. âđđ˘đđŤđŹâŚ đ đŹđđđŤđđĄđđ. đ đ§đđŻđđŤ đ đđŻđ đŽđŠ đĽđ¨đ¨đ¤đ˘đ§đ . đđĄđđ§ đ đđĄđ¨đŽđ đĄđ đ˛đ¨đŽ đ°đđŤđ đ đ¨đ§đ, đ˘đ đđŤđ¨đ¤đ đŚđ. đđŽđ đđĄđđ˛ đđ¨đ¨đ¤ đ˛đ¨đŽ đđŤđ¨đŚ đŚđâđđ¨đ¨đ¤ đ˛đ¨đŽ đđŤđ¨đŚ đ˛đ¨đŽđŤđŹđđĽđ.â đđ˘đđŤđŹ đĽđđ đ¨đŽđ đ đŹđĄđđŤđŠ, đĄđŽđŚđ¨đŤđĽđđŹđŹ đĽđđŽđ đĄ.
âđđ¨đ§đŻđđ§đ˘đđ§đ. đđĽđđŚđ đ˘đ đ¨đ§ đđĄđđŚ, đŤđ˘đ đĄđ? đđ˛đŠđ˘đđđĽ đđđđ đĄđđŤđ¨, đđđ¤đ˘đ§đ đđĄđ đđđŹđ˛ đ°đđ˛ đ¨đŽđ.â đđĄđŤđ˘đŹ đđđĽđ đĄđ˘đŹ đ đŤđ˘đŠ đđ˘đ đĄđđđ§đ˘đ§đ đ˘đ§đŻđ¨đĽđŽđ§đđđŤđ˘đĽđ˛ đ¨đ§ đĄđ˘đŹ đ đŽđ§, đđ˘đ đĄđđ˘đ§đ đđĄđ đŽđŤđ đ đđ¨ đŹđĄđ¨đŽđ, đđ¨ đđŤđđđ¤ đđĄđŤđ¨đŽđ đĄ đđĄđ đ°đđĽđĽ đđĄđđ đŹđđŠđđŤđđđđ đđĄđđŚ.
đđĄđ đđ˘đđŤđŹ đĄđâđ đ¤đ§đ¨đ°đ§ đ°đđŹ đŹđđ˘đĽđĽ đ˘đ§ đđĄđđŤđâđĄđ đĄđđ đđ¨ đđ.
âđđ˘đđŤđŹ, đĽđ¨đ¨đ¤ đđ đŚđ,â đĄđ đŹđđ˘đ, đŻđ¨đ˘đđ đŹđđŤđđ˘đ§đđ đđŽđ đŽđ§đ°đđŻđđŤđ˘đ§đ . âđđĄđ˘đŹ đ˘đŹđ§âđ đ˛đ¨đŽ. đđ¨đŽ đđ¨đ§âđ đĄđđŻđ đđ¨ đđ đ°đĄđđ đđĄđđ˛ đŚđđđ đ˛đ¨đŽ.â
đđ˘đđŤđŹâđŹ đ đđłđ đĄđđŤđđđ§đđ, đđĄđ đĽđđŹđ đŹđĄđŤđđ đ¨đ đĄđđŹđ˘đđđđ˘đ¨đ§ đđąđđ˘đ§đ đŽđ˘đŹđĄđđ đđŹ đĄđ đŤđđ˘đŹđđ đĄđ˘đŹ đ¨đ°đ§ đ°đđđŠđ¨đ§, đđĄđ đ đĽđ¨đ° đ˘đ§ đĄđ˘đŹ đđ˛đđŹ đ˘đ§đđđ§đŹđ˘ďż˝ďż˝đ˛đ˘đ§đ , đĄđ˘đŹ đđŤđđđđĄ đđ¨đŚđ˘đ§đ đ¨đŽđ đ˘đ§ đĄđđđŻđ˛, đŹđđđđđ˛ đđŽđŤđŹđđŹ. âđđ¨đŽ đđĄđ˘đ§đ¤ đâđŚ đ§đ¨đ?â đĄđ đŚđŽđŤđŚđŽđŤđđ, đĄđ˘đŹ đđ¨đ§đ đđ¨đĽđ đđŹ đ˘đđ. âđ đđŚ đ°đĄđđ đđĄđđ˛ đŚđđđ đŚđ. đđ§đ đâđĽđĽ đŠđŤđ¨đŻđ đ˘đ đđ¨ đ˛đ¨đŽ.â
đđđđ¨đŤđ đđĄđŤđ˘đŹ đđ¨đŽđĽđ đŤđđŹđŠđ¨đ§đ, đđ˘đđŤđŹ đĽđŽđ§đ đđ, đĄđ˘đŹ đđ¨đđ˛ đŚđ¨đŻđ˘đ§đ đ°đ˘đđĄ đđ§ đŽđ§đ§đđđŽđŤđđĽ đŹđŠđđđ, đđ§ đŽđ§đŹđđ¨đŠđŠđđđĽđ đđ¨đŤđđ đđŤđ˘đŻđđ§ đđ˛ đđŽđŤđ˛ đđ§đ đŠđŤđđđ˘đŹđ˘đ¨đ§. đđĄđŤđ˘đŹ đđđŤđđĽđ˛ đŚđđ§đđ đđ đđ¨ đđ¨đđ đ đđŹ đđ˘đđŤđŹâđŹ đ°đđđŠđ¨đ§ đđđŚđ đđ¨đ°đ§, đŹđŠđđŤđ¤đ˘đ§đ đ¨đđ đđĄđ đ đŤđ¨đŽđ§đ đ°đĄđđŤđ đĄđâđ đđđđ§ đŹđđđ§đđ˘đ§đ đ đŹđđđ¨đ§đ đđđđ¨đŤđ. đđĄđŤđ˘đŹ đŹđđđ đ đđŤđđ đđđđ¤, đĄđ˘đŹ đĄđđđŤđ đ°đŤđđ§đđĄđ˘đ§đ đđŹ đĄđ đŹđđ° đđĄđ đĄđđđŤđđ đ˘đ§ đđ˘đđŤđŹâđŹ đđđđ.
đđĄđđŤđ đ°đđŹ đ§đ¨ đŹđ˘đ đ§ đ¨đ đđĄđ đŚđđ§ đĄđâđ đ¨đ§đđ đ¤đ§đ¨đ°đ§âđ¨đ§đĽđ˛ đ đđ°đ˘đŹđđđ đŻđđŤđŹđ˘đ¨đ§, đ đ°đđđŠđ¨đ§ đđ¨đŤđ đđ đ˘đ§ đđŚđđŤđđĽđĽđâđŹ đĄđđ§đđŹ đđ§đ đŹđđ đĽđ¨đ¨đŹđ. âđđ˘đđŤđŹ, đŠđĽđđđŹđ!â đđĄđŤđ˘đŹ đ˛đđĽđĽđđ, đđđŹđŠđđŤđđđ˘đ¨đ§ đđĽđđ°đ˘đ§đ đđ đĄđ˘đŚ. âđđĄđ˘đŹ đ˘đŹđ§âđ đ°đĄđ¨ đ˛đ¨đŽ đđŤđ!â
âđđĄđ¨ đ đđŚ?â đđ˘đđŤđŹ đŹđđ¨đđđđ, đĄđ˘đŹ đŻđ¨đ˘đđ đđŤđ˘đŠđŠđ˘đ§đ đ°đ˘đđĄ đŹđđ¨đŤđ§. âđâđŚ đđąđđđđĽđ˛ đ°đĄđ¨ đ đ§đđđ đđ¨ đđ đđ¨ đ¤đ˘đĽđĽ đ˛đ¨đŽ.â
đđ˘đđĄ đđĄđ¨đŹđ đ°đ¨đŤđđŹ, đĄđ đĽđŽđ§đ đđ đđ đđ˘đ§, đđŻđđŤđ˛ đŚđ¨đŻđ đđ˘đĽđĽđđ đ°đ˘đđĄ đŠđŽđŤđŠđ¨đŹđ, đđŻđđŤđ˛ đŹđđŤđ˘đ¤đ đđ˘đŚđđ đđ¨ đ¤đ˘đĽđĽ. đđĄđŤđ˘đŹ đđđđđ§đđđ đĄđ˘đŚđŹđđĽđ, đđđđĄ đđĽđ¨đđ¤ đđ§đ đđ¨đđ đ đŹđĽđ¨đ°đđŤ đđĄđđ§ đđĄđ đĽđđŹđ, đĄđ˘đŹ đĄđđđŤđ đđŤđđđ¤đ˘đ§đ đ đĽđ˘đđđĽđ đŚđ¨đŤđ đđđđĄ đđ˘đŚđ đĄđ đŹđđ° đđĄđđ đđŚđŠđđ˛ đđŽđŤđ˛ đ˘đ§ đđ˘đđŤđŹâđŹ đđ˛đđŹ.
đđ đđ¨đŽđĽđ đđđđĽ đĄđ˘đŚđŹđđĽđ đŤđđđđĄđ˘đ§đ đĄđ˘đŹ đĽđ˘đŚđ˘đ, đđŤđđđđĄđŹ đđ¨đŚđ˘đ§đ đ¨đŽđ đŤđđ đ đđ đđŹ đĄđ đŹđđđŤđđ đ˘đ§đđ¨ đđĄđ đđ˛đđŹ đ¨đ đĄđ˘đŹ đđ¨đŤđŚđđŤ đđŤđ˘đđ§đ. âđâđŚ đ§đ¨đ đ đ˘đŻđ˘đ§đ đŽđŠ đ¨đ§ đ˛đ¨đŽ, đđ˘đđŤđŹ,â đĄđ đŹđđ˘đ, đĄđ˘đŹ đŻđ¨đ˘đđ đđĄđ¨đ¤đđ đ°đ˘đđĄ đđąđĄđđŽđŹđđ˘đ¨đ§ đđ§đ đŤđđŹđ¨đĽđŻđ. đđŽđ đđ˘đđŤđŹ đđ˘đđ§âđ đĄđđŹđ˘đđđđ, đđ˘đđ§âđ đđđĽđđđŤ. đđ đđŤđ¨đŻđ đđĄđŤđ˘đŹ đđ¨ đĄđ˘đŹ đ¤đ§đđđŹ, đ đ°đđđŠđ¨đ§ đŤđđ˘đŹđđ, đđ˘đŚđđ đŤđ˘đ đĄđ đđ đĄđ˘đŚ. âđđ¨đŽ đđĽđŤđđđđ˛ đđ˘đ,â đđ˘đđŤđŹ đĄđ˘đŹđŹđđ, đđ§đ đđ¨đŤ đ đŚđ¨đŚđđ§đ, đđĄđŤđ˘đŹ đđĄđ¨đŽđ đĄđ đĄđ đŹđđ° đ đđĽđ˘đđ¤đđŤ đ¨đ đŹđ¨đŚđđđĄđ˘đ§đ âđŠđđ˘đ§, đĄđŽđŤđ, đŹđ¨đŚđđđĄđ˘đ§đ đđĄđđ đĽđ¨đ¨đ¤đđ đđĽđŚđ¨đŹđ đĄđŽđŚđđ§.
đđŽđ đ˘đ đŻđđ§đ˘đŹđĄđđ đŁđŽđŹđ đđŹ đŞđŽđ˘đđ¤đĽđ˛, đŹđ°đđĽđĽđ¨đ°đđ đđ˛ đđĄđ đŚđ¨đ§đŹđđđŤ đđ˘đđŤđŹ đĄđđ đđđđ§ đđ¨đŤđđđ đđ¨ đđđđ¨đŚđ. đđĄđŤđ˘đŹ đ¤đ§đđĽđ đđĄđđŤđ, đđŤđđđđĄđ˘đ§đ đĄđđđŻđ˘đĽđ˛, đĄđ˘đŹ đđ˛đđŹ đĽđ¨đđ¤đđ đ¨đ§đđ¨ đđ˘đđŤđŹ. đđ đĽđ¨đ°đđŤđđ đĄđ˘đŹ đ°đđđŠđ¨đ§, đ đŹđ˘đĽđđ§đ đŹđŽđŤđŤđđ§đđđŤ đ§đ¨đ đ¨đ đđđđŤ, đđŽđ đ¨đ đĄđ¨đŠđ.
âđđĄđđ§ đđ˘đ§đ˘đŹđĄ đ˘đ, đ˘đ đđĄđđâđŹ đ°đĄđđ đ˛đ¨đŽ đ°đđ§đ. đđŽđ đ¤đ§đ¨đ° đđĄđ˘đŹ, đđ˘đđŤđŹ: đ đĽđ¨đŻđđ đ˛đ¨đŽ. đđ§đ đđĄđđâđŹ đđĄđ đ¨đ§đĽđ˛ đđŤđŽđđĄ đ đĄđđŻđ đĽđđđ.â đđ˘đđŤđŹâđŹ đĄđđ§đ đđŤđđŚđđĽđđ, đŁđŽđŹđ đđ¨đŤ đ đŚđ¨đŚđđ§đ, đĄđ˘đŹ đđąđŠđŤđđŹđŹđ˘đ¨đ§ đđĽđ˘đđ¤đđŤđ˘đ§đ đ˘đ§ đđ¨đ§đđĽđ˘đđ. đđĄđ đđŤđđŚđ¨đŤ đ˘đ§ đđ˘đđŤđŹâđŹ đĄđđ§đ đ đŤđđ°, đĄđ˘đŹ đŁđđ° đđĽđđ§đđĄđđ đđ˘đ đĄđ đđŹ đĄđ đŹđđđŤđđ đđĄđŤđ˘đŹ đđ¨đ°đ§.
đđ đŹđđđŚđđ đđ¨ đđ đđ˘đ đĄđđ˘đ§đ đŹđ¨đŚđđđĄđ˘đ§đ ��đ˘đđĄđ˘đ§ đĄđ˘đŚđŹđđĽđ, đŹđđŤđŽđ đ đĽđ˘đ§đ đđ đđ˘đ§đŹđ đđ§ đ˘đ§đŻđ˘đŹđ˘đđĽđ đđđŤđŤđ˘đđŤ. đ
đ¨đŤ đ đđŤđ˘đđ đŚđ¨đŚđđ§đ, đđĄđŤđ˘đŹ đđĄđ¨đŽđ đĄđ đĄđ đŹđđ° đđĄđ đŚđđ§ đĄđ đ¤đ§đđ°âđđĄđ đŚđđ§ đ°đĄđ¨âđ đ¨đ§đđ đŹđđđŤđ˘đđ˘đđđ đđŻđđŤđ˛đđĄđ˘đ§đ đđ¨ đŠđŤđ¨đđđđ đĄđ˘đŚ.
đđŽđ đđĄđđ§, đŁđŽđŹđ đđŹ đŞđŽđ˘đđ¤đĽđ˛, đđĄđ đŠđŤđ¨đ đŤđđŚđŚđ˘đ§đ đđ¨đ¨đ¤ đ¨đŻđđŤ, đđ§đ đđ˘đđŤđŹâđŹ đđąđŠđŤđđŹđŹđ˘đ¨đ§ đĄđđŤđđđ§đđ.
âđđ¨đ¨đđđ˛đ, đđĄđŤđ˘đŹ.â
đđ đŠđŽđĽđĽđđ đđĄđ đđŤđ˘đ đ đđŤ.
đđĄđ đđŽđĽđĽđđ đđ¨đŤđ đđĄđŤđ¨đŽđ đĄ đđĄđŤđ˘đŹâđŹ đŹđĄđ¨đŽđĽđđđŤ, đŠđđ˘đ§ đđĽđ˘đ§đđ˘đ§đ đĄđ˘đŚ. đđ đ đŤđ˘đđđđ đĄđ˘đŹ đđđđđĄ, đŠđŤđđŹđŹđ˘đ§đ đ đĄđđ§đ đđ¨ đđĄđ đ°đ¨đŽđ§đ đđŹ đđĽđ¨đ¨đ đŹđđđŠđđ đđĄđŤđ¨đŽđ đĄ đĄđ˘đŹ đđ˘đ§đ đđŤđŹ. đđ đŹđđŤđŽđ đ đĽđđ đđ¨ đŹđđđ˛ đđ¨đ§đŹđđ˘đ¨đŽđŹ, đđ¨ đ¤đđđŠ đĄđ˘đŹ đđ˛đđŹ đ¨đ§ đđ˘đđŤđŹ.
đđŽđ đđ˘đđŤđŹâđŹ đ đđłđ đĽđ˘đ§đ đđŤđđ, đ đđđ˘đ§đ đđĽđ˘đđ¤đđŤ đ¨đ đŹđ¨đŚđđđĄđ˘đ§đ đ˘đ§ đĄđ˘đŹ đđ˛đđŹ đđŹ đĄđ đ°đđđđĄđđ đđĄđŤđ˘đŹ đ¨đ§ đđĄđ đ đŤđ¨đŽđ§đ. đ
đ¨đŤ đ đŚđ¨đŚđđ§đ, đĄđ đĽđ¨đ¨đ¤đđ đđĽđŚđ¨đŹđ đŽđ§đđđŤđđđ˘đ§, đĽđ˘đ¤đ đĄđ đ°đđŹ đđđŽđ đĄđ đ˘đ§ đ đ°đđŤ đ°đ˘đđĄđ˘đ§ đĄđ˘đŚđŹđđĽđ.
đđĄđŤđ˘đŹ đ đŤđ˘đđđđ đĄđ˘đŹ đđđđđĄ, đđ˘đ đĄđđ˘đ§đ đđĄđŤđ¨đŽđ đĄ đđĄđ đđ đ¨đ§đ˛, đđ¨đŤđđ˘đ§đ đĄđ˘đŚđŹđđĽđ đđ¨ đŹđđđ§đ. đđ đĽđ¨đ¨đ¤đđ đđ đđ˘đđŤđŹ, đĄđ˘đŹ đŻđ¨đ˘đđ đĄđ¨đđŤđŹđ đđŽđ đŽđ§đ˛đ˘đđĽđđ˘đ§đ . âđ đ¤đ§đ¨đ° đ˛đ¨đŽâđŤđ đŹđđ˘đĽđĽ đ˘đ§ đđĄđđŤđ, đđ˘đđŤđŹ. đ đŹđđ° đ˘đ đ˘đ§ đ˛đ¨đŽđŤ đđ˛đđŹ.â
đ
đ¨đŤ đ đŚđ¨đŚđđ§đ, đđĄđđŤđ đ°đđŹ đ đđĽđ˘đđ¤đđŤâđ đđĽđđŹđĄ đ¨đ đŹđ¨đŚđđđĄđ˘đ§đ , đđĽđŚđ¨đŹđ đĽđ˘đ¤đ đĄđđŹđ˘đđđđ˘đ¨đ§, đđŽđŤđ˘đđ đđđ§đđđđĄ đđĄđ đđ§đ đđŤ đ˘đ§ đđ˘đđŤđŹâđŹ đ đđłđ. đđŽđ đŁđŽđŹđ đđŹ đŞđŽđ˘đđ¤đĽđ˛, đ˘đ đ°đđŹ đ đ¨đ§đ, đĄđ˘đŹ đđąđŠđŤđđŹđŹđ˘đ¨đ§ đĄđđŤđđđ§đ˘đ§đ đ¨đ§đđ đŚđ¨đŤđ.
đđ˘đđŤđŹ đĽđđ đ¨đŽđ đ đĄđŽđŚđ¨đŤđĽđđŹđŹ đĽđđŽđ đĄ, đŹđĄđđ¤đ˘đ§đ đĄđ˘đŹ đĄđđđ. âđđĄđđ§ đ˛đ¨đŽâđŤđ đđ§ đđŻđđ§ đđ˘đ đ đđŤ đđ¨đ¨đĽ đđĄđđ§ đ đđĄđ¨đŽđ đĄđ,â đĄđ đŹđ§đđđŤđđ, âđđĽđ°đđ˛đŹ đđĄđ đĄđđŤđ¨, đŤđ˘đ đĄđ? đđđĽđĽ, đ˛đ¨đŽ đđđ˘đĽđđ. đđ¨đŽ đđđ˘đĽđđ đŚđ. đâđŚ đđ¨đ§đ đ°đ˘đđĄ đ˛đ¨đŽ, đđĄđŤđ˘đŹ. đđ¨đŽâđŤđ đ§đ¨đđĄđ˘đ§đ đđ¨ đŚđ đ§đ¨đ°.â
đđ đđŽđŤđ§đđ đ°đ˘đđĄđ¨đŽđ đđ§đ¨đđĄđđŤ đ°đ¨đŤđ, đđ˘đŹđđŠđŠđđđŤđ˘đ§đ đ˘đ§đđ¨ đđĄđ đŹđŚđ¨đ¤đ đđ§đ đŹđĄđđđ¨đ°đŹ, đĽđđđŻđ˘đ§đ đđĄđŤđ˘đŹ đđĽđ¨đ§đ, đ°đ¨đŽđ§đđđ đđ§đ đŹđđŤđŽđ đ đĽđ˘đ§đ đđ¨ đŹđđđ˛ đ¨đ§ đĄđ˘đŹ đđđđ.
#đđŽđđŁđđđ đđ#đđŽđŹđ; đđ˘đđŤđŹ đđ˘đŻđđ§đŹ#resident evil#piers nivans#resident evil 6#Chris Redfield
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C-Virus & Hearing; Piers Nivans
I thought Iâd share a few more details on other things the virus affects, this time weâll be covering hearing with a few points under the cut!
Hyper-Acute Hearing: Piersâ hearing is extremely sensitive, allowing him to pick up on subtle sounds like heartbeats from a significant distance, even through layers of clothing or other background noise.
Unique Heartbeat Signatures: Each personâs heartbeat has a slightly different rhythm, speed, and strength. With time, Piers can learn to distinguish these subtle differences, allowing him to recognize specific people by their heartbeat alone.
Filtering Mechanism: His brain has developed a filtering mechanism that lets him isolate heartbeats from other sounds. He can âtune inâ to the beat of someone nearby while filtering out ambient noise, like conversations or footsteps.
Heightened Stress Detection: Since heart rate and intensity change with emotions, Piers can detect when someoneâs heartbeat quickens (indicating stress, fear, or excitement) or slows (signaling calmness or sleep), giving him insight into their emotional state.
Background Detection Mode: Piersâ hearing is tuned to detect irregularities, like sudden changes in a heartbeat. This allows him to âsenseâ if someone nearby is experiencing fear, surprise, or exertion, even without actively listening to them.
Sound Map of Heartbeats: In familiar settings, Piers can form a mental âsound mapâ of peopleâs heartbeats, knowing where each person is within a room based on their rhythm and position. This allows him to keep track of movement even without direct line of sight.
Virus Influence: When the Virus is more dominant, Piersâ hearing may shift to prioritize certain heartbeats, especially those that indicate fear or vulnerability, aligning with predatory instincts. This shift might cause him to lose some conscious control over what he listens to.
Slight Vulnerability to Sound Overload: Because his hearing is so sensitive, sudden loud sounds or overlapping heartbeats can cause brief disorientation, like a âsensory overload,â which he may need a moment to recover from.
#đđŽđđŁđđđ đđ#đđŽđŹđ; đđ˘đđŤđŹ đđ˘đŻđđ§đŹ#resident evil#resident evil 6#piers nivans re6#piers nivans
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January 1st, 2011. 9:45 PM
The wind clawed at the cabin walls, shaking loose bits of snow from the roof. Chris wedged the last chair beneath the door handle and turned to Piers, who stood by the far wall, looking like he might collapse any second.
âWeâre safe for now,â Chris said. His eyes narrowed as they locked onto Piers. âWhat about you?â
âIâm fine,â Piers answered too quickly, his voice taut and snipped.
Chris took a step closer, scanning him with a soldierâs precision. He wasnât fine. His arms were too tight across his stomach, his breaths too shallow, too fast.
âPiers,â Chris said, lowering his voice. âWhatâs wrong?â
âI said Iâm fine,â Piers snapped, his jaw tightening.
The sharpness in his tone stopped Chris short. Piers wasnât the type to bite back unless something was really wrong. He tried again, softer this time.
âLook, if youâre hurtââ
âIâm not hurt,â Piers interrupted, stepping away from the wall. The motion made him stumble, and he caught himself with a pained hiss.
Chris lunged forward, steadying him. âWhat the hell are you doing?!â His grip was firm, but his voice held an edge of worry.
âJust⌠leave it alone,â Piers muttered, swaying slightly.
Chrisâ gaze dropped to the dark stain spreading across Piersâ shirt. His heart sank.
âYouâre bleeding.â
âItâs nothing.â
âDonât pull that shit with me,â Chris growled, already reaching for him.
âI said itâs nothing,âPiers hissed, swatting his hand away.
âDamn it, Piers!â Chris snapped, his frustration boiling over. âWhy are you always so fucking stubborn?â He forced himself to soften. âLet me help you. Please.â
Piers flinched at the word âplease.â He clenched his jaw but didnât stop Chris as he guided him to sit on the bench.
Chris crouched in front of him, working carefully to unzip the blood-soaked jacket. He pulled up Piersâ shirt and paused, his hands stilling. Beneath, Piers wore a plain, sweat-dampened sports bra, chest rising and falling heavily with his breaths.
Piers looked away sharply, his chest heaving with shallow breaths. âDonât.â
Chris hesitated, then shook his head. âIâm not gonna make a big deal out of this,â he said softly. âYouâve got worse things to worry about right now.â
Piers let out a breath, shaky and uneven.
Chrisâ voice dropped further, steady but edged with a tenderness he rarely allowed himself. âBut you shouldâve told me, Piers. You couldâve died because you didnât trust me to handle it.â
âItâs not about trust,â Piers muttered, still not meeting his eyes.
âThen what?â Chris asked, his hands moving deftly as he cleaned the wound.
Piersâ voice was tight when he answered. âItâs not something people justâŚtake in stride, without everything changing.â
Chris frowned, then glanced up at him. His tone softened even more. âDo I strike you as âpeopleâ?â
That earned him a faint, disbelieving snort.
Chris let a small smile flicker across his face before focusing back on his work. âThis doesnât change anything. Youâre still you, Piers. Still the best damn soldier Iâve ever had.â He tied off the bandage and looked up. âYou got that?â
Piers finally met his eyes, searching them for a moment. Chris held his gaze, unflinching.
ââŚYeah,â Piers murmured, the fight draining out of him. âI got it.â
âGood.â Chris patted his shoulder lightly before letting his hand linger a beat too long. âNow stop being so stubborn and rest, will you? Youâll need it.â
Piers smirked faintly. âYouâre pushy, you know that?â
Chris huffed a soft laugh. âYeah, well, youâre a pain in the ass. Guess that makes us even.â
The storm raged outside, but the cabin felt a little quieter as Piers leaned back against the wall. His eyes drifted closed, but Chris stayed by his side, his hand resting on the bench just close enough to brush Piersâ arm.
Because, stubborn asshole or not, Chris wasnât about to let him out of his sightânot now, not ever.
#đđŽđđŁđđđ đđ#đđŽđŹđ; đđ˘đđŤđŹ đđ˘đŻđđ§đŹ#resident evil#piers nivans#chris resident evil#resident evil 6
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