#Apologies for the long rant

[my-name-is-bunnyfoxy]

~ TMNT February Day 20: Dream ~

Rant time: Raph thinking he will become Shredder and be just like him is the biggest wasted potential in the show.

Context: In the episode "The Darkness Within", the turtles go to help their friend Angel get her brother back. Stuff happens and they are suddenly trapped in their worst nightmares. And you wanna know what Raph's nightmare is? That Raphael, a guy who has done nothing but has been saving people, doing his best to protect his brothers and care for them, literally saved the entire world, thinks he is anywhere near Shredder. Shredder. Yeah that guy who has done nothing but terrorize and is the reason so many horrible things have happened in the show. He genuinely thinks he is a monster. A cruel heartless monster.

That concept is to me, the most interesting thing ever. Admit it, you wanted to know why Raph would have thought himself in that way and think he would become Shredder. But why do I call this wasted potential? That's because it's LITERALLY only mentioned ONE TIME. It only happened in that episode. And that episode only. We don't get details as to why he thinks that way or what made him think he shared even the slightest in common with Shredder. Also remember those dimension episodes? As much as I enjoyed Raph's episode, I wish now, he was sent in a universe where he was Shredder. Also also, he is the only turtle to have never defeated any version of Shredder. So I feel like this would have been his chance to finally defeat one.

I really hope that in a future iteration of TMNT, this sort of idea is brought back and we get to explore it a bit more.

Now this isn't related to 2003 but, I did actually learn later down the line that Raph actually did become the Shredder in the image comics. Damn.

[tsukasalover]

it’s kinda stupid to call rui “sassy” or say he was acting “mean” for simply doing what any person would do realistically after tsukasa humiliated nene in the main story. i swear this fandom has gone over this a thousand times and yet for some reason it’s still so hard for people to accept that tsukasa was being a self centered asshole. that’s not even exaggerating anything that’s just the truth.

btw (if im wrong correct me) but rui has never gotten angry at someone unreasonably he’s actually quite mature and doesn’t just?? explode over things so i dont know why him refusing to work with tsukasa even after nene forgave him is seen as a “mean” thing… let’s not forget he still believed tsukasa hadnt changed at all and only wanted to be in shows for selfish purposes. it’s not bad to admit that tsukasa is egotistical and has acted much more mean in unacceptable ways than rui + has had to own up to this and work hard to grow as a person over time

[buubonita]

Post truce Dreamtale twins where Nightmare tells his brother "Happy birthday, Dream. You and I are finally seven" because their lives have resumed despite all these years of loneliness and confrontation and now they can start healing together.

Dream just cries and holds his brother's hand but not for too long because prolonged contact is impossible. But it's a start!

[rivkae-winters]

You Will Rot

I adore this entire scene and their entire exchange and there are plenty of other posts out there on it but I’ve never come across the points I wanted to make hence why I'm writing this. Specifically on the implications of exactly what rots since that latched into my brain and would not let me go.

As always: this is only my interpretation of canon, there is no one true analysis to take as gospel. In fact please interact with your thoughts if you have any! I enjoy talking to other people about this sort of thing, fandom is all about discussion after all!

My stance on this line is one of nuance. I tend to think Sephiroth chose the worst words he could think of without fully considering the full implications.  He said the thing he knew that would hurt Genesis the most after the entire conversation beforehand.

What does it mean to be told to rot? Or even so told you will rot. 

In the FF7 universe, most explicitly displayed in CC, bodies dissolve. Corpses, both monster and human, are depicted as dissolving to return to the Lifestream. This is re-confirmed in the remake. 

Rot is not a term for humans, it’s not a cultural concept the same way it is for us in the real world. To decay and decompose are not processes that sentient beings undergo.

Rot is something for objects- things that live but aren’t alive enough or connected enough quote-un-quote to return to the Lifestream in the same dramatic manner. Rot is for things like food and flowers and things that are below the level of humans or animals or anything with general sentience. 

Sephiroth is telling Genesis here, he is not just a monster: he is insignificant. He is telling Genesis that he is not enough of a sentient being to return to the Lifestream and he’ll continue falling apart in real time just like a piece of fruit left forgotten and rotting on the kitchen counter. He is telling Genesis that at the end of the day he’s already dead in every way that matters and is no longer a person. Sephiroth is telling Genesis that he will have no mercy given to him at the end of the day: he will rot and waste like an object lacking sentience and then he will be left there.

Sephiroth is digging into Genesis’s own deepest insecurities here. Genesis fears not just being irrelevant but being rendered a non-entity, to be kept or out of control. Genesis has defined his entire life as a journey to be someone to be enough to be someone worthy of love and praise and being seen. Objects aren’t people, and Genesis is an object to Sephiroth with that statement. 

The only person who could help him no longer considers him a person- nor a thing with sentience. 

Obviously this is all over analyzing Sephiroth’s dialogue. This line was said with calculation, yes, but it was also somewhat reflexive. Sephiroth is under a lot of stress in this scene and Genesis has been slinging everything he never wanted to be told at him in a single conversation. Genesis then has the audacity to try to act as if he did something good. While Sephiroth’s world is collapsing around him and his other defected friend acts like he did him a favor. Sephiroth is angry, who wouldn’t be angry. Sephiroth thought the world of Genesis prior to his defection, he thought the world of both of them and those illusions have been crashing down around him.

So he uses Genesis’s own grief over his former friend’s tattered life that manifests as self deprecation and self dehumanization against him. He confirms the de-humanizing rhetoric that Genesis has been attaching to his own existence. Sephiroth in his pain and anger pushes past the fears that Genesis has been externalizing to what he knows Genesis is truly afraid of. 

If Genesis considers himself a monster than by the standards of the person Sephiroth thought he knew he is already living out his worst fears. He is nothing, he is nothing without his mind. If Genesis wants to be what he once considered a non-entity: wants to wallow in the rot and non-personhood so much then he can. 

Sephiroth turns his back on, in his mind, the moving corpse of the long dead Genesis Rhapsodos and walks away. 

You will Rot You are Nothing

There is also something to be said here for the Kanji used in the original!

I’m not touching on this as much as I would have liked to but it would be criminal if I didn’t at least pull out a Kanji dictionary.

I pulled Sephiroth’s line from here; warning the website is not in English at all but easy enough to navigate via context/knowledge of story events and the characters' Japanese names. 

Sephiroth’s line is: 朽ち果てろ kuchihatero

This is translated in the official English release as “You will rot” and in a pre-US release fan translation from May of 2007 roughly the same way as “Go decay”

朽  Decay; Rot; Remain in Seclusion

果  Fruit; Reward; carry out; achieve; complete; end; finish; succeed

[1][2] [3 specifically for 朽][4 specifically for 果]

Thanks for reading!

[dragonseeds]

what are your thoughts on rhaegar and lyanna?

oh i love them! there’s all this talk of them haunting the narrative and they do, but i’d take it further and say they are the black hole at the center of the story. the choices that they made, starting with lyanna’s decision to defend howland reed and what that meant to both him and rhaegar, who was very likely at his lowest point at harrenhal after the ruination of his careful plans, touched or changed the lives of every character and plot line in the series. the story itself is such a fun mashup of tristan and iseult, lancelot and guinevere, helen and paris, the fall of camelot and all of arthuriana really, the classic trope of the princess in the tower and the dragon and the knight: all of that in one couple and we don’t get to experience any of it with them. we can guess and speculate, but we can never truly know them. we experience their story only through the memories the people who survived the war they ostensibly kicked off, and those memories are all heavily colored by trauma, guilt, nostalgia—alternately faded and sharpened by time. it’s this incredibly fun and brilliant reconstruction of some of the most enduring tragedies in folklore and mythology and i adore it.

hate beyond articulation the way asoiaf.tumblr.edu approaches their relationship and the individual characterizations of both of them, though. just absolutely some of the most insufferably sanctimonious disingenuous decontextualized analysis i’ve ever experienced—much of that coming from people viewing this through a historical lense instead of a thematic one. like, imagine approaching the battle of the trident as “rhaegar is a bad person for fighting for his father who was evil! he lost the moral high ground with that one” as opposed to “rhaegar as a character exists to fail and die; he was the last dragon, carrying the unbearable weight of his family’s legacy and the burden of the prophecy for which they conquered westeros: the end of his life is the end of the targaryen dynasty. he must fail and he must die, so that dany and jon can grow up free of that weight and that power. daenerys gets to redefine what it means to be targaryen on her own terms. she and jon separately and unknowingly do the things that he thought he had to do—the things he was conceived and born to do—but never knew how: they do it because of their circumstances, because of the people that they have grown into, because they believe it is their duty, because they have the power to do it.” also, like, re: interpretations of battle of the trident, is there maybe another battle that occurs later in the series that is exactly the same thematically and contextually? where perhaps a character who was missing for a while shows up on the eve of battle, knowing that the opposition is right and their cause is just but that his family will die if he doesn’t fight with them? anything that adds an extra layer of meaning to what happens, aside from dany’s own connection—which is not as thematically similar but is still incredibly meaningful. like i certainly don’t think there’s any one interpretation of a character or story, but the worst ones are consistently applied to rhaegar.

and then with lyanna in particular, it’s like people cannot stomach her or find her sympathetic as a character unless they’re wallowing in her eternal victimhood. the constant dismissal of the importance of lyanna’s actions and what they meant to rhaegar is pure misogyny, by the way. her choices and her agency, the inherent meaningfulness of the struggle for both of those things in a system that seeks to reduce her to her body and the use men can make of it—all of that is important. the person she was and what that meant to people was important, but from the way i most often see her discussed, it’s like her gendered death is the only thing that matters. it’s okay to lament her because she got crushed by the wheel. if she hadn’t, if she wasn’t a victim to write flagellatory meta about, she would be a hypocrite, someone who needed to learn a lesson—as difficult for some of these people to relate to as dany or rhaenyra apparently are.

like, it’s just wild to me because her kindness to howland reed and her choice to defend him, to disguise herself as the knight of the laughing tree and risk her life and reputation to fight for him—is the answer to and the embodiment of one of the most thematically significant questions in the series. we see it most prominently in dany’s chapters because she asks it directly: why do the gods make kings and queens if not to protect the ones who can’t protect themselves? that’s what lyanna did, when no one else was doing it: she had more honor than any knight at that tourney or any man sitting on the small council, and it meant something to rhaegar. like what about this is hard to understand? i think he must have idealized her immediately: she must have seemed like something out of a song or a story to him, and rhaegar was a singer, a songwriter, a bard: he knows how stories are supposed to go—how to finish a song, or at least he thought he did.

bran, who also loves stories, says it himself: “and the mystery knight should win the tourney, defeating every challenger, and name the wolf maid the queen of love and beauty.” like obviously bran has some critiques i cut out, but he has the ending right—only the wolf maid was the knight, and she couldn’t have won. in the feudal gender prison, women are rewarded for being beautiful and their worth is derived from that and from what their bodies provide. she should’ve won the whole thing, but the system doesn’t allow that, so rhaegar—in a fit of single-minded capital r romantic hero idiocy—dedicates himself to winning the tourney to honor her in the only way he can: the only way the system allows him to recognize her. it was the worst possible move he could make at that time because of the romantic connotations, but i love him for doing it, as stupid as it was and even though there is no way it didn’t hurt and humiliate elia, or make him look terrible when he desperately needed to make a good impression on the lords of the realm—it’s just such a Moment. being reminded that there’s good in the world—feeling hope in the face of endless abject overwhelming despair—how do you express gratitude for that? the idea that he could only doing it by hurting someone who didn’t deserve it and making himself look like an ass is fucking awesome. i’m genuinely so sorry for people are incapable of enjoying that. could not be me!

but that’s just my interpretation of what happened at harrenhal. like i said, part of why i like them so much is that we truly don’t know. while i love darker relationships in general, the idea that he crowned her at harrenhal because he wanted to impregnate her then does not work for me. it’s a popular theory, but it renders some of the very few contextual clues we are given about what happened meaningless. for one, he didn’t know that elia wouldn’t be able to have more children at that time. this was discovered after she gave birth to aegon, and that is the point at which the question of the third child appears to have become a motivating factor for him. i personally think he left for the riverlands to consult with the ghost of high heart—the one whose prophecy is the reason he was born, the reason is parents were forced to marry, the reason his family burned alive the night he came into the world—and ran into lyanna somewhere near harrenhal. it’s possible he had been in contact with her prior to this (how? without her family knowing? what are the logistics of that?) but i think it’s just as likely it was pure chance. i really like the idea that his crowning her queen of love and beauty caused lyanna’s father to set a date for her wedding to robert or talk of moving it up, maybe even suggest a double wedding at riverrun, which would have almost certainly caused her to balk. either way, high heart is located between harrenhal and riverrun. arya also stops there while she’s kidnapped by the brotherhood without banners on the way to ransom her to her family at riverrun, and they trade songs to the ghost for her dreams and prophecies. i think it’s worth noting because arya’s journey in the riverlands mirrors lyanna’s right down to her “death” as arya stark when she leaves for braavos, paying the ferryman’s fee with the coin jaqen h’ghar gave her—just as jon’s journey at the wall mirrors rhaegar’s in many ways right up until his own death.

i also don’t think rhaegar and lyanna eloped because they were in love—this is implied by lyanna’s famous quote—but that they did come to love each other deeply, which is suggested by the way they died: her roses and him saying her name. notably, rhaegar did not leave the tower of his own volition—someone had to come and get him with news of war, which is hilarious because i think the tower of joy is right in the middle of like three major battles of the rebellion? like quite frankly, if he didn’t love her or care for anything beyond the prophecy and if she didn’t love him despite how badly things went wrong, then where in their story is the heart in conflict with itself?

i do want to clarify that i love the tower entrapment and the power imbalance aspects of their relationship as much as i love (what i interpret as) the genuine respect for each other that grew into love: it’s really the tension of those disparate elements that interests me. a dragon can love the maiden, but he’s only ever a dragon—still liable to hoard her like treasure or burn her up and rip her open trying to be gentle, to protect. that FUCKS, sorry! love is sweet and hopeful, but it’s also at exactly the same time horror, consumption, destruction.

idk it’s myopic to act like the beginning or the ending of their relationship—of their lives—is the summation of it. i think people want their story to be easy when it’s not: a clear case of a villain and his victims where everyone knows who to root for and no one has to think too much about things that are difficult or uncomfortable, questions where there probably isn’t an answer that doesn’t hurt someone. what a sad, tedious way to approach any text, but specifically this one. i’ve sometimes seen it suggested that if their story is romantic then it’s an endorsement or justification of all the “bad” things that happened because of it, and that’s also stupid. grrm as an author is never going to be someone who tells us how to feel about anything: he presents these characters and situations, often as a means of exploring certain facets of the human condition, and each of us has to come up with our own answers and find our own meaning. i don’t think he always knows what he means, or what those answers are, you know? but for me rhaegar and lyanna are one of the most fascinating parts of story, and whatever the truth is—if we ever find out—i can’t imagine a scenario where i don’t love them or find them really interesting and wonderfully sad.

[trashogram]

It's even worse for Crimson as being a villain, he's completely wasted. Given how Moxxie acts, personality wise and the like, he has the ruthless side of him(with killing) yet he's intelligent and caring. You'd think these would come about due to his upbringing by both of his parents.

But then we finally get around to it and we see Moxxie's mom is dead and not recently either and Crimson....is a complete dumbass and also an asshole.

This would have been a good side story, to showcase that Moxxie comes from a grey morality family, which is why his personality is the way it is.

His mother is that kind and sweet caring figure, his father is that ruthless and hardass figure, yet somehow, someway the two still love eachother. I feel this also would actually add to Hell as far as the daily life goes and struggles between morality.

The Mafia/Mob, while obviously there's a bunch of assholes within it, that doesn't mean that's all there is to these guys. They wouldn't have gotten anywhere near the power that they had in the 20th Century, if they weren't smart about what they were doing, if they didn't have some sort of code or honor system. As ruthless as Mobsters can be, not all of them are assholes...for the sake of being assholes.

There are laws that had to be followed(different from policies that each Family may have had, so those varied between). Michael Franzese is a huge, good source on the Mafia life and it's a lot more complicated than one might realize.

Crimson comes across as a dumbass, because he didn't check Chaz' finances...when they were in his car, unlocked....on the property. He's head of the Mob and doesn't do the most common sense thing ever, checking someone out before you take their word at face value.

It also comes across as such, that this is somehow the ONLY way to get money. ...Crimson...my guy, HOW are you head of anything in Greed?

No one becomes the Head of the Mafia, if they are so stupid that they don't have fingers in the pockets of...just about everyone they come across, if they don't strategize and have many, many, many different ways of making money.

They introduce us to Crimson as if he's some big shot, with the huge house, the helicopter and all the goons....and yet all that is thrown away when we learn that he's in heavy debt. So how are you paying all your men? How are you paying for any of your supplies? But then they take it a step further with Crimson being a dumbass, by forcing his son to marry Chaz(who he hates) and is just taking the latter's word that he's rich....so you're not going to check the guy who you HATE and make sure he's telling the truth? Crimson you have no right to be pissed at Moxxie, for you being an idiot.

Didn't mean to go on this long spiel I guess, I'm just now worried for when we get into Hazbin...in how Angel's Mafia Family is going to be portrayed, especially when we know it'd at least be early 20th Century of when they were alive. Which means, they should be well organized and have significant power.

....Also Moxxie's mother deserved way better than being killed. I wanted her alive, there was so much potential to have this contrast between Millie's parents and Moxxie's parents and....we didn't get that. ...Also I WANT HER OFFICIAL NAME!

GIVE MOXXIE'S MOM AN OFFICIAL NAME!

Crimson is so deep in debt that he had to take out his brain and put it up for collateral.

It’s the only way to explain why he’s such an audacious idiot that I have to assume failed upward. Or we could blame it on the real problem, which is that Vivienne Medrano decided one day that she wanted to turn a gay wattpad fanfic into an episode of Helluva Boss regardless of how dumb the idea was and no one stopped her.

Exes and Oohs hurts my brain with how preposterous it is, dude. How does marriage work in Hell?? Why the fuck are there priests in Hell that can officiate marriages?!

As for Angel Dust — God, is being from a mafia family even part of his character anymore? Oy vey we’ll probably find out before we spend anymore time on Charlie in Hazbin Hotel.

(I’m gonna call Moxxie’s mom Marzia. It’s cute. Not holding out for the show to actually give her a name.)

[aroaceleovaldez]

hey! hope this isn't weird but i wanted to know why you think artemis wasn't up to standards even in the original pjo series. you reblogged from me and so i had front row to your tags on the post about zeus jaja i've not seen people talk a lot about her and it got me interested as i'm a classics student!

- @zoebelladona 🌙

HELLO OH BOY okay so I have half a rant already about Artemis in terms of Rick and general aphobic tropes in the series. see: that open letter on twitter. i still need to transfer that to tumblr. fun fact: Rick replied to that post but deleted his reply at some point. probably because two replies after he replied to my post and word-of-god confirmed Reyna to be ace-coded he left social media for a bit.

Fun times! Anyways.

The thing I dislike about Artemis as she's depicted in the series, besides her constantly appearing as a teenager and the aphobic tropes with that [see: open letter linked above] - which on some level is slightly more excusable than other examples given she's a goddess of young women, but given how he writes Athena, Hestia, and the Hunt instead leaves a bad taste in my mouth - and other similar aphobic tropes with her, is her whole weird anti-men thing (which is also, in itself, also an aphobic trope in this particular circumstance). I understand TTC was written in 2007 so that flavor of radical feminism that Artemis and the Hunt is clearly supposed to be was only just coming into major public awareness and the flaws in the ideology (and the inherent bigotry, particularly transphobia and racism that often comes with it) weren't as well recognized at the time. But in hindsight it leaves a really bad taste in my mouth for obvious reasons and is one of the things from the first series that severely aged poorly in my opinion, and I greatly dislike that in every subsequent retcon of the Hunt for other reasons Rick more or less retains that aspect.

Secondly... it doesn't make sense from a mythological standpoint? Because there are multiple examples of men being Hunters in Artemis' retinue. Even ignoring Orion, no matter how you go about shaking that stick (which for the record I really dislike how Rick retconned him in the series/wrote him in HoO), Hippolytus is a very notable example. Literally his big whole original shtick was he joined the Hunt because he didn't like romance and Aphrodite got so pissed about him not needing her (romance) that she killed him. And even when Aphrodite was trying to ruin his life he held on to his virtues and vow to Artemis (refusing advances even when his life was on the line). He is otherwise totally chill and devoted to Artemis. Some versions of his myth has Artemis have him resurrected after he dies (by Asclepius, which is why Asclepius is punished for reviving the dead). This also obviously doesn't address the major glaring logical flaw in Artemis hating all men which is... Apollo. Especially within the series he seems to be an exception for no reason, despite Artemis also very overtly having a "brothers are not an exception to the no-men rule." And from a modern queer standpoint, it obviously begs the question of stuff like gender identity within the Hunt and if you bring back the radfem stuff it gets real bad vibes real fast. Which also sucks when you particularly look at historical/mythological descriptions of Apollo and Artemis and how they very poignantly encompass defying gender roles and expectations particularly within their cultural contexts.

And every time Rick tries to retcon the Hunt, he somehow manages to make it kind of worse, particularly with the oath. I have a whole personal thing for how I think to best rectify all that nonsense in a way that isn't horrible and is related to some of Artemis' aspects in a more sensible way (buried somewhere in this monster of a post. Honestly i'd just recommend ctrl + f search "Hunters" on that post and it should be somewhere near the first ping there). In there I also go into some of my other thoughts for the general meh way the Hunt is written in the series, mostly being aphobic tropes and random death fodder.

So yeah. Basically, tl;dr: I am personally not a huge fan of how Artemis in the series is halfway to being a terf and chock-full of aphobic tropes. And I need Rick to stop retconning things into the ground.

[anxious-witch]

Okay to preface this, I saw several posts like these on tiktok, not here on tumblr, thankfully. That said, it's boiling my blood so. Let's talk about Nace and the period when he was fat for a second, okay?

Nace openly talked about the period before he got on no gluten diet and started worling out as much as he had now. He is clearly still insecure about how he looked like before.

The fact that I just saw a post of someone who dug out a picture of him from several years ago and one from now and called it a "glow up" made me really wanna slap someone. Especially since the comments are "that is not the same person" and "oh shit what a glow up, he is so hot now".

Do y'all even realize how you sound? How invalidating that is? That you are literally equating his worth to his weight? I wasn't following Nace before, but he is such a sweet, wonderful person I very much doubt he became that way yesterday. He is so much more than his looks.

And no, I am not saying you can't think he is hot, I absolutely think so too but like?? Why do some people have to compare?

I am happy he is healthy and feels more confident in his own body, and that's what's important. Not how thin he is now. I was lucky enough to not have struggles with weight, but a close family member of mine had a very similar issue to Nace's, specifically because of gluten intolerance. And if I saw y'all talk about her the way you talk about Nace, equating her finding a diet that keeps her healthy to only her loss of weight, I would hunt you down.

I don't mean to speak over anyone who had personal experience with this and certainly knows better than I do from first hand, but I just couldn't not say anything after seeing that.

I am thankful that in the corner of the fandom I'm in, where Käärijä is appriciated, most people aren't fatphobic, so I forget the world exists outside of that bubble. But some of you should really think of what you are saying. Because Nace has social media too, and I hope he never fucking sees this shit. It's damaging as fuck. He is a wonderful, amazing man and a talented musician, no matter his weight.

Think before you post for the love of God

[lyneytricks]

if i see another video making out scara's resentment towards ei to not matter and be wrong because of ei's intentions when abandoning him i'm going to literally throw something out of a window.

it doesn't matter what ei's intention was!! she literally abandoned him during the most important part of his life. idgaf if he looked the same as he does now, he was a child and he didn't know shit. ei just!! left him!! the fact that she had no ill intention doesn't dismiss the fact that it was harmful!!

(also let's not forget that she let him to sleep. for like. years. until someone found him. isn't that worse than death? how could you claim to "set someone free" when you throw them out as a lifeless corpse, not able to do anything until they are found? how could you say that?)

imagine using that logic on a crime dawg. yeah i killed them but it wasn't my intention so now their loved ones can't be mad at me for doing so, and they also need to forgive me. WHAT THE FUCK???

even wanderer says it in his voicelines. jesus christ. ("she completely neglected her own creation, and to add insult to injury, she said it was because she 'couldn't bring herself to intervene' in my fate..")

small p.d: i almost forgot about the feather ei gave him. (almost everyone does i'm ngl) yes, it was a way to, i guess 'protect him'? in a way? but, the fact that she gave him one thing (that does hold value, yeah, but god) while never even aknowledging his existence does not make her better.

(i can't remember the exact line in the HOOD set but oh my god. that "and she will not abandon you" someone says when seeing the feather, him knowing full well that she has done that. oh my god i need someone to hold me down)

[catboyidia]

may i ask for some sweet asg moments in this trying times pretty please?

- sometimes when angeal is cooking, sephiroth or genesis will come up behind him and wrap their arms around his waist and lean their heads on his shoulder and just watch as angeal cooks, and angeal and sephiroth do the same to genesis whenever he bakes

- if its a cold day or one of them needs comfort, i fully believe they would each wrap each other in their wings, like sephiroth would comfort genesis with his wing wrapped around genesis while they hug, or genesis would wrap his wing around angeal while they cuddle in case angeal gets cold, stuff like that

- sometimes while sitting on the couch watching a movie/show, at least one of them will fall asleep with their head resting on one of the other’s shoulders, to which the one(s) still awake can’t resist taking pictures and smiling at how cute and sweet the one asleep looks

- since genesis is the shortest of the 3, he climbs angeal and sephiroth whenever he pleases, basically hanging off of them like a koala, and that is his way of “punishing” angeal and sephiroth for being taller than him (even if its not by much)

- sometimes genesis will just really need some kind of physical affection, whether its hand holding, cuddles, or anything else, and angeal and sephiroth will immediately recognize what genesis needs, even if he doesn’t say anything, and they will drop everything to give genesis what he needs

- if angeal or sephiroth has a bad day, genesis will absolutely pamper them like crazy

- they get each other silly/stupid matching items (like goofy couples shirts/keychains/stuff like that) and even if they aren’t serious gifts, even if they’re absolutely absurd, they all still cherish them nonetheless and will wear/use them whenever they’re together

- true date nights only get to happen once in a blue moon for them but when they finally get the chance to actually have a proper date night, they go all out for it! im talking full cliché cheesy date night! and each of them gets to pick out something they want to do, but since its so rare for them to get these date nights, they each pick something they think the others would want to do instead of picking for themselves (they all still have a great time though!)

- genesis loves the rain so he will always drag sephiroth and angeal outside with him while it’s raining to play in it, and sometimes angeal gets really into it too and convinces genesis or sephiroth to dance with him in the rain like a cheesy romcom! they all have to take care of each other when they all inevitably get sick though…

- when sephiroth is particularly tired and worn out, he will seek out genesis and angeal so he can lean on them/be overall more clingy and touchy than normal with them, and on even rarer occasions, he will let angeal and genesis care for him

[storywestistrash]

i am actually so tired of the way westerners treat eastern europeans

[metabolizemotions]

705 had the best action sequence in recent seasons. I love callbacks to the skyscraper fire and storage facility fire. Rewatching those scenes also reminded me of how different the show has become. It had more variety, and humor - even in tragedy. It was more character-driven, and had a better focus on team camaraderie and friendships - Dean/Jack, Maya/Andy and Vic/Travis ...

After Dean's passing, they really don't know what to do with Jack. Vic and Travis haven't had many substantial scenes. Maya and Andy were sort of besties in name only. There was a shift to focus more on captaincy race, SFD politics and darker issues w/o the necessary levity for balance. Let alone any breathing space for them to just hang out together. The inter-personal dynamics became more isolated and the characters became more one-dimensional to shoehorn the stories to serve the overall plots.

705 showed 5 women as impactful and effective first responders. Ross commanding the scene as chief; Andy directing the rescue efforts; Maya leading and supporting from her position; Vic taking control of a claustrophobic rescue situation giving first aid n emotional guidance; Carina providing improvised professional medical care for accident victims on site.

I wish there was more follow-thru on the complexities of the characters sprinkled thru out the seasons... that the show had been more about friendships, esp female friendships and not rivalry... that they didn't make it a zero-sum game but allowed both Maya and Andy to thrive cos they are both leaders in their own way.

I wish Maya, Vic and Andy still hung out, even when their friendship evolved and Carina had joined them in their shenanigans before all she thought about was babies... that Carina hadn't just thought about and talked about babies.

I wish they hadn't structured the narrative to have a female chief put down a fellow female firefighter cos of a man.

Rewatching also reminded me of how good, just n meticulous Ripley was as a chief. I can't get behind the way they are framing Ross as the best chief of Seattle, almost like just cos she's a woman. As a woman, she could have been more empathetic towards the sexism women faced n even if she didn't lift them up, at least don't push them down. She toed the line n was part of the system until it didn't serve her. Only then she called out sexism when she was caught red-handed at breaking the rules she claimed was of the upmost importance to uphold no matter what, as a good soldier.

The way Maya broke the rules to save a dying kid, accepted demotion to keep 19 together, but got buried for supporting BLM, was not giving a proper hearing, even when she was a good captain. She got no support from the team and was basically told to suck it up. The way Ross broke the rules to have a sexual relationship with an ex she promoted, but the whole team was in full support of her, cos "love is love", and one had to do what it took to be whole human beings...?

After being biased against Maya, and giving Beckett the benefit of the doubt despite the rumors of his almost-demotions. Ross respected him, give him many chances despite his poor attitude n performance n complaints against him...

In a way, Ross and Sullivan giving Beckett empathy w/o holding him accountable enabled his addiction and spiral. Also, both holding Maya accountable w/o empathy led to her mental and physical breakdown. They should have facilitated Beckett's therapy, not Maya's abuse.

Addiction can be substance-based or behavioral. Beckett was never sober b4 704. Maya's bottle was not the sole reason for his drinking. Drinking was his coping mechanism (n apparently bullying too). Maya coped with physical assertion, like how she pushed herself to her limits under Lane's abuse.

Ultimately what they did or didn't do reflect on who they were as people. They all made mistakes. Only Maya truly owned up and made amends. The way Ross didn't trust Maya when she handed her the photo mirrored Beckett's distrust. I interpreted it as from Ross's perspective, she would have an angle using the photo for her adv if she were Maya, so she questioned if Maya did. Beckett did not trust Maya cos he knew the team did not trust him as captain having not gained respect or trust. In part also maybe due to their guilty conscience of what they did to Maya and ashamed of their own abuse of power? Possibly as subtle subtext?

When Ross wanted both her job and her relationship and was afraid that Sullivan would make her play small cos in her careers men had made her feel small n saw her as a chess piece. Yet, she, together with the men, saw Maya as a chess piece n made her feel so small...

[surreal-duck]

screw it. midoyuzu sdv au (very long bullet point post warning in advance)

midori inherits his late grandpa's farm. parents' greengrocers shop in the city used to get a good chunk of their crops from there til his passing and the farm was since abandoned

kanata is definitely handling the fishing shop. though he spends more time in the water puka pukaing than actually fishing and manning the store but its fine she manages somehow. when midori gets the fishing rod kanata just straight up pops outta to water to give him the rod and floats away 👍 souma helps out there also

chiaki owns the saloon and bartends even if he does Not drink himself and the only thing that ever plays on tv are tokusatsu shows

as for the others i havent thought abt as much and subject to change. kuro blacksmith with his apprentice tetora maybe . nagisa the museum and library curator (and by extension i think itd be really funny if ibara was a joja executive. mostly to keep an eye on nagisa but also keeping the yzib hostility). eichi is the mayor though keito his vice mayor does most of everything and his boyfriend wataru organizes the town events and such like the valley fair etc!! natsume is the forest wizard w his apprentice sora and tsumugi comes by weekly in that traveling cart thing. madara owns the ranch probably.

everybody else is probably just normal townsfolk, among others hajime and hinata take care of the towns plants n stuff!! tatsumi priest, mayoi is half shadow person and hangs out in the sewer (of which noritama at some point explore together and shinobu befriends and invites to visit the surface). i said i didnt think about this much but thats a lie at this point. mika stays in an atelier in the forest (owned by shu whos in the city but does visit on occassion) to cultivate his own art, still best buds with arashi. jun koga adonis and maybe hiiro part of the adventurers guild, trick5tar are their own lil band!!

some charas r not present most of the time or yet like tori who is off at uni w his longtime academic rival and childhood friend and also now roommate tsukasa. their presence is very important for later trust me. rich family rivalry still remains here (along with military camp Because)

due to tori being at uni and learning independence yuzuru is off of his usual butler work for a while and working in the general store owned by the himemiyas! partly to pass the time partly encouraged to find something new to do outside of his servant duties. he calls and nags at tori regularly to make sure hes fine and such

the request board outside of the store is always a good source for side jobs and one day a request for foraged spring onions is pinned up with a terrifying drawing scribbled on it. midoris head over heels Immediately and she already has a good amount to spare so why not take it

hes probably a week into living in the valley already? while yuzuru had just started working over at the store therefore she wasnt aware of this yuzuru fushimi and finds the very one while looking for who put up the request!! the master artist + fan dynamic goes from then on

other than the usual chitchats and more requests with encouraged atrocious drawings accompanying them, been thinking a good amount of the specific town events that happen through the year!! other misc things are various quests and errands from each of the characters, like helping mika gather cloth or hajime requesting various flowers to brighten up the town

Y1 Spring: egg festival, noritama hanging out, shinobu sweeping the egg hunt; flower dance , as they havent gotten to know each other to well enough to actually dance (just like in the game) (haley please. anyways) its mostly just small talk and maybe including some other side pairings i like djdhhfjdj chiaki with a suspiciously soaked kanata and hina dragging off tetsu

Y1 Summer: acquiring the rusty key from nagisa, noritama sewer exploration and befriending mayoi; luau, nothing special particularly for this one; dance of the moonlight jellies, from here yuzuru and midori get a lot closer playing in the sand and just getting along (a bit like siosai marina)!! probably some background drop for the both of them like takamine gramps' farm and yuzurus actual role as a butler while telling him about tori as well dkhdhdjs. they spot the rare green jellyfish together here too

Y1 Autumn (yeah im calling it autumn sue me): valley fair commences, led by everyones own wataru whos hopping here and there somehow managing three attractions at once. yuzuru obliterates the shooting game; spirits eve, chiaki is desperately being clingy out of fear. just more shenanigans in this one

Y1 Winter: festival of ice!! i kinda want to recreate the snow bunny/cute critter scene in jingle bells here, while the fishing contest isnt even a contest at all except between souma and kanata; feast of the winter star ill probably keep somewhat similar to that in the recent luck fest campaign gift exchange!! midori -> hajime and yuzuru -> kanata at the very least. just good vibes all around. community centre would also be finished by then so while joja closes, ibara ends up assisting at the museum w nagisa instead jshshdh

Y2 Spring: only thing of note is that This flower dance they do get to dance together!! 👍 had to get those hearts up beforehand sjhdhdjshd midori at this point fully realized he really does like yuzuru, but kind of the calm before the summer storms

Y2 Summer: gets a bit (a lot) more complicated from here. yuzuru receives word from tori that he'll be visiting from midsummer til the beginning of autumn, and coincidentally tsukasa is tagging along to meet up with his pen pal and friend sora!! bickering the entire way there and due to circumstances yuzurus hosting tsukasa as well in the end, having to share toris room with him aksjdhjwjs

tori gets introduced to midori. the famed young master of midoris crush and this random farmer boy tori had heard so much about for some reason. midoris rather intimidated in the end but it ends up not Horribly to say the least. didnt quite help how tori had noticed how yuzuru softened up even just a bit when interacting with him. sora as well finally meets tsukasa and "the torikun he's heard so much about through tsukasas letters" 🎉 toris awfully smug and tsukasa tries to salvage it saying he was badmouthing him the whole time (not completely a lie but definitely not completely the truth either. dork)

with toris arrival inevitably comes yuzurus duties as a butler, its plain to see his priorities and out of consideration midori backs off a bit. she thought he'd only have to keep his distance until tori's gone back but little did she know toris main reason for coming not only was to assess how yuzurus faring (well and to meet eichi again) but had planned on bringing yuzuru back with him too to which yuzuru of course though not without feeling a tinge of pain for a reason unknown to him agrees to it

midori hears this from tsukasa, how he didnt think yuzuru would stay in town for much longer. and of course midori ended up pretty devastated at the news but who is he to stop yuzuru from leaving? in the end yuzuru would all but abandon his duties, and after all that same diligence and devotion is what midori had fallen for in the first place. if this short year really is all he'd get to spend with him then at the very least she'll have to make the most of what time they have left

the moonlight jellies come around again, probably one of the last times they both thought they'd be able to spend together and went off with just the two of them. a bit of an awkward air around them, yuzuru comments on how toris been complaining about the sand and other attempts at casual small talk as usual but its painfully obvious theres still that tense atmosphere

midori finally asks if yuzurus really leaving after all, to which she got a yes. midori simply nods and had long since accepted that inevitability, and already resolved that when the time comes to put an end to his feelings and get rejected properly. and so he confesses, and while saying she didnt need yuzuru to give him any proper answer in return, all yuzuru could really say was an "i'm sorry" while finally realizing what that awful ache that has been eating at him the entire time was. even if he did realize he felt the same, no matter how much he wanted to say it back theyve both resigned to the fact that its not something that could or would really ever happen between them

once the jellies have all left, their parting was pretty awkward, with that one goodbye feeling a lot like their last. tori notices something off about yuzuru and that something had probably happened between them, but didnt pay it much thought until a while later

yuzurus made more mistakes than whats normal, miscategorizing the stock or putting salt in his coffee, tori and tsukasa are both shocked and tried to pry it out of him but hes a brick wall that wont budge even a bit. it was only when midori came around for his usual errands and groceries that tori could note how distant and awkward theyre both being and that slight bit of hurt behind yuzurus all perfect mask

after much uncomfortable tension and quietly longing gazes enough is enough amd tori eventually confronts him, that while he did say yuzuru could come back to the city asks him if thats really what he wanted. and of course, all hes ever wanted or rather, knew how to want was to be able to serve tori to the best of his ability and really theres no other reason to stay anyways. even more frustrated now tori brings up midori, if he really wont regret leaving things like that when theyll surely drift apart to the point of no return if he keeps it up

argues that whatever was between him and midori has nothing to do with it!! tori is Mad and says if yuzuru is hiding behind his role to run away from the depths of his own feelings hes being a freaking idiot. eventually tori calms down and while he did want yuzuru to come, never wanted him to tear himself apart so much and that he didnt need to sacrifice his desires or getting close to anyone else for his sake, and how before being a servant yuzuru is his family as well and he just wants him to be happy too. then asks one last time if leaving the valley really what he wanted

yuzuru finally thinks it over again and apologizes first. for letting himself get so caught up and carried away for even daring to get close to someone else (tori glares daggers at him. he stops) and affirms that while he did wish to stay, theres still nothing more important to him than tori and his wellbeing and even should he open up and find more people in his life its not gonna change that fact

toris finally satisfied, reminding him again that even if he were to run off to be with some farmer boy hed still be his butler and that he wishes them the best. then proceeds to grab the bouquet from over the counter, shove it into yuzurus hands and lock him out of the store until he has a proper talk with midori. yuzuru tries to argue but it all goes one ear and out the other with tori he is Not gonna let him back inside until then

eventually gives in and goes looking for midori. he asks all around town and seems to just miss him each time, til eventually it starts pouring and into a pretty hard rain. at this point all he could rly focus on though was wanting to see him so pushes on until running into her taking shelter in the forest. yuzuru is Soaked and disheveled and with the wind and rain the bouquet is stripped down to only a few of its flowers left but he does not care at this point

midori is understandably shocked and tries to dry him off with what he had, lending her jacket and asking what he was doing out in the rain like that. well with yuzuru only being able to think about wanting to meet him had completely ignored the rain and brushes it off saying there was something more important he wanted to say

even knowing that he'd (somewhat) rejected midori before, asks if he could give him a proper response this time if midori would give him another chance. she agrees, yuzuru lets him know he wont be going back to the city after all to midoris surprise. goes on that before he knew it midori had become important to him as well and that he truly does adore him, and if his feelings havent changed would like to court him properly. midoris just processing the entire thing before crying. never thought his feelings would be reciprocated and between sobs hugs him. rain clears up, a nice rainbow arches over and while midori accepts what was left of the bouquet they almost had a moment until yuzuru starts sneezing. cue them running back to the store before he gets sick

while yuzurus taking care of himself it leaves midori and tori in the store together. tori gives her a bit of a shovel talk and if he dared do anything to hurt yuzuru he could have his entire farm shut down. and asks to take care of yuzuru for him too. they do talk a bit and end up getting to know each other a bit more before tori and tsukasas impending departure

once midori leaves, tsukasa, having seen the whole conversation, asks tori if hes really okay with it and while tori cant say hes absolutely happy is glad someone cherishes yuzuru just as much. and even if he is a bit lonely will always have tsukasa anyways half as a tease and half being genuine

Y2 Autumn: tori and tsukasa leave the valley, promising to come back next year!! theres a lot more ive planned out from this point out but i am keeping it to myself for now. or maybe forever it depends 👍 my apologies if youve read this far you deserve a medal thank you for listening to my silly rambling 🏅

theres some other things like mini chara arcs/episodes and such (or stuff like specific "heart events" of a sort) i thought abt but among them is tatsumi and mayoi meeting and [omitted] or tetoras apprenticeship under kuro, or shus visit to observe mikas progress and [omitted], and specifically a certain trks episode also

[triglycercule]

what do you think of murder time trio poly

i thought someone would never ask.

murder time trio poly is like the sun is to a plant. me being the plant of course. without it i simply could not live a satisfactory life and would die out. i have so much to say about them

see now WHY is the ship so damn good?? because they're practically made for each other without even knowing it like hello why are these three characters with the same origin point so perfect for eachother despite having different backstories and personalities. the creators were all across the world yet these three fit so well together you might as well think that SAS rahafwabas and askdusttale communicated telepathically to place all these parallels and dynamics into theri aus. they have so much chemistry together even when theyre not being shipped it's unreal. you will never see them apart in art because they're the mtt. they literally have their own trio name that's how iconic they are together (they mightve stolen it from the bad time trio but its ok its ok they deserve it). you don't see any other characters beings referred to those names aside from the bad sanses and star sanses so that just shows how awesome they are together

they don't even have to be in love to be good with eachother like hello. even in their duos theyre so good for eachother but it feels incomplete without all three. and the best part is that they don't even know eachother canonically so it's completely up to personal interpretation how you think they would be together. like canon is already juicy enough already but theres still so many other interpretations based on aus or headcanons or literally just who is thinking about them (i love seeing other people's interpretations of the mtt because its always so different. you will never find two versions of them that are the same from two different people)

dust and killer have their beef with eachother where they hate the other for what theyve done but it's onesided mostly from dust. dust doesn't like him but he tries to avoid him (canonically. ya i read the dusttale blog and you should too) and yeah killer has a grudge against him because dust is an asshole but he just keeps bothering him and getting up into his business because hes curious and needs entertainment to distract himself and slowly but surely they start warming up to eachother and become frienemies. they will NEVER truly become full friends because they simply are too traumatized to do so. dust will always resent killer for teaming up with the human and killer will never be able to get dust to forgive him because he is permanently stuck as killer sans but they can try. they can try to be friends even if they fucking hate eachothers guts. they can stab eachother and then go patch themselves up. they won't help the other tend to their wounds but they will offer some offhand comments here and there if killer misses a gash or dust forgets about a bone he needs to fix. this is as healthy as they get but it's okay. the mutual rage is what makes kist work

like kist horror and dust don't like eachother either. it's a mutual thing for all three of them that they fucking hate eachother. but unlike kist (or horrorkiller aswell) horrordust are the "nicest" to each other. dust pities horror. he feels bad that horror had to go through something terrible all at the hands of a human just like he did. he knows that horror did some questionable things (why in horror's not so right mind did he think feeding papyrus HUMAN FLESH was a good idea. he understands why and all but it still upsets him) but it's not like dust will comment on it. dust doesn't have the right to after all the bullshit he did. but horror hates this he hates that dust pities him. he KNOWS what he did was wrong and he absolutely resents being reminded of what he did, or even getting the slightest bit of pity for himself (because nobody should feel bad for him especially after all he did. he doomed the underground and ruined his papyrus and changed everyone for the worse out of rage). horror and dust mutually avoid eachother (dust out of respect and horror out of disrespect 💀💀) but they eventually have a few interactions. they get along FINE. they have some passive aggressive bickering mostly started by horror and dust fires back but overall their relationship is courteous. they do get into fights but unless both of them are in a REALLY bad mood theyll likely just leave the other before it gets physical. they would get along fine if they could just fucking trust eachother but they don't. that tension will always be there where they judge eachother

horrorkiller is similar to kist. except not. like with dust, horror probably really doesn't like killer for similar reasons and killer probably bothers horror out of curiosity too. except the way they react is different from kist/horrordust. horror doesn't explode like dust does when killer riles him up. instead he just insults him back passive aggressively with no fire behind it because he knows that killer's just looking for entertainment (he also thinks killer's below him. probably.) killer is ngl intrigued by this. he wants to know what will make horror snap just like dust does at him. so he tries to make his insults more and more mean, but horror can actually spit back without getting mad and it bothers killer. he tries sabotage (pranks) but it turns out that horror likes pranks. what will it take for killer to piss him off??? (it's insulting actions like killing a papyrus literally infront of horror and making it a mockery it's disrespecting food in front of horror with intent to piss him off etc etc) but it takes killer a long ass time to figure this out and by then hes kinda become somewhat decent friends with horror (friendsISH. a canonesque murder time trio will never truly become friends with eachother)

"okay but triglycercule you fiend. none of this is about murder time trio POLY. this is about them as friends and you should never speak again." i hear you disembodied voice in my head but let me tell you this: mttpoly is literally just them as friends. and you wannanknow why its because of qprs. yaaaa personally i don't think that a canonesque mtt would be anything more than a qpr. dust wouldnt be interested in romantic partners (i think dusttale blog said that. dusttale blog i love you.) horror would rather die and have bis corspe fed to undyne than even think of doing anything non plstonic with either of those losers and killer just does not give a damn about the specifics of their relationship (because he's cool like that) and ya sure there are versions of them out there who might be more than a QPR and i wholeheartedly love those idas because i love these three but my personal canon(ish. nothing is truly canon unless it comes out of the holy mtt trinity of creators) interpretations. also none of this even considers the whole boatload of aus and personal hcs and other stuff that other contexts and people who can take these templates of characters that have never met and make them into something amazing with their interactions

but yeah. i just think theyre neat

[slityclayloam]

Sometimes I like looking up dyspraxia on google or tumblr as it makes me feel better seeing others like me, but like everytime I am violently reminded just how much it seeps into my everyday life.

Like I have decent movement, I can't remember the last time I fell over and I rarely bump into things. I can now wear turtle neck jumpers without feeling like I'm being strangled. I can type fast on my laptop and rarely have to look at the keys. I can drive, parallel park and reverse park. I can even now catch stuff thrown at me like 9/10 times! All of this is because I've been working on those skills for 19 years, both by myself and through speech and physiotherapy between the ages of 5 and 9.

But then I still have major issues organising my life, I have problems going to appointments and responding to emails. My main emotion everyday is to feel unemotional and when I do feel a real, strong emotion I have a hard time showing it, often apperaing neutral or like I don't care. I still don't fully get some social concepts. My memory can be really dodgy. My handwriting is quick and spidery as it hurts my hand to write slowly and neatly and I can't use anything but cheap gel pens as anything else will smudge. I still drop food on myself or the table daily. I'm still nervous carrying mugs of tea or coffee around, in fact I actually refuse point blank to carry trays of food in cafes, as I worry so much about dropping them and I find the weight and instability difficult to handle. I get tired easily and find it hard to stand in the kitchen and cook for more than half an hour before I just end up in pain, I can't use can openers and I have a hard time chopping food. I really like doing craft stuff with my hands but I find it so hard to continue with that craft stuff as it always comes out looking horrible and I just don't have the patience to continue.

It is hard living in a constant uphill battle, with everyone around you getting on with their lives and being so "hyper" organised. But I've managed to grow so much over the years and I hope that one day soon I can move some more of the things on my "I can't do or struggle to do right now" list, and move them into my "success" or "I can just in my own way" list.

[kindahoping4forever]

my ultimate wish for this next era is they finally let Ryan go like they did Andy. I'm so sick of not getting the content we deserve. All the gatekeeping of tour diaries and now the crumbs of concert footage in that "documentary" yesterday. he was working for months on that? that's why we didn't get tour diaries? all that footage just goes in his vault now? Please.

Hello! I'm sorry to hear you felt disappointed by yesterday's special. However, I feel compelled to comment on a few objective points in your ask.

- "Live & Backstage in Amsterdam" was directed by James Tonkin, the same director (and production team, Hangman) they worked with on "The Feeling of Falling Upwards" (and the unreleased "Live in Brixton" special). Ryan was credited as director of the documentary footage and as a contributing editor (1 of 3) but the live footage and overall final program was not his work.

- Regardless of the particular creatives involved here (or in any given project for that matter), the fact remains that any directors, producers, photographers, etc are all hired hands operating with full input and specific direction from the band. The band chose to make this a hybrid concert film/documentary. The band chose to condense the setlist the way they did. The band chose this format over the traditional tour diaries. What happens to the unused footage will be determined by the band. Ryan is a friend but he is first and foremost an employee and the band owns that footage. (Likewise, the MYT diaries are not sitting on Andy Deluca's hard drive because he's "gatekeeping" or too lazy to edit it. If the band wanted them released, they'd be released.) All this to say, of course you don't have to agree with the decisions but it's important to clarify who your complaint is with.

- This concept of the band or their collaborators "gatekeeping" and fans not getting what we "deserve" is, to be blunt, entitled and immature. Being a fan does not make an artist indebted to you. They make music, if you feel so inclined, you listen. That's it. That's the extent of the contract. Anything beyond that is optional for both parties. Any content an artist chooses to release is not out of obligation or generosity, it's part business strategy, part artistic vision. Artists do not owe you anything. This band does not owe you anything.