#Anyway I could go on and on about this scene. In this essay I will fashion.

[batbabydamian]

so, Batman #147… rambling about the difference in how Zdarsky portrays the two current Robins

this is a fantastic run for Tim, and very much written like a return to form of what plenty consider the best dynamic duo, but even more so "the best Robin". once Damian's introduced in this run, Zdarsky really makes sure you still know that lol

1. "We don't need anyone else" VS "I need my family"

#147 clearly exemplifies the contrast, so i'll go through it first. Damian, having fallen for Zurr's lie and accepted him as the real Bruce, goes so far as to say in the very first page "We don't need anyone else." it's cold colors, machinery, and hollow declarations of "father and son" for these two.

towards the ending, Tim has deduced where the real Bruce is hiding and brings him food expecting Bruce's knack for self-neglect. it's all warmth, sunshine, and mutual understanding - also a cute back and forth of "Batman and Robin" between them. on top of this, where Damian isolates Batman & Robin from family, Tim is the one to remind Bruce about "helping each other." Bruce heartily agrees with "I need my family" for a weighty end.

along with this parallel, from #138 Tim makes it clear that even in opposition, he's only ever trying to help Bruce. Damian was still on the wrong side with Zurr-induced-Bruce here at the time too 😭

2. Tim's independence as both a hero and partner

Tim is written as the ideal Robin to Bruce's Batman, and has made Robin its own independent hero on equal footing rather than a sidekick - it's made in statements by both Tim and Bruce, and through the entire narrative. he takes initiative and tries to foresee what would ultimately help Bruce. beyond being great partners, there's many bits showing their emotional connection ("i'm scared of being lost, but i'm more scared of losing you, Bruce" hit me like a bag of bricks). tbh this almost could be a Batman and Robin run lol

added the first panel from #126 of Tim declaring he's his own hero outside of Bruce, proven plenty especially in his backups in #131-134!! the other panels are a few highlights from #128, #130, and #135 of the partnership between Tim and Bruce

granted it's Zurr, but Damian is mostly seen following orders and given pensive looking panels when there's something concerning. While Tim continued to represent Batman's ideals during his own solo quest to find Bruce, Damian doesn't question or take action against "Bruce's" sudden shift in ethics

Batman #134 Backup - Tim showing support toward Toyman VS Batman #146 - Zurr and Damian confront Harley as she pleads about her change of heart

another kiinda parallel in #147 is Bruce acknowledging Tim's hard work to become Robin compared to Damian who's out here going Batman and Robin/Father and Son. i don't think it's an intended parallel but just the state of continuing to show Tim in a better light - Tim put in the effort "to become the second-best Robin" while Damian is Robin because..."son." supposedly less effort on his part too, because LOA.

second pic is from Batman/Catwoman The Gotham War: Scorched Earth, felt fitting to add since Tim mentions needing to "know everything" in both. and the humble brag. which ofc Tim believes Dick is the best!! but also. jic we didn't know Tim is the best current Robin sdfgh

3. Damian's blind loyalty as "Bruce's son"

there's a weight to the Robin title when regarding Tim, whereas Damian's "Robin" role is excess and counterintuitive. he's delegated to desperate sidekick to Bruce, as well as becoming an obstacle to the family. being Robin only seems significant to Damian in how it ties himself to his father, and his single Robin quality is a loyalty that's been written to an extreme fault. the only positive angle i could see this in is Zdarsky aiming to put Damian in a sympathetic light in how far Damian was willing to fall to stay by his father's side, hence, fooled by that nightmare story/confession. the problem with this is that we have not seen a single emotional connection between the two in this run, so why should we care about that relationship.

also, Damian constantly bringing up his position as Bruce's son just makes him look entitled? since Bruce rightfully expressed his claim of having the others as his sons too (with the unfortunate exclusion of his daughter)! so it's like a "lol you're not that special" vibe when looking at it from the outside?? ykw concerning #138, Damian saying "You're the one trying to destroy my father" also could have been in contrast to Tim saying "We'll help our dad" at the end.

Zdarsky seems to believe the only meaningful part of Damian being Robin is he's the son of Bruce, and not a single nod to any noble aspect Damian's achieved beyond that. we're constantly reminded of Tim's greatest hits as Robin, from taking on the mantle to pull Bruce out of darkness (#135, #138), mastermind a whole takedown (Gotham War: Scorched Earth), and always being on the same wavelength with Bruce etc. the entire run sings Tim's praise, and it's deserved!! my problem is how it's in stark contrast to Damian's portrayal of being the other Robin who's only special because he believes he's the greatest son and wants to be at Bruce's side.

so all this to say, if your fav is Tim YOU'RE EATING WELL!! personally as a chronic enjoyer of things, this has been an entertaining run! as a chronic enjoyer of Damian, it's definitely not for many of his fans at this point in time.

i did like this part!! his grin!!

[sskk-manifesto]

“We don't get to choose not to live on the spinning rock we call Earth” is such a raw quote you'd think it was from classic literature author Kenji Miyazawa but actually it's from Kenji Miyazawa BungouStrayDogs

[shima-draws]

Okay but that scene in Titanic where Rose decides you know what no I’m NOT going to guarantee my safety by staying in this lifeboat and she jumps back onto the ship and she and Jack immediately start SPRINTING to try and get to each other and when they finally do Jack kisses her all frantically and calls her stupid…that’s true love baby

[djsangos]

//who are THESE fresh squids?? (made here)

okay these guys might not get a mention on this blog for a while- if ever- so i'm gonna talk about them now bc i've been rotating them in my mind for a while

these are captain's siblings! the ones they left behind when they were 14 to run away to inkopolis. captain certainly isn't proud of leaving them behind at ALL, in fact the one thing they wish they'd done differently is taking them with them, even if it would've been damn near impossible to take care of 2 younger siblings all on their own away from home when they were already struggling to take care of themself. they have no idea how their siblings fared with their neglectful ass father after they left, but pierce (right) was only a year or 2 younger than them, so they hoped he'd be able to leave soon too- taking harper (left) with him

so yeah harper (left) i think is probably around 16 or 17 now, having been 7 or 8 when captain left. since she was pretty young she didn't really know exactly why they left, and they didn't tell her either, so i'd say she probably resents them for it. she's a hotheaded edgy teen, classic rebel, you know the deal.

and then there's pierce (right), who's around 21 or 22 now, so he would've been 12 or 13 when they left. even if they didn't say a word to him before packing their bags and hopping a train at the asscrack of dawn, he knows exactly why they did. because being a kid and not only growing up, but having to parent your 2 younger siblings in your father's place, is hard. he basically had to take on their role as caretaker of harper when they left, being the second oldest, and that's how he realized. he doesn't resent them exactly, but he does wish they'd at least said goodbye. he's an outwardly chipper guy, and puts on a brave face even at the worst of times.

and they both did eventually get out of that house- pierce didn't leave as soon as he turned 14 like captain did (though cod, he wanted to) but when harper was old enough to be left home alone he got a job and saved up what he could to get himself and his younger sister out of there. and then when harper was 12 and he was 17, he got them both out of there. they might have gone somewhere else first, but i wanna say they probably ended up in splatsville, living in an apartment together with pierce doing what he can to support harper through school, and she does some turfing herself to help with rent and save up her own money so she can get her own place eventually.

i feel like the reason they probably haven't run into captain is that captain lives in inkopolis and only really goes to splatsville to visit rookie, and the last time they saw their siblings, neither of them were fully transformed yet, and they aren't so easy to recognize anymore themself. so if they've happened to pass each other on the street, it'd take more than just a cursory glance to realize just who they're passing. so it could definitely, and likely will, happen eventually. who's to say.

[babacontainsmultitudes]

[just venting a bit into the void you understand you understand 😌] Lately I've been feeling very caught between "I have a lot of thoughts on Sparrow and Normal and all that with the ending and teen talk and feel like I need to get them out and voice them for my own piece of mind and resolution" and "I am lacking the strength and energy to actually sit down and write it all out and kind of really just want to fully move on to other things (AUs, fics, anything else)" but my brain can't seem to commit to either and that's quite frustrating cause it's just left me very restless. *Sigh*. Idk! Just needed to complain about that a bit ig, it's silly but this is what has been ailing me as of late.

[whom-to-kill-whom-to-let-live]

Some Legato thoughts:

He hates humanity, that’s pretty obvious, he wants all humans to die.

But there is this really fascinating disconnect that happens with him sometimes, where you can kind of sort of see the person he could have been peak through, but just barely.

The two most obvious examples of this I can think of is when he shares one of his hot dogs with a child that seemingly didn’t have a reliable access to food and when he frees those enslaved girls. Two things that he really did not have to go out of his way to do, and by all means shouldn’t care for at all considering his hatred for humanity.

But he still did. 

And by themselves those seem like very good actions, right?

But then you remember that the hotdog had been kept in a bag with a severed head/tongue, and he wanted to use the kid to spook Vash (but then again he didn’t have to give her food to do that, he could have so easily used his powers to control her, we have seen him do it to entire groups of people with ease). 

He violently kills over a dozen people with his powers in front of those slave girls, not because he intended to free them but because the slavers picked a fight with him first (but he spares the girls, none of them are physically harmed at all despite the carnage, and he offers them the closest thing he has to reassurances before he leaves, when he could have just ignored them).

It’s like he almost gets there, but not quite.

[kavehater]

I wish I could inject pasilyo into my brain so I can have permanent happiness

[magentagalaxies]

was thinking about another observation i want to put into my hypothetical mouth congress video essay whenever i get around to actually making it and i had to take a step back like "jess you already have so much you want to cover how long is this video essay going to be"

and then i remembered that interview where paul bellini said the original cut of the mouth congress documentary was over three hours and "nobody wants to watch that, even those of us in the band couldn't watch it!" (side note i would watch that. release the bellini cut lmao)

anyway idk exactly how long this imaginary video essay is going to be but if it's even one minute over the length of the mouth congress documentary (which i believe is an hour and sixteen minutes?) i'm putting that interview clip as the opening bc of the irony

[littlefankingdom]

⬆️ And this too

reminder that bruce was PREPARED to help jason find his birth mother!!! he travelled with him across countries to find her!!! yes bruce had previously prioritised pursuing the joker over jason, but the second he was reunited with him, he made the decision to stick around!!!!

screaming. JASON WAS NOT IN ETHIOPIA ALONE!!!!

[guillory-street-gossip]

In the middle of a show rn and my favorite character just had the most awesome death scene bro it was crazy. I haven’t felt this alive since the first time I read the jac death scene!! I may never recover

[koobiie]

bestowing my highest honor as an artist to ffxv (drawing the characters in fun outfits)

thoughts under the cut

RREAAAGHHHH SO EXCITED TO BE DONE WITH THIS!!!!! it took me forevarrrr but i soldiered through as an act of love. now excuse me. yap time

OKAY SO the concept behind this was originally specific fashion subcultures for everyone!l ike noct emo ignis dark academia etc. but then decided i didnt want to pigeonhole it all and just freestyled outfits i thought would look nice on everyone

noct - i do think noct would still be emo-ish but also opt for comfy baggy stuff a lot. something you could just fall asleep in on the spot. note the details of bass pro shop shirt (of course) XV necklace, little moon + stars accents, carbuncle + fish keychains. i also wanted his metal band logo shirt to spell LUCIS but i forgor some letters but its not very readable anyways

ignis - ignit ooohghh ignos ignaurs. sorry i made him serve so much cunt it will happen again. i drew him first cause that kind of inspired this whole thing i love him so bad if i didnt draw it id explode. not much detail to note except his collar pins are like his double blade thingies

luna - lunaaa the concept was “clean girl aesthetic” idk if that happened but im actually really happy with how it came out! might be my favorite of the bunch just because she looks so pretty and happy. your honor she should have been able to just be a normal girl and just. chill

prompto - prompotoooo i had trouble picking his vibe!!! my first thought was techwear?? because weeheeeehee he loves tech and well... you know... but then i realized i didnt really like the look of anything i saw + it was so bulky and dark and serious for him! ending up going with some more youthful and baggy. i was considering something more loud and colorful but ended up not going with it. i feel like in canon he'd be too nervous to have such a flashy fit and would want to just look "cool" to fit in with the boys lol. itty bitty details here - chocobo keychain, pompompurin and bi miku buttons, and his lanyard is kings knight themed! i also thought it was funny to write LUCIS on his shirt like you know those shirts that just say BROOKLYN or TOKYO or SAN FRANCISCO and thats it. thats what its like

gladio - okay i know this is going to sound like a lie but im not horny for gladio like at all, hes my least favorite, i think he's just alright. but also i KNOW in my heart of hearts that he would LOVE being a leather daddy and so i had to make it happen. main detail to note here is that his tank top has the motifs of a cup noodle! i didnt know what else to add cause you know.. hes the cup noodle guy.. but also i didnt want it to be so in your face about it with a big as logo so kept it subtle!

(side note the leather daddy gave me an idea for a post where its like noct and prom go to a gay bar all nervous but then they run into gladio and its like "p: GLADIO YOURE GAY?" "n: nevermind that PLEASE dont tell ignis we snuck out" and then ignis walks up and theyre all like WHAT THE FUCK!!!! caption would be "the gang finds out theyre all bisexual." probably wont draw it but i think its very funny lol)

iris - iris my sweetheart.... definitely leaned into the scene vibes here and also that one image of the blonde emo anime girl. details here - of course the moogle big ass backpack and keychain (can you tell i love keychains), but also her buttons are an iris (the flower) and also a crown with hearts (haha symbolism)

anyways oh god i didnt mean to write an essay down here. usually i keep this in the tags but this time i just had Too Much To Say. can you tell i put a lot of thought and love into this . anwyays. *walks off into the sunset and fuckig dies*

[hazard-symbols-that-fuck-hard]

Okay time for the PBS Kids essay

Read it under the cut!

:readmore:

In 1968, before there was PBS Kids proper, there was Mr. Roger’s Neighborhood. While it came several decades before the children’s block, it laid the foundation for the themes and values present in every facet of the network’s history.

Mr. Roger famously hated children’s programming at the time. To him, it all was droll and useless. But he didn’t dissuade the medium entirely— he saw potential. Potential that led to a few smaller television jobs, and eventually the creation of Mr. Roger’s neighborhood.

Rogers didn’t invent educational TV for children, but he did perfect it. He poured real heart and soul into probably the most sincere, heartfelt program in history.

Honestly, he could have his own essay. The more things you learn about the real man of Mr. Rogers, the more you’ll like him.

Anyway, the biggest thing that makes PBS different is the fact that it earns money through grants, fundraisers, and private donors— not through sponsorships and merchandise sales. This way, PBS Kids can push programming that it feels is important, rather than programming that merely sells well.

This also means PBS is less afraid of pushing social boundaries. Money doesn’t go away when their shows become subjects of debate— and Mr. Rogers took full advantage of this.

For context, this was 1969. The Jim Crow era had just barely, barely ended. Pool segregation was still very much legal.

Mr. Rogers sharing a pool and a towel with the Black Mr. Clemmons was a pretty big deal at the time— especially on a show made for children.

Rogers was far from the untouchable sacred cow of today. When he was alive, he had a large number of detractors. Let’s just say that scene didn’t fly nicely by everyone.

Just one year after the debut of Mr. Roger’s came Sesame Street.

While Mr. Roger’s was made for all children, Sesame Street had the explicit goal of supplementing the education of underserved communities— especially inner-city Black (and later Latino) children.

While it was made to be accessible to children of all races and income levels, they definitely went the extra mile to make it something special for inner-city Black and Brown kids. (Why do you think it it’s “Sesame Street” and not “Sesame Cul-de-Sac”?)

At the time, a wholesome, sweet show set in a brownstone street was practically unheard of.

Jon Stone, the casting director, deliberately sought to make the cast as rich with color as he possibly could, bringing on a huge amount of Black talent such as Loretta Long, Matt Robinson, and Kevin Clash, as well as featuring Black celebrities as guest stars. Later, the show would expand its horizons, bringing on actors from Latino, Asian, Native American, and many more backgrounds.

White actors were and still are a minority on show.

In addition to letters and numbers, the purpose of Sesame Street is clear: make kids of color know that they’re smart, beautiful, and loved.

It doesn’t get more explicit than this.

I want to point out this comment because it’s funny

You’re telling me this bitch isn’t Hispanic???

Anyway, these two were followed up by Reading Rainbow in 1983. And guess what?

That’s right. Non-white focus.

These three shows, (along with other, lesser-known programs like Lamb-Chops Play Along, Newton’s Apple, and Shining Times Station (who featured Ringo Starr himself?? seriously how did that happen and why does no one talk about it) and some other nostalgic favorites like Bill Nye the Science guy, The Magic Schoolbus, Arthur, and Thomas the Tank Engine) aired on the new PTV block, which evolved into PBS Kids in 1999, bringing along Between the Lions, Dragon Tales, and many more.

Arthur is another stand-out that I’d like to talk about— it doesn’t have the same racial focus of Sesame Street, but it does focus on different income levels. The characters have various housing situations, from apartments to mansions to no home at all.

It also takes cues from Sesame Street and Mr. Roger’s in regards to talking about tough topics, though as Arthur has a slightly older target audience, it discusses things through stories rather than talking directly to the audience.

Cancer, religion, workplace discrimination, along with current (at the time) events such as 9/11 and Hurricane Katrina are all discussed on the show.

Another big focus on Arthur is disability. For once, they don’t stick a character in a wheelchair and then pretend he’s not in a wheelchair. A striking number of major characters either develop or get diagnosed with physical disabilities and/or neurodivergences, such as asthma, severe food allergies, and dyslexia, and they deal with them in very realistic ways.

A handful of minor characters have more obvious disabilities, and THANK GOD they go beyond the trite messaging of “disabled people can do everything abled people can do! everyone clap now!”

One episode in particular has the awesome message of “holy shit stop trying to help me all the time— it’s patronizing as fuck. I can get around just fine without you stepping on eggshells and trying to be the hero all the fucking time”

There are sooo many other shows I could talk about, but I can’t write about them all. I’m definitely gonna point out some more standout ones, though.

Sagwa, the Chinese Siamese Cat

Created by Chinese-American woman Amy Tang

Dragonfly TV

Features a multitude of female and non-white scientists to foster an interest in science with kids in those groups

Maya & Miguel

One of the network’s first Hispanic-led shows

SciGirls

I shouldn’t have to explain what the goal of this one was.

Molly of Denali

When was the last time you saw a show that treated Native Americans as people? Much less a children’s show? 90% of the cast is Athabascan, and the show revolves around Athabascan culture, not shying away from topics like boarding schools and modern-day racism. Most of the writers are also Athabascan, and the show even has an official Gwich’in dub!

It’s this commitment to real, authentic social justice that makes PBS Kids so much different from its competitors. Could you imagine the Paw Patrol dog looking at the camera and earnestly discussing what happened to George Floyd? I don’t think so— but Arthur talked specifically about it, Sesame Street did an hour long special about race in general, and the network itself made a 30 minute special.

Disney Jr. could never. (Other than trying to teach colorblindness, of course.)

I’m gonna have to cut this into two parts, since I just hit the image limit

[bachiras-toaster]

Bf!Rin headcanons? 🤭

RIN ITOSHI x gn!reader

authors notes. i am IN LOVE with rin so im glad i wrote this instead of my college essays

╰┈➤ the type of person to keep your relationship strictly private. in fact, it’s because he loves you so much that he wants to keep your relationship private.

╰┈➤ private, not secret.

╰┈➤ it was no surprise to the public when it was discovered that professional footballer, rin itoshi, was dating you, especially since you did have connections to the Itoshi brothers previously anyway.

╰┈➤ from the beginning, the paparazzi pressing on the matter pissed him off. he hated how interviewers would always eventually get to bringing your name up, because it meant that your relationship was starting to be shared with the world.

╰┈➤ but more than that, it was because he had a such a soft spot for you that he couldn’t help but become nervous when people brought you up. and as annoying as the interviewers were, he couldn’t stand to be mad at them when they gave him an excuse to talk about you.

╰┈➤ he’s probably half the reason your relationship wasn’t as private as he’d hoped. he was just such an unintentional blabbermouth.

╰┈➤ when you’re actually with him in public, he tends to get overprotective.

╰┈➤ when you’re in the streets, you need to be holding hands; when you’re at social gatherings, his palm needs to be attached to your hip.

╰┈➤ not just for safety reasons, but he supposed he also needed to constantly remind people that the two of you are together.

╰┈➤ when he realises that he’s getting approached by fans in the street, he’ll subtly hide you behind him so that you’re not pestered, and you’ll watch with a soft smile as rin is forced to take photos and sign autographs.

╰┈➤ despite maintaining a cold facade, he somehow manages to talk do gently when it’s to you.

╰┈➤ if the two of you are at a party he’s clearly uncomfortable being in, he’d slowly scoop your hands into his and plant a gentle kiss on your knuckle before muttering, “it’s getting loud. do you want to leave?”

╰┈➤ honestly, it’s quite impressive how quickly he’s able to switch tones.

╰┈➤ he can go from kindly whispering words of affirmation in your ear to screaming expletives to a random man, threatening to fight him where they stood and ordering him to stop hitting on you.

╰┈➤ rin’s jealousy is actually an unheard of level of rage.

╰┈➤ every time bachira jokes with you, isagi compliments you, or any of his other team members hang out with you one-on-one, it’s like a ticking time bomb in his mind. 

╰┈➤ rin trusts you with all his heart, but his possessiveness is a little louder than his compassion, and he’s rather eat both of his shoes than put you aline in a room with a man that isn’t him.

╰┈➤ he is willing to start the most outrageous scenes over it.

╰┈➤ once, shidou publicly dedicated a shot to you during an important match just to piss rin off, and he went ballistic.

╰┈➤ he had maintained himself on the pitch, but as soon as he reached the locker room, rin was already prepared to pack shidou up and send him to the emergency unit.

╰┈➤ a good fight definitely would have ensued, had he not been stopped by his teammates holding him back.

╰┈➤ plus, you continuously warned him not to fight because you hated seeing him show up to your dates with bruises and marks— his injuries from football were already enough. 

╰┈➤ he hated defying you, but sometimes he just really couldn’t help himself.

╰┈➤ the days where he would literally feel himself freeze before knocking on your apartment door because he knew that his injuries would tell you that he got into another fight were the worst for him.

╰┈➤ because you always looked at him with that certain face of disappointment before simply sighing and letting him in, ready to properly tend to his wounds.

╰┈➤ he’s so gentle when he’s in private with you.

╰┈➤ you could spend hours cradled in his arms, listening to the dulcet mumbles of his voice as he told you about his day.

╰┈➤ when be gets home from a match or training, all he wants to do is cuddle you mindlessly with a tv show in front.

╰┈➤ sometimes he’s mumble about how annoying his teammates were today and how he’s glad he can finally lay down with you.

╰┈➤ to many’s surprise, he’s really the sweetest boyfriend ever.

[lcriedlastnight]

Hi :)

Is this the request? :

Friends to lovers with Lando and him being absolutely love sick, mesmerised with reader and one time it's just them two together and he says "For my sanity, we should start dating."

anon. i am literally in love with you. thank you soooooo much. mwah!!

tw: fem! reader, swears, lando’s first win, lmk if you want me to add anything.

w/c: 1.6k

the paddock was bustling, the heat was sweltering. after lando's horrible sprint race, everyone on his team was desperate to make today's race go well. they'd gotten the brit his favourite pre-race snack, given him extra blankets and pillows for his drivers room couch, they'd even gotten oscar to agree to not complain about how loud lando's pre- race playlist was! but the one thing (person) that could actually calm lando down and get him into the racing mindset was nowhere to be seen.

you'd been in the cafeteria, lando begging you to come to states for this race, he had told you that there was a feeling in his gut that this race was going to be great. so you braved the miami heat, just for him. just like each and every time you came to a race. you did actually believe that this race would be special, you shared that gut feeling with lando, so you'd begged your boss for time off and told your lecturer that it was a family members wedding in miami that you just found out you were invited to. you didn't really try hard on the excuse for your lecturer, knowing he didn't care less if you were there or not, just as long as you had submitted all the assignments that were due.

so that's why you were sitting at a table in the cafeteria, with your phone on do not disturb and you headphones in blasting your studying playlist in your ears, typing away on your computer. you didn't know that everyone was looking for you. it's not like you were that well hidden anyways, you were just sitting in the corner of the cafeteria and the motor home wasn't that big. it certainly wasn't big enough to lose someone when there was ten plus people searching for them.

you don't notice one of lando's engineers sitting at the opposite side of the table, as you try your best to finish your essay before the race starts. you do, however feel about seven light taps on the table that makes you pull your eyes from the laptop screen in front of you. you pull your left ear free from the music coming through your headphones.

"hi?" you say, looking at the man. you didn't know who he was, just that he was an engineer.

"everyone is looking for you." he tells you, a little frantic. this worries you.

"what? why? what's wrong?" you ask him, not sure if he knew what was wrong or if he was just the messenger.

"dunno." well that answers that. "lando's been asking for you for the past hour and a half. he's been saying it's urgent." your eyebrows raise in concern. you quickly close your laptop and slide your headphone around your neck. you slip out the chair, thanking the engineer, and heading to lando's driver room.

you knock a few times before just opening the door. the sight you see almost makes you burst out laughing. lando is in his fireproofs, you can see the peak of papaya from underneath the multiple blankets on top of him. there must be about seven on top of him, all of them varying in colour and patterns. lando was practically buried under the weight of them all, stuck to the couch. oscar stood at one end of the couch, you suppose he was the one to blame for this, although this could be the work of lando himself. either way you didn't really know what this was supposed achieve.

"what is going on?" you ask after assessing the situation they had both gotten lando into. "i'm really confused right now." you smile though, the scene still hilarious looking.

"we couldn't find you anywhere and lando needed you." oscar explains, although all it does is leave you more confused than when you first walked in. in what way were you the same as seven blankets?

"right. makes sense. seeing as i am seven blankets. i can see how this would help." you tease them, sarcasm dripping from your words as you lay your laptop, phone and headphones on the nearby table.

oscar rolls his eyes, while yours flit to lando who stays quiet to let oscar explain. you swear you could see a hint of red on his cheeks but you don't get enough time to see if it actually is, in fact blush because oscar is talking again and stealing your attention.

"well he told me that to get in the 'racing mindset' he gets you to lay on top of him and rest all of your weight on top of him so i thought putting blankets on top of him would simulate you laying on top of him!" oscar grins, like his idea is actually a good one. you feel like groaning at his dumbness. a part of you is taken aback that lando had told oscar about what he called his 'pre-race ritutal'.

"right well i'm here now, so why don't you go do your own race prep while i sort out whatever is going on here?" you suggest to oscar, he can tell it's not a suggestion though. so he does what he's told, wishing lando good luck on the track but before he closes the door behind him he whispers to you "and you think he doesn't like you like that? he quite literally needs you to lay on top of him to calm him down". you just sigh and walk over to the driver, once oscar is finally gone.

"what are you doing, stupid boy?" you ask, sitting by his feet on the couch. lando only staring back in response. you stare back until he responds.

"missed you?" he offers. this time you can't hold back your laugh. if your eyes were closed from the laughter you would see the way lando's light up at the sound of your laugh. the pride he felt to the one who made you laugh, it was better than any other feeling. once your laughter stops, you pull back the blankets. they actually didn't weigh much at all, which makes you wonder why lando was acting as if he was trapped under them.

"it's like oscar said, i needed you and literally no one could find you so i went to him for help. then he suggested that and i just went along with it." lando helps shrug off the blankets as he properly explains. the brunette ends up sitting next to you, eyes looking into yours.

it's your turn to explain. "i was trying to finish my essay before the race started, seeing as i won't have time tonight. we'll hopefully be going out afterwards." you explain your 'dissapearance’.

lando nod and hums then checks his phone, that was hidden in between blanket layers. it's almost time for him to go out to the garage and he's literally had no time with you at all. how was he supposed to race in these conditions?

"that's alright, love. guess we just need to make up for lost time right now." lando states, his hands grabbing yours and pulling you on top of him. lando's breaths instantly even out. you didn't know if he was panicking and getting in his head about the race or what it was, all you knew was that you laying on top of him, putting all of your weight on him was helping. and that's all you really wanted.

lando's breaths hit you neck at you run your fingers across the bridge of his nose. usually when you guys would do this before races, you would run your fingers through his hair, but his latest injury on the bridge of his nose made you want to run your fingers across his cut lightly. lando shudders but relaxes once your light movements continue. you both stay in that position until an alarm goes off on your phone, signalling at lando needs to be at the garage in five minutes (you always set two alarms because there's no way you're getting lando out of here on time). with the way lando jumps you think he must have been seconds away from falling asleep. he confirms it by muttering "stupid fucking alarm." as grumpily as ever.

"right lan, let's get you moving." you say reluctant as you move off of him. he whines like a child and his arms cling onto your hips to try and stop you. he uses no force so you stand up easily.

"for the sake of my sanity, we should start dating." lando mutters, if it was a decibel quieter, you don't think you would've hear him. but you did. you don't think it was meant for your ears, either judging by the drivers reaction to your "what?".

you can see the cogs turning in his mind, does he try and wrangle himself out of this or does he stand his ground and admit his feelings. he thinks for a second.

"i like you. you're driving me insane. please can i at least take you out on a date?" lando is not above begging, he will literally fall to his knees if it means you will accept his offer. before you can, the alarm goes off on your phone.

you smirk at him, an idea popping into your head. "win today and we'll go out on tuesday." you tell him. lando groans, his head falling onto your shoulder. "if i do you have to give me a winners kiss." lando bargains.

"deal".

safe to say, you never thought that yours and lando's first kiss would be on the parc ferme, after he's just won his first face. nor did you think you would have to be getting ready for a date with him two days later. safe to say that essay was not getting submitted on time.

[leporellian]

actually i could write a whole essay on why referring to opera productions as '''traditional'' is not only a nonsense term but an actively revisionist one when concerning the history of opera.

when people SAY 'traditional', what they actually MEAN are productions that employ late 19th century standards of realism. while realism had existed as an art movement starting in 1848 (the year everything happened), the conceptualization of it applying to theatre really started around the 1870s. the realism movement, in opera, became what we now call verismo. (there's some kind of lesson here in how even the verismo operas have batshit premises like murder clowns and flowers that kill you, but that topic of conversation is for another day.)

anyway, so if you're staging something like tosca which was part of that verismo movement, then yes, you could reasonably stake the claim that going about it from the angle of 'everything is meant to happen as if it were happening in real life with real people' is the traditional one. but that leaves 272 years of opera history in which 'realism' didn't exist, and therefore... there were 272 years in which 'traditional' productions as we know them didn't really exist.

let's whip around to an opera that 'traditional' staging is particularly egregious to apply to: our good old, fairy-tale-potential-allegory friend, the magic flute!

'what the fuck is happening in that image? is it racist?' no, IN THIS CASE the magic flute is not being racist. those dubious dark shapes are meant to be animal costumes. this is part of a set of early engravings by the schaffer brothers of the first magic flute production, which are invaluable both in researching this opera and opera production history as a whole. this is the scene in which tamino charms the animals with the titular flute, in the year of our lord 1791, and they decided to have it look like this!

anyway, once romanticism kicks into gear in a couple decades magic flute productions start taking a turn with it. remember at this time 'the magic flute is meant to happen in egypt' was still something everyone was sticking to, so we end up with these interpretations of magic flute set designs:

you've probably seen at least a couple of these before because that one on the top left is one of the most famous opera set designs ever. anyway, the design philosophy here between these productions, because there's at least two included here, is weird. there's like 3 things going on: you've got the aptitude for spectacle, this vague orientalist approach towards ancient egypt that was influenced by then-recent discoveries but still very obviously rooted in exoticism, and the cosmic abstraction you can see both in the famous hall of stars and sarastro's temple.

all very interesting! but still not 'traditional'! these, at the time, were a radical re-interpretation of mozart's work- compare them to the above engraving. but because these illustrations have a gorilla grip on the public consciousness they superseded the original 'a bunch of skintight suits constitutes animal costumes' production, and now when an opera company wants to go 'traditional' with their magic flute they do this:

hello my good friend august everding! anyway this is seen as the 'traditional' production out of the two magic flutes in repertory at the berlin staatsoper and yet this isn't what the opera originally even looked like- this is a negotiation with the later early romantic illustrations of the work. sure, it's 'traditional' in the sense that you look at that and immediately know what opera that is meant to be. but at the same time was it ever mozart's intention to stage the magic flute on this grand a scale? is this 'traditional' production really in the spirit of the mozart opera designed for a much smaller stage and with a much smaller set? famously mozart is dead so we will never know.

but then that brings us to the question of What would an actually 'traditional' magic flute look like? well we have multiple options here. first, we have ingmar bergman's film version of the opera, which is sort of the equivalent direction-wise of an opera nature cam. modeled after the drottningholm theatre, this recording tries as hard as it can to emulate the magic flute as it might have been seen in the 18th century:

i mean that does look very 18th century, and wouldn't be out of place with the above engraving. but there's still a fatal flaw here: the magic flute was written as an opera for everybody, and was performed not in the drottningholm (which belonged to the swedish royal family and which resides in their palace) but in the theatre auf der weiden, which was, while certainly impressive (trap doors! fly systems!) also a commoner theatre where everyone could just go hang out and watch fairy tale operas. this is a great snapshot in time of what a 18th century magic flute should have looked like. but what would a 21st century magic flute that still adheres to the original 'vision'- no grand sets, no massive theatres, performed by a cast that isn't even entirely opera singers, done with a bunch of jokes meant to appeal to an everyday audience- look like?

well the good news is we might have an idea with the matchbox magic flute, which is on tour right now and which i hope continues to run on said tour.

the matchbox magic flute is the magic flute. it's also not really the magic flute. this is technically an adaptation. it's also not really though. this is the closest i have ever gotten to being in a theatre, watching this opera (which i have seen many times at this rate) and thinking 'shit, yeah, this is what the theatre auf der weiden must have been like all those years ago'. the matchbox magic flute scales down the whole thing into a very small orchestra and ten singers, who alternate roles like crazy. it is designed for very tiny theatres. most of the cast do not sing opera! they have a few classically-trained singers in there but it's actually sung, in modern english, mostly by musical theatre performers. the jokes are regularly updated; since i saw it in chicago, there were jokes about the evening commute on lake shore drive. parts of the plot are entirely updated or worked around.

and yet, it reflects the original design vision of the original magic flute and what mozart and schikaneder set out to accomplish so perfectly, i almost WANT to say that in some way this too is traditional.

(also, they should put tamino in a dress forever and ever. he gets to twirl it even. really good.)

So, what have we learned here. well for one thing 'traditional' productions, as a catch-all category, don't exist. is a traditional magic flute the one based on the early 19th century designs, or the one based on what 18th century theatre would have been like exactly, or the one that tries to reflect its original spiritual vision?

It's all of them because traditionalism as a term is an inherently reactionary term that upholds a time in operatic history that never really existed and which rapidly changes meaning based on the personal values of who is ascribing it, often forgetting that every opera production represents a negotiation and not a reproduction and that the notion of how it ought to be is one of the most dangerous ideas someone in the arts can have. Go watch who's afraid of modern art by jacob geller on youtube and come back to me.

[sherbertquake56]

okay I’m dropping some of my fable arcane au thoughts before the new episodes drop tomorrow even tho most of it is based on season 1 anyway—

so some basic taggings for you that I based the AU around:

1. Icarus as Jinx.

powder vs jinx is just the sherbert vs icarus name thing. toxic father. unhealthy relationship with sibling. a lil crazy and maybe evil. thinks that they are at fault for the things around them. lil bombs? nah- little SPLASH potions. hearing and seeing mylo and claggor? it’s Haley- it’s literally Haley—

2. Fable as Silco.

okay fable’s design WAS partially inspired by silco— they literally look the same— they’re both a man with two priorities: take over and make his own nation & care for child.

you know the ending scene of season 1? where they’re sitting at the table? THAT. With Jinx assuming that he’s gonna give her up to topside and him getting the first chance to talk and saying “her name is JINX!” i could write an essay on that for icarus. they’re so toxic and it’s so perfect. also that scene at the start of s2 ep2? YEAH THAT—

3. Centross as Ekko

This one is controversial and up to debate but i will die on this hill— SO THE S1 BRIDGE FIGHT. I am so willing to put aside any possible prison duo gay-ness in this AU for that rivalry/fight. they were friends!!! they were so good!! and now they wanna KILL EACH OTHER!! it’s great.

It’s also specifically thinking of Ekko’s tree home as solstice— older Ekko very much has the vibe of Violet specifically-

4. Arisanna as Sevika

I DONT KNOW WHY BUT IT MAKES SENSE TO ME. It’s specifically vexed Ari during the coworkers era but idk it just feels right— I look at her relationship with Silco and Jinx and go ‘hmmm this could be something’

[I will also say there is an argument here for swapping Centross and Ari tho— big tree city as Ari rebuilding the records goes hard, and angsty fighty toxic with jinx centross is also good— it’s like 50/50 for me]

5. Isla as Vander

LET ISLA BE A BADASS IN THIS AU. SHE DESERVES IT— something something raising vi and powder alone, something something the backstory with silco— there’s something there and it hits really hard in scenes where vi sees vander and helps her get back up— also I look at jinx and vander and I go “mmmm this is in fact how icarus sees Isla”

6. Rae as Vi

This was obvious given the above but LISTEN— in this ALTERNATE UNIVERSE OF EVENTS I think it would be fun- do I think that vi perfectly fits canon rae? no. But in this world it would KICK ASS. rae deserves to beat some people up— got kicked out of the overworld (zaun) by fable (silco) and had to go to the end (piltover) to get away from him?? rae end prince aus are already here so why not end rae also punching people huh??? also. gay people.

———

Okay— here’s where I need some help, thoughts, and opinions from you all…

1. Caitlyn.

POLYAMORY IS HARD TO TAG AND I DONT KNOW WHO FITS BEST?? For me, season 1 Caitlyn fits best as Caspian, but season 2 Caitlyn is more for Fenris— so I’m very stuck. yes absolutely give thoughts on this please—

2. Viktor as Aax (but how does that work)

Viktor absolutely should be Aax— mr. Scientist / lab experiment / turned religious figure vessel for god is CORRECT. But honestly the rest of Piltover gang is really hard with Rae as Vi— Jayce/Viktor/Mel is yelling at me to be the polycule but aGH— ya know??? very stuck on this so I instead look at the coworkers and go “mm good yes—”

Random other tags I think also make sense:

- Ulysses as that Telchin looking mf Stev— mans took out one lil medical device as his fish self and I said YUP

- The hexcore big orb thing underground as Quixis— big white glitch orb room make things go wack. couldn’t be easier than that.

———

Anyways that’s all— I’ve been rotating this in my mind for like a week and have had way too many thoughts about it thank you for your time—