#And who at the complex is going to complain?

[thanakite]

I wonder if part of the reason Silco struggled to discipline Jinx when she did things that fucked with his plans or whatever was because he spent so much of their time together and because a decent amount of their relationship was encouraging her to follow her worst instincts?

Like yes, he's pissed at her when she kills the Enforcers at Progress Day, but he isn't so pissed that he actually does anything to punish her, and when she shows him that she got the Hextech Gemstone, he pretty much loses all his anger

And when she messes up with the Firelights and it results in the loss of a bunch of Shimmer, he kind of punishes her by not sending her out to do more and by having Sevika clean things up, but is it really THAT MUCH of a punishment to be like "Go work on your inventions" instead? Because while she worries about how he sees her and her usefulness after that, it's not like it actually does anything to actually curb the behavior considering she like nearly immediately goes out and kills the Enforcers at Progress Day immediately afterwards

Stemming from this, I wonder if that's ACTUALLY why Jinx has more or less changed so much from season 1 to season 2?

I've seen some posts where people are complaining that Jinx is less erratic and destructive in season 2 that makes it clear that they feel she was sanitized to be more palatable as a character in season 2 and that the general reasoning that being around Isha and taking care of her is what did it is weak, but really I do wonder if the change is actually because Silco isn't constantly telling her to give into her more destructive tendencies and such?

Until the scene in the bunker prison cell, they make it relatively clear that Jinx is not hearing/seeing Silco as one of the voices that speak to her (in fact a lot of those seem to be gone, which COULD be because they were trying to make her character more palatable, or it could be because she was starting to move on from the traumas that were causing them to manifest so vividly, especially with Silco's own death since he did play such a role in Vander, Claggor, Mylo, and Vi even appearing in them (her parents too as we learn, but I don't think she ever found out about that)), so she isn't hallucinating seeing/hearing him doing that and thus her worst impulses aren't being externally encouraged in that manner anymore, added on to the fact that the person (who she did come to care for and love as a father figure to be clear, but people are complex and can have VERY complex feelings about people in their lives) who instigated one of the worst traumas she experienced was dead (because Vander wouldn't have been taken if not for Silco and then Claggor and Mylo wouldn't have been there with Vi and she wouldn't have felt the need to set off her Monkey Bomb and thus likely none of them would have died)

Then, add on to the lack of Silco's influence that she wasn't trying to deal with getting caught by Enforcers and that she ended up essentially taking in Isha (who stuck around her pretty much all the time and COULD have been helping to curb some of the influence of her hallucinations and more negative thoughts) it seems like a more likely change to have occurred, AND could even be a factor as to why it wasn't until after Isha's death that she finally saw Silco as one of her hallucinations (And that it's interesting that he wasn't advocating for some kind of violence like he seemed to do in life, but instead was talking about how to break the cycle of violence which doesn't seem like a Silco sentiment as much as a Vander sentiment)

Anyway, this is a very long way to wonder if the majority of the changes we see in Jinx in season 2 weren't more related to the lack of Silco's influence in Jinx's life and not because of Isha as directly as people tend to assume OR the idea that they were trying to make her a more palatable character (Which to be clear, I do think that was a PIECE of it, but I'm not sure how big of a piece it actually was, as it's my understanding that she's pretty erratic and destructive and such in League of Legends as a whole and that she's still a fairly popular character so that seems like an illogical change to make for that reason when you have that information, beyond like more minor adjustments here and there, but maybe that's just me? ¯\_(ツ)_/¯)

Oh and again, as I've said elsewhere, I DO think Silco loved Jinx in his own way, but that doesn't negate that he wasn't necessarily a good influence on her, especially considering his actions as a whole and not just towards Jinx, resulted in A LOT of negative things for A LOT of people (people that he was supposedly fighting to free and do good for I mean, I don't really care honestly how he harmed Piltover so much, I more care about the direct harm he did to Zaun and the people there)

[k9emote]

And just to add on! I never said my "art" was 100% by me I simply just didn't tell people, hate to say it but ive actually given up on being an artist because of people like you. I've commissioned and gave you money, and your friends money for art yet you still want to complain about me using somthing almost 4 months ago now to help me put food on the table. What you don't seem to understand is ain't nobody gonna tell you their entire life on the internet. You have no idea what a person could be going through yet you still sent your server of over 3000 people after a 15 year old girl who was just trying to enjoy creating something.

To say that I was "suicide baiting" is crazy because when did I EVER mention killing myself.

And one last thing, your sever is a cult. It's also fucking disgusting. A cesspool of brainless children looking for online relationships. You, yourself being included. It's a breeding ground for grooming and such things. You disgust me. The fact I have multiple screenshots of you saying you were "gods favorite lamb" please get a damn life dude. Your mental unwellness actually is a joke. The way you are open about your disgust for fat people is repulsive. You can't blame trauma on everything hope this helps xx

Your words speak for themselves on your character.

I am not disgusted by fat people. My current partner is plus sized. I asked for advice once on our perspective of incredibly unhealthy overweight people, and if feeling sick when seeing them made us a bad person. Our ex was morbidly obese due to her feederism and v0re kink. she bragged about being overweight to us and sexualized it. She wrote fanfics about force feeding us. She fetishized our ED. She roleplayed vore and feederism nightly behind our back with strangers while we were sleeping in vc together. We are working on untainting the mark she left on us, and that process is not for you to discredit or spread rumors about.

I'm not giving you consequences. I am protecting people and safespaces by alerting them of your repeated abusive behavior to keep people safe. The world does not revolve around you. You are receiving NATURAL CONSEQUENCES for being an ABUSIVE LIAR. No matter your age.

Drop the guilt tripping. Tracing over AI you were generating for art trades was not putting money on the table. You "never said the art was 100% yours", are you fucking serious? Your story of being the victim grows every time you speak. You being 15 does not mean you get to do whatever you want and expect nothing but pity. We tried to help. Us and our mods were there for you to vent to even after you admitted to shit talking us in the past. You did this to yourself.

Blacking out your entire profile and sending cryptid goodbyes to my entire staff team, even people you had never spoken to, is suicide baiting. When we blocked you on our main you found our ALT and sent the same short goodbye message. That comes off strongly as implying suicide.

For the love of god I'm not harassing you I'm just not letting you spit on my name using baseless rumors because you're upset you got caught. What the fuck did you think would happen?

I sent NO ONE after you and I am near COMPLETELY confident you have not been harassed. I have said over and over again to not harass you when I put out info on you to ban for members safety. That is NOT harassment. Your victim complex is insane.

Also. My server is not a "cult" and saying that to a survivors face is repulsive. It isn't a word to throw around and you make me sick. Please leave me alone. Stop messaging me. Stop threatening me. Stop lying about me. It will not make people feel bad for you. It will not make you feel better.

[bybdolan]

thoughts on books i read in 2024

This was kind of an abysmal reading year for me ... i did not read a lot, very few books were truly excellent, and most of what I read was written by white guys (which is on me). Let’s hope 2025 is better on all fronts. Anyway, here’s a list of what I read, and about 4 sentences written in 3 minutes trying to summarize my thoughts on the book.

The Autograph Collector (Zadie Smith) – started the year off pretty strong with this one. It’s been a while since I read it, but what I do remember is that smith is an excellent storyteller and I liked how the themes of grief, dreams, and fame were woven together.

Die Insel der 1000 Leuchttürme (Walter Moers) – eh? I was constantly hoping that this would go in a “horror as metaphor for bigotry” or “small communities with strict rules are fucking scary” (think The Wicker Man) kind of direction, and thus was not on board with the way the plot ended up developing. It’s also way too long and Hildegunst’s neuroses are annoying after a certain point.

Faserland (Christian Kracht) – this is as good as everyone says it is. Full stop. I admittedly just love books about sad young men who are or pretend to be assholes (Catcher in the Rye), so this was perfect for me. Very sad and very pale, but in a good way – it felt clear, like nice winter wind. Also: I couldn’t get the boy to kill me but I wore his jacket for the longest time. Etc. etc.

Das fliegende Klassenzimmer (Erich Kästner) – a classic for a reason!!! Children’s books are at their best when they take their audience seriously, and this passes that test with flying colors. Incredibly fun, incredibly moving. Made me cry more than once. Eisern!

Call Me By Your Name (André Aciman) – this was a really interesting experience for me because I strongly disliked the movie when I watched it, as I was constantly put off by Oliver’s behavior. I think the book does a better job at making you understand the fragile and confusing back-and-forth between Elio and Oliver, and I found myself really really liking it because of that. I also greatly appreciate how unapologetically horny it is. Being horny makes you act fucking weird!!! I love weird horny representation!!! YAY peach scene! The style was beautiful as well, though a bit imagery-heavy at times, which did fit the heavy summer atmosphere.

Rico, Oskar 1 – 3 (Andreas Steinhöfel) – listened to the audiobooks on my way to uni. A very fun time all around. Similarly to Kästner, Steinhöfel has a lot of respect for his audience and also doesn’t shelter them. What other kids’ books can you name where the protagonist’s mom works at a strip club? The representation may not be perfect but I love that he went there. Mama Doretti you are forever famous TO ME.

The End of Loneliness (Benedict Wells) – always pains me to say this because Benedict Wells legit is so fucking sweet and nice in person and I’d LOVE to have dinner with him, but ... he is not thaaat good of a writer. This one essentially is a John Irving wannabe, and despite the “dark” themes it feels incredibly shallow and cliched at times. The female character(s) are particularly offensive. However: at the very least Wells is earnest about it all?

22 Bahnen (Caroline Wahl) – Caroline Wahl who had 2 books on the bestsellers list for over a year now recently complained that she wasn’t nominated for the Deutscher Buchpreis, which is partially meant as financial support for authors whose a) books do not sell well because b) they are good and complex pieces of literature, so I hope that she’ll be at least a bit consoled by receiving the “Book That Made Me Seethe With Hatred 2024” award <3 the writing is ass the story is shallow it’s all just a big fucking cliché and the depiction of poverty and addiction is appalling. I’d be ashamed to put a book like this out into the world.

HOOL (Philipp Winkler) – this still is THE book about violent men to me. I read it 5 times in the summer of 2018 and I am happy to report that it has lost none of its appeal and grit and ugliness. Simply a 10/10 and deeply formative to my taste.

Emil und die Detektive (Erich Kästner) – everything I said about Das fliegende Klassenzimmer is also true for this one. Ultimately I do prefer Klassenzimmer though, simply because the themes of friendships and camaraderie appeal to me much more.

The Girl With the Dragon Tattoo (Stieg Larsson) – As a thriller this is near perfect, I could not put it down for two days. Larsson manages to do the whole “intersection of faith and violence against women” thing without it feeling exploitative (I’d be inclined to believe he may have started this trend), and I am glad that he allows his female characters to take gruesome revenge. Howeveeerrr unfortunately the narration still has a very chauvinistic edge to it and Mikkel feels like a male mid 40s wish fulfillment fantasy.

The Goldfinch (Donna Tartt) – I bought this in the Mauritshuis after seeing the Goldfinch so :’) it has a nice little sentimental edge to it. And this is another one of those “it really is THAT good” books. Looking back now, I am surprised that relatively little has stayed with me though – I never was that invested in Theo, and I also didn’t love Boris a ton, so a lot of the novel was just me hanging out with characters I didn’t like reading about that much. What stuck with me the most was the love for beautiful things that comes pouring out of every pages. Especially the parts in Hobie’s shop were just awe-inspiring. I’m planning to do a reread where I just focus on the descriptions because they were so unbelievably rich.

Bluebeard (Kurt Vonnegut) – I don’t remember a ton about this. What comes back to me most is my fondness of Vonnegut. He has a lot of humor and warmth in his writing, and I always find myself deeply moved by him writing about people loving one another, as funny or dark or even sad it may be.

The Virgin Suicides (Jeffrey Eugenides) – IT REALLY IS THAT GOOD. I could go on about the genius of that narrator perspective (the boys who watched the Lisbon girls as this big shapeless faceless conglomerate of first person plural) for ages. The prose is embroidery-worthy and the amount of detail and specificity do not only bring the Lisbon girls to life, but also the entire small town ecosystem around them. A beautiful capsule of stifled adolescence. And yet a horrifying read. (Bonus: I read this at the time when my boyfriend was reading Lolita, so when we were reading in public we looked like Mr. + Mr(s). Coquette.)

The O’Henry Prize Winners of 2024 – I love a good short story collection what can I say? I highly recommend these collections to everybody, as they present an array of innovative, diverse, well-told short stories that you may have not heard about before unless you are a literary magazine afficionado. My favorites were “Roy” and “The Soccer Balls of Mr. Kurz”.

Everybody Jam (Ali Lewis) – listen. Nothing hits like a good middle grade book. This one is veeery heavy at times and I was honestly not ready for some of the stuff that was happening, but it still was an engrossing experience and I just love coming-of-age stories that get into the mess of living. I also learned a lot about Australian cattle farming. Yay.

Fighting Ruben Wolfe (Markus Zusak) – another book about men and violence, yay! Finished this one today (it technically is only the first half of my German joint edition of this + “When Dogs Cry” but shhh). The writing was really good for the most part (I read it to get a feel for slightly gritty and simple vocabulary-wise yet rich in imagery narration for a project of mine, and it definitely delivered), however, it is very cut-up and not very subtle at times. I also felt like it was just missing. Something. I wasn’t really satisfied by the end of it.

so uuuh I think my favorite new reads of the year were The Virgin Suicides and Faserland. Maybe I should lighten up.

[doodler16]

No same Anon about Lilith and Eve.

I agree that at this point, I don't expect anything from Vivzie's female characters. I know I'm going to be disappointed, I'll just take what I like and rewrite them.

Now, the fact that Anon threw out is wrong: Lilith does not belong to the Bible. It belongs to Jewish folklore (Torah) but more as a legend since its origin is Mesopotamian.

Thanks to a medieval satirical text, Lilith was considered the first woman and wife of Adam.

Of course, the second fact that I throw is true: Lilith in her myths is far from the feminist figure with which the image of Lilith is popular. Unlike "Lilith who does not let herself be bent" in the original myths, she is a demonic being who kidnaps babies and rapes men. She does this together with Naamah, Agrat bat Mahlat and Eisheth Zenunim (this is more from the Zohar).

The idea of Lilith as an "empowered figure" is thanks to the creator of Wicca, Gerald Gardner. A very controversial subject, very controversial. I will not go into the debate if the Wiccans are considered a kind of pagans or just imitators of paganism who want to feel special because of the esoteric of the whole thing, but it is due to them that the figure of Lilith was bleached to look like this "rebel" being. And recent popular culture pushed that narrative further.

The same example is HH: Lucifer and Lilith are in love, Adam is evil from minute 1. Lilith did not bow to Heaven and Adam, she rebelled with her love Lucifer and now she is the queen of Hell.

When in reality several myths tell us that the one who did not overcome her ex was Lilith:

In one version we are told that Lilith transforms into Eve and has relations with Adam.

In another we are told that one night she enters Eden and rapes him.

In another we are told that, after Cain and Abel, Adam and Eve separate for 140 years due to the horror of the affair. In this myth there are 2 versions: again, Lilith has relations without Adam's consent (here Naamah, Agrath and Eishet are included). And the other is much calmer where Adam accepts to be with Lilith during those years.

What is made clear is that in all versions they have descendants: the lilims, the succubi, some vampiric beings, and sometimes it is even said that Asmodeus is the son of these two.

(In other versions, Asmodeus is the son of a mortal and Naamah, in other versions he is simply the husband of Lilith).

So for the first time, if Vivziepop puts Lilith as an evil being, a bad mother and so on... well, she would be the only character that is close to the original source.

And don't get me wrong, I'm not against reinvention or looking for a different route to the established (I have Adam x Lilith as the endgame in my rewrite and of course I've had to tweak some things) but Vivzie is criminal to the point that I'd rather she didn't touch Lilith and Eve because they're going to be at the mercy of favoring Lucifer. Do I want to be wrong? Yes, I want the show to tell me "You know what? Actually the conflict of these two doesn't revolve around Lucifer or Adam, neither are they going to become lesbians, nor are they going to have that kind of "I'm better than you because..." fight; no, their conflict is going to make Lilith feel guilty because she realized that she ruined two people's lives by imposing herself before what she thought was right, becoming the very thing that she complained about Adam and Heaven. And that Eve's conflict is that for a long time she felt this complex of being the replacement, that she should imitate Lilith because she was "the original, what a woman should be" as well as sticking to what "a wife should be", even putting that Adam let her be her own person because he was worried about how bad Eve was getting because of her own existential crisis. He as Lilith can ask Eve for forgiveness, but Eve cannot accept it. Thank you for saying so, but Lilith and Lucifer's actions doomed many and in horrible ways."

Am I going to get it? No, but I have accepted that I will live with it. There will always be a fanfic, a video, a new series, something, that really wants to explore all these characters beyond the original versions or the cheap tropes surrounding them.

Sorry for the big text, I needed to get it out of my system.

Yeah, I don’t blame anyone for having super low expectations regarding the Hazbin Hotel women especially with Lilith and Eve. Since in Helluva Boss, the women are demonized, one-note, and super side-lined. The women in Hazbin Hotel so far are mediocre anyway.

You good, Anon. No need to apologize and thanks for the clarification regarding Lilith. The version you mentioned about Lilith transforms into Eve is interesting because Vivziepop is planning some big plot twist with Lilith, Eve, Rosie, and Roo. Something about one being the other.

[oculusxcaro]

Khare had not experienced fear like this since her time in the underground facility almost a year ago, her heart damn near stopping in terror at the sound of her door getting kicked in. She'd just gotten home from work not even an hour ago, getting ready to soak in the bath for a few hour's sleep when a pair of black-clad thugs with mean faces and even meaner eyes suddenly forced their way into her apartment, immediately grabbing and trashing every object within the vicinity. "Get out! Go on, all of you get out of here! Go!" Loud voices could be heard echoing throughout the complex amidst shouts, cries and yells as other tenants found themselves experiencing the same situation as Khare, looking on in horror as they were forcibly turfed out of the only place they could call home. Khare blinked slowly, struggling to comprehend exactly what was happening when one of the two men in her apartment growled, grabbing her by her good arm and dragging her out into the corridor. She thrashed, mind suddenly suddenly catching up to the very real awful situation she had suddenly found herself in but before she could bite the guy manhandling her, he had already gotten her to the stairs, pushing her down them without so much as a word. A 3DS soon followed after, her 3DS clattering wildly down the steps along with other objects and items of clothing, leaving Khare unable to do anything but whimper as she tried to grab what she could amidst the confusion. Other people's possessions soon joined the growing heap at the bottom of the stairs, tenants grabbing anything and everything they could even if it wasn't theirs, too afraid to stay even a minute longer as the thugs began screaming at them to get the fuck out now, or else bullets would start flying if any of them were so much as seen near the building. With shaking hands, Khare managed to grab her work uniform (still dirty from last night's shift), her broken 3DS, some odds and ends that weren't hers and a bag to put it all in. It was a miracle she'd even managed to grab that much, scrambling amidst a surge of grabbing hands fighting to grab whatever they could carry upon their impromptu eviction. "Now get the fuck out! This place is under new management and you lot ain't welcome!" One of the thugs sneered, kicking an old threadbare teddy down to the group. Khare recognized the bear - it was often carried around by the girl of the family living down from her, probably having already been kicked out. She went to pick it up, only just managing to grab it before a heavy boot stomped on where it had been just second agos. Narrowly dodging that same boot aiming a kick at her head, Khare quickly joined the throng, once again falling down the steps outside and getting tripped over a few times by other people. What the hell had just happened? Khare found she could breathe again, if somewhat raggedly from the stress of everything that had just happened and getting trod on once or twice. Shaken, battered and bruises, she scrambled to her feet, holding both bag and bear close while avoiding the glances of people at their windows watching the eviction go down. Khare couldn't see the nice family with the little girl anywhere, glancing back and forth at people, the people she'd once lived amongst until just yesterday hurrying to leave, now having to find somewhere else to live...

"Oh God..." Khare mumbled, feeling like she was about to pass out. Her initial fear had been that they'd found her, had come back to drag her back to the facility again but in another way this was almost worse, for she had found herself out on the streets once again with nowhere to go. Where was she going to go now?

[tremendously-crazy]

"i'm sorry i committed the crime of being born this way," says michael, fourteen year old cisgender heterosexual male after a teenage girl says she'd pick the bear

[cartoonchaos]

“gee i wonder why there’s still so much more fanfiction about male characters” “we need more morally complex female characters” “i love relationships that are doomed by the narrative” “more stories need to treat mentally ill characters with compassion and respect” “all his problems could’ve been fixed if he only went to therapy” you fuckers can’t even handle the ending of fionna and cake

[crittertalez]

ik most of the wc fandom seems to hate how jayclaw talked to frostpaw/dawn while she was in her coma but honestly i just cant see it as anything but comforting or at the very least not as outrageous as others see it being. like im sorry but i cant look at this

and go auuuugghhh how dare jayclaw tell his dying daughter she doesnt need to live for other people and it should be her choice what she wants to do and she should choose what makes her happy. do i like the idea of frostdawn having given up and died? not exactly? but with how this scene transitions into tree busting in to be like NO YOU HAVE TO STAY ALIVE BECAUSE THE FATE OF YOUR COUNTRY LIES SOLELY ON YOU i honestly think jayclaw is being way kinder here by telling her no you deserve to be happy youre allowed to do whatever you want

the *best* option here is that jayclaw or someone else tells frostdawn that if she chooses to live it should be for herself and not for anyone else. but no one tells her that! no one! frostdawn is what, just over 1 year old? shes barely an adult (in cat ages, 1 year = 15 human years, ~18 months is when they get into their 20s and by 2 years theyre actually an adult and not a junior. at 15 months like frostdawn shes like a high school graduate) and yes she should get to live! but not because her country Needs her. and between the way shes treated by the other riverclan cats and how jayclaw treats her here ill take "father in the afterlife gently reassures his dying child that she'll be okay and deserves to choose what will make her happy and what will make sure she suffers the least" over "grown ass adults tell this teenager that she Needs to save her country and everyone she loves will die if she's not there to talk to God for them"

[hauntingblue]

Oden's prophecy of young pirates coming to save wano becoming yamato's hope for his freedom.... and him becoming oden because of it.... it's just so good... on the other side luffy taking ace's spot for liberating yamato... I think I hauve covid

[juniperhillpatient]

sometimes you just gotta stop reading the blocks of text on here & say like. I don’t care about or understand or believe in whatever the fuck you’re talking about & move on. & sometimes you gotta vague post about it to feel better

[kavehater]

AAAH I have a mutual who’s 18 and he sorta kinda is flirting with this one guy who is a minor as a joke of course ( to which a concerned anon said that it’s weird ) but I can’t help but flashback to er*s

[bitegore]

baru cormorant seems to me to be a series that suffers miserably for me having read machineries of empire first. unfortunately everything BC is doing strikes me as something MoE did better and more believably and with much a greater and more grounded eye for how systems, complex system interaction, and oppression like. work

[daisybell-on-a-carousel]

Theyre going to think I like canon and purely canon if I keep going on like this

[aeide-thea]

like, someone posted an article recently that was like 'i didn't like these books because the main characters were women who slept with women but weren't sufficiently enlightened about it for me as a queer woman to feel Represented,' and i just felt like. i bet i wouldn't enjoy those books either, judging from the reviewer's description! but faced with a review that's like 'these characters had attitudes i found unpleasant'—iirc a tendency to ironic detachment and internalized fatphobia respectively, which, to be clear, i expect i would also find unpleasant! but those are attitudes that plenty of real young women do have; are we arguing it's only acceptable to tell stories about the sort of people we'd personally want to befriend?—'so i didn't find their stories nourishing,' it's hard for me not to think, okay, fair enough, but—should 'nourishing' really be the definitive metric for art? should 'savory'? an author's job is, after all, to make art, not food…

[tautozhone]

idk how to start this so this post is ab individual action, trying to motivate positive change in the world, etc etc

a lot of growing up in the US for me makes things feel more scary than they are. like it’s actually not that difficult to go out of your way to get a bottle of water or iced cup of water from some random drive through if you think you should do it. either fast food conglomerate or local actually, it’ll usually be cheaper than 5 dollars to get drinkable water. i try to have 5-10 dollars i can justify spending on water, and asking for change, because sometimes when i’m out driving i need to go grab water.

i do not do this for me as much as i try to do it specifically when i see someone who’s most likely homeless on a street corner. i’m sure one day i might do this and they might not be there when i come back, but what have i lost really? a bit of time and a bit of money that would’ve meant more to them, that i can hold onto until i see them next.

the pressure that a lot of people feel when they think “what can i do” comes from this grand narrative that the average citizen can singlehandedly fix the housing crisis. rich people? maybe. nonprofits? not in a day, not all one person still. what can i do is a question i ask a lot. what can i do, not just because it feels bad to move along like nothings wrong with the world, but what can i do that will do anything. what can i do that makes even the smallest change.

i feel like it took me too long to figure out a personal method to what i consider individual action. it’s taking time to get to my own financial stability to be able to do more. but for now it’s as simple as water and cash. not water and food, but water and cash.

individual action means a lot in small steps, go get a bottle of water bare minimum and the price of a meal if you can and then just give it to them. if it wasn’t such a miserably hot place where i live i would keep a pack of water in my car, which i still want to do for the sake of having immediate access to water to give someone who might need it- hot or cold sometimes won’t matter. but when it’s hot out, get cold water, if it’s cold out, a warm tea will hydrate more than coffee will as long as it’s not super caffeinated.

[khal-eventing]

Netflix ATLA has been renewed for season two and season three and I cannot be more excited! The way they're retelling the story is absolutely brilliant, and there's so much love being poured into the story.

Ofc it's also very satisfying seeing this happen despite all the hate from people- if you want to watch the original go fricken watch it. No one is forcing you to go watch the live action just so you can write a lengthy post about how it pales in comparison (when I honestly liked it better but comparing the two is like comparing apples and oranges, they're both spectacular in their own way).

Anyway thank god it got renewed and I am so excited to be in this world again and see how it's developed for a new generation.