#And sometimes light hearted

[ofekma]

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@Rick Riorden you are SO FREAKING FUNNY, man. SO funny. Why is the show you are the main writer off that's based on your first ever book so gloomy?!

[mienar]

remnants of where we have been

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[imaginariumwanderer]

Actually I haven't been doing so well lately. Maybe these cute beast kitties will cheer someone up in my stead

[artsymeeshee]

one of those nights

[essektheylyss]

One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.

(Buckle in. This is a long one.)

In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.

As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.

Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.

This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.

I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.

But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.

So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.

But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.

But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.

It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.

He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)

So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.

But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.

(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)

[void-dude]

I wonder how many people want to fistfight me by now.. Anyway! Did anyone order a warm plate of sadness?

Part 1 / Part 2 / Part 3 / Part 4 / Part 5 (not chronological)

[haunted-xander]

Redraw of a VERY old Strelitzia piece. Crazy what... four whole years...... of drawing can do.

+ the old one(s)

[popplia]

Grian to Jimmy this session

[day-colors]

uhh i dont have anything to post have this loose redraw of this

[54625]

Mcyt fans. You can resist. You don't need to do it. You can get over your addiction of making everyone into a bird. I believe in you. You don't need to make qPac with wings into popular fanon just because of a cosmetic in a separate minecraft PvP event completely unrelated to QSMP. You don't have to keep doing this to yourself

[aimseytv]

whenever i post about being a lesbian everyone replies with different flags and i feel like ripping my shirt off and howling at the moon while screaming THIS POST IS FOR LESBIANS THIS IS JUST FOR THE LESBIANS

[ahollowgrave]

-- home sweet home.

I have been thinking a lot about Selenite's apartment and the vibes. She likes to keep the overhead lights off as much as possible, there is almost always some old sappy romance playing on the TV, a door open for friends to wander in and out as they please. She doesn't like to be alone too long!! But it is also her home and she will be comfortable. A bonus shot, just for you:

[andromeda-vita]

okaayyyy first on the list of designnsssss,,, rayman !! yeah incredible , ik ik just. stay with me here

a brief rundown of it is taking that whole "guardian of this world" concept, and being an embodiment of dreams, bravery and light.. then making it into a silly forest spirit,,

some inspos are sky children of the light, over the garden wall, adventure time, and zelda . again , weird mix , i knowwww . but!!!

i would need an entire doc to list all the things i've written on him thus far but i'd love asks/questions (and perhaps suggestions!)

im gonna be real here... most of the changes have to be the fact he has a cape and, messy hair, with flowers/leaves caught in it (ever heard of a brush???)

[keyfolk]

maddie's monolgue in i saw the tv glow was incredible, but it's interesting how so many viewers took her statement about burying herself literally. i think, generally, there are two veins of interpretation of this movie, reflecting which reality the viewer favors. you could believe that the tv show is the true "reality" of the movie, or that it's simply a surrealist backdrop to the story of one person's intense repression. in the latter interpretation, maddie's dialogue feels dangerous -- is she actually advocating suicide? or simply speaking in metaphor for the trans experience of coming out?

i felt that this scene tread the line between those two extremes. but more notably, i thought about acts of "suicide" a closeted or repressed lesbian would feel drawn to. the way that maddie describes the burnout guy she paid to bury him, how he didn't even know what he was doing -- to me, it felt like she was implying an act of sexual self-harm, testing her sexuality, "burying herself" in the emotional pain. the catharsis found in suffocating herself, allowing herself to dissociate and fade away, and then coming free with the understanding of who she really is... while i think her monologue can be taken in many ways, this interpretation resonates with me.

[clowndensation]

i like seeing the roys in pain because i enjoy feeling bad emotions, and watching as characters are forced to continue surviving through atrocities performed both by and against them, creating an echo chamber of suffering that ultimately flays their monstrous shells and reveals the humanity writhing and sobbing underneath. you like seeing the roys in pain because they're rich assholes, and rich people don't deserve happiness. we are not the same.

[just-a-carrot]

campfire nights 🏕️