#And i just started an hour ago
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was talking with a friend about how some of dunmeshi fаndom misunderstands kabru's initial feelings towards laios.
to sum up kabru's situation via a self-contained modernized metaphor:
kabru is like a guy who lost his entire family in a highly traumatic car accident. years later he joins a discord server and takes note of laios, another server member who seems interesting, so they start chatting. then laios reveals his special interest and favorite movie of all time is David Cronenberg's Crash (1996), and invites kabru to go watch a demolition derby with him
#dungeon meshi#delicious in dungeon#kabru#kabru already added laios as a discord friend. everyone else in the server can see laios excitedly asking kabru to go with him#what would You even Do in this situation. how would YOU feel?#basically: kabru isnt a laios-hater! hes just in shock bc Thats His Trauma. the key part is kabru still says yes#bc he wants to get to know laios. to understand why laios would be so fascinated by something horrific to him#and ALSO bc even while in shock kabru can still tell laios has unique expertise + knowledge that Could be used for Good#even if kabru doesnt fully trust laios yet (bc kabru just started talking to the guy 2 hours ago. they barely know each other)#kabru also understands that getting to know ppl (esp laios) means having to get to know their passions. even if it triggers his trauma here#but thats too much to fit in this metaphor/analogy. this is NOT an AU! its not supposed to cover everything abt kabru or laios' character!#its a self-contained metaphor written Specifically to be more easily relatable+thus easy to understand for general ppl online#(ie. assumed discord users. hence why i said (a non-specific) 'discord server' and not something specific like 'car repair subreddit')#its for ppl who mightve not fully grasped kabru's character+intentions and think hes being mean/'chaotic'/murderous.#to place ppl in kabru's shoes in an emotionally similar situation thats more possible/grounded in irl experiences and contexts.#and also for the movie punchline#mynn.txt#dm text#crossposting my tweets onto here since my friends suggested so
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I am so amazing
#/god's warning\#I am already done with half of my to do list hahaha#And i just started an hour ago#Aren’t I the best#WGJHDGJHVJDG
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sry i have chronic only draws megumi disorder the doctor said it's terminal :/
#my art#jujutsu kaisen#jjk#fushiguro megumi#megumi fushiguro#fanart#jjk fanart#megumi#me: 'i like yuuji and megumi Equally :)' also me:#i cant help it hes so fun to draW hes so easy to draw i love you i love you i love youuuuuu#also this is kiiind of me making good on that poll i did forever ago saying id draw catboys . so as promised here is A Catboy :3#hes sooooo meowmeow hes so gd CUTE god i love . fushiguro mEGUMI#to b fair i Do like yuuji and megu equally ffgsdjfdjh#sometimes u just gotta spend the whole entire day fully rendering what was supposed to be a megu sketch sheet#but now it is . just a char sheet by talos this cant keep happening#this all started bc i still want to practice/tweak the way i draw faces but it would appear i cannot control myself#also been loving drawing the cat megumi plush gddff fushiguro mewgumi is my favourite animal crossing villager#anyway so much for working on speed this was a fun 10 hours#its ok . i do it fr him <3 geto voice i dont mind being killed by you
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i want to know everything that makes you happy! 💫🪐🎇
#the caption is aioi lyrics but posting the same thing with the same caption on 3 different socmed is embarasisng. saki save me#project sekai#pjsk#prsk#proseka#saki tenma#leo/need#i have more chibis Soon just theyre for halloween so u have to wait a few days. sniles so wide#AIOI IS SUCH A GOOD SONG AND NOBODY FUCKING TALKS ABOUT IT IDGAF. ITS SO GOOD. START CRYING WITH ME#like obviously the mv is gorgeous and stunning andni love the event and cards but im talking sbout the song. Its so good#So is purpose and nobody talks about it either wtf guys HAPPY PURPOSE TUESDAY!!!!!!#pjsk radio in 6 hours who else is about to#explode MEEE MEEEE I AMMMMM machico save me#nene focus ohantom of Theopera PLEASE PLEAS EPLEASEPLEASE HOW MUST I MANIFEST.#i always mean to draw the songs i want wxs to cover ever since i only did 2 of them Half a fucking year ago but i keep forgetting#and then other groups cover the songs and im like Wlel i cant draw it now .. (i can) (i will still draw emukasa cat food)#mmjs cover is SO GOOD i love mmj all of their covers r so good. wasnt crazy abt their early game ones but All of them for the last 2 years#have been Bonkers. amen. minoshizu duet come back to us please god.#soo glad wxs got reincarnation apple and got all the parts i envisioned for them EMU IMLOVE YOUUUU#ok i gotta go i need to hot glue more fabric onto my cosplay boots before work tomorrow. love and peaches
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THIS IS HOW CODYWAN CAN STILL WIN. THIS IS. THIS IS HOW CODYWAN CAN STILL WIN GUYS ITS NOT OVER
#codywan#obi wan kenobi#the party ended hours ago and he’s still here evt ecy#sorry guys i just thimk about them and it makes me start punching things and going looney
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birds all sing as if they knew
#if i had a nickel for every fan comic I’d drawn about people getting ready for a wedding I’d have two nickels#ronan lynch#adam parrish#greywarren spoilers#i mean sort of this is just thinking about the future#but wow they got engaged for real didn’t they… good for them….#gansey#richard campbell gansey iii#yes he DOES weep through the ceremony#in a way that starts out endearing and ends up a little frightening and he has to go breathe quietly in a corner somewhere after#its just. Ronan’s okay! he’s happy! Adam��s okay! he’s happy!#they’re adults and alive and getting married! thank god! oh thank god we all made it!#and of course a little in the everyone in this group of friends is a little in love with each other and now lines are more firmly drawn#high school sucked but there was something about it huh#kind of way#my art#the raven cycle#got really possessed by idea thought about it like 3 hours ago and here we are#pynch
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patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.
this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.
the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.
so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.
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ok, found some
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I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.
Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.
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The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?
Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]
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Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.
Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]
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From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.
Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.
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The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).
Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.
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As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].
Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]
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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.
Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]
#sorry for being mean#instructor makes podcasts about cowboys HELP ME#and he recently won a New Business award for his startup magazine covering Democrat party politics in local area HELP#so hes constantly performing this like dance between new hip beerfest winebar coolness and oldfashioned masculinity#but hes in charge of the certificate program so i have to just shut up and keep my head down for approximately one year#his email address is almost identical to mine and invokes enviro history terms but i made mine long before when i was ten years old#so i could log in to fieldherpforum dot com to talk about enviro history of distribution range changes in local reptiles and amphibians#sir if you read my blog then i apologize ive had a long year#and i cant do anything to escape i am disabled i am constantly sick im working fulltime i have NO family i have NO resources#i took all of this schools graduate level enviro history courses and seminars years ago and ran the geography and enviro hist club#but then left in final semester because sudden hospitalization and crippled and disabled which led to homelessness#which means that as far as any profession or school is concerned im nobody im a retail employee#i was doing conference paper revisions while sleeping on concrete vomiting walking around on my cane to find outdoor wifi#and im not kidding the MONTH i got back into a house and was like ok going back to finish the semester the school had#put my whole degree program and department in moratorium from lack of funding#and so required starting some stuff from scratch and now feel like a hostage with debt or worsening health that could pounce any moment#to even get back in current program i was working sixteen hours a day to pay old library fines and had to delicately back out of workplace#where manager was straight up violently physically abusive to her vulnerable employees and threatened retaliation#like an emotional torturer the likes of which i thought existed only in cartoons#and the week i filed for student aid a massive storm had knocked out electricity for days and i was clearing fallen tree debris#and then sitting in the dark in my room between job shifts no music no phone no food with my fingers crossed and i consider it a miracle#sorry dont mean to dramatize or draw attention to myself#so actually im happy you and i are alive
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wunderbar !
#nightmaretheater#sasha nein#psychonauts#Sorry i just really like drawing distressed sasha#This art is directed at me. It tells a story only i know#sometjing skmetjing younger sasha bejng stressed and a complete foreigner being askedsooo many wuestiosn Wahhh#….Was fun to play with restricted colors to :) love restricting my colors#to the one person (me) who knows what this is refferencing ;#Yes there was gonna be a 4th image but i ddint do ti Giggle#The color choice and shapes are intentional. By the way. Walks off#anyways *stretches* Back to the art caves#…his hair is kind of annoying 2 draw sometimes. giggle#Lso my art style changed mid drawinf bc i took a break from it Lol#also i will not stand down let a woman have veiny hands#rRHRHFHGJJJggahdhfhhGgsh chews up the walls of my room#11 hours on canvas + prolly more btw#started this like a week or so ago Giggles
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Siffrin plays Disco Elysium AU: Featuring backseat gamer Loop.
#in stars and time#ISAT#Siffrin#Loop#disco elysium#digital art#When I first thought of a crossover I went from 1) 'ISAT Disco AU but Loop is all of the skills'#To: 2) 'Loop is in the mindspace alongside the skills#To my magnum opus: 3)'Loop is sitting next to Siffrin backseat gaming him the whole time.'#Loop beat Disco Elysium ages ago and repeated it to the point they know all the vision quests and dialogue variables.#Siffrin just started playing and Loop keeps ruining the fun by using their meta-game knowledge to try and help.#Also let's be real. Siffrin's stats are 100% completely focused into motorics and nothing else.#If we can't Savoir Faire ourselves of this situation - we will explode. Endurance? Call my insurance instead.#Thinking skills? None. Emotional intelligence and morale? A failed social interaction canonically feels like death to them.#I might have bumped Phys up but...Siffrin's Electrochem stat is like -10. And Pain Threshold is emotional durability too.#Unused part of this joke is that I set their signature skill to Drama.#Both these games made my brain melt so now I get to combine them! I have that power!#This joke made me laugh the entire 3 hours I sat down and drew it and that is what creation should be about.
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susan woodings twf or benrey hlvrai? :D
bonus bannys that i scribbled as well... tehe..
#asks#scribbles#susan woodings#wont rlly maintag these since theyre mostly just scribbles lol#maybe i will for the ones i like tho...#ALSO I MADE THAT ASK POST TWO HOURS AGO SORRY i only just was able to actually start drawing lmaoo#the walten files#okay...ill maintag this one actually
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Nice catch! :]
Here's a very self indulgent and low effort drawing I made in an attempt to keep my sanity lol
#lu legend#linked universe#lu fanart#why is his hair dry? why is he not transforming back? Idk I just got the image in my mind and my hand started moving on its own#do I know the tail is blue? yeah. will I still imagine it's pink? absolutely. it looks too god on him#hope the proportions aren't too weird I didn't really go back to fix things bc I just wanted this out of my system lol#I looked at like three pictures of harpoons I'm sorry if it makes no sense#The whole time I was wondering what my ancestors would think of me if they were watching me from the afterlife 😩#anyways. him. that's the post#I feel like I always end up drawing him with too much hair lol#cw blood#cw injury#told myself I was just going to add a few final details like three hours ago 😭#ayuda quiten esto de los cuadritos que salen en mi perfil 😭😭 q pena
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meal time in pentiment
#just a few#started yesterday and finished a few hours ago. I cried I really cried#what a beautiful game from the art to the music to the writing. highlyyyy recommend#pentiment
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my son that I literally never draw, I’m holding him up proudly for everyone to see
#I literally never post oc art. im still in tma brainrot town do not worry#I think I started this literal months ago but never finished for some reason#decided to render it as a warmup today#and here we are hours later#god I missed rendering… haven’t really had the chance to sit down and paint in a while#funfact he was originally designed for my stop motion dollmaking class#he grew on me that’s for sure#andd just so happened that hes slowly transforming into a dnd character that I’m itching to play as#do I call multiple characters my sons? absolutely.#oc#oc art#dnd oc#dnd character#original character#original art#illustration#digital art#dnd art#artist on tumblr#my art#commissions open
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I'm not a poet or a paleoartist but I am fucking emotionally wrecked right now.
I keep thinking of the tiny little homotherium cub found in the ice. They died thousands of years ago, lived for less than a month - but they're so loved. Of course none of us can say If they were or weren't loved in life, but they're loved in death and makes it so much more beautifully tragic. They died cold alone, freezing and barely old to walk. They were alone like that for thousands of years, but they've been found again and they're so loved.
Thousands of people know about this tiny little thing that lived thousands of years ago and we love them so much.
It's a full moon tonight where I live, light enough that when I went out to get my clothes off the line I didn't even need a torch to see. I keep wondering what that cub's life was like, for the short one it experienced. Did they have siblings? Did any of them live longer, with long enough to hunt with their mother? Was their mother dead before they were? Did they ever get to see a full moon?
This is one incoherent ramble but I'm a mess about this
#homotherium#fossils#paleontology#pleistocene#i wish we had a way to tell that sweet little thing just how loved it is#that we could tell their mother her child is safe now even if it's not with her#i know they wouldn't be able to understand us but im emotional#still actively crying#i re-read a post here about it some 20 minutes ago and just started writting this#i love them so much#i turned my pc off for today an hour ago but I'm turning it back on#gonna make the best(probably shitty) statue of this little one and mama i can in minecraft as an outlet for my immense saddness and love#probably going to cry doing that too
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(x)
#archive of our own#ao3 quotes#ao3 stuff#archive of our own quotes#fanfic#fanfic quotes#funny#ao3#ao3 notes#me literally nineteen hours ago:#yeah sorry to disssapoint but I just don’t see myself ever writing teen wolf fic#me now:#*insert clown music here*#me writing any fic#I try to tell myself I have too many wips#but noooo#I have to start another one
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charles saying a total of Four Words and storm immediately assuming he's gonna read travis' mind has me in stitches im ngl
[Storm (2023) #2: "Punked"]
#snap chats#PENNSYLVANIA MENTION#that reminded me of a rivals post where someones like 'mags prob got his license in pennsylvania if he Never Yields'#will i confirm the validity of this joke We Do Not Speak Of Thanksgiving Week 2024. moving on.#i finally. finished this run vjELKJELKJV#I SAID ID READ IT LITERALLY IN SEPTEMBER BUT I ONLY FINALLY GOT AROUND TO READING ALL OF IT TODAY#needed to close some tabs... was starting to get crowded with all my House of M stuff#WHICH!!! all my excalibur comics came in so now i can finally finish THAT up....#god that just reminds me i really need a new shelf: my Book book shelf is already full#and my nightstand where i keep all my comics is starting to be overtaken.. but thats a problem to resolve another day for now we ball jVLAE#but anyway no like this shit is so funny but also kinda sad at the same time#GIRL HE'S JUST SAYING HI why you automatically assuming...#ik chuck can poke around sometimes but have a lil more faith in him.... i beg...#it just reminds me of all the anti-telepath sentiment and then i think of it for too long and get weary..#anyway. like i said i finished reading this hours ago but i was just recapping to my bro and i started having my joker moment
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