#Anchor Bay Entertainment

[girl4music]

Right. I’ve gone back down my timeline and retagged everything I’ve uploaded or any posts related with “exclusive bonus content”. Use that tag to find it all.

@sparklingpieceofshit @novasjaneway @allnewcaseythered @definitely-not-5urreal-w4nderer @the-jiminyrizzles @dancetyd

And enjoy. ☺️

[flojocabron]

Here's a visual comparison of the same movie of Return to OZ done by two different companies. Anchor Bay Entertainment and Disney. I've had the one on the left for many years now and I recently bought the Disney one. I was perfectly fine with owning my copy. While I was aware of the Disney release, I wasn't actively searching for it. But the dollar or so I got it for would be a nice add to my collection. It's just different enough to warrant a re-buy. Right off the bat, I'm liking the Anchor Bay version more. As the Disney cover art of the main character looks horrible. The other copy looks to be based on the movie poster. And the girl had the same surprised face. But it's just more pleasing to the eyes. And the Anchor bay copy has a freebie postcard in it which is nice. I'm not sure if the Disney copy came with extras. But it looks like after a five year difference, the rights went back to Disney. And it looks like they finally embraced their neglected stepchild. That or Nostalgia demanded that Disney release something. I've yet to see the Disney dvd yet. So I don't know if it's the same quality of film or if it was enhanced. And I've also recently learned there's an exclusive Disney bluray version of this, too. I don't know if I'll ever come across it for cheap. But it doesn't hurt to dream. So give this movie a watch if you haven't seen it. Or relive a buried trauma if you did. Enjoy.

[gebo4482]

Abruptio Trailer

Dir: Evan Marlowe Star: Jordan Peele / Christopher McDonald / James Marsters

[backcovergirl]

Ad for Anchor Bay Entertainment in Fangoria Volume 1 Issue 225 (Aug. 2003)

[ytv2018]

I made pic about Thomas watch the Philadelphia experiment

[schlock-luster-video]

On August 20, 2002, Dracula's Dog was released in DVD by Anchor Bay Entertainment.

[fearsmagazine]

ANCHOR BAY ENTERTAINMENT Acquires Worldwide Rights To Sci-Fi Film DADDY

DADDY has been an official selection at numerous film festivals including Dances With Films, the Oxford Film Festival and the Rhode Island Film Festival. It won Best Film at the 2023 Ridgefield Independent Film Festival and was a Marquee Film at the 2023 Cinequest Film Festival.

The founders of the revitalized Anchor Bay Entertainment, Thomas Zambeck and Brian Katz, have acquired the worldwide rights to the award-winning sci-fi film DADDY, which will have its release later this year.

“DADDY had been on our radar since its festival run,” says Zambeck. “It fits in line with our vision for Anchor Bay, and redefines preconceived notions of both science fiction and comedy. We’re thrilled to share this brilliant, poignant film with audiences around the world.”

Co-written and co-directed by Neal Kelley and Jono Sherman in their feature debut, the film stars Yuriy Sardarov (“Chicago Fire,” Argo, The Ides of March), Jacqueline Toboni (“The L Word: Generation Q,” “Easy,” “Grimm”), Pomme Koch (“WeCrashed,” The Band's Visit) and Britt Baron (“GLOW,” “The Thing About Harry”).

In a dystopian society where the state has the power to determine who can and cannot father children, four men in DADDY attend a government-mandated retreat in the remote mountains of California. When the men show up to their retreat site, only to find no guide or instructions waiting for them, they are left to their own devices and must prove to themselves —and each other— that they have what it takes to become fathers.

The movie was produced by Sophia Kalin (The Guilty), Albee Zhang (Beneath the Banyan Tree) along with Kelley and Sherman under their Twnshp Pictures banner. It was executive produced by Nate Nemon.

Zambeck and Katz of Anchor Bay Entertainment negotiated the deal with Sean Pope, partner at Ramo Law PC on behalf of the filmmakers.

[cultfaction]

Anchor Bay Entertainment acquires "Crust" at Berlin International Film Festival

At the heels of the launch of the revitalized Anchor Bay Entertainment, its founders Thomas Zambeck and Brian Katz are proud to announce that they have acquired the North American rights to the horror/comedy CRUST, which will have its release later this year. “As someone who grew up watching Sean on screen, I am thrilled to be in business with him,” says Zambeck. “The fact that it’s on a witty…

[edsonjnovaes]

12 filmes tão pesados que você só vai conseguir assistir uma vez

Alguns filmes são conhecidos pelos enredos intensos com temáticas angustiantes, histórias pesadas, arcos tristes, deprimentes ou até mesmo traumatizantes, e que, muitas vezes, proporcionam experiências difíceis de digerir, ainda que esses longas se destaquem em qualidade e repercussão com a crítica. Luann Motta Carvalho – TechTudo. 28/01/2024 O TechTudo fez uma lista de filmes aclamados com…

[girl4music]

HEADS UP! I NEED RECOMMENDATIONS!

(EXCLUSIVE BONUS CONTENT OF XENA FOR UPLOADING TO TUMBLR)

I still have a lot of these Xena featurettes to watch so there's still so much content that I could upload. Please let me know if you want to see anything specific. I'm uploading the stuff that I think is interesting to know and learn about. There's a lot of Lucy and Renee stuff but I'm more interested in what the creators have to say about the TV show. But you guys can recommend stuff too. Anything you can think of...

Remember that I can only either upload short video clips or gif sets but I'd rather it be short video clips because I'm shite at making gifs.

[heradion]

Derek not being there in Season 5 was a huge missed potential.

Going to start by saying I am not going to respond to or entertain any toxic stans hating on characters, this is just a what if scenario and is not a personal attack on any characters.

Now I know Tyler Hoechlin left because of some personal issues but it's interesting to explore the dynamics if he had stayed for S5.

I think Derek being in s5 was a missed potential for developing 4 relationships in the show, namely:

Derek and Malia

Scott and Derek

Stiles and Derek

Liam and Scott

Derek and Malia: You cannot tell me Derek wouldn't help Malia try and find her mother or in tracking down the Dessert Wolf cause, firstly they are cousins and he knows what it's like to long for lost family.

It would've been great to see him come back with Braeden if not earlier to help Malia not just with the dessert wolf but figure out what kind of relationship she would want with Hale family.

2. Scott and Derek: Derek would have 100% helped Scott with the Dread doctors and with figuring out Alpha stuff like he did in s4. He would have helped him with the issues he was facing not just with Stiles but also Liam when he attacked Scott.

Scott has a "We don't kill" policy and trusts people easily but Derek isn't the same, so I believe he would try to make Scott understand his POV while siding with Stiles regarding Theo.

3. Stiles and Derek: This would have been a major turn in their dynamic because I know Derek would be distrustful of Theo despite the whole pack just disregarding his concern. Once Stiles accidentally kills Donovan, Stiles would've gone to Derek because although Scott has a "we don't kill" policy, Derek doesn't and would probably understand.

Derek would 100% be distrustful of Theo because of how hard he seems to be trying to convince Stiles that he had good intentions and would probably side with Stiles regarding Theo, while talking to Theo about it.

I think things would be very different if Derek was in the hospital when Stiles's dad was admitted, He would probably make both Scott and Stiles sit down and have a much needed conversation without trying to get in between.

4. Liam and Scott: I think with Liam being a young beta with anger issues, Derek would know exactly how to handle him and his outbursts. He'd be able to help Liam see Scott's POV and help him keep his anger at bay, because Derek was pretty much the same as a teenager, He would probably teach Liam how to channel that anger into making it his anchor while using it during his shift.

The whole Scott and Liam fight could have been avoided had Derek been there, Liam got angry at Scott and felt betrayed but Derek would probably restrain him or make him understand why Scott was doing what he was.

Overall, Yay Derek, wish you were here.

[dominickeating-source]

Entertainment Weekly - Issue 621 (2001)

It's hot, it's sexy, it's kinda funny. Would you believe it's STAR TREK? Hop on board and we'll show you how ENTERPRISE is shaking up the sci-fi universe.

"Before the spark hits the wall, you might want to take a few steps back so you don't get flying debris in your eyes." That's the friendly advice a reporter gets as he steps onto Stage 18 of L.A.'s Paramount lot, home to UPN's new Star Trek prequel, Enterprise. Several cast members--Scott Bakula (gung-ho Capt. Jonathan Archer), Jolene Blalock (icy Vulcan science officer T'Pol), Dominic Keating (uptight tactical officer Malcolm Reed), and John Billingsley (eccentric Dr. Phlox)--are rehearsing a scene in which they're trapped in a smoky cargo bay, engaged in a futuristic gunfight. 

"Okay, so it's spark, spark, and duck behind here," explains director LeVar Burton (of Star Trek: The Next Generation fame), mimicking the action. The room quiets, the actors take their marks, and . . . inaction!  "I thought we decided that 'stun' doesn't spark," says Bakula. "But we sparked here. So what does 'stun' do?" Given that this is unfamiliar technology to the gang, a discussion about phase-pistol emissions ensues. "Well," Keating finally suggests with furrowed brow, "I think it gets rid of unwanted hair." And if the last few weeks are any indication, it can also lift a straggling network out of the intergalactic crapper. The Sept. 26 debut of Enterprise--the fifth Star Trek series in 35 years--was a space ace in the hole, beaming up a stellar 12.5 million viewers. How earth-shattering an event was that for UPN? Let's just say there were slightly more uncorked champagne bottles lying around than after the premiere of Homeboys in Outer Space. In fact, you'd have to time-warp back to 1995--for the unveiling of Star Trek: Voyager--to see numbers bubblier than that. "It's a reenergizing of the franchise," proclaims UPN chief Dean Valentine. "The battery power was still there and it was working fine, but this completely turbocharged it."  Even juicier than the ratings, though, is the prospect that Enterprise could actually shape-shift the aging Trek franchise into a more mainstream success (currently, Enterprise is the season's top-rated freshman drama among 18- to 49-year-olds), pulling in the kind of folks who don't own Federation-issue bedsheets. It's far from coincidence that the Trek overlords decided to drop two of the most hallowed words in sci-fi from the show's title. "I didn't want this to be Star Trek: The Next Thing," sums up Enterprise co-creator Rick Berman. "I wasn't going to just create another spaceship and put another crew on it. I couldn't do it. I knew the fans had enough, and I knew that we all had enough. We had to do something dramatically different in as many ways as possible." Just how different? Let us count those ways:  It takes a quantum leap away from Trek geek-ology. 

Are you the kind of person who thinks the words Star Trek sound more intimidating than a Limp Bizkit mosh pit? Before you run screaming from the galaxy (or at least this article), there's a guy sitting in the captain's chair who has a few words of encouragement for you. "It's me! There's a familiar face here!" says Bakula, 47, who is personally offering to ease you into the series. "It's like, 'Well, Scott will hold our hand. Come on, it's Noah! Everybody get on the ark and we're going to be fine.'" The Trek producers were certainly quick to jump on Bakula's bandwagon--though they insist the idea of helming the ship with an established TV star (Bakula anchored NBC's 1989-93 time-tripping drama Quantum Leap) was not the motivating factor. "I was looking for somebody who had that kind of Sam Shepard, Right Stuff quality and Han Solo fly-boy quality," Berman explains. "If you take those two images and marry them together, you get something that's pretty damn close to Scott Bakula. And he's got that boyish charm. You'd be hard-pressed to find a woman who didn't find him attractive."

It certainly didn't take long for the cast--which also includes enthusiastic ensign Travis Mayweather (Anthony Montgomery), jittery translator Hoshi Sato (Linda Park), and naive engineer Trip Tucker (Connor Trinneer)--to warm up to their new leader. "We had three days in which we had to wear these [40-pound-plus] space suits," recounts Billingsley. "On the last shot of the third day, he's got to run, turn around, and fire his pistol. We finish. 'That's a wrap, great, everybody go home.' And Scott says, 'Wait a second--I think I can draw it from my holster a little more smoothly.' And I'm like, 'I'm going to kill you,' but the bigger part of me was like, 'That is the captain.'"

And this new captain promises not to steer you straight into a fearsome black hole of complex Trek mythology. Remember, this show is a prequel, taking place more than a century before Kirk & Co. blasted off. "I keep telling everybody that you don't need to know anything," says Bakula. "Star Trek can be daunting in that it's 35 years and it's the history of this and that. And now we're starting from scratch. You don't need to have this big dictionary to back up everything happening on the screen." (That goes for the actors, too: "Word is there's a [Trek] bible out there," shrugs Trinneer. "I've never seen it.") While the show's scribes are busy inventing history, they're also taking this opportunity to excise some of those famously unwieldy jargon-littered expositions. "We're trying to scale it back by 80 percent," says Enterprise cocreator Brannon Braga, a veteran Trek writer-producer. "What I don't want to do is rely on technobabble to solve a problem. You can't let a plot denouement involve strange terms that no one understands. It's not interesting and it's not satisfying. Hopefully, people will be talking more normally."

So that would explain the sudden emergence of phrases like "son of a bitch" and "knock you on your ass" in the normally hyper-sanitary franchise. "[It makes] the show seem more realistic," says Braga. "Some people were offended by the expletives, though they were very tame by most standards." Die-hard fans were also miffed by Enterprise's opening theme music, "Faith of the Heart," which forgoes a sweeping orchestral score for a schmaltzy pop tune with--gasp!--lyrics. "I wouldn't approve of this soft-rock garbage for a family sitcom 10 years ago," huffed one Trek message board post, "much less for a new 2001 ST series." Well, at least the nitpickiness of the fans hasn't changed.

It's sexier (as in, Is that a photon torpedo in your space pants or are you just happy to see me?).  If you were to compile a list of adjectives to describe recent Star Treks, sexy would get a stiff neck from looking all the way up at gear-heady, socially responsible, and antiseptic. But Enterprise's premiere episode revealed that producers had slipped a few Viagra pills into the ol' warp drive: Witness a scene featuring butterfly-eating identical-twin alien babes (wearing nothing but latex paint!). Stick your eyeballs back in their sockets after a skin-heavy decontamination chamber liaison between Trip and T'Pol. ("I had to shave my chest and all that stuff," admits Trinneer. "Never done that before.") And holy holodeck--why are we seeing the captain unwinding in his quarters...in his underpants? (Maybe it's for the same reason that an Enterprise story idea board hanging in Braga's office contains the term Tri-sexuals.) "We learned from Seven of Nine that Star Trek could use a little sensuality," says Braga, referencing Jeri Ryan's Borg-turned-babe whom Voyager introduced in season 3. "I wouldn't say sex per se. It's not like the crew is going to be off boffing one another. But sensuality? You'd better believe it." Oh, we're believers. For those of you who've been living in another solar system, Enterprise has scored another Seven of Nine (actually, some say she's even closer to their idea of a perfect 10). Introducing Jolene Blalock, a 26-year-old model-turned-actress who's already transformed the austere T'Pol into the best-looking Vulcan this space quadrant has ever witnessed. An old-school Trek devotee--"Spock was so cool," she coos--Blalock turned down two requests to try on the pointy ears and bowl-cut wig before finally agreeing to audition. "I thought it was going to be just another Deep Space Nine or Voyager or something along those lines," explains Blalock, whose previous credits include appearances on CSI and JAG. "My agent sat me down, we had a little powwow, and he said, 'You know what? I suggest you read the script.' And I took it home, I got the premise, found out it was a prequel, found out she was a Vulcan, and was sold." The third time was apparently the charm for the producers as well. "She's obviously very beautiful," says Braga, "but she had an otherwordly quality when she came in to read. She seemed kind of...alien. She had very interesting eyes. It was weird. Beautiful, but kind of odd. That's what you look for in an alien." 

And--quelle coincidence!--she happens to fit quite nicely into that catsuit. ("What could be more comfortable--it's like long johns," she says. "I'm not going to say leotards, because that would be a fashion faux pas.") She's also not too shabby at executing that whole Vulcan neck pinch thing (which this reporter bravely experienced firsthand). "Jolene's really good--she's not just eye candy," observes Keating. "She's quite aware that she'll probably be the breakout star of the show." She's already one of the most ogled women on the Internet. "I have no control over that," she says. "Physicality is physicality and I can only use it to empower me. I am woman. I can't hide that." Fair enough, Jolene, but are you prepared to fend off that legion of Trekkers whose phasers are already set to hot-and-bothered? "My people made me change my phone number and my address," she says with a nervous laugh.

It's not alien to human nature. (Yes, this time their uniforms even have pockets.) 

Before Trek mastermind Gene Roddenberry died in 1991, he issued an edict barring conflict between earthlings in his series. It was a noble move, a precious hope that we could evolve past petty emotions. It was also a friggin' storytelling nightmare. Without that essential drama, Trek at times became sterile, strained, almost too enlightened. "We were getting ourselves into the cookie-cutter Starfleet-perfect human being format a little too much," says Berman. "I wanted characters who would react in the same way you or I would." Hello ingenious solution: By positioning Enterprise just 150 years in the future, rather than in the 24th century, the Trek producers were able to bypass those restrictions and craft an utterly fallible crew of green (as in inexperienced, not Martian) space pioneers who are both thrilled and chilled by the prospect of meeting alien races. "There's a great romance to the first explorers going out there," says Bakula. "It's exciting, it's frightening, it's awe-inspiring. It's not 'been there, done that.' It's much more about what's around the corner, that curiosity."

Turns out what's around that corner is refreshingly relatable territory for early-21st-century humanoids. The crew frequently references places like San Francisco and Oklahoma. When Trip disembarks on a strange planet, he brings his camera along to capture any freaky critters. Uniforms are modern-looking NASA jumpsuits as opposed to tight spandex. And the characters themselves are cut from a more familiar cloth, especially Archer. "He's closer to Kirk than the others," notes Bakula. "He bleeds. He gets hurt, he makes mistakes, and he gets dirty. And he's in there, mixing it up.... The captains on the other ships, they've been there; they've traveled. But it's a new thing for us. The first Klingon we see, I look at his feet because it's like, 'What is that thing growing out of the top of his foot?'"

"We have no space etiquette," adds Keating. "I guess the show is less PC. It's not quite so liberal bleeding heart, you know, walk in peace. We're not going into outer space with a complete Gandhi-loincloth approach. We'll fire first. Just this afternoon [while filming], I fired first. We don't wait to be hit upon. You look at me funny and I'm gonna f--- you up."

Don't worry, these guys exhibit a softer side as well. For example, they've even brought a cuddly beagle named Porthos along for the ride! "I loved that," says Bakula. "Whatever you think of this Star Trek, it breaks the mold. Throw a dog on there, you couldn't have a more human thing going on.... And he's the cutest dog in the wor-- I guess you could say in the entire galaxy." He might want to be careful about how much screen time the little pooch gets, however. "When I talked to my folks the night [of the debut]," says Trinneer, "they said, 'The dog's a hit.' And I said, 'What do you mean, the dog's a hit?'" He shakes his head. "Everybody loves the dog."

It's actually funny...on purpose. 

Did you hear the one about the rabbi, the Tribble, and the Klingon? No, you didn't. That's because Trek has traditionally boasted about as many yuks as The Weather Channel. "We're trying to make the show funnier out of the gate," says Braga. "The way we approached humor in the past, we would occasionally do the funny episode. But there was always kind of a visceral feeling that the show was not inherently humorous. It was very serious, a somewhat brooding kind of thing. We wanted to create a show that would have organic humor every single week, humor that didn't feel forced." To that end, keep an eye on Trip, a sarcastic dude from the Florida Keys who's a gifted engineer but a high-level fish-out-of-water when it comes to interspecies relations. "I don't think I would have been cast on Voyager," notes Trinneer. "I was talking to somebody at the beginning of this series and they said, 'How's it going?' And I said, 'I think the tone's a little different, because if it's not, I'm going to suck.'" Chuckles Berman: "My favorite line--the shuttle craft lands, and as the dog runs out of the craft into the woods, Trip looks up and goes, 'Where no dog has gone before.' And the dog is running right for a tree." Granted, it's not quite Seinfeld--nor should it try to be--but, c'mon, if you can't laugh at deep-space dog wee-wee, what can you laugh at?

Source: www.dominickeating.com

[cvrdelia]

Welcome to Aurora Bay, [CORDELIA DANVERS]! I couldn’t help but notice you look an awful lot like [MARGOT ROBBIE]. You must be the [THIRTY TWO] year old [NEWS ANCHOR]. Word is you’re [ASSERTIVE] but can also be a bit [VINDICTIVE] and your favorite song is [HISTORY OF MAN BY MAISIE PETERS]. I also heard you’ll be staying in [CRYSTAL COVE CONDOMINUMS]. I’m sure you’ll love it!

BASICS

Name: Cordelia Genevieve Danvers Gender/Pronouns: Cisfemale/She&Her Sexual/Romantic Orientation: Bisexual Age: 32 Birthdate: 17th November Occupation: News Anchor

ABOUT

Cordelia Danvers was born in 1989 in Aurora Bay, to a mother and a father that she assumed were soulmates. However, years later, after both of her siblings were born, she'd be proven wrong with a divorce and a new girlfriend on her father's arm. This would have warped her perception of love, romance, relationships until her late teen years... and she'd become conditioned to believe that nothing ever lasts forever, so why bother.

Growing up, Cordelia always wanted to be the center of attention, she'd give anything to be in the spotlight — but mostly because once her sisters had arrived, she found herself often overlooked by people due to their youth and 'cuteness'. At least with her mother, the favoritism was retained until she was ten — and until Sloane had showed a talent far greater than hers. All because of...

Pageants. Cordy hadn't shied away from her early age dream of stardom, telling her mother she wanted to be like the princesses she saw on television. Fortunately for her, Daphne Danvers entertained her daughter's ambitions, and began entering her into local beauty pageants at her request.

It was something that she carried on competing in — and winning — until her teenage years, gathering crown after crown and hoping that eventually she'll go on to compete in Miss California USA one day. Although, it was not meant to be when her father intervened at sixteen and said enough. It had taken over her life and she needed to focus on her academics, he'd said, much to her disapproval. After several arguments between them, Daphne caved and told Cordy that she could only continue competing in pageants if she achieved highly in her studies.

Unfortunately, academics had never been her strong suit, and that was the end of her pageant career.

For the rest of her teenage years, she despised her mother and father, and made it known through truancy and bad behavior. She wasn't the perfect golden child like Sloane.

Luckily, she was able to scrape the grades to earn her a place at the Florida State University, majoring in journalism. It was an almost random choice, something to keep her parents happy, and she'd grown up watching Sex and the City, and believed she was in fact a Carrie.

She joined Kappa Kappa Gamma sorority, and eventually became President on the Chapter Council. Again, she allowed herself to stray from her academics and began to focus more into planning events and the guys from Kappa Sigma.

Graduating in the summer, she was able to secure an internship through her just above average grades and extra-curriculars, to KTLA-TV station in Los Angeles. She grew tired of running around and collecting coffees, and began to make connections — sweet talking anyone who would listen, those particularly that she'd spotted needed an ego boost.

It was only a few years down the line that she'd been able to swindle her way into an interview for a field reporter for KTLA 5 News and was offered the role of a lifetime. It wasn't a secret to her that perhaps her employment hadn't been solely based off her ability to talk, but potentially more so her preened appearance. However, it didn't matter, she was here.

After successful runs for a number of years, she soon became a co-anchor for the evening news and could report on current events from the comfort of the studio, becoming a known name in Southern California — if people watched the news.

Living in Los Angeles and not far from her small hometown, she attempted to keep in contact with her family as much as she could — however, she often became distracted by the lavish parties she attended and the single life she so independently lived.

She was on track to receive a promotion as a solo news anchor, when she'd heard of Sloane's pregnancy, she couldn't believe it. It was typical that of course, her sister had to steal the limelight, again. However, she wasn't completely heartless and after making sure her promotion was secure, she booked some time off, then decided to visit her old town — with definitely no coercion from her mother.

She doesn't know how long she plans on staying in town, but she's here to give Sloane some support and have a 'well deserved' break.

CONNECTIONS

younger sister @dancingdanvers

best friend @arkin-oconnell

hook up/public annoyance @benj-hyun

fwb without the friends @borawinters

@AURORABAYAESTHETIC

[princess-viola]

how is a link to the website a bonus feature anchor bay entertainment

[singeratlarge]

ALBUM OF THE WEEK: SAN FRANCISCO SUSPENSION BRITCHES https://johnnyjblairsingeratlarge.bandcamp.com/album/san-francisco-suspension-britches-audio-diary-entries-1990-95  —An “audio diary” of recordings, demos, and rehearsals mainly from San Francisco locales (including the hallowed Tom Mallon Studios)—a collection of high-energy originals + fun covers of songs by Bruce Cockburn, Donovan, Bob Dylan, Neil Young, + a “Dirty Harry” remake of Scott McKenzie’s “San Francisco (Be Sure to Wear Flowers in Your Hair).” I was blessed by a fabulous cache of musicians, many of whom joined me on Bay Area stages as The Rover Boys, performing daring and entertaining shows in a “revolving door” of  bike messengers + musicians from the L.A. metal band Soldier, and the (now legendary) confessional power pop band Flying Color. Remarkable artist and singer-songwriter Michael Miller (ex of Exit Records) contributed guitar and poster art. Bassist Adam Savetsky (of The McGuires) and rock-steady drummer Bennett Green anchored the rotation. The “male model” on the cover art (seen on the album cover link) was drawn by the great artist Joe Sloan, frontman for the band Spot 1019. I’m grateful to have worked with these talents. Give a listen:

#SanFrancisco #BayArea #BruceCockburn #Donovan #BobDylan #NeilYoung #ScottMcKenzie #FascistArchitecture #TomMallon #NewWave #rootsrock #flowerpower #IggyPop #RoverBoys #MillionDollarQuartet #SunRecords #Soldier #FlyingColor #ChrisvonSneidern #JohnStuart #MichaelMillerCrusade #AdamSavetsky #McGuires #BennettGreen #JoeSloan #Spot1019 #JonnyV #JohnPhillips #train #JohnnyJBlair