#Also i really love this new origin

[maybe-drawing]

Loosely inspired by Joel's New Life episode 5 thumbnail

Horses are harder to draw than they look

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[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.

(Part 1, Part 2, Part 4)

[chez-cinnamon]

No I don't have favourites, what are you talking about ??

[shepscapades]

Prepping for Art Fight for the first time, so I’m finally making some solid refs for my sona!! :] Figured I would share her here!

[tomaturtles]

Kawoshin Week Day 4: Spinoffs! (+ Inhuman Kaworu?)

The other angels in Campus Apocalypse have wings... It only makes sense that Kaworu would have them too <3

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[juniemunie]

Broskis ts!underswap is so fun. every single part of it is *chefs kiss*

I went in completely blind and honestly i think it was the best move i could have made

i love how its just swapped roles but not personalities so it leads to stuff like this its so creative

Anyways have some more self insert sansnomaly (and chara)

[cheriboms]

[spite] has entered the chat >:P

[doctahpants]

I finished Four! That scarf was a pain, but I'm so glad I did it that way!

[dovewingkinnie]

remember candy contagia yea me neither this is mr whiskers and his original design!! had him for like 4 years before i changed him up !! i kind of wanna switch back to it actually purely bc mr whiskers looks way more wife here

[glowpuppy]

something quick of @kewpiekills' voyeur- he charmed me to say the least

[0m3n-0f-d3ath]

Otttttto

I ❤️ Medieval torture

[sillyfairygarden]

thellosona 2.0 !! ft. new haircolour and some fun elements

[sendmyresignation]

okay real thoughts, i think i have the very unpopular opinion of really enjoying the original revenge production/mix for various reasons- from the way it drives a real sense of immediacy which was a byproduct of compression/loudness even as it ruined 2000s production, all the way to these really inventive flourishes that made revenge totally stand out compared to its peers, like the way the split channels could build movement and space in a compressed medium all the way to these fascinating pieces of extreme polish which actually warped back around into interesting noise/texture (like the squeak at the end of give em hell! or the breaths. the weird moments of reverb or echo). i also like the aspcts people consider "muddy" because actually its just a play between clarity and the "din" of the instrumentals, a lot of parts sort of emerge out of the chaos and then retreat back, i find it mostly cool. its a cool record! and i'm happy to have the remix, if only to clarify my own thoughts and to see what the band/current production team thought was lost or viewed as important. but at the end of the day that tension between what was possible and what was industry standard which is so quintessentially revenge (itself such a quintessentially 2004 record lol) gets a little lost idk

[strawbebbiesart]

june/ july / august 💌🥪🦢

[nixotinix]

DC girls (and an obligatory Jason Todd to please The Masses)