#All problem solution

[problemnyatic]

"I think this Category of human being is disposable" okay that not only sucks and is fascist but also makes getting you to deem someone to be disposable a simple matter of convincing you they're in The Category regardless of the truth. Also The Category is often misapplied to a vulnerable minority because it makes people like you agree they're disposable.

"Anyone who disagrees with me about The Category of people being disposable is a Category apologist or probably also in The Category themselves" Oh so you're just totally unconcerned with truth or justice or ethics or human rights and just are feeding your bloodlust for the sake of revenge fantasies. got it 👍

[dimensionzero]

miles booking it through the spiderverse HQ with approximately a million spidermen after his ass like my guy. you can turn invisible

[zarla-s]

Dooo it, doooo it

(Links - neocities, sadgrl.online, w3schools, word to html editor, github, lissa explains it all, beginner's guide to html and css)

bleh I think i caught a cold on my trip, I've got a headache. plz allow for any delays, haha

[patreon]

[maze-of-my-design]

Y'know what? In a dying world so cruel and bleak, I think loving is the most powerful thing you can do. In a world where capitalism wants us to break our backs, where peace is scarce, and where some of our brains decide to say mean things to us. It's so important, actually, to be kind and share joy and take care each other, and ourselves, in spite of the way the world is. To love is one of the most rebellious acts one can do

[galacticlamps]

the way Edwin's immediate reaction upon seeing the misery wraith in the Devlin house is to grab Crystal and cover her mouth, even while he's explaining (apparently calmly) that it hunts by sensing negativity and pain - presumably instead of using sight or sound

and the way that he does the exact same thing to Charles when they're reunited in Hell, but here he urges him specifically to be quiet (in what must be the most barely audible line of dialogue in the whole show) because he's found that's the only way he can get a short reprieve between bouts of torture from the spider thing (to the point that when he ran into Simon earlier he - rather nonsensically - believed the sound of tearing paper behind a closed door was also a big risk)

All I'm saying is, it doesn't look like it was actually all that important he stop Crystal from making noise in the Devlin house, and as much as that scene originally read as Edwin kinda having his shit together while Charles & Crystal were both more affected & then literally incapacitated, his head couldn't have been half as clear as it first seemed if his immediate reaction was reverting to Surviving Hell Tactics even when they weren't really helpful or applicable here

[kaidatheghostdragon]

"You must be Ra's," Tucker stated, careful to keep on a poker face while he frantically assessed the situation - tied down to a chair, in what was probably the heart of this particular fruitloop's lair.

And there was a frankly disturbing number of similarities to the OG fruitloop: the way he stood, the style of his hair, the perpetual sneer.

The way he sent a shiver down Tucker's spine like Vlad used to be able to way back when he was still intimidating.

"Gotta say," Tucker continued, shoving his emotions down like only a human-born liminal that dealt with empathic rogues on the daily could ever manage, "not that impressed. For starters, your vibes are rancid, dude. Like, what do you do, bathe in corruption all day?"

That earned him a slap on the face, "You will speak when spoken to," Ra's ordered.

Tucker witheld a smirk. This guy seemed like the type to order subordinates around to do absolutely everything. The fact that he personally slapped Tucker with his own hand? It could only mean that Tucker was already under the guy's skin.

"Well, that just means I can keep talking since you just spoke to me," Tucker retorted, unafraid of another slap. Really, compared to the abuse he put himself through helping Danny, and the way his liminality skyrocketed in the last couple of years, it was barely even a love-tap. It didn't even sting.

Ra's raised a brow, giving the distinct impression that he was absolutely livid, though that may have been the liminal empathy cluing Tucker in. He'd never been great at reading emotions until that particular ability developed.

"Who do you work for?" Ra's began the interrogation.

Tucker returned with his best affronted glare, "Frankly, I'm offended that you don't believe I could do all this entirely on my own."

"Kill him," Ra's stated as he turned to leave, sounding so unimpressed that it almost seemed bored.

Out of the shadows, an arrow flew straight at Tucker, who slipped his restraints (thank you liminality for giving him limited ghost powers) and caught the arrow before it pierced his chest, "Yeah, no. Imma veto that."

Ra's turned back around, looking almost impressed.

It made Tucker feel way slimier than Vlad could ever hope to achieve. He repressed a shudder. After all, his job here was to keep Ra's distracted while the others invisibly raided the place, destroyed the pits, and planted explosives.

Tucker, being the technopath, would normally stay behind in the chair, but the League of Assassins was well defended against cyber attacks, forcing them to pivot somewhat in order to successfully infiltrate the place. He ended up creating a digital duplicate of himself (a literal duplicate, like Danny could do, but Tucker's duplicate could only ever exist inside of a computer, by all appearances a true AI) that the others could upload to the servers once they found them.

Beyond that, there wasn't much Tucker could do beyond providing a distraction. Sure, the LoA's technology was absolutely worth drooling over, but they didn't rely on it like most of the modern world did. There was no internet connection, electronic locks, or surveillance for Tucker to hack into and make his own. This place was all stone doors and medieval fortifications.

"Impressive," Ra's complimented after a moment of silent appraisal, "perhaps you are worthy of my attention after all."

Tucker scoffed, getting the clear impression that this guy fully expected the ground he walked on to be worshipped after admitting such small praise, "You're not the first megalomaniac I've had to deal with, and you won't be the last." (Team Phantom had an entire list of fruitloops to work through once their LoA financial backing was removed, after all) "I'll give you props for the sweet ninja cult you got going on, though. Gotta say, that's a first for me."

"Assassins," Ra's corrected.

"Same diff," Tucker retorted with a handwave, knowing full well that a guy like Ra's would be miffed by such a dismissal. He further feigned disinterest by examining the arrow he was still holding. Tucker had taken a few archery lessons when he was younger and picked it back up by training a bit under Princess Dora's royal guard. He was... decent, with a bow. He could reliably hit his target as long as he had a couple of seconds to aim - or used something laced in technology that allowed his technopathy to steady it.

The arrow was expertly crafted and perfectly balanced. His heightened liminal senses smelled a substance on the arrowhead - probably a paralytic, not that it would have kept Tucker down for very long, even if it had breached his heart, which would have been a quick death for any baseline human. He tossed it from hand to hand a few times, feeling the weight, the threw it like a dart into one of the nearest shadows. A soft thud echoed through the room when the arrowhead bonked the chestplate of the assassin standing there, then a clatter when it fell to the ground.

"If I had a bow, he'd be dead," Tucker needlessly commented, thumb pointing to the hidden guard. He was somewhat surprised the dude didn't catch the arrow like Tucker had. But then again, if the shadows were meant to fully conceal him, catching the arrow would have given him away from the arrow not making noise or falling to the ground.

"You knew he was there," Ra's stated more than asked.

"And the eleven others," Tucker easily replied, "A full dozen to guard the King of the Cult. Not that it'll make any difference. I've already won."

Tucker didn't have any misconcieved notion that his liminality would give him an edge over a dozen trained assassins. It doesn't really matter how good your senses are or how fast your reflexes when you have to dodge a dozen attacks simultaneously. But what he could do was turn intangible during those first few seconds of adrenaline-fueled panic, more than long enough for either of the Phantoms, neither of which were currently more than a few hundred yards distant, to reach him and drag him away from immediate danger.

So Tucker latched onto that confidence borne of complete trust in his team, and radiated it as much as he could, daring Ra's to call his bluff with nothing more than a knowing smirk.

[redxx95]

How Cherry Magic avoids romanticising self-sacrifice

Alright strap in boys, this is gonna be a long one.

Spoilers for the manga (mostly the english volumes but I will include a bit from vol 12. I'll mark it tho so yall may skip it if you don't want to be spoilered).

So in this one I want to examine how cherry magic does a great job at portraying self-sacrifice in a relationship as an actual flaw rather than a romantic ideal to aspire to. Very often you'll see characters in media putting their own needs aside for their lover. A lot of people will swoon at that because it is usually presented as proof of how dedicated they are to their partner and their wellbeing. (See... well the thai adaptation actually).

But what has pleasantly surprised me is how Toyota handles this in her manga.

Starting from the beginning, we all know the millions of things Kurosawa did for Adachi to get closer to him. After all, that is what's usually expected of him if we talk traditional gender roles. But one of the reasons Adachi even starts falling for Kurosawa is because of how he was for once able to do something for him.

For someone with very low self-esteem, being able to help this super-capable perfect man is a big boost in confidence and also raises his own selfworth.

So now let's look at a few instances of selfless action and the consequences resulting from them.

First one is the disaster-date in volume 4

Kurosawa does his very best to choose activities that he thinks Adachi will enjoy. That is his primary concern.

The effect this has on Adachi though is that the gap between them feels impossibly wide, only worsening his already low opinion of himself.

Whenever Kurosawa does something big, it makes Adachi feel that much smaller. That's why he'd rather them be equals in everything instead of one giving more than the other.

Next is the argument they have in volume 8

Kurosawa attempts to, very selflessly, protect Adachi from his lowkey homophobic parents. He doesn't want them and their opinions to hurt Adachi personally, so he ends up lying to him to keep the peace. The effect this has on Adachi though is disastrous. At first he's just generally worried about why Kurosawa would even lie to him in the first place, but then they have that fight in their living room and you really get a good look at how negatively this affects Adachi.

The very first conclusion he jumps to is that he's not doing good enough for Kurosawa to feel secure with him.

The next one is even worse, where he thinks he's not good enough in general. Both of these show how when pressed, he will default to blaming himself, believing that he is the problem first and foremost.

And then, if all of that wasn't bad enough, this happens next:

He's actually being self-deprecating again, something he hadn't done ever since Kurosawa told him not to in volume 5. And yes you can actually go back and check for yourself. Whenever he has negative thoughts after this point he's always pushing back.

So there's an escalation happening here, one that is entirely caused by Kurosawa not sharing his burdens with him, by making their relationship unequal.

I think it also hurts him extra bad because they've had this argument before, just with their roles switched.

So to him it must feel like Kurosawa is betraying the important lesson Adachi learned from that argument, which is that communicating with your partner is important, even when you feel like it might hurt them.

There's also something to be said about how most people would've probably stopped prodding when someone says "it's something I can't tell you", but Adachi knows that Kurosawa has a pattern of hiding his issues from him thanks to the mind reading, which is the whole reason they had that argument in vol 6 in the first place.

So, to summarize: Whenever Kurosawa acts selfless it takes a toll on Adachi's mental health. Because of his low self-esteem he needs to feel on equal terms with Kurosawa to be able to see himself as worthwhile. (And obviously he also loves Kurosawa and doesn't want to see him in pain just in general.)

So after all that, surely Kurosawa would have learned his lesson, right? Surely he wouldn't just do it again, right?

... Spoilers for volume 12 start here ✨

So volume 12 is all about Kurosawa overworking himself because he's been assigned this big project by their chief to oversee their company's spot at a stationery convention. (I didn't look up whether or not that's a real thing but it is in the manga universe I guess lmao.)

Adachi tries to help alleviate his burdens with mixed success.

(On the left he feeds Kurosawa because he needs to finish his work and doesn't have time to eat. On the right he tries to take a phonecall for Kurosawa but gets told that Kurosawa needs to hear it personally so relaying a message won't do.)

Then Adachi muses to himself how Kurosawa was always helping him out in the past and how Adachi can't do anything for him in return, especially since they're in different departments. He feels very useless, which is once again bad for his mental health.

Later at home, he offers to at least take over the chores for the time being, but gets told that Kurosawa actually enjoys doing chores so there's no need for him to help.

Kurosawa tells him that all he needs is Adachi to be close to him, while making out with him on the sofa. And right here we see how he only got half the lesson he was supposed to have learned in volume 8: In their fight Adachi told him that they should both be happy and he should share "all the hurt" with him, too. Well, the simple solution to that is not to see all his burdens as burdens, then he's not hurting and Adachi doesn't need to bother fussing over him! Win-win. Epic mind gymnastics 😎 (To be honest, I feel like this is actually very relatable to people that tend to give more than they take. We get so used to the weight of the burden that we don't notice it slowly pulling us down.)

So Adachi obviously notices what's going on and berates him about not having understood anything he said from that fight.

Throughout the volume Kurosawa gets more and more overworked, makes mistakes and is confronted with unexpected complications. He's very adamant about not asking anyone for help though, stating that he "can't be bothering his senpais any more than he already has" and that he's "doing this all for the sake of his future with Adachi".

He also still has some hangups about people seeing him as just a pretty face, as you can see in that flashback in the second page. He constantly feels the need to prove himself to others, which prevents him from ever seeking out help.

So when he inevitably reaches his limit, Adachi is finally able to be there for him, being the only one that sees through his facade.

(That hand kiss is so precious 😭)

Also, on that first page Adachi asks him whether or not he's fine, which reminds me of this panel from volume 6:

He really knows him so well.

Emboldened by his husband, Kurosawa finally does ask for help and is, of course, met with understanding and sympathy.

.

Spoilers for volume 12 end here ✨

So all this to say: Sometimes, when we try our best to be selfless and to protect the people close to us, we do more harm than good. Sometimes we cause harm to others (see volumes 4 and 8) and sometimes we cause harm to ourselves (see volume 12). It is of course a noble cause but it's not something to strive for at all times and can sometimes be actually counterproductive to what we wanted to achieve in the first place.

As someone who breaks themselves apart to help all the people around them, this aspect of the manga resonated very strongly with me and is probably the biggest reason I got so obsessed with this silly little BL romcom.

I know that this manga is not like, the best in quality. I know it's super niche and silly and cannot compare to the big popular mainstream manga with lots of depth and thought put into it, BUT.

A piece of art doesn't need to be "good" in order to resonate with people. You don't need to paint the mona lisa to reach someone and make them feel seen. You just need some sort of medium and a will to communicate something to the observer. (Something an AI could never replicate but that is a whole other discussion.)

This manga reached me when I needed it and it communicated a message that resonated with me and that is all it needed to do for me to love it to the point of obsession. 💖

Finally I'm done with this essay it is so long oh my god. If you reached the end of this, I'm so sorry. I hope you enjoyed it tho.

[yashley]

Did she keep you trapped?

[femmesandhoney]

I always find it interesting that these people completely ignore hijabi girls when they think about getting rid of female bathrooms in schools. I had many muslim friends and classmates who wore hijab and one of the only places they could adjust or take off their scarves completely or change was the girls bathrooms. Anyone who argues for unisex bathrooms and getting rid of female bathrooms always comes at it from such a male perspective and nothing makes it more obvious to me than when I think about the hijabi girls I grew up with. To me, that's an obvious "what about them". To people who literally only want to force males into female spaces with no care at all about our safety, this idea never comes up.

[doortotomorrow]

james cole - paradox

[lady-raziel]

hilarious that with each new day that passes a new bit of dirt from JD Vance's past gets discovered and plastered over the internet...it's almost as if this is why presidential campaigns have always announced their running mates well before the convention...so that if glaring issues with a candidate came to light quickly there would be time to replace them on the ticket before they were officially locked in...it's almost as if certain things in political campaigns were done for a reason, donald...because the very same critical failures had happened before...but no i'm sure you and your guys attempt to recreate a fantasy version of history while ignoring all the reasons that history was a disaster will work this time...because you are built different and the 10000th time trying fascism will work like a charm...

[jeeaark]

Remember Auntie Ethel's victim who could see people's possible futures? Yeaaah, Greygold walked right into that prophecy.

In the Far Realms, they have memory foam beds

[thats-highly-significant]

It genuinely blows my mind how Red Dwarf has multiple episodes where the problem is that Rimmer has been unloved for his whole life and has a series of genuinely harmful neuroses as a result of his general upbringing. And in one of those episodes (cough cough terrorform) the solution is to make Rimmer feel loved and accepted, and he gets better! And yet! Because it was an episodic BBC comedy from the late 80s they didn’t want to change the status quo too much between episodes so Rimmer just never ever actually gets better. There’s something kind of awe-inspiring about creating a completely insufferable character who usually operates as the punching bag to Lister’s straight man, and then taking a lot of episode runtime to tell the audience in explicit terms that he is the way he is because of a tragic series of life events, and that he could get better if someone bothered to show him some compassion, and then just going straight back to Well, It Is Time to Laugh At Rimmer. It’s like well why don’t you just fucking kill me and be done with it

[princesstarfire1234]

TLDR: I fucking despise ship art and fanfics that infantilize Orion Pax / Optimus Prime

Okay so I just wanna put my thoughts out here right now because I've not seen many people talk about it and it honestly bothers me a lot...

So, it's no secret that I ship MegOp and stuff right? I like and have reblogged a bunch of art of them before and I will keep doing so, but something about how this place (or more certain parts of the fandom) portray the ship gives me major icks and I fucking hate it so much

Detailed thoughts under cut ⬇️⬇️⬇️

Case in point, a massive part of the TFP fanbase likes to ship Orion and Megatronus and I get that, I get why people like shipping those two but it's the WAY they do it. A lot, not all, but most of the fanart surrounding Orion Pax and Megatronus is him being like the smaller and more submissive one of the relationship which fine, whatever, but most people just end up drawing him REALLY small like ik he's shorter than Megs who was a gladiator and all that and he was an archivist but jesus christ... Aside the size which is weird and all but it's really all about the rampant infantilization of the guy. When they remove all agency from the character and act like Orion is gonna fucking combust the moment someone confronts him or tries to fight him like no... I've not read Exodus but I don't think Orion being a nerdy book guy is gonna make him THAT soft, this is still the same mech who became PRIME like cmon

I don't know the exact words for it other than "infantilization" but like y'know what I mean right?? I'm not gonna name blogs but there's this one AU on here where Orion is blind and it has this cutesy artstyle which is fine but I vividly remember reading a comic on that AU where some thugs confront Orion and he's all like sobbing and shit and has to be saved by someone and it's... so you made him disabled and also a crybaby and absolutely incapable of anything??? Does that NOT give you an ick of sorts or seem weird??? God I don't even know anymore because I've seen many people seem to like that so I'm just scared I'm the weird one and wrong for this lmfao... Maybe there's smthn im not getting, you tell me

Anyways this post is getting real long, but this kind of "infantilization" also applies to certain fanarts of TFA MegOp, I always thought the ship was bordering on kind of strange (since TFA Optimus is like the equivalent of some 20-something college dropout and Megatron is implied to have been doing the war stuff way way way back like Ratchet's time) but I won't get into that, I just don't ship that certain brand of the characters myself, but it's fine, do what you want with it. Just know that I have seen art of those two where they treat TFA Optimus as this sort of incapable cutesy uwu boy (aaaghh)

So yeah.... hahahaha stop infantilizing characters and taking a ship where they're both grown ass big men and like straight up turning the other one into some weird ass incapable version of the character that lacks any and all agency and honestly bordering on being really icky as fuck, thank you, idc if you make Optimus the bottom or whatever, that's not what I mean, cya ✌️

[sass-squat]

Part 5 of the Linked Universe Winged Au! In the last poll you guys all voted for him so here he is, Wild!

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As always, there has to be a silly little bird fact to start off with so did you know that the American Kestrel is the smallest falcon in North America and only weighs about 3-6 ounces which is the equivalent of 34 pennies? This fact isn't actually important lore wise for this headcanon, but it did remind me of the one post where someone discovered that BoTW Link weighs approximately 8.5 apples.

Anyways, as you may have guessed, Wild is heavily based on the American Kestrel because of their beautiful plumage and their unique behaviors and characteristics.

An example of one of these behaviors is that American Kestrels are known for capitalizing on favorable soaring conditions, such as mountain updrafts and thermals while traveling. In this headcanon, Wild shows this characteristic primarily through his use of Revali's Gale and his tendency to make fires in order to more easily take flight. While his methods are incredibly effective, they do also tend to scare the rest of the group the first time he does them. After all, it's not everyday you see someone make a fire and then run headfirst into it just to take off.

While this specific habit of his may appear to just be a funny little quirk that he just does because he's WILD, it's actually a result of his near death experience with Guardians. The scars on his face and body may be clearly visible to everyone around him, but the damage done to his wings is actually far less noticeable. His various injuries and scars actually have a major impact on his ability to take off and effect his stamina needed to maintain flight for long periods of time. Because of this, he tends to use the aforementioned methods to aid his flight or oftentimes simply chooses to leap off high surfaces and glide rather than attempt to take flight.

However, despite having difficulties with the initial takeoff and his struggles to maintain flight for long periods of time, he's actually very adept and capable of fighting in the air. The way he fights allows him to deliver sharp, agile, and accurate killing blows to his enemies in a way that others describe as, "Witnessing time seemingly slowing down for everyone but him." In other words, he's a real force to be reckoned in once he's finally airborne.

Anyways, there's more I could explain but that's all for now folks! As always, kudos to all those who read all that lore dump and thank you again for always being so kind and supportive! All your words of encouragement always inspire me to worker harder! Thank you all and please feel free to reach out with any questions or requests for who or what you would like to see next!

P.S. After much encouragement I did recently make a TikTok account where I'll try to be posting regularly! Feel free to check it and my Twitter out at sass_squat3! Thank you all again for your support! :D

[soracities]

if we should protect children because they are vunerable, this means you would protect cruel children who bullies people who different than them then. the children who responsible to trauma for someone else's entire years

You're assuming that "protecting" children is the same as absolving them of responsibility and that's not what I said. All children are vulnerable, because all children are children; they don't come out of the womb with a perfectly working moral compass anymore than they come out of it waiting to hurt people--they're vulnerable because their understanding of the world is entirely at the mercy of what we, as adults, consistently tell them and show them. Children behaving cruelly aren't exempt from that--they learn that cruelty from somewhere, or someone. Your job, as the adult, is to make sure they understand that it's unacceptable so it will not happen again--but your job is also to ask why someone that young is behaving this way to begin with, so you can ensure they become better.

"Protecting" kids is not ignoring when they hurt or torment others, it's not refusing to teach them consequences or right from wrong, it's not "zero tolerance" policies in schools that treat a child being bullied and the child bullying them as equal instigators, and it's certainly not protecting them from recognizing, and atoning for, the pain they have caused someone else. You don't have to make peace with the now-adults who hurt you when you both were kids, but you cannot let the horrors of your own childhood impact how you treat or respond to the children living theirs around you right now, either.

You don't protect kids so they can get a free pass for bullying or tormenting another child. You protect them because kids are impulsive, emotionally reactive, and profoundly social (which means deeply impressionable) human beings who are still learning & processing insane amounts of information every day about what it means to be alive, to be alive as yourself, to be alive as yourself with other people. Protecting them is realising that you can't isolate the responsibility of a 10 year old from the bigger responsibility of the literal grown adults around them, adults who are in charge of teaching them about the world and how to behave in it. Whether you have children of your own in the future or not is completely irrelevant to this; we all become those adults eventually--no matter what happened to us as kids.