#All Time Best Songs Composed by A R Rahman

[musicalrecs]

Today's shameless promotion is for a show I've never seen and probably never will, and honestly? That might be for the best. Because while I adore the soundtrack for Lord of the Rings: The Musical, and the official clips on Youtube look amazing, I've heard the actual show is a bit of a, well, mess. And the incredibly complicated staging and huge cast mean it never toured and probably never will. But oh, the music!

The two group Hobbit songs ("The Road Goes On" and "The Cat and the Moon") are rousing crowd pleasers. The duet between Sam and Frodo as they try to keep their spirits up during the long road to Mordor ("Now and For Always") makes me tear up no matter how many times I hear it, it's so perfect for them and the story.

The Elves' big number, "Lothlorien," is beautiful. Gimli's "Lament for Moria" is... okay, look, to be honest the first couple times I heard it I assumed it was in Dwarvish because I couldn't make out the lyrics. XD But Aragorn and Arwen's "Song of Hope," is sweet and romantic with appropriate epic overtones.

Also, Gollum (and Smeagol) get a monologue on the CD that always freaks me out before I remember to skip it. XD (Not because it's bad, I just don't like Gollum and don't want to listen to him scheme, and it's like the audio equivalent of a jump scare when it starts.)

If you're familiar with Lord of the Rings (and if you're not, this musical is probably not for you), you may be wondering, "how did they boil all that plot into one musical, however long?" and from the reviews I've read, the answer is "not well."

Apparently it was more like a ballet/cirque du soleill sequence of set pieces, with some weird Hobbit pantomime-type stuff in-between? Which is fine as long as you know that's what you're in for. (Note: still mad about the time I went to see Movin' Out, the Billy Joel jukebox musical, without realizing it was ballet for middle-aged dudes.) There's a video on Youtube that attempts to recreate the whole show from various illicit videos, and gonna be honest, I made it through about three minutes before deciding the pictures in my head didn't need supplanting.

I just looked up the composers for the purpose of this post (why had that never occurred to me before?), and A R Rahman's discography has it's own Wikipedia page. O_O So that's a famous and prolific Bollywood composer; Värttinä, a Finnish folk band I'm going to be looking up as soon as I'm done writing this; and a guy who doesn't have his own page on Wikipedia but according to IMDB has been doing Marvel movies. So, that's definitely an interesting trio.

Speaking of research, apparently a production has been announced for this summer!! ...In Newbury, England. ::sigh:: In a 200-seat theater, no less, with reasonable ticket prices, so clearly some revisions to the staging and cast have been made, and it's being marketed as "semi-immersive" and oh, suddenly I'm quite sad I don't have the budget to vacation in the UK this summer. (If any of you see it, don't tell me if it's good now. It will only hurt me if it is.)

Right, jealousy of people able to go aside, if you like Lord of the Rings and you like musicals, do yourself a huge favor and listen to the soundtrack. I guarantee you'll love it.

[musicverse11]

Thaman S's Top Musical Hits: Tracks that Shaped a Generation

When we talk about influential figures in the South Indian music industry, Thaman S stands out as one of the most transformative forces in recent years. Known for his powerful, catchy compositions and his ability to set the perfect tone for any scene, Thaman has redefined what it means to be a film composer in India. His soundtracks not only enhance the storytelling of the films but also leave a lasting impact on the listeners. With his unique style, he has crafted a soundtrack revolution that has reshaped the musical landscape in Telugu, Tamil, and other South Indian cinemas.

Early Life and Journey into Music

Thaman was born into a family deeply rooted in music. He hails from a lineage of Carnatic musicians, and music has always been an integral part of his life. However, his journey into film music composition was not straightforward. Thaman began his career as a drummer and percussionist, performing with several well-known composers like Ilaiyaraaja and A. R. Rahman. His talent was undeniable, and he quickly made a name for himself as a skilled instrumentalist. But Thaman had a vision that went beyond playing instruments; he wanted to create his own music.

In 2009, Thaman got his big break as a composer with the Telugu film Kick. The soundtrack’s success was instant, and audiences were captivated by his ability to merge traditional Indian sounds with contemporary elements, creating a fresh and unique auditory experience. Kick was just the beginning, and Thaman went on to score several hit films, each time pushing the boundaries of what film music could achieve.

Signature Style and Musical Innovations

Thaman’s music stands out not only because of its catchiness but also due to his distinctive style. He has an innate ability to understand the pulse of the audience and creates music that resonates with listeners on a deep level. His compositions are a blend of electronic beats, strong rhythms, and melodic arrangements that bring a modern touch to traditional South Indian sounds. This mix of genres has given Thaman a signature sound, one that’s immediately recognizable.

What sets Thaman apart from many other composers is his willingness to experiment. He incorporates a variety of instruments, both Western and Indian, and is known for his innovative use of percussion and bass. This approach gives his music a strong, impactful feel. Moreover, Thaman is constantly adapting and evolving with new trends. In a time where music and production techniques are rapidly changing, Thaman’s work remains relevant and fresh. His music not only enhances the cinematic experience but also reaches audiences far beyond the theater, making his songs popular across platforms and languages.

Iconic Soundtracks and Career Highlights

Over the years, Thaman has worked on numerous projects that have left an indelible mark on South Indian cinema. Movies like Ala Vaikunthapurramuloo, Dookudu, Race Gurram, and Sarrainodu showcase some of his best work. His soundtrack for Ala Vaikunthapurramuloo, particularly the hit song “Butta Bomma,” became a cultural phenomenon, with millions of views on YouTube and fans worldwide recreating the song in their own ways. The melody and energy of the track, combined with Thaman’s rich production style, perfectly encapsulated the mood of the film and resonated with fans across all age groups.

Each project brings new opportunities for Thaman to experiment and grow as an artist. He takes immense care to tailor his compositions to fit the narrative and mood of the film, working closely with directors to ensure that the music complements the story. His music doesn’t merely play in the background; it elevates the storytelling, often becoming one of the most memorable aspects of the movie.

Thaman’s Impact on South Indian Music Culture

Thaman S has inspired a new generation of music composers, encouraging them to think outside the box and explore beyond conventional boundaries. His music has a youthful, energetic vibe that appeals to a broad audience, bridging generational and cultural gaps. Through his innovative work, he has not only gained a massive fan following but has also set a new standard in the industry.

Thaman’s impact is evident in the way his soundtracks are celebrated and revered. His music transcends language barriers and cultural divides, capturing hearts from Chennai to Hyderabad and beyond. His popularity has also paved the way for South Indian music to reach a global audience, bringing more recognition to the region’s film and music industries on the international stage.

Conclusion

Thaman S is more than just a composer; he is a visionary who has fundamentally reshaped the soundscape of South Indian cinema. Through his unique style and ability to blend tradition with modernity, Thaman has created a revolutionary shift in how audiences experience film music. His dedication, innovation, and passion for music have cemented his place as one of the most influential figures in the industry.

What’s your favorite Thaman S soundtrack? Is there a song that resonates with you personally? Share your thoughts in the comments, and let’s celebrate the genius of Thaman together.

To stay updated on Thaman S’s latest projects and releases, follow him on your preferred music streaming platform. Share this article with fellow music lovers and discover together the genius behind the music that’s captivating millions.

[bollywoodproduct]

Lyrics Ni Main Samajhh Gayi

Lyrics Ni Main Samajhh Gayi

Lyrics in English | Ni Main Samajhh Gayi | Taal-1999 | Anil Kapoor, Aishwarya Rai, Akshaye Khanna Sajna Ve…Sohniya… VeRaanjhna VeSohniya VeMaahiya VeMaahiya VeSohniya VeRaanjhna Ve Ni Main Samajh Gayi (2)Is Gall Di RamajhMain Samajh GayiNi Main Samajh Gayi (2)Is Gall Di RamajhMain Samajh Gayi Na Samjhi Thi To Ulajh GayiAb Uljhan Teri Sulajh GayiNi Tu Samajh GayiNi Main Samajh Gayi (2)Is Gall…

[emeraldskulblaka]

What's LOTR the musical like? The only stage adaptation I've seen is the 2018 Turun Kaupunginteatteri one (I lowkey envy my mom, she's seen two different stage adaptations, one of which is the previously mentioned 2018 one, and the other being the 80s Ryhmäteatteri one she went to see as a teen)

First of all, thank you so much for introducing me to these two Finnish adaptations! I haven't found much for Ryhmäteatteri's (only that it was 6 hours long), but Turun Kaupunginteatteri's looks AMAZING!

Feel free to share your thoughts on this show with me! I'd love to hear more about it. Sadly, my knowledge of Finnish is limited. Your mum is so lucky!

-

As for The Lord of the Rings: On Stage ('the' LotR musical), it's a spectacle. It's far more artistically elaborate than what first comes to mind when you hear 'musical', in terms of costumes/props, set, choreography, music and cast. It was expensive as hell to produce, so 2006 Toronto and 2007/08 West End were the only two productions ever to see the light of day.

'What's it like?' you ask me, who can't ever shut up about it. I'll do my best to give you a quick overview of what you can read/watch for an impression of what it looked and sounded like. (beware: I haven't seen it - my opinions are just based on video clips, interviews, bootlegs, and other people's opinions!)

Music

Without a doubt one of the best features of the show. It was composed partly by Värttinä, a Finnish band, partly by A. R. Rahman, an Indian composer, and coordinated/supervised by Christopher Nightingale. Even though the musical isn't sung-through, large parts of the dialogue and action have music playing in the background, and it's used a lot for special effects. You can check out the London Cast Recording here, and if you're interested, I can send you the full piano+vocal score as well. My favourite songs are Lothlorien, Now and For Always, and Wonder.

Set/Stage/Costumes

Here's what you saw when you arrived in the auditorium of the Theatre Royal, Drury Lane (West End):

Here's the stage during the Lothlorien scene (check out this video):

During many fight scenes, the elaborate rotating stage looked like this:

Here are the main characters in their usual attire (l-r Gollum, Sam, Legolas, Frodo, Gandalf (the White), Gimli, Black Rider, Arwen, Boromir):

Bonus: Galadriel, Arwen&Aragorn, Pippin&Merry with Ents:

Plot/Length

Originally, it ran for 3h 45mins, but they eventually cut it down to 2h 45min. Obviously, they had to leave out 'major?' plot points like Rohan (still existent in Toronto) and Caradhras, and (obviously) Tom Bombadil. In my opinion, it works. Having too many battles would tire the audience even more considering what's still there: Black Riders, orcs, balrog, Shelob, Sauron, Saruman.

Critical opinion

The show received mostly negative to mixed reviews. Critics agree that it was just TOO MUCH. Too many effects, too many characters, too long. The script was weak in many places.

BUT: almost every person I've spoken to who saw it enjoyed it and would see it again. I often hear something like 'it was a mess, and I loved every second of it'. Major points of criticism are again the script, Aragorn's and Gandalf's characterisations, and the direction.

Discussions

See my tags #lotr musical and #lord of the rings musical!

I've compiled all relevant information regarding the Lord of the Rings musical in this masterpost and my tags #lotr musical and #lord of the rings musical! Feel free to check them out. Alternatively, here's a trailer (more like: clip compilation)! You can message me/send asks about it any time.

[childofsquidward]

Tag Game!

Rules: answer 21 questions and then tag 21 people (bold of you to assume I know more than two people on this hellsite) who you want to get to know better.

I was tagged by @temmie-loony who is awesome, like thank you, I don’t know why I feel so flattered right now, but I do

Nickname(s): Diyu (everyone on my mom’s side of the family maybe), Diyumuni (grandma, mom’s side), Diyappa (my mom’s youngest sister), Gubbu/Gubbi (my mom’s other younger sister; the two names are kind of interchangeable), Diyapochua (my mom’s younger brother), probably others thanks to my mom's side of the family who come up with 135% of my nicknames as mentioned above

Zodiac: Sagittarius!

Height: 5ft. - 5ft.2 (maybe 3? hopefully?)

Last movie I saw: Ready (I've watched it 500 times over, no joke, just check my Netflix account)

Last thing I googled: statistics a tool for social research 4th edition (if anyone wants to hit me up with a pdf, I will be forever grateful; I hate this class, it’s 8am, I’m there right now, I’m a language student what the fuck is this?!)

Favourite musician: ummmmmm idk it changes this is hard wtf

Okay, so right off the top of my head - Shawn Mendes (I love every single one of his songs, I didn’t think I would, but I did), P!nk (all-time fave), The Pretty Reckless (Taylor Momsen’s voice you guys!), Big Time Rush, Kurt Hugo Schneider (okay, technically he’s a cover artist, but this man is magical like he plays a ridiculous number of instruments, his production quality is so unique and wonderful and his VOICE - listen, he does not sing as often as he should, and he shouuuuuld), and just like any song that was composed by A. R. Rahman, written by Javed Akhtar and sung by either Arijit Singh, Atif Aslam and/or Shreya Ghoshal you really can’t go wrong with

Song stuck in my head: A constant is Oi Dur Paharer Dhare (I still haven't heard the original) but as of recent Naa Tum Jaano Naa Hum from a movie called Kaho Naa Pyaar Hai (which defined my entire childhood solely) because I didn't realize that it was on my phone and I've been using Spotify the entire time but now I'm obsessed and I can't stop and basically I'm my own worst enemy; also, sometimes L’oiseau et l’enfant by Marie Myriam makes an appearance and it tends to make me like 4000x more dramatic than I usually am, which is saying a lot and I Like Me Better by Lauv (the KillerVibe theme, fight me)

Other blogs: I wish I was fabulous enough to have more than one blog (maybe one day... *wistful sigh*)

Do I get asks: once in a blue moon, yes, but I love and cherish every single one of them

Following: I’m assuming you mean how many people I’m following and not how many followers I have, so 554, I’m following 554 people

Amount of sleep: it depends... in high school, it used to be that I just wouldn’t sleep during the months of January and June, but now in uni it’s changed to October-December and February-April; honestly, I could go to sleep at like 3AM, and still wake up at 7AM and be fine as long as I finish classes by like 6PM - I don’t need more than 3-4h of sleep  

Lucky number: 13, 7, 4

What I’m wearing: my favourite... what colour is this maroon? like a plum, reddish-purpley (burgundy? I don’t know colours) thing (matches my hair) sweater that says ‘hello’ the bottom in white, the one pair of jeans I wear even though I have like 10 others, and my gray snow boots which are pretty cute considering that snow boots are ugly as fuuuuck (and probably pizza socks... am I wearing socks today? I don’t think I remembered to put on socks, nvm)

Dream job: to work with the UN, that's what I'm striving towards anyway, and maybe get a book published (my main goal in life is to be a functioning adult, and honestly, the UN thing seems infinitely more realistic)

Dream trip: a road trip to I don’t know where yet, but it’s gonna be a road trip

Favorite food: does food in general count? the first thing that comes to mind is chotpoti (it’s basically the filling you have inside a pani puri, but better cuz phuchkas over pani puri every time - but it’s literally these tiny lentils, chickpeas if you wanna be lazy, cooked with potatoes and every spice known to the world and then you add the tamarind sauce which is so hard to make and that’s why there’s always a limited amount but every asshole that comes to our place on Eid literally drinks it like some animal but whatever you literally have to soak the dry tamarind in water and get all the gross stuff out while keeping the good stuff and figure out a good balance of chilli powder, salt and sugar and it’s never as good as when mom does it)

Idk why I just ranted like it’s my job, but I’m leaving it there. I also like thin-crust mushroom pizza (the brand is Ristorante and it is the best), my dad’s shrimp and potato curry (idk what else to call it, I don’t even eat it with rice, I turn that shit into a taco, I’m not even sorry), naan and bihari kebab w/ that really spicy green chutney/raita/whatever it is, piyaju and aloo chop (it’s fried and it’s so bad for you, and I hate onions but for some reason I don’t give a fuck when it comes to piyaju even though it’s just lentils and onions - it’s frieeeeeed), and apple pie (apple anything dessert tbh)

Play any instruments: I've played piano kinda on and off (I could probably follow a song), I learned flute in middle school but I never continued it and ooooooo I'm trying to teach myself guitar; I also sing

Languages: Bangla (I need to re-learn how to read and write though, which is so sad), Hindi, Urdu, English, French, I’m slowly becoming fluent in Spanish and I’m trying to teach myself Arabic (listen, I might not be the doctor cousin, but look grandma I can read the Quran - I know my strengths! also, Arabic is a really pretty language)

Favourite song(s): Crazy Little Thing Called Love (Queen), Cheer Up (A Great Big World), Can’t Help Falling In Love (Elvis Presley), Raabta from Agent Vinod (the Shreya Ghoshal version!!!), Tujhko Jo Paya from Crook and Jo Pyaar Ho Gaya from Ishaan

Random fact: I am deathly afraid of birds. I always thought that birds just kinda freaked me out, but then I ran into oncoming traffic because there was a pigeon nearby so there’s that.  

Describe yourself as aesthetic things: black with splashes of pink and yellow because I have no sense of anything, snow, plaid shirts, sweaters, leather jackets, boots, coffee, cute stationery, studying (y’all know what I’m talking about right? like those images on Pinterest of ‘messy’ notes and pens and crap, usually with glasses there), pizza socks, fuzzy animal socks that probably have the little 3D whatever ears and nose (do they use pom-poms for those? idk), any variation of the ‘world’s okayest sister’ quote, BOOKS, candles, white lilies (the only flower I acknowledge as a flower)

Tagging: @maniq1 @darwinquark @ciscoscaitlin @dibs4ever @winxy-writing @thatkillervibe @sunshineoptimismandangels @lightninginmyeyes @headoverhiddles @hope-dyne @nordarhk @kendrasaunders @jwmelmoth @daftydraw  @taakoshell  @lewispanda @jalonii @cheleonrage712 @deathly-smirk @purpleyin  @crelliefan4life

[starfriday]

*First song of Gandhi Godse Ek Yudh- Out Now!*

Link:

Rajkumar Santoshi’s Gandhi Godse Ek Yudh has been constantly making headlines since the first look of the film came out. The unique concept of opposite ideologies shared by Nathuram Godse and Mahatma Gandhi has become a talking point for many, across the nation. After dropping an engrossing and captivating trailer, the makers of the film have now unveiled their first song- Vaishnav Jan To.

The song ‘Vaishnav Jan To’ is composed by supremely talented A R Rahman and was originally written by Late Narsinh Mehta. The song is presented by Jackky Bhagnani’s record label JJust music and sung in the melodious voice of Shreya Ghoshal. The song touches the emotional chords in your heart and also raises the emotion of patriotism at the same time.

Speaking about the song, A R Rahman mentioned, “Rajkumar Sir is a legend and working on a music for him was a great experience. Vaishnav Jan To is also one of the special songs because it was Gandhi Ji’s favourite. This song brought a sense of peace whenever I worked on it and I am sure it will bring the same peace and love in the hearts of my audience as well.”

Tanisha Santoshi shared, “Everything about Gandhi Godse is a treasure I will always cherish. Vaishnav Jan To was my first song. Since it is in the Gujarati language I had to prep for it days in advance. Also, there was an added pressure of the legendary singer Shreya Ghoshal ma'am lending me her vocals along with AR Rahman's sir's music so I had to give it my best. The song didn't have any dance steps obviously so I had to make it as expressive as possible through my emotions and eyes. But all in all, it was an exhilarating experience for me.”

Santoshi Productions LLP Presents A PVR Pictures Release, Directed by Rajkumar Santoshi, Music by AR Rahman, Produced by Manila Santoshi. Releasing in cinemas On 26th JANUARY 2023

[vsplusonline]

"I Feel Like I Have Been Reborn," AR Rahman On Becoming A Producer

New Post has been published on https://apzweb.com/i-feel-like-i-have-been-reborn-ar-rahman-on-becoming-a-producer/

"I Feel Like I Have Been Reborn," AR Rahman On Becoming A Producer

AR Rahman was photographed at the song launch of 99 Songs.

Highlights

AR Rahman turned producer for 99 Songs

Vishwesh Krishnamoorthy is the director of the film

“It’s an entirely new feeling,” said AR Rahman

Mumbai:

Oscar-winning composer AR Rahman says turning producer is like being born again, as a new man. AR Rahman has turned writer-producer with the film 99 Songs. “I feel like I have been reborn since the time I decided to turn a producer. It’s an entirely new feeling,” AR Rahman said. Opening up about the challenges of making a film, he said, “It’s like being born again as a new man. When I started as a film music composer, I already had ten years of experience. But as a producer, it felt so new and seemed like I was starting all over again and I wanted to leave no stone unturned in giving it my best. Also, since I was working with other debutants – the director and the actor – I was reminded that I have a completely new team and we had a modest budget. I didn’t want to spare any effort in presenting it well and try to make our own epic.”

Asked if he was a regular on sets during the shoot, he said, “I knew that if some important scenes needed to be expanded, I ensured I would be present on set. Our executive producer would tell me that we have time constraints and will have to wrap the scene in a day while I was keen on four because those are the scenes that need love and complete justice. It’s an art to balance between creative and commercial. However, if you get too creative then you may have to sell your property.”

“It is a first attempt and I hope we have done our best. My wife and daughters have been a great support,” he added.

The movie is directed by debutant director Vishwesh Krishnamoorthy and will release in three languages, including Hindi, Tamil and Telugu. “99 Songs” will also introduce Ehan Bhat. Presented by Jio Studios, the film is produced by A. R. Rahman’s production company YM Movies and co-produced by Ideal Entertainment.

(Except for the headline, this story has not been edited by NDTV staff and is published from a syndicated feed.)

Source link

[bollywoodirect]

Tribute to Nusrat Fateh Ali Khan Saab the maestro of qawwali and sufi music on his 20th death anniversary

Nusrat Fateh Ali Khan (13 October 1948 – 16 August 1997), was a Pakistani musician, primarily a singer of Qawwali, the devotional music of the Sufis. He possessed an extraordinary range of vocal abilities and could perform at a high level of intensity for several hours. Extending the 600-year old Qawwali tradition of his family, Khan is widely credited with introducing Qawwali music to international audiences. He is popularly known as "Shahenshah-e-Qawwali", meaning "The King of Kings of Qawwali".

Born in Faisalabad, Khan had his first public performance at the age of 16, at his father's chelum. He became the head of the family qawwali party in 1971. He was signed by Oriental Star Agencies, Birmingham, England, in the early 1980s. Khan went on to release movie scores and albums in Europe, India, Japan, Pakistan and the US. He engaged in collaborations and experiments with Western artists, becoming a well-known world music artist. He toured extensively, performing in over 40 countries.

Khan is often credited as one of the progenitors of "world music". Widely acclaimed for his spiritual charisma and distinctive exuberance, he was one of the first and most important artists to popularise Qawwali, then considered an "arcane religious tradition", to Western audiences. His powerful vocal presentations, which could last up to 10 hours, brought forth a craze for his music all over Europe. Alexandra A. Seno of Asiaweek wrote:

Nusrat Fateh Ali Khan's voice was otherworldly. For 25 years, his mystical songs transfixed millions. It was not long enough ... He performed qawwali, which means wise or philosophical utterance, as nobody else of his generation did. His vocal range, talent for improvisation and sheer intensity were unsurpassed.

Jeff Buckley cited Khan as a major influence, saying of him "He's my Elvis", and performing the first few minutes of Khan's hit "Yeh Jo Halka Halka Suroor Hai" (including vocals) at live concerts. Many other artists have also cited Khan as an influence, such as Grammy-nominated Pakistani-American Nadia Ali, Zayn Malik, Peter Gabriel, A. R. Rahman, Sheila Chandra, and Alim Qasimov. Author and neuroscientist Sam Harris cited Khan as one of his favourite musicians of all time.

Paul Williams picked a concert performance by Khan for inclusion in his 2000 book The 20th Century's Greatest Hits: a 'top-40' list, in which he devotes a chapter each to what he considers the top 40 artistic achievements of the 20th century in any field (including art, movies, music, fiction, non-fiction, science-fiction). The Derek Trucks Band covers Khan's songs on two of their studio albums. Their 2002 album Joyful Noise includes a cover of "Maki Madni", which features a guest performance by Rahat Fateh Ali Khan, Nusrat Fateh Ali Khan's nephew. 2005's Songlines includes a medley of two of Khan's songs, "Sahib Teri Bandi" and "Maki Madni". This medley first appeared on the band's live album Live at Georgia Theatre, which was released in 2004.

In 2004, a tribute band called Brooklyn Qawwali Party (formerly Brook's Qawwali Party) was formed in New York City by percussionist Brook Martinez to perform the music of Khan. The 13-piece group still performs mostly instrumental jazz versions of Khan's qawwalis, using the instruments conventionally associated with jazz rather than those associated with qawwali.

In 2004, a tribute band called Brooklyn Qawwali Party (formerly Brook's Qawwali Party) was formed in New York City by percussionist Brook Martinez to perform the music of Khan. The 13-piece group still performs mostly instrumental jazz versions of Khan's qawwalis, using the instruments conventionally associated with jazz rather than those associated with qawwali.

In 2007, electronic music producer and performer Gaudi, after being granted access to back catalogue recordings from Rehmat Gramophone House (Khan's former label in Pakistan), released an album of entirely new songs composed around existing vocals. The album, 'Dub Qawwali', was released by Six Degrees Records. It received huge critical acclaim internationally, reaching no. 2 in the iTunes US Chart, no. 4 in the UK and was the no. 1 seller in Amazon.com's Electronic Music section for a period. It also earned Gaudi a nomination for the BBC's World Music Awards 2008.

On 13 October 2015, Google celebrated Khan's 67th birthday with a doodle on its homepage for India, Pakistan, Japan among other countries calling him the person "who opened the world's ears to the rich, hypnotic sounds of the Sufis". “Thanks to his legendary voice, Khan helped bring "world music" to the world," said Google.

In February 2016, a rough mix of song recorded by Red Hot Chili Peppers in 1998 called "Circle of the Noose" was leaked to the internet. Guitarist Dave Navarro described the song saying "It's pop in the sense of verse, chorus, verse, chorus, bridge, hook. I really love it and we use a loop of Nusrat Fateh Ali Khan. It's really nice. The best way I can describe it is it's like pepped- up '60s folk with '90s ideals, but I would hate to label it as folk because it's not, it moves."

Photo Courtesy- Imprints and Images of Indian Film Music

Like बॉलीवुड डायरेक्ट Bollywoodirect

[bollywoodpapa]

Dalip Tahil collaborates with Louiz Banks and Shweta Shetty to launch his own band

New Post has been published on https://www.bollywoodpapa.com/dalip-tahil-collaborates-with-louiz-banks-and-shweta-shetty/

Dalip Tahil collaborates with Louiz Banks and Shweta Shetty to launch his own band

Bollywood actor Dalip Tahil who is best known for his villainous roles in films like ‘Baazigar’, ‘Kaho Naa Pyaar Hai’ among others is all set to launch his own band with the likes of pop artiste Shweta Shetty and renowned music composer and jazz keyboardist Louis Banks.

The actor will launch his band on May 11, 2019 at the Royal Opera House in Mumbai.

Dalip Tahil collaborates with Louiz Banks and Shweta Shetty

The band will feature Gino Banks on the drums, Rhys D’Souza on the saxophone, Avishek Dey on bass and Kush Upadhyay on guitar. The concert is titled ‘Soul2Soul’ and the band will perform a wide range of songs across genres in English Retro, R&B, Commercial Pop and Hindi Pop, and promises audiences to make it a musical evening filled with nostalgia. Dalip Tahil himself will be performing on eight to ten songs in both Hindi and English including a few duets with Pop icon of the 90’s – Shweta Shetty.

“Prior to entering the film industry, I was a theatre artist and many of the plays were English musicals. Many people may not know this but I have sung in the London stage musical – Bombay Dreams, the songs of which have been composed by AR Rahman. Shweta, Louiz and I go a long way back and are very passionate about music. With Soul2Soul we are introducing our band and hope to continue playing and organizing such concerts for the love of pop and jazz,” says Dalip Tahil.

Bombay Dreams was produced by Andrew Lloyd Webber who has written musicals like Phantom of the Opera, Cats, Jesus Christ Superstar, and Evita. The late theatre actor-director Alyque Padamsee had adapted Evita in 1999 for the Mumbai stage in which Dalip Tahil had played the role of the fabled Argentinian revolutionary Che Guevara.

“I am both excited and a tad nervous because I am doing too many things at the same time. With God’s grace, I have been occupied with new projects that are web based series. If our debut performance strikes a chord with the audiences, we’ll be more than happy to perform again. We are here because of our passion for music and if music aficionados like us and demand another concert we will oblige,” concludes Dalip Tahil.

Read also:

#MeeToo: Dalip Tahil asks co-actress to record consent before filming rape scene for web series!

On the work front, Dalip will be next seen in the Akshay Kumar-starrer Mission Mangal.

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Lyrics Kay Sera Sera

Lyrics Kay Sera Sera

Lyrics in English | Kay Sera Sera | Pukar-2000 | Prabhu Deva, Madhuri Dixit, Anil Kapoor | A R Rehman Good Evening Ladies And GentlemenNaujawaanoBaat MaanoKabhi Kisi SeNa Pyar KarnaNaujawaanoBaat MaanoKabhi Kisi SeNa Pyar Karna Hey Kay Sera Sera SeraJo Bhi Ho So HoHamen Pyar Ka Ho AasraPhir Chaahe Jo HoHey Kay Sera Sera SeraJo Bhi Ho So HoHamen Pyar Ka Ho AasraPhir Chaahe Jo Ho………. Best Dance…

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There’s no stopping #Sanju in his quest for love in the song #RubyRuby, composed by A R Rahman. Link in bio. #Sanju #RanbirKapoor @FoxStarHindi @arrahman @vinodchoprafilms #IrshadKamil #RajkumarHiraniFilms

A post shared by Rajkumar Hirani (@hirani.rajkumar) on Jun 19, 2018 at 11:05pm PDT

Sanju, the biopic on Sanjay Dutt’s life, is all set to hit the silver screen on June 29. 

Directed by Rajkumar Hirani, and having Ranbir Kapoor in the title role, the film is based on anecdotes narrated by Sanjay Dutt himself.

 It deals with Dutt’s various affairs, his drug addiction, his obsession with guns and his involvement in the infamous arms case which led to him being jailed for a large period of time and has haunted his life for more than twenty years. 

Sanju’s journey is marked by many ups and downs. Some moments suspend you into disbelief. See these postcards i.. Every image a story.. a story unbelievable but true… #BelieveItOrNot #Sanju #RanbirKapoor @FoxStarHindi @VVCFilms #RajkumarHiraniFilms

A post shared by Rajkumar Hirani (@hirani.rajkumar) on Jun 13, 2018 at 11:00pm PDT

We take a look at 7 famous films based on the lives of actors that gained a cult following over the years…

Mahanati (2018)

Directed by Nag Ashwin, Mahanati  is a film based on the life of actress Savitri, said to be the first female superstar of the Indian film industry.  Keerthy Suresh brought to life the title character, Dulquer Salmaan, who made his Telugu debut with the film played Gemini Ganesan, Samantha Akkineni  essayed the character of Madhuravani (BA Gold Medal), a journalist who is the narrator of sorts for the film, Bhanupriya, Vijay Devarakonda played Vijay Antony. The who’s who of the South industry were part of this prestigious project. Some of the cameos included that of Akkineni Naga Chaitanya who played his grandfather Akkineni Nageswara Rao, Mohan Babu played S. V. Ranga Rao, Prakash Raj played Aluri Chakrapani, Krish was K. V. Reddy, Srinivas Avasarala was L. V. Prasad, Sandeep Vanga was seen as Adurthi Subba Rao, Tharun Bhascker Dhaassyam was Singeetham Srinivasa Rao and Sai Madhav Burra played Pingali Nagendra Rao. N. T. Rama Rao was brought to life using special effects and a body double. The film opened to rave reviews. Talking about her role in an interview, Keerthy reportedly said that it was a life lesson to play the role of a real-life character like that of legendary actress Savitri. She said after playing Savitri, she understood the importance of relations and friendships and added she would never make the mistakes Savitri made with her life and career.

The Dirty Picture (2011)

Directed by Milan Luthria, the film was reportedly based on the life of sex symbol Silk Smitha belonging to the South industry, who was known for her raunchy numbers. The film depicted her life from that of being an extra in the film to that of being one of the most sought after and popular actresses around. Vidya Balan was unconventionally cast against type as the central character and to the surprise of everyone wowed both the masses and the critics alike. The film opened to packed houses and Vidya also won the Filmfare Award for her powerhouse performance. Speaking about her role during the promotions of the film, Vidya had this to say, “I have never enjoyed being a woman more than I did while shooting for The Dirty Picture. I wasn’t uncomfortable doing bold scenes because I knew I was in trusted hands.”

My Week with Marilyn (2011)

My Week with Marilyn is a 2011 British drama film directed by Simon Curtis and written by Adrian Hodges. It stars Michelle Williams, Kenneth Branagh, Eddie Redmayne, Dominic Cooper, Julia Ormond, Emma Watson and Judi Dench. Based on two books by Colin Clark, it depicts the making of the 1957 film The Prince and the Showgirl, which starred Marilyn Monroe and Laurence Olivier. The film focuses on the week in which Monroe spent time being escorted around London by Clark (Eddie Redmayne), after her husband, Arthur Miller (Dougray Scott), had left the country. The film is based on Colin Clark’s The Prince, The Showgirl and Me and My Week with Marilyn; two diary accounts, which document his time on the set of the 1957 film. Monroe and Olivier, who is considered the most gifted Shakespearean actor of all time, didn’t reportedly get along during the shooting of the film in 1956. At that point of time, Monroe found a sympathetic ear in form of British writer and filmmaker Colin Clark. Kenneth Branagh played Olivier in the film. Celebrated actress Michelle Williams was lauded by the critics for her true to life depiction of Monroe and won an Oscar nomination for it. In an interview given at the time, she mentioned she was kind of apprehensive of the whole thing and spent around six months trying to talk herself out of it. “But, in the end, there was a kind of inevitability. It was the kind of part I was born to challenge myself with…”

The Life and Death of Peter Sellers (2004)

The Life and Death of Peter Sellers is a 2004 British/American film about the life of English comedy actor Peter Sellers, based on Roger Lewis’s book of the same name. It was directed by Stephen Hopkins and starred Geoffrey Rush as Sellers, Miriam Margolyes as his mother Peg Sellers, Emily Watson as his first wife Anne Howe, Charlize Theron as his second wife Britt Ekland, John Lithgow as Blake Edwards, Stephen Fry as Maurice Woodruff and Stanley Tucci as Stanley Kubrick. Though the film met with positive reviews, both Britt Ekland, Sellers’ second wife and Lord Snowdon, a close friend criticised it for different reasons, though both agreed that the Sellers they saw on screen wasn’t the Sellers they knew in real life. Film critics were more generous in their praise and Rush won the Emmy for his performance. Geoffrey Rush reportedly tried on 38 wigs and 40 voices to get his impression of the dark genius right. Parallels with his own life were drawn at the time but Rush refuted them saying his own life wasn’t as dark and troubled as Sellers’. It was a tough challenge for Rush to be Sellers as the script by Stephen McFeely and Christopher Markus had Sellers inhabiting the various characters who shape his life. It must have been tough both physically and mentally but Fry somehow overcame the difficulties and gave a wonderful performance. “Some people find the idea of the Sellers character playing various people in the film weird or disconcerting,” Rush said in an interview. “I always found it terrific.”

Iruvar (1997)

The film was loosely based on the life and times of MGR and Karunanidhi, though Mani Ratnam never officially commented on that. MGR was brought to life by Mohanlal in one of his most sublime performances while Prakash Raj gave his career’s best performance as the poet-politician Tamizhselvan and won a National Award for the same. Aishwarya Rai made her big screen debut through this film and played the dual role of Jayalalitha and Mohanlal’s wife.  Talking about the role in an interview with a daily, Mohanlal commented Iruvar offered him an entire lifespan of a character. He liked the role as it had a lot of variations. Prakash Raj, who was trying to make a mark outside of Kannada films, too said Iruvar helped him take the next big step in his career. The film is described by some to be the finest film directed by Mani Ratnam.

Chaplin (1992)

Chaplin is a 1992 British-American biographical comedy-drama film about the life of British comedian Charlie Chaplin. It was produced and directed by Richard Attenborough and stars Robert Downey, Jr., Marisa Tomei, Dan Aykroyd, Penelope Ann Miller, and Kevin Kline. It also features Geraldine Chaplin in the role of her own paternal grandmother, Hannah Chaplin. The film was adapted by William Boyd, Bryan Forbes and William Goldman from the books My Autobiography by Chaplin and Chaplin: His Life and Art by film critic David Robinson. It was a role of a lifetime at the time for Downey, who is known today as Iron Man. He was a no-name actor with allegedly no professional training who reportedly aced the screen test in a field consisting of 30 known actors. Director Richard Attenborough described him thus at the time – “This little Brat Pack gadfly with virtually no discipline.” The film opened to mostly positive reviews and Downey was praised for his sensitive portrayal of the troubled genius that was Chaplin. He was nominated for the Oscars but like Chaplin himself, who never won an acting honour at the Academy Awards,  he too didn’t win. But he did win the BAFTA in the Best Actor category.

Bhumika (1977)

Bhumika is a 1977 film directed by Shyam Benegal. The film stars Smita Patil, Amol Palekar, Anant Nag, Naseeruddin Shah and Amrish Puri. The film is based on the memoir, Sangte Aika of the well-known Marathi stage and screen actress of the ’40s Hansa Wadkar, who led a flamboyant and unconventional life. The film won two National Film Awards — Smita Patil won the National Award for her power packed performance and it also won the Best Screenplay Award. It won the Filmfare Best Movie Award as well. It was invited to Carthage Film Festival 1978, as also to the Chicago Film Festival, where it was awarded the Golden Plaque in 1978. The story moves back and forth across flashbacks to the early life of Wadkar. Apart from the non-linear narrative, the film also employed the film within a film device. The film was lauded by the critics and Smita Patil’s performance continues to get praised. Some say it’s her career best performance. In an interview with Filmfare, this is what Shyam Benegal said about Smita’s role in Bhumika. “Initially, I had considered Shabana for Bhumika (1977) too but Smita’s body language and dialect seemed culturally apt for her Maharashtrian character. Bhumika, based on the life of Marathi actress Hansa Wadkar, required Smita’s visual presence from the beginning to the end…”

The most awaited biopic of the year, Sanju, is set to hit the theatres on June 29, 2018. We bring to a few posters of the film..

Meet Vicky Kaushal. Such a refined actor and pure joy to work with him. He plays Sanju’s best buddy. #SanjuTrailer out in 2 days on 30th May! #RanbirKapoor @vickykaushal09 #RajkumarHiraniFilms @foxstarhindi @VVCFilms

A post shared by Rajkumar Hirani (@hirani.rajkumar) on May 27, 2018 at 10:34pm PDT

‪#sanju is a father-son story. Meet the father today – Paresh Rawal. Had fun working with him. #RanbirKapoor @VVCFilms @foxstarhindi @SirPareshRawal ‬

A post shared by Rajkumar Hirani (@hirani.rajkumar) on May 25, 2018 at 10:13pm PDT

A still from #Sanju’s crazy romantic love life! #SanjuTrailer out in 5 days on May 30th. #RanbirKapoor #VVCFilms @foxstarhindi @sonamkahuja

A post shared by Rajkumar Hirani (@hirani.rajkumar) on May 24, 2018 at 10:38pm PDT

And here is my dear friend Anushka. It’s a special appearance….but she worked on every nuance of the role for days together. Can anyone guess who she plays?….Will reveal tomorrow at the trailer launch. @AnushkaSharma #RanbirKapoor #RajkumarHiraniFilms @VVCFilms @foxstarhindi

A post shared by Rajkumar Hirani (@hirani.rajkumar) on May 29, 2018 at 12:56am PDT

She lovingly called him #Sanju, and now that’s what we all do too! Watch the ever so wonderful Manisha Koirala as Nargisji on 29th June. @m_koirala #RanbirKapoor! #RajkumarHiraniFilms @VVCFilms @foxstarhindi

A post shared by Rajkumar Hirani (@hirani.rajkumar) on Jun 5, 2018 at 10:32pm PDT

And here comes Dia Mirza as Maanayata, someone whose stood by #Sanju through thick and thin. #RanbirKapoor @diamirzaofficial #RajkumarHiraniFilms @foxstarhindi @vinodchoprafilms

A post shared by Rajkumar Hirani (@hirani.rajkumar) on Jun 6, 2018 at 10:37pm PDT

Another one of Ranbir as #Sanju in the 90’s. Coming up tomorrow is the Munnabhai look. #RanbirKapoor #RajkumarHiraniFilms @VVCFilms @foxstarhindi

A post shared by Rajkumar Hirani (@hirani.rajkumar) on May 2, 2018 at 10:09pm PDT

The post 7 famous biopics of actors you must watch appeared first on Lazy Updates.

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New Post has been published on http://www.visionmp.com/list-of-national-film-award-winners/

Here's The List Of National Film Award Winners

The National Film Awards were presented today but protests over the president handing over the honour to only a select set of winners cast a shadow over the 65th edition of the highest government recognition for the film industry with many of the recipients staying away. In a departure from tradition, the function, held at Vigyan Bhavan, was divided into two phases.

The first set of awards was conferred by Union Information and Broadcasting Minister Smriti Irani and the Minister of State Rajyavardhan Singh Rathore. The second lot, which included posthumous recognitions for Vinod Khanna and Sridevi (Dadasaheb Phalke and Best Actress respectively), was presented by President Ram Nath Kovind. “We will miss them forever,” the president said in his speech. The murmurs of discontent over the new practice under which the president was not going to present the awards to each of the winners began to gain ground during the rehearsal of the ceremony yesterday when the winners were informed about the change.

Traditionally, the president gives away all the National Film Awards. In an open letter earlier in the day, marked to the Office of the President and Ministry of Information and Broadcasting, over 70 artistes said they were skipping the ceremony as they “felt dejected rather than honoured” on being informed at the last minute that the president would give away only 11 awards.

Sridevi’s daughters — Janhvi and Khushi — and husband Boney Kapoor attended the ceremony to receive her posthumous best actress award for her last release “Mom”. “We feel proud of her achievements and we miss her today. We miss her very, very much,” Boney said. Akshaye Khanna and step-mother Kavita Khanna were here to receive Vinod Khanna’s posthumous Dadasaheb Phalke award. “We are really proud as a family. It is a bittersweet moment for us. I wish my father was here to receive this award. I am missing him. It is an emotional day for us,” Akshaye said. Divya Dutta, who won the best-supporting actress award, said it was a huge honour for her.

“It’s my first national award. My certificate will have the President’s stamp and it doesn’t matter if I get it from him or not,” she said. Dutta’s award was presented by Irani. The president, who presided over the national film award ceremony for the first time, described it as a special moment. “I must begin by congratulating each of the 125 award winners as well as the countless artists who have worked on films that are being recognised today. This is a special moment,” he said. Paying homage to the two late artists, he recalled their “finest films” — Khanna’s “Mera Apne” and Sridevi’s “Lamhe”.

“They are more than just box office successes. They tug at our hearts,” Kovind said Irani also paid warm tributes to Sridevi and Khanna. “Today on this stage we also honoured a woman who is not among us anymore. It is her first win… I remember Sridevi, who not only left a great impression on the film world but on our lives as well,” she said.

Recalling the “calibre” of Khanna, she said: “The President today also honoured a personality who, on the basis of his calibre, created history not only in cinema but also in politics.”

Among those present at the ceremony were composer AR Rahman, best feature film director Rima Das, “Newton” director Amit Masurkar, best actor Ridhi Sen, best female singer Shasha Tirupati and best Assamese film director Utpal Borpujari. Director Shekhar Kapur, who headed the jury for the feature films section, was also present for the ceremony at Vigyan Bhavan.

List of National Film Award winners in feature film category

Dadasaheb Phalke Award: Vinod Khanna

Best Feature Film: Village Rockstars (Assamese)

Best Popular Film: Baahubali 2 (Telugu)

Best Director: Jayaraj for Bhayanakam (Malayalam)

Best Actress: Sridevi, Mom (Hindi)

Best Actor: Ridhhi Sen, Nagarkirtan (Bengali)

Best Supporting Actress: Divya Dutta, Irada (Hindi)

Best Supporting Actor: Fahad Faazil, Thondimuthalum Driksakshiyum (Malayalam)

Best Film Playback Singer: Shasha Tirupati (Vaan Varuvaan song)

Best Male Playback Singer: KJ Yesudas

Best Film for National Integration: Dhappa (Marathi)

Best Adapted Screenplay: Bhayanakam (Malayalam), to Jayaraj

Best Screenplay Original: Thondimuthalum Driksakshiyum

Best Assamese Film: Ishu

Best Odiya Film: Hello Arsi

Best Marathi Film: Kaccha Limbu

Best Malayalam Film: Thondimuthalum Driksakshiyum

Best Tamil Film: To-Let

Best Kannada Film: Hebettu Ramakka

Best Telugu Film: Ghazi

Best Hindi Film: Newton

Best Bengali Film: Mayurakshi

Best Gujarati Film: Dhh

Best Tulu Film: Paddayi

Best Ladakhi Film: Walking With The Wind

Best Jasari Film: Sinjar

Best Action Direction: Baahubali 2

Best Choreography: Toilet: Ek Prem Katha (Hindi) to Ganesh Acharya

Best Special Effects: Baahubali 2

Special Jury Award: Nagarkirtan

Best Lyrics: for Song Muthu Ratna, for Kannada film March 22

Best Music Direction: A R Rahman for Kaatru Veliyidai

Background score: A R Rahman for Mom

Best Make Up Artist: Ram Razak, Nagarkirtan

Best Production Design: Santhosh Raman, Take Off (Malayalam)

Best Editing: Rima Das, Village Rockstars

Best Book on Cinema: first book on Manipuri films. This is the first time that a book on Manipuri Films has got award

Best Film Critic: Giridhar Jha

Special Mention for Film Criticism: Sunil Mishra of Madhya Pradesh

Special Mention Awards: Marathi Film – Mhorkya; Odiya Film: Hello Arsi; Malayalam: Take Off; Pankaj Tripathi for Hindi film Newton; Malayalam actor Parvathy too received a special mention for Take Off.

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Lyrics Sunta Hai Mera Khuda

Lyrics Sunta Hai Mera Khuda

Lyrics in English | Sunta Hai Mera Khuda | Pukar-2000 | Namrata Shirodkar, Anil Kapoor, Madhuri Dixit Sunta Hai Mera KhudaDil-O-Jaan Se ChaahoonTujh Ko Yaara DilrubaSunta Hai Mera KhudaDil-O-Jaan Se ChaahoonTujh Ko Yaara Dilruba Ye Zindagi Tere LiyeTere LiyeAur Tu Mere LiyeDil Ki Sada Hai Sunta Hai Mera KhudaDil-O-Jaan Se ChaahoonTujh KoYaara Dilruba………… Antakshari Songs from “S” Sajan Sun…

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Lyrics Ishq Bina

Lyrics in English | Ishq Bina | Taal-1999 | Anil Kapoor, Aishwarya Rai Ishq Bina KyaMarna YaaraIshq Bina Kya JeenaIshq Bina KyaMarna YaaraIshq Bina Kya Jeena Gud Se MeethaIshq IshqImli Se KhattaIshqWaada Ye PakkaIshq IshqDhaaga Ye KachchaIshq O….O…O…O…Ishq Bina KyaMarna YaaraIshq Bina Kya Jeena O…Gud Se MeethaIshq IshqImli Se KhattaIshq IshqGud Se MeethaIshq Ishq Imli Se KhattaIshq IshqWaada…

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Lyrics Kariye Na

Lyrics in English | Kariye Na | Taal-1999 | Alok Nath, Aishwarya Rai Sa Sa Re Sa SaGa Ma Ga ReRe Sa Re Sa SaSa Sa Re Sa SaGa Ma Ga ReRe Sa Re Sa SaSa Sa Re Sa SaGa Ma Ga ReRe Sa Re Sa SaYaara YaaraYaara HoSa Sa Re Sa SaGa Ma Ga ReRe Sa Re Sa SaYaara YaaraYaara Ho Kariye Na (2)Kariye Na HoKariye NaKariye Na KoyiWaada Kisi Se Kariya NaKariye NaKariye Na KoyiWaada Kisi Se Kariya NaKariye…

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Lyrics Taal Se Taal Mila

Lyrics Taal Se Taal Mila

Lyrics in English | Taal Se Taal Mila| Taal-1999 | Aishwarya Rai, Akshaye Khanna Dil Ye Bechain VeRaste Pe Nain VeDil Ye Bechain VeRaste Pe Nain VeJindari Behaal HaiSur Hai Na Taal HaiAa Ja SaanwariyaAa (4)Taal Se Taal MilaHo O…Taal Se Taal MilaDil Ye Bechain VeHoRaste Pe Nain VeHoZindari Behaal HaiHaaSur Hai Na Taal HaiHaaAa Ja SaanwariyaAa (4)Taal Se Taal Mila O..Taal Se Taal Mila…………… Songs…